from Godsmack IV
Bleeding Me Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Ebsus2
Bb5 8fr
1134
111
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow Rock
q = 92
D5
F5
Bbsus2
Riff A
Gtr. 1 (slight dist.)
mf
let ring throughout
7
5
D5
7
7 7
10 10
10
F5
Gtr. 2 (slight dist.)
10 8
10
8
0
8
10
8
Bbsus2
10 8
10
8
D5
12
8
8
8
0
F5
7
7
mf w/ slide
3
Gtr. 1
5
7
7
7 7
10 10
10
10 8
10
8
0
8
8
10
8
10
End Riff A
10 8
9
0
0
5
7
7
7 7
10 10
10
10 8
10
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
0
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Bbsus2
Asus2
D5
Gtr. 2
*Gtr. 3 (dist.) divisi
f
3
F5
P.M.
3
7
0 0 0
3 3 3
3 3 3
0 0 0
*Doubled throughout
10
8
8
10
8
10
8
8
8
Gtr. 2
8
8
8
7
7
9
9
9
7
7
7
Gtr. 1 tacet
D5
10
8
F5
Bb5
f
F/Bb
let ring
3
10
10
10
10
Rhy. Fig. 1 Gtr. 3
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
0 0 0
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
10
10
8 8 8
10
10
10
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10
9
10
End Rhy. Fig. 1
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
Gtr. 3: w/ Rhy. Fig. 1 (2 1/2 times)
D5
F5
Bb5 F/Bb
D5
F5
Gtr. 2
let ring
10
10
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10
10
10
12
12
10
9
10
10
12
10
10
10
10
10
10
10
10
10
10
10
13 13
Bb5 F/Bb
D5
F5
Ebsus2
Gtr. 3
let ring
13
10
10
10
10
(cont. in notation)
10
9
10
9
10
12
12 12
10
9
10
9
10
8
8
Verse Gtr. 2 tacet
C5 D5
Eb5 D5
1. Way, 2. May
way be
-
Eb5 Eb5 D5
down this
in ba
time,
F5 G5
-
side, by,
F5 G5
Ab5 G5
there’s a hol - low it’s meant
D5
soul. be.
to
Rhy. Fig. 2 Gtr. 3
5 3
7 5
C 5 D5
7 5
0 0 0
0 0 0
emp
7 5
0 0 0
0 0 0
0 0 0
Eb5 D5
8 6
7 5
0 0 0
Eb5 Eb5 D5
And No
8 6
more
ti - ness suf - fo
0 0 0
3 3 3
C5
shall lose - cat -
to - mor ing
5 5 5
-
5 5 5
5 5 5
5 5 5
3 3 3
5 5 5
5 5 5
5 5 5
5 5 5
6 6 6
Bb5
5 5 5
5 5 5
0 0 0
C5
row.
you
or
me.
Oh,
yeah.
5 3
7 5
7 5
0 0 0
D5
And And
0 0 0
7 5
Eb5 D5
I I
8 6
find paid
it the
0 0 0
0 0 0
0 0 0
8 6
7 5
7 5
Eb5 D5
hard price,
to
breathe
7 5
7 5
5 3
5 3
5 3
5 3
5 3
F5 G5
for but you’re
sen - tenc
5 3
F5 G5
5 3
me -
in
your
ing
3 1
3 1
7 5
7 5
0 0 0
0 0 0
8 6
7 5
0 0 0
0 0 0
0 0 0
8 6
7 5
0 0 0
0 0 0
3 3 3
5 5 5
5 5 5
5 5 5
com
3 3 3
5 5 5
5 3
-
me
5 5 5
3 1
5 3
5 3
Ab5 Ab5 G5
pa
to
5 3
3 1
5 5 5
5 5 5
ny, life.
ah.
5 5 5
6 6 6
5 5 5
5 5 5
5 5 5
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Bb5
F/Bb
Seems And I
I’ve feel
10 10 10 8 8
10 10 10 8 8
8 8 8
been I’ve
tak put
-
en in
for
C5
grant my
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
let ring
10 10 10 8 8
8 8
-
G/C
ed. time.
8 8
10 10
12 12 12 10 10
10 10
D5 F5
And you’re End Rhy. Fig. 2
12 12 12 10 10
12 12 12 10 10
12 12 12 10 10
12 12 12 10 10
12 12 12 10 10
0 0
0 0 0
3 3 3
3 3 3
Chorus 1st time, Gtr. 3: w/ Rhy. Fig. 1 (3 times) 2nd time, Gtr. 3: w/ Rhy. Fig. 1 (2 1/2 t imes)
D5
break
-
ing
F5
Bb5
and
bleed
me
F/Bb
-
ing
me
down
D5
to
F5
noth - ing.
It’s
1.
Bb5 F/Bb
tear
-
D5
ing
Asus2
me
down.
You’re
noth - ing.
9 9 7 7
9 9 9 7 7
9 9 9 7 7
9 9 9 7 7
9 9 9 7 7
D5
and
Bb5
bleed
-
ing
8 8
14
11 10 8 8 8
F5
11 10 8 8 8
11 10 8 8 8
10 10 10 8 8
10 10 10 8 8
-
gain.
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
me
down
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 1 1
to
down
4
Sorgdal
me
a
3 3 3
ing
Ebsus2
noth - ing
0 0 0
-
F/Bb
Gtr. 3
bleed
2.
Bb5 F/Bb
me
Yeah!
Gtr. 3
break - ing
E/A
F5
to
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
10 10 10 8 8
Interlude Gtr. 1: w/ Riff A (1 1/2 times) Gtr. 3 tacet
D5
F5
Bbsus2
D5
Oo,
Bbsus2
you’re
and
bleed
Gtr. 2
-
ing
-
D5
ing
Bbsus2
me
a
me,
F5
break
F5
-
gain.
You’re
mp w/ wah-wah w/o slide Harm.
7
D5
F5
Bb5 Gtr. 3
bleed
-
ing
mf
you’re
bleed
Harm.
7
7
7
7
7 7
10 10
-
ing
me.
7
7
Gtr. 1
5
f
me,
Gtr. 2
7
10
10 8
10
8
0
10 8 8
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Guitar Solo Gtr. 1 tacet Gtr. 3: w/ Rhy. Fig. 2
C5 D5
Eb5 D5
Gtr. 2
Eb5 D5
F5 G5
F5 G5
Ab5 G5
D5 C5 D5
f
w/ slide
10 10
10 10
10 10
C5
8
F5
10 10
10 10
10 10
10 10
Bb5
10 10
10 10
10
8
10
8
F5
G5
10 10
C5
G5
10 10
10
9
9
9
D5
9
10
10
10
10
10 10
10
10
8
10
8
Eb5 D5
let ring
Eb5 D5
10
10
Eb5 D5
10
10
Eb5 D5
13
10
10
10
Ab5 G5
Bb5
F/Bb
let ring
12
13
12
13
12
12
10
10
10
X
10
10
10
10
10
10
10
10
10
10 10
10
10 10
Outro-Chorus Gtr. 3: w/ Rhy. Fig. 1 (7 1/2 times)
C5
G/C
D5
F5
D5
And
break
you’re
let ring
8
10
12
10
10
10
10 10
10 10
9 9
10 10
-
ing
F5
me
and
10 10
Gtr. 2 tacet
Bb5 F/Bb
bleed
-
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ing
me
down
to
D5
noth - ing.
F5
You’re
Bb5
F/Bb
tear
-
ing
me
down.
You’re
D5
break
-
ing
F5
Bb5
me
and
bleed
Bb5 F/Bb
-
ing
me
D5
tear
-
ing
me,
tear
Gtr. 2
- ing
me
down
D5
to
F5
D5
F5
10
10
10
Bb5 F/Bb
10
10
10
12
12
10
9
10
10
10
10
10
12
10
You’re
break - ing
-
me
and
10
10
10
10
10
let ring
13
10
10
10
10
10
10
10
10
bleed
F5
-
ing
me
Ebsus2 Gtr. 3
a
-
10
let ring
You’re
9
me.
10
10
D5
ing
me
Bb5 F/Bb
-
ing
F5
Free time
bleed
10
10
10
10
10
a - gain.
10
D5
down
10
You’re
Tear
10
a - gain.
let ring
3
F5
noth - ing.
Bb5 F/Bb
down
F/Bb
13
gain.
*w/ delay
10
9
10
9
10
12
12
10
9
10
9
10
8
8
*Set for quarter-note regeneration w/ 4 repeats.
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from Godsmack IV
Hollow Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Aadd9
G6
Fmaj7#11
C
A7sus4
Em
5fr
1342
1342
1342
32 1
3
12
Tune down 1/2 step: (low to high) E b-Ab-Db-Gb-Bb-E b
Intro Moderately slow
q = 90
C A7sus4
*Gtr. 1 (acous.)
pp
**
Em
C A7sus4 Rhy. Fig. 1
0 0 0 2 2 0
0 0 0 2
0 0 0 2
0 0 0 2
0 0 0 2
0 0 0 2
0 0 0 2
0 0 0 2
0 0 0 2
1 0 2 3
3 0 0 0
Gtr. 1: w/ Rhy. Fig. 1 (5 times)
Em
End Rhy. Fig. 1
let ring throughout
1 0 2 3
0 0 0 2 2 0
3 0 0 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 0 0 2 2 0
*Two gtrs. arr. for one. **Fade in to mf , next 12 meas.
C
A7sus4
Em
C
A7sus4
Em
Riff A
***Gtr. 2
mp
†
let ring throughout
12
13
12
10
12
0
12
12
0
17
17
15
12
15
15
10
10
10
12
12
12
12
12 12
12 12
12 13
12 13
12 13
12 10
12 10
12 10
12 12
***Mandolin arr. for gtr. †Fade in to mf , next 8 meas.
C
A7sus4
Em
12 12
12
12
17 17 17 17 15
C
12
15
12
A7sus4
13
12
12 12 12 12 12 13 12 12 12
12 12 1 2 1 2 1 2 1 2 1 2 1 2 12 12 12 13 10 12
12 12
0
12
17 17 17 17 17 15
C
Em
12
15
12 10 10 10 10
A7sus4
Em
End Riff A
10 12 12 12 10 12 12
12 12 12 12 1 2 1 2 12 12 12 13 10 12
12 12
12
12
17 17
17 17 15
12
12 12 12 12 15 13 13
13
0
12
12 12 12
12 12
13
12
10
12
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
Verse Gtr. 1: w/ Rhy. Fig. 1 (2 1/2 times)
1. One
more
step
and
I
could
fall
0
0
12
0
0
12
it
hap - pened,
C
go
or
A7sus4
would
it
0
12
C A7sus4 Em
stay.
Same old
hol
0
Rhy. Fill 1
Gtr. 1
2 2 0
2 2 0
0
12
13
0 0 0 2
0 0 0 2
0 0 0 2
12
1 0 2 3
12
10
13
13
0 3 0 2 3
3 0 0 0
0 2 3
12
13
12
13
13
0 3 0 2 3
0 3 0 2
0 0
2 3
0 2 3
0 3 0
can
An
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an
-
y
-
oth
-
er
-
bod
-
page
y
I
best
I
should
A7sus4
Em
How
0 3 0
12
13
12
13
12
10
0 3 0 2
0 3 0 2
for
0 3 0 2
0 3 0 2 3
0 3 0
C
0 3 0
0 0 0
2 3
0 3 0
3 0 0 0
A7sus4
3 0 0
3 0 0
0 0 2 2 0
Em
me?
turn
in
shame.
