Guitar Initial All to be performed mf with RH fingering: im (or mi), apoyando or tirando at examiner's choice unless otherwise stated, d = 60. Major scales of C and G (range of a fifth from tonic to dominant) Minor scale of A (range of a fifth from tonic to dominant) Phrygian scale on E (i.e. all notes natural, including F) (1 octave; with RH fingering: p; tirando)
C major scale q = 60 3 1
0
1
3
1
0
3
1
G major scale
q = 60 0 2
0
1
3
1
0
2
0
A minor scale q = 60
2
0
1
3
0
3
1
0
2
Phrygian scale on E q = 60 0 1 3 0
2
3 0 2
0
1
3 2 0
3
1 0
Guitar Grade 1 All to be performed mf with RH fingering: im (or mi) unless otherwise stated. Scales to be performed at d = 100; arpeggios to be performed at d = 80. Major scales of C and G (1 octave; apoyando or tirando at examiner's choice ) Major scale of F (1 octave; with RH fingering: p; tirando only) Dorian scale on D (all notes natural, including B) (1 octave; tirando only) Arpeggios of C major, and E minor starting on the 4th string (1 octave; tirando only)
C major scale
q = 100 2 3 3 0
0
2 0 1
G major scale
q = 100 1 0 2 0
3
0
0 2 3
2 0 3
2
0 3 1
0
0 2 0
3
0 3 1
0
2
0 3
2 0
Dorian scale on D q = 100 2 3 0 0
2
0 1 3
1
2 0
F major scale q = 100 1 3 0 1
3
0 2 3
2
C major arpeggio q = 80
3 p
m
2
0
m
a
1
0
i 2
i
3
p
E minor arpeggio q = 80
2 p
i
0
m
0
0
a
m 0
i
0
2
2
p
3 1
Guitar Grade 2 All to be performed mf and p with RH fingering: im (or mi) Scales: apoyando or tirando at examiner's choice; arpeggio and chord sequence: tirando. Scales to be performed at d = 126; arpeggio and arpeggiated chord sequence to be performed at d = 100. Major scales of C and D (1 octave) Minor scales of A (in natural and harmonic and melodic forms) Arpeggio of E minor starting on the 6th string (1 octave) Arpeggiated D major chord sequence: ii–V–I
C major scale
2 1 3 V q = 126
4
1
1 3 4
3
1 4 2
1
3 1
D major scale
q = 126 2 4 0 0
2
A natural minor scale q = 126
2 0 1 3
0
A harmonic minor scale q = 126
2 0 1 3
0
A melodic minor scale q = 126
2 0 1 3
0
0 2 3
2
1 3 3
1 3 4
4
4
1 0 3
1
4 1 0 3
1
1 0 3
1
1
1 4 4
0 2 0
2 0
0 2
0 2
0 2
Arpeggio of E minor
q = 100 4 p
2
p
3
p
2
p
p
4
p
p
Arpeggiated D major chord sequence: ii-V-I
q = 100 m 2 i p
a m i
2 1 i
m
p
3
4
a m i 1
1i 3 p
m 2
p
Guitar Grade 3 All to be performed f, mf and p in straight and swung rhythms. RH fingering: im (or mi) and ma (or am) Scales: apoyando or tirando at examiner's choice; scale in broken 3rds, arpeggio and exercise: tirando. Scales to be performed at d = 72; arpeggio at d = 60; half barré exercise at d. = 60. Major scale of C (two octaves) Minor scales of D, in natural and harmonic and melodic forms (two octaves) Major scale of C in broken thirds (1 octave) Diminished arpeggio on A (1 octave) Half Barré exercise
