from White Snake - Whitesnake
Children of the Night Words and Music by David Coverdale and John Sykes
Intro Moderately fast q = 142 μ
* Gm7 Rhy. Fig. 1
Gtrs. 1 & 2 (dist.)
f
w/ ambient multi-tap delay steady gliss. P.M.
17 17
8 8
C
2
P.M.
3
3 3
C
1
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (7 times)
Fsus4
F
3 3
2 3
1
2
3
C
F
Fsus4
C
F
F
Fsus4
town. roll.
Don’t
Gm7
C
loud and proud. learned.
F
F
run
So for cov
Fsus4
F
C
C
re - ac Let’s see Just come a lit - tle
F
now the boys ’cause you were born
Gm7
turn up the er,
Fsus4
ac - tion, ver
to fool a - round. in my
mood fire
F
F
mu
Gm7
tion, clo - ser,
F
Fsus4
-
sic, I’m gon - na
C
F
uh,
© 1987 WHITESNAKE MUSIC LTD. and WHITESNAKE MUSIC OVERSEAS LTD. All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
are back in to rock and
F
C
Fsus4
I’m in the I feel the
Gm7
It’s time for You’ve got the fe
Gm7
F
read - y, er,
soul.
Gm7
Gm7
1
P.M.
2 3
1
P.M.
2 3
3
1. I’m get - tin’
P.M.
Verse F
Gm7
F
*Chord symbols reflect implied harmony.
Gtrs. 1 & 2: w/ Rhy. Fig. 1
5 5 5
5 5 5
Fsus4
Play 5 times End Rhy. Fig. 1
3 3
3
F
show
make it you what I’ve
Fsus4
F
let the spot - light hit the come on and get your fin -gers
1
Gm7
C
crowd. burned.
P.M.
3 3
F
End Rhy. Fig. 2
P.M.
5 5 5
5 5 5
3 3
Fsus4
Rhy. Fig. 2 Gtrs. 1 & 2
F
P.M.
2 3
P.M.
2 3
3 3
2 3
6
3
3
3
Pre-Chorus Eb
1
Don’t
you
feel
in
hide
what
F
1
1
1
-
side,
don’t
let
6
P.M.
6
Dm
an
-
y
-
8
8
10
y
stand
in
your
bod
-
10
10 10
8
Eb
Gtr. 1
P.M.
3
3
3
3
3
5
7
5
5
5
5
6
P.M.
5
2
3
12
10
11
11
10
10
10
10
10
10
way.
P.M.
5
Gtr. 2
10
10
3
5
3
6
6
6
P.M. 6
5
3
6
3
6
6
Just
let
the
Gtrs. 1&2
8 8 6
8
10
8
Bb5
high
-
10
8
mu
G5
10
take
you
10 10
10
10
12
12
F5
5
8
Eb5
er.
P.M.
10
12
sic
10
10
10 10
Gtr. 1
10
-
F
F
10
10
10
10
10
10
10
10
7
7
7
7
7
7
5
5
5
5
5
5
3
8
5
6
5
8
6
Gtr. 2
P.M.
8
8
8
8
8
Fsus4
8
7
7
7
7
7
F
7
5
5
5
Fsus4
5
5
F
5
8
8
8
8
8
Now
are
you
8
3
6
5
read
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
17
6
5
8
y
to
-
steady gliss.
6
To Coda 1
rock,
P.M.
steady gliss.
3
3
P.M.
10 8
10 8
10 8
10 7
10 7
10 7
10 8
10 8
10 7 18
3
3
3
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
C
F
Fsus4
chil
F
C
-
dren
of
Gm7
the
F
chil
-
dren
of
F
Fsus4
night?
To Coda 2
Fsus4
C
the
F
Are you read - y
to
roll,
D.S. al Coda 1
Gm7
C
F
Gm7
F
Gm7
Fsus4
F
night?
2. You got the pow -
Coda 1
Bridge Gm7
Gtrs. 1&2
C
Rhy. Fig. 3
P.M.
P.M.
3
3
3
3
3
3
3
3
3 3 3
P.M. 3
4
3
3
3
3 3 3
P.M. 3
3
3
3
P.M.
3 3 3 3
3
3
3
0
3
3
you read - y
P.M.
3 3 3
3
3
0
to
P.M.
5 5 5
F
Are
P.M.
3
3
3 3 3
3
Gm7
P.M.
3 3 3
3 3 3
3 3 3
3
Gm7
roll?
End Rhy. Fig. 3
P.M.
2 3 3
3
P.M.
3 3 3
3
3
3
3
P.M.
3 3 3
3
3
3
3
P.M.
3 3 3 3
3
C
Gm7
F
Are
you read - y
8va
Gtr. 3 (dist.)
G5
F#5
Harm. w/ bar
to
Gtrs. 1 & 2
P.M.
P.M.
P.M.
3
3
G5
F#5
3
3
3
3
G5
P.M.
3
3
3
3
3
E5
3
B F *Harmonic located 2/3 the distance between the 2nd & 3rd frets.
P.M.
3 3 3
3 3 3
3 3 3 3
3
P.M.
3
G5
0
(2.66)
0
P.M.
2 3 3
3
2
2
1
1
E5
-1 1/2 Pitch: D
6
12
12
12
** T
T
T
T
T
T
T
T
T
T
T
T
T
T
16 14 12 16 14 12 16 14 12 17 14 12 17 14 12 17 14 12 17 14 12 18 14 12 18 14 12 18 14 12 18 14 12 19 14 12 19 14 12 19 14 12
(2.66)
(2.66)
loco
w/ bar
P.M.
8va
3 3 3 3
3
Guitar Solo E5
5 5 5
3 3 3 3
rock?
grad. dive
2.66
-3 F
*
Pitch: B
f
4
F5
**Tap using edge of pick. -4 A
Rhy. Fig. 4
P.M.
0
0
0
0
P.M.
7 5 5
6 4 4
7 5 5
0
0
0
0
0
0
P.M.
7 5 5
5
G5
F#5
G5
E5
12
3 T
T
8va
3
19 14 12
A5
T
T
12 T
T
T
12
T
T
T
T
T
T
T
17 15 12 17 15 12 17 15 12 18 15 12 18 15 12 19 15 12 19 15 12 19 15 12 20 15 12 20 15 12 20 15 12 20 15 12 20 15 12 12
P.M.
6 4 4
7 5 5
7 5 5
0
E5
P.H. w/ bar
9 7 7
0
G5
7
F#5
G5
E5
G5
E5
loco
12
T
T
12
T
T
T
T
12
T
T
T
T
T
T
20 15 12 20 15 12 20 15 12 19 15 12 19 15 12 19 15 12 17 15 12 17 15 12 17 15 12 17 15 12 17 15 12 17 15 12 0
P.M.
0
6
0
0
0
P.M.
7 5 5
6 4 4
7 5 5
0
0
0
0
0
P.M.
7 5 5
0
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 3/4 times)
G5
F#5
G5
E5
A5
G5
E5
G5 F#5 G5
Harm.
w/ bar +1
4
4
E5
loco
8va
slack
P.M.
6 4 4
7 5 5
7 5 5
G5 F#5 G5
0
E5
10 9 7 7
0
7
A5
Gtr. 3
Harm.
w/ bar +1
C#
(3.2)
Harm.
0 0
3.2
End Rhy. Fig. 4
E5
G5 F#5 G5
8va
8 7 5 5
10 9 7 7
7
B
8va
-2 1/2 -1 1/2 -6 D B *Set for quarter-note regeneration w/ 1 repeat.
-5 1/2 Pitch: C
E5
*w/ delay
0 -1
G5
(2.3)
2.3
E5
G5
E5
loco
w/ bar
(2.3)
0 -1/2
-1 1/2
-2 1/2
slack
-4 C#
Pitch: E
G5 F#5 G5
E5
15ma
G
B
A5
G5
34
19
27
22
E5
loco
** 27
E
G5 F#5 G5
E5
G5
E5
delay off P.M.
29 5
9
9
9
9
9
11
11
9
9
12
9
9
9
11
11
10
10
**Use fret-hand thumbnail to produce pitches above upper limit of fretboard at the indicated hypothetical fret locations.
7
G5 F#5 G5
E5
A5
E5
G5 F#5 G5
E5
G5
E5
P.M.
11
11
10
10
G5 F#5 G5
12
12
E5
10
14
10
10
10
12
10
A5
3
12
12
G5
loco 8va
3
6
12
12
12
12
12
E5
14
12
12
12
G5 F#5 G5
16
12
12
E5
12
G5
14
12
12
12
E5
8va
loco
6
6
6
6
6
*w/ delay
12 14 16
13 14 16
13 15 17
14 15 19 15 14
17 13
16 14 12
16 14 13
14 16 17
14 16 18
15 17 19
15 17 19
20 17 15
19 17 15
18 16 14
17 16 14
*As before
G5 F#5 G5
E5
A5
E5
G5 F#5 G5
E5
19
8va
loco
6
16 17 19
6
16 18 20
17 19 20
6
3
17 19 20 22 20 19 17
20 19 17
19 17 16
19 17 16
E5
16
G5
16
17
Half-time feel
A5
G5
8va
Gtr. 3
19
17
20
1
22
F[b9]
D
G
E
***w/ bar 2 hold bend
**
1 1/2
22 22
22
**B-string sounds from E-string bend.
-1
***Hold bend while simultaneously depressing bar.
Gtrs. 1 & 2
P.M.
7 5 5
8
9 7 7
7 5 5
P.M.
2 1 1
2 2
0
0
2 3
2
0 4
2
2
2
2
Gtr. 3 tacet
A5
F#
B5
C5
8va
w/ bar
22 22
-3 1/2
P.M.
0
2
2 3
2 1
3
4
3
4
4
2
2
4 X 2
5 3
End half-time feel
Now are
Gtrs. 1 & 2
fdbk.
5
5
3
3
you read - y
to
rock,
steady gliss. P.M.
0 0 18
13
3
3
Pitch: E
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
C
F
Fsus4
chil
F
-
dren
of
the
Gm7
C
Gm7
night?
F
Fsus4
Are you read - y
F
to
roll,
9
F
C
Fsus4
F
chil
-
dren
of
Gm7
C
F
Gm7
the
Fsus4
F
night?
3. I’m
get - tin’
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
Gm7
C
Fsus4
read - y,
I’m
F
Fsus4
F
It’s time
the
Gm7
for
ac
mood
C
in
F
fool a
-
C
round.
F
-
to
Gm7
F
Fsus4
tion
’cause now
F
the
boys
are back
in
Coda 2 D.S.S. al Coda 2 Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gm7
Fsus4
F
Gm7
C
F
Gtrs. 1 & 2: w/ Rhy. Fig. 1
C
town.
F
Fsus4
night?
F
Are you read - y
to
rock,
Bridge Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 1/4 times)
C
chil
you
read - y
to
-
dren
of
the
night?
Gm7
C
roll,
chil
F
Gm7
Are
you
Gm7
read - y
to
rock,
rock,
-
dren
of
the
night?
10
Are
Gm7
F
Gm7
rock?
C
Gm7
F
Are you read - y
C
chil
Gtrs. 1 & 2
P.M.
P.M.
So
let
the
mu
just
F
P.M.
Bb5
P.M.
3
3
3
3
-
3
3
F5
sic
P.M.
3
3
take
3
3
3
3
0
3
G5
you
high
P.M.
3 3 3
3 3 3
3 3 3
3 3 3
roll,
0
F
-
P.M.
8 6
8
10
8 8
X X X
8 8 6
0
2 3 3
μ
1
1
1
1
1
1
3
3
6
6
er.
P.M.
3 3 1
0
P.M.
8va
Gtr. 1
P.M.
3
night?
3
Outro
Eb
the
5 5 5
3
3
dren of
3 3 3 3
-
to
Gm7
Gm7
P.H.
loco
w/ bar
3
1
3
X X -2 1/2
8va
Gtr. 2
P.M.
8 6
8
10
8 8
X X X
8 8 6
0
0
P.M.
3 3 1
1
1
1
1
1
1
3
3
1
P.H.
loco
w/ bar
3
X X
3 -2 1/2
11
from Whitesnake - Whitesnake
Crying in the Rain Words and Music by David Coverdale Verse Moderately slow q. = 86 * C5
G
E5
1. A black cat
f
moans
Rhy. Fig. 1
Gtrs. 1 & 2 (dist.)
when he’s
burn
C5
-
in’ with
a
G
μ
fev - er.
End Rhy. Fig. 1
steady gliss.
10 8
9 9 7
9 9 7
10 7
10 8
10 7
*Chord symbols reflect implied harmony.
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
E5
μ
A
stray
dog
howls
E5
A
E5
wom - an
But
Gtrs. 1 & 2
7 0
goes
P.M.
0
0
a man
-
8 9 9 0
0
zy
D
starts weep
P.M.
cra
-
ing
P.M.
7 7 7 0
0
lone
with
the
thoughts
of
Em
when he’s
0
-
sick
and
P.M.
0
ly
in
the
night.
tired
of
Em
0
© 1982 C.C. SONGS LTD. All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
G
tion.
G5
P.M.
8 9 9 0
-
B5
C5
life.
P.M.
7 7 7
ret - ri - bu
P.M.
8 9 9
7 7 7
D
G
when he’s
μ
C5
0
steady gliss.
P.M.
9
9 0
15
1
Interlude E5
P.M.
0
0
7 7 7 5
0
P.M.
0
0
0
0
Gtr. 4 (dist.) divisi
5 5 5 3
0
Em
P.M.
7 7 7 5
0
C
10 11
8 9
7 7
8 9
7 7
steady gliss.
8 9
0
D
1 1
7 7 7 5
8 9 9 7
8 9 9 7
0 0 0 0
5 5 5 3
X X X X
7 7 7 5
5
5
9
9
9
9
P.M.
0
8 9 9 7
8 9 9 7
7 7 7 5
0 0 0 0
7 7 7 5
X X X X
5 5 5 3
7 7 7 5
D
3
5
A
4
5
11 X 9
4
7 9
12 10
11 X 9
9 X 7
7 X 5
9
7 X 5
7
C
7 X 5
5 X 3
4 X 2
G
mf
5 7
Riff A
0
2
mf
4 5
Gtrs. 1&2
0
Em Gtr. 3 (dist.)
D
P.M.
0
P.M.
8 9 9 7
Gtr. 2
C
P.M.
0
D
Gtr. 1
P.M.
E5
Em
P.M. P.M. P.M. 0
2
2
3
0
5
5
2
P.M. P.M. 1/4
2
3
End Riff A
4
D
4
2
3
3 3
2
3
0
2
3
Gtrs. 1 & 2: w/ Riff A
Em
D
A
C
G
Gtr. 3
5
Gtr. 4
fdbk.
7
7
Verse Gtrs. 1 & 2: w/ Riff A (3 times)
Em
2. I
Gtr. 3
keep
A
on
dream - in’
dreams
of
C
G
Gtrs. 3 & 4 tacet
D
to - mor - row.
Gtr. 4 divisi
5 7
Em
D
Feel
I’m
wast - in’
my
Em
time
Al - ways
tak - in’
my chanc
light - in’
D
-
es
C
can
-
dles
in
the
wind.
A
on
the
prom
-
G
C
ise
of
the
fu - ture.
A
G
3
Riff B
P.M.
0
0
Pre-Chorus A5
P.M.
2
G5
5
0
A5
The
2 0
Em
2
0
0
G5
is
2
3
3
rain
2
4
2
3
0
5
5
3
3
A5
2
in’ in
my
2 0
2
3 0 0 X 3
4
8va
P.M.
2
Harm. let ring
5
5
let ring
G
0
3
P.M.
2 0
3
2
2
3
3
2
2
C
0
0
3
3
D
2
4
End Riff C
P.M. P.M. 1/4 P.M.
3
4
A
P.M. loco
7 7 3
Pitch: D
2
D
no one
0
3
1/4
A
2
heart.
3 3
3
oo,
No one un - der - stands the heart - ache;
2
5
4
G5
P.M. 2
End Riff B
shin - in’,
5
-
tap - es - try.
P.M. P.M. P.M. 1/4 1/4
3
ly
sun
2
P.M.
D
Riff C
but it’s
5
-
P.M. 2 0
3
P.M.
lone
1/4
2
3
weaves a
Gtrs. 1&2
full of sor - row
Em
But a heart
C
A
D
Em
3
2 2 0
P.M.
0
P.M.
2 3 2 4
0
3
A
3 3
2
0
3
0
steady gliss. feels
the pain.
2 2 2
0
15
2
C5
No one ev - er
P.M.
5 3
2
5 3
5 3
2
Chorus E5
D
sees
2
5 3
5 3
2
2
5 3
7 5
4
D
9
7
P.M.
0
0
0
7 7 7 5
8 9 9 7
X X X X
5 5 5 3
7 7 7 5
12
E5
D
Em
C
D
0
0
0
8 9 9 7
7 7 7 5
X X X X
the
steady gliss.
X X X 17
in
the
0 0
7
7
cry
-
ing
9
9
7
ing
in
the
19
Cry
in
rain.
ing
8 7 9
8 7 9
7 7 7
When you’re
-
rain.
when you’re cry
C
G
the tears
Em
D
-
*A.H.
5 5 5 3
7
7 7 7 5
5
steady gliss.
7 7
17 17
*Execute trill with fret hand as indicated. Place pick-hand palm over strings close to bridge and gradually slide toward neck to produce random artificial harmonics.
Interlude Gtrs. 1 & 2: w/ Riff A
Em
D
A
C
G
rain.
5
D
A
8va
Gtrs. 1&2
P.M.
0
2
0
3
P.H.
5
0
C
G End Riff D
8va
loco
P.M.
2
3
loco
P.H.
P.M.
4
Pitch: A
G#
D
A
2
3
3
Riff D
Em
1/4
2
1/4
0
3
2
3
Verse Gtrs. 1 & 2: w/ Riff A
Em
3. I
can
nev - er
μ
8va
0
P.M.
P.M.
0
2
0
P.M.
0
2
P.M.
3
sweet
things
0
I
keep
com - ing
back
for
tast
1 1/2
2
5
5
5
P.H.
-
ed.
G
more,
1
more,
I’ve
0
Gtr. 1
the
P.H.
8va
all
2
3
C
mis - treat - ed
Gtr. 2
Though I’ve been
de - ny
Em
G
C
more!
loco
steady gliss.
20
loco
grad. release steady gliss. 1
2
2
17
Gtr. 1: w/ Riff D Gtr. 2: w/ Riff A
Em
I
6
know where I’m
D
go
-
in’;
A
there’s no
hope
for
C
ab - so - lu
-
G
tion.
Gtr. 2: w/ Riff B
D
I
can’t seem
to
sep - a - rate
the
P.M.
P.M.
0
2
0
3
good times
P.H.
P.M.
2
4
3
Pitch: A
Pre-Chorus A5
G5
Gtrs. 1 & 2
The sun
is
1/4
2 0
3
2
Em
It’s
still
rain
Riff E
0
P.M.
shin
-
2
4
0
2
0
3
0
2
3
0
Pitch: A
P.M.
P.M.
2
0
3
0
3
0
3
0
2 0
1/4
0 0
3
oo,
ba
-
by.
5
7
7
7
7
7
5
C
in’ in my
in
5
7
7
5
5
D
heart,
P.M.
A 2
5
A5
in’,
-
P.H.
1/4
3
3
8va
my
bad.
P.M. 2
G5
D
loco
the
4
P.M.
2 0
G#
A5
from
Em
8va
loco
5
0
8va
Gtr. 1
C
heart.
End Riff E
8va
loco
P.M.
2
3
P.H.
loco
P.M.
4
2
3
A
Em
P.M.
P.M.
1/4
3 3
2
3
0
0
2
G#
7
G5
No one un - der - stands
5 5
7 5
7
P.M.
2 2 0
7
C5
B
P.M.
5 3
2
5 3
2
Chorus E5
G
D
the
0
0
E5
2 3 2 4
0
P.M.
0
8
the
2 2 2
2
2
C
7 7 7 5
8 9 9 7
D
Em
5 3
7 7 5
4
D
X X X X
5 5 5 3
7 7 7 5
C
7
When
you’re
D
0
3
2
0
0
7 7 7 5
8 9 9 7
X X X X
5 5 5 3
7 7 7 5
7 7 7 5
7
-
9
0
17
ing
in
the
7
3
the
cry
5
in
steady gliss. 0
ing
7 7 7
8 7 9
7 7 7
9
-
7
When you’re cry
19
D
when you’re cry
5 3
5 3
G
tears
2
steady gliss.
0
rain.
pain.
D
Em
P.M.
0
feels
P.M.
rain.
D
No one ev - er sees
15
Pitch: D
5 3
no one
loco
5
A
let ring
Harm. let ring
3 3 0 0 X 3
D
the heart - ache;
8va
A
5
-
7
ing
7
9
7
5
5
in
the
9
7
E5
D
Em
C
D
rain.
When you’re
Gtr. 1
P.M.
0
0
0
P.M.
0
0
7 7 7 5
8 9 9 7
7 7 7 5
8 9 9 7
X X X X
5 5 5 3
7 7 7 5
X X X X
5 5 5 3
7 7 7 5
cry
-
ing
in
the
P.M.
Gtr. 2
7
7
7
7
4
4
2
2
5
5
4
4
2
2
5
5
4
4
2
2
5
5
3
D
7
4
4
5
5
3
3
2
2
5
5
Em
4
4
2
C
rain.
No,
5
5
3
3
2
2
0
D
f
15
Gtrs. 1 & 2
P.M.
0
0
no,
Gtr. 5 (dist.)
2
7
E5
3
P.M.
0
0
0
7 7 7 5
8 9 9 7
X X X X
5 5 5 3
7 7 7 5
12
9
no!
15 12
15
12 15 12
15
12 15 12
15
12 15 12
15
12 15 12
15
12 15 12
14
11 14 11
14
11 14 11
14
11 14 11
14
11 14 11
14
7 7 7 5
13 10
13
10 13 10
13
10 13 10
13
10 13 10
13
10 13 10
13
10 13 10
12
9 12 9
12
9 12 9
11
8 11 8
steady gliss.
