Escalas Pentatonicas y Blues, Saxo Alto

EJERCICIOS PARA EL ESTUDIO DE:

LAS ESCALAS PENTATONICA Y BLUES PAG.1 PAG.2 PAG.3 PAG.4 PAG.5 PAG.6 PAG.7 PAG.8 PAG.9 PAG.10 PAG.11 PAG.12 PAG.13 PAG.14 PAG.15 PAG.16 PAG.17 PAG.18 PAG.19 PAG.20 PAG.21 PAG.22 PAG.23 PAG.24 PAG.25

ESCALAS PENTATONICA MAYOR Y MENOR Y ESCALA BLUES C PENTATONICA MAYOR A PENTATONICA MENOR Db PENTATONICA MAYOR Bb PENTATONICA MENOR D PENTATONICA MAYOR B PENTATONICA MENOR Eb PENTATONICA MAYOR C PENTATONICA MENOR E PENTATONICA MAYOR C# PENTATONICA MENOR F PENTATONICA MAYOR D PENTATONICA MENOR F# PENTATONICA MAYOR Eb PENTATONICA MENOR G PENTATONICA MAYOR E PENTATONICA MENOR Ab PENTATONICA MAYOR F PENTATONICA MENOR A PENTATONICA MAYOR F#PENTATONICA MENOR Bb PENTATONICA MAYOR G PENTATONICA MENOR B PENTATONICA MAYOR G# PENTATONICA MENOR

MANUEL GARCIA (3-04)

ESCALAS PENTATONICA Y ESCALA DE BLUES BLUES

1

PENTATONICA MAYOR

C

       

     

Db

        

    

D

       

Eb

      

     

PENTATONICA MENOR

       BLUES

A-



Bb-



     

B-



     

      



     

C-



     

      

E

       

     

C#-

       

       

F

       

     

D-



     

      

F#

       

  

Eb-



   

         

     

E-



     

      

  

     

F-



     

      

       

     

F#-



     

      

Bb

       

     



      

        

B

       

      

 

       

G

Ab

A

     



  

G-

G#-



   

  

   

 

    

  

    

 

MANUEL GARCIA(3-04)

2 C PENTATONICA MAYOR

  3 3 3      

3 3 3               3 3 3

SEC. 3 NOTAS

3

3

3

SEC. 4 NOTAS

                

INTERVALOS DE 3ª

                

INTERVALOS DE 3ª ASC. Y DESC.





3

3

                               



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





 



























SEC. 4 NOTAS (OMIT.2) 3

3

3

3

      

     

 3 3     

 3   3 


3

       

3



INTERVALOS DE 3ª DESC. Y ASC.





3

 3 3    

MANUEL GARCIA(3-04)

3

3

      3  3    

3       3

3

3

      3       3

3

3

     

3       3

3

3

        3    3

3

3

     

A PENTATONICA MENOR

         

SEC. 3 NOTAS

3

3

3

3

3

3

3

3

        3

3

3

3

3

3

3

3

SEC. 4 NOTAS

               

                

               
















                

INTERVALOS DE 3ª

 






















 





















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









      

     

3      

 3   3 

 3   3 

 3 3    

     

  3   




SEC. 4 NOTAS (OMIT.3)

3

       3



3

 3   3 

3

3

3

3

3  3    

3

3

3  3    

3

3   3   

 3   3  3   3   

3  3    

MANUEL GARCIA(3-04)

4 Db PENTATONICA MAYOR

               

SEC. 3 NOTAS 3

3

3

3

3

3

                  

3

3

SEC. 4 NOTAS

                                      

INTERVALOS DE 3ª

 











  

            


















































































       3    3     

3

       3    3     

MANUEL GARCIA(3-04)

             







  





3

3






3



 



3





3

3






3

3






3

3          













      3

3

3   3    

       3

3

      3

3

     

      

  3   3 

     

3

3

3

3

3

3

3 3       

3

3

      3         3

3

3

     

Bb PENTATONICA MENOR 3 3 3              3                                     

SEC. 3 NOTAS



3



5

3

3

3

3

3

3

SEC. 4 NOTAS

                

3

3

3

3

3

                 

                                      

INTERVALOS DE 3ª































 







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



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

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

















3

3

       3    3    

3

3

     

3

     

     

3

3

3

         3

      3

3

     

3

3

3

      



3

      3

3        3

3

3

      3

3

       3

3

3

3

       3 3       

3

3

      

MANUEL GARCIA(3-04)

6 D PENTATONICA MAYOR 3 3                                                 

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

SEC. 4 NOTAS

                                 

INTERVALOS DE 3ª

 

















































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








































       3  3    

3

       3  3    

MANUEL GARCIA(3-04)

                





               





3

3






3



 



3





3

3






3






3













      3

3

3  3    

      3

3

      3

3

     