C major scale
1 2 2 II 4 q = 72
1 3 1 2 4 1 3 3 4 1 V
4 3 1 4 II 2 1 3 1 3 1 4 2 1 4 2
VII V 2 4 2 2 2 1 4 1 4 2 1 3 1 2 1 4 1 3 4 3 1 1 3 4 1 3 4 3 1 V D natural minor scale q = 72
2 3 2 2V1 4 2 q = 72 1 2 4 1 3 2 2 3 1 2 4 3 1 1 3 4 1 3 4 4 3 1 V VIII
D harmonic minor scale
4 1 2 4 21 4 2 4 2 1 2 1 3 1 4 3 4 3 1 1 3 4 1 3 1 4 3 1 V V
D melodic minor scale q = 72 IX
C major scale in broken thirds
q = 72 0 3 1 3 2 1 4 4 0 0 2 0 0 2 1 0 0 4 3 2 1 2 0 3 0 3 2 0 3 2 3 3 1
Diminished arpeggio on A q = 60
2 4 1 1 4 3 3
I
Half barré exercise q. = 60 ½CV
p
a i
a
½CIII
m
i
p
i
p 4
a
½CI
m
½CV
m
p
Guitar Grade 4 All to be performed f, mf and p in straight and swung rhythms. RH fingering: im (or mi) and ma (or am) Scales: apoyando or tirando at examiner's choice; arpeggios: tirando. Scales to be performed at d = 84; arpeggios to be performed at d = 54 (all in quavers). Major scales of E and A (two octaves) Minor scale of B, in natural and harmonic and melodic forms (two octaves) Arpeggios of D major and B minor (two octaves) Dominant 7th arpeggio in the key of D, starting on A (two octaves)
A major scale
q = 84 4 1 2 1 4 2 4 4 2 3 3 1 4 1 4 3 1 3 1 4 4 2 1 4 2 2 4 1 2 IV
3 4 1 2 1 1 3 2 4 1 3
E major scale
2 4 1 VI q = 84
IX
3 1 4 2 1 3
4
1
3VI 1 4 2 1 4 2
IV V 3 4 1 3 1 4 3 q = 84 1 4 4 1 31 3 4 1 4 2 1 2 1 4 2 4 2 1 4 1 4 IV B natural minor scale
II 2 3 2 2 2 1 1 4 2 1 4 3 1 2 3 4 4 3 1 3 2 2 1 4 4 3 1 1 3 V
B harmonic minor scale q = 84
II
II
4 4 2 1 4 q = 84 2 4 2 2 1 3 1 4 3 3 3 1 4 1 1 4 1 4 3 1 13
B melodic minor scale
II
1 2
IV
4 3 3 q = 54 2 3 1 1 0 D major arpeggio
2
1 1 3 0
4 3 4 1
B minor arpeggio
3 2 q = 54 2 4 2 3 4 1 Dominant seventh arpeggio in D
a m i m m q = 54 0 2 1 4 1 2 3 p 0 i p
4
2
i 2 m 0 a m i m 2 1 4 1 p 3 i 5
0
p
Guitar Grade 5 All to be performed f, mf and p in straight and swung rhythms. RH fingering: im (or mi) and ma (or am). Tone: norm. and pont. Scales: apoyando or tirando at examiner's choice; arpeggios, scale in 3rds and Full Barré sequence: tirando. Major scales of Bb and F (two octaves) Pentatonic major scale on C (two octaves) Arpeggio of Bb major (two octaves) Dominant 7th arpeggio in the key of Eb, starting on Bb (two octaves) Major scale of Bb in thirds (one octave) Full Barré sequence
q = 96 4 1 2 1 4 2 4 3 1 3 4 2 1 4 3 1 1 2 4 1 3 4 4 2 1 4 2 4 2 V
Bb major scale
F major scale
1 2 1 3 1 3 1 43 1 4 3 4 3 1 1 3 4 1 4 1 3 1 2 4 2 1 3 1
q = 96
I
I V Pentatonic major scale on C
4 1 4 1 4 1 3 1 1 3 1 3 1 3 3 1 3 1 4 4 q = 96
1
V
Bb major arpeggio
a 3 m 1 m i i 1 1 2 3 3 3 2 3 0 p p p 0 1 1 3 i i 3 p p p
q = 60 3
½CV
q = 60 2 4 2 2 3 3 2 4 1 4 2 4 2 4 1 2 V VIII V
Dominant seventh arpeggio in Eb
2
Bb major scale in thirds