12
End Rhy. Fill 1
know what’s
if
Gtr. 1: w/ Rhy. Fig. 1 (2 1/2 times) Gtr. 2: w/ Riff B (2 1/2 times)
tell
- low.
13
0 3 0
can’t
End Fill 1
0 3 0
12
Fill 1
Gtr. 2
0
I
so
12
10
pic - ture feels
12
13
And
Em
End Riff B
mat - ter?
Cadd9
way.
0
If
-
Gtr. 2: w/ Riff B (1 1/2 times)
a
A7sus4
Riff B
12
C
C
A7sus4
Em
Gtr. 1: w/ Rhy. Fill 1 (1st 2 meas.) Gtr. 2: w/ Fill 1 (1st 2 meas.)
C A7sus4 Cadd9
And
my
de - ci - sions brought me
A7sus4
to
my
knees.
I
need - ed
some - one
Chorus
Aadd9 Aadd9
to
blame.
G6 Fmaj7#11
Rhy. Fig. 2
Gtr. 1
I
feel
so
hol -
Fill 2
End Fill 2
Riff C
Gtr. 2
13
Gtr. 1
13
12
13
12
13
12
10
17 17 17
10
Rhy. Fill 2
End Rhy. Fill 2
17
17 17 17
15 15 15 15
12 12 12
12 15 15 15 15
15 15 12 15 15 15
15 X 13
(cont. in slashes)
0 2 3
3 0 2
0 3 0 2
0 3 0
0 3 0
0 0 0
2 3
0 2 3
3 0 0 0
3 0 0 0
3 0 0 0
0 0 6 7 7 5
G6
Aadd9
End Rhy. Fig. 2
-
low.
I
End Riff C
Gtr. 2
13
13
13
13
17
17
17
17
15
15
15
15
12
12
12
12
15
15
15
15
15
15
20
15
15
17
15
17
17
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G6
Fmaj7#11
Rhy. Fig. 3
feel
so
hol -
Riff D
17
17
17
17
17
17
17
15
15
15
15
12
12
12
12
15
15
15
15
15
15
20
15
15
17
X
13
13
G6
-
low.
Time
13
13
13
13
13
13
17
17
17
15
15
15
15
12
12
12
12
15
15
15
15
15
15
20
15
Fmaj7#11
15
15
12
12 12 12
G6
Aadd9
to
for
do
what’s
best
me,
I
I
be
-
lieve
can
change,
12
12
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12 12
12
12
12
12 12
12
12
12 12
12
12
12 13
12
12 13
12 13
12 13
12 13
12 13
12 10
12
12 12
12 12
12 12
12 12
12 10
C
A7sus4
Em
End Rhy. Fig. 3
ah.
End Riff D
12 10
17
17
17
17
17
17
17
17
17
17
17
17
12
13
12
10
12
Interlude Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Riff A *Gtr. 3: w/ Riff B (2 times)
C
A7sus4
Em
Female: (Ah.
C
A7sus4
Em
Ah.
*Mandolin arr. for gtr., played mf , let ring throughout.
C
A7sus4
Em
Ah.
C A7sus4 Em
Ah.)
Gtr. 3
12
0
12
0
0
12
0
0
12
0
13
12
10
12
0
12
12
0
0
12
0
0
0
12
Verse Gtr. 1: w/ Rhy. Fig. 1 (2 1/2 times) Gtr. 2: w/ Riff B (2 1/2 times) Gtr. 3 tacet
C
2. Once
up - on
a
time
in
bro - ken
A7sus4
Em
dreams,
re - flec - tions
that
I
can’t
Gtr. 1: w/ Rhy. Fill 1 Gtr. 2: w/ Fill 1
C
face.
A7sus4
Em
C So
hold
your breath
and
make
a
wish
for
A7sus4
Cadd9
me.
Take
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Gtr. 1: w/ Rhy. Fig. 1 (2 1/2 times) Gtr. 2: w/ Riff B (2 1/2 times)
A7sus4
me
to
a
bet
-
C
-
ing
A7sus4
I
it
to
it
do
seems
C
by,
could
al - ways
Em
nev - er
waits Waits
C
If
Time (Time.
Gtr. 1: w/ Rhy. Fill 1 (1st 2 meas.) Gtr. 2: w/ Fill 1 (1st 2 meas.)
place.
pass
ter
Em
all
one
more
for for
be
A7sus4
Em
me. me.)
A7sus4 Cadd9
time,
I
would
-
n’t
change
a
thing.
Chorus Gtr. 1: w/ Rhy. Fill 2 Gtr. 2: w/ Fill 2
Gtr. 1: w/ Rhy. Fig. 2 (3 times) Gtr. 2: w/ Riff C (3 times)
A7sus4
Aadd9
I
feel
G6
-
(Feel
so
hol
-
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
so
hol
-
Fmaj7#11
G6
so
low.
hol
-
so
hol
-
low.
Aadd9
I
Feel
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
I
feel
6
Fmaj7#11
Aadd9
low.
G6
G6
low.
G6
feel
Fmaj7#11
so
hol
-
Feel
so
low. hol
-
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D
G6
Aadd9
G6
I -
Fmaj7#11
feel
so
hol -
low.
G6
-
so
hol
-
Time Feel
be
-
lieve
I
to
do
Aadd9
can
what’s
best
for
me. Me.)
low.
G6
low.
I
Fmaj7#11
C
A7sus4
Em
change.
Ah.
Outro Gtr. 1: w/ Rhy. Fig. 1 (till fade) Gtr. 2: w/ Riff A (till fade)
C
A7sus4
Em
C A7sus4 Em
(Ah.
1st tim e, Begin fad e
C
A7sus4
Em
2nd tim e, Fad e o ut
C
A7sus4 Em
Ah.)
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from Godsmack IV
Livin’ in Sin Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Dsus2
Bbmaj7
13
114
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderate Rock
q = 132 *
(Sound effects & Dialogue)
Dm
Bb
**Gtr. 1 (dist.)
26 sec.
mp
grad. cresc. w/ phaser P.M.
0
0
P.M.
0
3
3
2 0
P.M.
0
0
2
2
0
0
0
let ring
5
3
3
0
0
0
1
0
1
*Chord symbols reflect implied harmony. **Doubled throughout
Dm
Bb
P.M.
0
P.M.
0
0
3
3
P.M.
2
0
0
0
2
2
0
0
0
5
3
3
0
0
Dm
0
1
1
Bb
C
Riff A
End Riff A
mf
P.M.
0
0
P.M.
0
3
3
2 0
0
P.M.
0
2
2
0
0
0
5
3
3
0
0
0
1
Dm
0 1
1
3
Bb
P.M.
0
P.M.
0
0
3
3
2 0
P.M.
0
0
2
2
0 0
let ring
0
5
3
3
0
0
1
0
1
0
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
1 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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let ring
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
Verse *Gtr. 1: w/ Riff A (2 times)
Dm
a be
-
gain, tween
my the
friend, lines,
1. Once 2. Caught *Phaser off
C
**w/ echo repeat set for dotted quarter-note regeneration w/ 1 repeat.
Dm
storm my
Bb
**
clouds life
are of
Dm
roll worth
Bro Shed
-
-
ken ding
in my
in’ less
in. lies.
side skin
to
my be
-
C
Bb
-
Bb
C
self, gin
a
Dm
can’t life
seem that I
to
Gtr. 1
P.M.
0
P.M.
0
0
3
2
know
this how
5
7
to
0
0
5
3
3
0
0
1
2 t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
2
2
0
1
3 1
3 1
3 1
3 1
3 1
3
0
3 1
3 1
3 1
3 1
3 1
3 3 3 1
0
0
3
3
µ
2
trend. live in.
3 3 1
0 1
slight P.M.
0
0
Bb
f
0
P.M.
let ring
0
Sorgdal
5
Bb5
P.M.
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
0
break don’t
0
0
3
P.M.
Well,
I
Can’t can’t
break take
it! it!
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
Chorus
D5
F5
E5
D5
E5
D5
C5
Bb5
And
I’ve
seen
C5
it
Rhy. Fig. 1
End Rhy. Fig. 1
0 0
0 0
10 8
0 0
10 8
9 7
0 0
0 0
9 7
0 0
9 7
7 5
0 0
0 0
7 5
0 0
7 5
5 3
3 1
3 1
3 1
3 1
3 1
5 3
Gtr. 1: w/ Rhy. Fig. 1
D5
F5
E5
D5
E5
D5
C5
Bb5
all.
And
I’ve
walked
it
C5
T o C oda
D5
F5
E5
D5
G5
E5
D5
C5
Bb5
tall.
C5
Lived
in
this
Gtr. 1
0 0
0 0
0 0
10 8
10 8
9 7
0 0
0 0
0 0
12 10
12 10
9 7
0 0
0 0
0 0
7 5
7 5
5 3
3 1
3 1
3 1
3 1
3 1
5 3
1.
D5
F5
E5
D5
C5
Bb5
sin.
Where
0 0
0 0
0 0
10 8
10 8
9 7
0 0
0 0
0 0
7 5
7 5
5 3
do
I
be
-
3 1
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
Interlude
Dm
Bb
C
Dm
gin?
mf
w/ phaser P.M.
0
0
0
P.M.
3
3
2 0
0
let ring
0
2
2
0
9 0
0 0
9 0
7
7 0
5
P.M.
let ring
3 0
0
3
3 0
5
0
0
0
3
3
2
2.
Bb
C
Where
P.M.
let ring
0
0
0
2
2
X X
0
5 0
5 0
do
I
be -
dist. off
let ring
7
7 0
9
9
0
10
10 0
10 0
10 0
10 0
12
3 1
Bridge
Dsus2 Rhy. Fill 1 Gtr. 2 (clean)
mf w/ tremolo
gin?
mf
let ring
3
4 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
3
0
3 0
don’t
know
now,
where
let ring
3 2 0 0 0
Dsus2
End Rhy. Fill 1
I
3
Gtr. 2: w/ Rhy. Fill 1 (2 times)
Fsus2
3 2 0
3 0 0
3 0 0
2
let ring
3 2 0
3 0 0 3
3
3
0
3 0
3 2 0 0 0
to
go
now.
3 2 0
9 X 7
9 X 7
7 5
7 X 5
Fsus2
Dsus2
I
let ring
let ring
3
3
0
3
0
don’t
know
if
I’ll
ev - er
get
a - head,
no.
let ring
3 2 0 0 0
3
C
3 2 0
3 0 0
3 0 0
3 2 0
2
3 0 0
1 0 2 3
1
0
0
1
0
0
3
1
0 0 0
2
Gtr. 2: w/ Rhy. Fill 1 (3 times)
Fsus2
Dsus2
Fsus2
It’s
let ring
3
3
3
0
0
Fsus2
let ring
3
0
3 0
3 2 0
3 0 0
3 0 0
2
not
let ring
3 2 0
3 0 0
don’t
0
word
spo -
3 2 0
9 X 7
7 X 5
5
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
3 0 0
3 0 0
2
3 2 0
3 0 0
1 0 2 3
1 0 2 3
1 0 2 3
God,
7
go
out.
