FX1000_Ita

Expander FX1000 ....................................................................................................................

Manuale d’uso

Farfisa FX 1000 Manuale d’uso

Indice

Sezione 0

Benvenuto 0.1

FX1000

0.2

Caratteristiche principali

0.3 0.4

Contenuto della confezione Accensione

Sezione 1

Connessioni 1.1

Introduzione

1.2

MIDI e USB-Midi

1.3

Impostazione del Midi Out in “Farfisa Vintage”

Sezione 2

Configurazione e messaggi speciali 2.1

Introduzione

2.2

Special MIDI Messages

2.3

Special MIDI Message Details

2.4

2.3.1

System Messages

2.3.2

Spatial Effect Device

2.3.3

Routing Messages

2.3.4

MIDI Messages

2.3.5

Equalizer Device

Controls 2.4.1

Control Messages Overview

2.4.2

System Messages

2.4.3


2.4.4

Routing Messages

2.4.5

MIDI Messages

2.4.6

Reverb Device

2.4.7

Chorus Device

2.4.8

Equalizer Device

Sezione 3

Detailed MIDI Implementation Sezione 4

Sounds 4.1

Main Sounds: General MIDI

4.2

Sound Variation

4.3

Drum Set Table (MIDI Channel 10)


Sezione 5

NRPN 0375Fh Effect on/off-Polyphony .............................................................................................. 5-1


Sezione 0 Benvenuto 0.1

FX1000 Grazie per aver acquistato il nuovo expander Farfisa FX1000. La FX1000 rappresenta una interessante integrazione al settore dei moduli sonori in termini di compattezza, performance musicale e di economicità. FX1000 non solo ha tutte le caratteristiche necessarie per la perfetta riproduzione dei file musicali (midi files) in standard General Midi e in formato Kar, ma ha anche altri banchi suoni aggiuntivi, “drawbars organ” con effetto “rotator” (Leslie), un simulatore “Farfisa Combo Compact” e un sintetizzatore con due oscillatori. Un nuovo software per PC è disponibile su www.farfisa.eu per impostare le caratteristiche principali di FX1000 e per programmare l'expander con suoni Combo Compact, Synth o Drawbars.

0.2

Caratteristiche principali o o o o o o o o o o

0.3

128 suoni “General midi” 133 variazioni Simulatore “Farfisa Combo Compact” “Draw bars” con effetto “rotator” (Leslie) Farfisa Synth 10 Drum sets Effetti: Chorus (8 tipi), Reverb (8 tipi), Portamento, Rotator (Leslie), Vibrato, Spatializzatore 4 band equalizer Fino a 64 note di polifonia (vedi sezione 5) Scala araba

Contenuto della confezione La confezione dell’FX1000 include il seguente materiale: 1. Unità FX1000 2. Manuale d’uso 3. Adattatore 4. USB Cable

0.4

Accensione Per avviare l’ FX1000 ci sono due modi: 1. Per utilizzare FX1000 solo come expander Midi (senza collegamento al computer): a. collegare il cavo USB all'adattatore


b. collegare il cavo USB per FX1000 c. collegare l'adattatore alla presa di corrente d. collegare con un cavo MIDI (non fornito) la FX1000 alla Midi-Out di una tastiera o di uno strumento Midi 2. Per usare l’FX1000 come un expander (con collegamento al computer): a. collegare il cavo USB al computer b. collegare il cavo USB all’ FX1000 c. collegare con un cavo MIDI (non fornito) l’ FX1000 ad una presa Midi-Out di una tastiera o uno strumento Midi (opzionale)


Sezione 1 Connessioni 1.1

Introduzione FARFISA FX1000 è un expander MIDI. Collegandolo ad un PC tramite un cavo USB o via MIDI è possibile ascoltare la musica inviata da un sequencer MIDI. Questo manuale include tutte le funzioni MIDI riconosciute da FARFISA FX1000: equalizzatore a 4 bande, Chorus, Reverb, effetto di spazializzatore, controlli GM, cambio suoni ecc.

Che cos'è il MIDI? La sigla MIDI è l'abbreviazione di "Musical Instrument Digital Interface" e rappresenta uno standard per la trasmissione di dati tramite cavi tra uno strumento musicale elettronico e di un personal computer o un altro strumento musicale elettronico. Il sistema General Midi (GM) Questo expander adotta il sistema General Midi (GM), uno standard che permette agli utenti di ricevere o inviare dati in formato MIDI ad un personal computer o ad un'altra tastiera senza problemi di compatibilità tra gli strumenti musicali di marchi diversi. L’ FX1000 è dotato di una presa USB-MIDI per il collegamento al personal computer e una presa MIDI-In per ricevere i dati MIDI da una tastiera o un dispositivo MIDI dotato di una presa MIDI Out (per esempio Farfisa DP300) La connessione avviene utilizzando il cavo USB (in dotazione) e un cavo midi (non fornito), come mostrato in figura:

Requisiti minimi di sistema Personal computer con processore Pentium 3 800Mhz dotato di presa USB. Sistema operativo Windows XP, Windows Vista o Windows 7.


1.2

MIDI e USB-Midi Procedura per collegare l’ FX1000 al computer Prima di collegare l’FX1000 al computer, assicurarsi che il computer e l'expander siano accesi. Effettuare il collegamento con il cavo USB fornito. Dopo pochi secondi viene visualizzata sul computer una serie di messaggi:

A questo punto, FX1000 è correttamente collegato e riconosciuto dal computer. Nota: Il riconoscimento della FX1000 dal computer si svolge durante la prima connessione. Nelle connessioni successive non apparirà il messaggio. Verrà solo riprodotto il caratteristico suono prodotto dal computer per indicare l'inserimento di un dispositivo USB. Attenzione: Se l’FX1000 non è riconosciuto dal computer e viene visualizzato il messaggio un errore ripetere l'operazione. Se il problema persiste, verificare che i requisiti minimi sono rispettati.

Indirizzamento canali midi Quando si utilizza un sequencer MIDI nel computer è necessario scegliere il dispositivo MIDI in cui si desidera inviare i dati per riprodurre la musica. Normalmente in un sequencer MIDI nel menu principale è presente l'opzione "dispositivi Midi". Selezionando questo menu, il computer mostrerà due nuovi dispositivi MIDI: "USB Speakers" e "USB Speakers (2)". Su Windows 7 i nomi saranno: “FX1000” e “FX1000(2)” Se è selezionato "USB Speakers" – “FX1000”, i dati MIDI saranno indirizzati verso i canali 1-16. Se è selezionato "USB Speakers(2)"- “FX1000(2)”, i dati MIDI saranno indirizzati verso i canali 17-32. I dati inviati via MIDI (con presa MIDI) all’accensione saranno indirizzati verso i canali 1-16. Canali Midi 1-16

Presa Midi SI

17-32

NO

Presa USB MIDI USB Speakers FX1000 USB Speakers (2) FX1000 (2)

Impostazione del Midi Out nel programma “Farfisa Vintage” Dal sito internet www.farfisa.eu è possibile scaricare il programma "Farfisa vintage", una utilità per trasformare il vostro FX1000 in una "tastiera Vintage" con “Drawbars organ”, Farfisa Combo Compact, Farfisa Synth Maker ecc. Quando si usa "Farfisa Vintage" selezionare "USB Speakers” o “FX1000" come dispositivo Midi Out nel menu "Midi Out". Se il dispositivo Midi "USB Speakers" o “FX1000” è in uso da un'altra applicazione è possibile selezionare "USB Speakers (2)" o “FX1000(2)” e premere il pulsante "RESET EXPANDER".


Section 2 Configurazione e messaggi speciali 2.1

Introduzione FARFISA FX1000 include i seguenti moduli: 4-band Equalizer, Chorus effect, Reverb effect, Spatial effect. Alcuni messaggi speciali permettono di impostare i parametri per questi moduli messaggi NRPN o Sistemi esclusivi :

2.2

Messaggi MIDI Speciali Questi messaggi sono ricevuti in modo seriale sia attraverso la porta MIDI, sia attraverso la porta USBMIDI. I messaggi speciali MIDI sono inviati usando i messaggi NRPN. Questi messaggi NRPN sono principalemente usati usando NRPN high=037h. Per esempio il Master Volume può essere impostato usando l’NRPN "3707h", cioè: 

NRPN high = 037h: midi control 99 (63h) = 55 (37h) --> midi message = 0B0h 063h 037h



NRPN low = 07h: midi control 98 (62h) = 07 (07h) --> midi message = 0B0h 062h 07h



NRPN value=vv: midi control 6 (06h) =vv ---> midi message = 0B0h 006h vv

dove vv è il valore di volume nell’intervallo 0 - 127 (da 0 a 7Fh). La tabella 2-1 mostra tutti i controlli NRPN riconosciuti dall’FX1000. Per il controllo di riverbero/chorus è possibile usare i sistemi esclusivi standard descritti nella sezione 3: “Detailed MIDI Implementation”. Table 2-1.

