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berklee jazz guitar chord
DICTIONARY
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Berklee Press Vice President: Dave Kusek Dean of Continuing Education: Debbie Cavalier Managing Editor: Jonathan Feist Director of Business Affairs: Robert F. Green Senior Designer: Robert Heath
Editorial Assistants: Rajasri Mallikarjuna, Jonathan Whale
ISBN-13: 978-0-87639-079-5 ISBN-10: 0-87639-079-3 Sign up to vote on this title
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Contents Introduction Part I. Chords 1. Move Moveab able le 7th 7th Ch Chord ord S Sh hape apes (each on 5 4 3 2 4 3 2 1 6 4 3 2 5 3 2 1 ) Major 7 Dominant 7 Minor 7 Minor 7%5 Major 6 Minor 6 Diminished 7 Dominant 9 Minor 9 Minor 11 Dominant 13 2. Domi Domina nant nt 7th 7th Cho Chord rdss wit with h Alte Altera rati tion onss: two versions versions each, each, with roots roots on 6 and 5 Dominant 7%5 Dominant 7(#11) Dominant 7(9, #9) Dominant 7#5 Dominant 7(%9, %13) Dominant Dominant 7(altered): 7(altered): 7%5(%9), 7%5(#9), 7#5(%9), 7#5(#9) 3. Guide Tone Chords Root Root 3 7 (Major (Major 7, Domina Dominant nt 7, 7, Minor Minor 7, 7, Minor Minor 7%5, Major 6, Minor 6, Diminished Diminished 7) Root Root 7 3 (Major (Major 7, Domina Dominant nt 7, 7, Minor Minor 7, 7, Minor Minor 7%5, Major 6, Minor 6, Diminished Diminished 7) 4. Triad riadss over over Bass Bass-N -Not otee Voi Voici cing ngss with with Roo Roots ts on on 6 5 4 V /I %VII/I Other Common Common Voicings: oicings: (III/I, II/I, #IV/I, VI/I, VII/I) 5 3 2 1 ) 4 3 2 1 6 4 3 2 5. Inversions (each on 5 4 3 2 Major 7 Dominant 7 Minor 7 Minor 7%5 Sign up to vote on this title Major 6 Useful Not useful Minor 6 Part II. Exercises
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Introduction
The Berklee Jazz Guitar Chord Dictionary is a resource for 7th-chord voicings and other frequently encountered jazz chord shapes on the fretboard. The following diagrams indicate what notes you should use for each
chord voicing. These chord blocks will show you the right shapes, but as a musician, you owe it to your audience and yourself to hear the music before you play it. This material will help you to map out the sounds on your fretboard. With time, you will hear the chords before you play them. Strive to play these chords with a solid time feel, a full tone, and atta
with your “picking hand” that match the level of intensity of the musi you’re attempting to play.
You're Reading a Preview Unlock full access with a free trial.
Some tips for getting a good chord With sound: Download Free Trial •
Take special care to play the notes requested—and to leave ou or mute the strings with the
x
symbol above them. Keep the
extra strings out of the sound. •
Use the edges of your fingers of your fretting hand to mute Sign up to vote on this title
Not useful unwanted strings. Focus your strumming Useful (or finger-picking
attacks) on the indicated strings. Avoid sounding the others.
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When you’re using your fingers to pluck chords, take care to
balance the level of each chord tone. A common tendency is t hit the outermost notes with the most force, resulting in a
thinner texture. You’re working to put those notes on the frets make sure that the listener can hear them! •
While forming the chords, make sure that your fingers are as close to the intended frets as possible.
•
When changing chords, mute the strings by lifting your finge from the strings, but still touching them, to hold them still as you slide to the next chord.
•
Make sure all notes ring. If you’re not hearing all the notes clearly, keep working to curve your fingers and adjust your hand position on the intended frets to make the sound shine You're Reading a Preview
through your instrument. Unlock full access with a free trial. Download With Free Trial
Playing chords effectively takes time, and the learning process require practice. There are three common stages of development. •
Physical Stamina: Building your hand muscles
•
Muscle Memory: Memorizing the proper chord-voicing shap Sign up to vote on this title
•
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Informed Musical Instincts : Using these chords to make
music
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Here are some other things to keep in mind: •
While practicing, stay vigilant, playing in time and using a
metronome or drum machine. Stay with a musical task until y can make it groove with a strong time feel. •
Play with other musicians whenever possible, as often as you can. Practicing by yourself is only part of the overall plan.