9 X 7
to
let ring
3 2 0
3
how
a
3 2 0 0 0
C
know
I
0
3
3
3
And
ken,
3 2 0 0 0
ken.
3
-
let ring
3
bro
Dsus2
-
all
3 2 0 0 0
3
Dsus2
help
me
now!
5 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
F5
D5
D.S. al Coda
C
Yeah,
1/4
13
15 13 15 15
15
3
3
grad. bend 1/2
10
13
13 10
13 10
12
13 1 2 1 0 1 2 10
10
12
12
10
12
13 12 10
10
yeah,
yeah,
13 12 10
13 12 10
yeah.
10
Coda
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
D5
F5
E5
D5
E5
D5
C5
Bb5
sin.
Liv
C5
Bb5
Liv
-
in’
C5
in
D5
F5
C5 D5
E5
D5
F5
-
in’
E5
in
E5 D5
E5
D5
sin.
D5
C5
Bb5
sin.
Liv
-
in’
C5
in
Gtr. 1: / Rhy. Fig. 1 (last 2 meas.)
D5
F5
E5
D5
E5
D5
C5
sin.
Free time
Bbmaj7 Gtr. 2
Liv
-
in’
C5
in
D5
F5
E5
D5
C5
sin.
Gtr. 2 tacet
Bbsus2
Where
Gtr. 1
Bb5
do
I
be
-
gin?
1 3 3 1
7 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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from Godsmack IV
Mama Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Fsus2 1134
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow
q = 83
A5
F/A
*
A5
C
Riff A
End Riff A
Gtr. 1 (clean)
mf
w/ chorus let ring
2
0
2
0
3
0
2
0
2
0
0 0
2
3
3
0
2
3
*Chord symbols reflect implied harmony.
**Gtr. 1: w/ Riff A (2 times)
A5
Gtr. 2 (dist.)
F/A
A5
C
F/A
mf 1
7
A5
7
5
7
5
5
7
5
7
5
7
A5
1 1/2
5
7
7
9
8
8 9
9
8
10
8
10
10
8
10
**w/ slight dist.
C
Gtr. 2 tacet
A5
C
F/A
A5
1. Oh, 2. Oh,
8
8
A5
Verse
Gtr. 1: w/ Riff A (1 1/2 times) 2nd time, Gtr. 2: w/ Fill 2
8
3
3
5
3
ma ma
- ma, - ma,
what if you
have I could - ’ve
gone and on - ly
F/A A5
done seen
5
Fill 2 Gtr. 2
7
7
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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Gtr. 1: w/ Riff A (2 times)
C
G5
A5
2nd time, Gtr. 3: w/ Fill 3
F/A
with all ev - ’ry Gtr. 1
Fill 1
C
these thing
-
years I’ve
that done
I’ve and where
been I’ve
gone? been.
End Fill 1
let ring
*Gtr. 3 (dist.)
mf
let ring
2
3
A5
3
2
0
0
0
0
2
0
0
X X X
0
5
X X X
*Doubled throughout
Pre-Chorus 2nd time, Gtr. 3: w/ Fill 4
A5
F/A
A5
me thing
3 3 3
E5
C
way I
E5
If
My on
D5
life ly
-
steady gliss.
12
2 2 2
too would
fast. ask...
D5
P.M.
2 2 2
3 3 3
E5
3 3 3
2 2 2
2 2 2
I why
0 0 0
0 0 0
D5
2 2 2
2 2 2
E5
don’t did
0 0 0
F5
know you
3 3 3
if let
me
3 3 3
2 2 2
2 2 2
3 3 3
3 3 3
3 3 3
3 3 3
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
X X X
Sorgdal
changed one
0 0 0
P.M.
Fill 4 Gtr. 3
2 2 2
2 2 2
2 2 2
2 2 2
0 0 0
X X X
X X X
X X X
0 0 0
steady gliss.
P.M.
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
F5
Fill 3 Gtr. 3
2
E5
Rhy. Fig. 1
G5
F5
0
0
12
0 0 0
2 2 2
2 2 2
3 3 3
I grow
*
can
G5
3rd time, Gtr. 2: w/ Fill 5
A5
A5
so
god
damn
last. up
Chorus
fast? End Rhy. Fig. 1
C5
Help
me
Rhy. Fig. 2
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
5 5 5
5 5 5
5 5 5
5 5 5
0 0 0
2 2 0
2 2 0
2 2 0
3
0
2 2 0
2 2 0
2 2 0
3
0
2 2 0
5 5 3
*w/ echo set for half-note regeneration w/ 1 repeat, 1st time only.
find
my
F5
E5
way
A5
and,
ma
-
ma,
save
C5
me.
5 5 3
5 5 3
5 5 3
5 5 3
10 X 8
10 X 8
10 X 8
10 X 8
9
9 X 7
7
0 0 0
2 2 0
2 2 0
3
0
2 2 0
2 2 0
2 2 0
3
0
2 2 0
5 5 3
2nd time, Gtr. 3: w/ Rhy. Fig. 2 3rd time, Gtr. 3: w/ Rhy. Fig. 2 (3 times)
F5
E5
A5
Help End Rhy. Fig. 2
C5
me
5 5 3
2 2 0
5 5 3
5 5 3
5 5 3
5 5 3
3 3 3
3 3 3
3 3 3
3 3 3
2 2 2
2 2 2
0 0 0
Fill 5 Gtr. 2
14
14
2 2 0
3
0
2 2 0
2 2 0
2 2 0
3
0
2 2 0
5 5 3
14
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To Coda 1 To Coda 2
find
to
-
F5
E5
A5
day,
ma
-
ma,
please
come
and
(cont. in slashes)
5 5 3
5 5 3
5 5 3
5 5 3
10 X 8
10 X 8
10 X 8
10 X 8
9 7
9 X 7
0 0 0
2 2 0
2 2 0
3
2 2 0
0
2 2 0
2 2 0
3
2 2 0
0
0 0 0
Guitar Solo Gtr. 1: w/ Riff A (2 times) Gtr. 3 tacet
Fsus2 Gtr. 3
A5
save
7
9
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C
5
Gtr. 2
A5
oh.
Gtr. 2
A5
me,
F/A
5
8
5
F/A
9
7
A5
5
8
6
5
5
D.S. al Coda 1
C
5
7
5
7
5
7
5
8
5
7
5
7
7
5
5 7
7
5
Coda 1
Bridge
C5
F5
save
me,
E5
D5
oh. Rhy. Fill 1
Gtr. 3
P.M.
0 0 0
Eb(#4)
There’s noth
-
ing
more
that
you can
let ring
8 7 6
0 0 0
7
6
Eb(#4)
It’s
6
gone
be
8 7 6
7
0 0 0
0 0 0
8 7 6
yond what
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
do.
End Rhy. Fill 1
Rhy. Fig. 3
steady gliss.
12
0 0 0
P.M.
-
0 0 0
D5
P.M.
0 0 0
P.M.
you can
P.M.
0 0 0
0 0 0
D5
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
help
0 0 0
me
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
through.
End Rhy. Fig. 3
P.M.
8 7 6
0 0 0
8 7 6
8 7 6
8 7 6
Eb(#4)
An
emp
8 7 6
ti
8 7 6
-
8 7 6
-
ness
8 7 6
0
0 0 0
6
7
6
7
8 7 6
0 0 0
0
0 0 0
P.M.
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
D5
has
let ring
8 7 6
P.M.
cov - ered
P.M.
12
8 7 6
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
me.
steady gliss.
12
0 0 0
P.M.
0 0 0
P.M.
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
5 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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D.S.S. al Coda 2
E5
D5
E5
1
F5
G5
A5
1
1
15
14
13
0 0
13
Coda 2
15
15
13
13
14
15
13
13
14
14
12
12
14
14
12
14
C5
save
F5
me,
A5
C5
oh.
F5
E5
E5
Help
A5
Help
C5
me
me
F5
find
my
way
and,
F5
find
E5
E5
A5
to - day,
ma
A5
ma - ma,
save
- ma,
me.
please
C5
come
C5
and
Bridge Gtr. 3: w/ Rhy. Fill 1
F5
save
me,
E5
Eb(#4)
oh.
Gtr. 3: w/ Rhy. Fig. 3
D5
D5
There’s
noth
- ing
more
that
you
can
do.
Gtr. 3: w/ Rhy. Fill 1
Eb(#4)
It’s
D5
gone
be
-
yond
what
you
can
help
me
through.
Gtr. 3: w/ Rhy. Fig. 3
Eb(#4)
An
emp - ti - ness
D5
has
cov - ered
me.
Eb(#4)
Oh,
ma - ma,
come and
save
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D5
save.
7
3
6
6
let ring
13
13
14
17
17
Eb(#4)
13
17
13
17
13
13
17
13
17
17
3 1/2
15
15
13
15
13
1/2
15
15
13
15
13
1/2
15
15
13
15
13
Eb(#4)
1
13
15
15
13
15
3
15
1
1/2
1/2
15
15
15
1
1/2
15
15
1
1/2 15
13
3
1
15
15
3 3/4
1/2
15
15
15
Fade out
3
15
17
1/2
15
13
17
1
13
17
6
13
17
3
13
D5
13
15
3
13
13
15
13
14
13
15
13
14
13
14
12
14
13
3
12
10
13
12
10
9 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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from Godsmack IV
No Rest for the Wicked Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin D5
Drop D tuning, down 1 step: (low to high) C-G-C-F-A-D
Intro Moderate Rock
q = 108
** D5
*Gtr. 1 (dist.)
Eb5
Riff A
D5
C5
Ab5
G5
D5
f
5
0
5
0
0
6
0
5
0
5
5
5
3
0
6
5
Eb5
D5
5
0
5
0
0
6
0
5
*Doubled throughout **Chord symbols reflect implied harmony.
***Gtr. 2: w/ Riff A
F5
D5
P.M.
5
5
0
5
5
0
P.M.
0
3 3 3
0
G5
D5
End Riff A
Eb5
D5
C5
Ab5
G5
Riff B
0
5 5 5
7 5
0
7 5
0
***Gtr. 2 (dist.) w/ talkbox, played f .
0
8 6
0
7 5
0
7 5
7 5
7 5
3
0
6 6 6
5 5 5
Verse
D5
Eb5
D5
F5
D5
G5
D5
Gtr. 2
1. Walked a fine skin 2. Been through the
line, of a
slipped drag -
End Riff B
P.M.
0
7 5
7 5
0
0
0
8 6
7 5
0
7 5
7 5
7 5
0
0
3 3 3
5 5 5
P.M.