Messaggi MIDI Speciali

NRPN # (High/Low)

Accensione Default

Descrizione

3700h

Low-band Equalizer (bass)

0 = −12 dB, 40h = 0 dB, 7Fh = +12 dB

60h

3701h

Medium-/Low-band Equalizer

0 = −12 dB, 40h = 0 dB, 7Fh = +12 dB

40h

3702h

Medium-/High-band Equalizer

0 = −12 dB, 40h = 0 dB, 7Fh = +12 dB

40h

3703h

High-band Equalizer (treble)

0 = −12dB, 40h = 0 dB, 7Fh = +12 dB

60h

3707h

Master Volume

0 to 7Fh

7Fh

3708h

Low-band Equalizer Frequency

0 = 0 Hz, 7Fh = 4.7 kHz

0Ch

3709h 370Ah

Medium-/Low-band Equalizer Frequency Medium-/High-band Equalizer Frequency

0 = 0 Hz, 7Fh = 4.2 kHz 0 = 0 Hz, 7Fh = 4.2 kHz

1Bh 72h


Table 2-1.

Special MIDI Messages

NRPN # (High/Low)

Accensione Default

Descrizione

370Bh

High-band Equalizer Frequency

0 = 0 Hz, 7Fh = 18.75 kHz

40h

3713h

Clipping Mode Select

0 = soft clip, 7Fh = hard clip

00h

3715h

General MIDI Reverb Send

0 = no send, 40h = default send, 7Fh = max

40h

3716h

General MIDI Chorus Send

0 = no send, 40h = default send, 7Fh = max

40h

3718h

Post Effects Applied on GM

0 = Post effects not applied 7Fh = Post effects applied

371Ah

Post Effects Applied on Reverb/Chorus

(1)

7Fh

(1)

0 = Post effects not applied

(1)

7Fh

7Fh = Post effects applied (1) 3720h

Spatial Effect Volume(2)

0 = no effect, 7Fh = maximum effect

00h

3722h

General MIDI Volume

0 to 7Fh

7Fh

3723h

General MIDI Pan

0 = left, 40h = center, 7Fh = right

40h

372Ch

Spatial Effect Delay(2)

0 = shortest to 7Fh = longest

1Dh

372Dh

Spatial Effect Input(2)

0 = stereo, 7Fh = mono

00h

3751h

Auto-test

See Section 6.

3757h

System Exclusive Device ID

0 to 1Fh, 20h = all accepted

20h

375Fh

Effect ON/OFF - Polyphony Select

See Section 5

20h

Note:

1. I “ Post effect” sono Spatial Effect + equalizer 2. Vedere Figura 7-1 in Sezione 7.

2.3

Special MIDI Message Details

2.3.1

System Messages

NRPN # (High/Low) 3707h

Nome controllo

Parametri (Data)

Azione

MASTER_VOL

Data (byte 0–7Fh, 7Fh)

Master Volume

• MASTER_VOL Master volume. Intervallo dei dati: 0 –FFh. Default = FFh.


2.3.2

Spatial Effect Device See Figure 7-1 in Section 7.

NRPN #

Nome controllo

Parametri (Data)

Azione

3720h

SUR_VOL

-Data (byte 0–7Fh, 0)

Spatial effect volume

372Ch

SUR_DEL

-Data (byte 0–7Fh, 1Dh)

Spatial effect delay

372Dh

SUR_INP

-Data (byte 0/7Fh, 0)

Input mono/stereo select for spatial effect

• SUR_VOL Spatial effect volume; default = 0.

• SUR_DEL Delay time; default = 1Dh

• SUR_INP Input type select: 0

Stereo (default), stereo wide

Input to delay line is left −right.

7Fh

Mono, pseudo stereo

Input to delay line is left + right.

2.3.3

Routing Messages

NRPN # 3718h

Nome controllo GM_POST

Parametri (Data) -Data (byte 0/7Fh, 7Fh)

Azione Post effects applied on general MIDI

371Ah

EFF_POST

-Data (byte 0/7Fh, 7Fh)

Post effects applied on reverb-chorus

• xxx_POST I “ Post effect” sono Spatial Effect + equalizer Post effects can be separately applied on each module. However, general settings of post effects (EQ_xxx, EQF_xxx, EQU_TYPE, SUR_VOL, SUR_DEL, SUR_INP) are common for all modules. Data = 00h; post effects not applied on module. Data = 7Fh; post effects applied on module. Default value = 7Fh

2.3.4

MIDI Messages

NRPN #

Nome controllo

Parametri (Data)

Azione

3722h

GM_VOL

-Data (byte 0–7Fh, 7Fh)

General MIDI volume

3723h

GM_PAN

-Data (byte 0–7Fh, 40h)

General MIDI pan


• GM_VOL Range 0–7Fh, linear scale. Default value: GM_VOL = 07Fh

• GM_PAN 0 = hard left, 40h = center, 7Fh = hard right Same as GM system exclusive message “40h 00h 06h”. Default value: GM_PAN = 40h

2.3.5

Equalizer Device

NRPN #

Nome controllo

Parametri (Data)

Azione

3700h

EQ_LB

-Level (byte 0–7Fh, 60h)

Low-band Equalizer

3701h

EQ_MLB


Medium-/Low-band Equalizer

3702h

EQ_MHB


Medium-/High-band Equalizer

3703h

EQ_HB


High-band Equalizer

3708h

EQF_LB

-Data (byte 0–7Fh, 0Ch)


3709h

EQF_MLB

-Data (byte 0–7Fh, 1Bh)

Medium-/Low-band Equalizer Frequency

370Ah

EQF_MHB


Medium-/High-band Equalizer Frequency

370Bh

EQF_HB



• EQ_xxx: Band level 00h

20h

40h

60h

7Fh

−12 dB

− 6 dB

0 dB

+6 dB

+12 dB

Default = 60h (+6 dB) for LB–HB, = 40h (0 dB) for MLB–MHB

• EQF_xxx: Band frequency (0–7Fh), linear scale Band

Range

Default

LB

0–4.7 Khz

0Ch

MLB

0–4.2 Khz

1Bh

MHB

0–4.2 Khz

72h

HB

0–18.75 Khz

40h


2.4

Controlli

2.4.1

Panoramica dei Messaggi di Controllo

Un messaggio di controllo consiste di un byte CONTROLLO seguito da un byte di dati. Table 2-2.

Control Messages Overview Accensione Compatibile Default NRPN/SYSEX

Ctrl #

Descrizione

7h

Master Volume

0 to FFh

FFh

Nrpn 3707h

10h

Low-band Equalizer Left (bass)

0=-12dB, 40h=0dB, 7Fh=+12dB

60h

Nrpn 3700h

11h

Medium-/Low-band Equalizer Left

0=-12dB, 40h=0dB, 7Fh=+12dB

40h

Nrpn 3701h

12h

Medium-/High-band Equalizer Left

0=-12dB, 40h=0dB, 7Fh=+12dB

40h

Nrpn 3702h

13h

High-band Equalizer Left (treble)

0=-12dB, 40h=0dB, 7Fh=+12dB

60h

Nrpn 3703h

14h

Low-band Equalizer Right (bass)

0=-12dB, 40h=0dB, 7Fh=+12dB

60h

Nrpn 3700h

15h

Medium-/Low-band Equalizer Right

0=-12dB, 40h=0dB, 7Fh=+12dB

40h

Nrpn 3701h

16h

Medium-/High-band Equalizer Right

0=-12dB, 40h=0dB, 7Fh=+12dB

40h

Nrpn 3702h

17h

High-band Equalizer Right (treble)