     

 3   3 

     

3

3

3

3

3

3

3       3

3

3

      3       3

3

3

     

B PENTATONICA MENOR

7

3 3 3 3                                               

SEC. 3 NOTAS 3

3

3

3

3

3

3

SEC. 4 NOTAS

                

INTERVALOS DE 3ª

                































 

































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

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

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





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

























      3  3    

3

3

3

3

3

3

     

3

     

     

3

      3

3

      

3

                




               





3

      3

3       3

3



     

3

3



     



3





3

3






3

3

3

      3

3

      3

3

3

3

      3       3

3

3

     

MANUEL GARCIA(3-04)

8 Eb PENTATONICA MAYOR

                       

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

                 3  3  

                

SEC. 4 NOTAS

3

3

3

3

3

3



                

                                   

INTERVALOS DE 3ª


















 




















































































 
































      

     

   3 3    

  3   3 

3




3

3

      



3   3    

MANUEL GARCIA(3-04)

3

3

      3

3

3   3    

3        3

3  3    

3        3

3  3    

3 3       

3

3

      3        3

3

3

     

C PENTATONICA MENOR

9

                      

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

3 3               3           

SEC. 4 NOTAS

                                   

INTERVALOS DE 3ª



























 






















3

3

3

3

                               

























































































      

     

     

 3    3 

     

     

     

3      

3  3    

     

3



3


3

       

  3   3 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3       3

3

3

      3    3   

3

3

     

MANUEL GARCIA(3-04)

10 E PENTATONICA MAYOR

                    

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

                     3  3  

                

SEC. 4 NOTAS

                   

INTERVALOS DE 3ª


3

3

3

3

3

3

                                















 




















































































 
































      

     

 3 3     

 3   3 

3




3

3

      



  3 3    

MANUEL GARCIA(3-04)

3

3

      3

3

3  3    

  3     3

3  3    

3         3

3  3     

3         3

3

3

      3 3        

3

3

     

C# PENTATONICA MENOR

11

                 

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

SEC. 4 NOTAS

3 3              3          

                 

3

3

3

3

3



                

                                    INTERVALOS DE 3ª



























 














































































































       

     

     

  3   3 

     

     

     

3       

3  3    

     

3



3


3

        

  3   3 

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3        

3

3

      3   3    

3

3

     

MANUEL GARCIA(3-04)

12 F PENTATONICA MAYOR

  3                           

SEC. 3 NOTAS 3 3

3

3

3

3

3

3

                

SEC. 4 NOTAS

                

INTERVALOS DE 3ª


 

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


 

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

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


3

      



3  3    


3

      



3  3    

MANUEL GARCIA(3-04)

3

3

3

3

3

               

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



       3   3 

 3   3 

     

  3   

3

3

               

     

3

3

3

3

 3   3 

3

3

3

3  3    

3       3

3

3

      3 3      

3

3

     

D PENTATONICA MENOR

13

   3      3                 3 3 3 3 3 3 3

SEC. 3 NOTAS 3

3

3

3

3

3

                

SEC. 4 NOTAS

                

INTERVALOS DE 3ª


3

                                



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


 

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

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






       3



3  3    


       3



3  3    















      3

3

3  3    

3       3

3       3

     

3      

 3   3 

3  3    

3

3

3

3       3

3

3

      3 3      

3

3

     

MANUEL GARCIA(3-04)

14 F# PENTATONICA MAYOR

                    

SEC. 3 NOTAS 3 3

3

3

3

3

                    

3

3

                

SEC. 4 NOTAS

                    

INTERVALOS DE 3ª


 






















 

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
















3

      



3    3      


3

      



3    3      

MANUEL GARCIA(3-04)

3

3

3

3

3

3

               

    

             



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



        3    3 

 3   3 

3

      3

3

    

      

3

       3  

3

   3   3 

3

3

3          3

3  3    

3 3        

3

3

      3 3         

3

3

     

Eb PENTATONICA MENOR

15

                          

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

          3             

                

SEC. 4 NOTAS

INTERVALOS DE 3ª

           


 







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



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

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


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

3

3

3

3

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





     

   3     3 

  3    3 

3  3    

     

3         

3    3    

3  3     

3




       3



3

3    3      

3

3

3

                           

       3

3

                 

      


3

3

3

3

3

3

3 3        

      3

3

3     3     

      3

3

MANUEL GARCIA(3-04)

16 G PENTATONICA MAYOR

        

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

        3

3

3

3

3

3

3

3

SEC. 4 NOTAS

               

                

               

                

INTERVALOS DE 3ª


 


















 


















       3



3

3  3    


       3



3

3  3    

MANUEL GARCIA(3-04)

























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































      3

3

3  3    

      3

3

3  3    

3       3

3  3    

3       3

 3   3 

  3    3

      3

3

3       3

      3

3

E PENTATONICA MENOR

17

            