q = 72 0 1 1 3 1 3
0 1
23 13
1 3
34 13
Full barré sequence
1 3
2 0 3 1
1 3
1 0 3 1
CIII CI a p p p CIX CV CVII q. = 60
i
m
6
Guitar Grade 6 All to be performed f, mf and p in straight and swung and triplet rhythms (triplet scales should be performed as follows: 2 octaves: first note crotchet followed by running triplets; 3 octaves: running triplets from first note). RH fingering: im (or mi) and ma (or am) and imam. Tone: norm. and pont. and with a change of colour (norm.-pont.-norm.) throughout the scale. Scales: apoyando or tirando at examiner's choice; arpeggios and scales in 3rds: tirando. Scales to be performed at d = 100; arpeggios and scales in 3rds to be performed at d = 80. Major scales of C (2 octaves) and G (3 octaves) Minor scales of C (2 octaves) and G (3 octaves), in natural and harmonic and melodic forms Major arpeggios of C (2 octaves) and G (3 octaves) Minor arpeggios of C (2 octaves) and G (3 octaves) Diminished 7th arpeggios on C (2 octaves) and G (3 octaves) Dominant 7th arpeggios in the keys of F, starting on C (two octaves) and G, starting on D (3 octaves) Major scales of C and G in 3rds (2 octaves) Chromatic scale in octaves, starting on G (1 octave)
C major scale q = 100
1 2 2 4 II
1 3 1 2 4 3 4 1 3 1
V
4 3 1 4 II 2 1 3 1 3 1 4 2 1 4 2
C natural minor scale
VI 1 3 1 4 3 1 4V V 3 4 1 3 1 4 2 2 4 1 2 4 1 3 4 14 2 1 4 4 1 q = 100
C harmonic minor scale
23 2 III 2 14 2 1 2 1 2 1 2 4 3 3 4 4 1 3 4 2 3 1 4 3 1 3 1
VI
q = 100
C melodic minor scale q = 100 VII III
4 1 3 1 3 4 1 3
412 4 2 1 4 2 4 2 2 III
1
1
1 4 3 1 4 3
4 31 1 3 2 3 1 2 4 1 XII
q = 100
VII II 1 1 3 4 4 3 2 4 1 2 4 1
2 1 4 2 1 3 1
3
1
G major scale
VII
4
II
4
III
4
3 1 4 3 1 4 2 7
1
4 2
Guitar Grade 6 continued G natural minor scale q = 100
4 2 2 X 2 2 1 4 X 1 2 3 2 1 1 4 XII
VII III 1 2 2 4 4 41 3 1 3 1 4 2 1 III 3 1 VII 2 1 4 2 1 4 2 4 3 1 G harmonic minor scale q = 100
2 3 2 2 X 2 1 2 3 1 2 2 1 4 X
4
4
3 1
1 3 4 2 1 3 4
X
XII
G melodic minor scale
VIII
VII 3 1 2 4 4 1 4 1 2 3 1 3 4 4 1 3 1 V 1 4 2 1 1 III 3 4 3 1 4 3 1 1 4 3 1 q = 100
III
C major arpeggio a 3 m i a 3 3 3 3 a m i 4 3 4 p i m 3
q = 80
i
3 1 XIII
VII III 1 2 3 4 2 4 1 3 1 3 1 4 2 III 2 VII 1 3 2 1 4 2 1 3 3 1 4 2
CV 3
4
m4
p
C minor arpeggio VII a q = 80 m3 III 3 i a 2
m IIIi 3 2 2 2 4 4 3 4 3 4 a m i m 1 i 1 3 3 p p 8
4
3 1
Guitar Grade 6 continued
4 3 m 1 i VIIa III 3 i 2 m 3 1 3 1 3 3 3 3 3 2 a 2 4 1 p 4 i m 3 m 3 i 1 G major arpeggio XII m i q = 80 VII 3 a III m 2 1 a i
a
p
a m VI i 1 1 a 2 3 i III 4 m 2 2 3 3 3 3 3 3 a 2 2 4 m m 4 3 1 i 1 3 p i
G minor arpeggio X q = 80 VI a i III 3 a i m4 2
m4
p
Diminished 7th arpeggio on C q = 80
4 1 4 1 III
IV
3 1 4 1
V
4
1 3
1 41 3
Diminished 7th arpeggio on G q = 80
4 1 4 1 1 4 1 4