0=-12dB, 40h=0dB, 7Fh=+12dB

60h

Nrpn 3703h

18h


0=0 Hz, 7Fh=4.7 kHz

0Ch

Nrpn 3708h

19h


0=0 Hz, 7Fh=4.2 kHz

1Bh

Nrpn 3709h

1Ah


0=0 Hz, 7Fh=4.2 kHz

72h

Nrpn 370Ah

1Bh


0=0 Hz, 7Fh=18.75 kHz

40h

Nrpn 370Bh

25h

General MIDI Reverb Send

0=no send,80h=default send,FFh=max

80h

Nrpn 3715h

26h

General MIDI Chorus Send

0=no send,80h=default send,FFh=max

80h

Nrpn 3716h

30h

Spatial Effect Volume(2)

0=no effect, FFh=maximum effect

00h

Nrpn 3720h

31h

Spatial Effect Delay (2)

0=shortest to 7Fh=longest

1Dh

Nrpn 372Ch

32h

Spatial Effect Input(2)

0=stereo 7Fh=mono

00h

Nrpn 372Dh

38h

General MIDI Volume

0 to FFh

FFh

Nrpn 3722h

39h

General MIDI Pan

0=left, 40h=center, 7Fh=right

40h

Nrpn 3723h

3Ah

Reverb General Volume

0 to FFh

(2)

SysEx 40h 01h 33h

3Bh

Chorus General Volume

0 to FFh

(2)

SysEx 40h 01h 3Ah

3Fh

Switch to UART Mode

62h

Post Effects Applied on GM

7Fh

Nrpn 3718h

7Fh

Nrpn 371Ah

0=Post effects not applied(1) 7Fh=Post effects applied(1) 0=Post effects not applied(1)

66h Post Effects Applied on Reverb-chorus (1)

7Fh=Post effects applied(1)

69h

Reverb Program Select

0 to 7h

04h

SysEx 40h 01h 30h

6Ah

Chorus Program Select

0 to 7h

02h

SysEx 40h 01h 38h


Table 2-2.

Control Messages Overview (Continued) Accensione Compatibile Default NRPN/SYSEX

Ctrl #

Descrizione

74h

Chorus Delay

(3)

75h

Chorus Feedback

(3)

SysEx 40h 01h 3Bh

76h

Chorus Rate

(3)

SysEx 40h 01h 3Dh

77h

Chorus Depth

(3)

SysEx 40h 01h 3Eh

78h

Reverb Time

(3)

SysEx 40h 01h 34h

79h

Reverb Feedback

Only if reverb number =6 or 7 (delays)

(3)

SysEx 40h 01h 35h

7Eh

Clipping Mode Select

0=soft clip 7Fh=hard clip

00h

Nrpn 3713h

BEh

Enable Farfisa Control in Stand-alone Mode

FFh

Reset UART Mode

Notes:

SysEx 40h 01h 3Ch

1. Post effects sono spatial effect + equalizer. 2. Vedere la f igura 7-1 nella Sezione 7. 3. Vedere “Control Messages Details”.

2.4.2

Control Messages Details

2.4.2.1

System Messages

Ctrl #

Nome del controllo

Parametri (Data)

Azione

07h

MASTER_VOL

Data (byte 0–FFh, FFh)

Master Volume

• MASTER_VOL Master volume. Data range: 0–FFh. Default = FFh.

2.4.2.2

Spatial Effect Device See Figure 7-1 in Section 7.

Table 2-3.


Ctrl #

Nome del controllo

Parametri (Data)

Azione

30h

SUR_VOL

-Data (byte 0–FFh, 0)

Spatial effect volume

31h

SUR_DEL

-Data (byte 0–7Fh, 1Dh)

Spatial effect delay

32h

SUR_INP

-Data (byte 0/7Fh, 0)

Input mono/stereo select for spatial effect

• SUR_VOL Spatial effect volume; default = 0.

• SUR_DEL Delay time; default = 1Dh

• SUR_INP


Input type select: 0

Stereo (default), stereo wide

Input to delay line is left −right.

7Fh

Mono, pseudo stereo

Input to delay line is left + right.

2.4.2.3

Routing Messages

Ctrl #

Nome del controllo

Parametri (Data)

Azione

62h

GM_POST


Post effects applied on general MIDI

66h

EFF_POST


Post effects applied on reverb-chorus

• xxx_POST I “ Post effect” sono Spatial Effect + equalizer Post effects can be separately applied on each module. However, general settings of post effects (EQ_xxx, EQF_xxx, EQU_TYPE, SUR_VOL, SUR_DEL, SUR_INP) are common for all modules. Data = 00h; post effects not applied on module. Data = 7Fh; post effects applied on module. Default value = 7Fh

2.4.2.4

MIDI Messages

Ctrl #

Nome del controllo

Parametri (Data)

Azione

38h

GM_VOL

-Data (byte 0–FFh, FFh)

General MIDI volume

39h

GM_PAN


General MIDI pan

• GM_VOL Range 0–FFh, linear scale. Default value: GM_VOL = FFh

• GM_PAN 0 = hard left, 40h = center, 7Fh = hard right Same as GM system exclusive message “40h 00h 06h”. Default value: GM_PAN = 40h

2.4.2.5

Reverb Device

Ctrl #

Nome del controllo

Parametri (Data)

Azione

69h

REV_TYPE

-Data (byte 0–7, 4)

Reverb program select

3Ah

REV_VOL

-Data (byte 0–FFh)

Reverb general volume

78h

REV_TIME

-Data (byte 0–7Fh)

Reverb time

79h

REV_FEED


Reverb feedback


25h

GMREV_SEND

-Data(byte 0–FFh, 80h)

General MIDI reverb send

• REV_TYPE Reverb program. Same as GM system exclusive message “40h 01h 30h” or GM control 80. room1

room2

room3

hall1

hall2

plate

delay

pan delay

0h

1h

2h

3h

4h

5h

6h

7h

Default = 4 (hall2)

• REV_VOL Reverb volume; same as GM system exclusive message “40h 01h 33h”. Default values: room1

room2

room3

hall1

hall2

plate

delay

pan delay

90h

90h

90h

C0h

90h

90h

FFh

FFh

hall2 7Fh

plate 7Fh

delay 18h

pan delay 7Fh

• REV_TIME Reverb time; same as GM system exclusive message “40h 01h 34h”. Default values:

room1 7Fh

room2 7Fh

room3 7Fh

hall1 7Fh

• REV_FEED Reverb delay feedback; only if reverb number = 6 or 7 (delays). This control is same as GM system exclusive message “40h 01h 35h”. Default values: delay

pan delay

22h

26h

• GMREV_SEND Modify reverb send level for general MIDI. 80h:

Original reverb send levels of MIDI sequence not modified.

0 to 7Fh:

Original reverb send levels decreased.

81h to FFh:

Original reverb send levels

increased. Default = 80h


2.4.2.6

Chorus Device

Ctrl #

Nome del controllo

Parametri (Data)

Azione

6Ah

CHR_TYPE

-Data (byte 0–7, 2)

Chorus program select

3Bh

CHR_VOL

-Data (byte 0–FFh)

Chorus general volume

74h

CHR_DEL


Chorus delay

75h

CHR_FEED


Chorus feedback

76h

CHR_RATE


Chorus rate

77h

CHR_DEPTH


Chorus depth

26h

GMCHR_SEND

-Data (byte 0–FFh, 80h)

General MIDI chorus send

• CHR_TYPE Chorus program; same as GM system exclusive message “40h 01h 38h” or GM control 81. chorus1

chorus2

chorus3

chorus4

FB chorus

flanger

short del

FB delay

00h

01h

02h

03h

04h

05h

06h

07h

Default = 2 (chorus3)

• CHR_VOL Chorus volume; same as GM system exclusive message “40h 01h 3Ah”.

• CHR_DEL Chorus delay; same as GM system exclusive message “40h 01h 3Ch”.

• CHR_FEED Chorus feedback; same as GM system exclusive message “40h 01h 3Bh”.

• CHR_RATE Chorus rate; same as GM system exclusive message “40h 01h 3Dh”.

