Early Christian Architecture The Architectural response r esponse to religious requirements
Module Outline
• Lecture 1 – Historical Background Background • Loc ocat atio ion n and and pe peri rio od • Soc Social ial char charact acteri eristic stics s and and belie beliefs fs
– Architecture of of the Civilization Civilization • Ear Early ly Chri Christi stian an Arc Archit hitect ecture ure
– Architectural Characteristics Characteristics • Buildin Buildings gs and other other archi architec tectur tural al element elements s • Build Building ing materi materials, als, constr construction uction and techn technologie ologies s • Arc Archit hitect ectura urall Organiz Organizing ing prin princip ciples les
Module Outline
• Lecture 1 – Historical Background Background • Loc ocat atio ion n and and pe peri rio od • Soc Social ial char charact acteri eristic stics s and and belie beliefs fs
– Architecture of of the Civilization Civilization • Ear Early ly Chri Christi stian an Arc Archit hitect ecture ure
– Architectural Characteristics Characteristics • Buildin Buildings gs and other other archi architec tectur tural al element elements s • Build Building ing materi materials, als, constr construction uction and techn technologie ologies s • Arc Archit hitect ectura urall Organiz Organizing ing prin princip ciples les
Learning Outcomes
– The evolution of the Christian place of worship and the architecture of the Early Christian periods – Architectural response response to religious requirements and worship modes
Outline of Lecture • Lecture 1 – Historical Background • Location and period • Social characteristics and beliefs
– Architecture of the Civilization • Early Christian Architecture
Historical Background
Location
RELIGIOUS DIFFERENCES
EARLY CHRISTIAN
BYZANTINE
Historical Background Location • The Early Christian and Byzantine architecture started in two prominent locations centered at Rome and Byzantium or Constantinople • Early Christian architecture occurred in Rome and in areas around Rome • Byzantine architecture was centered at Byzantium • From the two focal points Early Christian and Byzantine Architecture spread to other areas in the European and Asian region
Historical Background Period • The following is a time line of events for the Early Christian and Byzantine period: – 29 A.D. Passing of Isa (Jesus) and beginning of Christian Religion – 286 A.D. Emperor Diocletian reorganizes the Roman Empire splitting it into two; the Eastern and the Western part – 313 A. D. Emperor Constantine recognizes the Christian religion and adopts it as a state religion
Historical Background Period – 324 A.D. Emperor Constantine reunited the Roman Empire with a new capital at Byzantium – 364 A. D. Rome finally splits into two; the Western and Eastern Empire – 476 A. D. Rome is sacked by Visgoth and Vandals – 632 A. D. Muslim begin an advance on the Byzantine empire – 1453 A. D. Byzantium falls to Sultan Muhammad II ending the Byzantine Empire
Historical Background Social Characteristics & Beliefs • The Roman Empire and the Christian Religion – The single most important social phenomenon of the early Christian and Byzantine period was the spread and acceptance of the Christian religion – During the period from the first century to the third century after the death of Jesus, Christianity was a secret society – It was considered dangerous and subversive by the government
Historical Background Social Characteristics & Beliefs • The Roman Empire and the Christian Religion – Christians met secretly in tombs and private houses – Gradually, however, it spread and became widely accepted in Asia minor and in Rome itself – By the third century, Rome had a population of 50,000 Christians – The religion was tolerated but it was still illegal
Historical Background Social Characteristics & Beliefs • The Roman Empire and the Christian Religion – The third century was for the Roman Empire a period of political instability and decline – The Empire was split into a Western and Eastern Empires – In A.D. 313, the Emperor Constantine issued the Edict of Milan making Christianity legal – He also adopted it as a state religion and he became the first Christian emperor
Historical Background Social Characteristics & Beliefs • The Roman Empire and the Christian Religion – The acceptance of the religion by the emperor fueled its expansion – It also led to the early development of places of worship for the new religion – Constantine was able to unite the Roman Empire during his reign – He established the capital of the new empire at Byzantium, renamed Constantinople or the city of Constantine – After his death, the Empire was again split