•
Make sure that the chords that you play fit well into your playing situation. Should your voicings contain a lot of notes or a few? Listen to the overall texture, and make a musical decision.
•
Listen to the originators of the styles that you love. It’s one of the best ways to keep yourself inspired—and to help you to You're Reading a Preview
keep the highest musical values in mind. Unlock full access with a free trial. •
Download With Free Trial
Listen to great guitarists, but don’t stop there. Focus on performers of other instruments as well. Bring it all together to help you to develop your own unique voice.
Keep working, and be patient with yourself. Having the physical strength and the knowledge of the shapes provide means to musical
Sign up vote on this ends. With time, you’ll be able to choose from a tovariety oftitle options.
If you keep at it, you’ll definitely get there!
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PART I. CHORDS You're Reading a Preview
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Chapter 1. Moveable 7th Chord Shapes Major 7
CMaj7
CMaj7
3fr
10fr
1324
1333
12 12 12 10
5 4 5 3
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CMaj7
CMaj7
8fr
1
3 42
3fr
1
3 42
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Dominant 7 C7
C7
3fr
10fr
1314
1324
5 3 5 3
12 11 12 10
C7
C7
8fr
1
3fr
2 43
You're Reading a Preview
1
2 43
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3 5 3
8 9 8
3
8
Minor 7 C–7
C–7
3fr 1312
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MOVEABLE 7th CHORD SHAPES C–7
C–7
8fr
3fr
2
1
333
8 8 8 8
243
3 4 3 3
Minor 7%5 C–7b5
C–7b5
3fr
10fr You're Reading a Preview
1324
C–7b5
11 11 11 10
C–7b5
7fr 3 41
1222
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4 3 4 3
2
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2fr
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Major 6 CMaj6
CMaj6
2fr
10fr
2314
1314
12 10 12 10
5 2 5 3
CMaj6
CMaj6
7fr
2
2fr
1 43
2
1 43
You're Reading a Preview
Unlock full access with a free trial.
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8 9 7
3 5 2 3
8
Minor 6 C–6
C–6
2fr
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2413
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MOVEABLE 7th CHORD SHAPES C–6
C–6
7fr
2
2fr
1 34
2
1 43
3 4 2
8 8 7
3
8
Diminished 7 Cº7
Cº7
2fr
You're Reading a Preview
2314
10fr
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4 2 4 3
Cº7
2fr
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1 31
11 10 11 10
Cº7
7fr 2
1324
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Dominant 9 C9
C9
2fr
9fr
2133
2143
3 3 2 3
10 11 9 10
C9
C9
5fr 3
4 21
5 7 8 8
2
34
You're Reading a Preview
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0 3 3 3
Minor 9 C–9
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MOVEABLE 7th CHORD SHAPES
Minor 11 C–11
C–11
6fr
2
3 41
6 8 8 8
2
3 41
1 4 3 3
Dominant 13 C13
C13
2fr
8fr
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21334
1
2 34
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5 3 3 2 3
10 9 8 8
C13
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Chapter 2. Dominant 7th Chords with Alterations Dominant 7%5 C7b5
C7b5
7fr
2
2fr
3 41
2
2 5 3
7 9 8
3
You're Reading a Preview
8
3 41
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Dominant 7(#11) C7(#11)
C7(#11)
7fr
2
3 41
2fr
2
3 41
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DOMINANT 7th CHORDS
Dominant 7(9), Dominant 7#9
C7(#9)
C9
2fr
2133
§9
2fr
3 3 2 3
2134
#9
4 3 2 3
C7(#9)
8fr
1214
#9
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11 8 9 8
Dominant 7#5 Sign up to vote on this title
C7#5
8fr
C7#5 Not useful
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3fr
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Dominant 7 (
Dominant 7 (%9, %13) C7(b9,b13)
C7(b9,b13)
8fr
2fr
1
2 33 3
21314
9 9 9 8 8
4 2 3 2 3
Dominant 7(altered) 7%5(%9) C7b5(b9)
7fr
T 2 31 4
2fr
You're Reading a Preview Unlock full access with a free trial.
