Afire Love Words & Music by Ed Sheeran, John McDaid, Foy Vance & Christophe Beck
Intro
q = 99 [Dm]
[Bb]
7
6 7 5
mp
5 6 7
[Dm]
6 7 8
8
[C]
7
[Gm7]
3 5 5
[Bb]
Piano arr. for gtr.
[Gm7]
Strings arr. for gtr.
[C]
(w/delay)
10 10
Verse
13 13 10 10
10 10
6 6
6 7
10 10
[Dm]
8 9
1. Things were all 2. Things were all
good good
yes - ter - day yes - ter - day
6 7
8 9
3 3
And if you fell And now we’re left
8 9
and then the then the
6 7
de - vil took your me - mo - ry. de - vil took your breath a - way.
5 5
black
1 2
3 3
8 9
to - day, to your death here with the pain,
10 10
6 7
[Bb]
6 6
6 7
suit,
I hope that hea - ven is your rest - ing place. black tie, stand - ing in the rain.
© Copyright 2014 Sony/ATV Music Publishing Limited/ Copyright Control. All Rights Reserved. International Copyright Secured.
[Dm]
stap - led all
8 9
10 10
6 7
[Gm7]
[Bb]
my
11 12
[C/E]
he
does -n’t
10 10
8 9
8 9
fa
-
ther
told
your
face.
6 7
10 10
10 10
8 10
2
8 10
eith - er way I’ll cry with the rest of them. Six years old, I re - mem - ber when
me,
Son,
it’s
[Bb]
know
not
his
6 7
[Dm] [F]
10 10
1 2
[F]
[Dm]
3 3
And
[Gm]
[F/A]
8 10
6 8
but then that could have been the me - di - cine. to - geth - er with the stran - gers and a friend.
There you are ly - ing in the bed a - gain, Came to my mind, I should paint it with a pen.
[C]
I heard the doc - tor put your chest in pain, And now my fam - i - ly is one a - gain,
[F]
6 7 8
fault,
8 9
10 10
[F/A]
And you’re
not
the
6 5 7
on -
[Dm]
-
ly
one.
[Bb] [F/A]
[Gm]
[F] [C]
Al -though my
grand - ma
used
to
say,
He used to
sing:
Gtr. 1 (steel str. acous.)
let ring…
mf
10 10 12
8 10 9 10
Chorus
[Dm7]
8 9
6 7
8 9
8 9
0
[Bbsus2]
Dar - ling, hold me in
3
1
way you did
0
0
0
3
0
0
in - side
1 0
3
1 2
[Dm7]
1 2
0
I
Gtr. 2 plays Fig. 1 (x3)
3
3
1
1 3
in - to
0
0
3
could look
3
0
[Bbsus2]
your eyes
un - til
0
3
the sun
1 0
3
3
0
up,
0
1 0
1
and we’re wrapped
0
0
2
3
oh.
0 2
1 0
3
comes
0
0
2
Fig. 1
0
here,
1
0
3
2
a lit - tle while
Gtr. 2 (steel str. acous.)
and we’ll lie
1
0
last night
1
0
[C]
your arms the
sim.
3
10 10
11 12
3
in
0
light,
[C]
in
love.
life
and
1
2
3
0
for
0
they’re
0
3
3
1
3
one
0
1 0
2
-
0
3
your bo - dy next
to
0
1 0
1
2
2
[C]
light
0
With
shut,
0
er, oh.
0
a
them
1
3
3
2
and we’re set
0
-
mine and slow - ly let
[Dm7]
[Bbsus2]
2
1
as
on
to be to -geth
0
mine our hearts will beat
your o - pen lips
3
[Bbsus2]
1
2
[C]
0
Put
de - signed
1 0
1
0
2
[Dm7]
0
and we’re a - fire
love,
1
0 3
2
0
0
2
1
1. [Dm]
Piano arr. for gtr.
[Bb]
love,
[Gm7]
love.
mp
[C]
Gtrs. tacet 10 10
13 13 10 10
8 9
10 10
6 7
6 6
4
10 10
6 7
6 6
10 10
8 9
8 9
6 7
2. [Dm7]
[Bbsus2]
love,
1
3
0
0
2
0
0
2
1
0
mi - ly,
rise
1 0
3
0
my
fa
the love.
2
0
2
seats
0
to
0
sing,
and all
1
3
0
3
3
5
fa -
0
And
my
2
bro -
1
0
of my
Gtr. 2 plays Fig. 1 (x4)
“Hal - le - lu - jah.”
1
0
ther
3
0
3
[Dm7]
-
1
0
1
0
[C]
from these
1 3
0
And
0
3
[Bbsus2]
-
[Bbsus2]
0
the love.
0
3
1
0
0
0
[C]
It’s in the love, the love, the love,
1
3
3
1
0
It’s in the love, the love, the love,
It’s in the love, the love, the love,
3
0
Vocal Fig. 1
0
3
the love.
0
[Dm7]
1
0
[C]
love.”
Gtr. 2 plays Fig. 1 (x2) 3
0
2
0
1
[Dm7]
-
ther
and
of
1
3
3
all
mi - ly
0
rise
my
bro
-
0
2
and all
to
sing,
1
1
3
3
0
mi - ly,
rise
1 0
3
fa
-
mi - ly
seats
0
to sing,
And
my
rise
fa -
2
0
0
0
1 0
3
ther
0
of
3
1
ooh,
1
0
2
fa -
Ah,
my
0
seats
and all
3
0
[Dm7]
1
3
6
from these
3
“Hal - le - lu - jah.”
1
0
0
0
3
[C]
from these
0
0
0
“Hal - le - lu - jah.”
[Bbsus2]
0
sing,
1
0
2
3
0
0
3
[Bbsus2]
-
my
to
0
“Hal - le - lu - jah.”
1
0
of
seats
ther
0
[C]
from these
3
2
1 0
[Dm7]
1 3
-
0
And
fa
0
[C]
my
[Bbsus2]
0
2
0
1
[Dm7]
Outro
1
2
0
Gtr. 2
1 2
0
ooh.
1 3
1 3
0
3
0
ooh,
1
1 0
3
2
ooh.
3
5
3
1
3
5
0
1 1
0
1
2
2
1 1
0
1, 2. [C]
3
0
0
0
1
3
3
3
1 3
3
1 1
w/rhythm section tacet
0
0
ah,
1 12 2 0 0 0
1 1
ooh,
0
2
0
[Bbsus2]
2
0
0
3
w/vocal fade (1º- 2º)
1 0
1
0
[Dm7]
3
3. [C]
(2º) (2º)
1 0
2
1 0
2
3
7
w/Vocal Fig. 1
1
3
1 3
ooh.
Ah,
ah,
3 1
0
2
1 2
0
2
[C]
ooh,
w/Vocal Fig. 1 (2°)
Gtr. 1
[Bbsus2]
Ah,
0
ooh,
2
0
1
3
2
0
1 0 3
2
ooh.
Bloodstream Words & Music by Ed Sheeran, Gary Lightbody, John McDaid, Kesi Dryden, Piers Aggett & Amir Amor Cb5
All Gtrs. 6=D 3=G 5=A 2=A 4=D 1=D
Db5
Eb5 3fr
Ebm 5fr
Ab5 3fr
5fr
Capo fret 1 Intro
q = 91
[Eb5]
[Cb5]
Na,
na
na,
Gtr. 1 (steel str. acous.)
mf
5
[Db5]
w/slight P.M. 0
7
5
0
7
0
7
5
5
7
0
7
5
3
1
0
0
3
1
1
3
3
1
0 1
0
3
3
1
[Ab5]
7
5
na,
mm.
5
3
0 3
5
0 3
5
3
[Eb5]
5
0
5
3
0 3
5
3
5
0
3
5
[Cb5]
0
3 5
0
3 5
5
3 5
[Db5]
0
3
0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 1 1 1 1 1 1 3 3 3 3 3 3 Mm,
mm,
mm,
mm,
mm,
Gtr. 2 (steel str. acous.)
w/fingers Fig. 1 0 0 0 3 5
0 3
5
0
5
3
0
0 3
5
1
3
0 0 0
0 3
1
0
1
3
0
0 3
1
© Copyright 2014 Sony/ATV Music Publishing/Copyright Control. All Rights Reserved. International Copyright Secured.
3
5
0 0 0
0 5
3
0
3
5
0
0 0 3
1. [Ab5]
2. [Ab5]
mm.
0
3 5
0
3
3
5
3
5
0
5
3
0
5
5
Fig. 1 ends 0 0 0
3
0 0
0
3
3
0 0 0
0 3
5
5
3
5
0
0
3
5
mm.
3
3
5
5
5
0 0 0 3
0 0
0 0
0
0
3
0
0
Verse
[Eb5]
[Cb5]
been spin -ning out of been look - ing for a
1. I’ve 2. I’ve
time, lover,
cou - ple wo- men by my side, thought I’d find her in a bott - le,
Gtr. 1
Gtr. 2 tacet
5
0
7
0
7
5
7
5
0
7
5
5
7
0
7
5
[Db5]
0
3
1
0
3
1
3
1
0
3
1
1
3
0 1
3
[Ab5]
I got sin - ning on my mind. God make me a - noth - er one.
Sip- ping on feel - ing this
red wine. to - morr - ow.
3
5
0 3
5
0 3
5
3
5
0 3
5
I’ll
0 3
2
5
3 5
0
3 5
be
0
3 5
3 5
0
3 5
0
3 5
[Eb5]
[Cb5]
a been sit - ting here for for - give me for the things
I’ve Lord,
-
ges, I’ve done,
rip- ping was nev - er
out the pa meant to hurt no -
5
7
0 5
7
0
7
5
5
7
0 5
[Db5]
- ges, - one,
how’d I get and I saw scars
to
0
7
7
5
I
0
3
1
0
3
1
3
1
0
3
1
0
3
1
3
1
[Ab5]
-
fa up - on
ded? a
How’d I get bro- ken heart -
so fa ed lov - er.
ded?
(2° only)
3
5
0 3
5
0
Pre-chorus
[Eb5]
5
3
3
3
5
0 3
5
0 3
no, don’t
leave
5
0
3
0
3
5
3
5
5
3
5
0
3
5
[Cb5]
0
3
5
if you
loved
Oh,
no,
me
lone
-
ly
now
Gtr. 2 plays Fig. 1
5
7
0 5
7
0 5
7
7
0 5
[Db5]
5
7
0 5
7
1
3
0 1
3
0 1
3
1
3
0 1
3
0 1
3
[Ab5]
me
3
5
0 3
how’d
5
0 3
you nev - er
5
3
5
0 3
5
learn?
0 3
3
5
3 5
0
3 5
0
3 5
3 5
0
3 5
0
3 5
[Eb5]
3
Ooh,
[Cb5]
col - oured crim
-
son
in my eyes,
one or two
could free
my
mind.
5
0
7
7
5
[Db5]
0
7
5
5
0
7
5
0
7
5
7
1
0
3
0
3
1
3
1
3
1
0
0
3
1
3
1
[Ab5]
3
0
5
0
5
3
[Cb5]
Gtrs. 1+2
5
3
This
is
how
0
3
1
my
1
it
0
3
0 3
3
0
3
5
3
5
5
the chem - i - cals
burn
0
0
3
5
0
5
3
5
1
0
[Eb5]
0 5
3
feel
5
blood - stream.
0
0
0
3 5
I
0
3 5
ends,
0
0
3 5
[Db5]
0 3
5
3
[Eb5]
0 5
3
3
0
0
0 3
in
5
3
0
1
0
5
[Db5]
[Cb5]
3
0
0
0 5
4
0
0 3
3
0
5
0
0
0 3
3 5
0 5
3
[Cb5]
Fad - ing
out
a - gain,
0 3
1
0
3
1
0 5
3
3
in
my
0
0 1
0
3
0
5
3
5
So
in,
tell
me when it kicks
0
0 5
3
blood - stream.
0
0 3
1
0 3
5
[Ab5]
burn
0
5
the chem - i - cals
0
0
feel
0
[Db5] 3
I
0
[Cb5]
[Eb5]
0
[Db5]
3
0
3
0 0 5
Chorus
[Eb5]
[Cb5]
mm,
mm,
mm,
Gtr. 1
Gtr. 2 plays Fig. 1
5
7
0 5
7
0 5
7
[Db5]
5
7
0 5
mm,
0 5
7
0
3
1
mm.
0
3
1
[Ab5]
7
1
3
1
3
0 1
3
0 1
mm.
3
Well, tell me when it kicks
in.
3
5
0 3
5
0 3
5
3
5
0 3
5
0 3
5
5
3 5
0
3 5
0
3 5
3 5
0
3 5
0
3 5
[Eb5]
[Cb5]
mm,
mm,
mm,
5
0
7
0
7
5
5
7
0
7
5
5
[Db5]
3
0
5
5
3
0
5
3
5
7
0
3
1
3
0
3 5
3 5
0
3 5
3 5
0
0 1
3
5
in.
mp
[Db5]
All
the voi
3 5
0
3 5
6
1
0 3
-
ces in
my
0 0
1
3
5
3
Gtrs. 1+2
0
mm.
[Cb5]
3
1
0
5
3
Well, tell me when it kicks
3
1
mm.
0
1. [Ab5]
5
3
1
mm.
2. [Ab5]
mm,
0
7
0 0 1
3
3
0 5
0 0 3
[Eb5]
[Cb5]
[Db5]
[Eb5]
mind
call - ing out
0
(2º) Gtr. 3 (steel str. acous.)
All
line.
voi
-
0
my mind
3
in
my
0
0 3
Eb5
mind
call
3
5
-
out
the
0
5
3
5
ing
a - cross
0
0
5
call - ing out
0
0 5
ces
3
1
0
3
1
All
0 3
0
Db5
the
voi
-
3
a - cross
in
Eb5
my
0 0 1
3
3
0 5
sim.
the
mind
0
5
7
call
-
0
0 3
0 5
0 3
5
0
5
0
0
ces
0
0 5
3
0
1
1
the
0 3
1
the voi - ces in
0
0 3
0
All
Vocal Fig. 1
mp - mf
Cb5
(2º) w/top harmonies
line.