Historical Background Social Characteristics & Beliefs • The Roman Roman Empire Empire and the Christ Christian ian Religion – The Western Western Empire was was sacked by Vandals Vandals and Visigoths in 476, leading to its i ts disintegration – The Eastern Empire Empire with Constantinople Constantinople as its capital survived for a thousand years, – Although the Eastern Empire was was not yet "Byzantine" under Constantine, Christianity would become one of its defining characteristics
Historical Background Social Characteristics & Beliefs • The Roman Roman Empire Empire and the Christ Christian ian Religion – The empire was a multinational state – Greek became the the everyday language language as well as the language of the church and everyday commerce in this empire – The general identity identity of the Eastern Roman Empire was a combination of Roman statehood, Hellenistic culture and Christian religion
Historical Background Social Characteristics & Beliefs • Arch Archit itec ectu ture re of the the Per Perio iod d – With Christianity widely accepted accepted as a state religion in Rome it was necessary for architecture to respond to the demands of the religion for worship space – Mode of worship worship was the most important important determinant of the form of the church – Requirement for for church design was centered centered on worship and burial
Historical Background Social Characteristics & Beliefs • Architecture of the Period – The requirements include: • A path for processional entry and exit of the clergy • An altar area, where the clergy celebrate mass • A space for the segregation of the clergy from the congregation during procession and communion • Burial space
Historical Background Social Characteristics & Beliefs • Architecture of the Period – The focus of both Early Christian and Byzantine architecture is on the Christian church – Before the legal recognition of the new faith, Christian places of worship were of necessity inconspicuous with no fixed architectural form – Afterward, however, imposing cult edifices were erected in many parts of the Roman Empire, especially in its major cities – Early Christian builders adapted structures that had been used in the Roman world
Historical Background Social Characteristics & Beliefs • Architecture of the Period – The basilica, consisting of a nave flanked by lower aisles and terminated by an apse, was adopted as the standard structure in Christian congregational worship – This was not however the only form adopted – More centralized plans which were of round, polygonal, or cruciform shapes were adopted occasionally – Martyria were erected on sites connected with certain events in the life of Jesus and other places held to be sanctified by the sacrifice of the martyrs
Historical Background Social Characteristics & Beliefs • Architecture of the Period – In such buildings the martyrium structure and basilica were combined, creating a new formal synthesis of great significance for Christian religious architecture – Development of the Christian church continued during the Byzantine era – In the Byzantine period focus shifted from the rituals or practices of worship to the building as an embodiment or symbols of the majesty of the faith – Innovative structure was combined with light and decoration to create fascinating interiors
Architecture of the Civilization
Early Christian Architecture Introduction • The term early Christian architecture refers to the architecture of the early Christian churches of the roman era • This is further divided into two types; the basilica church and the alternative church plans • With Christianity accepted as a state religion in Rome and expanding in influence, it became necessary for architecture to respond to the space demands of the new religion • A building used for Christian worship had to provide a path for the processional entry and exit of the clergy, an alter area, where the clergy celebrated mass, a space for the segregation of the clergy from congregation during the procession and communion
Basilica Church Type
Early Christian Architecture Basilica Church Type • Apart from administering to the spiritual needs of the living, some churches also provided burial spaces for the dead • The early churches were generally simple and functional in their design • The emphasis was centered on the act of Christian worship • The architecture of the church that developed was not a completely new style, but the use of available Roman forms to satisfy a new program need • The form chosen for the early church was the Roman basilica