21311
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9 7 9 8
C7b5(b9)
2 2 3 2 3
8
7%5(#9) implied root
C7 5( 9) 7fr
Sign upC7 to vote 5( on9)this title
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DOMINANT 7th CHORDS
7#5(%9) implied root
C7 5( 9)
C7 5( 9)
2fr
8fr 21314
1222
9 9 9 8
4 2 3 2 3
You're Reading a Preview
7#5(#9)
Unlock full access with a free trial.
implied root
C7 5( 9)
Download With Free Trial C7 5( 9) 2fr
8fr
1224
11 9 9 8
21344
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Chapter 3. Guide Tone Chords Root 3 7 CMaj7
C7
2fr
2fr
213
213
4 2 3
3 2 3
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C–7b5
C–7
213
213
3 1
(incomplete)
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3 1
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GUIDE TONE CHORDS
CMaj6
C–6
2fr 312
312
2 2 3
2 1 3
Cº7
312
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2 1 3
Root 7 3 CMaj7
8fr 1
23
C7
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C–7b5 (incomplete)
C–7
8fr 2
34
8fr 2
34
8 8 8
8 8 8
CMaj6
C–6
7fr 2
13
7fr 2
13
You're Reading a Preview
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9 7
8 7
8
8
Cº7
7fr
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2
13
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Chapter 4. Triads over Bass-Note Voicings: Roots on 6 5
4
V/I GMaj/C
GMaj/C
7fr
2
3fr
10fr
1321
131
1341
7 8 7
GMaj/C
3 4 5 You're Reading 3 a Preview
8
Unlock full access with a free trial.
10 12 12 10
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%VII/I BbMaj/C
BbMaj/C
6fr 3
4 21
BbMaj/C
3fr
10fr
1111
1121
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Other Common
Other Common Voicings III/I EMaj/C
EMaj/C
8fr
1
3fr
3 33
1
2 43
4 5 4
9 9 9
3
8
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DMaj/C
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2
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1 31
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2 3 2
7 7 7
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TRIADS OVER BASS-NOTE VOICINGS: ROOTS ON 6
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5
4
VI/I AMaj/C
AMaj/C
8fr
1
3fr
4 23
1
4 23
5 5 6
10 9 11
3
8
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VII/I BMaj/C
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BMaj/C
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7 7 8 8
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2
4 31
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Chapter 5. Inversions Major 7 CMaj7
CMaj7/E
3fr
5fr
1324
5 4 5 3
4
3
CMa
9fr
2413
5
CMaj7/G
2314
8 5 9 7
2
12 9 10 10
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CMaj7
CMaj7/E
8fr
1
3 42
8 9 9
CMaj7
10fr
2
1 34
12 12 10
CMaj7/B
8fr
1
5fr
3 42
8 9 9
CM
3
1 11
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INVERSIONS
CMaj7
CMaj7/E
3fr 3 24
2
3 5 4
3
5
3
2
5fr 1
7 8 5
7
7 8 7
7
2 41
8 12 9
10
CMaj7/G
8fr
2311
1113
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1
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8 8 9 9
CM
5fr
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12 12 12 10
2
3
CMaj7/B
1333
3
2 43
1
10fr
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8fr
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CMaj7/G
7fr