3
Db5
0 5
line.
0
5
mf
3
5
Cb5
the
0
0
5
a - cross
ing
0
5
5
a - cross
0 5
the
0 3
3
5
out
3
Cb5
f
So tell me when it kicks w/Vocal Fig. 1
in.
land.
Eb5
f
Db5
0
Cb5
0 1
3
Db5
u - pon
3
0
1
0
3
1
-
0 3
1
3
3
0 5
3
0
3
5
Eb5
0
5
8
0 5
heart -
0
5
0
0 3
3
5
3
ken
0
0
scars
5
0
And I
saw
5
in.
0 0
5
so tell me when it kicks
0
1
Bro -
3
Db5
in.
0
ed,
0
0 5
3
0
0 3
Cb5
0
0 5
Eb5
her, tell me when it kicks
5
3
0
0
0
0 5
And I
0
0 3
1
saw
0 3
5
0 5
scars
3
1, 2. Cb5
Db5
0 1
Cb5
0
0 3
p
3
-
ed,
0
0 3
3
5
so
tell
heart -
me when it kicks
0
5
0
0
Db5
5
Bro - ken
heart -
Eb5
w/muted feel
Gtrs. 1+2 tacet
3
0
0 5
Bro - ken
Eb5
her, tell me when it kicks in.
0
1
Eb5
u- pon
3.
3
5
0 5
0
0
3
5
5
3
5
And
in.
0
I
saw
scars
1. Cb5
u - pon
Db5
kicks
in.
her, tell
me when
it
Eb5
Bro
2. Eb5
Ebm
Bro
-
ken
9
Ab5
heart
-
ed,
-
ken
heart -
Don’t Words & Music by Ed Sheeran, Ali Jones-Muhammad, Raphael Saadiq, Benjamin Levin, Conesha Owens & Dawn Robinson
To match original recording, tune all guitars down a semitone Intro
q = 95
Ah
la
’n
la
[F#m7]
la. Gtr. 1 (steel str. acous.)
mf
Verse
[E]
[F#m7]
5
5
[F#m7]
met
7 X 7
girl
(2.) weeks I 3. (Knock, knock,
9
X
7
10 9 11 9
9
7
9
[C#m7]
10 9 11 9
9
X
X
3
4
X
[D]
4
0
5 4 6 4
X
5
5
’n
4
5 4 6 4
X
la
la.
1. I
X X X
[D]
Ah la Vocal Fig. 1
4
[E]
[E]
dis - ap - pear.” I told her: last year, she said: “Don’t you late wor - ry if I piz - za. Be- fore, a text her, we drink a - way the days with a take - a - way on - ly wan - na see I don’t e - ven know if she knows what for. She was door, knock) on my ho - tel
9
9 X 9
7
this
w/muted percussive feel
X
[C#m7]
9
[D]
[C#m7]
10 9 11 9
X
0
4
4
5 4 6 4
X
5
5
7 X 7
X
X
7
7
9 X 9
7
© Copyright 2014 Ugmoe Music/Universal Music Z Tunes/Where Da Kasz At/Sony/ATV Melody/Matza Ballzack Music/Cool Abdul Music/Tenom Music. Universal Music Publishing Limited/Famous Music Corporation/Sony/ATV Music Publishing/Imagem Music/Kobalt Music Publishing Limited/Missing Link Music LLC. All Rights Reserved. International Copyright Secured.
[F#m7]
[C#m7]
[D]
[E]
“I’m not real - ly look- ing for a - noth- er mis - take,” I called an old friend, think - ing that the trou -ble would wait. But then I mes- sage was the on - ly way to reach her, now she’s stay - ing at my place and loves the way I treat her. Sing- ing out Ar cry - ing on my shoul - der, I al - rea - dy told ya, trust and res - pect is what we do this for.
9
10 9 11 9
9
X
0
[F#m7]
4
5 4 6 4
X
9
10 9 11 9
[F#m7]
X
0
4
7 X 7
5
X
X
4
5 4 6 4
[C#m7]
7
[E]
3
to burn. But I she was on - ly look- ing for a lov- er nev - er wants to sleep, I guess that I don’t want to eith - er. that’s all. did - n’t need to take him to bed,
X
5
5
[D]
9 X 9
7
7
[D]
5
jump right in a week lat - er re - turned, I reck - on - e - tha, like a fea - ture, and all o - ver the track I nev - er in - ten -ded to be next, but you
9
4
[C#m7]
7 X 7
X
X
7
7
9 X 9
7
[E]
gave her my pause un - til the mo -ment was right. I went a put it on for two or three nights, then I time But me and her, we make mo-ney the same way, ci - ties, two four planes, the same day. And I nev - er saw him as un - til you dis - ap- peared with him to have sex, of a threat course.
9
9
10 9 11 9
0 0 X
0
4
4
6 4
X
5
2
5
7 X 7
X
X
7
7
9 X 9
7
[F#m7]
[C#m7]
[D]
[E]
months - way, un four til our And those shows have ne - ver been what it’s a - bout, but may - be we’ll go we were both on It’s not tour, we were stay - ing on like
9
0
[F#m7]
4
4
5 4 6 4
X
7 X 7
5
[D]
a - gain. She told me: paths crossed I’d rath - er to - geth -er and just fig- ure it out. floor. And I ho - tel the same ****ing
5
[C#m7]
X
X
7
7
9 X 9
7
[E]
“I was ne - ver look -ing for a friend, may - be you could swing by my room a - round ten. Ba - by, bring the put on a film with you and sit on the couch but we should get on a plane or we’ll be mis - sing it now. Wish I’d have was - n’t look -ing for a pro- mise or com - mit- ment but it was fun, and I thought you were diff - ’rent. ne -ver just
9
9
10 9 11 9
X
0
[F#m7]
4
4
5 4 6 4
X
5
[C#m7]
le-mon and a bot - tle of gin, we’ll be in be - tween the writ - ten it out the way that things played out, when she was This is not the way you re - a - lise what you want - ed, it’s a
9
9
10 9 11 9
X
0
4
4
5 4 6 4
X
3
7 X 7
5
[D]
X
X
7
9 X 9
7
7
[E]
a. ’til the late m.” Ba - by, if you want - ed sheets I was con- fused a - bout. Now she should kiss-ing him, how much, too too late if I’m hon - est. And bit
5
5
7 X 7
X
X
7
7
9 X 9
7
[F#m7]
[C#m7]
then you should -’ve just me out fi - gure it while I’m this all time, God
9
Chorus
9
love.
10 9 11 9
9
4
5
7 7 7
5
4
5 4 6 4
so
sing - ing: sing - ing: sing - ing:
[D]
X
[E]
all
5
X
0
4
4
4
5
5
7
7
9 9 9
5
5
7
I
7
9
10 9 11 9
9
9
0
4
4
10 9 11 9
[F#m7]
[C#m7]
9
I don’t wan - na know
10 9 11 9 9
X
0
4
that,
babe.
4
4
[D]
knows,
9 X 9
4
5
7 7 7
5
that,
babe.
4
[E]
5
7
take aim and
[E]
2. And for a cou - ple
(w/Vocal Fig. 1)
5
open out
4
7
7
5 4 6 4
4
re
-
9 9 9
7
2.
5 4 6 4
0
1.
X
X
my
7
[D]
5 4 6 4
with
7
told her, she
I don’t wan - na know
9
[C#m7]
love.
7
[C#m7]
arm.
9 9 9
7
5
o - ver my
[F#m7]
7 7 7
[F#m7]
5 4 6 4
Don’t ****
7 X 7
5
[E]
(w/Vocal Fig. 1)
cold,
(w/Vocal Fig. 1) Don’t **** with my
- load.
0
[E]
heart is
[D]
That
f
9
X
[C#m7]
said. She’s sat here knows I’m
10 9 11 9
[F#m7]
[D]
5
4
7 7 7
5
7
7
[D]
[E]
(w/Vocal Fig. 1)
5
5
7 7 7
5
7
7
9 9 9
7
3. [D]
7 X 7
5
5
7
arm.
I
9
10 9 11 9
7
X
love.
9
9
10 9 11 9
X
0
told
9
4
X
0
4
5 4 6 4
4
5 4 6 4
I
9
10 9 11 9
don’t wan - na know
X
0
4
so
5 4 6 4
4
4
5
4
5
4
5
babe.
4
5 4 6 4
4
take
5
7 7 7
5
5
my
7
9 9 9
7
7
[E]
****
with
my
5
o - ver
7 7 7
knows,
5
Don’t
7 7 7
5
[D]
that,
5
(w/Vocal Fig. 1)
all
cold,
she
is
[E]
[D]
babe.
[C#m7]
4
that,
her,
4
0
[F#m7]
9
I
9
[C#m7]
- load.
7
10 9 11 9
heart
f
don’t wan - na know
[F#m7]
[C#m7]
9
open out 9 X 9
That
[D]
love.
[C#m7]
[F#m7]
[F#m7]
(w/Vocal Fig. 1) Don’t **** with my
5
[E]
7
9 9 9
7
[E]
aim
and
N.C.
Ah
la
’n
la
re
9 9 9
7
-
7
7
7
la.
Even My Dad Does Sometimes Words & Music by Ed Sheeran & Amy Wadge D/F©
G
B‹7
A
D
Intro
e = 129 swung semiquavers [D] [A]
[G]
[D]
[A]
[G]
Piano arr. for gtr.
let ring…
sim.
mp
5
D
(2º) Gtr. 1
mp
- right - right
to to
2 2 2 0
2
0
2
0 0 0 3
2
0
5
3 2 0
0
2 3 2 0
3
2 2 2 0
0
A
G
3
2 2 2 0
0 0 0
2
2
0
2 3 2 0
5
2 2
0
3
A
2
0
0 0 0
2
3
0
0
D
D
2
e - ven my dad does some - times. e - ven my hand does some - times.
2
2
cry, shake,
0
G
2
0 0 0 3
5
0
2 3 2 0
A
al al
2 2 2 0
2
1. It’s 2. It’s
2
0
Verse
2 3 2 0
So don’t So in -
wipe your eye, side we rage
5 0
2 2
G
tears re - mind you you’re a - live. a - gainst the dy - ing of the
2 2 2 0
© Copyright 2014 Sony/ATV Music Publishing Limited/BDI Music Limited All Rights Reserved. International Copyright Secured.
0
2
0 0 0 3
2
0
D
2 3 2 0
5
on - ly thing on - ly thing
0
0 0 0
2
But just But just
for for
2
5
2
tried. tried.
0
2 3 2 0
5
So live
life
(1º) Gtr. 1 (steel str. acous.)
like you’re
right right
all all
A
die, ’cause say that
2 2
0
2
0 0 0
2
2 2 2 0
0
2 3 2 0
3
5
2
0 0 0
2
D/F©
A
2 2 2 0
2
0
2
0
G
3
G
3
0
G
2
D
to to
0
2
0
2
0
It’s It’s
5
hold on. hold on.
2 2 2 0
2 3 2 0
G
0
2
0 0 0
2
to - night, to - day,
3
you have - n’t you have - n’t
2 3 2 0
D/F©
0
A
D
3
D
D
2 2 2 0
G
G
2
0
death’s the death’s the
2 2 2 0
2
A
light.
A
0 0 0
2
2
0
3
’cause you
act
like
you
giv - ing up,
0
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
mf
3 2 0 X 2
2
G
D/F©
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
and
just
are.
0 0 0 X 3
Go
a - head
G
3
live it
up,
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
1. Bm7
A
go
on and tear me
mp
G
3 2 4 2
a - part.
2 2 2 0
mf
0 0 0 X 3
3 2
3 2
4
4
2 2
2. Bm7
on and tear me
Gtr. 2 (elec.)
f
w/light sustain + reverb
17
D/F©
full
15
G
17
16 14
3
(open)
on.
do,
do,
full
15
do,
15
hold
do,
full
15
a
do,
17
full
a - part,
G
Do,
G
go
D
A
17
full
15
15 17
D
G
15
do.
15
15
15
15
15
G
15 17
15
full
full
do,
do,
1 1/2
15
17
G
do,
16 14 16
17
17
17
do,
15
1 1/2
D/F©
do,
Do,
do,
17
17
16 14
G
do,
full
17
G
full
do,
full
do,
17
Do,
15
D
15
do.
full
17
D
do,
full
do,
D/F©
17
full
17
do,
3
3
3
3
3
3
full
17
15
17
15
16
15
4
16
14
16
14
15
14
12
14
14
14
12
14
14
14
D/F©
16
D/F©
do,
15
17
14
17
are.
3
Go a -head and just
live it up,
3 3 0 0 X 3
G
tear
me
a - part,
5 5 6 7 7 5
3 3 4 5 5 3
5
and
on
go
G
2 3 2 0 X 2
3 3 0 0 X 3
3 3 0 0 X 3
mp
3
mp
D/F©
15
17
full
A
Live life like you’re giv - ing up,
’cause you act like you
Bm7
7 7 7 9 9 7
G
2 3 2 0 X 2
do.
1 1/2
mf
full
do,
14
G
D/F©
G
and hold
on.
I See Fire Words & Music by Ed Sheeran Em
C
D5
G„ˆˆ9
Cmaj7
Am7
Bm7
C„ˆˆ9
A7“4
G
G/B
D
To match original recording, Capo fret 6. (Recording sounds three whole steps higher than written.) Intro
Freely Em
Oh, mist - y eye
And should the
sky
be
of
the moun- tain
be - low,
fire
and
smoke,
keep care - ful watch
filled with
of
my broth - ers’ souls.
keep watch - ing
o - ver
Moderately slow q = 76
Dur
-
Em
C
D5
Em
in’s Sons.