7 7 7 5 10
10
19
11 14 11
14
11 14 11
13
10
Guitar Solo E5
1 15
12
1
12
15
12
12
12
14
15
17
1
12 15
8va
1
2 2 0
D5
8va
3
17
3
3
3
3
15 17 15 17 15 15 17 15 17 15 14 15 14 15 14 15 14 15 14 12 14 12 14 12 14 12 13 12 13
17 17
2 2 0
loco
3
3
3
3
3
3
3
3
15 17 15 17 15 17 15 14 13 15 13 15 13 15 13 15 13 12 13 12 13 12 13 12
3
3
16 16 16 14 16 14 14 16 14 16
14 12
11 12
2 2 0
11
Gtrs. 1 & 2 tacet
A5
Gtr. 5
3
3
3
3
3
3
3
3
3
14 11 12 14 11 12 14 11 12 14 11 12 14 11 12 14 11 12 14 12 14 16 12 14 16 12 14 16 12 14 16 12 14 16 12 14 16
12 13
8va
3
3
3
3
5
15 12 13 15 12 13 15 12 13 15
17 13 15 17 13 15 17 15 13 16 17
3
12 14 15 12 14 15 12 14 15 12 14 14 15 17 14 15 17 14 15 17 15 17 19
C 8va
3
3
3
3
3
3 1 1/2
15
8va
1 1/2 19 19
17
15
17
15
19
15
17
15
15
17
1 1/2
15
1 1/2
19 19
19
1 1/2
19 19
19 19
15
17
20
17
1 1/2 19 19
1 1/2
19
19
D
1 1/2
1 1/2
19 19
19 19
1 1/2 19 19
E5 8va
19 19
19 20 19 20 19 20 19 20 19 19 20 19 19 20 19 19 20 19 20 19 19 17 19 17 19 17 19 17 19 17
3
3
3
3
3
3
1 1/2 19 19
12
G5
8va
3
3
3
17 17 20 17 20 17 20
17
3
17 15 15 17 15 17 15
19
3
3
3
19 15 15 19 15 19 15 19 15 14 15 14 15 14 15 15 17 14 15 20
13 15 17
D
8va
3
3
13 15 17
3
13 15 17
13 15 17 19
3
3 13 15 17
13 15 17
13 15 17
13 15 17
12 13 15 17
13 15 17
8va
3
3
3
12 13 15 17
13 15 17
13 13 15 17
13 15 17
3
3 1 1/2
15
17
19
15
17
A 8va
19
15
17
15
14
15
17
19
15
15
17
19
1/2 14
19
14
12
19
15
17
19
19
17
15
19
17
1 1/2
14
15
15
14
3
12
17
19
17
15 17 15 14
12
C
"
1/2
12
14
14
B5
8va
1
1
14
14
12
14
12
13
15
12 15
17
19
15
15 15
3
2 15 15
1 17 17
1 17 17
17
15
17
15 17
13
A5
8va
3
19
15
3
17
15
3
17
22
17
20
3
17
20
3
17
19
17
3
20
17
20
3
17
22
17
3
20
17
20
17
3
19
17
20
3
17
3
17
20
22
17
3
19
15
19
15
19
8va
3
15
3
17 15 17
3
15 17 15
3
15 20 15
19 15 19
3
17 15 17 19
15 19 15
3
17 15 17 19
15 17 15
3
19 15 19 15
3
15 12 15 14
3 12 15
12 15
Em
8va
3 12
3
3
15 12 15
12 14 12
12 17
15 12 15
3
12 15
3
12 15 12
3
3
12 14 12
15 12 15
3
15 12 15
3
12 15 12
3
15 12 15
12 17 12
12
15
15
loco
*8va
loco
3
3
3
3
3
3 P.H.
P.H.
3 1/2 1
16
15
16
14
12
14
12
14
12
14
12
14
12
10
14
12
10
T
12
12
10
12
15
12
Pitch: E *Refers to harmonic pitch only.
A5
3 3 T
T
T
T
T
T
T
T
T
10 17 14 17 14 10 15 17 14 17 14 17 15 14 17 15 17 14 17 14 17 14
14
T
T
T
T
T
14 10 14 12 10 14 10 14 10 14 12
10 14 10 14 12 10 14 10 14 10 16 14 12 T
T
T
T
T
Bm
5
5 T
T
T
T
12 16 14 12 16 12 14 16 12 16 12 17 14 12 17 14 17 12 14 17 12 17 14 12 14 16 12 16 14 12 16 14 12 16 12 14 T
14 16 12 16 12 16 14 12 16 12 14 16
T
T
T
T
T
T
T
T
T
T
T
T
T
17 12
C
8va 5
5 T
T
T
T
T
T
T
T
T
5 T
5
T
T
T
T
T
T
T
T
T
T
T
17 12 17 15 12 17 15 17 12 15 17 12 19 15 19 12 15 19 12 19 15 19 12 15 20 12 15 20 15 12 20 15 20 12 15 20 12 19 15 19 12 15 19 12 19 15 12 19 12 15 19
17
D
8va
Gtr. 5
5
T
5
T
T
5
T
5
T
T
T
T
5
T
3
T
T
T
3
T
T
3
T
T
T
T
15 17 12 17 15 12 17 15 12 18 12 15 19 12 15 19 15 12 20 12 15 20 12 20 15 12 22 12 15 22 12 22 15 12 22 15 22 12 15 22 15 22 15 22 12 15 22 15 12
Gtrs. 1 & 2
steady gliss.
9 9
21 21
Interlude Gtr. 5 tacet
E5
D
Em
Gtrs. 1 & 2
7 7 7 5
8 9 9 7
P.M.
0
0
0
C
X X X X
5 5 5 3
D
7 7 7 5
8 9 9
7 7 7
7 7 7
7 7 9
8 9 9
7 7 7
7 7 7
7 7 9
15
E5
Gtr. 1
P.M.
0
0
0
Gtr. 2
P.M.
0
0
0
D
Em
8 9 9 7
X X X X
5 5 5 3
7 7 7 5
7 7 7 5
8 9 9 7
X X X X
5 5 5 3
7 7 7 5
D
Em
5
7 7 7 5
8 9 9 7
E5
D
Em
Gtrs. 1 & 2
P.M.
0
P.M.
0
16
0
0
0
0
C
8 9 9 7
8
8
7
7
7
7
5
5
7
7
4
4
5
5
7
4
7
4
7
7
5
5
4
9
9
9
D
X X X X
5 5 5 3
7 7 7 5
X X X X
5 5 5 3
7 7 7 5
C
D
X X X X
5 5 5 3
9
7
7
7
7
9
9
5
5
7
7
4
4
5
9
9
7
7
5
4
4
7
7
7 7 7 5
8 9 9 7
7 7 7 5
7
9
7
4
7
4
5
5
9
5
P.S.
X X X
4
P.M.
0
P.M.
7 7 7 5
D
P.M.
E5
5
C
XX XX X X
G5
A5
G5
The sun
1/4
2 X 0
2 0
3
2 X 0
5 X 3
4 X 2
4 X 2
but it’s
4 X 2
4 X 2
5 X 3
shin - in’,
P.M.
2 0
is
4
A5
2 X 0
2 X 0
rain
-
Pre-Chorus A5
P.M.
1/4
2 0
2 0
3
7
7
7
7
7
7
5
5
5
5
3
3
Gtrs. 1 & 2: w/ Riffs C & E
Em
A
C
in’
-
G5
in
my
heart.
D
A
A
No one un - der - stands the heart - ache;
Gtrs. 1 & 2
8va
3 0 0 X 3
C5
2
5 3
2
5 3
2 2 2 0
3
P.M.
2 3 2 4
0
feels
the pain.
steady gliss.
2 2 2
0
17
G
No one ev - er see
P.M.
P.M.
7
D
P.M.
3 Pitch: D
5 3
7
5
5
loco
let ring
Harm. let ring
no one
D
D
the
tears.
2
5 3
5 3
2
5 3
4
D
when you’re cry
2
G
-
ing
in
the
steady gliss.
7 5
7
9
7 7 7
8 7 9
7 7 7 20
20
17
Chorus E5
D
Em
C
D
rain.
0
0
8 9 9 7
7 7 7 5
0
E5
X X X X
5 5 5 3
P.M.
0
Em
C
D
X X X X
8 9 9 7
7 7 7 5
5 5 5 3
7 7 7 5
7 7
E5
D
Em
C
10
D
7
10 10
rain.
-
8
8
7
7
9
9
7
7
5
5
3
5
3
-
5
ing
steady gliss.
5 0
P.M.
0
18
0
0
7 7 7 5
8 9 9 7
X X X X
5 5 5 3
19
steady gliss.
7 7 7 5
the
19
ing
Gtr. 1
in
in
the
When you’re cry
Gtr. 2
cry
steady gliss.
P.M.
0
ing
7 7 7 5
When you’re
0
17
D
-
rain.
When you’re cry
P.M.
19
12
3
3
2
2
in
the
E5
D
Em
7 7 7 5
8 9 9 7
rain.
Gtrs. 1 & 2
P.M.
0
0
0
Cry
-
C
D
5 5 5 3
7 7 7 5
ing
in
the
fdbk.
7 7 7 5
7
D
C
D
Outro Em
rain.
Gtr. 3
5
7
5
4
P.M.
8 9
7
7 7
7
8 7
5
7
7
7
7 9
7
7 7
5
3
2
Gtr. 4
9
Gtr. 2 divisi Gtr. 1
7
5
7
5 7
4 5
2 3
4 5
19
Em
Cry
Gtr. 3
-
ing
in
the
rain.
1
0
P.M.
3
2
3 2
4
5
5 7
5
0
0
0
1
0
2
0
2
C5
B5
E5
μ
5
4
2
Gtr. 4
9
Gtr. 1
5
5 3
4 2
5 3
4 2
Gtr. 2
2 0
7 0
20
2 0
from Whitesnake - Slip of the Tongue
Fool for Your Loving Words and Music by Bernie Marsden, Mick Moody and David Coverdale A5
1
Intro Moderately fast q = 126 μ
Am7
** G5
Gtr. 1 (dist.)
*
f
w/ bar
8
*Vol. swell
Gtrs. 2&3 (dist.)
f
P.M.
5 3
5 5
7 5
7 7
5 5
5 5
5
**Chord symbols reflect overall harmony.
C5
μ
D5
Yeah,
8
Am7
5 5
G5
w/ bar
10
10
12
10
w/ bar
10
8
7 7
5 5
5 5
5 5
5 5
7
7 7
5 5
9
P.M.
7 7 5
A5
Mm.
P.M.
5 5
C5
yeah.
G5
5 3
7 5
5 5 5
© 1980, 1981 EMI MUSIC PUBLISHING LTD. and C.C. SONGS LTD. All Rights for EMI MUSIC PUBLISHING LTD. in the United States and Canada Controlled and Administered by COLGEMS-EMI MUSIC INC. and EMI LONGITUDE MUSIC All Rights for C.C. SONGS LTD. Administered by WB MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission
5 3
1
Am7
C5
μ D5
9
P.M.
5 5
7 5
5
7 7
5 5
A5
5
4
5
4
7
7
5 5
5 5
5 5
7 7 5
G5
5 3
7 5
1. I
P.M.
5 5
7 7
5 5
5 5
5
was
born
w/ bar
14
Gtr. 1
14
P.M.
5
C5
4
Am7
w/ bar
3
7
G5
un - der
a
bad
14
-2 1/2
15ma _1
Gtr. 2
Harm.
loco
w/ bar
_1
2.6 5 5
5 5
7 7
grad. release
(2.6)
5 5
0
0
-3 1/2 Pitch: D
-3 1/2
-6
G
15ma _1
Gtr. 3
Harm.
loco
w/ bar
_1
3
5 5
5 5
7 7
grad. release
3
5 5
0
0
-3 1/2 Pitch: B
2
E
-6
-3 1/2
Verse Gtr. 1 tacet
Am7
C5
μ
sign,
5 5
0
5 5
7 7
5 5
the
5 5
Am7
X X
X X
lone
-
ly
man
who knows
G5
5 5
X X X X 5 5
5 3
10
7 5
5 5
Am7
P.M.
5 5
5 5
to lose con - trol.
7 7 5
D5
what it means
5 5
7 5
μ
5 3
I’m a
C5
P.M.
7 7
5 5
cold.
5
G5
in
Am7
P.M.
5
μ
out
P.M.
C5
G5
left
Gtrs. 2 & 3
D5
P.M.
5 5
7 7
5 5
5 5
5 5
5 5
5
7 7
0
5
5 3
7 5
5 5
7 7
5 5
5 5
5
Gtr. 2: w/ Fill 1
C5
A5
G5
But
I
took
Am7
all
C5
the heart
-
5 5
5 5
7 7
5 5
7
Fill 1 Gtr. 2
5 5
P.M.
5 5
0
12
7 7
5 5
7 7
5 5
5 5
5 5
5 5 5
to
shame.
7 7
X X
P.M.
5
G5
and turned it
Gtrs. 2 & 3
12
ache
Gtr. 3
μ D5
X X
5 3
P.S.
X X
12
3
Am7
μ
Now I’m
5 5
C5
7 7
5 5
5 5
5
2
0
5
3
0
5
μ D5
G5
I
ain’t tak - ing
the
7 7
0
5 3
Em7
Don’t come run - ning to me,
7 5
4
P.M.
P.M.
5
5
5
0
5 5
5 5
P.M.
5 3
5 5
7 5
7 7 5
μ
G5
blame.
5
3
on
5 5
5 5
P.M.
5 5
Pre-Chorus Dm7
in’, mov - in’
C5
P.M.
5 5
3
Am7
and
-
6
P.M.
7 5
mov
Am7
G5
6 5 7
5
6 5 7
8 7 9 7
8 7 9 7
5 5
7 5
I
know I’ve done
0
0
5 5
X X
X X
5 5
all
I
3
μ[Am]
P.M.
3
5
can.
0 0 0
5 5
5
P.M.
7 7
A
P.M. 5
3
5
3
5
3
5
3
5
7
5
5 7
hard
lov - ing wom - an like you
Em7
Chorus F5
fool
just makes a hard
P.M.
7 5
5
5
5
8 7 9 7
8 7 9 7
6 5 7
0
0
-
ing
no
3 1
I’m
7
F5
so
I
can
say it
5
5
3
5
3
13 12 10
13 12 10
12
G5
tired
of
try - ing,
a
fool
I
0
7
12
13 12 10
babe.
I’ll be
a
5
7
5
5 7
G5
for
your
Am7
lov - ing
no
more.
3 1
5 3
0
E5
μ
A5
al - ways end
P.M.
13 12 10
3
5
3
5
F5
to you,
P.M.
more,
So
0
man.
3
5 3
0
Am7
lov
μ[Am]
your
lov - ing
0 0
G5
for
P.M.
P.M.
6 5 7
Dm7
up
cry
-
ing.
A
P.M.
0 3 1
5 3
2 0
3
2 0
5
Dm7
fool
for
your lov - ing
no
Em
more.
5
6 5 7
5
Interlude A5
5
be
a
for
your lov
-
2 0
2 0
2 0
2 0
2 0
2 0
3
μ
A5
Gtr. 1
7
7
7
5
6
5
7
5
7
3
1
15
15
hid - ing my feel -
1
13
14
14
P.M.
2 0
1
7
Gtrs. 2 & 3
2
more.
2. I’m tired of
1
no
1/4
A5
ing
12 12 12
μ
fool
P.M.
9 9 7
7
I’ll
P.M.
6 5 7
μ
5
7
3
2 0
7
5
7
5
12
3
2
3
2 0
Verse Am7
C5
-
ings,
μ D5
G5
Am7
you left me lone
-
C5
ly
too
μ
G5
long.
I
w/ bar
fdbk.
9
9
P.M.
P.M.
5 5
2 0
7
7 7
5 5
5 5
5 5
5 5
7 7
5
5
5
P.M.
5 3
5 5
7 5
7 7
5 5
5 5
5 5
5 5
X X X X
5
5 5
7
3
5 3
Gtr. 1 tacet
Am7
gave my heart,
and you
C5
μ
tore
Am7
C5
G5
it a - part.
Oh, ba - by, you done me wrong.
μ
9
P.M.
P.M.
5 5
5 5
P.M. 1/2
7 5
5 5
7 7 5
5 5
5 5
5 5
5 5
7 5
7
7 5
7 5
0
5 5
7 7 5
5 5
5 5
X X X X 5 5
3
5
7
Pre-Chorus Dm7
Em7
Don’t come run - ning to me,
Gtrs. 2 & 3
P.M.
7 5
6 5 7
5
6 5 7
5
8 7 9 7
lov - ing wom - an like you
P.M.
7 5
5
5
5
all
I
0
0
3
P.M.
6 5 7
8 7 9 7
8 7 9 7
2 0
2 0
2 0
lov - ing
A
P.M. P.M.
0
just makes a hard
can.
0 0
P.M.
6 5 7
3
5
3
μ[Am]
man.
5
So
5
hard
know I’ve done
8 7 9 7
Em7
I
μ(Am)
P.M.
P.M.
Dm7
5
I
can
3
3
5
5
5
7
5
7
say
it
to you,
babe.
I’ll be
a
Gtr. 3 divisi *P.M. *P.M. Gtr. 2
2 0
5 3
7 5
5 3
7 5
5 3
7 5
5 3
7 5
3
5 5
7 7
5 5
7 7
5 5
*Refers to both gtrs.
Chorus F5
fool
Gtrs. 2 & 3
3 1
8
G5
Am7
for
your lov
5 3
-
ing
no
more,
0
a
7
13 12 10
13 12 10
12
F5
fool
G5
for
your lov
Am7
-
ing no
more.
3 1
5 3
0
F5
I’m
0
7
Dm7
fool
12
so
tired
of
try - ing,
for
no
5
5
6 5 7
6 5 7
I
al - ways end
up
cry
-
ing.
A
P.M.
2 0
be
a
2 0
2 0
2 0
2 0
2 0
2 0
2 0
7
7
7
5
7
-
ing
5
5
no
more.
steady gliss.
15
μ
I’ll
be
a
1
1
5
3
2
3
7
2 0
7
14
14
7
7
Gtrs. 2 & 3
your lov
12 12
2 0
1
for
A5
2 0
fool
P.M.
9 9 7
3
μ
2 0
P.M.
I’ll
7
5
Gtr. 1
more.
Interlude A5
A5
5 3
P.M.
6 5 7
Em7
6 5 7
3 1
μ
0
your lov - ing
E5
13 12 10
13 12 10
G5
5
7
5
9
fool
for
your
Gtr. 4 (dist.)
A5
lov - ing
no
μ
more,
no
more,
no
more.
A5
f
19
Gtr. 1
14
12
Gtrs. 2 & 3
5
10
1
1
12
14
2
2 0
12
5
7
5
1
14
12
3
14
3
14
14
14
14
14
3
2
3
2 0
Guitar Solo Gtr. 1 tacet
A5
D5
Gtr. 4
C5
P.M. 1/4
1
A5
8va
T
loco
1
1
20
X X
20
17
19
5
7
7
19
19
5
Gtr. 5
19 17
Gtr. 1
Gtr. 5 (dist.) divisi
X X
8 8
8
f
P.S.
P.S.
14
X X
X X
X X
X X
Gtrs. 2 & 3
P.M.
2 2
0
0
P.M.
2 2
0
0
0
P.M.
5 3
7 5
7 5
3
3
2 2
0
3
P.M. 0
2 2
0
P.M. 0
0
Gtr. 5 tacet
μ
Gsus2
G5
Gtr. 4
3
1/2
5
8
5
5 7
7
5
7
1 10
1
8 X
Gtrs. 2 & 3
A5
1
8
10
10
3 2 0
4 2
0
3
3 0 0
0
2 2
0
0
1
8
P.M.
5 X 3
8
10
P.M.
2 2
0
10
0
11
C5
loco D5
8va
A5
3 w/ bar
P.H. 1
15
15
13
14
19
19
G5
8
w/ bar
_ 1 1/2
X
μ
_ 1 1/2
5
19
6
8
5
7
w/ bar
8
0
0
12
0
-1 1/2
P.M.
5 3
3
7 5
7 5
3
P.M.
2 2
0
3
D5
0
P.M.
2 2
0
0
0 -1
5 X 3
0
4 2
0
3 0 0 X 3
E5
Gtr. 4
0
Gtr. 5
17 X 14
15
15 X 12
13
13 X 10
12 X 9
10 7
12 X 9
12
10
Gtrs. 2 & 3
P.M.
7 5
12
5
5
5
P.M.
7 5
5
9 7
9 7
12 X 9
10
10 X 7
8 X 5
10
7
P.M. 2 0
2 0
2 0
0 0
7
9 X 7
9 X 7
μ[Am] Gtr. 4
w/ flanger T
T
12 10 8 7 8 12 10 8 7
T
T
12 10 12 10 8
T
T
7 12 8 6 5 6 12 8 6 5
T
12 7 5 4 5 7 12
T
7 5 4
T
T
T
12 7 12 7 3 5 12
7 5 3
T
7 12 7 12 7
T
3 5 12 7 5 3 7 3
8va
Gtr. 5
19 X 16
9 7
Gtr. 2
Gtr. 3
divisi
*P.M.
5 3
*P.M.
5 3
7 5
7 5
*Refers to both gtrs.
7 5
7
8va
7 5
5 5
3
5 5
7 7
5 5
7 7
15 12
15 X 12
15 X 12
17
17 X 14
P.M.
5
14
12 9
5
P.M.
P.M.
7 5
7
12 X 9
15 X 12
Gtrs. 2 & 3
7 5
5 3
7
E5
19 X 16
5 3
D5 Gtr. 4
Gtr. 5
7 5
5
5
15 12
15 X 12
9 7
9 7
15 X 12
loco
15 X 12
15 X 12
P.M. 2 0
2 0
2 0
14 X 12
14 X 12
16
14
14
12
12 X 10
14 X 12
0 0 12
13
μ[Am]
Gtr. 4
So
I
can
say
it
to you,
6
8va
3 P.H.
10
T
8 10 12 13 12 10 8
8
10
T
13 10 8
10 13T 10
loco
10
10
15
13
babe.