4
Dominant 7th arpeggio in F
i 2 m II 4 1 1 1 4 1 2p i p i
q = 80
V
i
CIII 1 4 2
XII
III
1
4 1 3 4 1 4 1 4 1 4 1
2 i 4 m i m i p IIi 1 1 4 1 1
m 4
2
p
2 4 1 VII 4 2 3 1 1 3
Dominant 7th arpeggio in C q = 80
m
IV
4 1 4 1 1 4
4
2 4
1
2VII 4 CIII 1 3 3 1 2 4 1
1 1 1 1 2 3 1 1 3 1 0 1 3 2 1 3 1 2 2 13 1 1 0 2 3 3 1 3 3 1 43 1 0 2 1 2 01 23 00 2 4 1 2 0 02 3 1 1 4 2 2 4
C major scale in 3rds q = 80
9
Guitar Grade 6 continued 1 1 3 2 0 1 1 q = 80 2 3 2 3 1 3 0 3 1 2 3 3 1 4 20 1 3 01 24 00 12 4 1 3 0 4 0 3 1 1 4 4 2 0 2 2 0 2 1 1 1 4 1 2 4 2
G major scale in 3rds
Chromatic scale in octaves starting on G q = 80
0 3
4 1
2 1 0 4 3 3
2 0
2 0
3 1
2
0
3
4 2
1
4 3 2 1 1 0 4 3
10
0
3
4 1
3 2 1 2 1 0 4 0
2
0
0 3
3 1
4 2
Guitar Grade 7 All to be performed f, mf and p in straight quavers and swung rhythms and triplet rhythms (triplet scales should be performed as follows: 2 octaves: first note crotchet followed by running triplets; 3 octaves: running triplets from first note). RH fingering: im (or mi) and ma (or am) and imam. Tone: norm. and pont. and with a change of colour (norm.-pont.-norm.) throughout the scale. Scales: apoyando or tirando at examiner's choice; arpeggios and scales in 3rds: tirando. Dynamics: crescendo (ascending) and diminuendo (descending). Scales to be performed at d = 112; arpeggios and scales in 3rds to be performed at d = 92. Major scales of D (2 octaves) and A (3 octaves) Minor scales of D (2 octaves) and A (3 octaves), in natural and harmonic and melodic forms Pentatonic major scale on D (2 octaves) Mixolydian scale on A (i.e. major scale with flattened 7th (Gn)) (3 octaves) Major arpeggios of D (2 octaves) and A (3 octaves) Minor arpeggios of D (2 octaves) and A (3 octaves) Diminished 7th arpeggios on D (2 octaves) and A (3 octaves) Dominant 7th arpeggios in the keys of G, starting on D (2 octaves) and D, starting on A (3 octaves) Major scales of D and A in 3rds (2 octaves) Minor scales of D and A in 3rds (2 octaves)
D major scale
4 1 12 3 1 3 1 24 1 2 4 q = 112
IV
VII
3 4 3 1 4 2 1
A major scale q = 112
IV 2
4
4
3 4 1 4 1 2
2 1 4 2 1 3 1
3
1 3IV 1 42 1 4 2
34 4 1 2 1 1 2 4 4 1 3 XIV
3
IX 1
3 1
IX
4
3 1 4IV 3 4 2 1
1 4 2
D natural minor scale
VII 4 2 V 2 2 2 1 1 4 21 1 2 4 3 1 3 4 3 3 4 1 3 4 1 1 4 3 1 1 q = 112
V
D harmonic minor scale
2 3 2 2 V 1 1 2 V 4 4 21 2 3 1 2 3 2 4 1 3 4 13 4 31 4 3 1 VIII
q = 112
D melodic minor scale q = 112 IX V 3
1 2 4 2 1 4 2 1 1 2 4 2 1 3 4 4 3 4 1 3 1 3 1 4 3 1 1
V
4
11
Guitar Grade 7 continued
2 4 2 4 X q = 112 X 4 1 3 4 3 IX V 4 1 4 1 2 1 2 3 4 1 4 1 3 1 3 3 1 4 3 IX 1 4 2 V 1 4 2 1 3 1 4 3 1 4 3 1 A natural minor scale
XIV
XII 24 3 1 2 2 1 4 1 2 3 4 2 4 1 3 1 3 1 4 2 1 3 2 IX V 2 1 4 2 1 3 2 4 3 q = 112
IX
V
1
