“Elixir HD HD Light Acoustic Strings are a tone-lover’ tone-lover’ss dream! My guitars sound bigger and fatter than they are.” - Peter Huttlinger
Elixir
®
Light Strings
A new voice to love lov e – for longer - Bolder, stronger high end - Fuller, warmer low end - Balanced voice across all strings - Ideal for narrow bodied guitars - Comfortable, balanced hand feel - .013, .017, .025, .032, .042, .053 Available in Phosphor Bronze and 80/20 Bronze, the new HD Light Strings deliver the extended tone life players expect from Elixir Strings. Strings.
www.elixirstrings.com/hdlight
Peter Huttlinger plays Strings HD Light Phosphor Bronze Elixir Strings ® with NANOWEB Coating, .013 - .053
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twitter.com/elixirstrings
youtube.com/elixirstringsmedia
GORE, ELIXIR, NANOWEB, POLYWEB, GREAT TONE · LONG LIFE, “e” icon, and other designs are trademarks of W. L. Gore & Associates. ©2014 W. L. Gore & Associates, Inc.
ELX-381-ADV-US-JUN14
“Elixir HD HD Light Acoustic Strings are a tone-lover’ tone-lover’ss dream! My guitars sound bigger and fatter than they are.” - Peter Huttlinger
Elixir
®
Light Strings
A new voice to love lov e – for longer - Bolder, stronger high end - Fuller, warmer low end - Balanced voice across all strings - Ideal for narrow bodied guitars - Comfortable, balanced hand feel - .013, .017, .025, .032, .042, .053 Available in Phosphor Bronze and 80/20 Bronze, the new HD Light Strings deliver the extended tone life players expect from Elixir Strings. Strings.
www.elixirstrings.com/hdlight
Peter Huttlinger plays Strings HD Light Phosphor Bronze Elixir Strings ® with NANOWEB Coating, .013 - .053
facebook.com/elixirstrings
twitter.com/elixirstrings
youtube.com/elixirstringsmedia
GORE, ELIXIR, NANOWEB, POLYWEB, GREAT TONE · LONG LIFE, “e” icon, and other designs are trademarks of W. L. Gore & Associates. ©2014 W. L. Gore & Associates, Inc.
ELX-381-ADV-US-JUN14
Our SE line of affordable, quality instruments has expanded to include electrics, acoustics and now two basses: the SE Kestrel and the SE King�sher.
© 2014 PRS Guitars / Photos by Marc Quigley
TONE CONTROL
Within YOUR Reach Three new ways to put excitement in your rig: Two new overdrive pedals with ™ ™. ®
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guitarplayer.com
VOL. 48, NO. 9, SEPTEMBER 2014 EDITOR IN CHIEF
MANAGING EDITOR
FINALLY. ACCESSORIES THAT HOLD YOUR NECCESSORIES.
SENIOR EDITOR
ASSOCIATE EDITORS
LOS ANGELES EDITOR
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COMING THIS SUMMER!
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Michael Molenda
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GUITARPLAYER.COM/SEPTEMBER 2014
You're looking at Serial 210001F1409471
You're looking at Serial 140030754
You're looking at Serial 13-06022
Prestige Series AR2619
Les Paul Supreme
Contoured Exotic Top
Item ID: AR2619CS
Item ID: LPSU146OGH-14
Item ID: 5998CETGHB
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GP Community NOIZE FROM THE EDITOR for the room, not playing in the
little to do with the pulse of the
to an earsplitting guitarist go
pocket, not listening to the rhythm
drums and bass—the rhythmic
unheeded. They may not talk to
section, not giving the vocals the
train wrecks can be soul munch-
the guitar player anymore—who
space they need, and so on. Still,
ing. After all, it’s the drummer’s
starts thinking, “Cool, I guess I
even knowing about those foibles,
job #1 to keep the groove in line,
can play as loud as I want now”—
it’s a far more frustrating experi-
so bad guitar behavior here is l ike
but they’re certainly bitching and
ence when you’re sitting behind
setting up the unlucky percussion
moaning amongst themselves.
the band on a drum stool, getting
player for epic failure.
Not a great scenario for a harmo-
every single cue and musical sub-
And while instrumentalists
nious musical partnership. Talk-
WHEN I’M A GU ITAR PLAYER,
tlety obliterated by caterwauling
make jokes about diva-esque
ing behind peoples’ backs never
I love and respect guitarists as
fusillades of amplified guitar. It’s
“lead-singer disease,” it’s no picnic
ends well.
if every single one of you were
like the difference between read-
compromising your voice’s timbre
Ultimately, it’s all about making
my brothers and sisters. But, in
ing about foxholes and actually
and health trying to sing over near-
music together , right? Machismo
recent months, I’ve acted on a life-
being in one duri ng World War II’s
deafening guitars. One can for-
and ego and love of loud aren’t
long ambition by playing drums
Battle of the Bulge.
give a bit ‘o’ band drama when
cool if guitarists trounce all over
with a few local bands. And, I’ ve
I’ll laugh at myself when I turn
stepping onstage with a clue-
the music. Listen. Absorb. Be
gotta say, when I’m a drummer,
a groove inside out on guitar, but,
less guitarist puts singers at risk
Sensitive. Please. I don’t want to
I pretty much despise everyone
once again, taken from the drum-
for vocal-cord blowouts.
keep hating my own kind any-
who wields a guitar. Talk about
mer’s perspective—who is perhaps
One of the most interest-
your conflicting emotions!
valiantly trying to keep butts shakin’
ing things I’ve learned from my
There’s the obvious stuff that
on the dance floor while the gui-
drummer gigs is that the other
most self-aware electric guitar-
tarist is grooving ever-so-loudly to
musicians tend to give up when
ists will cop to: Playing too loud
beats in his or her head that have
constant “turn it down “ requests
IF I WERE EDITOR OF GUITAR PL AYER …
more. [Laugh here.]
GP POLL
CAST YOUR VOTE! NEW POLL EVERY WEEK AT GUITARPLAYER.COM
… I’d bring back the GP Soundpage in a digital format. Beyond featuring a new recording each month, I’d also upload all the original Soundpages
BEST VIBRATO?
from each issue they appeared in, along with the accompanying feature article. I’ll never forget the first time I heard Allan Holdsworth, as I gently removed “DevilTaketheHindmost”from
B.B. KING
my issue of Guitar Player , laid the Soundpage on top of a 45
DAVID GILMOUR
on my turntable, and seared my ears. —JON MELSNESS
ERIC CLAPTON
For 2014, “Rant of the Month” has become “If I Were Edi tor.” Now, you get to share your wisdom in
PAUL KOSSOF
a more focused and productive way about a specific element
CARLOS SANTANA
you’d like to ch ange about GP . Take my job! Make the magazine better! Send your ideas to mmolenda@musicplayer. com with the subject line, “If I Were Editor.” Due to space constraints, we can only handle around 100 words. — M I C H A E L
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