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A IIem ande (fro m Lu t e Su ite in E m in or, BWV 996)

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Et ude op. 6 no. 9 .... ____..........__..______.....................................-....·-·--·-·-·-..--..-·--·----------...- - 6

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Blue Moo n ... ......

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Fandanguillo (no. 1 from Suite Castellana) ..

................................. ...10

Nor tena (A homage to Julian Agu ir re) ..............

.........12

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Se ela perguntar (Waltz) ..... .... ....

.................................

.... .. .... 14

Preludio trist6n (no. 2 of Cinco preludios) . . . . ..

....... 16

Le quartier latin (from Le tango parisienne)

......18

Technical Suite (Scales, Arpeggios and Exercises)...... .... .....

20

- -:e,.. a ive pieces fo r this grade (2010-2012):

PA Etude XII a Mr. Holm [de Copenhagen] (from 25 Etudes op. 38) __

arva ez

e Ia Maza -=.-ega

Schott GA34

Differencias sobre 'Guardame las vacas' (from Hispanae Citharae Ars Viva ed. Emilio Pujol Vila rrubf) Paseo (from Platero

Schott GA176

v Yo)

UME UMG21738

La Mariposa (from Opere per Chitarra vol. 2 Studi)

Berben E1532 B

PB Etude 19 (from Etudes simples 4 e serie) -

Eschig ME8495

Yacambu - Vals Venezuelanos no. 4 (from Works for Guitar val. 1)

0

:::=m am bu co

Grauna (from Famous ChOros vol. 1) Mambo des Nuances (from Mambo des Nuances et Lille song)

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.., --:;ar arr. Burden

Ashokan Farewell (from Certain Hits 4!)

Caroni Music C2001 Chantere lle 761

Editions Henry Lemoine 26193HL Garden Music GM21

Pieces ee pieces to be performed, at least one from each group, chosen from the pieces included in this book or from - c alternative pieces listed for the grade, to form a balanced programme. Full details of alternative pieces are ; · en above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition of ::.similar length and standard to the other pieces chosen.

echnical work

:ce inside back cover for details. Supporti ng t ests :.C

idates to prepare i) and ii):

Sight Reading ii)

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ural

or Improvisation

he cu rrent Guitar Syllabus for details.

:ant idat es and teachers must refer to the Information & Regulations booklet for all examination requirements egul at ions. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative · ity's Head Office.

Guitar Grade 7 Pieces & Exercises for Trinity Guildhall examinations

2010-2015 \

Published by: Trinity College London 89 Albert Embankment London SE1 7TP UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.trinityguildhall.co.uk Copyright © 2009 Trinity College London Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher. Music processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd, Amersham, Bucks.

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Technical Suite -=-- ::.::::-:=:.:: c oosing Option ii) Tech nical Suite in the Technical Work section of the examination must prepare all the following :::~

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=.-:::=;gios and exercises.

Sc les and arpeggios cto be performed from memory)

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Guitar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.

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e prepa red apoyando or tirando, * at candidate's choice. Straight rhythm . - -:=:;:;· s o be prepared tirando.

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c -'her Group 1 or Group 2.

pl ajor scale (three octaves), im fingering** armonic and melodic minor scales (two octaves), ma fingering** - ajor arpeggio (three octaves) ::r:ninished 7th arpeggio starting on A (three octaves) oup 2 major scale (two octaves), ma fingering** · harmonic and melodic minor scales (three octaves), im fingering* * • minor arpeggio (three octaves) ominant 7th ar[Jeggio in the key of D, starting on A (two octaves)

yando =rest stroke; tirando =free stroke .3. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum ..::-·car Scales & Exercises from 2007.

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Exercises

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1. Mirage (harp arpeggios)

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- o tJe played apoyando and staccato: A major (three octaves), "!f. imam fingering. Straight rhythm. norm. tone D major (two octavesl. 11ff. imam finge ring. Straight rhythm. norm. tone To be played apoyando and legato: A melodic minor (three octaves).p . imam fingering. Swing rhythm. pont. tone D melodic minor (two octaves),p. imam fingering. Swing rhythm. pont. tone To be played tirando and legato, with tone colour gradually changing from norm. to pont. to norm. again: A natural minor (three octavesl.f. ma fingering. Swing rhythm D natural minor (two octaves),f, ma fingering. Swing rhythm To be played tirando and legato: A harmonic minor (three octaves).11ff. im fingering. Triplet rhythm. pont. tone D harmonic minor (two octavesl.11ff. im f ingering. Triplet rhythm. pont. tone To be played tirando and staccato: A major pentatoniC(three octavesl.f. im fingering. Straight rhythm. norm. tone D major pentatonic (two octaves),f. im fingering. Straight rhythm. norm. tone To be played apoyando and legato: Mixolydian starting on A (three octaves),p. ma f ingering. Triplet rhythm. norm. tone Mixolydian starting on D (two octaves), p. ma fingering. Triplet rhythm. tasto tone Arpeggios The following arpegg ios to be performed tirando and legato: A major (three octavesl.f. pont. tone D major (two octaves, ,f. pont. tone A minor (three octaves).p. norm. tone D minor (two octavesl.p. tasto tone Dominant 7th in the key of D (three octaves, starting on A), mf Dominant 7th in the key of G (two octaves, starting on D), r'!f Diminished 7th starting on A (three octaves), r'!f Dimin ished 7th starting on D (two octaves), r'!f Exercises The following exercises to be performed tirando, legato and '"!f. D major sca le in paired slurs (two octaves) A major scale in 3rds (two octaves) D harmonic minor scale in 6ths (two octaves) A melodic minor scale in octaves (two octaves)

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ii) Technical Suite

Scales and Arpeggios (to be performed from memory) As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall. Scales to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm. Arpeggios to be prepared tirando. Choose either Group 1 or Group 2. Group 1 A major scale (three octaves), im fingering** D harmonic and melodic minor scales (two octaves), ma fingering ** A major arpeggio (three octaves) Diminished 7th arpeggio starting on A (three octaves) Group 2 D major scale (two octaves), ma fingering** A harmonic and melodic minor scales (three octaves), im fingering ** A minor arpeggio (three octaves) Dominant 7th arpeggio in the key of D (two octaves, starting on A) * apoyando

=rest stroke; tirando =free stroke

** N.B. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum Guitar Scales & Exercises fro m 2007. Exercises Candidates to prepare all of the following exercises, printed in this book:

1.

Mirage (harp arpeggios)

2.

Perfect Sky (tremolo)

3.

Rasqadenza (scales and rasqueado)

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