1
CMaj9/E
5 5 5
Dominant 7 C7/Bb
C7
10fr 1324
C7/G
8fr 1211
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C7
8 9 8 8
6
4
3
10fr 3
12
5 5 5
8
6
C7/G
5fr 3
C7
8fr
2 43
2
1 11
C7/E
1 42
3
2 41
You're Reading a Preview
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3
3
2
2
3 5 3
5
2 43
8 9 8
3fr
17fr
1
11 12 10
C7
1
8fr
1 42
C7/Bb
C7
2 43
Jazz Guitar Voicings
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C7/E
8fr 1
Jazz Guitar Chords
1
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6 8 5
7
8 11 9
10
Minor 7 C–7/Eb
C–7
3fr 1312
5fr 2314
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8frNot useful
C–
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INVERSIONS
C–7/Bb
C–7
10fr
4
1111
11 11 12 10
3
2
1
C–7/Eb
C–7
8fr 3 33
2
8 8 8 8
6
4
3
same as EbMaj6
8fr
4fr
2
3 33
4
You're Reading a Preview
2 31
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11 12 10 11
8 8 8
4 5 5
8
6
3
2
C–7/Eb
C–7
3fr
same as EbMaj6
5fr
C–7/G Sign up to 8fr vote on this title
1
C–7/Bb
C–7
1 43
131
6 4 5 5
10fr
2
2314
8 8 8 8
C–7/E
4fr
1423
C–7/G
8fr
2 43
2
1 43
Useful 3
1 41
Not useful
C–7/B
3
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C–7b5/Gb
C–7b5/B
Minor 7%5 C–7b5
C–7b5/Eb
3fr
5fr
same as Eb–6
8fr
1324
5
2413
4 3 4 3 4
3
7 5 8 6
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10fr
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11 11 11 10
3
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3 41
11 8 10 9
C–7b5/Gb
7fr 2 3 1You're 4
13 11 13 13
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1 34
1312
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same as Eb–6
6 4 5 4
C–7b5
10fr 2
C–7b5/E
4fr
8 7 8 8
7fr 2
2314
2
C–7b5
2314
7fr 2
3 41
C–7b5/Bb
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2 1 3 1
C–7b
4fr
Not useful
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1 21
2
13
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INVERSIONS
C–7b5
C–7b5/Eb
2fr 2
3 41
2
2 4 3
3
5
3
2
5fr
C–7b5/Gb
same as Eb–6
1 43
8fr
8 11 8
11 13 11
2
6 7 5
6
C–7b5/B
1 41
2
9
14
13
1
Major 6 CMaj6
2fr
2314
5 2 5 3
5
4
3
5fr
CMaj6/A
9fr
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2314
2314
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8 5 7 7
10 9 10 10
1312
13 12 14 12
2
CMaj6
CMaj6/A
10fr
CMaj6/G
CMaj6/E
1314
7fr
same as A–7
CMaj6/G
5frvote on this title Sign up to
1423
CMaj6/E
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CMaj6
2
3 5 2
5
3
2
1
CMaj6
6
3
8 9 7 8 4
3
8 10 9
12 13 12
7
2 41
1
10
CMaj6
10fr
1 43
3
CMaj6/E
7fr 2
1 41
5 8 5
3
CMaj6/A
8fr
3
CMaj6/A
7fr
5fr
1 41
CMaj6/G
5fr
1 43
Jazz Guitar Voicings
Search document
CMaj6/E
2fr
Jazz Guitar Chords
2
2
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12
8 9 7 8
CMaj6/
3 33
You're Reading a Preview
10 12 10
12
same as A–7
1 43
5 5 5 5
24
4
23
1 2 2 3
2
Minor 6 C–6/Eb
C–6
2fr 2413
5fr 2314
C–6/G
Sign up to vote on this title
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2314
C–6/A
Not useful 1324
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INVERSIONS
C–6
C–6/A
10fr
3
2
5 4 5 5
C–6/Eb
C–6
10fr
1 34
2
8 8 7 8
4
1214
3 1 2 1
1
7fr
6
2314
8 8 8 7
C–6
2
1222
11 10 12 10
C–6/E
4fr
1312
4
C–6/G
7fr
same as A–7b5
3
C–6/A
7fr 2
1 34
2
3 41
3
Unlock full access with a free trial.