I’ve
been
a
1
8
15
15
flanger off
15
Gtr. 5
15
14 12
Gtr. 2
P.M.
5
P.M.
3
14
5
Gtr. 3
P.M.
5
7
7
5
5
3
5
7
P.M.
3
5
3
5
7
7
5
3
5
7
5
5
5 7
5 7
Chorus Gtrs. 4 & 5 tacet
F5
G5
fool
for
your lov
Gtrs. 2 & 3
ing
no
0
7
13 12 10
13 12 10
12
G5
I’m
so
tired
of
try - ing,
F5
G5
fool
for
0
12
3 1
5 3
0
fool
for
your
13 12 10
lov - ing
no
A5
I
al - ways end
up
μ
3 1
5 3
cry - ing.
A
P.M.
E5
more,
2 0
2 0
3
a
fool
for
your
P.S.
P.M.
μ
lov - ing
no
3
1/4
w/ bar
5
6 5 7
5
6 5 7
6 5 7
0
Dm7
7
more.
P.M.
13 12 10
your lov - ing no
Am7
E5
a
F5
more,
5 3
-
3 1
Am7
6 5 7 5
7
9 9 7
X X
XX
0
3 -6
15
Outro A5
μ
A5
μ
more,
no
P.M.
2 0
7
5
5
3
2
2 0
3
more,
Riff A
A5
5
7
5
3
End Riff A
2
2 0
3
Gtrs. 2 & 3: w/ Riff A (6 times)
μ
no
A5
μ
more.
Fool
A5
for
you lov - ing
no
Riff B
Gtr. 4
1
7
7
End Riff B
1
5
1
5
7
7
7
7
Gtr. 1
7
4
1
5
7
7
1/2
5
4
7
1
2 3
16
more.
3
2
3
Gtr. 4: w/ Riff B (4 times)
Gtr. 1: w/ Riff C (3 times)
μ
A5
Fool
for your lov - ing
no
μ
more.
A5
Fool
for your lov - ing
no
Riff D
Gtr. 5
1
7
7
5
End Riff D
1
5
7
End Riff C
f
1
1/2 7
5
7
3
2
3
3
2
7
Fool
f 1
5
5
A5
for
your lov - ing
12
Riff E
Gtr. 6
5
1/2 7
no
μ
more.
Fool
7
14
14
14
14
4
5
A5
for
your lov - ing
no
more.
1 1 1 14
14
1
Gtr. 6: w/ Riff E
μ
7
3
Gtr. 5: w/ Riff D (2 times)
Gtr. 7 (dist.)
5
5
4
4
1
7
Gtr. 6 (dist.) Riff C
1/2
7
Gtr. 1
1
7
7
7
more.
12
14
Gtr. 8 (dist.)
5 5
5
4
5
14
14
End Riff E
1
12
f 1 15
15
12
1
13 14
14
14
12
14
17
μ
A5
Gtr. 2
Gtr. 6 divisi 1/2 1 1/2 1 *8va
f
Gtr. 9 (dist.)
14 7
14 7
5
19 10
19
Gtr. 7 divisi
14 14
1
15 14
Gtr. 4 divisi 1 Gtr. 5
Gtr. 1
1/2
13 12
7
5
7
10
5 5
rit.
7 7
7
7
3
rit.
3
Gtr. 3
Harm.
7
5
rit.
(Gtr. 2, cont. in slashes)
2 0
14 14
8va
rit.
Gtrs. 2 & 3
no
5
7
for your lov - ing
9 9
1
fool
1 1/2 9 9
(cont. in notation) rit. rit. 3
13 5
17 16
17 16
4
4
3
15 14
1 1/2
12 5
A
7 7
7 7
7 7
15 8
*Refers to both gtrs.
Gtr. 8
Gtrs. 1 & 4-9 tacet
**A5
2 0
5
7
7
loco
rit.
***w/ delay
5 7 5
**See top of first page of song for chord diagram pertaining to rhythm slashes. ***Set for quarter-note regeneration w/ 1 repeat.
18
G5
A5
3
more.
8va
Gtr. 1
Harm.
5 3
3
Pitch: B
A
G
8va
Gtr. 4
5
E
D
Harm.
5 3 Pitch: B
Gtrs. 2 & 3
3
3
7
5
A
5
G
4
5
7
7
12
A
H.H.
5 17 3
7
5 17
3 15
E
2 0
19
from Whitesnake - Whitesnake
Give Me All Your Love Words and Music by David Coverdale and John Sykes A5
E5
B5
F5
D5 5fr
11
Intro Moderately fast q = 136
μ
**A5
Gtr. 3 (dist.)
134
134
3
mf
4 5
5 5
5 5
4 5
F5
5 5
mf
Gtr. 3 tacet
Am9 Am7
A5
*Gtrs. 1 & 2 (dist.)
C5
G5
G#5
5 5
3
3
3
3
1/2
1/2
0
134
__ =
Am9 Am7
1
2 2 0
2 2 0
3
3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 5 5 5 3 3 3
3 3 1
3 3 1
6 6 6 6 6 6 4 4 4
*Composite arrangement **Chord symbols reflect implied harmony.
1.
μ(Am)
Am9 Am7
Am7
Gtrs. 1 & 2
2.
Asus4
3
P.M.
0
0
0
3
5 5
0
0
7 7
5 5
0
3
P.M.
P.M.
5 5
0
7 7
5 5 0
Asus4
P.M.
4 5
μ
3
2
Am7
7 7
1. When
3
P.M.
P.M.
5 5
μ
5 5
0
© 1987 WHITESNAKE MUSIC LTD. and WHITESNAKE MUSIC OVERSEAS LTD. All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
7 7
5 5 0
3
2
1
Verse μ(Am)
Am9 Am7
3
3
I
saw you ba
P.M.
by,
you
took my
breath a - way.
F
3 3
I
knew your name
P.M.
P.M.
0
5 5
4 5
0
5 5
Trou - ble,
3 but my
let ring
0 0 3 3 1
3 1
0
3
*T
4 5
was
0
-
μ
3
first
Am9 Am7 3
1 2
*T = Thumb on 6th string
heart got
Dm
in
1 2
3 4
1 2
3 4
the
C5
3
3
3
Could - n’t
stop
1 2
my - self
6 7
0
3 way.
G5
3
from reach - in’ out,
5 5
6 7
5 5
6 7
7
I
could
5 5 3
X X X
not
G#5
turn
5 5 3
6 6 4
a -
Verse
μ(Am)
Am9 Am7
3
Asus4
Am7
P.M.
0
4 5
5 5
μ
3
P.M.
5 5 0
3
P.M.
7 7
5 5 0
3
2
ev - en hard
3
2
run - ’nin’ ’round in cir rock you in the morn
P.M. T
3 1
-
let ring
0 0 3 3 1
1 2
cles in’
know ev -
P.M. 0
0
like a and roll
1 2
4 5
5 5
I to
0
3
1 2
3 4
dog with - out a bone. you in the night.
3 4
P.M.
0
name, day
your ’ry -
3
3
3
2
0
4 5
I’m I’ll
0
don’t
3
P.M.
4 5
5 5
Am9 Am7
3
F
3
7 7
0
Am7
P.M.
5 5
can’t leave you a - lone. love and treat you right,
P.M.
Am9
μ(Am)
2. I
0
3
way.
μ
I
1 2
Dm
3
know the game your play An - y way you want,
3
6 7
0
5 5
in’,
but
6 7
5 5
- by I’m gon - na
I
2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1
G#5
3
just prove
5 5 3
X X X
7
6 7
3
ba
-
G5
3
C5
μ(Am)
can’t my
let love
5 5 3
6 6 4
Am7
μ
3
Am9
go. for
you.
P.M. 0
slight P.H.
4 5
0
5 5
5
Chorus
So
me
3 3
give
P.H.
5
3
5
3
5
0
3
all
your
love
let ring
P.M. T
0
3
Pitch: D
F
P.M.
1
E
D
3 1
0
love
3
P.M.
4 5
0
3
5 5
0
0
0
0
P.M.
4 5
0
0
3
to - night.
1 2
1 2
P.M. 0
8va
3
P.H. 1
4 5
5 5
5 Pitch: C
give
me
μ
3
3
P.M.
0
4 5
0
3
P.M.
5 5 0
3 4
1 2
I’ll
do
an - y - thing you
3 4
3
Dm
1 2
0
5 D
C
loco
3
2
3
3
5
3
3
6 7
5 5
Gtrs. 1 & 2
6 7
5 5
0
3 D
3 E
D
3 E
3
P.M.
1
4 5 5
just
give
me
P.H. 1
want,
Rhy. Fill 2
Gtrs. 1 & 2
0
Am7
to - night,
Rhy. Fill 1
2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 2
Am9
E
0 0 3 3 1
0
Am7
your
3
3
1
5
Am9
all
1
μ(Am)
0
0
6 7
7
X X X
4 5
5 5
5 5
D
3
G5
all
of
your
5 5 3
6 6 4
P.M.
0
Am9
4 5
3 3
3. I’ll
5 5
work
1
5
5
A5
3
Am9
5
3
5
Am7
0
3
4 5
5 5
4 5
5 5
5 5
-
3
A5
night,
1
3
-
1
Am7
3
to
to Rhy. Fig. 1 Gtr. 3
0
A5
μ
μ
A5
Am9 Am7
to - night.
5 5 3
G#5
lov - in’
2.
1. μ(Am)
C5
night.
End Rhy. Fig. 1
5 5
Gtrs. 1 & 2
1/2
1/2
2 2 0
3
1/2
2 2 0
7 7 5
2 2 0
3
3
Guitar Solo Gtr. 3 tacet
μ
F#m7
A
E
15ma 15ma
Gtr. 2
3
slight P.H. 1 1/2
1
P.H.
1
1
Gtr. 4 (dist.)
5
F G
F
8va
Gtr. 1
slight P.H.
3
3
3
P.H. 1
1
4
1
1
5
1
6
F# G#
P.H.
1 1/2
1
4
4
1
4
4
1
4
4
1
4
4
4
F#
G#
F#
G#
D# F
D# A
**Gtrs. 1 & 2 loco
3
3
P.M.
3
P.M.
2 2
6 2 Eb
B
A
F# G#
Rhy. Fig. 2
4 4
**As before
2
2
3
let ring
let ring
5
2 2
4
3
Pitch: G A B C# Eb F
4
3
Pitch: D E
3
5
f
4 5 3
2
2
7
6
7
6
3
4
5
F#m7
A5 8va
15ma
P.H.
loco
3
3
3
P.H.
4
4
2
P.M.
1
1
8va
3
loco
P.M.
P.H.
4
3
0
5
0
0
0
P.M.
3
2 2
2
2
3
4 4
3
2 2
2
2
3
A
End Rhy. Fig. 2
9 9 9
7 7 7
10 9 7 0
10 9 7 0
3
G
3
loco
1
Pitch: F#
5
5
4
E
14
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 3/4 times)
F#m7
A
E
Gtr. 4
3
5
3
2
5
2
3
3
6
3
3
6
3
3
4
7
4
3
3
7
4
5
8
3
5
8
5
3
6
9
3
6
9
6
F#m7
3
3
3
7 10 7 10 7
8 11 8 11 8
A5
3
3
3
3
3
3
10 13
10
11
14 11
14 11
12
15 12
15 12
13
16
13
P.H.
14
13
19
F#m7
loco
16
19
16
3
19
19
19
17
19
17
19
16 17
3
17
16
14
17
3
1
14
16
14
16
14
1
1/2 1 1/2 1/2
19
19
19
16
14
3 1/2
19
1
17
19
E
3
1
17
17
17
A5
1 1/2
1
14 17
1 1/2
17
3 1
E
19
3
3
16
19
1
A
1
17
14
17
3
5
16
10
1 1/2
6 19
9 12 9 12 9
3
3
8va
16
3
loco
F#m7
5
3
E
8va 1
13
3
16
14
12
14
12
w/ bar
12
0 -1 1/2
5
F#m7
15ma
Harm. w/ bar
A#
slack *Execute vibrato and dive simultaneously.
F# A
8va
loco
Pitch: F
G#
5
4
7
6
5
2
3
3
F#
E5
B5
†T
10
F
5
4
A5
8va
15
7
1 1/2
6
3
P.H.
6
**A5
3
3
loco
4
4
Gtrs. 1&2
3
1 1/2
F#m7
Gtr. 4
P.H.
3
Pitch: D
E
*
+4
3
A
T
T
11
7
T
12
8
13
9
3
3 ††T
19
12
15
10
**See top of first page of song for chord diagrams pertaining to rhythm slashes. †Trill performed by tapping w/ edge of pick. ††Tap w/ edge of pick.
F5
8va
9
T
T
19
8va
15
12
T
19
12
15
T
19
15
12
19
T
15
loco
13
19
T
13
15
19
T
15
13
19
T
15
E5
9
12
19
T
12
15
19
T
15
12
T
19
15
13
T
T
19
1
3
15
1/2
3
15
1
3
1
12
13
15
3
T
T
19
15
13
D5
9
19 15 12 19 12 15 19 15 12
6
9
9
13
15
15
13
15
14
13
(cont. in notation) 8va
3
17
13 11
19
17
C5 Gtr. 4
G5
8va
A5
3
μ
1/2
3
3
3
1
20
20
3
3 1
loco
17
20
17
19
19
19
19
17
18
19
17
5 5 3
18
17
15
17
Gtrs. 1 & 2
19
2 2 0
5 5 3
15
5
Chorus
So
give
me
all
slight P.H.
w/ bar
15
15
3 3
17
17
15
17
15
Gtr. 4 tacet
Am
3
1
5
5
F
3
5
3
5
all
your
love
0
1
3
3
Gtrs. 1 & 2 tacet
3
to - night.
Gtrs. 1 & 2
1
your
love
3
to - night,
-1/2
3
give
me
5
Dm
I’ll do
an - y - thing you want,
3
just give me
C
G
all
of your lov - in’ to - night.
5
7
Am
your
love
me
all
your
love
Dm
3
give
3
to - night.
3
I’ll do
an - y - thing you want,
3
to - night,
give
C
give me
me
G
all
of your lov - in’ to - night.
all
So
F
Verse
Am
μ
μ(Am)
Ow! Gtrs. 1 & 2
4. I
3
1
’bout your walk.
4 5
0
fool
for your lov - in’, babe,
8
5 5
6 7
5 5
6 7
3 1
3 1
C5
0
6 7
shiv - er and
3 1
3 7
X X X
3
P.M.
4 5
I’m 3 3
P.M.
5 5
0
0
3 3
0
3
3
0
I
3
shake
when I
3
P.M.
smile,
0
0
0
0
0
0
P.M. T
3 give me
0 0 3 3 1
hear your ba - by
1 2
1 2
3 4
1 2
talk.
G#5
all
your love
to
I’m a
3 4
1 2
3
μ(Am)
Am9
Am7
5
3
-
1
G5
3
μ
3
3
5 5
3
0
let ring P.M. T
5 5
5
0
I
3
by your
F
3
Dm
5
Am7
P.M.
4 5
3
Am7
3
3
1
5
blind - ed
3
3
cra - zy
am
1
5
3
slight P.H.
Am9
3
Am9
night.
Woo. 8va
5 5 3
5 5 3
6 6 4
3
P.M. 0
0
0
3
P.M.
4 5
0
0
5 5
3
P.M. 0
0
0
5
8va
5
So give
me
1
3
3
5
3
5
0
F
E
your
to - night.
love
3 1
3 1
1 2
1 2
all
of
your lov - in’
3
P.M.
4 5
0
3
P.M. 0
0
μ(Am)
Am9 Am7
all
your
love
P.M.
0
3 4
1 2
5 5
4 5
0
0
4 5
0
5 5
5 5
3
D5
3 4
an - y - thing you
1 2
want,
give
me
So
give
me
7 7 5
G5
3
do
F5
An - y - thing you
3
want
from
me.
3
3
3
3
3 1
5 3
3
3 1
3 1
3
3 1
3 1
3 1
Am9
3
3 1
3 1
3 1
Am7
3
to - night.
P.M.
4 5
0
3 1
3 1
0
5 3
5 5
5 3
5 3
5 3
give
me
all
your
let ring
F
P.M. T
4 5
5 3
P.M.
4 5
3 1
5 5
3 1
5 3
5 3
love
5 3
5 3
5 3
5 3
to - night.
0
P.M.
3
I’ll
3
5 5 3
0
P.M.
5 5 3
Am7
give me
3
0
Am9
to - night,
5 5
0
to - night.
love
G5
C5
0
3
let ring P.M. T 0 0 3 3 1
0
Am7
D
3
3 1
3
D
0
3
all
P.M.
3 E
your
3
1
3
Pitch: D
all
P.H.
Am9
1
5
μ(Am)
loco
3
Outro-Chorus
0 0 3 3 1
1 2
9
3 4
1 2
I’ll
do
an - y - thing you
want,
3
1 2
C5
give
me
all
of
your
3
3 4
1 2
Dm
3
6 7
0
5 5
6 7
5 5
6 7
G5
lov - in’
μ(G#5)
to - night,
P.H.
7
5 5 3
X X X
5 5 3
4 Pitch: F#
Gtr. 3: w/ Rhy. Fig. 1
A5 μ
A5
Am9 Am7
to - night,
P.M.
7 7 5
C
Gtr. 2
17 17 17 15
0
17 17 17 15
3
3
17 17 17 15
17 17 17 15
17 17 17 15
3
17 17 17 15
17 17 17 15
5 5 5 3
10
5 5 5 3
5 5 5 3
2 2 0
5 5 5 3
5 5 5 3
3
5 5 5 3
5 5 5 3
5 5 5 3
17 17 17 15
3
5 5 5 3
5 5 5 3
5 5 5 3
3
2
5 3
17 17 17 15
17 17 17 15
17 17 17 15
5 5 5 3
5 5 5 3
5 5 5 3
3
17 17 17 15
3
3
1/2
3
17 17 17 15
3
Gtr. 1
3
3
17 17 17 15
2 2 0
3
Ha.
1/2
2 2 0
3
17 17 17 15
μ
to - night.
1/2
A5
3
Am9 Am7
A5
5 5 5 3
17 17 17 15
3
17 17 17 15
17 17 17 15
17 17 17 15
3
5 5 5 3
5 5 5 3
5 5 5 3
3
17 17 17 15
17 17 17 15
17 17 17 15
3
5 5 5 3
5 5 5 3
5 5 5 3
3
17 17 17 15
17 17 17 15
17 17 17 15
3
5 5 5 3
μ
5 5 5 3
17 17 17 15
3
5 5 5 3
5 5 5 3
5 5 5 3
2
5
from Whitesnake - Whitesnake
Here I Go Again Words and Music by Bernie Marsden and David Coverdale G
D 10fr
1333
Intro Moderate Rock q = 89 G D
*Gtr. 1
mp
C 10fr
D/F# 8fr
13421
13421
C/E 7fr
3111
C III
G/B
Am
5fr
3111
5fr
1333
1
3
13411
mp
1342
D
C
7fr
1333
G
**Gtr. 2
Em 5fr
C
DV
let ring throughout
12
12
10
11
12
12
10
8
10
12
11
10
10
12
12
12
10
11
12
*Kybd. arr. for gtr. **Kybd. arr. for gtr.
***Gtr. 3
mf
7
10
let ring
w/ fingers
7
10
0
8
8
0
7 0
10
8
0
8
8
***Kybd. arr. for gtr.
Verse Gtr. 2 tacet
G
D
Rhy. Fig. 1
Gtr. 1
1. I
Gtr. 3
Rhy. Fig. 1A
7 0
don’t
know
10
C
where I’m
go
-
in’,
8
10
let ring
8
0
D
7
7 0
but
G
I
sure
know
where I’ve
10 0
8
© 1982 EMI MUSIC PUBLISHING LTD. and C.C. SONGS LTD. All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by EMI LONGITUDE MUSIC All Rights for C.C. SONGS LTD. in the U.S. and Canada Administered by WB MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission
1
C
D/F#
Hang - in’ on
8
10
let ring
8
7
the prom - is - es
7
and the
songs
and I’ve
made
up
my
B
8fr
7fr
of
yes
-
ter - day,
End Rhy. Fig. 1
I
go
wast - in’
no
more
time.
10
Am
14
10
7 7
C
here
I
go
a
12
12 End. Rhy. Fig. 1A
12
0
ain’t
Gtr. 2 tacet
let ring
7
I
0
a - gain,
Em
Here
Gtr. 3
9
0
Am
7
Gtr. 2
2
let ring
DV
C
mind,
0
G/B
8
DV
10
5fr
8
Am
Gtr. 1
C III
0
8
D
10
0
C/E
been.
G
8
8 0
8
8
- gain.
Gtr. 1
G
Em
Gtr. 3
Verse
C
Am
7 7
9
11
0
8
10
keep
8
D
2. Though I
Gtr. 2
7
10
0
D
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3: w/ Rhy. Fig. 1A (1st 9 meas.) *G
search - ing
for
an
an -
10
7
*Chord symbols reflect overall harmony.
C
-
G
swer,
8
9
7
D
8
10
I
nev - er seem to
7
8
G
D/F#
Oh, Lord,
I
pray
7
you’ll give
D
Am
to
walk
a - long
for.
8
C
G/B
car
-
ry
Am
8
10
of
D
10
8
7
8
8
10
C
know what
it
means
D
dreams.
And
Gtr. 3
*Gtrs. 4 & 5 (dist.) divisi
7
7
’Cause I
10
on.
street
9
the lone - ly
look - in’
to
C/E
strength
10
me
what I’m
10
7
10
find
C
10
5 5 5 3
5 5 5 3
7 7 7 5
7 7 7 5
7 7 7 5
mf 5 5 5 3
X X X
X X X
*Composite arrangement
3
Chorus
Gtr. 3 tacet
G
C
here
go
a - gain
Rhy. Fig. 2
Gtrs. 4 & 5
I
3 4 5 5 3
3 4 5 5 3
D
D
on
my
7 7 7 5
7 7 7 5
7 7 7 5
Am7
0
P.M.