Early Christian Architecture Basilica Church Type • It was suitable for use as a church with no serious modification and it could be easily and rapidly built at low cost • The Basilica was also preferred because of the emphasis on participation in mass. • The most common form of the early churches had a rectangular hall with a timber trussed roof • It also had one or two isles on each side of a central nave and an apse at one end facing the principal entrance located at the other end
Early Christian Architecture Basilica Church Type • The apse of the basilica was used as a location for the alter • The nave was used as a sitting for the clergy • Common people sat in the isles • The early churches may have a courtyard or atrium in front of it • A fountain is usually located in the center of such an atrium; This was used for baptism
Early Christian Architecture Basilica Church Type • Most of the early churches had clerestory lighting • Clerestory windows were developed to give light to the central part of the interior • Gradually, the clerestory windows became a symbol of the transcendence and grace of god • Variations in the character of the early church reflected differences in local resources and traditions
Early Christian Architecture-Examples
S. Giovanni in Laterano
S. Giovanni in Laterano
Early Christian Architecture S. Giovan Giovanni ni in Late Laterano rano AD 313-32 313-320 0 • A typ typic ical al exam exampl ple e of of the the early Christian church is S. Giovan Giovanni ni in Late Lateran rano o Rome Rome • It was was the the firs firstt chu churc rch h commission by Emperor Constantine • It was was built uilt as the the Cathedral of the Bishop of Rome • It was was rem remod odel eled ed seve severa rall times
Early Christian Architecture S. Giovanni in Laterano AD 313-320 • The image is a reconstruction of the original church • The church consists of a central nave flanked by two narrow isles and separated from them by a monumental colonnade • The central nave rose above the isle roof, and the inner isle rose above the outer • The nave terminated at an apse • The structure was of brick faced concrete covered with simple trussed-timber roof.
S. Peters, Rome AD 333
S. Peters, Rome AD 333
S. Peters, Rome AD 333
Early Christian Architecture S. Peters, Rome AD 333 • The nave terminated in a triumphal arch that framed the curve of the apse • Some of the early churches were built over the tomb of martyrs and are known as martyrium • St Peters is one of the earliest and most important of the matyrium churches • It was built over what was believed to be the tomb of Saint Peter who was a disciple of Jesus
Church Of Nativity, Bethlehem
Early Christian Architecture Church Of Nativity, Bethlehem • This is the church of the nativity Bethlehem • It was built at the place where Jesus, is believed to have born. • Here we also find the standard features of a basilica church These include: • A central nave • 2 isles on each side of the nave
Early Christian Architecture Church Of Nativity, Bethlehem • An apse at the head of the nave • An atrium before the entrance • The use of clerestory lighting • The most significant aspect of this church is a large octagon at its head covered by a conical roof • This is the exact location where Jesus, Isa was born • It is therefore a palace of pilgrimage for the Christians
Church of the Holy Sepulcher
Early Christian Architecture Church of the Holy Sepulcher, Jerusalem AD335 • This is the church of the holy sepulcher in Jerusalem • Affected by the constrain of site, it has a very short atrium • It is a 5 isle church terminating at a nave articulated by 12 columns • The side isles had a gallery on top • The outer isles lead to a long peristyle court closing in a curve
Early Christian Architecture Church of the Holy Sepulcher, Jerusalem AD335 • This court is believed to frame the holy sepulcher where Christians believe Jesus is believed to be buried • The isles therefore provide access for pilgrims to go round the holy sepulcher • In general, churches that cater for pilgrims usually have a slightly different form • Some of these churches also serve as burial spots for those who want to be buried along with the saints they commemorated
END OF LECTURE - I
Outline of Lecture • Lecture 2 • Early Christian Architecture – Alternative church forms
• Byzantine Architecture – Introduction – Domes and Domes on Pendentives – Early Prototypes – Hagia Sophia