Gtr. 1 (Acous. steel str, Capo 2nd fret)
fingerstyle
mp
hold throughout X X X
0
2
4
2
0 0
0
2
0
1 0 2 3
X X X X
0
3 2 0
3
2
0 0 0
0 2 0
Verse
C
0
2
4
2
0 0
0
2
1 0 2 3
D5
Em
3
1. If
X X X X
0
3 2 0
3
2
0 0 2 0
this is to
Em
end
in
Fig. 1 0 0 0
G„ˆˆ9
0 2 2 0
0
fire,
0 2 0 3
then we should
X X X X
© Copyright 2013 NEW LINE MUSIC CO. (BMI) in the U.S. and Canada and UNITED LION MUSIC, INC. (BMI) Elsewhere Throughout The World. All Rights for NEW LINE MUSIC CO. (BMI) Administered by SONGS OF UNIVERSAL, INC. (BMI). Exclusive Print Rights for NEW LINE MUSIC CO. (BMI) Administered by ALFRED MUSIC. All Rights Reserved.
D5
all
Em
3
to -geth - er,
0 2 2 0
fa - ther,
X X X X
die
0
X X X X
Cmaj7
in - to
0
and
3 2 0
3
we
will
C
3 2 0
3
night.
1 0 2 0
X X X
0 1 0 2 0
X X X X X
2 3 2 4 2
D5
4
2
0 0
to - night,
Fig. 1 ends
2
0
the
X X X X X
Em
0
G„ˆˆ9
X X X
Bm7
Call - ing
watch the flames burn au - burn on
0 0 2 3
Em
Am7
3
the
0
2
Gtr. 1 plays Fig. 1
0 2 0 3
D5
3
2. And, if we should
Verse
Am7
side.
0 0 0 2 3
Em
D5
climb high
0 2 2 0
stand by
3
moun - tain
oh,
0 2 0
flames
X X X
0
G„ˆˆ9
G„ˆˆ9
Cmaj7
watch the
0 0 2 3
out,
Em
burn
3 2 0
0
Cmaj7
1 0 2 3
X X X X
Cmaj7
D5
we should all
die
3
to -geth - er.
2
raise a
0
3 2 0
3
2
0 2
0 0 0
0
Em
G„ˆˆ9
glass
of
wine
D5
Am7
Em
for
Am7
the
last
time.
Call - ing
au
-
burn on
D5
fa - ther,
C„ˆˆ9
oh,
pre - pare
Cmaj7
the moun - tain
side.
as
Am7
3
3
out,
Bm7
flames burn
G„ˆˆ9
3
we
will
watch the
Bm7
Des - o - la - tion
comes
up - on the sky.
Chorus
Cmaj7
Gtr. 1
Em
Now I
C„ˆˆ9
see
D5
fire,
Em
in - side
the
moun - tain.
Fig. 2
0 0 0 2 3
0 0 0 2 2 0
C„ˆˆ9
fire,
0 0 0 2 2 0
2
D5
3
0
3 2 0
3
burn - ing
3 0 2 3
hol - low - ing
D5
X X X
0
2
3
Em
the
3
trees.
3 2 0
3 0 2 3
X X X
souls.
2
0 2
And I
see
I
see
fire,
0 0 0 2 2 0
X X X
0
3
2
0 0 0
0 2
0 0 0 2 2 0
2
fire,
0 0 0
0 2
3
0
Em
3 2 0
see
0
2
0
I
2
3
3
C„ˆˆ9
C„ˆˆ9
3 0 2 3
3 0 2 3
X X X
X X X
Interlude
D5
Am7
blood in
the
breeze.
And I
hope that you’ll re - mem - ber
3 2 0
3
2
3
C
2
X X X
0 2
0
2
4 2 0 0
2
0
fall,
4 2 0
then
D5
3
ple
2
1 0 2 3
X X X X
Em
3. Oh, should my
G„ˆˆ9
-
Verse
peo
me.
0
0
Em
0
3 2 0
0
0
2
Em
1 0 2 0
D5
C
Fiddles
Fig. 2 ends
0
Em
sure - ly
1 0 2 3
X X X X
0
3 2 0
3
I’ll
3
Cmaj7
do
the same.
X X X
0 2 0
D5
2
Em
Con -fined in
G„ˆˆ9
moun
-
tain
halls,
we
got too
Gtr. 1 plays Fig. 1
D5
close
Cmaj7
to
3
the flame.
Call - ing
Am7
Bm7
flames
burn
au
-
burn
on
Em
3
G„ˆˆ9
out,
fa
-
ther,
oh,
the
4
D5
hold fast
Cmaj7
moun
-
tain
Cmaj7
and
we
side.
will
watch the
3
Des - o -
- la
Am7
-
Bm7
tion
comes
C„ˆˆ9
up - on
the
fire,
in - side the
moun - tain. I
see
Now
I
see
Em
C„ˆˆ9
sky.
D5
Em
Chorus
Em
Cmaj7
D5
fire,
burn - ing
the
trees.
And I
see
Gtr. 1 plays Fig. 2
C„ˆˆ9
D5
fire
hol - low - ing
D5
Am7
A7“4 Gtr. 1
blood in
the
breeze.
And I
Em
mp
souls.
hope that you
I
see
re - mem - ber
C„ˆˆ9
fire,
me.
And,
if
the
Bridge
Am7
mf
night
is
burn - ing,
D5
broth - ers
G
Em
will
die.
I
And as the
will
Am7
G
cov - er
D5
my
eyes.
Em
sky is fall - ing down,
5
it
For, if
3
G
Am7
Em
rhythm cont. sim.
the
dark
re - turns,
D5
crashed in - to
then my
this lone - ly town.
And
3
with that
Am7
shad - ow
up - on
the
Em
burn - ing
fire,
Em
the
trees.
And I
see
C„ˆˆ9
the
moun
C„ˆˆ9
fire,
fire,
D5
fire.
oh,
C„ˆˆ9
I
saw
a
cit - y
feel
the heat
up - on
Em
And I
see
tains.
I
see
fire,
my skin,
blood
in
the
Em
fire.
fire
burn
au
-
6
burn on
see
I
Em
Em
souls.
I
breeze.
D5
And I
see
fire,
I
see
And
I
see
fire.
C„ˆˆ9
ooh,
ooh,
D5
the moun - tain
Em
side.
see
Em
C„ˆˆ9
Now
burn - ing,
C„ˆˆ9
D5
out.
D5
-
hol - low - ing
you know
scream - ing
C„ˆˆ9
fire,
Outro Lead vocal ad lib.
D5
D5
peo - ple
in - side
D5
hear my
D
C
3
I
C„ˆˆ9
fire,
ground,
Chorus
Em
G/B
ooh,
I’m A Mess Words & Music by Ed Sheeran C#5
B5
E5
A5
Asus2
C#m7
4fr
B('11) 4fr
E
A('9)
7fr
F#5
F#m
E5*
5fr
7fr
To match original recording, tune all guitars down a semitone
Verse
1. Oh,
I’m
Gtr. 1 (steel str. acous.)
a
mess (2.)
right this
now, time,
mf
6 4
6 4
6 4
6 4
6 4
6 4
in late
side last
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
[E5]
out. night.
w/variable P.M.
[B5]
[C#5]
q = 138
6 4
X X
X X
Search Drink
4 2
4 2
4 2
[A5]
4 2
4 2
4 2
this is fin - gers
4 2
4 2
4 2
ing ing
for to
4 2
4 2
4 2
a sweet sup - press
4 2
4 2
4 2
X X
sur - ren de - vo -
X X
2 0
2 0
2 0
2 0
not in
but with
2 0
X X
2 0
X X
[F©5]
the end. ter - twined.
-
der tion
2 0
[E5]
4 2
-
I I
can’t can’t
work shake
Gtr. 1 cont. sim. in slashes 2 0
2 0
2 0
2 0
2 0
2 0
2 0
X X
X X
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
© Copyright 2014 Sony/ATV Music Publishing Limited All Rights Reserved. International Copyright Secured.
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
6 4
C#5
Gtr. 1
it this (2º) Gtr. 2 (elec.)
0
4
E5
the the
mo mo
-
tions, tions,
0
11
0 4
-
4 4 2
it for the long ly caused you pain,
0
4
-
est I
time know,
0
4
A5
And And
and all but all
7
of of
my my
9
9
9
2
hopes, words
will
9
9
us. stop.
0
all al
-
8
have known have on -
9
9
10
9
9
of my own words ways be - low
7
9
I I
B5
4
0
11
0
2
2
0
oh oh
12
A5
through you’d
0
4 4 2
go - ing hop - ing
E5
0
0
4
1
2
B5
we’re
0
6
through through
2
0
6
Go - ing go - ing
how. now,
let ring… mp w/clean tone + tremolo fx
out, feeling
6
B5
7 9
A5
11
12
B5
ov
all
10
9
9
ing ing
9
9
C#m7
See
er - writ - ten on the the love you
Asus2
open out
home, home,
home, home,
9
in - side
my
B('11)
bright,
I
wan
C#m7
Ea -
sy, ba
-
-
na feel your
love.
by, may - be I’m
a
11
11
home. home.
11
9
cont. in slashes
9 9
it burns
E
so
F#5
No.
B('11)
3 liar,
3
road, road,
eyes,
f
3
A('9)
9
home, home,
on my on my
9
9
9
9
9 9 11
8
but you’re when you’re
7
home, home,
the flames
11
signs spoke
me me
7
8
-
9
-
Gtrs. 1+2 (2º) composite part
walk walk
all
7
Chorus
are of
E5
But for
to
-
A('9)
E
I
wan
- night
na fall in
love,
-
A('9)
in
my
faith
C#5
E5*
w/muted percussive feel
mp
for
how
E5*
how
E5*
For
For
how
E5*
E5*
B('11)
long
long,
2. I
long
long
my
lov
E5*
B5
E5*
B5
I
love
4
E5*
-
-
my
lov
er,
now, now?
-
B('11)
C#5
lov
now, now?
f
er,
open out
now,
now?
C#m7
er,
C#5
my
A('9)
lov
love
er.
my
C#5
B5
A5
-
lov
E5*
my
A5
C#5
And
B5
A5
up
love
I
tap Gtr. body
it
E5*
love
messed
love
I
A5
long,
I
B5
tap Gtr. body
long,
I
B5
long
your
2.
sto - mach.
B5
C#m7
how
let ring…
long
how
For
B5
For
and put
1. F#m
-
er,
now, now? And I feel loved,
C#m7
E5*
For
B('11)
how
long,
long
I
-
and
long
I
N.C.
mp
4
For
4
2
it
E5*
long,
long
I
love
2
5
now,
C#5
E5*
my
lov
0
4
lov
C#5
er, now,
B5
-
er,
long,
now, now? I feel loved.
and
now,
ver
2
0
how
B('11)
my o -
For
2
w/muted percussive feel
lov
all
my
0
E5*
love
it
lov
2
B5
ver
I
now, now? I feel loved,
my o -
all
feel
and
love
er, now,
2
A5
long,
how
-
feel
love
how
For
I
Outro
now, now? I feel loved,
er, now,
3. C#m7
I
1, 2. C#m7
A('9)
now,
now?
4
-
er.
Nina Words & Music by Ed Sheeran, John McDaid, Jermaine Scott, Jay Hippolyte & Isra Lohata F#5
E5/F#
D5
E5
F#m
Intro
a tempo q = 92
Freely [F#m]
[/E]
[D]
[D6]
Gtr.
2 3 2 0
mp
Verse
2 0 2 0
2
4
2
2
0
0
2
1. I met you
E5/F#
0
5
4
5
2
D5
(1º) Kbd. pad arr. for Gtr.
a gui - tar just was a teen, but then youwere one as well, and I could play like ring - ing a week - end in the win - ter you’d be wear - ing my hood-ie with draw - strings pulled tight tokeep your face from the
(2º) Gtr. 2 (elec.)
9
9
7
9
9
11
E5
9
bell. Some - times I cold, ta - king
11
9
7
9
9
7
9
F#5
7
9
9
time lov - er to me, part list - en- ing day when I was a - way we’d on- ly speak on the
won - der, in an - y oth - er sum - mer could you have been my day trips to the lo - cal where we’d eat on our own ’cause ev - e - ry
Fig. 1 (2º) Gtr. 1 plays Fig. 2
when I
2
F#5
CII
Piano arr. for Gtr. 2 2 4
[F#m7]
11
9
7
9
9
9
to Stev - ie Won - der, phone. Watch - ing
7
9
© Copyright 2014 Kobalt Music Publishing Limited/Sony/ATV Music Publishing/Universal Music Publishing Limited/Wardlaw Music/Copyright Control. All Rights Reserved. International Copyright Secured.
E5/F#
D5
un - der the co - vers where we used to lay. And ‘Re: Stacks’ is what the speak - ers played. ‘Blue Pla - net’ cre - a - ting new ha - bits act -ing as if we were two rab - bits and then you’d van - ish back to the bur -
9
11
9
9
7
E5
9
11
9
7
[F#5]
9
7
9
F#5
9
I’ll be on tour al- most ev- er - y day. When I was - row with all the Cel - tics. I dis - ap - pear, you call me
7
9
to stay. Just, home up in my flat is where we used I put my sel fish, I un - der - stand but I can’t help it. Gtr. 1 (steel str. acous.)
11
9
7
9
9
[E5]
5 7 6
5 7 6
2 3 2
2 3 2
7
9
9
[D5]
3
Fig. 1 ends
9
6
smok-ing il - le - gal weed, get - ting as high as two kites, when we need-ed to breathe. watch-ing the D. V. D., job o - ver ev’ry-thing ex-cept my fam-i-ly and friends but you’ll be in- be-tween for - ev - er so, I guess we’ll have to take a step back,
Fig. 2
5 7 6
5 7 6
[E5]
0 2 2
2 3 2
2
2
[F#5]
just for the peo - ple to see, night like when we need- ed to sleep. We’d use each oth - er’s air and stay up all ov - er - look the sit - u - a- tion, ’cause mix- ing bus -’ness and feel -ings will on - ly lead to com - pli - ca- tions. And I’m not
Fig. 2 ends
2 3 2
2 3 2
4
4 5 4
4 5 4
6
2
5 7 6
5 7 6
6
5 7 6
6
[E5]
[D5]
We’d go an - y -where our minds would take us and I’d say you were beau- ti - ful with- out your make up. And saying we should be tak - ing a break, quit be-fore we make a mis - take just re - e - val - u - ate, and it’s too late. So
5 7 6
5 7 6
5 7 6
2 3 2
2 3 2
5 7 6
[E5]
0 2 2
2 3 2
2 3 2
4
2 3 2
2
2
[F#5]
3
you don’t ev - en need to wor- ry ’bout your weight ’cause, or wait to get on a we can eith - er deal with the pain
4 5 4
4 5 4
plane,
6
we can all be loved the way that God made us. but in a day we’d have to say it a - gain.
