Harvey Whistler Ensembles for Strings DailyMusicSheets PDF

FULL SCORE

BOOKS AVAILABLE: String Piano

Parts

(First

Position

Accompaniment Full Score

.

r

rp~eface 8NSEMBLES

FOR STRINGS represents an indispensable collection of worth-while compositions,

styled in easy arrangements for duet, trio, quartet and ming orchestra performance, with or without piano accompaniment.

The material presented is admirably suited for players with only a limitad

technic and experience, while the programmatic nature of the contents malees it highly desirable for use in almost any type of public performance.

Heretofore, the lack of easy music for ming ensemble performance has been a fador in limiting the possibilities of chamber music experienco by students who have studied only a short length of time. With the advent of "Ensembles for Strings," however, a deAnite step forward has been taken, as materials are now provided that will AIIa long felt need, and which will not only enhance the value of the elementary stages of stringed instrument study, but also will increase its scope and vitalize its possibilities. Duets, trios, and quartets, are especially valuable as a means of.developing players' ability to follow polyphonic dialogue of two or more inmuments; likewise, such performance developl a keenn...

for

accurate intonation, and an appreciation for the most subtle shades of tone color, neither of which results entirely from solo playing.

Whether used in the traditional string quartet arrangement (two violins, viola, and cello), or in combination of two, three, or four violins, with or without accompaniment,"Ensembles

for Strings" is scored

in such a manner that it will achieve maximum results regardless of the instrumentation employecl. When the viola is lacking for string quartet performance, a violin playing the third part may be substituted for the tenor instrument with no loss whatsoever in harmonic balance.

If a full string ensemble (orchestra)

is desired, parts for two or more violins, viola, cello, and string bass, with or without piano accompaniment, may be utilized. When atrio of violin, cello, and piano is to perform, parts for these inmuments are so wri"en that they serve this ensemble combination in a highly satisfactory manner.

AII of the material in "Ensembles fer Strings" has been carefully editecl and bowecl. The range of each string part is such that all instruments, including ming bass, may rema in in the Arst position throughout the entire work; in fact, fourth Fingerand open ming connotations indicated in the violin and viola parts suggest this very procedure. Players desiring to malee use of higher positions, however, may do so at their own discretion, enhancing to a still greater degr.. the overall musical effect.

The writers wish to express their gratitude to the faculty string quartet of the state teachers' college at San Jose, California, for having been kind enough to test through actual performance the entire work while in manuscript form, and for having made timely suggestions for its improvement.

Jlllrvell S. Wltisfler, PIt.1). ENSEMBLE S FOR

STRINGS

JlerlllllH Á. .H1I1II1IIel $C.1)

fUdICfU d8 Ol'Questaa

Sistema

IllUl8s

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DONACION

Juuenlles

~.etE:~..o.

Gnsemble~~ AN INDISPENSABLE

ENSEMBLE

FOR DUET. TRIO AND

trings

COllECTION

QUARTET

FOR STRINGED

PlA YING. AS WEll

INSTRUMENT

AS STRING

GROUPS.

ORCHESTRA

SUIT ABlE

PERFORMANCE

by HARVEY S. WHISTLER and

HERMAN

A. HUMMEL

e"JfteJfts No. ANDANTE

CANTABILE

ANDANTlNO.

from String

Op. 11.

Ouartet

. . . . . . . . Tschaikowsky 12

. . . . . . . . . . . . . . . . . . . . . . .

Lemare

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ARIA NOBILE from Classic Symphony. . . . . . . . . . . . . . . . . Haydn 6 DANSE MACABRE from Symphonic Poem. . . . . . . . . . . . . . Saint-Saens 10

HAPPY FARMER THE. MENUETTO

. . . . . . . . . . . . . . . . . . .

from Symphony Concertante.