5 5 5 3
5 5 5 3
7 7 7 5
7 7 7 5
7 7 7 5
5 5 5 3
7 7 7 5
C
D
5 5 5 3
P.M. 0
0
0
5 5
7 7
5 5
go - in’ down the on
-
3 4 5 5 3
3 4 5 5 3
I
was
born
to walk
I’ve
ev - er
5 5 5 3
5 5 5 3
C5
known.
G/B
P.M. 7 7 7 5
7 7 7 5
7 7 7 5
Am7
road
a - lone.
5 5 5 3
5 5 5 3
3 4 5 5 3
ly
D
mind,
0
4
drift - er
3 4 5 5 3
my
C
C
And I’ve made up
0
G
7 7 7 5
0
G
D
0
D
own,
Like a
P.M.
C
0
0
5 5 3
End Rhy. Fig. 2
1/2
2
2
I ain’t
wast
- in’
no more
time.
P.M. P.M.
7 5
7
9
7 7
7 7
3
2
0
0
0
0
X X
5 5
0
0
Verse
D
C
D
G
D/G
*
3. I’m just an - oth - er
Riff A1 Gtr. 6 (clean)
mf
w/ reverb & chorus
7 7 5
of
need
res
-
0
cue,
let ring
0 2
0
4
Riff A Gtr. 4
7 7 5
5 5 3
in
4
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
P.M.
7 7 5
let ring
0 5
Gtrs. 4 & 5
heart
C/G
Riff B Gtr. 5
End Riff B
3 *Bass plays G.
Gtr. 5 tacet
G
D/G
C/G
wait - in’ on love’s
sweet char - i - ty.
Gtr. 6
G
And, I’m gon - na
let ring
0
D/F#
hold
0 5
0 4
0 4
on
for the
0 5
0 4
0 2
3
3
3
3
2
4
Gtr. 4
P.M.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2
2
2
5
Pre-Chorus Gtr. 6 tacet
C/E
C5
rest
of
my
G/B
Am7
’Cause I End Riff A1
Gtr. 6
0 2
let ring
0
2
0
0
Am7
walk
0
0
2
a - long
P.M.
3
0
Gtrs. 4 & 5
End Riff A
Gtrs. 4 & 5
0
0
0
0
5 5
Rhy. Fig. 3
P.M.
2
0
the
know what
it
means
to
1/2 P.M.
D
0
3
Gtr. 4
days.
0
0
0
lone - ly
P.M.
5 5
7 7
street
7 7
5 5
5 5
0
of
dreams.
P.M.
0
7 5
7
C5
9
7 7
P.M.
7 7
3
D5
End Rhy. Fig. 3
0
0
P.M.
7 7 5
5 5 3
5 5 3
5 5 3
7 7 5
0
2
And
0
D
7 7 5
7 7 5
Chorus
I
a - gain
Gtrs. 4 & 5: w/ Rhy. Fig. 2
G
here
go
D
C
on
C
D
my
6
C
D
own,
Like
D
a
G
go - in’ down the
G
drift - er
I
was
C
born
to walk
C
on
-
ly
a - lone.
road
I’ve
D
ev - er
C5
known.
G/B
Am7
And I’ve made up
Gtrs. 4 & 5
P.M. 0
0
D
0
0
my
5 5
7 7
5 5
but here
Am7
mind,
7 5
0
P.M.
P.M. 0
D
7
I
go
a - gain.
7 7
9
7 7
3
2
0
0
0
0
Bridge E5
I ain’t wast - in’ no
P.M. 5 5
0
A5
more time,
Here
I
go
a - gain.
loco P.H. P.M. 8v a
6 3 P.M.
Gtrs. 4 & 5
5
3
5
7
9
7
9
7
7
9
7
9 11 9
7
9
7
P.M.
2 2 0
9
9
Gtr. 4
0
Gtr. 5
P.M.
2 2 0
E5
Esus2
2 2 0
P.M.
0
0
0
0 0 X 2 2 0
0
3
0
0
3
0
P.M.
7 9 9 7
0
2 2 0
3 2
5 4
2
3
loco
Pitch: E
2 2 0
2
8v a
3
0
P.M.
7 9 9 7
0
P.M.
A5
Gtrs. 4 & 5
0
5 4
5 4
2 2 0
P.M. P.H. 2
0
0
3
2
Here
I
go
a
- gain.
3
2
5 4
P.M.
3 2
7
E5
A5
Here
P.M.
2 2 0
0
0
7 9 9 7
P.M. 0
3
2 2 0
0
0
2
4
2
2
I
0
go.
P.M.
E5
Esus2
2
0
P.M. 3
P.M.
9 9 7 0
2 0
2
0
P.M.
9 9 7
0
3
2
0
3
Guitar Solo Gtrs. 4 & 6: w/ Riffs A & A1 Gtr. 5: w/ Riff B
A5
C
D
G
D/G
Gtr. 7 (dist.)
f
rake
2 2 0
G
7 7 7 5
5 5 5 3
X
4
5
14
16
*
16 14 12 14 10
12
12
11
5
8
1
10
12
12
8
7
12
12
1
12
7
12
D/F#
8v a
Harm.
19
11
14
G
3
5
7
8v a loco
7
3
8
7
C/G
3 P.M.
1
X
3
C/G
3
D/G
3
14
3
17
1
17
17
15
17
15
15
7
15
*Played behind the beat.
8v a 7 P.M. C/E
Gtr. 7
8
Gtr. 5
C5
10
12
10
12
14
10
12
14
12
14
15
12
14
16
14
16
17
14
16
17
15
17
6
17
3
8
G/B
loco
2
19
1/2
2
Pre-Chorus Gtrs. 4 & 5: w/ Rhy. Fig. 3
Am7
’Cause I
know what
it
8v a
Gtr. 7
Gtr. 7 tacet
D
means
Am7
to
walk
a - long
the lone - ly
street
of
dreams.
1/2 19
Chorus
D
C5
D5
And
here
D
-
ly
road
I’ve
I
a - gain
on
my
ev - er
D
G
D
known.
And
I’ve I
’Cause
I ain’t walk a - long
C
D
drift
-
er
I
was
made know
up what
my it
C5
time. of dreams.
drift - er
I
was
born
And
G
I
a - gain
on
my
-
ly
road
ev - er
to
walk
a
-
the
C
a - lone.
I’ve
to walk
Gtrs. 4 & 5: w/ Rhy. Fig. 2 (till fade)
here
C
born
to
on
D
G
down
mind, means
D5
C
go - in’
G
wast - in’ no more the lone - ly street
D
D
D
go - in’
Outro-Chorus Begin fade
Am7
C
own,
G
Like a
Am7
D
C
Gtrs. 4 & 5: w/ Rhy. Fig. 3
C5
C
go
C
down the on
G
G
Gtrs. 4 & 5: w/ Rhy. Fig. 2
C
go
D
C
D
own,
known.
D
Like
C5
G
a
Fade out
lone.
9
from Whitesnake - Whitesnake
Is This Love Words and Music by David Coverdale and John Sykes
Intro Moderately slow q = 91
μ
(Keyboard) 12 sec.
*Gtr. 1 (clean)
** Em11
mf
w/ chorus
Em9/B
Harm.
let ring throughout
Em9/B
0 2
0
3
0
4
0
4
3
4
*w/ Fender Strat - pickup selector set to neck pickup; two gtrs. arr. for one. **Chord symbols reflect implied harmony.
Em11
7
2
w/ bar
7 0
Em9/C
Em11
Harm.
Em9/C
Em9/B
Harm.
w/ bar
5
4
7
7
Em9/C
w/ bar
7
4
2
3
0 3
0
4
7 4
7
7
4
2
3
0
4
3
0
4
Pitch: G
Verse
C,7 Bm7
Am7
G
F
Em9/B
0 0 3 3
3 4 5
5 5 5
7 7 7
w/ bar 1
0
Em11
you go a - lone.
It’s times
like
these,
Harm.
1. I should have known
2
bet - ter
than to
w/ bar
0
3
2
Em9/C
let
Em11
8 9 9
μ
0
0
Em9/B
Em9/C
can’t
make it
on
my own.
w/ bar
2
4
3
0 3
4
0
4
5
7
7
7
2
4
3
0 3
4
0
4
Pitch: G
© 1987 WHITESNAKE MUSIC LTD. and WHITESNAKE MUSIC OVERSEAS LTD. All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
1
Em11
Wast - ed
and
sleep
less
7
nights
and
2
I
3 4
3
0
to
see
F
you
a - gain.
0 0 3 3
3 4 5
5 5 5
7 7 7
8 9 9
4
G
can’t wait
0
4
Am7
7 7
-
C,7 Bm7
w/ bar
Harm.
4
days,
Em9/C
Em9/B
Verse
Em11
w/ bar 0 0 3 3
1
2. I
find
2
3
you, babe,
my
Harm.
wait -
in’ on
your call.
0
0
tell
time
Em9/B
my
7
5
7
back’s
a - gainst
7
0
4
Em11
the
4
3
Em9/C
3
wall.
I need you by
Harm.
w/ bar
4
0
4
2
Em11
How can I
spend
Em9/C
w/ bar
0
2 0
I
Em9/B
my
side
to
w/ bar
2
3
0
4
3
4
0
7 4
7
7
Pitch: G
Em9/B
tell
me it’s
all
right,
’cause I
C,7 Bm7
don’t think
Am7
I
can take
G
F
an - y - more.
Em9/C
Is
2
4
0 3
4
0
4
7 7 7
5 5 5
3 4 5
2
8 9 9
0 0 3 3
1
this love
w/ bar
3
2
Chorus
Csus2
that
Gtr. 1
3
feel
-
w/ bar
mf
P.M.
1 0 X 3
3
P.M.
1 0 X 3
3
C,7 Bm7
3
Am7
search - in’
*Gtr. 3 (dist.)
Riff B
mf
1/2
Riff B1
*Gtr. 4 (dist.)
for?
mf
3
this
Gtr. 1 divisi
-1/2
End Rhy. Fig. 1
the
0
4
P.M. P.M. 3
Gtr. 2: w/ Rhy. Fig. 1
3
3
3
2
Csus2
or
am I dream
4
7 7 7
5 5 5
3 4 5
I’ve been
w/ bar
3
0
P.M. P.M.
3 2 X 2
2
3 2 X 2
2
2
2
2
2
D/C
-
in?
This must be
love,
Gtr. 1
w/ bar
8 9 9
that
3
3 2 X 3
love
2
3
13 -1/2
this
Bm7
12
12
13
love,
w/ bar
*Four gtrs. arr. for two throughout.
Gtr. 2
w/ bar
3 2 X 3
3
G
Is
15
12
15
15
w/ bar
w/ bar 1
3
w/ bar
14
14
Is
in’?
5
Rhy. Fig. 1 Gtr. 2 (dist.)
3
0
4
I’m
D/C
Riff A
3
4
0
w/ bar
3
5
4
0
3
3
Bm7
’cause it’s End Riff B
C,7 Bm7
real - ly
1/2
w/ bar
15
15
14
1
w/ bar
15
1/2
1/2 14
3 1
14
14
7 7 0
1
14
Harm.
Em9/C
14 14
w/ bar
14 14 3
w/ bar
15
End Riff C1
1/2
12
1
w/ bar
14
8 9 10 8
2
12
3
12
3 12 12
14
Harm.
10
0
2
Em9/C
15
12
15
12
-1/2
-1/2
w/ bar
w/ bar
8
w/ bar
14
w/ bar
Em9/B
11
12
11
12
-1/2
-1/2
w/ bar
3
0 2
3
0 3
4
0
4
5
Pitch: G
4
13
w/ bar
12
me.
w/ bar
15
hold on
w/ bar
Em11
3
1/2 14
1
3 14
1
0 0 3 3
3 4 5
5 5 5
7 7 7
Em9/B
12
End Riff C
Interlude Em11
12
13
a
2
4
End Riff A w/ bar
8 9 9
3
12
Riff C1
w/ bar 0
me,
a hold on
F
15
got
G
Riff C
14
End Riff B1
Am7
7
7
7
2
4
3
0 3
4
0
4
Verse
Em9/B
Em9/C
Em11
3. Can’t stop the feel - in’,
Gtrs. 3 & 4 tacet
Em11
I’ve been this way
be - fore.
But, with you I’ve
found the key
to
w/ bar
11
w/ bar
14
Harm.
Harm.
w/ bar
7 4
3
7
7
3
4
2
4
3
0
7
5
4
12
12
7
Pitch: G
Em9/B
Em9/C
o - pen an - y
Gtr. 1
door.
12 5
7
3
0
7 4
Am7
G
see
you
F
3 4 5
0 0 3 3
so
1
I
can
hold
w/ bar 2
5 5 5
7 7 7
grow - in’ strong - er day
4
2
a - gain,
8 9 9
you
7
7
Rhy. Fig. 2
by
day.
And
w/ bar
7
to
Harm.
can’t wait
for
Em9/C
I can feel my love
Em9/B
Pitch: G
C,7 Bm7
I
Harm.
Em11
8 9 10 8
3
0 3
4
0
4
you in my
8
arms.
Is
this
love
End Rhy. Fig. 2
w/ bar
10
5
Chorus Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Csus2
that I’m feel
Csus2
D/C
-
in’?
Is this the
love
D/C
or am I dream
-
in?
This must be
Gtrs. 3 & 4: w/ Riffs B & B1
Bm7
C,7 Bm7
Am7
that I’ve been search - in’
for?
G
Is this
Gtrs. 3 & 4: w/ Riffs C & C1
Bm7
love,
C,7 Bm7
’cause it’s
real - ly
got
Am7
G
love,
F
a hold on
me,
(Is this love?)
Guitar Solo
a
Gtr. 5 (dist.)
hold
μ
Em9
on
me.
3
mf
1
w/ neck pickup 14
Gtr. 1
1
Em9/C
2
3
0 3
0
4
Gtr. 1: w/ Riff D (3 times)
Gtr. 5
12
6
12
16
12
14
16
4
11
1/2
11
1/2
11
1/2
11
1/2
11
1/2
11
1/2
1/2
11
w/ bar 4
11
11 12 15
3 4
Em9/C
0
4
6
17
1
17
1
1
1
1 15
14
14
14
14
14
1/2
15
14
End Riff D
3
Em9/B
11
0
4
2
0
Em9/C
1/2
11
0
Riff D
1
16
0
Em9/B
1/2
14
2
w/ bar
grad. release
4
3 0
14
2
Em9/B
14
12
w/ bar
0 0 3 3
14
1
1
Em9/B
3
15
15
12
15
14
12
15
12
14
14
1/2
14
Em9/C
14
14
12
12
14
3
*
12
12
10
14
12
15
14
12
14 *Switch to bridge pickup.
Em9/B
Em9/C
6 1
15
15
14
15
15
15
15
15
12
12
6 1/2
1
17
17
1/2
1
1
17
1
1/2
17
1/2
17
1
17
17
15
17
3
1
1
1
15
12
17
17
1
17
20
15
15
Gtr. 1
4
w/ bar
2
3
20
19
1
19
1/2
17
20 19
19
19
1
Em9/C
3
19 17
1
17
1
0
17
20
19
1
17 20
19
w/ bar
0
6
1/2
20
3
0
4
3
0
4
Em9/B 8va
12
1
1
17
3 1/2
17
14
Em9/C
3 1
3
12
Em9/B Gtr. 5
1/2
7
8va
3 1/2
1/2
1/2
17
20
19
0 2
4
3
0 3
4
19
17
0
19 17
19 17 19
4
7
Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 3 & 4: w/ Riffs C & C1
C,7 Bm7
loco
Gtr. 5
Am7
G
w/ bar
1
19
19
F
w/ bar
19
17
19
Is
this
love
17
w/ bar
1
19
Outro-Chorus Gtr. 1: w/ Riff A (1st 4 meas. till fade) Gtr. 2: w/ Rhy. Fig. 1 (till fade) Gtr. 5 tacet
Csus2
that I’m feel
Voc. Fig. 1
(Is this love?
Is
am I dream
this
Csus2
Or am I dream
Csus2
Csus2
8
in’?
Is this
love,
C,7 Bm7
that I’ve been
Am7
search - in’ for?
-
in’?
dream
-
-
Bm7
G
Is this
love,
Is this the
in’?
Bm7
love
Bm7
in’?
Is this the love
D/C
C,7 Bm7
Bm7
G
for?
Am7
G
for?
Is this
love,
C,7 Bm7
Am7
search - in’ for?
C,7 Bm7
that I’ve been
search - in’
that I’ve been
Bm7
Am7
search - in’
that I’ve been
that I’ve been
Is this the love
C,7 Bm7
Is this the love
for?
or am I dream
Csus2
-
D/C
Bm7
that I’ve been search - in’
G
End Voc. Fig. 1
D/C
or am I
love
Am7
Is this the love
D/C
in?
Csus2
-
D/C
or am I dream Begin fade
Is this the
Gtrs. 3 & 4: w/ Riffs B & B1 (till fade)
C,7 Bm7
love?)
Bkgd. Voc.: w/ Voc. Fig. 1 (till fade)
in’?
D/C
or
-
Bm7
Csus2
D/C
search - in’
Am7
G
Is this
love,
G
for? Fade out
from Whitesnake - Slide It In
Love Ain’t No Stranger Words and Music by David Coverdale and Mel Galley
Intro Moderately q = 113 *D G
A
Bm
Verse D
Bm
G
1. Who
D
G
I
ask
A
in
D/F#
Gadd9
but
where
the
Em
cold
love?
wind
Who am
D/F#
I
to
be -
A
Gadd9
B7sus2
blows?
G
Oh,
Asus4
knows.
Bm
D
no - bod - y
A
Bm
ger,
love
ain’t
no
A
stran -
B7sus2
hmm.
**Gtr. 1 (acous.) Riff A
knows
A
lieve
my friends,
Bm
G
*Chord symbols reflect overall harmony.
A
D
(Keyboards)
mf
3
2
End Riff A
let ring throughout ***T
T
0 2
2
0 3
2
3 0
2
2
2
4
2
0 2
2
0 3
2
3 0
2
2 2
2
4
2
2
**Doubled throughout ***T = Thumb on 6th string
© 1984 WHITESNAKE MUSIC LTD. All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
1
Verse Gtr. 1: w/ Riff A (1 1/2 times)
D/F#
Asus4
2. I
Gadd9
looked
A
what
did
I
see?
a - round,
B7sus2
star - ing
at
me,
B7sus2
D/F#
all
Gadd9
Bro - ken
Gadd9
D/F#
heart
-
ed
peo - ple
Asus4
search
-
ing
’cause
they
B7sus2
still
be - lieve,
Interlude Faster q = 125 Gtrs. 1 & 2 tacet
Em
A7
oh,
Rhy. Fig. 1 *Gtrs. 1 & 2
love
ain’t
no
stran
Bm
-
ger.
End Rhy. Fig. 1
0 2 0 2 0
0 0 0 2 2 0
*Gtr. 2 (elec.) w/ clean tone, played mf.
**Gtr. 3 (elec.)
f
4 4
2 2
4 4
w/ dist. steady gliss.
16 16 **Doubled throughout
Gtr. 3
P.M.
2
2
2
4 4
2 2
4 4
A5
P.M.
4 4
2 2
4 4
2
2 2 0
E
1 2 2 0
Verse 2nd time, Gtr. 3: w/ Rhy. Fill 1
3
3. I
was
steady gliss.
1 2 2 0
17
E
sac -
-
ri - ficed all cy when my
warn lov -
2 2
4 4
2
4 4
2 2
2 3 4 4
dream be - gins
-
3
ing
4 4
2 2
4 4
but I’m
a a
heart friend
can of
I I
heard know
no good
of. bleed.
to
4 4
2 2
4 4
tell. pain,
Rhy. Fill 1 Gtr. 3
2
Bm
was
ing, ing,
so much I I look for mer -
7
P.M.
4 4
3 2 0
love, need,
0 0 1 2 2 0
and I need - ed of a soul in
sion
D5
I heart
a - lone -
Bm
4 4
2 2
3 4 4
I but
4 4
2 2
4 4
feel the when I
3
E
emp read
-
ti - ness be - tween
of the
D5
love lines,
Bm
I it’s
know all
so the
same.
well.
steady gliss.
0 0 1 2 2 0
3 2 0
4 4
Chorus G5
D5
A5
P.M. 5 3
7
5 3
A5
ain’t
5 3
no
0
stran
-
0
ger.
0
D5
ger.
5 3
D5
5 3
5 3
5 3
3 2 0
P.M.
P.M. 5 3
4
5 3
5 3
5 3
0
0
0
0
3 2 0
ain’t
P.M. 0
0
2 2 0
2 2 0
no
stran - ger
to
5 3
no
0
0
stran
-
3 2 0
ger.
2 2 0
1.
Bm
love,
no,
steady gliss.
14 14
3 2 0
A5
3 2 0
5 3
Love ain’t
I
5 3
To Coda
5 3
0
A5
G5
D5
P.M. P.M.
G5
14
2 2 0
stran -
no
G5
2 2 0
2 2 0
0
3 2 0
P.M. 0
5 3
I
4 4 5
Love ain’t
2 2
5 5
4 4
2 2
4 4
no,
A5
X
4 4
2 2
4 4
0
4 4
0
2 2
4. Can’t hold the pas -
P.M.
X
no.
E
0 0 1 2 2 0
2 2 0
4 4
2.
Guitar Solo Gtr. 3 tacet
D/F#
Gadd9
A
f
2
Gtr. 1
T
2
0 2
4
Riff B
3
3
2
0
0
2
4
4
2
4
T
0
A
Bm7
9
9
2
3 0 2
2
0
3
3
2
0 3
w/ bar
2
7
4
hold bend
4
2
2
6
6
1
2
4
6
2
Gadd9
T
2
2
2
D/F#
w/ bar
2
2
2
0
Bm7
1/2
2
3
A
w/ bar
1
w/ dist. & chorus
Gadd9
D/F#
Gtr. 4 (elec.)