5 7 6
5 7 6
And
5 7 6
6
6
1° only
[F#5]
[E5]
time’s the on - ly rea - son that we
5 7 6
5 7 6
5 7 6
2 3 2
2 3 2
could break up.
5 7 6
’Cause you would al - ways tell me I’m
0 2 2
[E5]
2 3 2
a - way
too
much.
2 3 2
2
2
[F#5]
Dis - tance is rel - a - tive to the time that it
2 3 2
[D5]
4
takes
to get on
4 5 4
4 5 4
3
6
the plane or make a mis - take.
5 7 6
5 7 6
So say it
X X X
a - gain.
cont. in slashes X X X
Chorus
F#m
Gtr. 1
Ni - na,
you should go,
9
7
Ni - na,
9
9
11
9
F#m
7
9
9
9
11 9 7
9
Ni - na,
Ni - na, ooh,
11
9
7
9
both,
9
Bridge
11
Ni- na, ooh,
9
7
9
9
9
Love ’ll
won’t you leave
9
9
7
9
9
7
but then a - gain, you should know,
11
7
now.
2. And ev -’ry
7
9
p
come
love
will
w/clean tone + octave divider
9
Ni - na, ’cause that’s you and me
7
9
9
9
F#m
me now,
and
9
2.
F#m
9
[F#m]
7
mf
E5
D5
1.
won’t you leave me now.
And I’ve been liv- ing on the road,
home,
E5
’cause I ain’t ev- er com - ing
mf
2 (2º)Gtr.
Oh,
D5
but
you can
go
9
now.
11
9
7
9
9
make
on
own.
it
cont. in stave
your
7
9
Vocal Fig. 1
Gtr. 1
4 2
5
4 2
X
4 2
4 2
2
X
w/muted percussive feel
9 4 2
4 2
5
2
4
4 2
4 2
5
7
Sing that
go
oh,
won’t
4 2
4 2
4 2
4
4
4 2
4
grow
fall
and
me
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
2
but
now.
0
a - part,
4
you leave
you can
1 2 2 0
mend
bro -
heart.
your
ken
2 4 4 2
4 2
4 2
5
4 2
X
4 2
4 2
4 2
2
X
[F#m]
song,
Peo - ple
[E]
Take
it
back,
go,
5
2
oh
won’t
4 2
4 2
4 2
4
4 2
4
you leave
me
4
4
4 2
5
7
now.
X X
X X
0
Vocal Fig. 1 ends
cont. in slashes
X X
Outro Chorus
F#m
Oh,
9
Ni - na,
w/Vocal Fig. 1
D5
9
11
go,
Ni - na,
you should
9
7
5
’cause
I
ain’t
9
ev - er
com - ing
7
9
E5
home,
Ni - na,
ooh,
9
11
9
road,
9
no,
no,
F#m
you leave
9
won’t
7
me
7
9
9
a - gain,
11
9
7
9
9
D5
And I’ve been liv - ing on
now.
but then
know,
Ni - na,
you
should
9
11
9
7
both,
9
11
Ni- na, ooh,
9
7
won’t you leave
9
7
9
me now,
7
9
11
9
7
9
9
7
now.
2 3 2 0
[D6]
mp
[D]
[/E]
Piano arr. for Gtr. (Gtrs. tacet)
2
4
2
2 2 4
2
2 0 2 0
9
9
now.
11
9
7
9
0
0
2
0
[F#m7] CII
5
2
6
4
5
2
9
Freely [F#m]
F#m
9
2.
9
9
9
F#m
7
’cause that’s you and me
1. E5
mf 9
the
7
One Words & Music by Ed Sheeran All Gtrs. 6=D 3=G 5=A 2=A 4=D 1=D
G
D5
Intro
Freely (q = 93) [D]*
Gtr. 1 (steel str. acous.)
let ring…
11
12
7
let ring…
mp
11 0
down and
11
7
9
11
0
0
on
-
’cause you’re wait - ing ly have these eyes for
7 9
7
11 0
9
9
4 5
0
4
5
11 0
© Copyright 2014 Sony/ATV Music Publishing All Rights Reserved. International Copyright Secured.
6
And I And you
7
0
know, know,
11
11
0
7
11 0
hand will
7
11
your I
11
for
0
0
11 0
11
[D]
for me. you.
7
11
0
sim.
[G]
who asks and soul,
11
[A]
11
heart
0
the man my
11
0
1. Tell me that you’d turn my hand 2. Take
[Bm]
9
[D]
7 7
9
7fr
0 *Chord names reflect overall harmony
11
B‹7
7fr
pp
mp
G(„ˆˆ9)/B
6fr
Verse
A('11)
4fr
11 0
11
0
0
0
11
12 11
0
at we
7
9
7 9
[A]
leave. through.
4 5
6
6
7
6 7
4
0
got -
no
plans
gers
if
11 0
6
0
7
7
7
7
11
11
0
Would you take We could
11
11
11
0
11
0
6
0
[G]
my these
hopes walls
and and
dreams bleed,
and just or just
0
6
7
but I’ve stran
11
0
0
a - way with - in
5
stay
4
9
11 0
to this
see
be
[D]
all
0
we’ll
11
0
7
[G]
11
[E5]
a while, but
[Bm]
9
a - way ges,
7
-
0
you’re gon - na be ev - ’ry - thing chan
11
[A]
7
7
7
4
5
stay stay
4
4
5
5
[G]
4
with me. with me.
5
[A]
Ooh. Oh,
4 5
5
Lord,
0
now.
2 2
2 2
2
2 2
2
2 2
2 2 2
0
0
4 5
2
0
4
6
0 5
7
6 7
7
0
0
Chorus
[D]
All
my
sen
mf
11
11
11
12 12
12
11
12
7
11 11
11
12 12
0
-
bling
home
as
12
11
12 12
11 11
been
and I’ll
11
11 11
[G]
ver
11
nev
-
er
11
11
11
11 11
leave
a - gain,
9
7
7
9
7
9
[G]
9
’cause you are
the
on
-
4
4
9
[A]
7
5
5
And
4 5
[D]
ly one.
4
4 5
5
all
my
friends
have
5
7
6
6 7
6 7
6 7
0
4
0
0
4
5
an - oth - er place
11
11 12
11 12
7
6 7
7
0
0
11
11
11
12 12
to
let
their
hearts
11 12
11 12
12 12
11
col - lide,
just pro -
11 12
6
0
5
[D/C#]
11
-
11
7
gone to find
12
11
11
7
11
11
6
11
12 12
have e
[A]
11
12 12
11 11
while I’m stum
[Bm]
11
come to life
11
drunk as I
ses
11
-
[D/C#]
12
11
11
11 11
11 11
3
11 11
11 11 11
11 11 11
11
11 11
11 11
11
0
[Bm]
-
mise
me
7 9
you’ll
7
7
9
9
nev al
7
6 7
6
7
6
7
6
a a
7
4
5
1. [G]
4
7
leave be
4
’cause you
6
7
er ways
5
gain, friend,
4
now,
-
9
7
you’ll
9
[A]
[G]
4
4
5
are
the
5
5
7
[A]
on
4
0
5
-
ly
one.
6
0
5
5
0
6
7
0
7
11
2.
[D]
pp
11 0
you are
the
p
[G]
11
0
11 0
11 0
11 0
0
11
11
11
11 11 11
0
11 0
[A]
on
-
ly one.
cont. in slashes
4
0
6
0
5
5
7
6 7
7 7
7
Bridge
G
w/ad lib. strumming/picking
Stum - bl - ing
half
drunk,
4
D5
get - ting my - self
lost,
A('11)
I
G
A('11)
[Bm]
[G]
lis - ten
to
sad
D5
4
2
9
5
0
[D5]
[Bm7]
2
0 0
0
0
0
9
and
where
it
goes
home.
G
a - bout
love,
cont. in stave
wrong.
[D5]
[Bm]
[G]
4
2
2
5
0
0
4
2
7
4
0
9
5
5
[G'9]
pp
0 0 7 0 X 9
0 0 7 0 X 9
0 0 6 0 X 7
0 0 4 0 X 5
0 0 6 0 X 7
5
0 0 4 0 X 5
way
0 0 6 0 X 7
0
Bm7
[A('11)]
[G]
7 0 0
0
4
0
sing - ing
7
so tell me the
[Bm]
p
songs,
gone,
[D5]
0
Ooh.
so
I
2
am
G('9)/B
0 0 0
0 0 0
0 0 0
0 0 0
0
0
Outro Chorus
[D]
All
my
sen
0
I
have
e
0 0 6 0 X 7
11
11
-
0 0 0
11
on
-
ly
0 0 6 0
0 0 4 0 X 5
0 0 4 0 X 5
6 7
6
0 0 6 0 X 7
one.
-
4
[D]
And
er
11 11
11
leave
a - gain,
0 0 4 0
0 0 4 0
0 0 4 0 X 5
0 0 4 0 X 5
[A('11)]
0 0 0
nev
0 0 7 0
0 0 6 0
0 0 7 0
as
11
[G('9)]
the
11
’cause you are
and I’ll
0 0 7 0 X 9
0
been
home
[G('9)]
ver
11
0
stum - bling
11
0
11
0
[Bm7]
0
11 11
while I’m
11
0
[A('11)]
life
11
come to
0
drunk as
ses
11
-
p
[D/C#]
all
my
friends
have
0 0 0
mf 0 0 6 0 X 7
0 0 0
0 0 0
0 0 X 0 X 12
0 0 X 0 12
0 0 X 0 12
12 12
gone
0 0 X 0 X 11
[A('11)]
to
find
an - oth - er
place
to
let
their
12
0 0 X 0 X 11
12
col - lide,
just
0 0 X 0
pro
-
11
9
mise
12
[G('9)]
-
’cause you
are
the
on
ways
a
0 0 7 0
0 0 7 0
9
9
[D5]
one.
near bridge 0 0 6 0 7
0 0 6 0 7
0 0 0 0
0 0 0 0
0 0 4 0 X 5
0 0 4 0 X 5
7
0 0 4 0 X 5
0 0 6 0
6 7
7
2
0 0 2 0 0 0
0 0 6 0 X 7
11
be
ly
11
0 0 7 0 X 9
[A('11)]
-
9
11
0 0 7 0
0 0 X 0
9
11
you’ll al
0 0 7 0
0 0 X 0
me
0 0 7 0 X 9
9
0 0 X 0
11
[Bm7]
0 0 11 0
12
0 0 11 0
0 0 X 0 X 12
hearts
[D/C#]
friend,
0 0
0 0
Photograph Words & Music by Ed Sheeran & John McDaid E
C#m
Bsus4
B5
Asus2
C#5
4fr
4fr
q = 109
Intro
E
Gtr. 1 (steel str. acous.) w/P.M.
C#m
Gtr. 2 (steel str. acous.)
let ring…
mp
0
0
4
0
0
2
2
Bsus4
0
1
2
(2º)[E]
4
mp - mf 1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
0
4
0
0 2
1
4
0
2
1
2
1
4
0
0
2
1. Lov - ing can hurt,
Gtr. 2 tacet
1
0
0
(1º) cont. in stave
0
0
0
E
4
4
Asus2
2
2
1
0
0
2
2
4
0
0
0
Verse
1
0
4
0
sim.
lov - ing can lov - ng can
hurt mend
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
© Copyright 2014 Polar Patrol Music Limited. Kobalt Music Publishing Limited/Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.
C#5
some - times your soul
6 6 4
6 6 4
(2º) play C#5
6 6 4
6 6 4
4
4 6 4
6 6 4
6 6 4
B5
but it’s and is
6 6 4
6 6 4
Asus2
6 6 4
6 6 4
4
the the
4 6 4
on on
6 6 4
-
1 2
1 2
1 2
ly ly
thing thing
1 2
2 2
2 2
that I that
2 2
2 2
I
4 2 2
2 2
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
you know it can get - mem - ber that with ev - e - ry
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
B5
1 2 2 0
hard piece
-
ly ly
thing thing
0 2 2 0
0 2 2 0
C#5
0 2 2 0
0 2 2 0
0 2 2 0
some - times.
6 6 4
6 6 4
that makes us we take with us
6 6 4
6 6 4
4
4 2
2 2
4 2
4 2
4 6 4
feel a - live. when we die.
4 2
2 2
know. know,
know.
4 2 2
4 2 2
-
1 2 2 0
4 2 2
4 2 2
4 2 2
4 2 2
i - er,
re
-
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
4 2
4 2
2
6 6 4
6 6 4
1 2
2 2
It is and it’s
the the
on on -
6 6 4
1 2
2 2
0 2 2 0
Mm,
1 2
0 2 2 0
of you.
1 2
0 2 2 0
hard eas
And when it gets I swear it will get
4 2 2
E
4 2
6 6 4
6 6 4
Asus2
6 6 4
6 6 4
4
4 6 4
4 2
4 2
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
Pre chorus
[C#m]
cont. in stave
0 2 2 0
0 2 2 0
[E]
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
We keep this love
1 2 2 0
1 2 2 0
1 2 2 0
[Asus2]
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
0 2 2 0
0 2 2 0
our - selves.
0 2 2 0
0 2 2 0
[C#m]
Where our
eyes
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
are nev - er
0 2 2 0
0 2 2 0
clos - ing,
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
4 4 2
4 4 2
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
1 2 2 0
are nev - er
0 2 2 0
hearts
pho - to - graph,
we made these mem - o - ries for
a
0 2 2 0
in
[B5]
0 2 2 0
Mm.
[Asus2]
bro - ken,
0 2 2 0
4 4 2
and
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
4 4 2
4 4 2
4 4 2
4 4 2
[E]
4 4 2
[Bsus4]
time’s
for - ev - er
fro
-
zen and still.