Early Christian Architecture Alternative Church Form • The rectangular basilica was not the only form adopted for the early church • Alternative more centralized plans, with a focus on a central vertical axis rather than a longitudinal horizontal one were also adopted occasionally • The reasons for their adoption is not very clear • The centralized churches were of two broad types • There were the completely circular churches • These had a circular or octagonal space surrounded by an ambulatory • Examples of these include Saint Constanza Rome, the laterna Baptistery Rome and Saint Stefano Rotondo
Early Christian Architecture Alternative Church Form • The second type of centralized church was the lobed or four-lobed form set within an overall pentagon or square • Examples of this include Holy Apostle Milan and St Lorenzo Milan • In the early years of Christianity, the alternative form was common both in the Eastern and Western Roman Empires, but later the Basilica became more popular in the West and the centralized alternative form more popular in the Eastern Empire
St Constanza, Rome
Round Alternative Form St Constanza • This was a church originally designed as a mausoleum for Emperor Constantine’s daughter • It was designed as a centralized monument
Round Alternative Form St Constanza • It is symmetrical in plan with a domed central space • The domed central space was ringed by an arcade with 12 pairs of double colonnade • Beyond the arcade is an encircling ambulatory • A barrel vault is used to roof the ambulatory
Lateran Baptistery
Round Alternative Form Lateran Baptistery • The lateran Baptistery was built by Emperor Constantine in A.D. 315 • It was designed to mirror S. Constanza • The circular scheme of S. Constanza was in this church changed to two octagonal rings • A ring of trabeated colonnade defined the central space
St Stefano Rotondo
Round Alternative form St Stefano Rotondo • It was built in A.D. 468 and was the first circular church in Rome • It is the largest circular church, having diameter of about 36 meters • The plan of the church blends the cruciform with a circular plan • It has a huge central nave
Round Alternative form St Stefano Rotondo • The central nave is encircled by ionic columns and is lit by 22 clerestory windows • An ambulatory surrounds the colonnade of the nave and opens to four chapels used to define a cruciform shape
Lobed Alternative form Holy Apostle, Milan AD 370 • This is basically a square form church with a central plan • It was built as the church of the imperial palace, when the capital of the Western Empire moved to Milan • It had a square central space 23.5 meters wide extending in all four directions • The central space was defined by a 2-storey columnar screen supporting some half domes • Several subsidiary octagonal structures are grouped around the main church
Lobed Alternative Form St Lorenzo Milan • This church was laid out as a huge cross shaped structure • It has a single aisle nave opening through columnar screens into its transept arms • Each of the arms terminate with a projecting portal hall • The building is a martyrium, holding relics of apostles in a casket beneath the alter
Byzantine Architecture The Architectural style of Constantinople
Byzantine Architecture Introduction • By the end of the 5th century AD, Rome had completely declined • It had been sacked twice and was then under occupation • Its influence was significantly reduced and the impetus for architectural innovation shifted to the Byzantine Empire • This shift also marks the movement from early Christian civilization to the Byzantine civilization • Under the Byzantine Emperor Justinian, the Byzantine style of architecture evolved • His interest in church building led to the discovery of the groin vault and the evolution of the Byzantine style
Byzantine Architecture Introduction • Although it is impossible to identify two similar Byzantine churches, it is still possible to identify the basic characteristics of an ideal Byzantine church • The attributes of the ideal church included: – The use of a centralized church plan – The use of surrounding isles – The use of pendantivesand dome on pendentives – And the use of a complex program of interior structure, lighting and decoration to create fascinating interiors
Byzantine Architecture Introduction ICONOCLASM Iconoclasm, or "image-breaking ", is the deliberate destruction within a culture of the culture's own religious icons and other symbols or monuments, usually for religious or political motives. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be applied figuratively to any person who breaks or disdains established conventions.
