A short but effective study in ii-V-I lines for the guitar.
Descripción: Jazz Standard
ii-V-I phrases
Estudio de las relaciones de una dominante secundaria con su tritono y con la dominante de su relativo.Descripción completa
Descripción: Diorio guitar
Don Mock - II-V-I LinesFull description
Descripción: Jazz lines from John Coltrane - ii-V-I lines transposed to all keys. Applicable to all musical instruments, not only saxophone.
Don Mock - II-V-I LinesDescripción completa
Recursos JazzDescripción completa
HARMONY II
Descripción completa
Descrição: storytelling in jazz improvisation
Jazz Improvisation Series
II-V-I Jazz Lines in Fourths Volume II by Jen-Kuang Chang
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Dedicated to my mother
Lee
Ya
Ching
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Project Objective This volume of the jazz improvisational lines focuses upon the linear constructions based upon the intervallic value of the perfect fourth, and sporadically, the augmented fourth. The non-triadic formula generates ambiguous tonal emphasis, producing comparatively invigorating sonority. The unremitting sequence of the perfect fourths and its inverted version, the perfect fifths is used infrequently to avoid the predictable linear construction. It is recommended that users start the exercises in a comfortable speed and gradually build up the facility to satisfy the technical demands in faster tempos.
About the Author Chang Jen-Kuang graduated from Berklee College of Music (B.M.), studying with renowned jazz educators such as George Garzone and Fred Lipsius. He is working toward his master degree with an emphasis on the music education in the Emporia State University, Department of Music. While completing graduate study in ESU, he serves as a Graduate Teaching Assistant and the MIDI LAB Assistant from 2002 to 2004. He is currently working on his master thesis, an analytical study on the improvisation technique of the celebrated jazz alto saxophonist Charlie Parker, which won the Harold Durst Graduate Research Award in 2004.