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
So
you can
0 0 4 4 2
Chorus
[E]
Gtrs. 1+2
keep
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
me
in - side the
pock
[B5]
-
et
of your ripped
jeans,
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
4 4 2
3
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 2 2
4 2 2
[C#5]
hold - ing
4 4 2
4 4 2
me
4 4 2
clo
4 4 2
-
ser
4 4 2
till
4 4 2
our
4 4 2
eyes
4 4 2
meet,
6 6 4
6 6 4
6 6 4
6 6 4
you won’t
6 6 4
6 6 4
4 6 4
4 6 4
6 6 4
1. [Asus2]
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
2. Lov - ing can
0
4
6 6 4
be
6 6 4
a - lone.
6 6 4
6 6 4
to come home.
Gtr. 2
Gtr. 1 cont. in slashes
let ring… 0
0
4
0
2
2
heal,
hurt
1 2 2 0
1 2 2 0
1 2 2 0
me,
0
2
6 6 4
er
1
[Asus2]
[E]
me
mf
6 6 4
-
2.
Wait for
6 6 4
E
Gtr. 1
ev
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
And
if
you
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
well that’s O.
K.
ba
-
by,
on - ly
[B5]
words
bleed
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
4 4 2
4
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 2 2
4 2 2
[C#5]
in - side these
4 4 2
4 4 2
pa
4 4 2
-
4 4 2
ges you just
4 4 2
4 4 2
4 4 2
hold
I
ev
er
me,
won’t
-
let
you
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
4 4 2
[Asus2]
6 6 4
6 6 4
4 6 4
4 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
[C#5]
6 6 4
go.
0 2 2 0
Wait for
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
me
6 6 4
6 6 4
to
6 6 4
6 6 4
6 6 4
0 2 2 0
0 2 2 0
0 2 2 0
home.
0 2 2 0
0 2 2 0
0 2 2 0
[Asus2]
0 2 2 0
me
home.
to
come
open out
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
me
home,
Wait for
to
come
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
5
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
[Bsus4]
1 2 2 0
4 6 4
1 2 2 0
4 6 4
1 2 2 0
6 6 4
1 2 2 0
6 6 4
1 2 2 0
6 6 4
1 2 2 0
6 6 4
1 2 2 0
6 6 4
Wait for
6 6 4
6 6 4
0 2 2 0
come
home.
[E]
0 2 2 0
to
come
0 2 2 0
6 6 4
0 2 2 0
Wait for
6 6 4
me
ooh.
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
Outro Chorus
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
[Bsus4]
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
keep it I won’t hear - ing you
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
mf
(3º) w/P.M. p 0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
next to your in - side these un - der the
0 0 4 4 2
0 0 4 4 2
0 5 6 6 4
0 5 6 6 4
0 0 2 2 0
0 5 6 6 4
0 5 6 6 4
0 0 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 4 4 2
0 0 4 4 2
0 5 6 6 4
heart - beat, where I ges, you just pa lamp - post back on
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 2 2 0
neck - lace you got when you were that’s O. K. ba by, on - ly I will re - mem - ber how you
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
[C#m]
should hold 6th
0 5 6 6 4
0 5 6 6 4
0 5 6 6 4
be, me, Street
0 5 6 6 4
1.
soul. go.
0 5 6 6 4
[Asus2]
with - in your deep er let you ev whis - per through the
2.
0 5 6 6 4
in - side the well
0 5 6 6 4
me me,
(1º+2º)
fit hurt
teen, bleed me
-
0 0 4 4 2
six words kissed
[E]
Oh you can
0 0 4 4 2
0 5 6 6 4
0 5 6 6 4
And
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 5 6 6 4
if
0 0 2 2 0
0 0 2 2 0
0 5 6 6 4
you
0 0 2 2 0
3.
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
p
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
And when I’m
a - way,
phone.
(w/P.M.) 0 2 2 0
0 2 2 0
0 2 2 0
6
0 2 2 0
Wait for
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
me
to come home.
Runaway Words & Music by Ed Sheeran & Pharrell Williams D‹
A‹
C
G
E7
E7(#9) 5fr
6fr
To match original recording, tune all guitars down a semitone Intro
q = 95
Mm,
mm,
[Am]
mm.
5
5
7
5
7
5
5
5
[F]
Ah.
6 7 7 5
5
7
[C]
Ah.
5 7
6 7 7 5
7
Mm,
mm,
5
5
[F]
5
7
5 5 5 3
8
7
5
7
*composite part
5
w/clean tone
[Am]
mm.
[C]
Ah.
*Gtrs. 1 (elec.) + 2 (steel str. acous.)
mf
[F]
5
7
[C]
5
5
Mm,
7
mm,
5 5 5 3
8
7
[Am]
6
5
7
Mm, mm,
mm.
5
8 9
5
5
7
5
7
5
5
7
5 7
7
5
5
[F]
5
5 7
mm.
5 7
6
[Am]
5
5 7
© Copyright 2014 Sony/ATV Music Publishing/EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.
5 7
[C]
Ah.
6 7
7
6
8 9
10
Verse
[Am]
1. I’ve known it 2. I’ve nev - er
3. Back
Dis - ap - pear - ing all tell you it was about Dad was - n’t down
[F]
to
0
1
-
to na this
way,
do, do,
wan - na gon - na gon - na
4
ly - ing. quiet. love.
run - a - way gon - na make and go.
3
with you. that move. But
5
Gon - na grab Gon - na grab if things change in
7
a
clothes, clothes, mat - ter
six in the and when it’s I could
of
days
[F]
mor mor be
0
1
7 5
2
4
7
3
1
4
5
7
[C]
run - a - way, run a - way, take my things
5
5
3
7
[F]
I know what I want This is what I’m gon don’t wann - na live
[C]
7 5
nine. light. up.
I don’t want to know where he’s been but I was raised to keep at - tack, in - tends to show
7
I
1
night, time, that plan
with
3
5
5
I My
[Am]
the
5
to
Dad - dy wakes up to a drink at cold as stone in the kit - chen back as I packed my clothes
5
[Am]
[C]
7
Gtrs. tacet
[Am]
time, cry, cap turned
for a long seen my dad and a flat
- pack
Bass arr. for gtr.
[F]
ning ning per - sua - ded
[C]
to
go. go. hold
3
on.
3
4
Pre-chorus
Dm
Gtr. 2
Am
w/tight percussive feel
How (3.) Our
Gtr. 1
P.M.
6 7 7 5
don’t
us
5 5 7
5 5 7
are
5 5 7
back, a - way
I
5 5 5 3
-
5 5 5 3
this one of these
-
guess
P.M. 5 5 5 3
eve days
I
ning. might just
-
P.M.
sim.
P.M.
3 4 5
3 4 5
3 4 5
Dm
Dad, just that.
G
Well, knows
3 4 5 5 3
in’? that God
5 5 5 3
C
but
leave saints
G
P.M.
Am
P.M.
Oh,
6 7 7 5
Dm
it could that.
show
6 7 7 5
6 7 7 5
5 5 7
5 5 7
5 5 7
5 5 7
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
3 4 5
3 4 5
3 4 5
6 7 7 5
Am
C
to take a bit of time, Put my home in a suit - case, tie both
6 7 7 5
you none of
but
P.M.
5 5 7 7 5
ex - pect me I don’t wan - na run
6 7 7 5
6 7 7 5
long Ma - ma was the same,
P.M.
6 7 7 5
C
6 7 7 5
6 7 7 5
5 5 7
5 5 7
5 5 7
5 5 7
5 5 5 3
G
E7
5 5 5 3
5 5 5 3
5 5 5 3
3 4 5
3
3 4 5
3 4 5
E7(#9)
heal this. It’s been a long shoe - la - ces and hope that
3 4 5
3 4 5
3 4 5
day, thumb on side of the things change but for now I’ll leave town with a
7 0
7 6 7 0
5 7 6 7 0
5 7 6 7 0
5 7 6 7 0
5
7
road
back
-
way.
pack
Chorus
But on my shoul - der.
I
love him from the
9
9
5
skins
7
5
7
5
5
to
bones.
my
5
9
Gtr. 2
[Am]
cont. in stave
5 7
5
7
5
5 7
w/percussive feel
5
[C]
Ah.
6 7 7 5
7
5
5 5 5 3
6 6 6 6 5 5 5 5 5 5 7 7 7 7 5
5
7
5
X
don’t wan - na
5
in his home.
5 7
5 7
7
X
5
7
5
5 5 7
X
8 5 7
8 5 7
[C]
Ah.
5 5
5
[F]
8
live
5
[Am]
But I
6 5 7
5
[F]
7
There’s no-thing
8 5 7
to
6
7
7
6
8 9
5 7
5
7 5
5
7
5
7
5
7
5 5
X
5 5
4
5 5 X 7
8 8 8 5 5 5 X 7 7 7
6 5 7
6 6 6 6 5 5 5 5 5 5 7 7 7 7 5
5
7
5
7 5
[Am]
say, ’cause he
knows.
5 5
[C]
Ah.
5 7
[F]
5
1, 2.
5
7
6 7 7 5
7
I’ll just
5 5 5 3
8
run a - way
and be
7
X
5 5
5 5 X 7
8 8 8 5 5 5 X 7 7 7
6 5 7
6 6 6 6 5 5 5 5 5 5 7 7 7 7 5
5
7 5
my own.
Oh,
5
7 5
on
5
5 7
7
5
5
7
5 5
5
[Am]
7 5
5 5
7
X
5 5
X
5 7
5 5 7
8 8 8 5 5 5 X 7 7 7
3. [F]
[Am]
mm.
6
7
6
8 9
10
6 5 7
[Am]
6 6 6 6 5 5 5 5 5 5 7 7 7 7 7
5 5 5 5 5 5 5 5 7 7 7 7
way
and be
5 5 7
7
on
5 5
5
7
X
5 5
5
Oh,
5 5
my own.
5 5 X 7
N.C.
mm.
5 7
8 5 X 7
8 8 5 5 7 7
Shirtsleeves Words & Music by Ed Sheeran
q = 107
Verse
1. I can taste salt
11
mp
I’ll
6
7
5
7
hold you And I hate to love
you,
3
10
5
I’ll ne - ver trust you
and a - gain,
so we’ll And I’ll
6
and you’ll think of him these cuts are co -vered in your make -up,
[G]
pret - ty
soon
you’ll be float - ing you can just be
a - way. a friend.
7
4
4
7
3
3
11
[A]
4
[Bm]
[D]
in the o - ceans you made. the o - ceans you made.
we’ll be sink -ing in, and if I blink a - gain on my lips, from your kiss, bit - ter - ness.
w/clean mellow tone
[G]
[Bm]
10
learn to swim drown with-in
[A]
wa - ter wa - ter Gtr. 1 (elec.)
[D]
© Copyright 2014 Sony/ATV Music Publishing Limited All Rights Reserved. International Copyright Secured.
And I’ll hold on - to
the
[A]
[D]
words
you
spoke
of,
an -chored down
in
your
of
the
4
5
10
7
3
[G]
boat
now
6
4
5
3
- ted
arm
band
shirt
sleeve
won’t
dry,
I’ll
wipe
11
6
7
4
10
5
7
3
tears
mf
to car - ry
[G]
sal
one
When
3
me home.
[Bm]
with just
[D]
Gtr. 1
my
un - der your
Fig. 1
And I’m cap - tain
7
[A]
throat, love.
11
Chorus
[G]
6
sink - ing
[Bm]
eyes.
Gtr. 2 (elec.)
mf
w/clean tone/muted + e. delay (670 ms) Fig. 2
5
7
9
7 7
7
9
7
5
7
9
7 7
7
9
6
7 7
2
9
7 9
6 9
0
5
0
7
0
5
0
7
0
[D]
[Bm]
3
These hearts will be
flood-ed to - night,
my
shirt
sleeve
7
4
10
5
7
3
7
9
7
7
9
7
7
9
7
5
7 7
9
7
7
9
9
11
6
7
10
5
7
your eyes,
6
your eyes,
your
0
5
0
7
0
0
5
7
0
[G]
your eyes,
9
your eyes,
[Bm]
eyes,
6
7 7
un - der your
6
1. [D]
wipe
11
5
I’ll
[G]
eyes.
2. I still taste salt
7
5
7
9
7
7
9
7
7
5
7
9
7
7
9
6
7
9
7
7 9
6
0
9
5
0
7
0
2. [D/G]
[D/A]
your
eyes,
your mouth,
pp
your lips,
w/P.M.
[D/B]
your thighs,
your
back.
You drive
me wild
to -
4 0
4 2
Gtr. 2 w/Fig. 2 sim.
4
4
4
4
4
4
4
4
3
3
3
3
3
3
3
3
4 0
4 0
4 0
3
4 0
4 0
4 0
4 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
[D]
[D/G]
- night,
4 5
[D]
the fact
4 5
4 5
4 5
is
4 5
I’m,
4 5
4 5
4 5
I’m on the way
home,
4
4
4
4
4
4
4
4
3
3
3
3
3
3
3
3
[D/A]
I’m on the way
4 5
4 5
lied,
4 5
I
4 5
4 5
tried
4 5
to
4 0
4 2
4 0
4 0
4 5
4 5
cry
but
I’m,
4 0
4 0
4
4
4
4
4
4
4
3
3
3
3
3
3
3
3
4 0
4 0
4 2
4 2
4 2
4 2
4 2
4 2
drown -ing in
the o
4 0
4 0
4 0
4 0
-
ceans you made. Gtr. 3 (elec.)
f
3 2 4 0
w/reverb
10
Gtr. 4 (elec.)
f
w/reverb
full
9
Solo
[D]
[Bm]
[G]
10
7
8
Gtr. 1 plays Fig. 1
7
Gtr. 2 plays Fig. 2
full
10
10
full
10
7
7
9
4
4 2
I’m
4 0
[D/A]
4
I
home.
[D/G]
[D/B]
4
11
[D]
[Bm]
10
7
5
w/bar
[G]
[A]
3
2
w/bar
11
12
11
11
9
5 6
7
3 4
2
Outro Chorus
[D]
[Bm]
sal
- ted
dry,
I’ll
wipe
11
6
7
4
10
5
7
3
Gtr. 3 tacet
Gtr. 2
Gtr. 4 tacet
sleeve
won’t
tears
shirt
Gtr. 1
[G]
When
5
7
9
7 7
7
9
7
5
7
9
7 7
7
9
my
7
un - der your
eyes.