• CHR_DEPTH Chorus depth; same as GM system exclusive message “40h 01h 3Eh”. • GMCHR_SEND Modify chorus send level for General MIDI. Data = 80h: srcinal chorus send levels of MIDI sequence not modified. Data = 00h to 7Fh: srcinal chorus send levels decreased. Data = 81h to FFh: srcinal chorus send levels increased. Default = 80h Default values:


chorus1

chorus2

chorus3

chorus4

FB chorus

flanger

short del

FB delay

CHR_VOL

90h

90h

90h

90h

90h

90h

FFh

FFh

CHR_DEL

4Bh

40h

40h

2Bh

7Fh

56h

7Fh

7Fh

CHR_FEED

00h

07h

09h

0Ch

48h

7Fh

00h

50h

CHR_RATE

03h

09h

03h

09h

02h

01h

00h

00h

CHR_DEPTH

05h

13h

13h

10h

0Ch

03h

00h

00h

2.4.2.7

Equalizer Device

Ctrl #

Nome del controllo

Parametri (Data)

Azione

10h

EQ_LBL


Low-band Equalizer Left

11h

EQ_MLBL


Medium-/Low-band Equalizer Left

12h

EQ_MHBL


Medium-/High-band Equalizer Left

13h

EQ_HBL


High-band Equalizer Left

14h

EQ_LBR


Low-band Equalizer Right

15h

EQ_MLBR


Medium-/Low-band Equalizer Right

16h

EQ_MHBR


Medium-/High-band Equalizer Right

17h

EQ_HBR


High-band Equalizer Right

18h

EQF_LB

-Data (byte 0–7Fh, 0Ch)


19h

EQF_MLB

-Data (byte 0–7Fh, 1Bh)


1Ah

EQF_MHB



1Bh

EQF_HB



• EQ_xxx: Band level 00h

20h

40h

60h

7Fh

−12 dB

−6 dB

0 dB

+6 dB

+12 dB

Default = 60h (+6 dB) for LB–HB, = 40h (0 dB) for MLB–MHB

• EQF_xxx: Band frequency (0 –7Fh), linear scale Band

Range

Default

LB

0–4.7 Khz

0Ch

MLB

0–4.2 Khz

1Bh

MHB

0–4.2 Khz

72h

HB

0–18.75 Khz

40h


Section 3 Detailed MIDI Implementation Table 3-1.

Detailed MIDI Implementation

Midi message

Hex code

Description

NOTE ON

9nH kk vv

NOTE OFF

8nH kk vv

PITCH BEND

EnH bl bh

PROGRAM CHANGE

CnH pp

CHANNEL AFTERTOUCH MIDI RESET CTRL 00

DnH vv

CTRL 01

BnH 01H cc

CTRL 05 CTRL 06 CTRL 07 CTRL 10

BnH 05H cc BnH 06H cc BnH 07H cc BnH 0AH cc

Midi channel n(0-15) note ON #kk(1-127), velocity vv(1127). vv=0 means NOTE OFF Midi channel n(0-15) note OFF #kk(1-127), vv is don’t care. Pitch bend as specified by bh|bl (14 bits) Maximum swing is +/- 1 tone (power-up). Can be changed using « pitch bend sensitivity ». Center position is 00H 40H. Program (patch) change. Specific action on channel 10 (n=9) : select drumset. Refer to sounds / drumset list. Drumsets can be assigned to other channels (see SYSEX MIDI channel to part assign and part to rhythm allocation) vv pressure value. Effect set using Sys. Ex. 40H 2nH 20H26H Reset to power-up condition Bank select : Refer to sounds list. No action on drumset. cc=64 reserved for dream sound editor Modulation wheel. Rate and maximum depth can be set using SYSEX Portamento time. Data entry : provides data to RPN and NRPN Volume (default=100) Pan (default=64 center)

CTRL 11 CTRL 64 CTRL 65 CTRL 66 CTRL 67 CTRL 80

BnH 0BH cc BnH 40H cc BnH 41H cc BnH 42H cc BnH 43H cc BnH 50H vv

CTRL 81

BnH 51H vv

CTRL 91 CTRL 93 CTRL 98 CTRL 99 CTRL 100 CTRL 101 CTRL 120

BnH 5BH vv BnH 5DH vv BnH 62H vv BnH 63H vv BnH 64H vv BnH 65H vv BnH 78H 00H

Expression (default=127) Sustain (damper) pedal Portamento ON/OFF Sostenuto pedal Soft pedal Reverb program vv=00H to 07H (default 04H) 00H : Room1 01H : Room2 02H : Room3 03H : Hall1 04H : Hall2 05H : Plate 06H : Delay 07H : Pan delay Chorus program vv=00H to 07H (default 02H) 00H : Chorus1 01H : Chorus2 02H : Chorus3 03H : Chorus4 04H : Feedback 05H : Flanger 06H : Short delay 07H : FB delay Reverb send level vv=00H to 7FH Chorus send level vv=00H to 7FH Nrpn LSB Nrpn MSB Rpn LSB Rpn MSB All sound off (abrupt stop of sound on channel n)

CTRL 121 CTRL 122 CTRL 123 CTRL 126 CTRL 127

BnH 79H 00H BnH 7AH vv BnH 7BH 00H BnH 7EH 00H BnH 7FH 00H

Reset all controllers Local ON/OFF: OFF if vv=0, ON else All notes off Mono on Poly on (default power-up)

FFH BnH 00H cc


RPN, NRPN not 37XX, SysEx Midi Message RPN 0000H

Hex code BnH 65H 00H 64H 00H 06H vv

RPN 0001H RPN 0002H

BnH 65H 00H 64H 01H 06H vv BnH 65H 00H 64H 02H 06H vv

NRPN 0108H NRPN 0109H NRPN 010AH

BnH 63H 01H 62H 08H 06H vv BnH 63H 01H 62H 09H 06H vv BnN 63H 01H 62H 0AH 06H vv

NRPN NRPN 0120H 0121H NRPN 0163H NRPN 0164H NRPN 0166H NRPN 18rrH

Bnh BnH 63H 63H 01H 01H 62H 62H 20H 21H 06H 06H vv vv Bnh 63H 01H 62H 63H 06H vv BnH 63H 01H 62H 64H 06H vv BnH 63H 01H 62H 66H 06H vv BnH 63H 18H 62H rr 06H vv

NRPN 1ArrH NRPN 1CrrH NRPN 1DrrH

BnH 63H 1AH 62H rr 06H vv BnH 63H 1CH 62H rr 06H vv BnH 63H 1DH 62H rr 06H vv

NRPN 1ErrH

BnH 63H 1EH 62H rr 06H vv

Standard Sysex Standard Sysex SYSEX

F0H 7EH 7FH 09H 01H F7H

TVF resonance cutoff freq modify modify(vv=40H TVF (vv=40H -> -> no no modif) modif) Env. attack time modify(vv=40H ->no modif) Env. decay time modify(vv=40H -> no modif) Env. release time modif(vv=40H ->no modif) Pitch coarse of drum instr. note rr in semitones (vv=40H -> no modif) Level of drum instrument note rr (vv=00 to 7FH) Pan of drum instrument note rr (40H = middle) Reverb send level of drum instrument note rr (vv=00 to 7FH) Chorus send level of drum instrument note rr (vv=00 to 7FH) General MIDI reset

F0H 7FH 7FH 04H 01H 00H ll F7H

Master volume (ll=0 to 127, default 127)

F0H 41H 00H 42H 12H 40H 00H 00H dd dd dd dd xx F7H

Master tune (default dd= 00H 04H 00H 00H) -100.0 to +100.0 cents. Nibblized data should be used (always four bytes). For example, to tune to +100.0 cents, sent data should be 00H 07H 0EH 08H Master volume (default vv=7FH)

SYSEX

F0H 41H 00H 42H 12H 40H 00H 04H vv xx F7H

SYSEX SYSEX SYSEX SYSEX

F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H

SYSEX SYSEX SYSEX SYSEX SYSEX

F0H 41H 00H 42H 12H 40H 01H 31H vv xx F7H F0H 41H 00H 42H 12H 40H 01H 32H vv xx F7H F0H 41H 00H 42H 12H 40H 01H 33H vv xx F7H F0H 41H 00H 42H 12H 40H 01H 34H vv xx F7H F0H 41H 00H 42H 12H 40H 01H 35H vv xx F7H

SYSEX

F0H 41H 00H 42H 12H 40H 01H 38H vv xx F7H

SYSEX SYSEX SYSEX

F0H 41H 00H 42H 12H 40H 01H 39H vv xx F7H F0H 41H 00H 42H 12H 40H 01H 3AH vv xx F7H F0H 41H 00H 42H 12H 40H 01H 3BH vv xx F7H

SYSEX SYSEX SYSEX SYSEX

F0H 41H 00H 42H 12H 40H 01H 3CH vv xx F7H F0H 41H 00H 42H 12H 40H 01H 3DH vv xx F7H F0H 41H 00H 42H 12H 40H 01H 3EH vv xx F7H F0H 41H 00H 42H 12H 40H 1pH 02H nn xx F7H