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

   3      

                

SEC. 4 NOTAS

                

INTERVALOS DE 3ª


 






















 





















3

3

3

3



























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



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















     

 3   3 

 3   3 

3  3    

     

3      

3  3    

3  3    

3




       3



3

3  3    

3

3

3

               

       3

3

               

     


3

3

3

3

3

3

3       3

      3

3

3   3   

      3

3

MANUEL GARCIA(3-04)

18 Ab PENTATONICA MAYOR

                            

SEC. 3 NOTAS

3

3

3

3

3

3

3

        

3

                    

SEC. 4 NOTAS

3

3

3

                   3

3

3

3

3

               

                                   

INTERVALOS DE 3ª


 


























 






















3          3



3    3    


3         3



3   3    

MANUEL GARCIA(3-04)







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





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

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























       

     

   3    3 

  3    3 

3

3

3       3

3   3    

3

3

      3

3

3    3    

3 3       

3  3     3        3

3  3    

F PENTATONICA MENOR

19

                                                       

SEC. 3 NOTAS 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

SEC. 4 NOTAS

                   

                   

                 

                   

INTERVALOS DE 3ª


 


























 






















3        3



3  3    


3        3



  3    3 















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



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





















































      3

3

       3

3

      3 

3   3    

      

3        

  3    3 

3   3    

3

3

3

3

    3    3

      3

3

3 3        

      3

3

MANUEL GARCIA(3-04)

20 A PENTATONICA MAYOR

                        

SEC. 3 NOTAS

3

3

3

3

3

3

3

3

                           3

3

3

3

3

3

3

3

SEC. 4 NOTAS

                 

                   

                

                 

INTERVALOS DE 3ª


 


























 






















3 3        



3  3     


3         3



3   3    

MANUEL GARCIA(3-04)









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









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

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



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

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





































     

      

 3    3 

 3   3 

3

3

3       3

3   3    

3

3

       3

3

3  3    

3        3

3  3     3        3

3  3     

F# PENTATONICA MENOR

               

SEC. 3 NOTAS

 

3

3

3

3

3

3

               

3

3

                 

SEC. 4 NOTAS

3

3

3

3

21

           3

3

3

3



                

                                     

INTERVALOS DE 3ª


 


























 






















3        3



3    3    


3        3



  3    3 













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

































      3

3

       3

3

     3 

3  3    

     

3      

  3   3 

3  3    

3

3

3

3

3   3     

      3

3

3        3

      3

3

MANUEL GARCIA(3-04)

22 Bb PENTATONICA MAYOR SEC. 3 NOTAS

                        3

3

3

3

3

3

3

3

SEC. 4 NOTAS

                

3 3       3           3   3

3

3

3



               

                                  

INTERVALOS DE 3ª







































































































 




































3

3

     

3        3

3

3

      3       3


3

     

     

3       

3      



3

3

MANUEL GARCIA(3-04)

3

3

      3

3

3

3

      3

3

3

3

     

     

     

     

3

3

3

3

     

3

3

3

3

     

G PENTATONICA MENOR

                       

SEC. 3 NOTAS 3

3

3

3

3

3

3

    

3

3

3

3

3

23

            3

3

3



3

SEC. 4 NOTAS

               

                

               

                 

INTERVALOS DE 3ª


 


























 






















3        3



3  3    


3        3



3  3    





















































































     

3 3       

3   3    

3   3    

3

3

      3

3

3  3    

3        3

3   3    

3 3      

3  3     3 3      

3  3    

MANUEL GARCIA(3-04)

24 B PENTATONICA MAYOR SEC. 3 NOTAS

                         3 3

3

3

3

3

3

3

SEC. 4 NOTAS

                  

INTERVALOS DE 3ª

                
































             

































































































3

3

3

      3       3


3

      

     

3  3      

3       

MANUEL GARCIA(3-04)

  



3  3      



            



      

3

  




3




 

3 3      3           3      3 3 3

3

3

      3

3

3

3

            3

3

3

3

     

3 3       

3

3

       3         3

3

3

      

G# PENTATONICA MENOR

                          

SEC. 3 NOTAS 3

3

3

3

3

3

3

              

3

                  

SEC. 4 NOTAS

                      

INTERVALOS DE 3ª


 


























 






















3        3



3    3     


3        3



3    3    

3

3

3

3

3

3

3

3

    

             





















































































3   3     

3  3    

3

      3

3    3    



               

3        

3

        

    

      3

25

3

3         3

3  3    

3 3        

3  3     3 3        

3  3     

MANUEL GARCIA(3-04)

26

            MANUEL GARCIA(3-04)

27

            MANUEL GARCIA(3-04)

Escalas Pentatonicas y Blues, Saxo Alto

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