6
7
5
9
7 9
6 9
0
5
0
7
0
5
0
7
0
[D]
[Bm]
3
11
6
7
4
10
5
7
3
7
[D]
7
9
7
9
7
flood-ed to - night,
7
5
7
7
9
7
9
7
un - der your
7
9
9
6
9
0
0
5
[Bm]
11
6
7
4
10
5
7
3
your eyes,
your eyes,
your eyes,
0
5
0
7
[G]
your
7
eyes
5
7
9
7 7
7
9
7
5
7
9
7 7
9
7
6
7 7
6
eyes,
6
7 7
your eyes,
sleeve
wipe
5
shirt
I’ll
my
These hearts will be
[G]
9
7 9
6 9
0
5
0
7
0
0
Sing Words & Music by Pharrell Williams & Ed Sheeran A‹
Am*
D‹7 5fr
D‹ 5fr
To match original recording, tune all guitars down a semitone Intro
q = 120 Am Gtrs. 1+2
(steel str. acous.)
Verse
Am*
Gtr. 3 (elec.)
ning,
glass on the
2
5
3
5
5
5
Dm7
with
5
2
3
5
down
wish
5
5
5
we
3
5
5
5
5
5
5
5
3
5
5
5
5
5
5
3
don’t
5
© Copyright 2014 Sony/ATV Music Publishing Limited/EMI Music Publishing Limited Sony/ATV Music Publishing Limited/EMI Music Publishing Limited All Rights Reserved. International Copyright Secured.
3
so
3
may - be
5
wan - na
2
the night.
5
of
I
2
Am*
would dis - ap - pear
eve-
3
in the
they
5
1. It’s late
now.
5
for most
5
ev - ’ry - bo - dy here,
5
3
3
you
5
been sat
5
2
I’ve
5
5
side,
Ig - nor - ing
we could get
5
5
2
2
w/slight crunch
Gtr. 4 (elec.)
mf
w/clean tone + chorus + panning fx Gtrs. 1+2 tacet
-
2
5
5
know
5
of the
pro -
5
5
Dm7
la
-
dy,
and to
5
3
5 5
for
the
5
2
3
5
2
3
bo - dy
5
5
long
-
5
5
to
be
5
5
mine,
5
5
5
5
3
5
la
-
dy.
5
5 5
time,
take a - no - ther step in - to the no
5
est
2
close,
5
3
5
man’s land,
your
I want you
5
5
hold
5
3
gram,
2 5
if you’re get - ting a - head
5
3
5
I
Chorus
$ [Am]
need
Gtr. 1
7 7
you
dar
-
ling,
come
on
set
the
tone,
if
you
5 5 7 7 5
5 5 7 7 5
X X X X X
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
5 5 7 7 5
X X X X X
X X X X X
X X X X X
5 5 5 5 5
X X X X X
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
5 5 7 7 5
X X X X X
X X X X X
X X X X X
w/percussive feel Gtrs. 3+4 tacet 5 5 5 5 5
2
7 7
5 5 7 7 5
5 5 7 7 5
feel
5 5 5 5 5
7 7
[Dm7]
5 5 7 7 5
6 7
6 5 7 5
5 5 5 5
6 7
6 5 7 5
[Am]
5 5 5 5 5
7 7
5 5 7 7 5
-
ing,
won’t
you
5 5 7 7 5
X X X X X
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
5 5 7 7 5
X X X X X
X X X X X
X X X X X
let
me
know.
5 5 5 5 5
X X X X X
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
7 7
5 5 7 7 5
5 5 7 7 5
Oh,
X X X X X
5 5 7 7 5
5 5 7 7 5
X X X X X
X X X X X
X X X X X
Oh,
6 5 7 5
X X X X
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
X X X X
X X X X
X X X X
5 5 5 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
X X X X
X X X X
X X X X
6 7
6 5 7 5
6 5 7 5
X X X X
6 5 7 5
X X X X
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
6 5 7 5
X X X X
X X X X
X X X X
5 5 5 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
6 5 7 5
X X X X
X X X X
X X X X
fall
you
If
ooh.
ooh.
5 5 5 5
you’re
5 5 7 7 5
X X X X X
love
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
me,
come
on
X X X X X
5 5 7 7 5
5 5 7 7 5
X X X X X
7
6 5 7 5
6
X X X X X
X X X X X
3
6 5 7 5
get
in
X X X X
-
volved,
5 5 5 5 5
X X X X X
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
7 7
5 5 7 7 5
5 5 7 7 5
feel
it
5 5 7 7 5
X X X X X
X X X X X
X X X X X
rush
-
ing
5 5 5 5 5
5 5 7 7 5
7 7
[Dm7]
through
you
from
your
head
to
toe.
5 5 7 7 5
X X X X X
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
5 5 7 7 5
X X X X X
X X X X X
X X X X X
5 5 5 5 5
X X X X X
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
X X X X X
5 5 7 7 5
5 5 7 7 5
X X X X X
X X X X X
X X X X X
7 7
5 5 7 7 5
5 5 7 7 5
6
6 5 7 5
7
6 7
6 5 7 5
Am*
Gtrs. 1+3
6 5 7 5
X X X X
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
X X X X
X X X X
X X X X
5 5 5 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
X X X X
X X X X
X X X X
ooh.
5 5 5 5
6 7
6 5 7 5
6 5 7 5
X X X X
Sing!
6 5 7 5
X X X X
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
6 5 7 5
X X X X
X X X X
X X X X
5 5 5 5
X X X X
6 5 7 5
X X X X
6 5 7 5
X X X X
6 5 7 5
6 5 7 5
X X X X
X X X X
X X X X
Oh,
6 7
6 5 7 5
6 5 7 5
oh.
X X X X
Oh,
Vocal Fig. 1
Gtr. 4
Oh,
5 5 5 5
Oh,
ooh.
2
5
3
2
2
5
5
5
5
5
5
4
3
5
5
3
2
5
5
5
Verse
5
5
2
3
5
2
3
Am*
I
2
saw
5
5
5
flames from the side of the
5
3
2
2
5
3
2
stage
5
5
5
5
5
5
5
5
5
2. This love
is
a
-
blaze,
a
cou - ple of
5
5
5
3
days.
Un - til
and may - be some - thing to
smoke.
5
3
5
5
3
comes in
drink
5
but some - thing to
3
bri - gade
5
5
5
fire
and noth - ing to know
5
and the
5
5
vocal Fig. 1 ends
5
5
then we’ve got noth - ing to say
Sing!
oh.
5
5
5
5
To Coda Ø
oh.
5
3
Oh,
5
Oh,
Lou - der!
5
oh.
Dm7
Dm7
Let
5
it
5
2
3
5
5
5
2
2
3
5
name
5
3
2
2
al - read - y know that she’s
5
5
3
2
to
5
5
keep - er
5
5
just
from this
one
small
5
lo - cal
3
5
rave.
No,
and hope and pray.
3
5
I
ya.” then she hand - ed me a bot - tle of wat - er filled with te - qui - la.
5
a
5
5
5
fi - gure it out
Love” in
5
5
5
5
just
meet
but I can
a
say
5
I
Found
“We
5
sing - ing
and said “It’s nice
what I’m sup - posed to
changed,
told her my
are
Am*
un - til
our roads
go
I don’t real - ly know
5
6
5
5
3
5
5
act
of
kind - ness.
5
3
5
5
I’m
in
Dm7
an - y - bo - dy finds
out,
deep
if
2
5
5
5
3
5
so - ber - ing up
5
we just sit on the
couch,
2
3
5
5
5
I’m
meant
to drive
5
one
5
5
5
-
en
Can you
5
5
ev
5
5
but I’ve drunk all
of
3
5
5
5
D.S. al Coda
it now. Not
3
5
mouth.
Am
oh.
I
Gtrs. 1+2
Dm7
led to an - oth - er now she’s kiss - ing my
Ø Coda
thing
home
5
wan - na
dance.
3
5
feel
it?
All
the
guys
in
here
don’t
Gtrs. 3+4 tacet
Can
you
feel
7
it?
All
that
I
can
hear
is
Dm
sim.
mus - ic from the back.
un
-
Can you
feel
til
the
beat
kicks
in
a
-
it? Found you hid - ing here so
won’t you take my
gain.
hand,
Can
you
dar - ling.
feel
Gtr. 4
w/damped percussive feel
13
Am
it?
13
13
12
12
12
Ooh,
ah.
13 14 14
13 14 14
13 14 14
X X X
13 14 14
13
12 12 12
12 12 12
13 14 14
13 14 14
13 14 14
13 14 14
12 12 12
12 12 12
13 14 14
12 12 12
13 14 14
12 12 12
13 14 14
12 12 12
13 14 14
X X X
X X X
X X X
X X X
X X X
13 14 14
13 14 14
13 14 14
12 12 12
13 14 14
12 12 12
13 14 14
12 12 12
8
Can
13 14 14
12 12 12
13 14 14
12 12 12
13 14 14
X X X
you
X X X
X X X
feel
X X X
10 10 10
10 10 10
Dm
no,
no,
10 10 10
10 10 10
10 10 10
10 10 10
it?
10 10 10
8 8 9
8 8 9
10 10 10
10 10 10
8 8 9
8 8 9
Oh,
10 10 10
8 8 9
10 10 10
8 8 9
10 10 10
X X X
X X X
X X X
X X X
X X X
X X X
10 10 10
10 10 10
10 10 10
10 10 10
8 8 9
no,
10 10 10
8 8 9
10 10 10
8 8 9
10 10 10
8 8 9
8 8 9
10 10 10
no,
no,
8 8 9
10 10 10
no.
Sing!
10 10 10
X X X
X X X
X X X
I
X X X
X X X
X X X
Outro Chorus
Am* Gtrs. 1-3
need
2
you
dar
5
3
2
feel
-
ling,
come
2
you’re
5
5
fall
-
ing,
5
3
2
won’t
5
5
on
set
w/Vocal Fig. 1
you
let
5
5
3
5
5
know.
5
3
5
if
you
Oh,
5
tone,
me
5
9
5
the
5
Dm7
2
5
3
5
5
5
-
ing
rush
5
5
5
Sing!
If
you from
5
5
5
5
on
5
toe.
to
5
5
5
5
Oh,
3
5
5
5
3
feel
it
ooh.
5
Dm7
3
5
5
5
2
ooh.
5
3
5
2
3
5
10
5
5
5
5
5
5
3
5
5
Sing!
Vocal Fig. 1 tacet
5
in - volved,
5
5
get
5
5
5
2
5
head
me, come
your
love
3
5
5
2
5
3
3
5
5
you
Oh,
5
5
2
through
ooh.
5
*Am
5
2
5
3
3
5
2
oh,
ooh,
Take It Back Words & Music by Ed Sheeran & John McDaid
q = 112
Verse
5 X 5 3
1. I’m not a rapper. I’m a singer with a flow. I’ve got a habit for spitting quicker lyrics, you know.
Gtr. 1 (steel str. acous.)
mf
[Dm7]
w/fingers + muted percussive feel
3
5
5
8 6 5 7 5
3
5
3
5
5
8 6 5 7 5
[C]
3
5
5
sim.
1
1
3 X 3 1
* ghosted/percussive 0
3
1
3
You’ll find me ripping the written out of the pages they sit in. I never want to get bitten ’cause plagiarism is hidden. *
8 6 5 7 5
[C#dim]
8 6 5 7 5
5
[Bb]
1
3 X 3 1
3
3
3
5 X 5 3
3
5
3
4
5 3 5 4
3
5
8 6 5 7 5
3
[Dm7]
5
8 6 5 7 5
5
8 6 5 7 5
5
8 6 5 7 5
Watch how I sit on the rhythm, prisoner with a vision. Signed to a label, but didn’t listen to any criticism.
5
6
5
5
3
5
6
5
© Copyright 2014 Polar Patrol Music Limited Sony/ATV Music Publishing Limited/Kobalt Music Publishing Limited All Rights Reserved. International Copyright Secured.
5
[Bb]
1
3 X 3 1
0
5
8 6 5 7 5
1
3 X 3 1
5
8 6 5 7 5
3
5 X 5 3
5 X 5 3
5 X 5 3
5
8 6 5 7 5
3
5
3
5
4
4
3
5
8 6 5 7 5
3
6
5
5
3
5
6
[C]
5
5
[C#dim]
I do my own thing now and get respect after, and I’m avoiding the ’caine like it was Get Carter.
1
3 X 3 1
0
1
[Dm7]
5
8 6 5 7 5
3
1
3 X 3 1
5
8 6 5 7 5
3
3
3
5 X 5 3
5
8 6 5 7 5
3
5
3
4
3
5
8 6 5 7 5
3
5
6 5
5
3
5
2
6
5
5 3 5 4
For four years I never had a place to stay, but it’s safe to say that it kept me grounded like a paperweight.
3 5 3
And now it’s onto the next saga, we drink the best lager. I’ll never try to win you over like your stepfather.
1
3
1
[Bb]
[Dm7]
[C#dim]
Thought you knew but you didn’t, so perk your ears up and listen. Studio is a system and you could say that I’m driven.
1
[C]
5
[Bb]
[C#dim]
At sixteen years old, yeah, I moved out of my home. I was Macy Gray, I tried to say goodbye and I choked,
1
3 X 3 1
1
0
1
3
[Dm7]
[C]
3 X 3 1
1
3
3
5 X 5 3
3
5
3
3
5 3 5 4
4
3
and went from sleeping at a subway station to sleeping with a movie star and adding to the population.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
[Bb]
[C]
[C#dim]
Not my imagination, I don’t wanna relax. Would it hurt your reputation if I put it on wax?
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
5 3
5 3
I
take
it
back
now...