0
0
0 0 0
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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Gtr. 2 tacet
-
the on
edge
un - der a thou - sand
0 0 0
Rise ev - ’ ry
a
-
bove day
5
su live
i
5
0
0
0
6
5
5
0
5
- cide and for you,
tak - ing still I’m
it
out not
-
0 0 0
-
3
0
6
5
D5
me. live.
ta a
5
Eb5
a I
0
G5
Yet
Ab5
me. times.
D5
C5
15
5
0
5
0
0
6
0
5
Pre-Chorus
F5
G5
D5
G5
D5
F5
Got Got
a a
feel - ing feel - ing
I’m
Fsus2
it’s go - ing gon - na
far fall
a - way. a -
way.
5
0
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5
5
5
0 0 0
3 3 3
3 3 3
5 5 5
0 0 0
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
0 0 0
0 0 0
3 3 3
3 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
D5
Eb5
D5
F5
G5
D5
G5
Yeah!
Bb5
Lick - ing Give me
the a
7 5
0
7 5
0
0
8 6
0
7 5
Bbsus2
from
son
yes I
that
-
-
7 5
7 5
0 0 0
3 3 3
3 3 3
5 5 5
0 0 0
one
rea -
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
X X X
8 8 8
Chorus 2nd & 3rd times, Bkgd. Voc.: w/ Voc. Fig. 1
3rd time, Gtr. 3: w/ Riff C (5 times)
D5
ter should
7 5
0
wounds sign,
Dsus2
C5
*
day. stay.
Csus2
Gon - na
fly.
1., 2. Tak 3. Take
Rhy. Fig. 1
8 8 8
8 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
12 12 12
14 12 12
14 12 12
14 12 12
14 12 12
14 12 12
14 12 12
10 10 10
10 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
*3rd time. Voc. tacet on beat 1.
Bb5
Bbsus2
-
ing
C5
my
time,
strip
Csus2
down
D5
to
noth
-
8 8 8
C5
ing.
Gon - na
End Rhy. Fig. 1
Dsus2
try.
Rhy. Fig. 2
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
0 0 0
Voc. Fig. 1
10 10 10
10 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 12 12
14 12 12
14 12 12
14 12 12
14 12 12
14 12 12
14 12 12
10 10 10
(Fly.)
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1. 3rd time, Gtr. 3: w/ Riff D (2 times)
Csus2
Bb5
Bbsus2
A5
But
there’s
no
rest
for
the
End Rhy. Fig. 2
P.M.
10 10 10
10 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
12 10 10
8 8 8
10 8 8
10 8 8
10 8 8
10 8 8
7 7 7
0 0
Interlude Gtrs. 1 & 2: w/ Riff A
D5
Eb5 D5
C5 Ab5 G5
D5
Eb5 D5
F5 D5 G5
wick - ed.
2. Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.)
Bb5
Bbsus2
2nd time, *Gtr. 3: w/ Riff C (7 times)
C5
Gtr. 1: w/ Rhy. Fig. 1
Csus2
D5
Dsus2
But
there’s
no
rest
for
the
C5
wick - ed.
Gon - na
*Grad. fade
Bkgd. Voc.: w/ Voc. Fig. 1
Csus2
Bb5
Bbsus2
Take
my
Riff D Gtr. 3
C5
time,
12
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strip
down
1
10 10
Csus2
1/2
10 10 12
10 10 12
10 10 12
10 10 12
10 10 12
10 10 12
10 10 12
to
noth
-
ing.
fly.
T o C oda Gtr. 1: w/ Rhy. Fig. 2
D5
Dsus2
C5
Gon
-
na
Csus2
Bb5
Bbsus2
A5
try.
But
there’s
Interlude Gtr. 1 tacet
D5
Gtr. 1
no
rest
for
the
wick
-
f
(cont. in slashes)
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
ed.
Rhy. Fig. 3 Gtr. 3 (dist.)
Gtr. 1
F5
*w/ wah-wah
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
3 3 3
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
3 3 3
*used as filter
D5
F5
Ab5
G5
D5 Ab5
G5
F5
D5
Gtr. 1 End Rhy. Fig. 3
0 0 0
0 0 0
0 0 0
Gtrs. 1 & 3
Gtr. 3
(Gtr. 1, cont. in slashes)
0 0 0
0 0 0
3 3 3
6 6 6
5 5 5
0 0 0
6 6 6
5 5 5
3 3 3
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
3 3 3
D
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
3 3 3
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
3 3 3
12fr
0 5 21
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Bridge Half-time feel Gtr. 1: w/ Rhy. Fig. 3 (3 3/4 times) Gtr. 3 tacet
D5
Are
you
Ab5
G5
read
D5 Ab5
G5
D5
-
y
F5
F5
D5
to
know
just
who
I
D5
Do
can
make
F5
Ab5
think
G5
you
D5 Ab5
G5
D5
pose
me
to
your
me
a
bet
-
F5
ter
man?
F5
D5
F5
F5
F5
you
D5
am?
D5
F5
Crack
F5
D5
me
o
F5
Ab5
-
G5
pen?
D5
Ex
Ab5
G5
ways?
-
F5
But
End half-time feel
D5
F5
ig
-
nor
-
ance
D5
and
F5
ar
-
ro
-
gance
D5
are
F5
my (My
ways. ways.)
Gtr. 1: w/ Riff A (1st 2 meas.)
Absus2
Oh,
Gtr. 1
D5
Eb5
D5
C5
yeah.
No
Gtr. 3
X X
12
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the wick - ed,
13
13
10 10
*o = open (toe up); + = closed (toe down)
6
for
*w/ wah-wah
13
P.S.
1/2
8 6 6
rest
Ab5 G5
10 10
ba - by!
Guitar Solo Gtr. 1: w/ Riff B (2 times)
D5
Eb5
D5
13
13
13
F5
D5
13
10
10
Ab5
G5
13
13
13
13
D5
Eb5
D5
13
13
13
13
13
G5
D5
Eb5
D5
C5
Ab5
10
10
10
10
13
0
1
let ring
10
10
10
10
G5
3
3
13
C5
1/2
13
13
10
10
10
12
10
D.S. al Coda (take 2nd ending)
D5
Eb5
D5
10 10
12
12
1
10 10
F5
10 10 12
D5
G5
Riff C
End Riff C
1
1
10 10
10 10
12
12
10 10 12
10 10
10 10 12
12
Coda
10 10
10 10 12
12
10 10
10 10 12
12
10 10
10 10 12
12
Outro
A5
no
D5
for
the
wick
rest
Gtr. 1
7 7 7
7 7 7
Gtrs. 1 & 2
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
- ed.
7 7 7
D5
5
0
Eb5
5
0
0
6
0
5
C5
Ab5
G5
D5
Eb5
D5
F5
P.M.
5
0
5
5
5
3
0
6
5
0
5
5
0
0
0
6
6
5
0
5
5
5
0
D5
G5
P.M.
0
3 3 3
0
0
5 5 5
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from Godsmack IV
One Rainy Day Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin Drop D tuning: (low to high) D-A-D-G-B-E
1., 2., 3.
Intro Moderately slow
q = 88 **3rd time, Gtr. 2: w/ Riff A (2 times)
Em7
F5 G5
G#5 G5 F5
Em7
D5 F5
Riff A
(Rain)
16 sec.
Gtr. 1 (slight dist.)
p
*
1/2
let ring throughout
0
D5 End Riff A
2 2 2
0
3
0
2 2 2
2 2
*Fade in to mf , next 4 meas.
3 3
5 5
5 5
5 5
2 2 2
3 3
3
2 2 2
2 2 2
2 2 2
0 0 0
3 3 3
0 0 0
**Gtr. 2 (slight dist.), played mf.
4.
Gtr. 1: w/ Riff A (last meas.)
D5
F5
D5
Em7
1. Oh,
Em7
-
Verse
Gtrs. 1 & 2: w/ Riff A (3 1/2 t imes) 2nd time, Gtr. 3: w/ Fill 2
man, 2. Oh,
so
D5 F5
ly.
A when
Em7
I
went
run - ning
D5
A
ing trau - ma - tized,
yeah.
Fill 2 Gtr. 3
I’m I
Em7
then
drained
G#5
G5
F5
tired should - ’ve
why been
I’ve
and
lone crawled
must left
it
be? feel -
F5 G5 G#5 G5 F5
and
G5
F5 G5 G#5 G5 F5
gain, And since
man Raped
times
Em7
-
by.
D5 F5
man - y
D5
F5
of
an
is in - no - cence,
drown - ing
slow a
2
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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Em7
gift
ly. we’ve
Em7
o - ver
oh, one
no
0 2 2 2
D5 F5
yeah. by
my
F5 G5 G#5 G5 F5
keep
C
Cadd9
O - pen Riff B
2 2 2
0 0 0
3 3 3
0 0 0
way too day,
deep, a -
C
3 2 2 2
bove, gone through this one rain - y
Chorus
side.
2 2 2
a
gaze
D5
can’t still I
and
*Gtrs. 1 & 2
Em7
time.
with
D5
And he lost
lone,
D5 F5
skies
are
fall
-
ing,
tears
1
0 2 3
3
3
1
3
0
3
2
3
*Composite arrangement
2nd time, Gtrs. 1 & 2: w/ Riff B (1 3/4 times)
B7
are
com - ing
C
down.
Like
1
2
0
2
1
2
2
1
2
T o C oda
a
drop
Fill 1
2 1 2
Cadd9
C
End Riff B
of
rain
falls
to
the
o -
1
0 2 3
3
3
1
3
0
3
2
3
Guitar Solo Gtrs. 1 & 2: w/ Riff A (2 times)
B7
Em7
-
cean
and comes back
a a
-
round, round,
one rain yeah.
y
End Fill 1
F5 G5
G#5
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1
0
2 2
1
2
1
F5
day.
Gtr. 3 (dist.)
mf
3 let ring
w/ wah-wah
2 1 2
G5
0 3
5
0 5
0 5
0 5
0 5
0 5
3
3
0
3
Em7
D5 F5
D5
Em7
3
3
wah-wah off
0
2
1
0
0
2
2
1
2
2
0
12
12
2
0
2
0
0
2
2
0
10
14
12
12
14
14
14
14
D.S. al Coda
F5
G5
G#5
G5
F5
Em7
3
3
14
12
14
12
14
14
Coda C
12
12
Cadd9
I
swear
I’ve
14
giv
-
Nev
0 2
2
1
14
14
- er
will
you
0 0
2
0 2
3
giv
-
en
you
0
all
I
can.
C
3 3
2
3
ev - er
1
0 2 3
0
B7
make
me
feel
this
1 3
0
2
3
way
a
-
gain,
2
2
B7
I’ve
Cadd9
D5
1
14
en,
14
C
1
14
12
C
Gtrs. 1 & 2
2
12
F5
3
1
1/2
12
D5
2 1 2
2
2
1
2
2
Guitar Solo Gtrs. 1 & 2: w/ Riff A (4 times)
oh,
Em7
3
on
this
one
rain - y
F5
let ring
1
0
G5
day. Gtr. 3
F5 G5 G#5
15
15
14
14
14
15 12
3
3 1
15 14
15 12
15 14
15 12
15 15 14 14
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Chorus Gtrs. 1 & 2: w/ Riff B
C
Cadd9
C
B7
O - pen
skies
are
fall - ing,
tears
3
are
6
com - ing
down.