42H 12H 40H 42H 12H 40H 42H 12H 40H 42H 12H 40H

00H 05H vv xx F7H 00H 06H vv xx F7H 00H 7FH 00H xx F7H 01H 30H vv xx F7H

Description Pitch Bend Sensitivity: vv=00 to 18H (+00 to +24 semitones) (default=2) Fine tuning in cents (vv=00 -100, vv=40H 0, vv=7FH +100 Coarse tuning in half-tones (vv=00 -64, vv=40H 0, vv=7FH +64 Vibrate rate modify (vv=40H -> no modif) Vibrate depth modify (vv=40H -> no modif) Vibrate delay modify (vv=40H -> no modif)

Master key-shift (default vv=40H, no transpose) Master pan (default vv=40H, center) GS reset Reverb type (vv=0 to 7), default = 04H 00H : Room1 01H : Room2 02H : Room3 03H : Hall1 04H : Hall2 05H : Plate 06H : Delay 07H : Pan delay Reverb character, default 04H Reverb Pre-LPF, 0 to 7, default = 0 Reverb master level, default = 64 Reverb time Reverb delay feedback. Only if reverb number=6 or 7 (delays) Chorus type (vv=0 to 7), default = 02H 00H : Chorus1 01H : Chorus2 02H : Chorus3 03H : Chorus4 04H : Feedback 05H : Flanger 06H : Short delay 07H : FB delay Chorus Pre-LPF, 0 to 7, default = 0 Chorus master level, default = 64 Chorus feedback Chorus delay Chorus rate Chorus depth MIDI channel to Part assign, p is part number (0H to FH), nn is MIDI channel (0H to FH, 10H=OFF). This SYSEX allows to assign several parts to a single MIDI channel or to mute a part.


SYSEX

SYSEX

F0H 41H 00H 42H 12H 40H 1pH 15H vv xx F7H

F0H 41H 00H 42H 12H 40H 1pH 40H v1 v2 ... v12 xx F7H

Relation between Block Number and Part number: Part MIDI channel (1 to 16) 0H 10 (DRUMS) 1H-9H 1-9 AH-FH 11-16 Part to rhythm allocation, p is part (0H to FH), vv is 00 (sound part) or 01 (rhythm part). This SYSEX allows a part to play sound or drumset. There is no limitation of the number of parts playing drumset. Default assignment: block 0H plays drums (default MIDI channel 10) all other parts play sound. Scale tuning, p is part (0H to FH), v1 to v12 are 12 semi-

SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX

F0H 41H 00H 42H 12H 40H 1pH 1AH vv xx F7H F0H 41H 00H 42H 12H 40H 1pH 1BH vv xx F7H F0H 41H 00H 42H 12H 40H 1pH 1FH vv xx F7H F0H 41H 00H 42H 12H 40H 1pH 20H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 00H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 01H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 02H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 03H vv xx F7H

SYSEX SYSEX SYSEX

F0H 41H 00H 42H 12H 40H 2pH 04H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 05H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 06H vv xx F7H

tones tuning values (C, C#, D, ... A#, B), in the range -64 (00H) 0 (40H) +63(7FH) cents. This SYSEX allows non chromatic tuning of the musical scale on a given MIDI channel. Default v1, v2, ... ,v12 = 40H, 40H,...,40H (chromatic tuning). Scale tuning has no effect if the part is assigned to a rhythm channel or if the sound played is not of chromatic type. Velocity slope from 00H to 7FH (default = 40H) Velocity offset from 00H to 7FH (default = 40H) CC1 Controller number (00-5FH) (default = 10H) CC2 Controller number (00-5FH) (default = 11H) Mod pitch control (-24,+24 semitone) (default = 40H) Mod tvf cutoff control (default = 40H) Mod Amplitude control (-100%-+100%) (default=40H) Mod lfo1 rate control (default = 40H). n is don’t care. Rate is common on all channels Mod lfo1 pitch depth (0-600 cents) (default=0AH) Mod lfo1 tvf depth (default = 0H) Mod lfo1 tva depth (0-100%) (default = 0H)

SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX

F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H F0H 41H 00H

Bend pitch control (-24,+24 semitone) (default = 42H) Bend tvf cutoff control (default = 40H) Bend Amplitude control (-100%-+100%) (default=40H) Bend lfo1 pitch depth (0-600 cents) (default=0AH) Bend lfo1 tvf depth (default = 0H) Bend lfo1 tva depth (0-100%) (default = 0H) CAF pitch control (-24,+24 semitone) (default = 40H) CAF tvf cutoff control (default = 40H) CAF Amplitude control (-100%-+100%) (default=40H) CAF lfo1 pitch depth (0-600 cents) (default=0AH) CAF lfo1 tvf depth (default = 0H) CAF lfo1 tva depth (0-100%) (default = 0H) CC1 pitch control (-24,+24 semitone) (default = 40H) CC1 tvf cutoff control (default = 40H) CC1 Amplitude control (-100%-+100%) (default=40H) CC1 lfo1 pitch depth (0-600 cents) (default=0AH) CC1 lfo1 tvf depth (default = 0H) CC1 lfo1 tva depth (0-100%) (default = 0H) CC2 pitch control (-24,+24 semitone) (default = 40H) CC2 tvf cutoff control (default = 40H) CC2 Amplitude control (-100%-+100%) (default=40H)

SYSEX SYSEX SYSEX

F0H 41H 00H 42H 12H 40H 2pH 54H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 55H vv xx F7H F0H 41H 00H 42H 12H 40H 2pH 56H vv xx F7H


42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH 42H 12H 40H 2pH

10H vv 11H vv 12H vv 14H vv 15H vv 16H vv 20H vv 21H vv 22H vv 24H vv 25H vv 26H vv 40H vv 41H vv 42H vv 44H vv 45H vv 46H vv 50H vv 51H vv 52H vv

xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H xx F7H

CC2 lfo1 pitch depth (0-600 cents) (default=0AH) CC2 lfo1 tvf depth (default = 0H) CC2 lfo1 tva depth (0-100%) (default = 0H)

NRPN 37XX NRPN 3700H 3701H 3702H 3703H 3707H 3708H 3709H 370AH

Description Equalizer Low band (bass) Equalizer Med Low band Equalizer Med High band Equalizer High band (treble) Master Volume Equalizer Low cutoff freq Equalizer Med Low cutoff freq Equalizer Med High cutoff freq

370BH 3713H 3715H 3716H 3718H

Equalizer High cutoff freq Cliping mode select General Midi reverb send General Midi chorus send Post effects applied on GM

3719H 371AH 3720H 3722H 3723H 3724H 3725H 3726H 3727H 3728H 3729H 372AH 372CH 372DH 372EH 3730H 3731H 3732H 3733H 3734H 3735H 373CH 373DH 3741H 3751H 3754H 3755H 3756H

0=-12dB, 40H=0dB, 7FH=+12dB 0=-12dB, 40H=0dB, 7FH=+12dB 0=-12dB, 40H=0dB, 7FH=+12dB 0=-12dB, 40H=0dB, 7FH=+12dB 0 to 7FH 0=0Hz to 7FH=3.4 kHz 0=0Hz to 7FH=3 kHz 0=0Hz to 7FH=3 kHz

0=0Hz to 7FH=13.7 kHz 0=soft clip, 7FH=hard clip 0=no send,40H=default send,7FH=max 0=no send,40H=default send,7FH=max 0= Post effects not applied (see note) 7Fh=Post effects applied Post effects applied on Mike 0= Post effects not applied (see note) 7Fh=Post effects applied Post effects applied on Reverb/Chorus 0= Post effects not applied (see note) 7Fh=Post effects applied Spatial Effect volume 0= no effect, 7FH= maximum effect General Midi volume 0 to 7FH General Midi pan 0=left, 40H=center, 7FH=right Mike1 volume 0 to 7FH Mike2 volume 0 to 7FH Mike1 pan 0=hard left, 40H=center, 7FH=hard right Mike2 pan 0=hard left, 40H=center, 7FH=hard right Mike Echo level 0 to 7FH Mike Echo time 0=shortest to 7FH=longest Mike Echo feedback 0=no feedback to 7FH=maximum feedback Spatial Effect delay 0=shortest to 7Fh=longest Spatial Effect input 0=stereo 7Fh=mono Spatial Effect output mode 0=front speakers, 7Fh=rear speakers Slave1 Echo volume right 0 to 7FH Slave1 Echo volume left 0 to 7FH Slave2 Echo volume right 0 to 7FH Slave2 Echo volume left 0 to 7FH Master Echo volume right 0 to 7FH Master Echo volume left 0 to 7FH Mike 1 Pitch Shift 0 to 0Fh Mike 2 Pitch Shift 0 to 0Fh Mike 1 key detect latency 1 to 7Fh Auto - test DAC select Effects on/off Audio In functions on/off