Bm7
2
7
9
7
End Riff B
3 0
2
2 2
2
4
2
3
5
Gtr. 1: w/ Riff B (1 1/4 times)
D/F#
Gtr. 4
6
Gadd9
7
9
7
A
9
7
A
10
Bm7
7
10
9
10
9
3
7
7
9
7
10
D/F#
9
9
Gadd9
7
7
12
12
9
7
A
7
9
7
9
9
11
B7sus2
12
D/F#
Gtr. 4
10
Gadd9
12
12
12
12
12
A
15
16
17
15
14
Bm7
3 1
14
14
12
3 1
Gtr. 1
10
1
17
17
17
7
1
1 1/2
9
3
3
3
Gadd9
3
Bm7
3
D/F#
T
2
0
2 2
19
19
2
0
0 3
2
3 2
0
2
2
2
A
3
rit. grad. release 1 1/2
17
3 2 0 X 2
3 2 0 X 3
T
2
Gadd9
3 1
6
2
4
2
D/F# 8va
2
19
17
19
19
2 2 2 0
2 2 2 0
rit.
4
2
3
Bridge Slower q = 116 Gtr. 1: w/ Riff A (1 1/2 times) Gtr. 4 tacet
D/F#
Gadd9
So,
who
knows
A
no - body - y
where
the
B7sus2
Asus4
cold
wind
knows.
Who am
I
I
to
be
ask
Asus4
-
Gadd9
blows?
Gadd9
D/F#
D/F#
B7sus2
my friends,
in
but
B7sus2
lieve
love?
Interlude Faster q = 127 Gtrs. 1 & 2: w/ Rhy. Fig. 1
Em
A7
Lord,
Gtr. 3
have
mer
-
cy,
love
ain’t
no
Bm
stran
steady gliss.
17 17
2 2
3
-
4 4
2 2
2 2
4 4
P.M.
X
X
4 4
Bm
stran
0 0 1 2 2 0
2 2
4 4
4 4
2
4 4
2
2 2
4 4
4 4
4 4
E
ger.
A5
3
I
ain’t
no
0 0 1 2 2 0
2 2 0
A5
-
ger.
4 4
2 2
4 4
4 4
4 4
2 2
4 4
4 4
4 4
2 2
4 4
2 2 0
7
E
D
E
5. I
4 4
2 2
4 4
P.M.
0
0
4 4
2 2
3 4 4
8
2 2
4 4
sac - ri
Can’t
hold
the
-
ficed
4 4
2 2
4 4
all
I
0 0 1 2 2 0
and
need - ed
-
D5
love,
was
dream
-
ing
of.
sion
P.M.
4 4
2 2
4 4
2
D5
cy when my
I
E
-
3 2 0
2
look for mer
pas
I
4 4
need.
I
much
0 0 1 2 2 0
0
E
Bm
a - lone
12
so
9 9 9 7
7 7 7 5
9 9 9 7
was
steady gliss.
2 2 0
Verse Bm
heart
be - gins
to
of
in
a
D.S. al Coda
Bm
bleed.
P.M.
3 2 0
soul
0
steady gliss.
4 4
2 2
4 4 7
15
Coda
Outro
Love
ain’t
no
Gtr. 3 tacet
D/F#
Gadd9
A
*Gtrs. 1 & 5
T
3
2
0
2
2
0
Bm7
2
2
0
3
2
2
2
4
3
*Gtr. 5 (elec.) w/ slight dist. & chorus, played mf.
D/F#
stran
-
Gadd9
A
T
0
stran
-
Gadd9
Love
ain’t
no
2
2
0
A
3
3
2
0
2
2
ger.
D/F#
B7sus2
2
Bm7
2
4
D/F#
Gadd9
T
3
2
3 2 0 X 2
3 2 0 X 3
T
0 2
2
0
2
3 0
3
2
2
2
2
2
A5
ger.
2
2
4
2 2 0
Free time
Bm7
2 2 0
2 3 2 4 2
2 3 2 4 2
I
ain’t
no
stran
-
ger.
9
from Whitesnake - Slip of the Tongue
Sailing Ships Words and Music by David Coverdale and Adrian Vandenberg
Intro Moderately slow q = 78 Am7
Am
C
(Keyboard)
G
G
Am
G
Fsus2
*Gtr. 1 (elec.)
mf
w/ clean tone w/ fingers let ring throughout
1
3 4
0
F
5
4
3
4
5
2
0
1
1
3
2
1
0
0
3
3
0
G
2
0
2
1
0
0
0
0
3
0
3
2
0
1
0
3
3
0
5
1
2
0
4
Am
G
3
1
0 3
3
1
0
2
0
0
0
3
0
4
2
4
Fsus2
0
5
3
0
0
2
G
2
C
0
3
0
w/ fingers let ring throughout
1
3 0
Am13
1
Am
3 2
E
1
3
**Gtrs. 1 & 2
2
0
*Doubled w/ Coral Electric Sitar.
G
3
2
1
0
3
0
3
3
0
5
1
**Gtr. 2 (acous.), played mf. Composite arrangement
G
3 4 3
F
5
4
3
4
E
1
5 1
2
3 0
Am13
0
1
1
2
0
2
© 1989 NORTH C MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
4
0
3
1 4
2
1
Dm[add9]
Bbadd#11
11
13
15
Gtr. 3 (elec.)
C
15
13
10
8
F
mf w/ dist.
10
3
13
Riff A
Gtrs. 1 & 2
6 7
5
6
7
0 7
6 7
Bb
10
8
5
15
15
17
0 7
6 8
Csus4
6
7
17
C
18
17
17
3
5
5
8
10
5
5 8
5
7
5
6
5
6
G
*
15
15
*Roll back vol. control.
5
3
3
3
6
6
5
5
5
3
3
5
5
4
End Riff A
5
3
Verse Gtr. 3 tacet
Am
1. Do
Gtrs. 1 & 2
1 0
2
you
2
3 2
G
C
re - mem
0
-
3 2
ber
0
stand
0
G
Am
G
-
in’ on
the
3
1
0 0
3 2
0
1 0
0
shore,
3
Fsus2 3
0 3
your
0
1 1
0
3
0
3
5
G
F
head in
the
clouds,
5
4
3
4
5
1
2
0
G
Bound
for glo
0
-
ry
on the
0
F
4
-
5 1
seas
of
4
3 2
0
1 0
0
life,
0 3
0
but the
0 3
0
1
0
3
Fsus2
3
1
0
3
0
3
5
1
Am(add9)
than it
0
0
G
3
Am
5
3
er
2
sev - en
0
G
4
0
E
1
3
is deep
2
0
2
cean
5
2
C
2
3
1
1
1
2
seems.
3
3
4
0
3 4
0
-
with dreams?
G
3
1
Am
2
filled
1
3
o
Am13
your pock - ets
3 4
E
0 1 4 2 0
3
Am
G
The wind
was with
Gtr. 4 (elec.)
C
you
when you
G
Am
G
left
on the morn
Fsus2
-
in’
tide.
You
mf w/ clean tone w/ pick & finger
12 10
Riff B1
Gtr. 2
0
1
2
0
0
3
3
2
0
0
1
2
0
0
3 2
3
1
0 3
3
0
Riff B
0
2
Gtr. 1
0
0
2
1
0
0
0
0
3
1
3
1
0 0 3
3 2
0
1
0
0
0
0
3
0
3
5
1
0
2
3
0
1
3
1
0
1
0
3
0
3
5
Gtr. 4 tacet
G
set
Gtr. 2
3 4
F
your sail
for an
5
4
3
4
3 4 3
4
is
-
5
2
5
4
3
4
1
in the
1
2
0
1
5
3
1
Am13
land
1
3
Gtr. 1
E
2
3 0
sun.
0
1 2
9
11
8
10
End Riff B1
8 11
9
0
1
0
2
4
0
End Riff B
3
1
4
2
Am
G
On the hor - i
Gtr. 4
-
C
zon,
Gtrs. 1&2
0
1
2
0
3
2
G
Fsus2
clouds
up
0
2
3
1
a - head,
0
3
Am
dark
G
0
3
0
0
3
1
0
2
0
0
0
3
12
7
10
1
0
9
0
3
0
3
5
1
Gtr. 4 tacet
G
F
E
for the storm
Gtr. 2
3 4
5
3
4
4
3 4
has
1
5
2
5
3
4
4
be
-
0
1
1
2
5
2
3
1
0
1 2
14
17
17
15
12
2
5
5
0
3
15
0
0
0
1
gun.
0
1
3
just
3
1
3
Gtr. 1
Am7
3
Pre-Chorus Gtrs. 1 & 2: w/ Riff A
Dm
Take
Bb
me
with
you.
C
Take
F
me
far
a - way
5
Bb
me
the dis
Csus4
and lead
to
*Gtr. 5 (acous.)
C
-
tant
shore.
G
f
w/ pick
3
2
*Doubled throughout
Chorus Em(add9)
G
Sail
Em(add9)
your ship
Gtr. 6 (elec.)
Aadd4
a - cross
G
Aadd4
the wa
-
ter.
**
f
mf
w/ dist.
10
4
**Vol. swell
Gtr. 5
Riff C
End Riff C
let ring throughout
0
2
4
Gtr. 5: w/ Riff C
0
Em(add9)
Spread
Gtr. 6
9
6
7
0
0
0 4
2
0
3
G
your wings
2
3
5
4
a - cross
the
2
0
Aadd4
4
Em(add9)
14
16
12
14
14
0
4
2
0
3
G
2
0 3
5
Aadd4
sky.
12
0
4
0
A9(no3rd)
C
Dadd4
Take
the
to
16
14
Gtr. 6
time
A9(no3rd)
you’re
the
see
C
one
Dadd4
who holds
the
key,
9
14
12
12
Gtr. 5
2
0
0
0
0
2
0
2
3
0 3
0
4
5
0 0
14
2
0
0
0
2
0
3
2
0 3
5
4
0
0
Gtr. 6 tacet
Cmaj9
D6
or sail - ing
5 5
3
Pitch: D
5
5
8va
loco
E
B
you
Harm.
7
5 3
G
pass
7
5
7
7
7
by.
loco
Harm.
will
ships
8va
Gtr. 5
Asus2
0 0 4 2 0
G
Interlude Gtrs. 1 & 2: w/ Riffs B & B1 Gtr. 5 tacet
Am
8va
Gtr. 7 (elec.)
mf w/ dist.
19
G
C
19
17 15 17
17
15
17
G
Am
Fsus2
w/ bar
20
G
20
17
15
17
16
16
w/ bar +1
17
19
-1/2
7
G 8va
w/ bar
F
E
loco
3 w/ bar
19
19
17
16
14
12
G
2. You cry
for mer
-
16
16
-1/2
Verse Am
w/ bar
16
16
-1
Am13
16
-1
C
cy
G
when you
Am
think
you’ve lost
G
your
Fsus2
way.
You
8va
Gtr. 7
* w/ bar
20
*Vol. swell Gtrs. 1 & 2
1
2
0
0
3
3
2
0
2
3
1
0 0
0
3
3 2
0
1
0
0
0
0
3
drift
Gtr. 2
3 4
F
a - lone
if
5
4
3
4
1
0
3
3 4 3
8
your hope
5
2
5
4
3
4
1
0
1 2
2
3 0
0
0
1
1
2
5
But
1
gone.
0
1 5
is
3
1
3
0
1
Am13
all
1
3
Gtr. 1
E
Gtr. 7 tacet
G
-3 1/2
0
14
16
12
15
2
4
0
3
17
5
15
17 12
5
0
15
16
3
4
3
Am
G
find
Gtr. 7
the strength
and
you
see
C
will
that
G
G
you
Fsus2
con - trol
Am
your
des
-
ti - ny
3
13
17
17
15
14
12 12
17
15
17
15
18
12 10
9
10
9
12 10
17 18 17
w/ dist. Gtr. 8 (7-str. elec.)
mf
mf
Gtr. 9 (7-str. elec.) divisi
w/ dist.
10 9
13 14
Gtr. 4
12 9
14 10
14 X 12
Gtrs. 1&2
0
3
0
1
2
2
0
3 2
0
0
3
1
0 0 3
3 2
0
1 0
0
0 3
0
1
0
3
0
3
5
1
9
Gtr. 4 tacet
G
F
af - ter
all
15
is
said and
15
18
17
14 10
12 9
Gtr. 7
E
Gtr. 8
Am(add9)
done.
17
22
Gtr. 9
12 9
Gtrs. 1&2
3 4
5
3
4
4
1
2
5
0 3
1
3
12
14 12
1
2
0
0
0
2
5
0
0
Pre-Chorus Gtrs. 1 & 2: w/ Riff A Gtrs. 7, 8 & 9 tacet
Dm
So
Gtr. 10 (7-str. elec.)
take
Bb
me
with
you.
C
Take
F
me
far
a - way
11
13
10
10 12
12 12
10 10
mf w/ dist.
10
Gtr. 11 (7-str. elec.)
w/ dist.
mf
mf
Gtr. 12 (7-str. w/ dist. elec.) divisi
10 12
10
Bb
and lead
Gtr. 10
Gtr. 12
me
the dis
to
13
11
10
10
Gtr. 5
10
Gtr. 11
Csus4
10
C
-
tant
G
shore.
12
10
13
12
12
3
2
11
Chorus Gtrs. 10, 11 & 12 tacet
Em(add9)
G
Sail Gtr. 10
Aadd4
your ship
a - cross
the
Em(add9)
G
Aadd4
wa
-
ter.
10
_ 1 /4
Gtr. 11
Gtr. 7
Gtr. 12 divisi
slight vibrato w/ bar
_ 1 /4
12 12
0
0
8va
8va
Gtr. 5
0
2
4
0
4
Em(add9)
2
0
3
0
2
3
G
Spread
4
Aadd4
your wings
Gtr. 7
5
loco
Harm.
7 7
the
4
2
0
0
Em(add9)
3
2
0 3
G
Harm.
5
4
0
Aadd4
sky.
w/ bar
0
7 7
0
4
2
0
a - cross
0
0
0
0
-1/2 8va
Gtr. 5
loco
0
12
2
4
0
4
0 0
3
2
0 3
5
4
0
Harm.
8va
loco
7 7 7 0
2
4
0
4
2
0
3
2
0 3
5
4
0
Harm.
7 7
A9[no3rd]
C
Take
Dadd4
the
to
time
A9[no3rd]
you’re
the
see
C
one
who
Harm.
12
Dadd4
holds
7
7
the
key,
w/ bar
-1
loco
2
0
Cadd9
0
0
0
2
or sail - ing
0
Gtr. 7
3
2
Harm.
0 3
Dadd 49
ships
will
7
5
4
0
7 7 0
2
0
0
2
7
3
2
0 3
5
4
0
Harm.
7 7
D
ships
Harm. w/ bar
0
sail - ing
0
C
8va
loco
pass,
w/ bar
8va
will
pass
you,
-2
loco Gtr. 5
3
2
0
3
0
2
3
5
4
0
5
0
4
5
7
5
5
5
5
5
7
9
7
7
7
7
7
9
Gtr. 9
3
5
7
9
13
Gtr. 7 tacet
C
ships
pass
Dadd9
sail - ing
by.
15
17
19
19 19
17 16
Gtr. 11
you
Gtr. 10 8va
will
Asus2
Gtr. 12 divisi
17 17
10
9
8
0 9
10
10
12
Gtr. 9
14
12
11
10
Gtr. 5
0 0 2 2 0 0
10
12
14
Interlude
Gtr. 5, 9, 11 & 12 tacet
D5
G5 A5
G5 A5
μ
6 6 1 1
Gtrs. 8 & 10 loco
Gtr. 8 divisi
1
f
1
15
15
17
15 17
17
Gtrs. 13 & 14 (elec.)
f
Gtr. 10
15 7
15 7
7
7 5 5
13 5 14 13 12 7 6 5 14 7
w/ dist.
5 7 7 5 5
7 7 5 5
9 7 7
D5
F5
Gtr. 15 (elec.)
9 7 7
9 7 7
9 7 7
C5
1
1
12
16
15
9 7 7
w/ dist. & wah-wah
13
9 7 7
G5
f 1
9 7 7
9 7 7
7 5 5
13
13 15
15
Gtr. 8 Gtr. 10
12 5
9 9
12 5
Gtrs. 13 & 14
7 7 5 5
5 3 3
5 5 3
5 7 7 5 5
7
5
10 10
12 12
12 12
9 9
10 10
5 5 3
15
D5
Gtr. 15
1
1
1
15
14
17
18
17
20
17 20
*Gtrs. 8 & 10
Gtrs. 9 & 11 tacet
G5 A5
G5 A5
μ
15 14
13 12
13 12
13 12
13 12
6
1
1
15
15
17
17
P.H. 1
15 17
Gtrs. 9 & 11
f 1
1
8
7
10
10
9
12
10 12
7 7 5 5
7 7 5 5
Gtrs. 13 & 14
7
7 5 5
5
16
7
Pitch: F#
1
7
7
*Composite arrangement
9 7 7
9 7 7
9 7 7
9 7 7
7 5 5
9 7 7
9 7 7
9 7 7
9 7 7
5
7
5
7
5
D5
Gtr. 15
1
1
1
15
14
17
18
17
20
Gtrs. 9 & 11
1
1
12
15
15
14
17
C5
1
17 20
13
1
Gtrs. 8, 9, 10 & 11 tacet
F5
G5
Gmaj7
G5
Gmaj7
1
1
13
12
10
16
15
13
10 13
15 17
Gtrs. 8 & 10
5
Gtrs. 13 & 14
5
P.M.
5 7 7 5 5
7 7 5 5
7
5
5 3 3
5 5 3
5
P.M.
8 7 5 5
5
P.M.
7 7 5
5
P.M.
8 7 5
5
7 7 5
5 3
17
F5
C
G5
Pre-Chorus Dm
Gmaj7
Bb
Take 8va
Gtr. 15
1
1
1
1
15
19
17
22
16
20
18
22
20
24
P.M. P.M. 6 5 3 3
C
Take
3
3
5 5 5 3
5
5
8 7 5 5
5
me
a - way.
far
P.M.
7 7 5 5
5
F
5
P.M.
5
14 14
5 5
you.
1 1/2
1
17
13
Gtrs. 13 & 14
me with
6 7 7 5
6 7 8 5
Gtr. 15 tacet
Bb
Csus4
We’ll
ride
C
the
sky.
wind
a - cross
the
Gtr. 15
8va
22 24
8 9 10 7
6
5
Gtr. 13
6
8
5
6
5
Gtr. 14
8 9 10 7
18
8
7
8
10
7
8
7
6 7 8 5
6 7 8 5
6 5 5 3
5 5 5 3
6 7 8 5
6 7 8 5
6 5 5 3
5 5 5 3
F5 G5
F5 G5
μ
Dm
3
Spread
Gtr. 13
Bb
your wings
and
you
see
3
will
6 7 7 5
6 7 8 5
6 7 7 5
6 7 8 5
3 P.H. 1
5 3 3
7 5 5
7 5 5
7 5 5
5 3 3
7 5 5
7 5 5
7 5 5
7
7
Gtr. 14
5 3 3
C
you
Gtrs. 13 & 14
8 9 10 7
7 5 5
7 5 5
7 5 5
5 3 3
7 5 5
con - trol
your
7 5 5
7 5 5
7 5 5
5
7
5
-
10
5
7 5 5
Bb
Csus4
ti - ny,
10
7
F
des
7
9
10
8
10 10
13 13
13 13
so
sail - ing
13 13
11 10
12
11
C
ships
pass
by.
don’t
you
6 5 5 3
X X X X
X X X X
5 5 5 3
X X X X
X X X X
19
G5
Gtrs. 8 & 10
8va
6
6
6
1
1
10
10
13
13
11
12
12
15
15
13
13
13
17
16
15
15
18
18
17
1
17
17
20
20
18
18
18
21
Gtrs. 13 & 14
1
15
6
1
1
22
20
w/ bar
3 0 0
3 0 0 X 3
3 slack
Guitar Solo A5
Asus2
8va
1
22 22
22
2 2 0
20
P.M. 0
0
0 0 2 2 0
22
0
G/B
1 17
20 17
3 0 0 2
20
17
20
2
3 0 0 2
D5
3
6
1
1
17
20 17
P.M.
2
20
20
P.M. 2
C5
1 0 X 3
3
1
17 19
17
3
3 1 0 X 3
20 20
20 19
2
19 17
3
20
19 17
3 2 0
P.M. P.M. 0
0
3 2 0
0
3
2
A5 Gtr. 8
8va
Asus2
G5
10
8
P.H. 1 15
19
0
19
0
17
0
19
0
15
0
17
14
14
19
12
10
8
10
10
10
Pitch: A
Gtr. 11
8va
P.H.
loco
P.H. 1
12
15
0
14
0
12
0
14
0
10
0
12
8
8
12
7
5
3
5
5
3
5
5
Pitch: B
Gtr. 9
P.H. 1/2 17
Gtr. 10
20
0
19
0
17
0
19
0
15
0
17
0
13
0
15
8
7
10
7
9
7
P.H.
8
21
0
19
0
17
0
19
0
16
0
17
0
14
0
16
P.H.
9
7
11
9
9
7
10
1 1/2
17
10
9
11
11
Pitch: F#
Gtrs. 13 & 14
P.M.
2 2 0
0
0
0 0 2 2 0
0 0 X 3
P.M.
3
3
3 0 0 X 3
21
C5 8va
D5
15 13 15 13 12
13
1/2
12 10 12 10
loco
17 15 17 15
17 19 17
20
17
20 18 17 18
19 17
18 13 12
1 0 X 3
1 0 X 3
0 X 3
14
1
12
8
7 5
12
7
7 5
7
17
19 17 19
19
17
6
12 15 13 0 12 13 0 12 13
1
17 15 17 15
8va
17 19 17
19
20
17
20 18 17 18
19 17
18 13 12
14
3
6
2 0 0
3 2
2 2 0 0
3 2
2 2 0
P.M. 0
0
0 0 2 2 0
12 15 13 0 12 13 0 12 13
15
P.M. P.M.
loco
3
17
14
3
19 17 19
19
17
17
1/2
1
22
14 12 14
13 12
17
G/B
1/2 14
1/2
17 15 17
17
12
1
15
Asus2
3
1
A5
14
1
12 12
P.M.