5 3 5 4
5 3 5 4
open out…
5 3
5 3 5 4
5 3 5 4
5 3
Chorus
[Dm7]
come on and
8 6 5 7 5
Mm,
5
5
8 6 5 7 5
6 5
5 5
3
5
5
it back,
take
8 6 5 7 5
6 5
3
[Bb]
5 5
love,
8 6 5 7 5
7
come
3 X 3 1
3 X 3 1
X X X X
X
X
1
3 X 3 1
3
[C]
[C#dim]
on and take it
5 X 5 3
5 X 5 3
5 X 5 3
back
5
3
3
4
[Dm7]
for
us.
3 3
5
[Bb]
3 1
3 1
X X X X
X
X
[Dm7]
6
5
5
5
[C]
5
8 6 5 7 5
fade in - to the back, love, 8 6 5 7 5
3
5
8 6 5 7 5
5
6
5
8 6 5 7 5
5
5
5
5
6
1
3 X 3 1
3
3
5
8 6 5 7 5
5
5
[Bb]
3
5
3
5
8 6 5 7 5
3
4
4
6
5
8 6 5 7 5
3
5
5
1
1
3 X 3 1
0
1
3
1
3 X 3 1
3
3
4
3
4
[C#dim]
I make a beat with my feet by just hitting the loop, bringing the lyrics to prove that I can fit in these shoes.
3 5 3
5 X 5 3
[C]
3
[C#dim]
rhythm and blues, with my rap pack I’ll be singing the news, tryin’ to act like Jack Black when I bring it to school.
8 6 5 7 5
2. I take it back with the
Don’t you
no.
Verse
5 3 5 4
3
5 X 5 3
3
5
3
3 5 3
4
4
3
[Dm7]
5
8 6 5 7 5
6
5
5
5
8 6 5 7 5
3
5
6
5
8 6 5 7 5
3
[C]
5
5
[C#dim]
3 X 3 1
1
0
3
1
3 X 3 1
1
5
8 6 5 7 5
5 X 5 3
3 X 3 1
3
5
8 6 5 7 5
5 X 5 4
5
5
8 6 5 7 5
6
5
5
[Bb]
3
5
4
X
3
5
8 6 5 7 5
3
10
6
5
5
[C]
I tattooed the lyrics onto my arm. Whispering: “Everything that happens is from now on.”
5
[Dm7]
5
8 6 5 7 5
take aim like Beckham when he goes to shoot, but then again that’s what they’re supposed to do. And I’m supposed to be calm,
1
I give you the truth through the vocal booth. And stars burst out on the scene like an opal fruit. They try to
[Bb]
[C#dim]
I’ll be ready to start again by the end of the song. Still they’re claiming that I handled it wrong. But then I’ve never had
1
1
3 X 3 1
0
1
3
1
3 X 3 1
3
5
3
3
5 X 5 3
3 5 3
3
4
4
4
3
[Dm7]
an enemy, except the N.M.E. But I’ll be selling twice as many copies as the magazines will ever be.
w/P.M.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
[Bb]
[C]
[C#dim]
With all these spectacles ahead of me, and festival fees are healthier than a Dalmatian on Pedigree.
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5 3
5 4
5 4
5 4
5 4
[Dm7]
Singing for the masses, rubber dinghy rapids, I keep this rapping a habit and keep on fashioning magic.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
[Bb]
[C]
[C#dim]
I’m battling for respect, I don’t know if I have it. This song from the heart covers the planet.
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
6
5 X 5 3
X X X X
5 X 5 4
10
I’ll
take
it
X
3
Chorus
[Dm7]
5
8 6 5 7 5
back
now.
5
6
3
3
3 1
3 1
3 X 3 1
5
us.
5
0
3
5
5
1
1
3 X 3 1
1
8 6 5 7 5
5
3
1
[Bb]
5
8 6 5 7 5
[Dm7]
5
no.
0
1
3
1
come
on
and
take
Mm,
[Bb]
3
5
8 6 5 7 5
5
come
it
[C#dim]
on
and
take
it
back
for
Don’t
you
fade
in
to
the
8 6 5 7 5
3
5
[C]
3 X 3 1
3
3
7
5
3
5
8 6 5 7 5
5 X 5 3
[C]
5 X 5 3
love,
5
5 X 5 3
back,
6
3 X 3 1
-
5
8 6 5 7 5
3
3
5 X 5 3
5 3 5 4
4
3 3
back,
love,
6
5
8 6 5 7 5
3
5
5
[C#dim]
3
7
5
I
take
3
5
3
4
it
back
now.
5 3 5 4
3
Verse
[Dm7]
1
X X
5
X
3
5
X X
5
[C]
X X
1
[Dm7]
X
[C#dim]
And I accept the fact that someone’s got to win worst-dressed, taken my first steps into the scene, giving me focus.
[Bb]
Now, I don’t ever want to be perfect, ’cause I’m a singer that you never want to see shirtless.
5
X X
3
X X
4
10
X
Putting on a brave face, like Timothy Dalton, considering a name change, thinking it was hopeless.
5
X X
5
[Bb]
X
3
5
X X
5
[C]
X
[C#dim]
Rhyming over recordings, avoiding tradition, ’cause every days a lyrics and the melody could be written.
1
X X
1
X X
3
8
X X
4
10
X
[Dm7]
X X
5
X
3
5
X X
5
[C]
X X
X
[C#dim]
1
X X
[Dm7]
And I’ll say it again: living life on the edge with a close handful of friends, it’s good advice from the man
1
[Bb]
Now absence can make your heart ache but drinking absinthe can change your mind-state, vividly, need to let my liver be.
5
3
X X
3
4
4
4
that took his life on the road with me. And I hope to see him blowing up globally ’cause that’s how its supposed to be,
5
X X
5
X
[Bb]
3
5
X X
5
X
[C]
[C#dim]
I’m screaming out vocally, it might seem totally impossible, achieving life’s dreams.
1
X X
1
X X
3
9
3
[Dm7]
5
8 6 5 7 5
6
5
5
3
5
8 6 5 7 5
5
1
6
5
8 6 5 7 5
3
5
5
[C]
3 X 3 1
1
0
3
1
[Dm7]
[C#dim]
1
3 X 3 1
3
3
3
5 X 5 3
5
3
5
8 6 5 7 5
3
5 3 5 4
3
5
8 6 5 7 5
3
4
5
8 6 5 7 5
5
8 6 5 7 5
having a pint of McDaid, discussing records we made and every single second knowing that we’ll never betray the way we were raised,
5
6
5
5
[Bb]
3
5
[C]
3 1
8
6
5
5
[C#dim]
5 X 5 3
3 X 3 1
5 X 5 4
10
remembering our background. Sat down, that’s how we plan it out, it’s time to take it back now.
Madison Square Garden is where I might be, but more likely you find me in the back room of a dive bar with my mates
[Bb]
5
8 6 5 7 5
But, but I just write schemes, I’m never having a stylist giving me tight jeans.
5
3
5 X 5 4
3
Outro Chorus
[Dm7]
come on and take it back,
8 6 5 7 5
Mm,
5
8 6 5 7 5
5
[C]
6 5
5
on
and
take
it
5 X 5 3
5 X 5 3
5
5 X 5 3
3
5
2. [C]
back
for
us.
5
5 3 5 4
5
5
5 X 5 4
5
0
3
1
3 X 3 1
1
3
Don’t
you
6
5
8 6 5 7 5
5
5
1. [C]
3
[C#dim]
8 6 5 7 5
5 3 5 4
3
1
1
3 X 3 1
0
3
1
1
3 X 3 1
3
3
3
5 X 5 3
5
3
[Dm]
5 6 7 7 5
5 6 7 7 5
11
3
Mm.
1
5
rit.
1
3 X 3 1
no.
[C#dim]
3
love,
5
7
8 6 5 7 5
3
[Bb]
come
5 X 5 3
4
8 6 5 7 5
5
[Dm7]
3
5
5
love,
5
the back, 6
5
6
fade in - to
8 6 5 7 5
5
[C#dim]
3
8 6 5 7 5
[Bb]
4
3
Tenerife Sea Words & Music by Ed Sheeran, John McDaid & Foy Vance
Gtr. 1 6=E 3=E 5=A 2=B 4=D 1=E Capo fret 4 Intro
q. = 60 [Ab5]*
[/Bb]
[Db5]
Gtr. 1 (steel str. acous.)
mf
3
w/fingers
2 0
0
0
2
2
2
0
0
2
0
2
0
2
0
0
2
2
0
2
0
0
2
2
*Chord names reflect overall harmony
[Ab5]
[/Bb]
[Db5]
[Ab5]
[/Bb]
[Db5]
3
2 0
0
2
0 2
0
2
0 2
0
2
[Fm]
2
0
2
[/Eb]
0
3
0 2 0 2
2
0
0 2
2 0
2
0
0 2
2
0
0 2
0
2
2
0
2
0 2 0
0
2
2
0
[Dbsus2]
0 2
pp
4
2
0
0 2
2
2
0
0 2
0
2
0
0 2
2
2
0
mf
0 2
2
2
© Copyright 2014 Polar Patrol Music Limited. Sony/ATV Music Publishing/Kobalt Music Publishing Limited/Copyright Control. All Rights Reserved. International Copyright Secured.
0
0 2
2
2
0
0 2
Verse
[Ab5]
[/Bb]
0
2
2
2
0
[/Bb]
2
2
0
0
on the side out the blue
2
2
0
[Ab5]
2
2
0
2
0
2
0 2
0
2
[Fm]
neck, eyes
0
2
is
2 2
0
that. me.
0 2
0
0
2
2
2
0
0
0 2
0
2
2
2
0
0 2
2
4
[Ab5]
2
[Dbsus2]
0
And
0 2
and peo - ple lies that talk fade out when you take here, they just
0
0
2
2
[/Bb]
0
[/Eb]
down your shoul - ders and back. Ten - er - ife Sea.
the
We are sur- round- ed by all of these all of the voi - ces sur - round - ing us
[Db5]
2
0
0
[Db5]
0
of your in your
0
[/Bb]
2
2
0 2
0
[/Bb]
like I love your hair your sil - hou- ette o - ver
[Db5]
0
0
2
0
it falls it brings
0
2
The way The way
0
[Ab5]
in your dress, in this light,
0
1. You look so won - der - ful 2. You look so beau - ti - ful
[Ab5]
[Db5]
2
0
2
0
0 2
2 2
0
0 2
[Db5]
too much. a breath.
2 0
2
0
0 2
2 2
0
0 2
0
2
0
2
0
2
2
0
2
0 2
2 0
2
0
0 2
2 2
0
0 2
0
2
0
2
0
0 2 2
2
0
0 2
[Ab5]
[/Bb]
[Db5]
of look You got the kind in your eyes Just say the word and now we’ll dis - ap - pear
as if
no
[Fm]
[/Eb]
[Dbsus2]
one in - to
knows an - y - thing but us. the wil der - ness.
2 0
0
0
2
2
[Dbsus2]
0
this
[Ab5]
be
2
0
0
2
2
2
2
0
0
0
the last thing
I
0
2
all that
you
0 2 2
2
0
0
[Eb]
2
4
[Dbsus2]
see,
I
0 2
2
are
is
0
2
2
2
2
0
0 2
2
2
want you
to know
that
0
0
2
2
0
[Ab5]
it’s
2
0
0
2
[Eb] (2º) G bass
not for me.
’Cause
0
0
0
0 2
2
2
0
0
2
[Ab5]
all
2
0
that I’ll
0 2
2
0
ev - er need.
0 2
0
2
2
0
3
0
0 2
2
2
0
0 2
2
0
0 2
2
0
0
2
0
[Dbsus2]
Should
2
2
Pre-chorus
0
0
2
So
in
0 2
pp
0 2
[Eb]
2
0
0 2
4
0
4
0
0 4
2
0
2
0
Chorus
[Ab5]
[/Bb]
[Db5]
so
in
[Ab5]
[/Bb]
[Db5]
so
in
love.
2 0
3
mf
love,
2
0
0 2
0
0
2
2
2
0
2
0
2
0
0 2 0 2
0
0
2
3
2
2 0
2
0
0 2
0
0
2
2
2
0
2
0
2
0
0 2 0 2
2
0
0 2
1. [Ab5]
[/Bb]
[Db5]
so
in
[Ab5]
[/Bb]
[Db5]
love,
love.
3
2 0
2
0
0 2
2
0
0
2
0
2
0
2
2
0
0 2 0 2
0
0
2
2
2 0
2
0
0 2
2
0
0 2
0
2
0
2
2
0
2
2
0
0 2
Bridge
2. [Ab5]
[/Bb]
love.
Lu
-
p
[/Bb]
[Db5]
[Fm]
[Dbsus2]
2 0
2
0
0 2
2
0
2
0
-
2
2
0
2
0 4
2
0
0 2
[Fm]
in’.
4
2
0
0
2
0
0 2
2
-
2
[Dbsus2]
Lu
0 2
mi - ère,
0
0 2
o -
ver
2
0
0
2
[Eb5]
darl
0 2
2
[Ab5]
0
mi - ère,
0
0 2
2
2
0
0 2
2
4
0
0 4
4
4
0
4
0 4
4
2
0
0 2
4
2
0
0 2
0
2
0
0 2
2
2
0
0 2
[Eb5]
[Fm]
[Dbsus2]
me.
Lu
pp
2
4
0
4
0
0 4
2
-
0
0 4
4
4
0
0 4
4
2
0
0 2
[Fm]
in’.
4
2
0
Lu
0 2
0
0
0 2
2
2
[Dbsus2]
-
2
mi - ère,
0
0 2
o -
ver
2
0
0 2
2
2
0
0 2
2
0
[Eb5]
4
[Eb5]
darl
4
[Ab5]
mi - ère,
mp
0 4
-
4
0
0 4
4
4
0
0 4
4
2
0
0 2
[Fm]
me.
4
2
0
Lu
0 2
0
0
0 2
2
[Dbsus2]
-
2
2
0
0 2
mi - ère,
mf
2
4
0
0 4
4
darl
4
2
4
0
0 4
4
[Eb5]
-
4
0
0 4
4
2
0
0 2
[Fm]
in’.