Byzantine Architecture Introduction ICONOCLASM & ITS EFFECT ON ARCHITECTURE :: Ÿ
Huge Interiors
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Use of Glasses and Windows
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Use of openings to cast mysterious shadows Symbolism
POST - ICONOCLASM
Domes and Domes on Pedentives
Byzantine Architecture Domes and Domes on Pedentives • Byzantine architecture gave us the pedentive domes and the dome on pedentives • The pendentive dome and the dome on pendentives provided the Byzantine architects with a unique way of adjusting the circular form of a dome roof to a square or polygonal plan • This type of dome was invented by the Romans but was seldom used by them • It was the Byzantine builders who used it to create dramatic interiors • In the Pantheon in Rome, the Dome roof had to be supported by a circular plan • The walls of the plan had to be thick to counterbalance the forces from the Dome
Byzantine Architecture Domes and Domes on Pendentives • The pendentive dome is derived by trimming the sides of a regular dome over a square plan as shown in A. • The pendentive dome enables the transfer the total load of the dome to the four corners of a building, meaning that only the four corners need to be reinforced • This allows the dome roof to be adapted for a square building as shown in B
Byzantine Architecture Domes and Domes on Pedentives • Additionally, the top of the pendentive dome can be trim to introduce another dome on top of it as shown in C • The additional dome can further be raised to introduce a cylinder between the pendentive dome and the additional dome as in D • Windows can then be introduced in the cylinder enabling architects to creating dazzling interior light effects
Early Prototypes
St Vitale Ravenna
St Vitale Ravenna
Early Prototypes St Vitale Ravenna AD 526-547 • Byzantine architecture has its early prototypes in two churches, San Vitale (526-47), Ravenna and in Saint Sergius and Saint Bacchus in Constantinople • Ravenna once served as the seat of the Roman Empire • The church is among the most important monument of Byzantine architecture • It was also the prototype for the Hagia Sophia which was built 10 years later
Early Prototypes St Vitale Ravenna AD 526-547 • The church is octagonal in plan • It has a domed octagonal core surrounded by ground level ambulatory with a gallery above it • The outer wall of the ambulatory is also octagonal • It has an apse which extends from the central core to one of the 8 sides of the outer octagon
Early Prototypes St Vitale Ravenna AD 526-547 • The domed roof of the church is raised on a drum allowing it greater height and lighting • The dome has a diameter of 17 meters and a height of 30 meters • The Byzantine characteristics of the church include: • Its central planning • The structural arrangement of its central dome • The use of surrounding isles • And the way structure, lighting and decoration have been integrated in the interior of the church
St. Sergius and Bacchus
Early Prototypes St. Sergius and Bacchus, Constantinople • It was built as a palace church between A.D. 527-536 • It is based on the four-lobed alternative church plan of early Christian architecture • The church in plan consist of an octagonal core set in a very loose rectangular form • The form of the church was not a perfect square
Early Prototypes St. Sergius and Bacchus, Constantinople • The central space was covered by a dome • The octagon of the central dome has a small but true pendentive dome • This church was constructed very shortly before Hagia Sophia and was believed to be a experiment • The dome, its adaptation to a squarish form, the use of pendentive and the lighting and decoration scheme in the interior gives it its Byzantine characteristics
Hagia Sophia
Hagia Sophia
Hagia Sophia
Hagia Sophia
Hagia Sophia
Byzantine Architecture Hagia Sophia • Hagia Sophia or the church of the holy wisdom is the most accomplished master piece in the history of architecture • The church was constructed in 532 A.D. by Emperor Justinian in Constantinople now Istanbul • Hagia Sophia was the greatest vaulted space without intermediate supports that has ever been built and it remained so throughout the history of the Byzantine Empire
Byzantine Architecture Hagia Sophia • Its architects were Isidore of Miletus and Anthemius of Tralles, professors of geometry at the University of Constantinople • The church provides an expert solution to the problem of how to place a dome on a square base • The solution was to use pendantives
Byzantine Architecture Hagia Sophia • Hagia Sophia is covered by a central dome 102 feet (31 m) across, slightly smaller than the Pantheon's • The dome seems rendered weightless by the unbroken arcade of arched windows under it, which help flood the colorful interior with light • The dome is carried on pendentives • The weight of the dome passes through the pendentives to four massive piers at the corners
