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Fingerstyle Guitar from the Ground Up Volume Two taughtt by taugh by
Buster B. Jones
TRAVIS PATTERNS PATTERN #6 A
D
0 2 2 2
Ô
0 2 2
0 2 2 2
2
0
0 2 2
2 3 2 2
2
0 0
0
E
0 2 2 2
0 2 2
0 2 2 2
2
0
0 2 2
0 0 1 2
2
0
0 0 1
0 0 1 2
2 2
0
0
0 0 1 2 2
0
0
D
0 2 2 2
0 2 2
0 2 2 2
2
0
0 2 2
2 3 2 2
0 2 2
2
2 3 2
0 0
0
A
0 0 1 2
2
0
0 0 1
0 2 2 2
2 2
0
2 3 2
0
E
0 2 2 2
2 3
0
0 0
A
Ô
2 3
0
A
Ô
2 3 2
2
0
0 0
A
Ô
2 3
0 2 2 2
0
0
0 2 2 2
0 0
2
0 2 2 2 0
PATTERN #7 A
Ô
D
0 2 2
0 2 2 2
0 2 2 2
0
0 2 2 2
2 3 2 2
2 0
E
0 2 2
0 2 2 2
0 2 2 2
0
0 2 2 2
0 0 1 2
0 0 1 2
0
0 0 1 2
0 0 1 2
2
0
0
2 2
0
0
D
0 2 2
0 2 2 2
0 2 2 2
0
0 2 2 2
2 3
2 3 2
2
2 3 2
0
2 3 2
2
0
0
0
0
0
0
A
0 0 1
0 0 1 2
0 0 1 2
0 0 1 2
2 0
2 0
0
E
Ô
2
2 3
0
A
Ô
2 3
0
0 0
A
Ô
2 3
0 2 2 2
2
0 2 2 2
2
0
0
0 2 2 2
2
0 0
3
0 2 2 0
PATTERN #8 A
Ô
D
0 2 2 2
0 2
0 2
0 2 2 2
2 2
0
0 2
0 2 2 2
2 3 2
2
2
2 3 2
0
0
0
E
0 2 2 2
0 2
0 2
0 2 2 2
2 2
0
0 2
0 2
0 0 1 2
2 2
0
0 0
0 0
0 0 1 2
1 2 2
0
0
0 0
0 0 1 2
2
0
0
D
0 2 2 2
0 2
0 2
0 2 2 2
2 2
0
0 2
0 2
2 3 2
2 2
0 2
0 2
2 3 2
2
2
2 3 2
0 0
0
A
0 0 1 2
2 2
0
0 0
0 0
0 2 2 2
1 2 2
0
2 3
0
E
0 2 2 2
2
0
0 0
A
Ô
2 3 0
0 0
A
Ô
2
0
A
Ô
2 3 2
0 2 2
0 2
0 2 2 2
0 0
4
0 2 2 2
2
0
0
0 2
0
PATTERN #9 A
Ô
D
0 2
0 2
2
0 2
0 2
2 2
0 2
2 2
0 2 2
2
0
2
2
3 2
2 3
2
2
0
0
0
0
0
0
E
0 2
0 2
2
0 2
0 2
2 2
0 2
2 2
0 2
0
0 0
2 2
0 0
1 2
0 0
0 0
1 2
0 0
0 0
1 2
0 0 1
2
2
0
2 2
0
0
D
0 2
0 2
2
0 2
0 2
2 2
0 2
2 2
0 2
0
2 2
2
2
0 3
2
2
0 0
0
A
0 2
0 0
2
0 0
1 2
0 0
0 2
1 2
0
0 2
2 2
0 2
2
0 2 2
2
2
0 0
5
0 2
2
0
0
0 2 2
2
2 0
2
0
0 2
2
2 3
0
E
2
2 3
0 0
0 2
2
3
2 2
A
Ô
2 3
0
A
Ô
2
2 2
A
Ô
2 3
0
PATTERN #10 A
D
0 2 2 2
Ô
0 2
0 2
2
0 2
2
0 2 2
2
2
0
2 3 2
2
2
2
3
2
3 2
2
0
2
0
0
0
0
0 3
0
0
A
E
A
strum
Ô
0 2 2 2
0 2
0 2
2
0 2
2 2
0 2 2
2
0
0 0 1 2
2
0
0 0
0 0
1
1 2
0
0 0
0 2 2 2 0
1 2
2
0
0 0 2 2
0
0
In the “Real Slow” version, the 2nd time through becomes: A
Ô
D
0 2 2 2
0 2 2
0 2
2 2
0 2
0
2 3 2
2 2
2
2
2
0 3
2
2
0 0
0
A
0 2
0 0
2
0 0
1 2
0 0
0 2 2 2
1 2
0
2 2
0
2 3
0 E
0 2 2 2
2 3
0
0 0
A
Ô
0 2
0 2 2 2
0
0
0 0
6
0 2 2 2 0
ROLLS E Chord — 3 ways 3 3
Ô
3
3
3
3
3
3