A melodic minor scale
1
q = 112
V
IX
1 3 4 1 3 4 1 3
2 2 XII 1 2 3 2
XV
A harmonic minor scale
1 2
4VII 2 1 4 2 4 3
X 1 2 4 4 1 4 1 3
1 4 3 1 1 4 3 1
4
3 1
3 4 3 4 2
XII
XIV 1
V
4
3 1
Pentatonic major scale on D
q = 112 4 1 4 4 1 VII 1 1 3 1 3 1 3 1 3 1 3 1 3 1 4 4
Mixolydian scale on A
XIV
q = 112
IV 2 4 1 2 4 1 2 4 2 1 4 2 4 3 1
4124 IX 2 4 1 2 3 4 1 3 4
1
21
IX
4
3 1 4 4 2 2 1
IV 4
12
1 4 2
Guitar Grade 7 continued D major arpeggio
II 3 ½ CVII 3 1 1 1 1 3 1 1 3 4 4 3 3 q = 92 II 3
4
½CVII 3
D minor arpeggio q = 92 VIII 3 V 3 2
V 3 2 2 4 4 2 43 3 4 3 1 1 3 A major arpeggio
3 3 2 4 1 3 V
IX
3
1 2 2
XII
q = 92
1
4
1
2
3
3
2 IX 3 1 3 3 2 4 V 3 1
4 1 VIII 2 2 V 3 VIII 4 4 V 3 2 2 3 3 3 3 3 3 2 2 4 4 1 3 1 3
A minor arpeggio
XII
q = 92
1
Diminished 7th arpeggio on D
3 1 4 4 1 4 1 1 q = 92
V
VI
VII
Dominant 7th arpeggio in G q = 92
CVII 2 1 4 1 1 1 4 2 IV
4
4
1 3 VI V 4 1 4 4 1
1
2 4 IV 1 1 4 1 1 2
4 1 4 1 4 1 1 4 3 V 3 4 1 4 14 1 14 4 4 1 1 4 1
4 2 4 2 IX q = 92 4 1 1 V IX 2 2 4 V 1 4 1 3 3 3 13 1 2 2 4 4 1 1
Diminished 7th arpeggio on A q = 92
Dominant 7th arpeggio in D
1
XIV
13
Guitar Grade 7 continued 2 1 1 1 1 1 1 3 3 3 13 1 1 3 1 2 2 2 1 2 1 1 3 31 1 0 33 2 2 2 20 2 2 3 3 01 13 43 11 3 1 43 13 01 43 4
D major scale in 3rds q = 92
II
1 1 1 1 1 1 3 1 1 2 2 1 2 3 1 2 1 3 2 1 3 2 2 2 2 3 4 3 2 3 4 3 43 4 3 1 3 2 3 22 2 2 01 23 4 2 3 4 3 0 2 1 4 4 D minor scale in 3rds
q = 92
II
1 1 1 1 2 1 2 3 1 1 3 1 3 3 1 0 2 2 0 2 2 2 2 2 2 3 2 0 0 3 2 3 0 1 1 2 1 1 1 3 4 1 4 1 2 4 1 0 4 2 3 3 1 3 4 1 3 4
A major scale in 3rds q = 92
1 1 1 2 2 4 1 3 2 1 2 2 2 2 2 4 3 3 11 3 2 2 0 2 1 2 01 23 00 12 12 3 3 3 0 3 0 2 0 1 4 1 0 4 2 1 2 2 1 2 4 4
A minor scale in 3rds q = 92
14
Guitar Grade 8 All to be performed f, mf and p in straight and swung and triplet rhythms (triplet scales should be performed as follows: 2 octaves: first note crotchet followed by running triplets; 3 octaves: running triplets from first note). RH fingering: im (or mi) and ma (or am) and im am. Tone: norm. and pont. and with two changes of colour (norm.-pont.-norm. and pont.-norm.-pont.) throughout the scale. Scales: apoyando or tirando at examiner's choice; arpeggios and scales in 6ths/10ths: tirando. Dynamics: crescendo (ascending)/diminuendo (descending) and diminuendo (ascending)/crescendo (descending). Scales to be performed at d = 126; arpeggios and scales in 3rds, 6ths and 10ths to be performed at d = 100. Major scales of Bb (3 octaves) and F (2 octaves) Minor scales of Bb (3 octaves) and F (2 octaves), in natural and harmonic and melodic forms Mixolydian scales on Bb (3 octaves) and F (2 octaves) (i.e. major scales with flattened 7th (Ab/Eb)) Major arpeggios of Bb (3 octaves) and F (2 octaves) Minor arpeggios of Bb (3 octaves) and F (2 octaves) Diminished 7th arpeggios on Bb (3 octaves) and F (2 octaves) Dominant 7th arpeggios in the keys of Eb, starting on Bb (3 octaves) and Bb, starting on F (2 octaves) Major scales of Bb and F in 6ths (2 octaves) Major scale of F in 10ths (2 octaves)