4
2
0
Lu
0 2
0
0 2
2
2
[Dbsus2]
-
2
0
mi - ère,
0
0 2
o -
ver
2
0
0
[Ab5]
4
0
0
0 2
2
2
0
0 2
2
4
0
0 4
4
4
0
5
0 4
4
2
0
0 2
4
2
0
0 2
0
2
0
0 2
2
2
0
0 2
[Eb5]
[Dbsus2]
me.
p
2
0
0 4
4
0
0
4
4
4
2
0
0
4
4
0
4
Should this
4
[Ab5]
0
be
the last
0 0 2 0
4
[Ab5]
[Ebsus4]
0 0 2
0 0 4 2
0 0 2 0
want you to know it’s e - nough for me.
Chorus
0 0 2 0
[Ab5]
[/Bb]
[Db5]
love.
2
[Ab5]
in
see,
I
0 0 4 2
is all that I’ll ev - er need.
0
so
[Ebsus4]
0 0 2
thing I
0
[Ab5]
’Cause all that you are
0
[Dbsus2]
0 0 2
[Dbsus2]
[Ebsus4]
So
in
pp
4
0
0
4
4
0
4
[/Bb]
[Db5]
0
4 2
love,
0
0 4 2
so
in
3 3 mf
2
2 0
0
0 2
2
0
0 2
2
0
0
2
0
0 2 0 2
2
0
2
0 2
2
2 0
0
0 2
2
0
0 2
2
0
0
2
0
0 2 0 2
Gtrs. 2+3 (acous.) (normal tuning; no capo)
2
let ring…
mf
13
13 13
13
13
12
11 13
12
11
10
9 11
10
9
10
13
6
13 13
13
13
12
11 13
12
11
10
9 11
10
9
10
2
0
0 2
[Ab5]
[/Bb]
[Db5]
so
in
[Ab5]
[/Bb]
[Db5]
love,
love.
3
0
2
2 0
0 2
0
2
0 2
0
2
0
2
0 2 0
0
2
2
2
0
0
2
2 0
13
13
13
12
11 13
11
12
10
9 11
9
10
0 2
0
2
0 2
0
2
10
13
13
13
13
13
12
11
9 12 10 10 13 11
13
0
13
2
pp
Outro
[Ab5]
You look
so
2
[/Bb]
2
0
0
like
2 2
0
2
0
2
0
2
2
0
2
2
2
And in
the mo - ment I
0 2
2
0
2
2 2
0
0
[Db5]
knew
0
0
[/Bb]
0
0
7
dress,
0
[Ab5]
0 2
your
0
0
in
that.
0 2
2
[Db5]
0
0
2
I love your hair
2
2
0
[Ab5]
0
0
Gtrs. 2+3 tacet
[Db5]
won - der - ful
[/Bb]
0 2
you, Beth.
0
2
0
The Man Words & Music by Ed Sheeran A
Intro
q = 87 [A] [Bm]
B‹
w/crunch dist.
2
3
0
2
[G]
0
2
3
0
2
2 2
G
[F#m]
Elec. Piano arr. for Gtr. 1
mf
F#m
3
[F#m]
[A] [Bm]
[G]
[F#m]
[G]
[A]
1. Now, I don’t wanna
0
2 2
3
[Bm]
2
3
0
2
[A]
[Bm]
hate you, just wish you’d never gone for the man and waited two weeks at least before you let him take you, I stayed true
(2.) tend to zone out up in my headphones to ‘Holocene.’ You promised your body but I’m away so much, I stay more celibate than in a (Verse 3 see block lyrics)
2 2
[F#m]
0
3
[G]
2
3
0
2
[A]
[Bm]
I kinda knew you liked the dude from private school, he’s waiting for the time to move I knew he had his eyes on you. monastery. I’m not cut out for life on the road, ’cause I didn’t know I’d miss you this much and that the time we’d just go,
2 2
0
2
3
0
2
3
© Copyright 2014 Sony/ATV Music Publishing Limited. All Rights Reserved. International Copyright Secured.
[F#m]
[G]
[A]
[Bm]
He’s not the right guy for you. Don’t hate me ’cause I write the truth. No, I would never lie to you but it was never fine to lose you. so sue me. I guess I’m not the man that you need. Ever since you went to uni I’ve been sofa surfing with a rucksack
0
2
2
3
[F#m]
[G]
2
3
0
2
[A]
[Bm]
2
3
0
2
[A]
[Bm]
And what a way to find out, it never came from my mouth. You never changed your mind but you were just afraid to find out. full of less cash and I guess that could get bad. But when I broke the industry, that’s when I broke your heart.
0
2
2
3
[F#m]
[G]
I won’t be changing the subject, I love it. I’ll make your little secret public, it’s nothing. I’m just disgusted I was supposed to chart and celebrate but good things are over fast. I know it’s hard to deal with and see this: I tend to turn you off
0
2
2
3
[F#m]
[G]
2
3
0
2
[A]
[Bm]
2
3
0
2
with the skeletons you sleep with in your closet to get back at me, trapped and I’m lacking sleep. The fact is and switch on my professional features. Then I turn the music off and all I’m left with is to pick up my personal pieces.
0
2 2
3
2
[F#m]
[G]
[A]
[Bm]
2
3
0
2
[A]
[Bm]
you’re mad at me because I backtrack so casually. You’re practically my family. If we married then I guess you’d have to be. Jesus, I never really want to believe this. Got advice from my dad and he told me that family is all I’ll ever have
0
2 2
3
[F#m]
[G]
But tragically our love just lost the will to live. But I would kill to give it one more shot, I think not. and need. I guess I’m unaware of it: success is nothing if you have no one there left to share it with.
Chorus
0
2 2
[Bm]
you, ba
-
[F#m]
by,
3
[G]
I don’t
need
you, ba
-
by,
let ring…
2
2 4 4 2
2
4 5 5 3
3
5
2
2
2
you,
[F#m]
no,
3
2
2 4 4 2
3
7
7
3
5
3
3
5
2
2
2
3
2 2 2 0
3 4 4 2
[Bm]
I don’t
want
32
2 2 0
4
4
3
3
3
7
3
7
3
3 4 4 2
[Bm]
I don’t
love
5
2
[A]
4 5 5 3
love
[G]
an - y - more.
3
I don’t
5
2
[A]
Gtr. 2 (12 string acous. sample)
5
32
2 2 0
4
4
3 4 4 2
[F#m]
you, ba
-
by,
I don’t
need
you, ba
[G]
by,
-
[A]
I
3
5
2
2
2
2
2
4 5 5 3
2
3
3
7
3
[F#m]
love you, no,
an - y - more.
2
2
2
2
2
2. Recently I 3. Since you left I’ve given
3
5
7
3
3
3
5
3
2
A
4
2
Bm
3
0
3
7
G
4
Gtr. 1
3 4 4 2
cont. in slashes
4 5 5 3
4
2
F#m
A Bm
Gtr. 3 (steel str. acous.)
4
3
[G]
4 5 5 3
F#m
4
5
Outro solo
2 4 4 2
2 2 0
3
[A] [Bm]
32
5
3.
[G]
7
3
1, 2.
don’t want to
5
2 4 4 2
[Bm]
2
4
2
4
4
4
3
G
5
3
3
A Bm
3
4
3
4
2
5
2
3
F#m
2
3
2
3
5
3
3
4
2
G
A Bm
2
7
5
7
7
5
7
5
5
3
2 3 4
3
2
5
4
3
5
3
4
3
2
4
4 7
4
9
7
9
7
5
7
7
5
F#m
2
2
4
2
4
5
G
3 5
3
A
Bm
2
A Bm
G
5 7
F#m
rake 5 7
5 7
5 7
3 5
3 5
2 3
F#m
3
4
4
3
G
3
A Bm
2
fade out
1/4
4
4
2
4
2
4
2
0
2
2
5
5
7
7
9
7
7
5
7
5
9
Verse 3: Since you left I’ve given up my days off It’s what I need to stay strong I know you have a day job but mine is 24/7 I feel like writing a book, I guess I lied in the hook ’Cause I still love you and I need you by my side if I could The irony is if my career and music didn’t exist In six years, yeah, you’d probably be my wife with a kid I’m frightened to think if I depend on cider and drink And lighting a spliff, I fall into a spiral and it’s just hiding my Misguiding thoughts that I’m trying to kill And I’d be writing my will before I’m 27 I’ll die from a thrill, go down in history as just a wasted talent Can I face the challenge or did I make a mistake errasing? It’s only therapy, my thoughts just get ahead of me Eventually I’ll be fine, I know that it was never meant to be Either way I guess I’m not prepared. But I’ll say this: Things happen for a reason and you can’t change Take my apology. I’m sorry for my honesty, but I had to get this off my chest.
5
5 7
3 5
2 3
2
3
5
3
3
Thinking Out Loud Words & Music by Ed Sheeran & Amy Wadge
D5
D/F©
G
A
Verse
q = 80 [D]
[D/F#]
Gtr. 1 (elec.)
[D]
0
0
2 0
1. When your legs don’t work 2. When my hair’s all but gone
mp w/clean tone X X
2 0
like they and my
and and
X X
3
X
[G5]
of sweep you off don’t re - mem - ber
your my
feet. name.
2 2 0
0 0
X X
2
X
3
X
[G5]
Will your mouth still When my hands
re - mem - ber the don’t
taste play
of
my the
love? the same strings
2 0
X X
0 0
X X
2
X
3
X
2 2 0
2 0
X X
2
4
2
2
4
2
[A5] 3
X X
3
[A5]
2 0
[D/F#]
2 2 0
X
2
X X
0 0
I can’t the crowds
used to be - fore me - mo - ry fades
X X
[A5]
2 0
[D/F#]
[D]
0
[G5]
© Copyright 2014 Sony/ATV Music Publishing Limited/BDI Music Limited. All Rights Reserved. International Copyright Secured.
way.
Mm,
2
4
2
[D]
[D/F#]
I
2 0
0
[G5]
0 0 3
[D]
2 0
X X
0 0
X X
2
X
3
X
2 2 0
[G5]
be lov - ing you could ne - ver grow
0 0
2
3
[D]
And ba - by, my And ba - by your
2 2 0
2 0
[D/F#]
[G5]
’til old,
we’re sev - en - ty. it’s ev - er - green.
heart smile’s
could still feel as for - ev - er in
2 0
0 0
2
3
[A5]
And I’m think - in’ ’bout I’m think - in’ ’bout
how how
2 0
0 0
2
3
2 2 0
2 2 0
[G5]
2
0
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2 0
[A5]
And darl - ing, ’Cause, ho - ney,
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from your cheeks? same.
the
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will soul
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X X
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[A5]
Will your eyes still smile know you will still love me
[D]
[G5]
[Em]
[A5]
my
hard mind
at twen - ty - three. and mem - o - ry.
2 2 0
peo - ple peo - ple
fall fall
in in
love love
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0 0 2 2 0
0 0 2 2 0
mys - ter mys - ter -
0 0 2 2 0
[A]
-
3 2 0
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[A]
ev - ’ry same
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the touch all part
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[Bm]
of of
a a
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0 0 2 2 0
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sin - gle day mis - takes
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[Em]
and
2 2 2 0
3
So ho - ney, now That ba - by, now.
0 0 2 0
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[D5]
just it’s
[A]
2 2 2 0
2 2 2 0
2 2 2 0
I just wan - na tell you hop - ing that you’ll un - der
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stand.
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[A9]
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and
love with you mak - ing the
me, I fall in I’ll just keep on
[Em]
ways. ways
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[Em]
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ow
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mf
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2
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2 0
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2
2
[D/F#]
3
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[D/F#]
[D5]
3
[A5]
3
Kiss me
3
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2 2 2 0
2 2 0
3
Take me in - to your lov -ing arms.
4 0
a
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thou - sand
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3
3
[A5]
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stars.
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we
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[D/F#]
right
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0 0 0 X 3
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Solo
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mf
10
10 9
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where
D/F#
full
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[G]
7
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10
9
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9
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where
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7
7 9
0 0 2 2 0
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3
la
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4
10 12
oh,
9
mf
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0
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w/slight crunch
7
9
7 7
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9
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oh.
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f
7
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p
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Gtr. 1 cont. in slashes
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Gtr. 2 (elec.)
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10 11
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[A] [D5]
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2. [Em]
G
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loud.
3
out
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2
[A] [D5]
[A]
7
[G]
D/F#
[D/F#]
3
Place your head on my beat-ing heart.
[Bm]
[D5]
3 3 3
10
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3
la
la
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9
la
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la
full
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la.
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D/F#
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D/F#
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9
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7 8
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[A5]
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3
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[D/F#]
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3
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2
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3
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3
2 2 0
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5
9
cont. in stave
7
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7 8
5 7
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3
in - to
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now
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take
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3
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[D5]
3
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open out
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full
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your lov - ing
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2 2 0
3
un - der
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light
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2 2 0
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2 2 0
[D5]
[D/F#]
thou
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sand
2 0
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[D5]
[G5]
Oh,
darl
3
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in’,
2 0
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2
2
2
2
3
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3
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[G5]
[Em]
[Bm]
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[A]
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we
found
love
2 0
2 0
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2
2
2
2
2
3
3
3
2 2 2 0
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are.
[Bm]
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3 2 0
2
[G]
4
3 2
[A]
2 3 2
[G] [D/F#]
we
found
love
3 4 4 2
2 2 2 0
0 0 0 X 3
[D/F#]
[Em]
[A]
[D5]
right
where
we
are.
0 0 2 2 0
2 2 2 0
3 2 0
we
found
love
mp
3 4 4 2
2 2 2 0
0 0 0 X 3
3 2 0 X 2
6
[Em]
right
3 2 0 X 2
we
And may - be
where
3 2 0
0 0 2 2 0
right
3 2 0 X 2
3 2 0
[A] [D5]
we
are.
2 2 2 0
heart.
[A]
2 2 2 0
[Bm]
3
beat - ing
0 0 2 2 0
my
let ring…
0 0 2 2 0
loud.
on
where
3
[A] [D5]
[A5]
place your head
2 0
2 0
[A5]
I’m think-ing out
2 0
3
[D/F#]
3
stars.
2 0
3
And
3 2 0
2
4
3 2