Byzantine Architecture Hagia Sophia • Between them the dome seems to float upon four great arches • These four concave triangular sections of masonry solved the problem of setting the circular base of a dome on a rectangular base • The church form is a combination of centralized and longitudinal structure • Longitudinal direction is defined by domes to the east and west
Byzantine Architecture Hagia Sophia • At Hagia Sophia, two opposing arches on the central square open into semi domes, each pierced by 3 smaller radial semidomes • At the west (entrance) and east (liturgical) ends, the arched openings are extended and by great half domes carried on smaller semi-domed exedras
Byzantine Architecture Hagia Sophia • Thus a hierarchy of domeheaded elements build up to create a vast oblong interior crowned by the main dome, a sequence never seen before in antiquity • Of great artistic importance was its decorated interior with mosaics and marble pillars and coverings • The combination of interior decoration with lights flooding from its domes creates a glittering internal environment
Hagia Sophia
Hagia Sophia
Hagia Sophia
Byzantine Architecture Hagia Sophia • Hagia sophia dominated church architecture after the 6th century AD • For over 900 years it was the seat of the Orthodox patriarch of Constantinople and a principal setting for imperial ceremonies • Hagia Sophia was converted to a mosque at the Fall of Constantinople to the Ottoman Turks under Sultan Mohammad II in 1453 • Its rich figurative mosaics were covered with plaster and replaced by Islamic motifs
Byzantine Architecture Hagia Sophia • It was for almost 500 years the principal mosque of Istanbul • Hagia Sophia served as model for many of the great Ottoman mosques of Constantinople such as the Shehzade Mosque, the Suleiman Mosque, and the Rustem Pasha Mosque • After continuing as a mosque for many years, it was in 1934 turned by Turkish authorities into the Hagia Sophia Museum
Byzantine Arch. in Other Places Introduction • Byzantine churches, each with a central dome opening into surrounding semi domes and other vault forms and accompanied by the characteristic iconography proliferated throughout the Byzantine Empire Greece, Balkans, Asia manor, part of north Africa and Italy • It also influenced the design of churches in western Christendom • The later churches however lacked the power and vigor of the Hagia Sophia and were of a smaller scale compared to it
Byzantine Arch. in Other Places Introduction • As Byzantine architecture spread, it also developed with a regional flavor • Many cities built Byzantine churches that were reflective of regional practices • Some of the most prominent ones are Santa Sophia Kiev, Saint Basils Moscow, Monastryof Hosios Loukas, and Church of Graenica Yugoslavia
Santa Sophia, Kiev
Santa Sophia, Kiev
Santa Sophia, Kiev
Byzantine Arch. in Other Places Santa Sophia, Kiev • Saint Sophia Cathedral in Kiev was named after the Hagia Sophia cathedral in Constantinople • The first foundations were laid in 1037 by prince Yaroslav • The church measures 37 X 55 meters • The cathedral has 5 naves, 5 apses, and 13 cupolas (domes) • It is surrounded by two-tier galleries from three sides • In 1934 the cathedral was confiscated by the Soviets and turned it into an architectural and historical museum
Saint Basil’s, Moscow
Saint Basil’s, Moscow
Saint Basil’s, Moscow
Byzantine Arch. in Other Places St Basils, Moscow AD 1551-1536 •
Commission by Ivan the Terrible of Russia and built as the capitals main parish church
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The ground plan is an eight pointed star at the center of which is a rectangular chamber and an apse
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Eight domed tower chapels are distributed around the central chamber
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In Saint Basil Moscow, the Byzantine dome finally became onion shaped tops of towers,
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The Byzantine program of interior lighting and decoration was also lost
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Instead, it was replaced by the use of brilliant exterior colors
St Marks, Venice
St Marks, Venice
Byzantine Arch. in Other Places St Marks, Venice • St Mark is also a notable example of Byzantine architecture • It lies on St Mark's Square, one of the most famous squares in the world • The church has five domes each toping a square • The church is based on a Greek cross floor plan, based on part on the Hagia Sophia and the Basilica of the Apostles, both in Constantinople
Byzantine Arch. in Other Places St Marks, Venice • Each arm of the cross is of the same length and is covered by a dome • A dome also covers the square space at the center • While the basic structure of the building has been little altered, its decoration changed greatly over time • The front façade is Gothic and was added much later