3
1
12
15
15
12
15 12
15
12
14 12
14 12
B7
11
12
11
12
14
12
14
Gtrs. 1 & 2: w/ Fill 1
C
Cadd9
C
Like
a
drop
of
rain
falls
to
the
o
-
cean
and comes back
a
-
round,
12
13
12
13
12
F5
G5 G#5
G5
F5
one
rain
-
14
12
11
12
rain -
let ring
12
one
1/2
11
9
8
8
8
Outro Gtrs. 1 & 2: w/ Riff A (till fade) Gtr. 3 tacet
Em7
y
day,
ooh,
Em7
F5
day,
G5 G#5
G5
F5
y
D5 F5
D5
one
rain
-
day,
oh,
Em7
D5 F5
y
D5
3
it’s
Em7
been
3
just
one
rain - y
( Exhaled :) ha.
( Inhaled :) ss,
day,
Begin fade
Em7
F5 G5 G#5 G5 F5
Em7
Em7
D5 F5
D5
D5 F5
D5
Em7
F5 G5 G#5 G5 F5
Fade out
Em7
F5 G5 G#5 G5 F5
µ
(Rain)
1 min. 37 sec.
5
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from Godsmack IV
Shine Down Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin E5
F5
G5 5fr
111
Drop D tuning, down 1 step: (low to high) C-G-C-F-A-D
Intro Slow Rock
q = 84
111
111
µ
(Street noise & Harmonica) 31 sec.
A5
F
**
A5
*Gtr. 1 (dist.)
f
P.M.
5
0
5
7
0
*Doubled throughout
A5
µ
Rhy. Fig. 1
F
G5
0
2 3
0
2 3
2 3
2 3
2 2
0
2 2
5
0
5
7
**Chord symbols reflect overall harmony.
µ
A5
F
A5
µ
P.M.
0
0
2 3
0
2 3
2 3
2 3
P.M.
0 0
0
0 0
5
0
5
7
0
1.
0
2 3
0
2 3
2 3
2 3
2 2
0
2 2
5
0
5
7
2.
C5
D5
µ
C5 End Rhy. Fig. 1
D5
G5
A5 Bb5 G5
Rhy. Fill 1
End Rhy. Fill 1
5 3
5 3
5 3
5 3
7 5
7 5
7 5
0
7 5
5
0
5
7
5 3
5 3
5 3
7 5
7 5
7 5
7 5
0
5 5
7 7
0 0
8 8
Verse
A5
2. A
1. So dead
tired sleep - ing through the si - lence o - ver - whelm - ing
Bb5
A5
day, me.
blood - shot Day and
eyes night
and takes
the its
sweat toll
Rhy. Fig. 2
P.M
2 2
2 2
2 2
2 2
0
P.M
2 2
2 2
2 2
2 2
0
P.M.
2 2
2 2
0
P.M.
2 2
2 2
2 2
2 2
0
P.M.
2 2
2 2
2 2
3 3
3 3
3 3
3 3
3 3
3 3
3 3
2 2
2 2
2 2
2 2
0
P.M.
2 2
2 2
2 2
2 2
0
P.M.
2 2
2 2
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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0
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
from on
my my
G5
bod san - i
-
A5
y.
And And
ty.
I I
picked know
my I’ve
head been
up a
-
End Rhy. Fig. 2
P.M.
2 2
2 2
2 2
2 2
P.M
2 2
0
2 2
2 2
0 0
0 0
0 0
0 0
0 0
0 0
0 0
2 2
2 2
2 2
2 2
P.M
2 2
0
2 2
2 2
2 2
0
P.M.
2 2
2 2
0
Gtr. 1: w/ Rhy. Fig. 2
yes way
-
ter too
Bb5
A5
day. long.
G5
All
Found no I’ve been
these years
rea hid
-
son, no ing,
hope a
left feel - ing
in - side of I’m com - ing
me. strong!
To Coda 1
Pre-Chorus
F5 Fsus2
But
Gtr. 1
5 5 3 3
3 3 3
5 5 3 3
F5 Fsus2
I
still
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
G5
be
-
lieve
5 5 3 3
5 5 5
in
im - mor
8 7 5 5 5
5 5 5
-
tal
5 5 5
8 7 5 5 5
8 7 5 5 5
8 7 5 5 5
8 7 5 5 5
8 7 5 5 5
love.
8 7 5 5 5
And
3 3 3
5 5 3 3
5 5 3 3
5 5 3 3
I
know
there’s
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times) 3rd time, Gtr. 2 tacet
E5
G5
some - one
2 2 2
Sorgdal
A5
a - bove.
2 2 2
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
2 2 2
5 5 5
F
Shine
2 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
µ
5 5 5
5
0
5
7
A5
down,
µ
A5
F
d on ’t t ak e it
G5
a - way
from
µ
me,
no.
A5
F
A5
µ
C5
And
know
F
A5
And
I
you
A5
you
just
To Coda 3
A5
tak - ing
CG5oda 1
some
-
Gtr. 1
G5
path
ev - er
one
that’s
8 7 5 5 5
8 7 5 5 5
to
8 7 5 5 5
5 5 5
8 7 5 5 5
chance
to
feel
D5
get
-
a
it.
Gtr. 1: w/ Rhy. Fill 1
me
off
F5
a
me
D.S. al Coda 1
C5
up
give
the
bove.
8 7 5 5 5
8 7 5 5 5
8 7 5 5 5
5 5 3 3
3 3 3
Bb5
G5
Show
A5
ground.
Fsus2
G5
5 5 3 3
5 5 3 3
me
a
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 5
D.S.S. al Coda 2
F5 Fsus2
to
5 5 5
-
µ
5 5 5
find
5 5 5
for
G5
µ
It’s
yeah.
F
down,
F
To Coda 2
A5
µ
how,
A5
shine
know
µ
D5
8 7 5 5 5
8 7 5 5 5
my
E5
way.
And give
5 5 5
8 7 5 5 5
8 7 5 5 5
3 3 3
5 5 3 3
5 5 3 3
8 7 5 5 5
8 7 5 5 5
8 7 5 5 5
5 5 3 3
me
a
G5
rea - son
to
µ
pray.
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
2 2 2
2 2 2
2 2 2
5 5 5
5 5 5
5
0
5
7
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Coda 2
Harmonica Solo
Gtr. 1: w/ Rhy. Fill 1
C5
D5
G5 A5 Bb5 G5
E5
Rhy. Fig. 4
get
me
off
the
ground,
*Gtr. 2
Gtr. 1
yeah.
1
f
1
1/2
15
15
15
*Harmonica arr. for gtr.
Gtr. 1: w/ Rhy. Fig. 4 (2 times)
F5
G5
E5
1
1
15
15
1
1
15 15
End Rhy. Fig. 4
1
15
15
14
14
16
F5
E5
G5
1
14
14
14
15
14
14
15
17
15
16
14
14
F5
14
16
G5
1
17 15
17
14
16
14
1
1/2
17
17
14
8v a
1
14
16
17
D.S.S. al Coda 3
E5
F5
G5
µ
Gtr. 2
8v a
loco
3
1
17
17
15
17
15
1
15
15
1 hold bend
1
12 15
12
15
12
12
15
1/2
15 15
15
Gtr. 1
2 2 2
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2 2 2
2 2 2
2 2 2
2 2 2
1
15
15
15
15
15
15
2 2 2
3 3 3
5 5 5
2 2 2
2 2 2
2 2 2
3 3 3
5 5 5
5
0
5
7
Coda 3 Gtr. 1: w/ Rhy. Fig. 1 (last meas.)
C5
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
D5
µ
A5
get
A5
me
F
off
the
A5
ground.
Shine
µ
C5
down.
Oh,
A5
F
ba
G5
-
by,
Shine
F
A5
G5
F
C5
shine
A5
µ
Oh,
shine
down.
µ
µ
Oh,
A5
Shine
F
down.
µ
yeah.
A5
shine
A5
Oh,
µ
D5
yeah,
µ
A5
down.
F
D5
down.
µ
down.
Oh,
ba - by,
shi
-
i
-
i
-
i
-
ine
down.
Outro Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas., 4 times)
A5
F
A5 µ
A5
F
G5 µ
*
f
w/ wah-wah let ring
5
8
let ring
5
5
7
6
w/ wah-wah let ring
5
8
5
8
let ring
5
5 5
7
7
7
5
5
F
G5
µ
1/2
5
6
7
1/2
6
6
7
6
1/2
6
6
f
A5
5
5
µ
Gtr. 4 (dist.)
A5
8
F
Gtr. 3 (dist.)
A5
7
6
5 5
7
7
7
1/2
5
5
7
6
6
7
7
6
6
7
1/2
6
6
*2nd time, Voc. tacet on beats 1 & 2.
Begin fade
Repeat and fade
A5
F
A5 µ
A5
F
G5
µ
A5
F
A5
µ
A5
F
G5
µ
Gtrs. 3 & 4
let ring
6
8
let ring
5
8
5
5
5
5
7
6
7
5
7
7
5
7
5
5
7
5
7
5
5
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from Godsmack IV
Speak Words and Music by Sully Erna and Tony R ombola Drop D tuning, down 1 step: (low to high) C-G-C-F-A-D
Intro Moderately slow Rock
q = 104
F5 E5
(Sound effect)
(5 sec.)
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
Rhy. Fig. 1
End Rhy. Fig. 1
*Gtr. 1 (dist.)
f
3 3 3
P.M.
P.M.
2 2 2
2 2 2
2 2 2
2
2
3 3 3
2 2 2
5 5 5
2
P.M.
P.M.
X X X
3 3 3
X X X
2 2 2
X X X
2 2 2
3 3 3
2 2 2
2 2 2
2 2 2
2
3 3 3
2
2 2 2
2
5 5 5
X X X
3 3 3
X X X
2 2 2
X X X
2 2 2
*Doubled throughout
F5
E5
F5
E5
G5
F5
E5
F5
E5
3 3 3
2 2 2
D5
P.M.
P.M.
3 3 3
2 2 2
2 2 2
2 2 2
2
3 3 3
2
2 2 2
5 5 5
2
X X X
3 3 3
X X X
2 2 2
X X X
2 2 2
2 2 2
2 0 0 0
F5 E5
F5
2 2 2
2 0 0 0
Verse
F5 E5
F5 E5
G5
F5
E5
Free, way
F5 E5
be
-
yond
your
con
-
trol
3 3 3
2 2 2
2
E5
you -
D5
ing
bet - ter mind.
love
P.M.
3 3 3
2 2 2
2 2 2
F5 E5
2 2 2
2
3 3 3
2
2 2 2
F5 E5
5 5 5
2
X X X
G5
3 3 3
X X X
F5
2 2 2
X X X
2 2 2
E5
3 3 3
2 2 2
2 2 2
2 2 2
2
2
F5 E5
F5 E5
3 3 3
X X X
2 2 2
D5
X X X
0 0 0
0
0
me.
And And
(Mind.)
P.M.