Default 60H 40H 40H 60H 7FH 0AH 17H 61H 40H 00H 40H 40H 00H 00H 00H 00H 7FH 40H 40H 40H 00H 7FH 7FH 40H 42H 1DH 00H 00H 54H 7FH 7FH 54H 6CH 6CH 00H 00H 18H 0CH 32H 00H


Drawbars & Rotator MIDI message CTRL 19 CTRL 20 CTRL 21 CTRL 22 CTRL 23 CTRL 24 CTRL 25 CTRL 26 CTRL 27 CTRL 28 CTRL 29 CTRL 30 CTRL 52 CTRL 53 CTRL 54 CTRL 55 CTRL 56 CTRL 57 CTRL 58 CTRL 59 CTRL 60 CTRL 61

Hex code B0H 13H cc B0H 14H cc B0H 15H cc B0H 16H cc B0H 17H cc B0H 18H cc B0H 19H cc B0H 1AH cc B0H 1BH cc B0H 1CH cc B0H 1DH cc B0H 1EH cc B0H 34H cc B0H 35H cc B0H 36H cc B0H 37H cc B0H 38H cc B0H 39H cc B0H 3AH cc B0H 3BH cc B0H 3CH cc B0H 3DH cc

Description Rotator assign mode Rotator program select Rotator volume Rotator send to auxiliary 1 channel Rotator rate Rotator depth Rotator feedback Rotator time Rotator direct sound volume Rotator send to next effect Rotator accelation/deceleration parameter Rotator wave form Drawbars Flute 16 Drawbars Flute 8 Drawbars Flute 5 1/3 Drawbars Flute 4 Drawbars Flute 2 2/3 Drawbars Flute 2 Drawbars Flute 1 3/5 Drawbars Flute 1 Drawbars Percussion 4 Drawbars Percussion 2 2/3

Synth – Combo Compact MIDI message SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX

Hex code F0H 41H 10H 42H 12H 40H 01H 40H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 41H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 42H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 43H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 44H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 45H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 46H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 47H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 48H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 49H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 4aH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 4bH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 4cH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 4dH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 4eH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 4fH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 50H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 51H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 52H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 53H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 54H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 55H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 56H vv 00H F7H

Description Selezione forma onda Oscillatore 1 Ottava Oscillatore 1 Filter Cutoff Oscillatore 1 Filter Resonance Oscillatore 1 Filter vibrato depth Oscillatore 1 Filter envelope attack Oscillatore 1 Filter envelope decay Oscillatore 1 Filter envelope sustain Oscillatore 1 Filter envelope release Oscillatore 1 Out Amplitude Oscillatore 1 Amplitude vibrato amount Oscillatore 1 Amplitude envelope attack Oscillatore 1 Amplitude envelope decay Oscillatore 1 Amplitude envelope sustain Oscillatore 1 Amplitude envelope release Oscillatore 1 Amplitude vibrato frequency Oscillatore 1 Selezione forma onda Oscillatore 2 Ottava Oscillatore 2 Filter Cutoff Oscillatore 2 Filter Resonance Oscillatore 2 Filter vibrato depth Oscillatore 2 Filter envelope attack Oscillatore 2 Filter envelope decay Oscillatore 2

SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX

F0H 41H 10H 42H 12H 40H 01H 57H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 58H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 59H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 5aH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 5bH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 5cH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 5dH vv 00H F7H

Filter envelope sustain Oscillatore 2 Filter envelope release Oscillatore 2 Out Amplitude Oscillatore 2 Frequency vibrato amount Oscillatore 2 Amplitude envelope attack Oscillatore 2 Amplitude envelope decay Oscillatore 2 Amplitude envelope sustain Oscillatore 2


SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX

F0H 41H 10H 42H 12H 40H 01H 5eH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 5fH vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 60H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 61H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 62H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 63H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 64H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 65H vv 00H F7H F0H 41H 10H 42H 12H 40H 01H 66H pp … 00H F7H F0H 41H 10H 42H 12H 40H 01H 67H pp … 00H F7H F0H 41H 10H 42H 12H 40H 01H 68H vv 00H F7H

Amplitude envelope release Oscillatore 2 Frequency vibrato frequency Oscillatore 2 Frequency vibrato delay 1 Oscillatore 2 Frequency vibrato delay 2 Oscillatore 2 Stato Compact Low Stato Compact Med Reset Stato Compact Hi Numero e nome suono pp: parametri Numero e parametri suono Osc 1 pp: parametri Synth on-off

SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX SYSEX

F0H 41H 10H 42H 12H 40H 01H 69H vv 00H F7H Programmazione reverbero F0H 41H 10H 42H 12H 40H 01H 6aH vv 00H F7H Programmazione chorus F0H 41H 10H 42H 12H 40H 01H 6bH vv 00H F7H Send reverbero F0H 41H 10H 42H 12H 40H 01H 6cH vv 00H F7H Send chorus F0H 41H 10H 42H 12H 40H 01H 6dH pp … 00H F7H Numero e parametri suono Osc2 pp:parametri F0H 41H 10H 42H 12H 40H 01H 6eH vv 00H F7H Fine Tuning oscillatore 1 F0H 41H 10H 42H 12H 40H 01H 6fH vv 00H F7H Fine Tuning oscillatore 2

Notes: o Post effects are Spatial Effect + Equalizer. This Nrpn must be 0 (post effect not applied) if both Spatial Effect and Equalizer are unselected using Nrpn 3755H (see paragraph 1.3). o NRPN sending method: CTRL#99=high byte, CTRL#98=low byte, CTRL#6=vv Example: NRPN 0108H = 40H -> CTRL#99=1, CTRL#98=8, CTRL#6=64 o vv: value

Ulteriori approfondimenti sulla sezione VINTAGE ROTATOR ctrl 19 rotator assign mode ctrl 20 rotator program select ctrl 21 rotator volume ctrl 22 rotator send to auxiliary 1 channel ctrl 23 rotator rate ctrl 24 rotator depth ctrl 25 rotator feedback ctrl 26 rotator time ctrl 27 rotator direct sound volume ctrl 28 rotator send to next effect ctrl 29 rotator accelation/deceleration parameter ctrl 30 rotator wave form I controlli 24 e 25 sono usati nell’interfaccia “Farfisa Vintage” per il “DEPTH” ed il “FEEDBACK” mentre il controllo di volume è il 93 (decimale). Il controllo 23 è usato dall’interfaccia “Farfisa Vintage” per regolare la velocità del rotator. I controlli usano il canale midi 1. Per disattivare il rotator si usa il controllo 19 con valore 0 (attenzione a non usare il controllo 20 con valore OFF=0x7f per evitare rumori in fase di spegnimento e nella successiva fase di riattivazione), mentre per attivarlo si usa il controllo 19 con valore 1. Quest’ultima programmazione inserisce automaticamente dei valori standard. Il controllo 20 consente di programmare un insieme di valori predefiniti diversi da quelli standard (vedi tabella sottostante). Quando si attiva il Rotator con il pulsante basculante “Rotator on” presente in Farfisa Vintage si invia: 1) Controllo 19 Valore=1 (Rotator on – impostazione standard) 2) Controllo 20 Valore=2 (impostazione di ripartenza) 3) Controllo 23 con il valore impostato sull’interfaccia


4) Controllo 24 con il valore impostato sull’interfaccia 5) Controllo 25 con il valore impostato sull’interfaccia Gli altri parametri non vengono variati dall’interfaccia “Farfisa Vintage”. Parametri relativi al controllo 20

Numero (valore del Controllo 20)

Nome programma del rotator

Rate (23)

Depth (24)

Feedback (25)

Delay (26)

Direct (27)

