31
1
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3
1
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li
li
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3
1
3 Z t
3
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1 li
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3
3
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5
3
3 5
5
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z
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3
1
3
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32 Further development of synchronizing the two hands. 1:l31:l34:l
.!34543543
Lower Bass fingering is for development of ab so lute legato. V pper. using major se ale fingering)for faeility.in short jumps , B.S. sempre
25
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707-46
5
1
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1
36 Exercise
for developrnent
of fluency
in th e repeated
note.
5
27 •
2
3
342312
2
4
3
3
1 .z
3
1 2
3
3
1 Z
3
4
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• For variation in Left Hand fingering, 3333 3333 3. or 3232 3232 3. or 2323 2323 2. 707-46
1 2
1 2
the following is suggested:
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3
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2
2 3
5
3 5 4
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3
5 4.
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Transposed into A minor, usíng the A Harmonlc
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m
40
More difficult
study in B~ with sequential accomp aníment.
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1 2
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29
2
.
.
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42 Development
of melodic thirds
fl
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30
1
1
2
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B.S. Sempre
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,
fl
1
2
in two hands.
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43
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3
1
5 1
3
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4
5
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5
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3
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3
3
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44 M.M. J:88to112
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31
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5
3
5
2
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1 5
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3
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.
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45
Exercise
for passing the thumb.
M M
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I
32
J. ~40
to 72 1
1 2
121212 1
2
1
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Passing of the thumb and 3rd finger. First study in single counterpoint. M. M. cir ca jI:. 10 o ~
1
,
33
2
1 3
3
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1
Passing of the thumb and fourth finger.
J ; 76
M. M .
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to 104 4-
1
4.
3
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34
3
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2
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Passing of the thnmb and fifth finger.
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OF BOOK I.
The rnastery of BOOK 1 is a progressive step to accordion art istry. The player i urgentl advised to continue with BOOK 2 which contains interesting arrangemen S of the follov.ing tecanical work: scales in parallc1 and contrary motion, wrist exercise ,the tremolo donble and rip e trills, arpeggios, bellows shake, ete. The completion of Hanon Book 2 gi\e he pl ayer ma er of all rnechanical difficulties necessary to fine artistry. 707 46
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