3 3 3
2 2 2
2 2 2
2 2 2
2
2
3 3 3
2 2 2
2
5 5 5
X X X
3 3 3
X X X
2 2 2
X X X
2 2 2
3 3 3
2 2 2
2 2 2
2 2 2
2
2
3 3 3
2 2 2
2
0 0 0
0
0 0 0
0
0 0 0
0
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC and HAMMERCLAW All Rights Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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F5 E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
F5
hide, no
E5
D5
*
or
run
a
pre
way -
0
0
more
be
-
liev
X X X
2 2 2
3 3 3
-
ing
in
all
your
P.M.
3 3 3
2 2 2
2 2 2
2 2 2
2
3 3 3
2
2 2 2
5 5 5
2
X X X
3 3 3
X X X
2 2 2
2 2 2
2 2 2
2 2 2
2
3 3 3
2
2 2 2
3 3 3
2
X X X
2 2 2
X X X
0 0 0
*1st time, w/ echo set for half-note regeneration w/ 2 repeats.
F5
E5
F5
E5
G5
F5
E5
D5
from
-
cious
P.M.
2 2 2
2 2 2
2 2 2
all
your
2 0 0 0
2 0 0 0
yes
-
lies,
3 3 3
F5
2
3 3 3
2
2 2 2
5 5 5
2
X X X
3 3 3
X X X
2 2 2
X X X
0 0 0 0
ter
-
2 0 0 0
days. yeah.
5 3 3 3
5 3 3 3
0 0 0 0
0 0 0 0
Chorus 3rd time, Gtr. 2: w/ Fill 1
E5
E(b6)
Speak
the
E5
D5
or
make
truth
C5
your
peace
some
oth
D5
-
er
way.
Rhy. Fig. 2
9 7
9 7
End Rhy. Fig. 2
9 7
9 7
9 7
9 7
10 7
10 7
10 7
10 7
10 7
9 7
9 7
7 5
7 5
7 5
7 5
7 5
7 5
5 3
5 3
5 3
5 3
5 3
7 5
7 5
1st time, Gtr. 1: w/ Rhy. Fig. 2 (3 times) 2nd & 3rd times, Gtr. 1: w/ Rhy. Fig. 2 (7 times)
E5
E(b6)
E5
D5
C5
Oh,
yeah,
14
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E5
14
E(b6)
Well,
X
E5
yeah.
Fill 1 Gtr. 2
D5
I
nev - er
knew
but
1.
D5
C5
D5
E5
E(b6)
I
be
-
lieve
that
your
trust
in
E5
D5
C5
D5
me,
oh,
will
speak
to
me.
Interlude Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
F5 E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
2.
F5 E5
F5 E5
G5
F5
E5
P.M.
3 3 3
2.
2 2 2
2 2 2
2 2 2
3 3 3
2 2 2
5 5 5
D5
C5
3 3 3
In
oh,
2 2 2
make
C5
your
D5
peace
some
E5
E(b6)
E5
E5
oth - er
will speak to
me.
Speak the
truth
or
0 0 0
D5
D5
Gtr. 1
D5
E(b6)
E5
D5
way.
Oh,
C5
yeah,
D5
yeah
yeah,
yeah.
T o C oda
E5
E(b6)
E5
D5
C5
D5
E5
E(b6)
E5
D5
C5
D5
*
Well, I
nev - er
knew
but
I
be
-
lieve
that
your
trust
in
oh,
me,
will speak to me. *1st time, w/ echo, as before
Interlude
E5
D5
C5
D5
E5
let ring
9
12
9
12
9
12
let ring
7
10
5
8
let ring
8 5
10 7
9
12
9
12
9
12
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Find balance between lies and trust,
* Spoken:
D5
C5
10
7
E5
let ring
8
5
but there’ll never be a better source
D5
D5
let ring
8 5
12
9
12
9
D5
let ring
12
9
C5
10
7
8
5
8 5
10 7
*w/ echo set for quarter-note regeneration w/ 1 repeat (next 4 meas.).
than
E5
to
speak
the
truth,
or
make
12
12
9
peace
in
some
D5
let ring
9
your
9
other
way.
F5
7 7 5
7 7 5
10 10 8
Guitar Solo Gtr. 1: w/ Rhy. Fig. 1
F5
E5
F5
E5
G5
F5
E5
F5
E5
Gtr. 2 (dist.)
F5
E5
G5
F5
f
w/ wah-wah
12 12
12 11
F5
E5
F5
E5
G5
F5
E5
F5 E5
F5 E5
12 15
P.M.
2 2 2
4
Sorgdal
D5
7
Gtr. 1
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
12 9
6
1/2
12 12 12
3 3 3
12 12
Gtr. 2
E5
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
2 2 2
2 2 2
2
2
P.M.
3 3 3
2 2 2
2
P.M.
5 5 5
X X X
3 3 3
X X X
2 2 2
X X X
2 2 2
3 3 3
2 2 2
2 2 2
2 2 2
2
2
15 12 15 12
15
14 15
14
12
14
1 2 14
P.M.
3 3 3
2 2 2
2 0 0 0
2 0 0 0
2 0 0 0
0
Gtr. 1: w/ Rhy. Fig. 1
F5 E5
F5
Gtr. 2
1
1/2
G5
1
14
3
F5 E5
F5
E5
0
2
2
0
1/2
2
2
F5
E5
G5
F5
3
3
D5
Fsus2
3
2
0
2
0
12 12
4
14 14
14 14
2 2 2
2 2 2
2
2
3 3 3
2 2 2
2
5 5 5
X X X
3 3 3
X X X
2 2 2
X X X
2 2 2
12 12
P.M.
P.M.
2 2 2
2
3
E5
Gtr. 1
3 3 3
E5
D.S. al Coda (take 2nd ending)
3
0
F5
fdbk.
2
G5
1
(14)
14
Gtr. 2
E5
1
14
E5
F5
1
(14)
F5
E5
2 0 0 0
2 0 0 0
14
12 12
14
14 14
14 14
12 12
14
5 5 3 3
12 12
14
14 14
5 5 3 3
5 5 3 3
12 12
14
12 12
Coda
Outro Gtr. 1: w/ Rhy. Fig. 1 (3 times)
F5
E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
Speak!
F5 E5
F5
G5
F5
E5
Oh,
E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
speak!
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F5 E5
F5
E5
G5
F5
E5
F5 E5
F5
E5
G5
Speak!
F5
E5
Oh,
*Gtr. 3 (dist.)
f 0 12
0 12
0 12
0 12
0 12
0 12
0 12
0 12
0 12
0 12
0 12
0 12
0 12
0 13
0 13
0 13
0 13
0 13
0 13
0 13
0 13
0 13
0 13
0 13
*Doubled throughout
F5 E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
speak!
0 15
0 15
0 15
0 15
0 15
0 15
0 15
0 15
0 15
0 15
0 15
0 15
0 15
0 17
0 17
0 17
0 17
0 17
0 17
Gtr. 1
P.M.
2 2 2
2 2 2
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Speak!
Gtr. 3
3 3 3
µ
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
2 2 2
2
2
P.M.
3 3 3
2 2 2
2
P.M.
5 5 5
X X X
3 3 3
X X X
2 2 2
X X X
2 2 2
3 3 3
2 2 2
2 2 2
2 2 2
2
2
3 3 3
2 2 2
0 17
0 17
5 5 5
3 3 3
0 17
2 2 2
0 13
0 13
from Godsmack IV
Temptation Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Eb5
D5 6fr
134
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately **
q = 116
D5
F5 D5
F5 D5
Ab5
D5
F5 D5
F5 D5
Eb5 F5 Eb5
*Gtrs. 1 & 2 (dist.)
mf
1/2
0
0
0
1/2
0
3
0
1/2
0
3
0
0
0
6
6
6
0
0
0
1/2
0
3
0
0
3
0
0
0
1
3
1
*Composite arrangement **Chord symbols reflect implied harmony.
D5
F5
D5
F5
D5
Ab5
D5
F5
Spoken:
F5
Oh,
µ
no,
shit!
1/2
0
D5
0
0
D5
1/2
0
3
0
F5 D5
1/2
0
3
0
0
F5 D5
0
6
6
Ab5
6
0
0
D5
0
0 0 0
0
3
F5 D5
3 3 3
F5 D5
Eb5 F5 Eb5
1/2
0
0
0
3
1/2
0
0
3
1/2
0
0
0
0
6 6 6
6 6 6
6 6 6
0
0
0
3
1/2
0
0
3
0
0
0
0
1
3
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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D5
F5 D5
F5 D5
0
0
0
F5 D5
1/2
0
3
D5
0
F5 D5
1/2
0
3
Eb(#4)
F5 D5
0
0
6 6 6
0
F5 D5
6 6 6
6 6 6
0
Ab5
0
0
1/2
0
3
D5
0
0
3
F5 D5
0
0
8 7 6
0
F5 D5
8 7 6
Eb5 F5 Eb5
Riff A
1/2
0
0
0
1/2
0
3
D5
D5
1/2
Ab5
F5
0
1/2
0
3
D5
F5
0
0
6 6 6
0
D5
6 6 6
6 6 6
0
Ab5
0
0
D5
0
0
0
3
0
0
3
P.M.
1/2
0
0
0
0
6 6 6
6 6 6
6 6 6
0
0
3
0
Eb(#4) D5
1/2
1/2
0
0
0
0
Eb(#4) D5
P.M.
8 7 6
3
0
0
0
1
3
Eb(#4) D5
P.M.
8 7 6
0
0
1
Eb(#4) End Riff A
P.M.
8 7 6
0
0
12
Verse
D5
Riff B
It
crawls
down
deep
in
-
C5
side,
with
- out
a
pulse
fdbk.
7 X 5
7 5 Pitch: A
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7 7 5
X X X
0 0
5 X 3
5 X 3
0 0
Ab5
D5
F5
D5
Dsus2
or
a
will
to
die.
Not
known
let ring
6 6 6
1/4
6
6 6 6
1/4
6 0
3
sym
-
pa
-
thize.
End Riff B
0 3 2 0 0 0
0 0 0
3
to
C5
X X X
5 5 3
0 0
5 5 3
5 5 3
Gtr. 1 tacet Gtr. 2: w/ Riff B
Eb5
D5
And now
it
takes
what it
takes
and
lets
the
Fill 1
feel - ings
End Fill 1
suf - fo
-
cate.
It’s
Riff C
End Riff C
Gtr. 3 (dist.)
mf
*w/ wah-wah
8 8 6
8 8 6
0 0 0
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
* + = closed (toe down); o = open (toe up).
Gtr. 3: w/ Riff C (3 times)
C5
Ab5
D5
F5
D5
An - oth - er
thing
noth - ing
new,
it
- ’ll
get
its
Dsus2
way.
C5
Eb5
gets
in - side of
me
and
Gtr. 2
tears
a - w ay
that
I
is
how
it
(cont. in notation)
my
see
life.
It’s
time
to
Gtr. 3
Gtr. 3
X X X X X X
X X X X X X X X X
X X X
X X X
X X X X X X X X X
X X X
X X X
X X X
X X X
X X X X X X X X X
Gtr. 1 divisi
X X X X X X
X X X X X X
X X X X X X
X X X
X X X
X X X
X X X X X X X X X X X X X X X
X X X X X X X X X X X X
X X X X X X 15
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Chorus Gtr. 3 tacet
D5
F5 D5
F5 D5
love!