1 34 2 4 1 3 1 2 4
Bb major scale
XV
q = 126
3 4 1 4 3 1 2 4 1 24 X 4 2 1 4 2 V 1 3 1 4 3 1 4 3 1 4 2 1 4 2
X
V
1
q = 126
41 1 2 3 4 1 3 4 1 1 3
4 3 1 XI 1 3 1 3 2 4 1 3 4 XIV
Bb natural minor scale VI
31
X
1 4 X 3 1 VI 4 2 1 4 2 1 1 4 3 3 1 4 3 1 XI
3
Bb harmonic minor scale q = 126
X VI 1 2 3 2 34 1 4 13
2 2 2 2 3 1 2 4 2 3 1 2 4 1
XIII
4 2 1 2 X 3 2 1 4 VI 2 1 3 4 3 2 1 4 3 1 1
15
Guitar Grade 8 continued
Bb melodic minor scale q = 126
VI 1 3 1 3 4 1 2 4 1 3
1
X
4 2 1 1 VIII 3 4 3
XI 4 1 4 2 4 1 3
1
3 4 3 4 2
XIII
XV 1
4 3 1 3 1 1 4 4 3 1 VI
1
F major scale
I 1 3 1 4 3 1 2 3 4 1 3 1 4 1 3 4 3 1 3 1 1 0 3 1 3 0 1 3 1 q = 126
V
1 3 1 4VI 3 1 4 V 1 3 V 4 4 2 2 4 4 2 1 2 4 1 4 2 4 1 2 4 1 4 F natural minor scale
q = 126
XI
VI
4
2 3 2 VIII 2 2 1 4 2 1 VIII 4 2 13 2 V V 2 3 1 2 1 2 1 4 2 4 1 2 4 1 4
XI
F harmonic minor scale q = 126
VI 3 4 4 4 3 1 4 3 V 3 1 4 V 4 3 12 4 1 2 1 1 4 2 4 1 2 4 1 4 F melodic minor scale q = 126
1
Mixolydian scale on Bb q = 126
VIII
X
VI
X V 1 3 4 1 2 2 4 1 2 4
2 4 4 1 2 3 4 2 4 1 41 XV
2 1
21 4 2 4 V 3 1 4 3 1 4 2 1 4 2 1 4 2 X
4
16
Guitar Grade 8 continued X 2 4 2 V 4 1 1 4 2 1 2 4 2 4 V 4 1 3 1 3 4 2 1 4 3 1 4 1 3 4 4 Mixolydian scale on F q = 126
i 1 m4 a 1m 2 i X 2 a m VI 3 a2 X 2 VI i m i a 3 1 3 1 3 3 2 3 3 3 2 4 a m 4 1 m 3 1 Bb major arpeggio q = 100
3
i
p
i
p
i m4 a 1m 2 i IX 4 a m VI 3 a 2 1 IX 4 m i i VI 3 a 2 3 3 2 3 3 2 2 3 3 4 a m m4 1 1 3 Bb minor arpeggio
q = 100
3
i
p
i
p
F major arpeggio q = 100 V 3
4 3 1 p
i
i 1 m4 a 1 m i V a2 a 2 2 2 3
3
m
1
m 3 i
4
p
3
F minor arpeggio q = 100 VIII m 4 a m 1 V i 2i a V 3 a2 1 m i 2 2
1 4 2 1 3 2 4 3 i
p
m
q = 100
VI
4 1 3
1 4
1 4
p
3
Diminished 7th arpeggio on Bb 4
1 4 4 1 1
1 2 4 1
3 1 2 X 4 2 3 1
XIII
3
34 1 4 1 4
Dominant 7th arpeggio in Eb
4
1
1
q = 100
VI
4
3 1
17
2
1
4
2 X 4 VI 1 3 3 1 2 4 1
1
Guitar Grade 8 continued Diminished 7th arpeggio on F
q = 100
1 2 4 4 1 1 1 4
I
II
III
4
II I 1 4 2 1 4 1 4
Dominant 7th arpeggio in Bb q = 100 V
1
I 2 4 4 1 3 3 3 1 1 3 3 3 4 4 1 1
1
4 2 2 2 2 2 2 2 ½CV 2 2 1 4 1 2 3 1 4 3 3 3 1 3 1 1 1 1 4 1 3 1 4 2 3 2 4 2 0 2 4 21 3 2 2 3 1 3 1 2 0 3 1 0 3 1 3 0 1
Bb major scale in 6ths q = 100
½CV
2 4 2 4 2 2 4 4 4 1 0 1 3 3 0 3 3 3 4 1 1 4 3 3 3 3 4 4 2 0 2 4 0 2 2 3 0 2 2 0 4 2 3 2 0 0 0 3 0 1 1 3 0 3 1 1 3 0
F major scale in 6ths
q = 100
4 4 4 4 4 4 4 4 44 4 4 4 4 4 4 1 2 2 1 1 0 4 0 1 2 2 1 1 4 1 1 1 4 2 4 2 2 2 2 2 1 1 2 0 2 0 3 1 3 0 3 1 13 0 1
F major scale in 10ths q = 100
4
18
