from Avenged Sevenfold - City of Evil
Beast and the Harlot Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
♯
F 5 xxx
D5 o
4
11 1
xx
5
1 34
xxx
Drop D uning:
x
♯
x
4
xx
x
5
11 1
x
7
x
A5
xx
xo
D5type2
xx
oooxxx
3
D5V
xx
♭
B 5
xxx
1 34
E5
xx
F5
C5
xx
1 34
A/C
G5
♭
D 5 x
xx
1 34
A5VII xxx
5
11
B5 xxx
7
♯
C 5 x
9
xx
♯ ♯
C /E x
4
xx
6
(low to high) D-A-D-G-B-E 11
Intro Moderately Rhy. Fig. 1
♯
311
1 34
1 34
11 1
11 1
1 34
311
= 52
F 5
f 89 x
D5
x
*Gtrs. 1 & 2 (dist.)
x
x
x
x
Ah.
9 ♯ ♯ ♯ ♮ ♮ ♮ 8 f **Gtr. 3 (dist.)
T A B
♭
11
11
10
11
13
13
14
9
10
x
x
x
86 x
(10)
10
9
10
10
12
(12)
10
12
(12)
x
68
10
10
2005EMI APRIL MUSIC MUSIC INC. and DARKNESSCOATS DARKNESSCOATS US PUBLISHING PUBLISHING All Rights Controlledand Administered Administered by EMI APRIL MUSIC INC. All Rights Reserved InternationalCopyright InternationalCopyright Secured Used by Permission ©
9
C5
10
10
*Composite arrangement **Two gtrs. arr. for one.
D 5
T A B
(10)
10
9
10
12
from Avenged Sevenfold - City of Evil
Beast and the Harlot Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
♯
F 5 xxx
D5 o
4
11 1
xx
5
1 34
xxx
Drop D uning:
x
♯
x
4
xx
x
5
11 1
x
7
x
A5
xx
xo
D5type2
xx
oooxxx
3
D5V
xx
♭
B 5
xxx
1 34
E5
xx
F5
C5
xx
1 34
A/C
G5
♭
D 5 x
xx
1 34
A5VII xxx
5
11
B5 xxx
7
♯
C 5 x
9
xx
♯ ♯
C /E x
4
xx
6
(low to high) D-A-D-G-B-E 11
Intro Moderately Rhy. Fig. 1
♯
311
1 34
1 34
11 1
11 1
1 34
311
= 52
F 5
f 89 x
D5
x
*Gtrs. 1 & 2 (dist.)
x
x
x
x
Ah.
9 ♯ ♯ ♯ ♮ ♮ ♮ 8 f **Gtr. 3 (dist.)
T A B
♭
11
11
10
11
13
13
14
9
10
x
x
x
86 x
(10)
10
9
10
10
12
(12)
10
12
(12)
x
68
10
10
2005EMI APRIL MUSIC MUSIC INC. and DARKNESSCOATS DARKNESSCOATS US PUBLISHING PUBLISHING All Rights Controlledand Administered Administered by EMI APRIL MUSIC INC. All Rights Reserved InternationalCopyright InternationalCopyright Secured Used by Permission ©
9
C5
10
10
*Composite arrangement **Two gtrs. arr. for one.
D 5
T A B
(10)
10
9
10
12
2 F5
♭ T A B
♭
♭
D 5
(13)
13
(13)
13
B 5
♭ ♭ ♭ 44 (Gtr. 2, cont. in notation)
15
Free time
(15)
13
A5
♯
Gtr. 1
Gtr. 3
20
*Gtr. 4 (dist.)
T A B
(
♯
♯ mf )
Gtr. 2
2 2 0
( 18)
18
♭ mf
**Gtr. 5 (dist.)
♯ ♯ ♮ 8va
Harm.
Harm.
w/bar
w/bar ***
5
(5)
4
♯ ♮ ♭
Pitch: B -3
-2 1/2
-6
(4) -1
-2
*Three gtrs. are for one. -4 1/2
D5type2
(20)
(4)
4 4
(18)
Pitch: E -1 -2 **Three gtrs. are for one. ***Harmonic located one-tenth the distance between the 3rd & 4th frets. frets.
T A B
18 18
3.1
4 4
17
Harm.
1/2
T A B
15
Moderately fast = 154 Gtr. 3 tacet
4 4
End Rhy. Fig. 1
-2 -3
-3 1/2
♭ 0 0 0
-4
-5 1/2
3
♭ ♮ ♮ ♯ ♭ ♭ 8va Gtr. 5
(8va )
w/bar
fdbk.
Gtr. 3
divisi
Harm.
P.M.
(w/bar)
T A B
5 5
5 5
-6
T A B
♭
P.M.
7 7 7 7 (0)
-2 1/2
6
P.M.
7 7 7 7
8
P.M.
9
7 7 7 7
(0)
7 7 7 7
P.M.
8
7 7 7 7
6
-6
(4) -6 1/2
-7 /1/2
-8
-9 -10
-10 1/2
Riff A
End Riff A
P.M.
T A B
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2: w/ Riff A (3 times)
♭ Gtr. 1: w/ Riff A (2 times)
(8va )
♭ Gtr. 5
Gtr. 3
T A B
♭
Gtr. 4
T A B
P.M.
7 7 7 7 (0)
6
P.M.