Ab5
It’s
time
D5
to
F5 D5
F5 D5
hate!
It’s
1/2
0
0
0
C5 face
1/2
0
3
0
1/2
0
3
0
0
to
try - ing
face
5 5 3
5 5 3
5 5 3
F5 D5
6 6 6
0
Ab5
5 5 3
5 5 3
des
X X X
F5 D5
to
-
e
-
Ab5
to
break
0
0
0
0
3
0
0
crate.
0
0
C5
ta
0
-
5 5 3
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3
6 6 6
a
6 6 6
6 6 6
D5
-
6 6 6
F5 D5
0
3
6 6 6
6 6 6
6 6 6
6 6 6
tion
0
0
0
Ab5
6 6 6
at
way.
6 6 6
6 6 6
0
still
6 6 6
Ab5
Temp
1/2
0
6 6 6
time
F5 D5
1/2
0
6 6 6
No
6 6 6
0
1/2
End Rhy. Fig. 1
6 6 6
0
3
com - ing
1/2
all
Sorgdal
6 6 6
D5
0
5 5 3
6 6 6
Rhy. Fig. 1 Gtrs. 1 & 2
Ab5
0
0
3
-
1/2
0
0
0
3
0
0
0
6 6 6
6 6 6
got
a
hold
on
me.
6 6 6
Verse Gtr. 4 tacet
D5
2. It’s
Gtr. 4 (dist.)
a
C5
-
e - ven when you
sleep.
mf
D5 F5
It
breathes
with - out
wake
Ab5
a
heart -
P.S.
X X X
X X X
X X X
X X X
Gtrs. 1 & 2
X X X
1/4
3 2 0 0 0
5 X 3
D5
-
Dsus2
mak - ing
me
let ring
0 0 0
0 3 2
3
2 0
Gtr. 1 tacet Gtr. 2: w/ Riff B (1st 3 meas.) Gtr. 3: w/ Fill 1
6 6 6
6 6 6
Eb5
0
3
And now
0
6 6 6
5 X 3
5 X 3
1/4
3
in - com - plete.
6 6 6
Gtrs. 1 & 2
0 0 0
C5 3
beat,
5 X 3
I
5 X 3
8 X 6
X X X
X X X
8 X 6
X X X
X X X
Gtr. 3: w/ Riff C (6 times)
D5
C5
know
what
I
know.
Ex - pect
the
de - mon
down
be
-
low
to
sur - face
through
my
mor -
5 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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Ab5
-
D5
F5
D5
tal
soul.
And
now
it
looks
to
be,
it’s
smil - ing
as
it’s
kill - ing
me
Gtr. 2
3
let ring
1/4
6 6 6
6
6 6 6
0
3
0 0 0
3
0 0 0
0 0 0
*
1/4
6
0 0 0
0 0 0
0 0 0
5 5 3
0 0 0
*Using a guitar with Les Paul-style electronics, set lead volume to 10 and rhythm volume to 0. Strike the strings while the pickup selector switch is in the lead position, then flip the switch to the rhythm position and back to the lead in the rhythm indicated to simulate the re-attack.
C5
Eb5
D
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 1/4 times) Gtr. 3 tacet
D5
F5 D5 F5 D5
Ab5
12fr
Gtr. 2
day
to
day,
eye
to
eye.
It’s
Gtr. 3
(cont. in slashes)
time
to
love!
It’s
time
to
Harm.
5 5 3
5 5 3
D5
5 5 3
5 5 3
F5 D5
F5 D5
all
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X X X
X X X
It’s
F5 D5
F5 D5
X X X
C5
Ab5
hate!
D5
X X X
com - ing
face
Ab5
D5
to
break
a
-
way.
X X X
4
Ab5
to
face
F5 D5
try - ing
F5 D5
to
des
-
Ab5
No
time
C5
at
Ab5
Temp
e - crate.
-
ta - tion
still
got
a
hold
on
me.
C5
D5
It’s
time
to
F5 D5
F5 D5
Ab5
D5
love!
It’s
time
to
Ab5
to
face
try - ing
to
des
e - crate.
No
time
at
F5 D5
F5 D5
Ab5
C5
F5 D5
-
ta - tion Spoken: (Temp - ta - tion.)
0
0
3
0
0
0
0
break
a
-
F5
still
got
a
hold
on
6 6 6
6 6 6
P.M. (cont. in slashes)
5 5 3
6 6 6
me.
1/2
0
3
Ab5
Gtrs. 1 & 2
0
F5 D5
Temp
1/2
com - ing
to
Ab5
way.
0
It’s
all
T o C oda
D5
Ab5
hate!
D5
-
F5 D5
face
F5 D5
6 6 6
6 6 6
3 3 3
3 3 3
Interlude Gtrs. 1 & 2 tacet
D5 Gtrs. 1&2
*
F5
Gm
Eb5
Riff D1
Gtr. 5 (dist.)
mf 7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
Riff D
Gtr. 3
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
*Chord symbols reflect overall harmony.
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D5
F5
Gm
Eb5
F5
Eb5
End Riff D1
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
8 X 6
8 X 6
8 X 6
8 X 6
10 X 8
8 X 6
End Riff D
7 X 5
7 X 5
7 X 5
7 X 5
Gtrs. 3 & 5: w/ Riffs D & D1
D5
Dm
7 X 5
7 X 5
5 X 3
5 X 3
F5
5 X 3
5 X 3
5 X 3
5 X 3
Gm
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
Gtrs. 4 & 6: w/ Riffs E & E1
Eb5
D5
Riff E
Dm
8 X 6
8 X 6
8 X 6
F5
8 X 6
10 X 8
8 X 6
Gm
End Riff E
Gtr. 4
w/ wah-wah
Gtr. 6 (dist.) divisi
mf
Riff E1
End Riff E1
*
3 0
3
5
1
*Gtr. 4 to left of slash in tab.
Gtrs. 3 & 5 tacet
Eb5
D5
Gtr. 5
Gtrs. 1 & 2
**
P.M.
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
8
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
f
0 0 0
0 0 0
0 0 0
0 0 0
7 7 5
7 7 5
7 7 5
7 7 5
**Gradually lift P.M.
Gtr. 3
8 X 6
8 X 6
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8 X 6
8 X 6
8 X 6
8 X 6
7 7 5
7 7 5
D.S. al Coda
F5 D5
F5 D5
Ab5
D5
F5 D5
F5 µ
It’s
time
to
1/2
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0
0
0
Coda
1/2
0
3
0
0
3
0
0
0
6
6
6
0
0
3 3 3
0
0 0 0
0 0 0
3 3 3
Outro Gtrs. 1 & 2: w/ Riff A (1 3/4 times)
F5
D5
F5 D5
got
a
hold
on
F5
tion,
D5
ta
D5
F5
D5
Ab5
F5 D5
tion.
D5
Ab5
D5
Temp
Eb(#4)
F5 D5
F5 D5
-
ta
-
Eb5 F5 Eb5
tion.
Temp
Eb(#4)
D5
Eb(#4)
D5
Eb(#4)
-
D5
Eb(#4)
-
ta
tion.
Eb5 F5 Eb5
D5
Temp
Eb(#4)
F5 D5
D5
Eb(#4)
Temp
F5 D5
-
D5
ah.
-
D5
F5 D5
D5
3 3 3
D5
-
Ab5
Spoken: (Temp
6 6 6
ta
me.
F5 D5
D5
Eb(#4)
-
ta
F5 D5
-
-
F5 D5
Ab5
tion,
ah.)
D5
Uh.
Gtrs. 1 & 2
P.M.
0
0
P.M.
8 7 6
0
0
P.M.
8 7 6
0
0
0
0 0 0
P.M.
8 7 6
0
12
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from Godsmack IV
The Enemy Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately fast Rock
q = 164
D5 Rhy. Fig. 1
*Gtr. 1 (dist.)
f
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
*Doubled throughout
Riff A
End Riff A
Gtr. 2 (dist.)
f w/ wah-wah
8 X 6
7 5
7 X 5
8 X 6
7 5
7 X 5
8 X 6
7 5
8 X 6
7 5
7 X 5
8 X 6
7 5
7 X 5
8 X 6
7 5
8 X 6
7 5
7 X 5
8 X 6
7 5
7 X 5
8 X 6
7
8 X 6
5
7 5
7 X 5
8 X 6
7 5
7 X 5
8 X 6
7 5
End Rhy. Fig. 1
Gtr. 1
0 0
**
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
12
**Gradually lift P.M.
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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Verse 1st time, Gtr. 2 tacet 2nd time, Gtr. 2: w/ Fill 1
D5
*
1. Hey! 2. You!
Oh, You’re
mis - ter back an - oth - er shit -
stab - bin’ son of talk - in’ punk
a to
Ab5
bitch, me.
You’re You’re a
Rhy. Fig. 2
Gtr. 1
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
6 6
6 6
6 6
*w/ echo set for half-note regeneration w/ 1 repeat.
D5
liv - ing liv - ing
in in
-
a spi
-
world ra -
that - ’ll tion
soon be for what I
dy nev - er
F5
**
in’. want to be.
And And
I I
End Rhy. Fig. 2
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
3 3
3 3
3 3
3 3
3 3
3 3
3 3
**w/ echo as before. Gtr. 1: w/ Rhy. Fig. 2
Ab5
D5
know! see!
Ev You’ve
’ry - bod - y knows you been blind - ed
try
to by
be what
like me. you be - lieve.
But And
D5
at your best, back up and sit
as down,
a
man shut
you up
Fill 1 Gtr. 2
could and act
n’t
e - qual like you
7 X 5
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half of need
steady gliss.
7
3
5
1
12
me. to be.
F5
e - ven now
Chorus 3rd time, Gtr. 3 tacet
D5
I
am
3 2 0 0 0
0 0
re
Gtr. 1
3 2 0 0 0
F5
that
10 8
10 8
10 8
10 8
10 8
10 8
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 3
5 3
-
5 3
’ry
-
bod - y’s
3 2 0 0 0
their
3 2 0 0 0
A5
5 3
5 3
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
now
that
5 3
3 2 0 0 0
5 3
3 1
3 1
C5
I
see
it,
3 1
3 1
2 0
2 0
2 0
ways.
5 3
5 3
5 3
- ple
5 3
sim
D5
And
5 3
lost
Bb5
ing
0 0
C5
-
ev
10 8
iz
5 3
-
al
D5
-
C5
0 0
oh,
clear
it’s
here,
3 2 0 0 0
F5
so
-
ly.
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 3
5 3
5 3
5 3
5 3
5 3
5 3
10 8
10 8
10 8
10 8
10 8
10 8
10 8
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T o C oda
D5
I’ve
come
face
C5
3 2 0 0 0
0 0
to
face
with
the
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
A5
en - e - my.
Oh,
the
P.M.
3 2 0 0 0
Bb5
3 2 0 0 0
3 2 0 0 0
P.M.
5 3
0
P.M.