Schumann

1

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ON WINGS OF SONG. . . . . . . . . . . . . . . . . . . Mendelssohn RONDO. . . . . . . . . . . . . . . . . . . . . . . . . Beethoven SCARF DANCE. . . . . . . . . . . . . . . . . . . . . . Chaminade SCENE AND

DANCE

SOUTHERN

SPIRITUALS

TAMBOURIN

from Swan

DANCE

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Based on Waltz

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STRING

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PIANO FULL SCORE

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HAL-LEONARCO

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Danse Macabre from

Symphonic

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Symphony

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MOZART

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RUBANK

the

From

EDUCATIONAL

LlBRARY

RUBANK ELEMENTARV METHODS A Series of Graded Fundamental Courses for Individual or Like-Instrument Class Instruction Ej;> or BBj;> BASS (Tuba) . Petersen FLUTE (Piccolo) Hovey

CLARINET

Hovey

. .

OBOE

Skornicka Hovey

BASSOON . SAXOPHONE CORNET or TRUMPET

Robinson

FRENCHHORN (Ej;> Alto-Mellophone) TROMBONE or BARITONE

Skornicka Long

Hovey Yoder Whistler BELL LYRA . MARIMBA or XYLOPHONE . Peterson . Whistler TYMPANI ., DePressles GUITAR (Spanish). . . . Potter VIOLlN , Ward .. VIOLA. . Ward CELLO. . Ward .. STRING BASS.

RUBANK INTERMEDIATE A Series Individual

of Graded Follow or Like-Instrument

FLUTE (Piccolo) . .Skornicka-Petersen CLARINET

. . . . . Skornicka-Miller

OBOE.

. . .

Skornicka-Koebner

..

DRUMS.

METHODS Up Courses for Class Instruction

TROMBONE or BARITONE . . . . . . . Skornicka-Boltz Ej;>or BBj;>BASS (Tuba)

FRENCH HORN (Ej;>Alto-Mellophone) . . . . . . Skornicka-Erdman

. . . . . . . Skornicka-Boltz DRUMS . . . . . . . . . Buggert MARIMBA-XYLOPHONE-VIBES . Jolliff VIOLlN . . . . . . . . . . Potter VIOLA. . . . . . . . . . . Ward CELLO. . . . . . . . . . . W ard

RUBANK ADVANCED

METHODS

BASSOON.

. . . . . . . Voxman

SAXOPHONE

...,.

Skornicka

CORNET or TRUMPET . . Skornicka

A Series of Outlined Courses of Studies Designed to Follow Any of the Various Elementary or Intermediate Method Series FLUTE, Vol. I . . . . Voxman-Gower

CORNET

FlUTE, Vol. 11. . . . . . . Voxmon CLARINET,Vol. l.

. . Voxman-Gower

CLARINET,Vol. 11 . . Voxman-Gower OBOE, Vol. I . . . . Voxman-Gower OBOE, Vol. 11. . . . . . . Voxman BASSOON, Vol. I . . Voxman-Gower BASSOON, Vol. 11. . . . . Voxman SAXOPHONE, Vol. I . Voxman-Gower

o

~Lj JIJ HL04473520

9

Vol.

11

FRENCH

HORN, Vol. l. Gower-Voxman

FRENCH HORN, Vol. 11.Gower-Voxman TROMBONE or BARITONE, Vol. I . . . . . . . Gower-Voxman

TROMBONE or BARITONE, Vol. 11 . . . . . . . Gower-Voxman Ej;>

or BBj;>BASS (Tuba), Vol. I

. . . . ; . . Gower-Voxman

SAXOPHONE, Vol. 11. . . . Voxman

Ej;> or BB¡' BASS (Tuba), Vol. 11

CORNET or TRUMPET, Vol. I . . . . . . . Gower-Voxman

DRUMS . . . . . . . . . Whistler

PRINTED IN U.S.A.

U.S. 6.99

or TRUMPET,

. . . . . . . Gower-Voxmon

. . . . . . . Gower-Voxman

No.327

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