0
3 0 0 2
3 0 0 2 2 2
8
7 5
7
2
7
7 5
C5
D5
P.M.
1 1/2
7
7
7
1
5
7
5
7
5
7
5
3
5
5
5
3
3
5
3
3
1
3
12
3
8va
8
13
P.M.
1 1/2
7
7
5
1
7
7
P.M.
1 0 X 3
3
5
7
3
5
7
5
3
5
5
3
5
3
5
3
3
P.M.
1 0 X 3
3
3 2 0
3
1
2
2
2
P.M.
3 2 0
3
10
2
23
A5
G5
C5
8va
D5
loco 3 6
6
1 1/2
17 17
12 12
15 15
19 19 15 24
8va
24 20 22 20 19
17
20 19 17
19 17
14
17 14
17 14
17 14 12
3 loco 6
6
2
12 12
5
5
10 10
10 10 12 20
8va
20
19 17 15
14 12
15 13
14 12
14 12 10
12
12 14 12
loco 3
6
6
1 1/2
17 17
13 13
15 15 12 19
15 15
20
19 17 15
14 12
15 13
14 12
14 12 10
12 10 12
9
10 10
15 15
12 12
P.M.
P.M.
P.M.
2 2 0
2 2 0
0 0 X 3
0 0 X 3
24
0
0
0
0
3
3
8
15
P.M. 3
3
15
1 0 X 3
10
6 3 6
1
13 13
12
14 12 10
P.M. 3
3
1 0 X 3
8
12 10 8
9
P.M. 3
0
3 2 0
7
9
7
5
7
5
3 2 0
3 2 0
3
5
3
0
Gtrs. 9 & 11 tacet
Bsus4 Gtr. 8
P.M.
11
9
Gtr. 10
P.M.
11
9
Gtrs. 13 & 14
2
9
8
9
8
9
9
2
14
16
14
16
P.M.
14
14
2
2
16
16
P.M.
16
14
16
14
14
14
0 0 4 4 2
0 0 4 4 2
2
11
8va
16
17
19
21
22
16
17
3 1
0 0 4 4 2
2
P.M.
0 0 4 4 2
1
17
17
17
17
17
17
17
8va
3 1 17
1 17
0 0 4 4 2
17
17
16
17
17
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
17
19
17
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
4
5
4
25
Chorus
Em
Gtr. 8 8va
So take
me
C
with
Gtrs. 8 & 10 tacet
you.
D
Take
me
a - way.
far
1
22
G
Gtr. 10
8va
1 17
Gtr. 13
2 2 0
Gtr. 14
2 2 0
26
7
7
7
7
P.M.
P.M.
1 0 2 3 0
1 0 2 3 0
3 2 0 0 2
3 2 0 0 2
P.M.
P.M.
1 0 2 3 0
1 0 2 3 0
3 2 0 0 2
3 2 0 0 2
0
0
0
0
2
2
2
2
9
11
12
10
12
5
3
3
0
2
3
0
2
5
7
C
Dsus4
ride
the
the
We’ll
G5 A5
Gtr. 13
D
wind
a - cross
G5 A5
3
sky.
6
P.H. 1/2
12 13 12
12 13 12
12 13 12
7 7 7 5
8 7 7 5
7 5 5
9 7 7
9 7 7
9 7 7
7 5 5
9 7 7
9 7 7
9 7 7
X X X
Pitch: D#
P.M.
5 5 5 3
5 5 5 3
Gtr. 14
Em
Spread
2 2 0
2 2 0
3
3
your wings
8 7 7 5
7 7 7 5
7 5 5
and
you
9 9 7
9 9 7
9 9 7
9 9 7
will
9
7
9
C
9
9
7
9
7
6
D
3
see
9 7 7
9 7 7
you
9 7 7
7 5 5
9 7 7
9 7 7
con - trol
your
9 7 7
X X X
G
des
1 0 2 3 0
1 0 2 3 0
3 2 0 0 2
3 2 0 0 2
0 0 X 3
1 0 2 3 0
1 0 2 3 0
3 2 0 0 2
3 2 0 0 2
0 0 X 3
7
7
9
7
9
7
-
ti - ny,
2
4
0
2
4
4
0
2
3
0
2
2
27
C
so
sail
Gtrs. 13 & 14
5 5 5 3
D
-
ing
P.M. 3
3
pass,
7 7 7 5
7
5 5 5 3
5 5 5 3
7
7
sail - ing
sail
-
ing
ships
12 9
12
12
14
5 5 5 7
pass
you
14
12
12
Ba - by, ba
-
ba
7
7
0 0 X 2 2 0
Cmaj7
-
5
by,
one
steady gliss.
5 3
28
14 X 12
7 7 7 9
9
9
P.M.
7 7 7 9
9
9
μ
10
-
ly
A.H.
0 0 5 5 3
the on
loco
8va
0 (5) 0 (7)
0 (7) 0 (12)
μ
can
you’ll find that you’re
A5
you,
P.M.
let ring
0 0 7 7 5
pass
14
by, ba - by,
don’t
P.M.
5 5 5 7
by.
7
10
D%
7
D
ships
P.M.
E5
don’t
15
5 7 7 7
5 5 7 7
D
don’t
P.M.
C
ships
C
sail your ship
a - cross
the
sky.
Outro Free time E5
8va
Gtr. 10
5
5
Harm. w/ bar
5
-1
8va
Gtr. 11
-1
Harm. w/ bar
5
5
-1
8va
Gtr. 8
-1
7
7
Harm. w/ bar
7
-1
5
-1
Gtrs. 13 & 14
2 2 0
29
8va
Harm. w/ bar
5
5
5
-1
8va
Harm. w/ bar
5
5
5
5
-1
8va
Harm. w/ bar
7 5
-1 1/2
2 2 0
30
-1
from Whitesnake - Slide It In
Slide It In
Words and Music by David Coverdale Intro Moderately q = 130 A D/A A
Gtr. 1 (dist.)
f
μ
D
string noise
w/ slight chorus
2 2 2 0
D
3 2 4 0
G
2 2 2 0
D
G
let ring
8 7 9
7 7 7
μ
A
8 9
D/A
A
7 7 7
D
μ
A
D/A
A
μ
2 2 2 0
3 2 4 0
2 2 2 0
7 7 7
8 9
μ
D
G
D
string noise
X
G
D
μ
D
D
7 7 7 0
X
G
G
let ring
7 7 7
9
7 7 7
8 7 9
7 7 7
Wooh!
1/2
8 7 9
8
3
*
2 2 2 0
3 2 4 0
2 2 2 0
let ring
7 7 7
9
7 7 7
7 7 7
let ring
8 7 9
8
7 7 7
8 9
*Doubled throughout
A
D/A
A
μ
D
G
D
G
D
μ
1. You
let ring
7 7 7
2 2 2 0
3 2 4 0
2 2 2 0
D G
D
G
D
μ
nev - er just like a
let ring let ring 1/2 8 9
8 7 9
9
let ring
7 7 7
7 7 7
8 7 9
8 9
1/2
7 7 7 3
7 7 7
8
7 7 7
7 7 7
8 9
7 7 7 3
A
D/A
A
μ
say - ing what’s on your stran - ger to me,
2 2 2 0
3 2 4 0
2 2 2 0
mind,
© 1984 WHITESNAKE MUSIC OVERSEAS LTD. All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
Verse A
talk - times
A
too you
much, seem
3 2 4 0
2 2 2 0
D/A
2 2 2 0
D G
μ
D
G
D
μ
but
all
let ring
7 7 7
8 9
8 7 9
let ring
7 7 7
7 7 7
8 9
7 7 7
it’s the
P.M.
0
1
A
D/A
2 2 2 0
3 2 4 0
2 2 2 0
D
G
D
G
G
D
μ
9
A
steady let ring gliss.
A
D/A
A
7 7 7
D/A
A
0
D
0
G
P.M.
0
2
7 7 7
8 9
8 7 9
let ring
7 7 7
7 7 7
8 9
0
0
let ring
D
I, tell
the so
9
2 2 2 0
3 2 4 0
2 2 2 0
0
0
D
G
0
7 7 7
I, I’m me what
P.M.
0
0
0
A
8 9
7 7 7
7 7 7
D/A
8 9
2 2 2 0
3 2 4 0
2 2 2 0
G
be - hind.
D
G D
you more. to you.
9
A
8 7 9
D/A
7 7 7
7 7 7
A
know what you want things you put
let ring
I the
0
7 7 7
8 9
P.M.
0
from me
me, through
2 2 2 0
3 2 4 0
2 2 2 0
P.M.
D
G
0
D
0
G
0
0
D
I’m gon - na
2 2 2 0
3 2 4 0
2 2 2 0
P.M.
0
0
0
let ring
7 7 7
8 9
8 7 9
let ring
7 7 7
7 7 7
0
3
0
8
0
let ring
7 7 7
A
get do
1/2
7 7 7
gon - na I’ve got to
let ring
8 7 9
hide see.
0
D
7 7 7
you to
P.M.
let ring
words eas - y
μ
I can though you
A
D
G
D/A
7 7 7
8
for,
0
in it
G
want, love,
P.M.
2 2 2 0
D
3 2 4 0
2 2 2 0
D
9
see what you’re look - ing try to de - ny,
7 7 7
9
8 7 9
7 7 7
8 7 9
8
7 7 7
8 7 9
A
let ring
8
let ring
7 7 7
D
μ
I know what you You’re look - ing for
7 7 7
D
and make
G
your face, you play,
D
μ
writ - ten on games
A
8 9
7 7 7
steady gliss.
10
Chorus G
slide
D
it
A
in,
3 2 0
0 0 X 3
right
D
to
the
top.
2 2
0
2 2
3 2 0
3 2 0
er
0
gon - na
G
2 2
3 2 0
X
G
slide
in,
0 0 X 3
0 0 X 3
3 2 0 X 2
-
2
0
4
2
0
1.
G
slide
G
0 0 X 3
0 0 X 3
3 2 0 X 2
G
D
5
0 0 X 3
0 0 X 3
3
in,
3 2 0
slide
it
0 0 X 3
0 0 X 3
A
D/A
let ring
7 7 7
8 9
8 7 9
let ring
7 7 7
7 7 7
8 9
7 7 7
in,
I
ain’t
nev -
3 2 0
2 2
right
to
the
2 2
0
A
0
D/A
2 2
A
A
D
2 2 2 0
3 2 4 0
2 2 2 0
top. I’m gon - na
0
0
3 2 0
3 2 0
μ
in,
ba
-
G
hmm.
A
0
G
μ
by,
0 0 X 3
0 0 X 3
0
D/F#
in,
D
2
it
End Rhy. Fig. 1
4
it
D
A
it
6 3 2 0
Slide
D
Slide
D/F#
it
D
stop.
D
Rhy. Fig. 1
G
2. Some -
2 2 2 0
3 2 4 0
2 2 2 0
3 3 0 0 X 3
3
2.
it
D/F#
C5
Guitar Solo G5
D5
D/F#
in.
Gtr. 2 (dist.)
f
1
8
10
0 0 X 3
3 2 0 X 2
5 5 3
7 7 5
10
8 9
7
10
10
9
C5
9
4
7
9
9
5 5 3
5 5 3
5 5 3
7
7
7
15
12
14
2
2
1
2
7 7 5
7 7 5
8
12
14
End Rhy. Fig. 2
Em
8
Gtr. 1: w/ Rhy. Fig. 2 (2 3/4 times)
12
10
10
G5
12
D/F#
1/2
D5
12
0 0 0 2 2 0
Gtr. 2
3 2 0 X 2
12
1
7
8
3 3 0 0 X 3
7
Rhy. Fig. 2
Em
Gtr. 1
12 15
14
12
14
14
12
11
14
12
C5
D5
7
14
11
12
14
11
12
12
14
13
15
12
13
12
15
14
15
17
1
17
17
D/F#
Em
3
3
14 15 14
17
15 14
15
17
19
15
14
15
14
15
G5
13
12
1/2
13
14
17
17
15
D5
8va
3
D/F#
8va
14
3
15
C5
loco
7 1
G5
8va
12
14
3
3
3
12
11
12
14
16
13
3
15
14
17
15
17
Em
17
19
loco
1/2
19
19
17
19
19
17
15
17
15
19
17
15
19
17
15
D/A
17
16
17
15
Verse Gtr. 2 tacet
Gtr. 2
D5
C5
8va
3
3
17
Gtr. 1
19
17
19
20
5 5 3
5 5 3
5 5 3
20
1
15
D5
1 20
7 7 5
7 7 5
A
3. You
talk
too
A
μ
C5
much,
1
22
22
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
2 2 2 0
3 2 4 0
2 2 2 0
5
D
G D
μ
A
al - ways
let ring
7 7 7
A
let ring
9
A
know what I’ve
7 7 7
7 7 7
8 7 9
8
D/A
8 9
7 7 7
got
to
2 2 2 0
3 2 4 0
2 2 2 0
D
G
0
0
P.M.
0
let ring
7 7 7
8 9
0
I’m
8 7 9
so
2 2 2 0
3 2 4 0
2 2 2 0
D
0
7 7 7
D
G
slide
it
D
12
8 9
7 7 7
0 0 0 X 3
3 2 0
Slide
6
it
D
in,
A
I
ain’t
nev
-
er
gon - na
stop.
3
mind.
2 2 2 0
3 2 4 0
2 2 2 0
P.M.
0
D
2 2
0
0
to
the
top.
2 2
3 2 0
3 2 0
Slide
it
G
0 0
9
me some peace of
right
7 7 7
8
A
A
D
7 7 7
7 7 7
8 7 9
D/A
get
0
in,
9
0
8
A
P.M.
Gtr. 1: w/ Rhy. Fig. 3 (1 1/2 times)
G
let ring let ring 1/4
D
Rhy. Fig. 3
7 7 7
7 7 7
gon - na
let ring
μ
8 7 9
9
G D
7 7 7
8
D
I
let ring
G
un - kind.
steady gliss.
7 7 7
G
Chorus G
D
to
D
me
P.M.
0
μ
do
treat - ing
Gtr. 1
A
D/A
G
D
0
End Rhy. Fig. 3
D
in,
0
A
right
the
top. I’m
gon - na
3 2 0
3 2 0
2 2
D
slide
0 0 X 3
0 0 X 3
3 2 0 X 2
0 0 X 3
to
the
top.
G
it
it
in,
0 0 X 3
3 2 0 X 2
Gtr. 1
Free time D
it
right
it
slide
I
ain’t
in,
to
the
top.
I’m
slide
it,
slide
it
in,
0 0 X 3
0 0 X 3
0 0 X 3
0 0 X 3
3 2 0 X 2
right
to
the
top,
D/F#
nev
-
er
0 0 X 3
slide
it
slide
it
in,
0 0 X 3
0 0 X 3
3 2 0 X 2
by,
D/F#
3 2 0
2 2 0
G
in,
slide
C5
rit.
D/F#
F5
stop.
right
D
-
A
in,
gon - na
gon - na
G
ba
0 0 X 3
G
D
it
3 2 0 X 2
0 0 X 3
G
in,
A
D
G
Slide
D/F#
D
A
in,
D/F#
D
Slide
G
G
in,
Gtr. 1: w/ Rhy. Fig. 1
it
D/F#
slide
Gtr. 1
0
G
to
D
rit.
10 10 8
5 5 3
ah!
2 3 2 0
7
from Whitesnake - Slip of the Tongue
Slip of the Tongue Words and Music by David Coverdale and Adrian Vandenberg
Intro Moderately fast q = 138
** B
*Gtr. 1
(Sound effects) 26 sec.
D/B
Gtr. 1
Gtr. 2 (7-str. elec.)
Gtr. 3 (7-str. elec.) divisi
A/B
E/B
D/B
C
2 3 2
3 5 5
4 5 4
5 5 6
5 7 7
7 7 8
D/B
B
A/B
E/B
4 5 4
5 5 6
5 7 7
7 7 8
2 3 2
4 5 4
D/B
**Chord symbols reflect overall harmony.
B
E/B
5 5 6
5 7 7
7 7 8
A/B
f
*Synth. arr. for gtr.
D/B
Dsus4
D
10 7 7
5 8 7
7 8 9
w/ dist.
f
f
Gtrs. 2 & 3
w/ dist.
P.S.
2 2
3 3
3 3
5 5
X X
X X
Gtr. 1 tacet
E5
D5/E
***Gtrs. 2 & 3
P.M.
0
0
P.M.
9 9 0
Asus4/E
0
0
0
0
14 14 14
Gsus4/E
G/E
μ
8va
P.M.
15 14 14
7 7
A/E
14 14 14
Harm.
13 12 12 0
12 12 12
5
5
5
5
7
7
7
7
0
***Composite arrangement
Pitch: D
© 1989 NORTH C MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
G
B
E
1
E5
D5/E
loco
P.M.
0
P.M.
9 9 0
Asus4/E
A/E
0
0
0
0
G/E
P.M.
0
*15ma
loco
12 12 12
P.M.
1/2
13 12 12
0
μ
P.H.
14 14 14
14 14 14
15 14 14
7 7
Gsus4/E
1/2
4
4
4
2
0
0
0
2
Pitch: C# D *Refers to harmonic only.
E5
D5/E
Asus4/E
P.M.
9 9
A/E
P.M.
0
0
0
μ
8va
Harm.
13 12 12
0
0
14 14 14
14 14 14
15 14 14
G/E
7 7
0
Gsus4/E
12 12 12
5
D5/E
loco
P.M.
0
P.M.
9 9 0
Asus4/E
0
0
0
0
Gsus4/E
P.M.
15 14 14
7 7
A/E
14 14 14
14 14 14
13 12 12
0
0
7
G
B
1. Some - time
4 2
2
af
-
ter mid
-
night
the
heat
7
7
E
μ
5
5
4
4
2
0
2
0
Verse
B5
7
0 Pitch: D
E5
5
5
5
be - gins
D5
to
rise.
4 2
7 5
0
B5
Girl,
you’d
shame
the
Dev
-
il
with the
look
that’s in
F#5
your
eyes.
4 2
4 2
Badd4
I
know
what’s
on your
4
run
a
-
way.
If
let ring
0
2
4
4
0
E6/G#
I
don’t
give
you
what
you want
there’s
gon - na be
0
2
μ
let ring
some
hell
to
steady gliss.
0
D5/E
4
4
can’t
an’
4 2
I
mind
let ring
Interlude E5
0
Aadd9
11 9
Asus4/E
12
A/E
Gsus4/E
G/E
μ
pay.
P.M.
9 9 0
7 7
0
0
0
0
P.M.
15 14 14
14 14 14
14 14 14 0
8va
Harm.
13 12 12
12 12 12
5
5
5
5
7
7
7
7
0 Pitch: D
G
B
E
3
E5
D5/E
loco
Asus4/E
P.M.
9 9
0
2. Creep - ing
up
0
be - hind
μ
3
14 14 14
14 14 14
10 10
0
12 12
me,
knock - ing
10
T
12 17 12 10
8
13 12 12
at
0
7
my
nev - er
be
too
blind
to
see
just
what
4 2
Badd4
You roll
me
o
let ring
0
4
w/ bar
4
_ 1/2
4 2
4 2
4 2
you’re
look - ing
for.
E6/G#
moan.
Ooh,
2
0
4 2
let ring
4
7 5
F#5
make me
_ 1/2
ver,
0
I’d
_ 1/2
_ 1/2
-
_ 1/2
Aadd9
4 2
_ 1/2
0
door,
5
4 2
7
D5
4 2
12
B5
3
T
7 7 0
Gsus4/E
15 14 14
0
Verse B5
A/E
11 9
such a
vel
- vet touch,
let ring
2
4 4
0 4
Interlude
Gsus2
μ[F#5]
you’d
melt
a
heart of
Gtr. 4 (dist.)
stone.
f w/ bar
14
14
14
15
17
-2 1/2
8va
Gtrs. 2 & 3
Harm. w/ bar
3 3 2 0 X 3
Riff A
loco
P.M.
3
3
P.M.
2
P.M.
4 2
P.M.
2 2
5
2
3
2
3
2
5
3
-7 Pitch: G
3
18
A
14
14
16
17
17
2
2
2
P.M.
16
14
P.M.
4
9
9
11
P.M.
2 2
11
2
11
9
End Riff A
P.M.
5
2
3
3
2
5
3
5
Pre-Chorus Gtr. 4 tacet
E5
G5
An - y - time,
A
Csus2
an - y - place,
I’m just a fool
who puts a
Dadd 49
smile
on your face.
9
3 0 0 X 3
2 0
μ[E5]
A
slave
to
love
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
12 X 10
12 X 10
9 X 7
6
2 0
5 0 X 5
3 0 X 3
14 14 14
an’
keep
you
4
0
4
young.
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
Riff B
Gtr. 2
2 0
Riff B1
9 X 7
[G5/D]
Gtr. 3
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
[A/C#]
All
it
takes,
an’
no mis
-
[C5]
takes,
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
17 X 15
17 X 15
17 X 15
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
Chorus Half-time feel B
D/B
5 X 3
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
17 X 15
5 X 3
5 X 3
E/B
tongue.
is
just
a
slip
17 X 15
17 X 15
17 X 15
5 X 3
5 X 3
5 X 3
5 X 3
of
the
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
End Riff B1
End Riff B
15
10
D/B
A/B
19
19
*Gtrs. 1 & 5
Oo.
Riff C1
19 X 17
B
8va
Gtr. 4
17 X 15
D/B
5 X 3
A/B
14 X 12
[D5]
Rhy. Fig. 1
f
7 7 8
7 7 8
7 7 8
7 7 8
7 7 8
5 7 7
5 7 7
5 5 6
5 5 6
5 7 7
4 5 4
4 5 4
5 5 6
4 5 4
2 3 2
2 3 2
2 3 2
7 7 8
7 7 8
7 7 8
7 7 8
7 7 8
5 7 7
5 7 7
5 5 6
5 5 6
5 7 7
*Gtr. 5 (clean); Composite arrangement
Gtrs. 2 & 3
Riff C
P.M.