0

Direct sound No Rotator Chor Fb slow Chor Fb fast Chorus Tremolo OFF

0

0

0

0

40h

08h 2Ch 08h 2Ch

2Ch 2Ch 60h 2Ch

4Ah 4Ah 0 0

40h 40h 0 0

30h 30h 30h 30h

1 2 3 4 7F

FARFISA COMBO COMPACT I seguenti sistemi esclusivi comandano i pulsanti basculanti tipici del “Combo Compact Farfisa” degli anni ’60. SYSEX F0H 41H 10H 42H 12H 40H 01H 62H vv 00H F7H Stato Compact Low SYSEX F0H 41H 10H 42H 12H 40H 01H 63H vv 00H F7H Stato Compact Med SYSEX F0H 41H 10H 42H 12H 40H 01H 65H vv 00H F7H Stato Compact High I valori vv sono a 7 bit. Ciscun bit indica se un pulsante è stato premuto oppure no. Complessivamente abbiamo la possibilità di esprimere lo stato di 21 pulsanti. Sono usati 9 pulsanti bianchi e tre pulsanti verdi, ma le combinazioni per i verdi sono in realtà 2 per ogni pulsante. Quindi è come se avessimo 15 pulsanti. Ecco in modo analitico la tabella dei valori dei sistemi esclusivi per comandare i pulsanti:

vv per SYSEX 62h: bit 0 – bass 16 bit 1 – strings 16 bit 2 – flute 8 bit 3 – oboe 8 bit 4 – trumpet 8 bit 5 – strings 8 bit 6 – flute 4 bit 7 – sempre 0


vv per SYSEX 63h: bit 0 – piccolo 4 bit 1 – strings 4 bit 2 – verde 16 boost off bit 3 – verde 8 boost off bit 4 – verde 4 boost off bit 5 – verde 16 boost on bit 6 – verde 8 boost on bit 7 – sempre 0

vv per SYSEX 65h: bit 0 – verde 4 boost on bit 1 – sempre 0 bit 2 – sempre 0 bit 3 – sempre 0 bit 4 – sempre 0 bit 5 – sempre 0 bit 6 – sempre 0 bit 7 – sempre 0

Section 4 Sounds 4.1

Main Sounds: General MIDI (tutti i canali eccetto il 10)

Table 4-1.

Main Sounds (PC: Program change) PC(1)

General MIDI

PC(1)

General MIDI

PC(1)

1

(Grand) Piano 1

33

Acoustic Bass

65

Soprano Sax

97

FX 1 (rain)

2

(Bright) Piano 2

34

Finger Bass

66

Alto Sax

98

FX 2 (soundtrack)

3

(El, Grd) Piano 3

35

Picked Bass

67

Tenor Sax

99

FX 3 (crystal)

4

Honky-tonk Piano

36

Fretless Bass

68

Baritone Sax

100

FX4 (atmosphere)

5

El. Piano 1

37

Slap Bass 1

69

Oboe

101

FX 5 (brightness)

6

El. Piano 2

38

Slap Bass 2

70

English Horn

102

FX 6 (goblins)

7

Harpsichord

39

Synth Bass 1

71

Bassoon

103

FX 7 (echoes)

8

Clavi

40

Synth Bass 2

72

Clarinet

104

FX 8 (sci-fi)

9

Celesta

41

Violin

73

Piccolo

105

Sitar

10

Glockenspiel

42

Viola

74

Flute

106

Banjo

11

Music Box

43

Cello

75

Recorder

107

Shamisen

12

Vibraphone

44

Contrabass

76

Pan Flute

108

Koto

13

Marimba

45

Tremolo Strings

77

Blown Bottle

109

Kalimba

14

Xylophone

46

Pizzicato Strings

78

Shakuhachi

110

Bagpipe

General MIDI

General MIDI

15

Tubular Bells

47

Orchestral Harp

79

Whistle

111

Fiddle

16

Santur

48

Timpani

80

Ocarina

112

Shanai

17 18

Drawbar Organ Percussive Organ

49 50

String Ensemble 1 String Ensemble 2

81 82

Lead 1 (square) Lead 2 (sawtooth)

113 114

Tinkle Bell Agogo

19

Rock Organ

51

Synth Strings 1

83

Lead 3 (calliope)

115

Steel Drums

20

Church Organ

52

Synth Strings 2

84

Lead 4 (chiff)

116

Woodblock

21

Reed Organ

53

Choir Aahs

85

Lead 5 (charang)

117

Taiko Drum

22

Accordion (French)

54

Voice Oohs

86

Lead 6 (voice)

118

Melodic Tom

23

Harmonica

55

Synth Voice

87

Lead 7 (fifths)

119

Synth Drum

24

Tango Accordion

56

Orchestra Hit

88

Lead 8 (bass+lead)

120

Reverse Cymbal

25

Accoustic Guitar (nylon)

57

Trumpet

89

Pad 1 (fantasia)

121

Guitar Fret Noise

26

Accoustic Guitar (steel)

58

Trombone

90

Pad 2 (warm)

122

Breath Noise

27

El. Guitar (jazz)

59

Tuba

91

Pad 3 (polysynth)

123

Seashore

28

El. Guitar (clean)

60

Muted Trumpet

92

Pad 4 (choir)

124

Bird Tweet

29

El. Guitar (muted)

61

French Horn

93

Pad 5 (bowed)

125

Teleph. Ring

30

Overdriven Guitar

62

Brass Section

94

Pad 6 (metallic)

126

Helicopter

31

Distortion Guitar

63

Synth Brass 1

95

Pad 7 (halo)

127

Applause

Guitar Harmonics

64

Synth Brass 2

96

Pad 8 (sweep)

128

Gunshot

32 Note:

1. PC = Program Change


4.2

Sound Variation Le presenti Variazioni valgono per tutti i canali eccetto il 10 Per selezionare le variazioni inviare CTRL 0 = bank, poi PC CTRL 0: valore del controllo 0 (zero per General MIDI) - PC: Program change Note: 1) Selezionando un banco non indicato il suono è quello del banco precedente 2) I banchi 67, 68 e 69 sono riservati per le funzioni Farfisa Vintage

Table 4-2.

Sound Variation

Sound 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

Bank 1st Variation Bank 67 Reserved for Drawbars 68

2nd Variation Reserved for Synth

8 126 8 126 8

9

Detuned EP 1

16

FM+SA EP

24

60'sE.Piano

9

Detuned EP2

16

St.FM EP

24

Hard FM EP

16 126

60’sOrgan 1 Organ 1

8 1 1

St. Soft EP El. Piano 1 Detuned EP 2 E.Piano 2 Coupled Hps.

Church Bell Santur 2 Organ 101

1 126 8 8

Organ 201 Organ 2 Rotary Org. ChurchOrg.2

8

AccordionIt

8 7

Ukulele 12-str. Guitar

27 28 29 30 31 32 33 34 35 36 37

8 8 8 126 8 8

Hawaiian Gt. Chorus Gt. Funk Gt. Overdrive.Gt Feedback Gt. Gt. Feedback

126

Slap Bass 1

38 39

8 12 1 8

Synth. Bass 3 Seq Bass 1 Syn.Bass201 Synth. Bass 4

19 20 21 22 23 24 25 26

40


16

Barafon

9

Carillon

Bank 3rd Variation 69 Reserved for Combo

8 33 8

DetunedOr.1 Even Bar DetunedOr.2

9 40 9

Organ 109 Organ Bass DetunedOr.2

16

RotaryOrg.S

24

RotaryOrg.F

16 8 32

Nylon Gt.o 12-str.Gt Steel Gt. 2

24 9 126

VeloHarmnix Nylon+Steel Steelstr.Gt

9

Chorus Gt.

126

Clean Gt

16

Ac. Gt.Harmnx

9 13 2 16

TB303 Bass Seq Bass 2 ModularBass Rubber Bass

10 16 3 17

Tekno Bass Reso SHBass Seq Bass SH101Bass 1

Bank

16

11 126 4 18

4th Variation

Mandolin

Tekno Bass 2 Syn Bass 1 Analogic Bass SH101Bass 2

41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101

19

Smooth Bass

8

Orchestra

8

Syn Strings 3

8 1

Impact Hit Trumpet 2

1

Muted Tp. 2

8 8 8 126 8 8 126

Brass 2 Syn Brass 3 Syn Brass 4 Soprano Sax Hyper Alto Breathy tenor Baritone

126 126 8

Eng.Horn Bassoon Bs Clarinet

1 1

Square Saw

3

Rotary String

126

Syn Bass 2

9 8

Philly Hit Flugel Horn

126

Bright Trumpet

126

Trumpet

Muted Trumpet

16

Brass Fall

126

Alto Sax

8

24

Sine Wave


102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120

2

Echo Pan

8

Taisho Koto

8 8 8 8

Castanets Concert BD Melo Tom 2 808 Tom

9

Elec Perc 1

SFX Variations Sound 121 122 123 124 125 126 127 128

1st VAR. Bank 1 Gt. Cut Noise Fl. Key Click Rain Dog Teleph. Ring 2 Car Engine Start Laughing Machine Gun

2nd VAR. Bank 2 String Slap

3rd VAR. Bank 3

4th VAR. Bank 4

5th VAR. Bank 5 Bass Slide

Thunder Horse Gallop Door Creaking Car Breaking Screaming Lasergun

Wind Bird 2

Stream

Bubble

Door Closing Car Pass

Scratch

Wind chime

Car Crash

Police Siren Train

Punch Explosion

Heart Beat

Footstep


6th VAR. 7th VAR. Bank 6 Bank 7 Pick Scrape

Jet Takeoff

8th VAR. Bank 8

Starship

9th VAR. Bank 9

Burst Noise

4.3

Drum Set Table (MIDI Channel 10)

Table 4-3.

