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How To Really Play The Piano rather than the major seventh. So, to form C6 you would add an A to the basic chord of C; E6 is an E chord with an added C; D6 is a D chord with an added B, and so on:
As a point p oint of interest (one that you don’t really need to commit to memory now, so don’t panic if this sounds a bit technical…) any given major sixth is identical to a separate minor seventh chord7 – the one rooted on the added sixth note. So, to take an example, C6 contains the notes C-E-G-A, as does Am7. Which symbol you use to describe the chord usually depends on context, and doesn’t really matter very much from the point of view of general musicianship or playing for fun. The minor sixth is only slightly different. It’s identical to its major equivalent in every way except it contains a minor third rather than a major third. So, to form Cm6 you would add an A to a Cm chord in the same way you’d add an A to a C chord to form C6. If you’ve learnt some music theory this might confuse you a bit, because in most forms of the minor scale the sixth is a semitone lower than in the major scale, giving A as the ‘sixth’ for Cm. Without digging deep into the difference between harmonic and melodic minor scales, suffice to say you actually use the same ‘sixth’ note as you would for the major sixth chord. Confused? Play the t he examples below and listen to it all make sense before your very ears:
Dominant Seventh (‘seventh’) Symbol: 7 (C7, G7, F7) The dominant seventh is a very different beast from the major seventh, both in terms of the way it's used and the way it sounds - though superficially the difference between the two chords is slight. As we saw above, dominant seventh chords are often just referred to as ‘sevenths’ or – in conversation – as ‘C seven’, ‘F seven’ and so on. 7. Minor sevenths are covered on p40.