7
0
0
5
0
5
0
0
5
0
0
4
0
P.M.
5
7
0
0
5
0
5
0
0
7
G/B
D/B
B
D/B
A/B
E/B
D/B
Just
8va
19
P.M.
5
3 3 4
3 3 4
0
3 3 4
2 3 2
0
End Riff C1
19
End Rhy. Fig. 1
5 5 6
a
2 3 2
3
2 3 2
7 7 8
P.M.
2
0
2
7
7 7 8
7 7 8
7 7 8
7 7 8
0
5 7 7
5 7 7
5 5 6
5
0
5 7 7
5
0
0
5 5 6
5 5 6
4 5 4
5
0
0
4 5 4
4 5 4
2 3 2
2 3 2
2 3 2
End Riff C
4
0
5
0
3
Gtrs. 1, 4 & 5 tacet
G5
D5
3 0 0 X 3
8
of
Gtrs. 2 & 3
0
2
3
0
5
Bsus4
slip
μ
the
7
tongue.
7 5
3
5
5
P.M.
5 4 4
2
2
2
P.M.
5 4 4
2
2
2
Interlude End half-time feel
B5
E5
D5/E
8va
Gtr. 4
6
3
3
Asus4/E A/E
3 1
16
17
16
16 17 19
19
16 18 19 19
16 18 19
19 21 22
21
19 21 22
Gtrs. 2 & 3
22
22
P.M.
4 2
4 2
4 2
4 2
4 2
Gsus4/E G/E μ
12
D5/E
0
Asus4/E A/E
0
22
P.M.
9 9
4 2
E5
22
7 7
0
0
0
0
15 14 14
14 14 14
0
Gsus4/E G/E μ
21
3. An’
8va
21
P.M.
14 14 14 0 0
19
19
P.M.
13 12 12
0
0
0
loco
P.M.
0 0
P.M.
9 9 0
6
2
22 22
22
12 12 12 0
6 1
20
22
15 14 14
7 7 0 0 0 0
P.M.
14 14 14
14 14 14 0 0
3
2 0
4 2 0
4 2 0
4 2 0
P.M.
13 12 12
12 12 12 0
9
Verse B5
if
I
want
a
lit - tle
love,
I
got - ta
take
a
D5
lit - tle
pain.
2
4 2
P.S.
4 2
X X
XX
X X
X X
7 5
Gtr. 4 tacet
B5
Make me think a
thou
-
sand times
F#5
be - fore
I
Badd4
kiss a - gain.
I’m wait - ing on
Gtrs. 2 & 3
P.S.
you
ev - ’ry
let ring
0
X X X X X X X X
4 2
Aadd4
an’ ev -’ry
night.
0
If
I
let ring
2
E6/G#
0
don’t try
to
11 9
2
4 4
Gsus2
there’s
let ring
0 4
4
4 2
sat - is - fy,
4
gon - na be
a
w/ bar
3 3 2 0 X 3
fist fight.
3 3 2 0
3 3 2 0
3
3 -3 1/2
10
day
Interlude Gtrs. 2 & 3: w/ Riff A
μ[F#5]
w/ bar
8va
Gtr. 4
w/ bar w/ wah-wah & echo 1
17 17
w/ bar
wah-wah & echo off
1
17
17
17
14
17 16
17 16
14
14 14
14 14
14 14
14 14
-1/2
14 14
-1/2
Pre-Chorus Gtr. 4 tacet
E5
G
An - y - time,
A
2 0
12 12 12
3 0 0 X 3
12
I’m just a fool
Csus2
an - y - place,
Gtrs. 2 & 3
who puts a
2 0
2 0
14 14 14
Gtrs. 2 & 3: w/ Riffs B & B1
μ[E5]
[G5/D]
A slave to
love
an’ keep you young.
[A/C#]
[C5]
All it
takes,
an’ no mis - takes,
Dadd 49
smile
on your face.
5 0 X 5
3 0 X 3
4
0
4
[D5]
is just a slip
of
the
Chorus Half-time feel Gtrs. 1 & 5: w/ Rhy. Fig. 1 Gtrs. 2 & 3: w/ Riff C Gtr. 4: w/ Riff C1
B
D/B
A/B
E/B
D/B
tongue.
B
D/B
A/B
Oo.
G/B
D/B
B
D/B
A/B
E/B
D/B
Just
a
11
G5
D5
slip
of
Gtrs. 2 & 3
the
tongue.
3 0 0 X 3
E5
P.S.
2 0 0
X X
3
X X
P.M.
2 0
0
0
0
Guitar Solo End half-time feel
F#m11
Gtr. 4
14
14
-6
Gtrs. 2 & 3
P.M.
2 0
D/F#
2 0
2 0
2 0
2 0
2 0
2 0
1/2
14
2 0
12
w/ clean tone
17 14 12
14
let ring
15 14 12
14
10
12 10
9
10
0 9
let ring
7 7 7
12
0
2
E/F#
14
5 4 6
12
let ring
4 4 4
14
14
14
0 0 2 2 X 2
14
1
3
14
BsusÊ/F#
w/ bar
5
B/F#
0
5
12
2
3 0
0
0
F#m11
B/F#
3
3
19
17
BsusÊ/F#
8va
3
1
0
7
12
0
0
0
0
10
14
0
loco
0
0
12
16
0
0 17 17 0
19
19
19
19
9
let ring
0 0 2 2 X 2
4 4 4
Dadd4/F#
D/F#
2
Esus4/F#
8va
15
14
16
17 14 12
16
let ring
8 7 7
7
2
E/F#
17
16
3
1
17 14
0
14
15
17 14
17
15
16
14
let ring
10 9 9
9
13
Gtr. 4
F#
loco
16
14
Gtr. 6 (dist.)
C#/F#
E/F#
12 11
14
11
14
11
11
12
12 11
11
B/F#
11
16
14
12
F#
C#/F#
14
12 11
14
12 11
14
11
14
11
f
16
14
Gtr. 7 (dist.)
13
11
14
11
12
11
16
13
11
13
11
14
11
f
13
11
Gtrs. 2 & 3
7 6 8
14
9
8
11
6 6 6
8
11
8
8
9
5 4 6
8
4 4 4
13
11
9
11
7 6 8
9
8
11
6 6 6
8
11
8
E/F#
D/F#
8va
3
T
3
T
T
6
T
T
T
3
T
6
T
T
19 16 19 16 12 19 16 19 16 12 19 16 19 16 12 19 16 19 16 12
14
6
T
T
6
T
22 17 14 21 14 17 22 17 14
T
1
T
14 16
22 17 14 19 14 17 21 17 14 17
8va
3
T
3
T
T
6
6
T
T
T
T
19 16 19 16 12 19 16 19 16 12 19 16 19 16 12 19 16
12
14
T
17
6
T
T
6
T
22 17 14 21 14 17 22 17 14
T
1
T
14 16
22 17 14 19 14 17 21 17 14 17
3
T
3
T
16 13 16 13
T
6
T
9 16 13 16 13
T
T
3
T
6
T
9 16 13 16 13 9 16 13 16 13 9
T
11
6
T
T
19 14 11 18 11 14 19 14 11
6
T
T
1
T
19 14 11 16 11 14 18 14 11 14
let ring
5 4 6
3 2 4
2
11 13
3
15
E/F#
8va
6
T
F#
6
T
T
T
17
T
T
T
T
T
16
16
24 17 14 21 14 23 17 14
6
T
1
T
14
13
13
21 14 11 18 11 20 14 11
17
17
rake
11
11
10
5
let ring
7 6 8
9 8 10
16
7
16
16
13
1
11
16
1
10
let ring
4
1
18
18
14
1
14
3
T
21 13 11 20 11 13 21 13 11
16
1
T 17
3
6
5 4 6
1
T
16
16
24 17 14 21 14 23 17 14
6
T
1
T
24 16 14 23 14 16 24 14 16
T
6
3 1
T
24 16 14 23 14 16 24 14 16
8va
G#/F#
9
9
4
Interlude μ(E5)
loco
13 14 13 11
14 13 11
13 11
13 11
11
13 11
loco
13 14 13 11
14 13 11
13 11
13
13 11
15
13 11
6 7 6
4
7
6
5
3
6
4
6
4
6
9
4
let ring
11
8
9
3
P.M.
P.M.
P.M.
P.M.
8 0 0 0
7
5
0
4
0
0
Gtrs. 4, 6 & 7 tacet
[F#5]
Gtrs. 2 & 3
3
P.M.
0 0 0
7
P.M.
0
P.M.
5
0
P.M.
4
3
P.M.
2 2 2
P.M.
4 0
P.M.
2 2
2
P.M.
5
2
17
P.H. 1/2 1/2
[E5]
E5
D5/E
Asus4/E A/E
*8va
3
P.M.
0
0
P.M.
7
0
P.M.
5
0
4
0
4
4
4
loco
P.M.
9 9
4
15 14 14
7 7
0
0
0
0
14 14 14
0
Pitch: E# F# C# *Refers to harmonic only.
Gsus4/E G/E μ
E5
D5/E
Asus4/E A/E
Gsus4/E G/E C/E
4. The
P.M.
14 14 14 0
8va
Harm.
12 12 12
13 12 12
5
5
5
7
7
7
9 9
7
Verse B5
sun
is
slow
0
0
0
P.M.
14 14 14
15 14 14
0
14 14 14 0
13 12 12
12 12 12
12 12 12
17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17
0
E
-
P.M.
7 7
0
0 Pitch: D G B
5
loco
ly
ris
-
ing
an’ I’m
sink - ing
to my
knees.
D5
P.S.
X X
B5
dy
4 4 2
18
-
ing
just to
close
my
XX XX
B7susÊ
eyes.
0 0 2
I’m
beg - ging,
5
7 7 5
F#5
dar - ling, please.
I’m
16 16 14
4 2
11 9
Badd4
Aadd9
I
hear you call
-
ing
an’ I’m
crawl - ing
let ring
0
4
4 2
’cross
the
3
floor.
And I
E6/G#
let ring
I
an’
let ring
0
2
4
0
got
0
2
4
give you ev - ’ry - thing
4
4
Interlude
Gsus2
still you ask
for
μ[F#5]
C#m7
more.
Gtr. 4
Oo.
grad. release w/ bar 1
18
18
16
16
-6 -9 1/2
Gtrs. 2 & 3
w/ bar P.M.
3 3 2 0 X 3
0
0
2
P.M.
4 2
P.M.
P.M.
0 0 4
2 2
2
5
2
4
-4 1/2
19
Pre-Chorus E5
μ[F#5]
G5
An - y - time,
14
16
16
1
1
1
14
17
17
14
17
17
17
17
*8va
P.M.
P.M.
P.M.
1/2
4 2
P.M.
loco P.H.
2
2
2
5
2
4
2
4
2
0
4
2 0
2
3 0 0 X 3
12
Pitch: E# F# E# *Refers to harmonic only.
Gtr. 4 tacet
A
an - y - place,
Gtrs. 2&3
12 12 12
5 5 5
7 7 7
I’m
Harm.
3 0 0
Csus2
7 7 7
3
12 12 12
just
2 0
2 0
a
fool
who puts
14 14 14
a
Dadd 49
smile
on
your face.
5 0 X 5
3 0 X 3
4
0
4
Pitch: B G D
Gtrs. 2 & 3: w/ Riffs B & B1
μ[E5]
[G5/D]
A slave to
20
love
an’ keep you young.
[A/C#]
All it
takes,
an’ no mis - takes,
[C5]
[D5]
is just a slip
of
the
Chorus B5
D5
tongue,
a
slip
of
the
Gtr. 4
8va
6
6
6
6
6
19 14 14 14 14 14 19 14 14 14 19 14 19 14 14 14 14 14 19 14 14 14 19 14
Gtrs. 2 & 3
6
6
19 14 14 14 14 14 19 14 14 14 19 14 19 14 14 14 14 14 19 14 14 14 14 14
3 2 0 0 X 3
4 4 2 2 0
C/E
6
D/F#
tongue.
Gtr. 4
8va
6
6
6
6
20 15 15 15 15 15 20 15 15 15 15 15 20 15 15 15 15 15 15 15 15 15 15
Gtr. 6
17
22 17
20
24 17
20
22 17
20
24 17
20
22 17
20
24
Harm. w/ bar w/ echo
4
-3 1/2
Gtrs. 2 & 3
1 0 2 3 0
3 2 4 5 2
21
Outro
8va
Just
a
slip
of
the
D5/E
Asus4/E
Gtr. 6 tacet
E5
A/E
tongue.
1
17
22
20
17
24
20
17
20
22
17
20
24
17
20
22
17
22
22
Harm. w/ bar
1/2
22
echo off
4 -3 1/2
3 2 4 5 2
Asus4/E A/E
8
Gtrs. 2&3
P.M.
14 14 14
13 12 12
0
22
22
19
1
19 22
22 20
21
22 20 17
20
Harm.
12 12 12
5
5
5
5 7
7
7
Pitch: D G B E
0 0
7 7 0 0 0
20 17 19
P.M.
9 9
7 0
0
P.M.
0
P.M.
15 14 14
14 14 14
15 14 14
14 14 14
0
μ
Slip
of
the
1
17
8va
loco
Gsus4/E
3
19 22 19
0
1
22
22
0
1
22
0
D5/E
1/2
22
7 7
1
E5
P.M.
0
8va
9 9
Gsus4/E G/E μ
Gtr. 4
14 14 14 0 0
19
19
P.S.
13 12 12
X X
X X
Gtr. 4 tacet
D5/E
Asus4/E
E5
A/E
Gsus4/E
G/E
tongue.
8va
Gtr. 6
2 1
1
22
22
22
1
1
22
22
22
22
22
22
22
22
3
2 1
1
17
17
Gtrs. 2 & 3
19
8va
Gtr. 7
22
0
1
17
17
9 9
7 7
1
17
17
17
17
17
17
17
15 14 14
14 14 14
14 14 14
13 12 12
12 12 12
7 7
17
12
23
E5
D5/E
1 hold bend
19
22
19
0
19
19
22
19
19
19
19
19
3 14
17
0
14
1 hold bend
14
0
14
14
14
17 17
22 22
μ
Just
a
slip
22
17
17
17
17
15 14 14
7 7
Gtrs. 6 & 7 tacet
22
22
22
22 22
1
17
17
17
1
1/2
17
tongue.
Asus4/E A/E
14 14 14
13 12 12
12 12 12
12 12
Gsus4/E G/E μ
A
slip
of
the
1
1
12
10
15
13
1
1
10
9
13
12
1
1
8
7
11
10
12 12
0
17 17
17
X X
XX
D5/E
tongue.
Asus4/E A/E
1
1
12
10
15
13
1
1
10
9
13
12
0
P.S.
9 9
24
E5
7 10
0
Gtrs. 2 & 3
17
17
17
Gtr. 4
D5/E
the
0
of
P.S.
9 9
E5
22
1/2
17
1
1/2
22 22
8va
Gsus4/E G/E
8va
Asus4/E A/E
7 7
15 14 14
14 14 14
13 12 12 12 12 12 12
12 12 12
X X X X
0
9 9
7 7
15 14 14
14 14 14
Gsus4/E
A
slip
of
E5
the
9 12
1
1
8
7
11
10
Gsus4/F#
G
tongue.
D/F#
μ
G/E
1
7 10
1
12
10
15
13
1
1
8
7
11
10
0
P.S.
14 14 14
12 12
12 12
12 12 12
13 12 12
Csus4/G C/A
Dsus4/A D/E
No!
X X X X
9 9
7 7
Asus4/E A/E
Oh!
13 12 12
12 12 12
0
E5 D5/E
Gsus4/E G/E
No!
7 10
12 12 12
1
1
13
12
16
15
1
14
18
17
12 12 12
17 17 17
18 17 17
17 17 17
20 19 19
1
15
19 19 19
1
1
12
10
15
13
19 19 19
9 9
7 7
1
1
10
9
13
12
15 14 14
14 14 14
1
1
8
7
11
10
13 12 12
7 10
12 12 12
12 12 12
25
μ[C]
[C]
[Bm]
[D]
[D]
[C]
[G]
[D/F#]
[Em]
Gtr. 3
9
9
7
7
9
9
7
7
7
7 7
9
9
7
10
9
9
10
10
9
9
7
7 9
10
10
9
13
13
15
15
12
12
14
14
17
17
9
9
7
7
5
5
9
9
7
7
7
9
10
10
9
9
7
7
10
10
9
9
P.M.
3
26
3
2
2
3
3
2
2
5
5
2
2
3
3
2
2
5
3
3
2
2
5
5
3
3
2
2
7
5
5
Gtr. 6
19
7
9
7
7
10
12
7
7
Gtr. 2
[Am]
12
[Bm]
8va
Gtr. 4
[G]
[Bm]
0
from Whitesnake - Whitesnake
Slow an’ Easy Words and Music by Mick Moody and David Coverdale G5
F5
C5
5fr Gtrs. 1 & 4: Open G tuning: (low to high) D-G-D-G-B-D
134
134
134
Intro
Gtr. 1 (dist.)
25 sec.
mp
w/ pick & fingers w/ slide let ring throughout
3 3
5
0
Bb5
G5
5
0
G5
3 3
5 5
5
0
0
0
G5
3 3
0
5
0
0
0
0
0
babe,
like I’ve nev
G5
0
0 0
0
you
on
the
3 3
5 5
er
known
5
0
0
0
Bb5
C
0
3 3 3
5 5 5
5 5 5
0
G5
Bb
You
-
5 5 5
Bb5
5 5 5
3 3 3
0
just wan - na see
3
3 *
0
1. Keep on push - ing,
I
C
0
be - fore.
5
3 3
0
Verse Bb
0
Bb5
an’
0
Bb5
* Chord symbols reflect implied harmony.
3 3
0 0
Bb5
134
G5
Moderately q = 100 * Bb5 G5
(Kybd.)
Bb5
3fr
know you
drive
G5
floor.
3 3
child,
Bb5
me cra - zy,
Wan - na
5 5
0
0 0
0
0
3 3
5
0 0
0 0
0
0
* Sung behind the beat.
© 1981, 1984 EMI MUSIC PUBLISHING LTD. and C.C. SONGS LTD. All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by COLGEMS-EMI MUSIC INC. All Rights for C.C. SONGS LTD. Administered by WB MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission
1
C
D
su - per - sti - tious wom - an;
5 5 5
7 7 7
7 7 7
G5
3 3
she got a
5
10 10 10
Bb5
0
0 0
0 0
3 3
C
su - per
Bb5
F
X X X
-
sti - tious
5 5 5
4 4 4
0
5 5
3 3
5
0
0
0
0
3 3
0
0
0
G5
Harm.
0
0
0
Bb5
G5
mind.
G5
Bb5
5 5
5
0 3
0 0
0
Pitch: A
Verse Bb5
2. An’ I can’t
see you, ba
-
by,
I can’t
3 3
5 5
5 5
Gtr. 1
Bb5
see
you
2
3
y - more,
no
more.
3 3
3
-
5 5 5
1
an
Gtr. 2 (dist.)
mp
G5
C5
5
0
0
1/4
1
3
3
1
3
Bb5
3 3
G5
Bb5
5 5
0
5 5
0
0
1/4
3
Bb5
3
3
1
G5
Keep on
3 3
1
3 3
5
1/4
1
F
0
3 3
3
5 5 5
5 3
ne - ver
known
3
C5 D5
0
5 5 5
su - per - sti - tious
0
wom - an
7 7 7
7 7 7
5 3
7 5
1/4
1
3
Bb
3
Bb5
G5
a
3 3
5
0
3 1
1
0
1/4
3
3
0
mf
G5
su - per - sti - tious mind
mf
7 5
Bb5
*
3 3 3
3
3
an’ I
0
3 3
0
5
0
6 5 3
5
su - per - sti - tious…
like I’ve
1
C
I wan - na
10 10 10 10
me
3
with a
ing
G5
3
-
3
be - fore.
lov
Bb5
C5
don’t
3
1
3
0
3
0
0
1/4 1
mind,
3
0
0
* Sung ahead of the beat.
3
Gtr. 3: w/ Fill 1
G5
ba
5 5
0
3 3
0
3
5 5
0
0
0
0
0
1
1
3
3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3
Bb
3 3 3 3
1
3
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
Rhy. Fig. 1A
1/4
w/o slide
G5
3 3 3 1
3 3 3 1
3 3 3 1
G5
3 3 3 1
3 3 3 1
3 3 3 1
3. My
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
End Rhy. Fig. 1
0 0
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
End Rhy. Fig. 1A
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
5 5 3
5
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
Fill 1
Gtr. 3 (dist.)
mf string noise
X
4
3
Rhy. Fig. 1
0
3
Bb
3 oh, look out!
0
1
by,
0
1/4
-
3 3
G5
Bb5
Bb5
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
X X
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
0 0
3 3 3 3
3 3 3 1
P.S.
steady gliss.
XX 1515
10 10
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
1 1
5 5 3
0 0
3
Verse
C
heart
is 4. I
beat - ing don’t
2nd time, Gtr. 2: w/ Fill 3
fast care
-
er, babe, a - bout,
it's
beat - ing oh,
like
big I don’t
a
3 3 3
5 5 5
5 5 5
5 5 3
mm. no more.
5
0
0
5
5
0
5 3
Harm.
5
Pitch: G
0
w/ slide
5
5
3
10
C
10
5
5
0
5
3
8va
5
0
5
Fill 2 Gtr. 3
You The
w/o slide
3
steady loco
0
5 3
15
Bb
C
know you way you
got keep
me speed - ing, a - bus - ing
child, me,
w/ slide
3 3 3
5 5 5
5 5 3
Fill 3 Gtr. 2
gliss.
17
5 5 3
drum, love
3 3 3
G5
steady gliss.
Gtr. 3: w/ Fill 2
bass care a - bout,
w/ slide
5 5 3
3
steady gliss.
18 18
5
2nd time, Gtr. 2: w/ Rhy. Fill 1
fast - er than oh,
a
bul - let from a
gun, I
5 5 5
3 3 3
5 5 5
0
P.H.