0 0 1 2 2
2
1
0
0
0
1
1
2
2
2
2
2
0
1 2
2
0
3
3 3
3
Ô
3
0 0 1 2 2
2
1
0
0 0 0 0
1
2
2
0
A Chord
Ô
3
3
3
3
0 2 2 2
2
2
0 2
2
2
0
7
0
0
0 1
0
D Chord — 2 ways 3
3
3
3
3 3 3
Ô
2 3 2
2
2
3
3
2
2
0
0 0
2
0
2
3
2
2
3
2
0
0
2
C Chord 3
3
Ô
3
3
3
0 1 0 2
2
3
0
0
1
0
0
1
0
2
3
3
G Chord — forward and backward 3
3
3 3
3
3
3
3
3
Ô
3 3 0 0 2
0
0
3
3 3 3
3
3
3
3
0
3 0
0
0
0 0
2
0
0 2
3
2
2 3
8
3 3
BOOGIE PATTERNS E Chord
Ô
A Chord
2 2
2 2
0
3
Ô
2 2
4
3
4
D Chord
Ô
3 2 3
4
Ô
3 2 3
4
C Chord
Ô
1 0
1 0 1
2 2
0
3
4
2 2 3
4
G Chord
3 2 0
2 2
2
1 0 1
2
3
9
0 0
0 0 1
3
2
0 0 1
2
IN A CHORD PROGRESSION E
Ô
2 2
2 2
0
3
4
2 2 3
2 2
4
0
2 2 3
4
2 2 3
2 2
4
2 2
0
3
2 2
4
3
4
A
Ô
2 2
2 2
0
3
4
2 2
2 2 3
2 2
0
3
2 2
4
3
2 2
4
0
3
0 0
4
3
4
4
E
Ô
2 2
B‡
2 2
2 2
0
3
4
2 2 3
2 2
4
0
2 2 3
0 0
4
3
2 1 2 2
2 1 0 2
2 1 0 2
4
E
Ô
2 1 2 2
2 1 0 2
0 0
2 2
0 2
0
2 2 3
4
10
2 2 3
4
2 2 0
2 2 3
4
2 2 3
4
0
BLOWIN’ IN THE W IND A
A
D
A
INTRO
0 2 2 2
Ô
0 2 2 2
0 2 2 2
0
0 2 2 2
2
0
0
0
0
0
0 3 2
1
0
2 0
2
2
2
0 2
2
0
2
0
D
2
0
0
0
E
0 3
2 2
2
2 2
2 0
0
0
2
0
0
0
2
A
2 2
2 2
0
D
2
2 0
0
0
2
E
2
2
0
2
2
0
0
0
0
0
0
2
0
2
0
2
0
D
2
A
Ô
2
2 2
2
2
0
0 2
0
0
0
A
Ô
0
2
0
A
Ô
0
2
0
0
0
0
2 0
2
0
2
2
2 0
0
11
2 2
0
D
Ô
E
3
3
2 2
2
0
0
2
2
2
2 0
2
2
2
2 0 0
E
3
2 2
2
2 2
2
0
0
3
0 2
0
D
Ô
A
0
A
0
0 2
0
2 0
1 2
2 2
2
2
2
0
2
0
0
0
0
ADDING A FINGER
A
Ô
D
0 2
0 2
0 2
0
2 3
2 3
2 3 2
2 2
2
0
0
0 2
0 2
0
2
0
0
D
0 2
2
0 2
0 2
0
2
2 3 0
0
E
0 3 2
2
2
0
0
0
2
0
A
Ô
A
3 2
0 0
0
2
0
2
2
2 0
0
12
2 2
0
A
Ô
D
0 2
0 2
0 2
2
2
2 3
2 3 2
0
0 2
2 2
0
0 2 2
2 0
0 2
0 2 2
0
E
3
2 2
2
2
0
D
0
2
0 1
0
0 1 2
0
2
2
2 0
3 2
2 2
0
A
0 1
0
2 2 2
0
2 2
2 2 2
3
2 2
0 1
0 0
0 2 2
0 2 2
2 2 0
0
E
2
2 2
0
0
3
0 1 2
2
0
E
3
2 2 2
2 0
0
D
Ô
0
0
D
Ô
2 3 2
A
Ô
0
A
0
A
0 1 2
2
1 2
2
2
0 0
13
2
2
0
0
2 2 2
2 0
D
E
A
ENDING
Ô
3
3 2
2 2
0 1
0
2 2 2
0
2 2 2
2 2
2 2
2 0
0
E
0 2 2
2
0
0
D
0 2 2
0
A
strum
Ô
3
3 2
2 2
0 1
0 0
0 1 2
2
1 2
2
2
2 2
2 0
0
0
0 2 2 2 0
0
*NOTE: A “quick” hammer, pull or slide is represented by a grace note in the music/tab. In standard music notation such grace notes are written BEFORE the beat, though they are actually played ON the beat.