Architectural Features SUMMARY WITH REFERENCE TO • Buildings and other architectural elements • Building materials, construction and technologies • Architectural Organizing principles
Buildings & Other Arch Elements
Buildings & Other Arch. Elements • Early Christian and Byzantine architecture was a continuation of the Roman Empire • Buildings and building practices continued from the Roman period to the Early Christian and Byzantine period • All Roman civic and Residential buildings were used during the Early Christian and Byzantine period • The only new element and the focus in the examination of the Early Christian and Byzantine Architecture is the Christian church
Buildings & Other Arch. Elements • The spread of Christianity in Rome led to the evolution of the Christian place of worship • The form of the early church was not new but an adaptation of the Roman Basilica • This form later evolved into an alternative church plan that was either round or lobed • The Byzantine church form evolved much later than the Early Christian church forms
Materials, Const. & Tech.
Materials, Construction & Tech. • The Early Christian and Byzantine period also had access to similar building materials and construction technology as the Roman civilization • Building Materials were common between the two locations • Where materials were not available, they were imported from colonies of the empire • In construction technology, the greatest contribution during the Early Christian and Byzantine era was the discovery of the pendentive and Dome on pendentive
Materials, Construction & Tech. • Using pendentives and Dome on pendentive, Byzantine architects were able to adapt the circular profile of a dome roof to a square plan • By using several overlapping domes, Byzantine architects were able to create an intricate interior structural system and external roof system • Intricate interior structural systems combined with decoration and lighting created fascinating interior effects
Materials, Construction & Tech. Technology • The Ear Early ly Chri Christi stian an and and Byza Byzanti ntine ne peri period od saw saw the most extensive use of clerestory windows • From From earl early y basi basilica lica church churches es to Byzant Byzantine ine churches, clerestory windows were used to provide lighting in the interior of churches and together with decoration enabled the creation of interesting interiors
Principles of Arch. Organization
Principles of Arch. Organization Introduction • It is is possi possible ble to und unders erstan tand d force forces s and and principles shaping Early Christian and Byzantine architecture by examining the following issues: – Religious Ritual – Symbolism – Construction Technology Technology
Principles of Arch. Organization Religious Rituals • The various ritual that comprise Christian religious worship played a fundamental part in the evolution of the Christian place of worship • Design closely mirror rituals of the religion • The initial choice of the Basilica was because of its easy adaptability to a Christian church • Later when practices started changing, the alternative church forms evolved • Ritual practices and function played a more significant influence on church form during the Early Christian period than during the Byzantine period
Principles of Arch. Organization Symbolism • Symbolism also played a significant role in the evolution of the form of the Christian church • Spirituality and mysticism were integrated into the experience of church spaces • During Christian architecture, Symbolism in the experience of space become a predominant issue in design • The use of light and decoration to create fascinating interiors but function still predominated
Principles of Arch. Organization Symbolism • During the Byzantine period the Church itself became a symbol of the faith • The Church is viewed as a house of god and its design and construction as a reflection of this symbolism • The scale of the church was therefore increased and its decoration became more complex • In this respect we see a contrast between an overriding emphasis in Early Christian architecture on function and rituals, and in Byzantine architecture on symbolism
Principles of Arch. Organization Construction Technology • Construction technology was a major influence on Church form during the Early Christian period • The Basilica was chosen during the Early Christian period partly for its ease of construction • Ease of construction means places of worship could be provided for the expanding believers • During the Byzantine era, discovery of pendentives and dome on pedentives changed technology for church construction • Provided means to achieve church forms that reflected the significance of churches as house of God
