GoodGuitaristGuideToStrummingAndRhythm1stEditionRevisionB

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Get To grips with these chord shapes                                    !"#$%& ()*+%,%#                                   

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Chord Switching Learning a chord shape is only half the battle! Now we need to practice switching from chord to chord. This is the best way to memorize a chord shape and you’d be amazed at how many songs you can play, switching between just 2 or 3 chords!

CHORD CLARITY: FIX THOSE FRUSTRATED FINGERS!

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>>

Using A CapO ! #$%& '( $ )*+'#* ,(*) -& .&/) )&01 $// -.* (-2'13( &4 -.* 3,'-$2 $- $ %$2-'#,/$2 42*-5 6- $//&0( -.* 3,'-$2'(- -& %/$7 #.&2)( -.*7 $/2*$)7 81&0 9,- $- $ !"#!$% %$2- &4 -.* 1*#8 : #.$13'13 -.* 8*75 ;.'( '( ,(*4,/ '4 $ (&13 '( -&& /&0 &2 -&& .'3. -& ('13 $/&13 0'-.5

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Pattern #1

)E F"75#%

HM

BE G)3%

H6";5

 

N

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DI

6";5

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Pattern #2

)E F"75#% BE G)3%

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78

78

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MD

         

Pattern #3 #$$ &'( )&*+,-). '+& &'( $/0()& ,/&( /1 &'( 2'/*3 0'(, 4/5 )(( 6789

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Continuous Arm Motion >01$ ($% ?@ A0+@)(+)BC %0D?+E 1F (+6 60G+H B?I* ( %0)0$J K) 60*@ )L?@ ?+ 0$6*$ )0 I**F )L* $LC)L%H (+6 )0 B?+* 1F )L* @)$1%%?+E F())*$+ G?)L )L* M*() N 60G+@)$0I*@ B?+* 1F G?)L +1%M*$@H 1F@)$0I*@ B?+* 1F G?)L 2(+6J< 8L?B* )L* ($% ?@ %0D?+E 60G+ (+6 1FH %(?+)(?+?+E ( @)*(6C M*()H )L* E1?)($?@) AL00@*@ GL*+ )0 %(I* A0+)(A) G?)L )L* @)$?+E@J 7L?@ (FF$0(AL ?@ *@@*+)?(B GL*+ B*($+?+E )0 F$061A* ( F$0F*$ 2E$00D*J< 7L* ($% ?@ (BG(C@ %0D?+E 60G+H )L*+ 1F N 0D*$ (+6 0D*$ (E(?+J 40 %())*$ GL?AL F())*$+ G* 1@*H )L* 60G+@)$0I*@ (BG(C@ B?+* 1F G?)L 0+NM*()@H (+6 )L* 1F@)$0I*@ (BG(C@ B?+* 1F G?)L 0QQNM*()@J

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Stay tuned and strap in! !"#$% '()* + ,+-). /%(% +(% 01) )0/%( -#%,%" )' 2%+( 0/+0 1% (%,)**%3$444 5' 6)7 1+30 0) -8+6 27#0+( "0+3$#32 7-. + "0(+- #" +9")870%86 3%,%""+(64 50 ,+3 +8") 9% /%8-'78 ')( :%%-#32 0/% 27#0+( #3 + ,)*')(0+98% -)"#0#)3 %;%3 1/%3 "#00#32 $)134 !$<7"0 0/% 8%320/ )' 6)7( "0(+- 0) %3"7(% 6)7( 27#0+( $)%" 3)0 /+32 0)) /#2/ )( 0)) 8)14 5' #0=" 8)1. 6)7( 1(#"0 /+" 0) 9%3$ 0)) *7,/. -700#32 "0(+#3

strap

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DE

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Appendix A '()( +)( , -.)( /.--.0 /1.)2 3).4)(556.05 7.) 8.9) 3)+/:6/604 3;(+59)(<

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Appendix B !"#" %#" & '(#" )*#+'',-. /%**"#-)0 1(-2* 3(#."* *( 4""/ 5(+# %#' '(6,-. ,- % 7(-*,-+(+) +/ %-8 8(9- '(*,(-:

Pattern #4

           

8(9-)*#(4" 9,*; % #((* -(*"0

R G %-8 8(9- +/


%-8  H %-8= +/ 8(9- +/=

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Appendix C Here are 12 more chords that you will find very useful as you learn more songs.

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Getting the most from your practice          !"!#$      &''                                               (&)* +#&*,&-! .#/0 1!+2))!#3    !"#$ #$ &"'( )*+, -,'.(#./ 0#1"( 2**3 2#3/4

4!&#) 5 &)* 6 78/#*9 :#&7-27! 9;2-782)+ .#/0 5 -/ 6 4!&#) < 78/#*  :#&7-27! 9;2-782)+ .#/0 5 -/ < = 6 -/ < >;2-78 1!-;!!) 5? 6 &)* < ;2-8 9-#,002)+ @&--!#) AB

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