5 3
0
3 1
0
3 1
3 1
3 1
3 1
2 0
2 0
2 0
1.
Interlude
D5
Ab5
en - e - my.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
D5
0 0
0 0
0 0
0 0
0 0
0 0
A5 Bb5 D5 G5 A5 D5 F5
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
6 6
6 6
6 6
G5 D5 E5 F5 D5 Eb5
Gtrs. 1 & 2
0 0
0 0
0 0
0 0
10
0
7 7
8 8
0
5 5
7 7
0
3 3
5 5
0
2 2
3 3
1 1
0
1 1
1 1
2.
Interlude Gtr. 1: w/ Rhy. Fig. 1
D5
en
-
e -
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my.
Come
to
me.
Come
to
me.
Oh,
the
Gtr. 2: w/ Riff A
en
-
e - my.
Come
to
me.
Come
to
me.
Oh!
Half-time feel * Eb5
D5
Eb5 D5
Ab5 G5
D5
Eb5 D5
Eb5 D5
C5
D5
Riff B
Gtr. 1
End Riff B
8 X 6
7 5
0
8 X 6
0
7 5
0
13 X 11
0
12
12 X 10
10
8 X 6
0
7 5
0
8 X 6
0
7 5
0
0
5 X 3
5 X 3
0
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff B (2 times)
Eb5 D5
Eb5 D5
Gtr. 2
Ab5 G5
D5
7 0
7 0
Eb5 D5
7 0
7 0
7 0
Eb5 D5
Eb5 D5
Ab5 G5
D5
2 0
8 0
Eb5 D5
8 0
10 0
Eb5 D5
10 0
5 0
D5
8 0
Eb5 D5
2 0
C5
C5
D5
5 0
5 0
Bridge Gtr. 2 tacet
D5
Eb5 D5
So
pre
-
Eb5 D5
dict
Eb5 D5
-
Eb5 D5
ing,
you’re
the
rea
Eb5 D5
Eb5 D5 F5
-
son
Gtr. 1
P.M.
0 0
P.M.
0 0
0 0
0 0
1 1
0 0
0 0
P.M.
0 0
0 0
1 1
0 0
0 0
P.M.
1 1
0 0
0 0
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
1 1
0 0
0 0
P.M.
0 0
0 0
1 1
0 0
0 0
1 1
0 0
3 3
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D5
Eb5 D5
Eb5 D5
Eb5 D5
why
Eb5 D5
I
lie.
Eb5 D5
Eb5 D5 F5
Rhy. Fig. 3
End Rhy. Fig. 3
P.M.
0 0
P.M.
0 0
0 0
0 0
0 0
1 1
0 0
0 0
P.M.
0 0
0 0
1 1
0 0
P.M.
0 0
1 1
0 0
0 0
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
1 1
0 0
0 0
P.M.
0 0
0 0
1 1
0 0
0 0
1 1
0 0
3 3
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
D5
Eb5
D5
Sim
-
ple
D5
de
Eb5 D5
-
ci
-
Eb5 D5
took
Eb5 D5
time
Eb5 D5
sion,
Eb5 D5
Eb5 D5
to
me
too
Eb5 D5
fly.
Eb5 D5
Eb5 D5 F5
much
Eb5 D5
Eb5 D5 F5
*
Oh,
check - mate! *w/ echo set for dotted half-note regeneration w/ 4 repeats.
Interlude Gtr. 1: w/ Riff B (4 times)
C5
Gtr. 2
D5 Eb5 D5
Eb5 D5
8v a
loco
fdbk.
12
12
7 0
10 0
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C5
D5 Eb5
11 0
D5
Ab5 G5
D5
11 0
Ab5 G5
Eb5
D5
7 0
Eb5
D5
7 0
D5 Eb5 D5
11 0
Eb5 D5
Eb5
8 0
11 0
D5
8 0
10 0
End half-time feel
C5
D5
D.S. al Coda Gtr. 2 tacet
D5
Ab5
Gtr. 2
Gtr. 3 (dist.)
mf
* P.M.
0
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
*Gradually lift P.M.
Gtr. 1
w/ bar
fdbk.
0
0 –2
slack
Coda
Outro
D5
en - e - my. Gtr. 1
0 0
0 0
Come
0 0
to
me.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
7 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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from Godsmack IV
Voodoo Too Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin D5
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderate Rock
q = 132 µ
(Chanting) 10 sec.
* D(b5)
(Bass & Drums)
mp
**w/ wah-wah
fdbk.
Gtr. 2 (dist.)
0
0
0
**o = open (toe up); + = closed (toe down)
Gtr. 1 (clean)
mp
let ring
3
1
0 *Chord symbols reflect overall harmony.
3
13
13
13
13
13
13
12
12
12
12
12
13
3
3
13
13
13
13
13
13
13
13
13
13
13
13
13
let ring
0
1
3
1
Copyright © 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
Dsus2(b5)
let ring
13
D(b5)
8
10
10
10
10
10
10
10
10
10
12
3
3
12
10
0
0
1
3
3
1
1
0
10
12
10
12
let ring
0
grad. bend 1/2
12
0 0
Verse Gtr. 1 tacet 1st time, Gtr. 2 tacet 2nd time, Gtr. 2: w/ Fill 1
D(b5)
1. O 2. In
-
pen still
your the
Riff A *Gtr. 3 (dist.)
eyes... bod
-
Dsus2(b5)
a so
pass with
y...
chill warm
ev
es -
you ’ry
by. breath. End Riff A
mf
F5
let ring
1
3
1
0
3
0
let ring
3 3
0
3
3
3
*Doubled throughout
Gtr. 3: w/ Riff A (3 times)
D(b5)
A Dance
prem
to
o a
-
ni - tion vi - sion
Dsus2(b5)
com - ing so
strong. se - duc
D(b5)
Rich Rain
with down
de - si up - on
Fill 1 Gtr. 2
-
re... me...
**
7
**Rock wah-wah pedal.
2 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
F5
Ah. -
tive.
Oh.
Dsus2(b5)
a it
F5
su - per cleans - es
-
sti me
-
tion with
in ev
-
dis ’ry
-
guise drip.
3
D(b5)
Dsus2(b5)
draws A
Bbsus2
me in to where scent you’ve prom - ised
I for
be - long. the
nour - ish
Asus2
-
ment
that
I’ve
ah,
Riff B
8
8
10
10
8
8
10
8
ed.
let ring
10
8
F5
-
7
7
9
9
7
9
7
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
Chorus 3rd time, Gtr. 2 tacet
D5
Have you
10
gift
End Riff B
oh.)
Gtr. 3
let ring
been
(Ah,
F5
ev - er
won
in
-
dered
F6
why
a
dream
Em7
you can
Riff C
0
3
2
0
0
5
0
fall
-
ing
sky
or
0
a
End Riff C
f
touch
3
2
0
2
3
5
3
3
5
3
5
2
2
2
3
2
0
1. 1st time, Gtr. 3: w/ Riff C 2nd time, Gtr. 3: w/ Riff C (3 times) 3rd time, Gtr. 3: w/ Riff C (2 3/4 times)
D5
fly
to
the
heav - ens
that
watch
o
-
ver
you?
F6
Tell - ing
me
it’s
all
Em7
voo
-
doo,
voo - doo
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
Interlude
D5 Gtr. 3
too. Voc. Fig. 1
Chanted : (Boom,
bah,
boom,
kah,
chik, boo,
koo,
da.
Boom,
3
bah,
Gtr. 2
boom,
10
10
12
chik, boo, ko koo, da.)
let ring
10
10
13
13
10
13
Gtr. 3 tacet
let ring
10
kah,
3
10
dim.
10 10 10
Bkgd. Voc.: w/ Voc. Fig. 1
End Voc. Fig. 1
12
Harm.
1/4
10
12
12
10
12
7
7
2.
-
dream
doo.
F6
D5
Have
you
can
Em7
touch
a
fall
-
ing
you
ev
-
er
won
-
D5
sky
fly
or
o
4 Digital Conversion ©2011 Sorgdal -Foreducational useonly -no
Sorgdal
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
-
ver
you?
Tell
- ing
me
it’s
all
why
in
a
T o C oda
F6
dered
to
the
Em7
voo
-
doo,
heav - ens
that
watch
voo
-
doo
Interlude Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
D5
Gtr. 3
Voo
-
too.
doo
too.
It’s
al all
voo
-
doo
8v a
Gtr. 4 (dist.)
p fdbk.
0
dim.
Gtr. 4 tacet
too.
8v a
Gtr. 4
mp
fdbk.
0
0
Gtr. 2
mp
fdbk.
0
0 Pitch: C
Guitar Solo Bkgd. Voc.: w/ Voc. Fig. 1 (4 times) Gtr. 3 tacet
µ
Gtr. 2
mf
10
10
10
12
12
12 12
P.M.
10
10
10
10
10
12
10
12
0
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Sorgdal
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
10
12
10
10
9
9
1/2
11
11
11
D(b5)
Dsus2(b5)
5
D(b5)
10
12
13
12
10
1
12
12
12
12
10
10
10
12
3
3
3
3
1
1/2
1
10
12
12
1
Dsus2(b5)
1
10
12
11
F5
11
Gtr. 3: w/ Riff A (2 times)
10
semi-harm.
1/2
13
12
12
10
12
10
13
13
13
10
13
10
13
12
10
12
12
10
10
12
Gtr. 3: w/ Riff B
F5
Bbsus2
3
1
1/2
Asus2
12
10
12
10
12
12
1
10
13
13
10
1
13
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Sorgdal
t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
10
10 13
F5
1 3 10
12
D5
12
10
12
10
12
10
12
10
10
12
10
12
10
12
f 1/2
10
12
13
Gtr. 3: w/ Riff C (1st 2 meas., 3 times)
steady gliss.
10
12
13
12
1
1/2
10
12
5
12
3
3 1/2
10
13
10
13
10
10
10
13
13
13
12
10
12
10
12
12
10
12
13
13
12
10
13
semi-harm.
10
13
Gtr. 2
12
15
10
13
12
10
10
12
12
10
12
10
0
13
10
12
12
13
15
12
3
2
0
0
5
0
15
13
15
15
15
F5
3
12
10
12
10
12
3
0
3 3 3
3 3 3
3 3 3
10
w/ bar
13
13
13
15
1/2
10
13
13
1 13
14
1
1/2
D5
13
14
12
1
1 1/2
1 1/2
3 1
0
12
Gtr. 3
12
let ring
0 0 0
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D.S. al Coda (take 2nd ending)
D(b5)
steady gliss.
13
fdbk.
13
10
8
0 0 0
0 0 0
0
0 Pitch: A
3
3
3
3
let ring
3 0 0 0
Coda
doo,
voo
-
doo
5
3 3 3
2
3 3 3
It’s
voo
dim.
all
voo
-
doo
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t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
-
3
too.
3
0
just
let ring
3
0
0
1
3
1
0
It’s
3
1
let ring
3 3 3
too.
3
(cont. in slashes)
1
too.
3
Gtr. 1
3
1
D5 Gtr. 3
Gtr. 3
2
3
1
Outro
F5
-
3
1
3
1
3 0
doo