5
18
3
3
3
su
-
per - sti - tious wom - an I wan - na wom - an,
w/ slide
7 7 7 7
5 5 3
7 7 5
7 7 5
Rhy. Fill 1 Gtr. 2
5 5 3
6
You’re a, more.
0
0
5
an'
5
3
I
got she
a got
su a
3
C
-
5 5 3
Bb
per - sti - tious su - per - sti - tious
5 5 5
5 5 3
5 5 3
5
steady gliss.
6 5 3
0
3
5
10 10 10 10
5
0
5 3
F
5
a
5
0
5
5
Pitch: G
ooh. can’t take no
steady gliss.
w/o slide
15ma loco
D
G5
3 3 3
3 3 1
G5
mind
an’
w/o slide 5
0
5
0
5
5
0
down
0
slow
an’ eas
-
y.
w/ slide
0
3
me
3
5
*
3
0
3
3.5
0
0
3
5
0
3
3
luck
5
3
3
5
trou
-
ble
3
0
5
0
3
3
3
0
3
5
3
0
3
0
0
5
0
5
is
com - ing
my
way,
0
0
0
3
3
5
3
5
0
3
3
3
1/4
3
5
2.5
3
5
3
0
I
know that
0
0
3
5
3
5
3
5
so
0 0
0 0
3
5
5
End Voc. Fig. 1
0
3
0
3
3
an’
5
3
5
an’ eas - y.
0
3
5
3
5
3
slow
3
5
hard
5
me
0
3
3
0
1/4
3 3
to
3
5
3
love
3
2.5
Make
5
3
0
3
3
5
3
take
5
3
So
0
5
Voc. Fig. 1
* Slide positioned halfway between 3rd & 4th frets.
care.
mind.
0
I don’t
Chorus G5
3
5
0
3
5
7
1.
F
C
rock me ’til I’m
10 10 10
6 5 3
5 5 3
3
0
0
5
5
3
3
Fill 4 Gtr. 3
2 2 2
4 4 4
3
0
5
0
3 3 1
5
5
0
0
0
5 3
0
3
15
3
0
3
End Riff A
5
0
5
5
0
End Riff A1
5
3
0
5
3
5
5
5
5
5
3
Riff A1
5 5 3
5
3
3
1
8
to the bone.
6 5 3
6 5 3
5
G5
5 5 5
5 5 5
5
Bb5
Riff A w/o slide steady gliss.
10 10 10
10 10 10
0 0 0
C5
burned…
3 3 3
F5
rock me ’til I’m
0
5 5 5
6 5 3
6 5 3
5 5 5
G5
burned to the bone,
10 10 10
Bb
2nd time, Gtr. 3: w/ Fill 4
steady gliss.
20
5 3
2.
rock
me
’til
I'm
5 5 5 5
6 5 3
6 5 3
Guitar Solo
6 5 3
6 5 3
bone,
5 5 3
3 3 1
rock
me
’til I'm
5 5 3
5 5 3
10 10 10 10
10 10 10 10
6 5 3
6 5 3
3
5
burned.
11 11
10 10
9 9
Gtr. 4 (dist.)
mp
3
1
3
5
0
* Doubled next 8 meas.
F5
10 10
9 9
10 10
3 3
3
2
0
5 5
2 2 2
4 4 4
(cont. in slashes)
5 5 5 3
C5
3 3 3 1
G5
w/ slide
12 12 12
To Coda Bb
5 5 5
steady gliss.
12 12
5 5 5 5
C5
C
steady gliss.
0 0 0
F
3 3 3
G5
F5
* Gtr. 1
the
G5
5 5 5
6 5 3
burned to
10 10 10 10
10 10 10 10
Gtr. 2
Bb5
C5
F
10 10 10
0
3
3
5
12 12 12
G5
5
3
steady gliss.
5
3
steady gliss.
10 10 10
3
3
1
0
3
1
2.5
3 3 3
5 5 5
5 5 5
3
12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
9
F5
G5
12 12 12
C5
10 10 10
10 10 10
10 10 10
10 10 10
5 5 5
5 5 5
5 5 5
5 5 5
3 3
3 3
3 3
3 3
3 3 3
0 0 0
12
15
15
15
10 10 10
10 10 10
Bb5
Gtr. 5 (dist.)
Gtr. 1 divisi
10 10 10
1 1 1
10 10 10
Gtr. 4
(cont. in notation)
f
5 5 5
13
3 3
5 5
10
3 2 0
13 10
Gtr. 2
0
0
3 2 0
12 10
12
P.M. let ring
3 2 0
0
15
15 15
0
12
10
3 2 0
P.M.
10
12
3
0
10
0
1
1
13
13
12 12
13
10
12
0
2
let ring
2
3 0
2
3
G
1
13
13
3 0 0
3 0 0
2
1
10 12
2
13 10
let ring
1
1
3
14
10
10 10
let ring
3
10
1
10
2
G
Csus2
10
P.M.
13 12 10
1/2
5 5
10
Csus2
Gtr. 5
D5
10
15
5
D5
3 3 3
3 3
0 0
1
3 3 3
15
Gtrs. 1 & 4 tacet
C5
3 3
15
steady gliss.
10 10 10
15
3 0
3 0
3 0
12
let ring
3 0 3
2
13
10
3 0 0
3 0 0
13
1
1
(13 )
13
13
10
13
10
13
0
15
15
15
13
2
P.M. 0
0
0
10
13
10
10
3 0
3 0 3
3 0
Gtr. 5
1
10
13 10 13
1/2 13
13
Gtr. 1
2
3 0 0
10 10 10
15
12
me
(cont. in notation)
So
1
1
15
15
17
15
10 10 10
12 12 12
13
take
15
15
12 12 12
3 0
12
3 0
2
G5
8va
1/4
14
3
2
3 0
2
F5
3 0
(cont. in slashes)
G5
Gtr. 2
13
13
10
let ring let ring
3 2 0
3 0
2 3 2 0
10
1/4
1
14
13
15
F5
8va
15 15 15 15 13 13 13 13 12 12 12 13 12
1
0
3 0 X 2 3
3 0
loco
15
1/4
let ring
G/B
13
2
3
Csus2
1
8va
15
let ring
0
D5
15
G
13
3
3 2 0
0
Csus2
1
P.M.
3 2 0
15
13
D5
11
Breakdown
down
slow
an’ eas - y.
Gtr. 1
μ
Make love to
me
slow
Gtr. 5 tacet
C5
an’ eas - y.
Take me
steady gliss.
Gtr. 2
5 5 5
5
0
5 5 3
5 5 3
down
slow
3
an’ eas - y.
Rock me
’til
I’m burned to
the
bone.
An’ take me
w/ slide rake
steady gliss.
12 12 X X
steady gliss.
20 20
12
down
slow
an’ eas -
y.
Make
love
to
me
slow
an’ eas -
y.
15ma
fdbk.
0 0 0
0 0 0
G5
3
I
15ma
know that
hard
luck
loco
0 0 0
0 0 0
3
3
an’ trou - ble
is
com - ing
my
way
so
13
F
rock
me
’til
I'm
10 10 10
10 10 10
6 5 3
6 5 3
C
the
bone.
burned
to
5 5 5
3 3 3
5 5 5
G5
0 0 0
So
take
me
0
3
X
Gtrs. 1 & 2: w/ Riffs A & A1
Coda
G5
0
3 3 1
5 5 3
Bb
D.S. al Coda (take 2nd ending)
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Bb
G5
to the bone.
Bb
Gtr. 1
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 3
Gtr. 2
3 3 3 1
14
G5
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
(Kybd.)
22 sec.
0 0 0
5 5 3
22 sec.
from Whitesnake - Whitesnake
Still of the Night Words and Music by David Coverdale and John Sykes Em['9] C'#4 8fr
Em7
8fr
241
341
C'2 7fr
7fr
312
412
Intro Moderately q = 104
μ
F#5
Gtr. 1 (dist.)
f
X X X 19
4 4 2
2
Verse μ
the
night
I
hear the wolf
4
howl,
hon - ey,
P.H.
of
4 4 2
0
still
4 4 2
0
3
X X X
2
a - round
1. In
the
19
sniff - in’
your
4 4 2
0
F#5
door.
In
0
© 1987 WHITESNAKE MUSIC LTD. and WHITESNAKE MUSIC OVERSEAS LTD. All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
the
4 4 2
1
μ
still of
the
night
I
feel my heart
beat - in’ heav - y,
tell - in’ me
I
got - ta have
more.
Riff A
2
P.M. 2 2
3
2
0
2
0
2
2
0
μ
3
2
0
2
E5
P.M.
0
2
0
2
2
2
2
2
0
B
4 4 4 2
5 4 2 2 0
4
A
In
P.M. 0
F#5
2
0
2
0
2
of
night
I
see
the
full
3
2
moon
0
2
0
rise,
P.M.
2
0
2
2
2
tell - in’
me
what’s
2
in
2
0
4 4 4 2
2 2 2 0
0
shad - ow Gtr. 2 (dist.)
2
4
3
P.M.
store.
f P.H.
11
Gtr. 1
4 4 2
2
the
End Riff A
My
4
B
P.M.
3
heart
9
0
2
Gtrs. 1 & 2 tacet
Gtr. 1: w/ Riff A
start
ach - in’, my bod
-
E5
y start, a, shak - in’ an’ I
B
No,
μ
more.
no,
P.M. P.M.
no!
D5
P.M. P.M. 0
9 9 7
0
μ
A
E5
0
no
B
Rhy. Fig. 1
Gtr. 1
can’t take
μ
μ
0
0
E5
0
9 9 7
0
0
0
0
9 9 7
0
0
0
0
7 7 5
9 9 7
7 7 5
0
D5
Now
End Rhy. Fig. 1
P.M. P.M. 7 7 5
0
I
just
Rhy. Fig. 2
2 2 0
0
0
wan - na
get
close
P.M. 5
0
3
0
2 2 0
0
9 9 7
0
0
you
an’
P.M. 3
P.M. 0
to
0
3
0
0
taste
your
0
9 9 7
7 7 5
0
0
0
0
love
0
9 9 7
0
0
Pre-Chorus A5
P.M.
so
2 2 0
2 2 0
2 2 0
3
An’
P.M. 0
sweet.
5
7 7 5
9 9 7
0
5
2
0
3
0
3
I
just
B5
wan - na
4 4 2
make,
0
a,
P.M.
0
2
love
to
feel
4 4 2
2
A5
you,
17 17
your
bod -
y
2 2 0
0 0 0 X 3
Fsus2
heat.
0 3 3 1
In
the
of
the
night.
E5
P.M. P.M. 0
0
0
μ
9 9 7
0
0
0
0
9 9 7
0
P.M. P.M. 0
0
0
9 9 7
0
0
E5
0
0
9 9 7
7 7 5
P.M. P.M. 0
0
0
the still of
the
night.
O - ver
9 9 7
D5
D5
4
still
In
7 7 5
End Rhy. Fig. 2
19 19
Chorus μ
G
0
0
0
0
9 9 7
0
P.M. P.M. 0
0
0
9 9 7
0
0
0
0
here,
ba - by!
9 9 7
7 7 5
0
2
3
4
Interlude μ
P.M. 2
E5
3
2
0
2
0
2
2
0
μ
3
2
0
2
0
2
0
3
2
0
2
0
2
0
5 4 2 2 0
4 4 4 2
4 2
2
2
2
0
B
P.M. 0
2
3
2
0
2
0
0
A
4 2
B
2
2
2
2
2
0
4 4 4 2
2 2 2 0
2. In
the
Verse
heat
of
the
day
I
hang my head
down
low
an’
hide
F#5
my
face
from the
sun.
Through the
4 4 2
light of
the
day
un - til
the
eve - ning
time
I’m
wait - ing
for
the night
0
4 4 2
to
c - c - c - come.
X X
X X
19 19
5
Gtr. 1: w/ Rhy. Fig. 1
E5
D5
Oo,
um, ba
D/F#
the
-
moon
C5
-
5
Am7
is
7
0
0
0
7 7
5
In the still of the
0
0 0
2 2 0
5 5 5
my
4 5
0
0
heart
0 3 3 1
15
* Em['9] *** pp
mf
-1 1/2
-2 1/2
w/ bar
0 -1/2
6
feel
**Gtr. 3
I
night.
E5
let ring
5 5 7
7
night,
G
5 5 3
P.M. P.M. P.M. 7 7
D5
Fsus2
ach - ing.
5 5
C/E
X X X
7 7 9
9
light,
Gtr. 1
5
In the still of the
cool
E5
by.
in
μ
μ
*See top of first page of song for chord diagrams pertaining to rhythm slashes. **Kybd. arr. for gtr. ***Vol. swell
Interlude
C'#4
Oo,
*
ba
-
**
by.
Em['9]
Oo,
_ 1/2
_1
mp
w/ bar
_1
_ 1/2
5
7
9
babe.
w/ bar
8
7
*w/ echo set for dotted eighth-note regeneration w/ 4 repeats.
3
**As before
Can’t keep a - way...
dim.
***
7
8
8 7
***Vol. swell
C'#4
Gtr. 1 tacet
Em['9]
N - need
p let ring
8 7
7
5
5
3
3
†
to
be
clos
-
er...
5
†w/ echo, next 17 meas. (variable rates).
7
3
I can’t keep a - way,
Gtr. 4 (clean)
I can’t keep a - way,
mp
Em7
can’t keep a - way...
let ring throughout
8
11
9
11
7
7
9
7
0
0
C'2
0 3
3
0
4
can’t
keep
0
8
a - way,
7
9
11
8
11
7 9
7
4
7
0
me love,
7
9 0
0
0
4
got - ta
4 7
11
8
11
huh!
0
3
7
no...
0
7
You got - ta give
0
5
7
7
Em7
I
7
7
8
11
9
7 9
7
5
give
me some lov - in’ ev -’ry day.
7
10 7
C'2
Em7
Can’t keep a - way.
0 3
4
3
0
5
4 0
8va
7
4
0
0
0
4
Harm.
0
7
5
5 Pitch: D
G
Interlude Gtrs. 3 & 4 tacet * Em Riff B
End Riff B
8va
Gtr. 5
mf
Harm.
7
5
7
Pitch: G
7
G
mf P.M. **Gtr. 6
7
7
5
7
4
4
5
5
4
P.M.
4
7
7
4
4
5
5
4
4
*Chord symbols reflect implied harmony. **Kybd. arr. for gtr.
Gtr. 5: w/ Riff B (7 times)
C
Gtr. 4
D
loco
let ring
3 3
3
0
4
3
0
0
3
P.M.
Gtr. 6
3
3
4
4
5
5
4
4
P.M.
3
3
4
4
5
5
4
4
5
5
4
4
5
5
4
4
9
Gtr. 4 tacet
Em
C
*Gtr. 7
mf
P.M.
0
0
2
2
4
4
2
P.M.
2
0
0
2
2
4
4
2
P.M.
2
0
0
2
2
4
4
2
2
*Kybd. arr. for gtr.
P.M. Gtr. 6
7
7
4
4
5
5
4
P.M.
4
7
D
4
7
4
5
5
4
P.M.
4
3
3
4
4
5
5
4
Em
P.M.
0 0 2 2 4 4 2 2
4
4 4
2 2 4 4 2 2
0 0 4 4
5 5
4 4
5 5
4 4 2 2 4 4
0 0 2 2 4 4 4
P.M.
4 4 5 5 4 4
3 3
5 5
4 4 5 5 4 4
4 4 5 5 4 4
7 7
4 4
5 5 4 4 5 5
7 7
4 4 5 5 4 4
5 5
4 4 5 5 4 4
Gtr. 7 tacet
Gtr. 6
C
D
P.M.
3 3
10
3
4
4
5
5
4
4
3 5
5
4
4
5
5
3
3
4
4
5
5
4
4
5
5
4
4
5
5
4
5
Em
D
P.M.
7
4
7
4
5
5
4
4
4
4
5
5
4
4
5
5
C
7
4
4
5
5
D
Ooh, ba - by,
Gtr. 1
7
ooh,
5
4
5
5
D5
4
5
E5
4
4
G5
X X X X X X X X
5 4 2 2 0
3 2 0
P.S.
4
ah!
Gtr. 6
4
8 7 5
0 0
Riff C
P.M.
3 3 3 3
4 4 5 5
4 4
D5
3 3
4 4 5 5 4 4
5 5
12 12 12
C5
7 7 0 0
5 5 4 4 5 5
D5
G
5 5
4 4 5 5 4 4
D
7 7
0 0
9 12
10 11 12
12
7 7
4 4 5 5 4 4
A
11
10 10 10 8
10 9 11
P.M. 7 7
4 4 5 5 4 4
3 3
4 4
5 5
4
4
7 7
4 4 5 5 4 4
5 5
4 4 5 5 4
4
4 4
5 5 4 4 5 5
F
Rhy. Fill 1
7
4 4
2 2 2 2
End Rhy. Fill 1
19 19
End Riff C
3
11
Gtr. 6: w/ Riff C (1st 2 meas.)
E5
D5
G5
Rhy. Fig. 3
Gtr. 1
0
0
0
G
8 7 5
3 2 0
5 4 2 2 0
D5
C5
D5
5 5
7 7
7 7 0
0
D
0
0
A
Gtr. 6
9
0
12
E
Fill 1
End Fill 1
P.M.
7
7
4
4
5
5
4
Gtr. 1
4
5
5
4
4
5
5
10 11 12
4
4
2
4
2
2
2
12 12 12
4
12
7
2
9 9 9 7
10 9 11
11
7
End Rhy. Fig. 3
16
16
Guitar Solo Gtr. 1: w/ Rhy. Fig. 3 (1st 3 meas.) Gtr. 6: w/ Riff C
E5
D5
G5
D5
15ma
Gtr. 2
C5
D5 loco
w/ bar
w/ bar
P.H. 1
7
7
7
7
7
4
9
9
Pitch: A -6
-6
G
D
8va
Gtr. 2
10
12
12
9
9
10
12
9
12
9
12 12
16
12
16
12
16
14
12
14
12
12
13
14
15
17
14
17
14
17
15
14
15
Gtr. 1: w/ Rhy. Fill 1
A
F
8va
14
17
15
17
19
16
16 17 19
17 19
20
17
16
19
16
15
17
15
14
14
17
17
15
13
16
14
12
12
13
15
14
17
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 6: w/ Riff C (1st 3 meas.)
E5
D5
8va
17
1/2
19
17
19
1/2
19
D5
5 1/2
15
G5
1/2
C5
1
19
19
17
D5
1
20
20
17
22
1
22
22
Gtr. 6: w/ Fill 1
G
D
A
E
Get o - ver here,
8va
3
22
ba - by!
3
1
5
6
1
22
1
1
22
1
22
22
1
22
1
1
22
22
1
1
22
22
1
22
1
22
1
22
5 1
22
1
22
1
22
1
22
Interlude Gtr. 2 tacet
μ
Gtr. 2
8va
E5
B
P.M.
1 22
Gtr. 1
P.M. 0
3
2
0
2
0
2
0
2
3
2
0
2
0
P.M.
4 2
0
2
2
2
2
2
0
5 4 2 2 0
4 4 4 2
13
μ
B
A
3. In
Gtr. 1
P.M. 0
3
2
0
2
0
2
2
0
3
2
0
2
0
P.M.
P.M.
4 4 4 2
2 2 2 0
4 2
0
2
2
2
2
2
0
the
Verse
F#5
still
of
the
night
I
hear the wolf
howl,
hon - ey,
sniff - in’
a - round
your
door.
In
4 4 2
0
still
of
the
night
I
feel my heart
beat - in’ heav - y,
tell - in’ me
more!
I
got - ta have
X X
Oo,
14
E5
D5
Gtr. 1: w/ Rhy. Fig. 1
μ
ma
-
ma!
μ
the
E5
X X
19 19
4 4 2
Pre-Chorus
I
just
B5
Now
I
just
wan - na get
close
wan - na
Gtr. 1: w/ Rhy. Fig. 2
A5
make,
a,
love
to
to
you
an’
A5
feel
heat!
In
X X
sweet.
your
bod
the
An’
G
-
y
still
of
the
night!
P.S.
0 3 3 1
so
Gtr. 1
Fsus2
taste your love
you,
D5
17
Outro
E5
D
C
Oo,
5 4 2 2 0
7 7 7 5
5 5 5 3
5
A5
7
E5
0 0 0
5 5 5
D
let ring
0 3 3 1
2
0 1
17
0 0 0 X 3
2 2 0
C
In the still of the night!
G
yeah!
F
G
G 3 3 3
I will be sneak - in’ ’round your door.
5 4 2 2 0
7 7 7 5
5 5 5 3
5
7
5 5 5
0 0 0
15
A5
G
F Fsus2
3
E5
D5
In the still of the night!
C
2 3 3 1
G
5
P.M.
0 0 0
5 5 5
7
0
0
Am7
me
16
7 7 7
0
3 2 0 X 2
now!
0
5 5 5
7 7 7
2
15
P.M. 0
5 5 5
7 7 7
5 5 5
5 5 5
15
G
Ain’t
noth
5
-
7
night,
still
of
the night,
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
stop
0 0 0
the
1 1 2 3 3 1
3
gon - na
5 5 5
of
1 1 2 3 3 1
in’
0
Still
1 1 2 3 3 1
5 5 5 3
1 1 2 3 3 1
0
C
In the still of the night!
1 1 2 3 3 1
5 5 5
5 5 5
2
F
P.M.
0
0
5 5 5
5 4 2 2 0
7 7 7
5 5 5
P.M.
0
D5
3 2 0
F
E5
17
Am7
5 4 2 2 0
5 5 5 3
0
let ring
0 0 0 X 3
2 2 0
1 1 2 3 3 1
still
of
the
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
night!
X X
E5
D5
C
C
Bm7
3 2 0
5 4 2 2 0
Gtr. 2
D
Gtr. 1
G5
8 7 5
7 7 7
5
0
5
G/A
Am7
5 5 5
7 7 7
5
3
F
2
Play 4 times & fade
the
night,
5 5 5
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
5 5 5
3
3 4 5
5
5
the night,
still of
the
Still of
still of
night!
X X
X X
17