Drum Set Table (solo per il canale MIDI 10)

Nota 27 - D#1 28 - E1 29 - F1

Prog 1 : STD SET1 High Q Slap Scratch Push

30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50

-

F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3

Scratch Pull Sticks Square Click Metronome Click Metronome Bell STD1 Kick2 STD1 Kick1 Side Stick STD1 Snare1 Hand Clap Snare Drum 2 Low Floor Tom Closed Hi Hat [EXC1] High Floor Tom Pedal Hi-Hat [EXC1] Low Tom Open Hi-Hat [EXC1] Low-Mid Tom Hi Mid Tom Crash Cymbal 1 High Tom

51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79

--

D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5

Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Hi Bongo Low Bongo Mute Hi Conga Open Hi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short Whistle[EXC2] Long Whistle[EXC2] Short Guiro [EXC3] Long Guiro [EXC3] Claves Hi Wood Block Low Wood Block Mute Cuica [EXC4] Open Cuica [EXC4]

Prog 9: ROOM SET

Prog 17 : POWER SET

Prog 25: ELEC. SET

Prog 26: TR808 SET

Power Kick

Elec Kick

Gated Snare

Gated Snare

808 BD 808 Rim shot 808 Snare Drum

Power Low Tom2

Power Low Tom2

Elec Snare1 Elec Low Tom2

Power Low Tom1

Power Low Tom1

Elec Low Tom1

Power Mid Tom2

Power Mid Tom2

Elec Mid Tom2

Power Mid Tom1 Power Hi Tom2

Power Mid Tom1 Power Hi Tom2

Elec Mid Tom1 Elec Hi Tom2

Power Hi Tom1

Power Hi Tom1

Elec Hi Tom1

808 Low Tom2 808 CHH [EXC1] 808 Low Tom2 808 CHH [EXC1] 808 Mid Tom2 808 OHH [EXC1] 808 Mid Tom1 808 Hi Tom2 808 Cymbal 808 HiTom1

Reverse Cymbal

808 Cowbell

808 High Conga 808 Mid Conga 808 Low Conga

808 Maracas

808 Claves


80 81 82 83 84 85 86 87 88

- G#5 - A5 - A#5 - B5 - C6 - C#6 - D6 - D#6 - E6

27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67

- D#1 - E1 - F1 - F#1 - G1 - G#1 - A1 - A#1 - B1 - C2 - C#2 - D2 - D#2 - E2 - F2 - F#2 - G2 - G#2 - A2 - A#2 - B2 - C3 - C#3 - D3 - D#3 - E3 - F3 - F#3 - G3 - G#3 - A3 - A#3 - B3 - C4 - C#4 - D4 - D#4 - E4 - F4 - F#4 - G4

68 69 70 71 72 73 74

-

Mute Triangle [EXC5] Open Triangle[EXC5] Shaker Jingle Bell Belltree Castanets Mute Surdo [EXC6] Open Surdo [EXC6]

Prog JAZZ 33:

Prog 41 : BRUSH

Prog 49 : ORCHESTRA Closed Hi Hat Pedal Hi-Hat Open Hi Hat Ride Cymbal

Jazz BD2 Jazz BD1

Jazz BD2 Jazz BD1

Concert BD 2 Concert BD 1

Brush Tap Brush Slap Brush Swirl

Concert SD Castanets Concert SD Timpani F Timpani F# Timpani G Timpani G# Timpani A Timpani A# Timpani B Timpani c Timpani c# Timpani d Timpani d# Timpani e Timpani f

G#4 A4 A#4 B4 C5 C#5 D5


Concert Cymbal2 Concert Cymbal1

Prog 57 : SFX SET

High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Guitar Slide Gt Cut Noise (down) Gt Cut Noise (up) Double Bass Slap Key Click Laughing Screaming Punch Heart Beat Footsteps1 Footsteps2 Applause Door Creaking Door Closing Scratch Wind Chime Car Engine Start Car Breaking Car Pass Car Crash Police Siren Train Jet Take-off Helicopter Starship Gun Shot Machinegun Lasergun

Prog 128: CM -64/32

Kick drum Kick drum Rim Shot Snare Drum Hand Clap Elec Snare Drum Acoustic Low Tom Closed Hi-Hat [Exc1] Acoustic Low Tom Open Hi-Hat 2 Acoustic Middle Tom Open Hi-Hat 1 [Exc1] Acoustic Middle Tom Acoustic High Tom Crash Cymbal Acoustic High Tom Ride Cymbal

Tambourine Cowbell

Vibrato Slap

75 76 77 78 79 80 81 82 83 84 85

-

D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 C#6

86 - D6 87 - D#6 88 - E6 89 - F6 90 - f#6 91 - G6 92 - G#6 93 - A6 94 - A#6 95 - B6 96 - C7 97 - C#7 98 - D7 99 - D#7 100 - E7 101 - F7 102 - F#7 103 - G7 104 - g#7 105 - A7 106 - A#7 107 - B7 108 - C8

Explosion Dog Horse Gallop Birds Rain Thunder Wind Sea Shore Stream Bubble

Applauses

Claves Laughing Scream Punch Heart Beat Footsteps 1 Footsteps 2 Applauses Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train JetPlane Helicopter StarShip Gun Shot Machine Gun Laser Gun Explosion Dog Horse Gallop Birds Rain Thunder Wind SeaShore Stream Bubble


Section 5 NRPN 0375Fh Effect on/off-Polyphony Midi message code (in hexadecimal): B0h 63h 37h, B0h 62h 5Fh, B0h 06h vv Each bit of vv byte is used for selecting an effect ON or OFF as follows: 7

6

5

4

3

2

1

0

0

0

REV

0

OM2

OM1

EQ2

EQ1

Each time an effect is ON, polyphony is decreased.

• REV Bit=1: Reverb ON, polyphony decreased by 13

• OM2: output mode select: OM2=0: Spatial effect OFF OM2=1: Spatial effect ON, polyphony decreased by 2. Spatial effect parameters can be controlled using NRPN 3720h (volume), 372Ch (delay time) and 372Dh (stereo/mono). (See Section 2.3.2).

• EQ2, EQ1: Equalizer EQ2=0, EQ1=0: equalizer off EQ2=1, EQ1=0: 2 band equalizer, polyphony decreased by 4 EQ2=1, EQ1=1: 4 band equalizer, polyphony decreased by 8 Table 5-1.

Note:

Possible NRPN 375F Values

NRPN 375F vv

REV

CHR

Spacial Effect

EQ

POLY

[0010|1000] - 28h

ON

OFF

ON

OFF

49

0010|1010] - 2Ah

ON ON

OFF OFF

ON ON

2-Band

45

[0010|1011] - 2Bh

4-Band

41

[0010|0000] - 20h [0010|0010] - 22h 0010|0011] - 23h

ON ON ON

OFF OFF OFF

OFF OFF OFF

OFF 2-Band 4-Band

50 46 42

[0000|1000] - 08h [0000|1010] - 0Ah

OFF OFF

OFF OFF

ON ON

OFF 2-Band

62 58

[0000|1011] - 0Bh

OFF

OFF

ON

4-Band

54

[0000|0000] - 00h

OFF

OFF

OFF

OFF

64

[0000|0010] - 02h [0000|0011] - 03h

OFF OFF

OFF OFF

OFF OFF

2-Band 4-Band

59 55

45h

ON

ON

ON

4-Band

38

Comment

Default setting(1)

1. Value 45h will reset all. This is the only way to restore the default setting, and to set chorus on again. The firmware will be stopped during reset procedure (50 ms about), before being ready to process MIDI messages again.

FX1000_Ita

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