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11
8
4 5 5 5
C–6/Eb
2fr
C–6/G
3
5fr
C–6/A
8fr Sign up to vote on this title
1 2 1
2
C–6
2
12
You're Reading a Preview
10 12 10
C–6/G
4fr
1 31
same as A–7b5
1 43
2
1 41
3 Useful 1 41
Not useful
2
3 41
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PART II. EXERCISES You're Reading a Preview
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Chapter 6. Quartal Voicings Exercises C Dorian Voicings (for use on C–7 or F7sus4) 3fr
5fr
1112
1112
6fr
4 3 3 3
1234
6 5 5 5
8 7 7 6
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8fr
1113
10fr
1112
12fr
1112
13fr
1123
Sign up to vote on this title 10 8 8 8
11 10 10 10
13 Useful 12 12 12
Not useful15 14 13 13
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C Dorian V
5fr
3fr 1123
3 3 2 1
8 8 7 7
1122
5 4 3 3
7fr 1122
1234
6 6 5 5
10fr
8fr
1134
10 10 8 8
12fr
1122
1122
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13 13 12 12
11 10 10
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Chapter 7. Diatonic Exercises B%Major on BbMaj7
5
4
3
C–7
2
3fr 1324
3 2 3 1
4 3 5 3
6 5 7 5
11 10 12 10
13 12 13 12
15 14 15 13
EbMaj7
F7
8fr
13fr a free trial. Unlock full access with Download Free Trial 1 3 2With 4
1324
10 8 10 8
6fr
5fr
G–7
12fr
13 12 13 12
11 10 12 10
1324
1312
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D–7
1314
8 7 8 6
1324
You'reBReading bMaj7 a Preview A–7b5
12fr
F7
6fr
1312
10fr 1312
5fr
1312
A–7b5
G–7
EbMaj7
D–7
Useful C–7 Not useful
3fr
BbMaj7
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E%Major on
4
of 46
3
EbMaj7
2
F–7
3 3 3 1
4 4 5 3
C–7
D–7b5
10fr
1423
11 11 12 10
8fr
1333
6 6 7 5
1324
8 8 8 6
EbMaj7
10 9 10 8
D–7b5
13fr
C–7
12fr
You're Reading a Preview 1333
15 15 15 13
6fr
1423
Download With Free Trial
AbMaj7
Bb7
6fr
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13 13 13 12
Bb7
AbMaj7
5fr
12fr 1222
1 G–7
1423
Jazz Guitar Voicings
Search document
3fr 1333
Jazz Guitar Chords
1222
13 13 13 12
11 11 12 10
Sign upF–7 to vote on this title E
G–7
5fr
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DIATONIC EXERCISES
F Major on
6
FMaj7
4
3
2
G–7
3fr 1
3 42
2
3 33
2
6fr
3 33
1
3 42
1
2 43
3 3 3
5 5 5
6 7 7
8 9 8
1
3
5
6
8
E–7b5
10fr 3 33
11fr 2
E–7b5
FMaj7
13fr
3 41
1
D–7
11fr
You're Reading a Preview
3 42
2
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3 41
10fr
2
3 33
10 10 10
11 12 12
13 14 14
11 12 12
10 10 10
10
12
13
12
10
BbMaj7
C7
8fr 1
5fr
C7
1 2 2
D–7
2
BbMaj7
A–7
2 43
A–7
6fr 1
3 42
5fr 2
3 33
Sign up G–7 to vote on this title
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FMaj7
Not useful 3fr
3 33
1
3 42
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B%Major on
5
of 46
3
BbMaj7
2
Jazz Guitar Chords
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1
C–7
EbMaj7
D–7
3fr
5fr
F7
6fr
3 4 3
5 6 5
6 8 7
8 10 8
1
3
5
6
8
G–7
A–7b5
1
3 42
1
1 3 2
2 43
10fr
1
2 43
1
2 43
BbMaj7
11fr
2
3 41
1
3 42
A–7b5
13fr
1
2 43
G–7
11fr
10f
You're Reading a Preview 1
3 42
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2
3 41
1
2 43
10 11 10
11 13 12
13 15 14
11 13 12
10 11 10
10
12
13
12
10
EbMaj7
F7
8fr
6fr
Sign up to vote on this title
D–7
5fr
C–7 BbMaj7 Not useful
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DIATONIC EXERCISES
F Harmonic Minor on G–7b5
F–(Maj7)
6
4
2
1
3 33
2
3 33
1
2 43
2 3 3
5 5 5
6 6 6
8 9 8
1
3
4
6
8
Eº7
9fr
F–(Maj7)
11fr
3 42
2
DbMaj7
Eº7
13fr
11fr
You're Reading a Preview
1 31
1
4 23
2
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1 31
1
3 42
9 10 10
11 12 11
13 13 14
11 12 11
9 10 10
9
12
13
12
9
Bb–7
C7
8fr 1
6fr
3 41
C7
1 1 2
DbMaj7
1
Bb–7
4fr
4 23
2
AbMaj7#5
2fr 1
3
243
AbMaj7#5
6fr 2
333
4fr 1
333
b
G–7 5 on this titleF–(Maj7) Sign up to vote
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F Melod
F Melodic Minor on F–(Maj7)
6
4
3
AbMaj7#5
G–7
3fr
1
4 23
2
Bb7
C7
4fr
6fr
3 33
1
3 33
1
2 43
1
2 43
1 1 2
3 3 3
5 5 5
6 7 6
8 9 8
1
3
4
6
8
E–7b5
D–7b5
D–7b5
E–7b5
9fr 3 41
F–(Maj7)
11fr 2
13fr
11fr
You're Reading a Preview
2
2
3 41
1
4 23
2
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3 41
2
3 41
9 10 10
11 12 12
13 13 14
11 12 12
9 10 10
10
12
13
12
10
C7
Bb7
AbMaj7#5
8fr
6fr
4fr
Sign upG–7 to vote on this title F–(Maj7)
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Joe Pass - Chord Encounters for
Jazz Guitar Chords
of 46
Jazz Guitar Voicings
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DIATONIC EXERCISES
G Major 6 Bebop Scale on 6 GMaj6
Aº7
2fr 2
1 43
2
2
GMaj6/B
Cº7
5fr
1 31
3
7fr
1 41
2
1 31
3 4 2
4 5 4
5 7 5
7 8 7
3
5
7
8
GMaj6/D
D#º7
2 31
You're Reading a Preview GMaj6/E same as E–7
F#º7
Unlock full access with a free trial.
8fr 4
3
4fr
4
10fr 2
1 31
12fr
Download With Free Trial 2
3 33
13fr
2
1 31
8 9 9
10 11 10
12 12 12
13 14 13
10
11
12
14
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Joe Pass - Chord Encounters for
of 46
Jazz Guitar Chords
Jazz Guitar Voicings
Search document
G Minor 6 Bebo
G Minor 6 Bebop Scale on 6
G–6
2
4fr
1 34
2
2
1 31
5fr 2
Cº7
7fr
1 31
2
1 31
3 3 2
4 5 4
5 7 5
7 8 7
3
5
6
8
D#º7
G–6/D
1 21
You're Reading a Preview G–6/E same as E–7b5
F#º7
Unlock full access with a free trial.
8fr 3
3
G–6/Bb
Aº7
2fr
4
10fr 2
1 31
11fr
Download With Free Trial
2
3 41
8 9 8
10 11 10
11 12 12
10
11
12
13fr
2
1 31
13 14 13
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Joe Pass - Chord Encounters for
1
of 46
Jazz Guitar Chords
Jazz Guitar Voicings
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About the Author
d e e R g i a r
You're Reading a Preview
C y b o t o h P
Unlock full accessknown with a free trial. jazz guitarist, clinician, Rick Peckham is an internationally
composer, and writer. He has performed with Download With Free TrialGeorge Garzone, Jerry Bergonzi, Mike Gibbs, Hal Crook, Bob Gullotti, John Medeski, and Dave Liebman. His most recent recording, Left End , a set of original
compositions mixed with collective improvisations, features drummer Jim Black and bassist Tony Scherr and was named one of the best
releases of 2005 by Downbeat magazine. In addition to extensive wor in the U.S., he has led or played on tours of Ireland, Canada, Spain, Sign up to vote on this title
Germany. Assistant Chair of the Berklee College Music Guitar Not useful Useful of
Department, Peckham has been a faculty member since 1986. He is al
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