7 7 7 7
8
7 7 7 7
P.M.
9
7 7 7 7
P.M.
8
7 7 7 7
P.M.
6
7 7 7 7
P.M.
6
P.M.
7 7 7 7
(4)
-10
P.M.
-9
-8
-7 1/2
-6 1/2
8
7 7 7 7
4 Gtr. 5 tacet
♭
Ah. 15ma
♭ ♭♯ x x x ♭ ♮ *fdbk.
P.M.
T A B
9
♯ ♭ X
P.M.
7 7 7 7
8
P.M.
6
7 7 7 7
P.M.
7 7 7 7
6
Pitch: C *Microphonic fdbk., not caused by string vibration.
T A B
7 7 7 7
8
9
7 7 7 7
7 7 7 7
8
6 9
10
18 15
♭
P.M.
17 14
(4)
-4
-5
-1 1/2
-2
-3
-5 1/2
Gtr. 4 tacet
D5
F5 D5
G5 D5
♭
♭
A 5 D5
G5 D5
F5 G5
D5
F5 D5
G5D5
♭
A 5
♭ ♭ ♭♭♭ ♭♭♭ 8va Gtr. 3
loco
P.H.
P.H.
w/bar
14
(14)
1
T A B
17
15
(14)
15 (15)
-2
Rhy. Fig. 2
-1/2 -1 1/2
**Gtrs. 1 & 2
P.M.
T A B
P.M.
3 3 0 0 0 0 3 0 0 0 0
**composite arrangement
P.M.
5 5 5 0 0 0 0
P.M.
P.M.
6 5 3 5 6 5 3 5 6 0 0 0 0 5 0 0 0 0 3 5
P.M.
0 0
P.M.
3 3 0 0 3
P.M.
5 5 0 0 0 0 5 0 0
6 6 6
5 Gtr. 3 tacet
D5
♭ ♭
F5 D5 D5
♭
G5 D5
A 5
D5
F5 D5 D5
♭
G5 D5
G5 D5
A 5D5
G5 F5 G5
Gtrs. 1 & 2
♭♭♭ ♭♭♭
P.M.
T A B
P.M.
3 3 0 0 0 0 3
5 5 0 0 0 0 5
D5
♭ ♭
P.M.
F5
0 0
0
0
0
0
0
♭
P.M.
0
0
5 5 5
0
A 5
D5
P.M.
3 3 3
P.M.
3 3 0 0 0 0 3
G5
0
6 6 6
D5
P.M.
T A B
P.M.
0
P.M.
0 0
5 5 0 5
0
0
0
6 6 6
0
F5
P.M.
0
0 0
D5
♭♭♭ 6 6 6
P.M.
0
P.M.
0
D5
F5
P.M.
0
0
0
0
0
0
0
3 3 0 0 3
D5
3 3 3
5 5 0 0 5
F5
End Rhy. Fig. 2
P.M.
0
3 3 3
0
0
3 3 3
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 7 meas.) 2nd time, Gtrs. 4 & 5: w/ Fills 1 & 1A
D5
F5
D5
♭
G5 D5
A 5 D5 D5
G5 D5
F5 G5
D5
F5 D5
♭
G5 D5 A 5 D5
F5
D5
1. This shin-ing 2. The cit - y
cit dressed
y in
built of gold, jewels and gold,
Fills 1 & 1A
♭ Gtr. 5
Gtr. 4 divisi
T A B
far cry from in - no fine lin - en, myrrh and
1/2
17 17
a
1
17
cen cence. ce. pearls.
♭
G5 D5 D5A 5
♭
5 5 5
6
D5
F5
D5
♭
G5 D5
A 5 D5
G5 D5
F5 G5
D5
♭
F5 D5
G5 D 5 A 5
♭ ♭ ♭ There’s more than meets the Her plagues will
D5
F5 D5
eye come
F5 D5
♭
’round here, all at once
♭
F5
B 5
of an
e hour.
T A B
0
P.M.
0
0
0
3 3 3
0
F5
0
0
3 3 3
0
♭
F5 D5
A5
♭
B 5
♯ ♯ ♯
A 5 D5 D5
0
3 3 3
8 8 8
G5 D5
8 8 8
F5 G5
D5
F5 D5 D5
sev cap
-
en head - ed beast, tains of the world,
♭
G5 D5
A 5 D5
5 5 5
♭
G5 D5 A 5
There sat a Merch-ants and D5
0
♭
D5 G5 D5 D 5
♯
G 5
deep. burn.
P.M.
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
the her
vil.
Gtrs. 1 & 2
P.M.
of watch
G5
♭♭
A cit - y De - stroyed in
♭
wa -ters ers
look to the as her mourn
6 6 6
7 7 7
D5
F5 D5
ten horns raised from his sail - ors, nav - i - gat - ors
G5 D5
F5 G5
D5
8 8 8
♭
G5 D5 D5 A 5
head. too
♭
F5 D5
G5 D5 A 5
♭ Sym-bol - ic wom wom - an sits will weep and
D5
♭ ♭
-
his this
throne but ha - tred strips her and loss with her sins piled
♭ ♭♭
F5 D5
k ed .
on mourn
F5 D5 F5 F5
B 5
The beast and the har
Rhy. Fig. 3
Gtrs. 1 & 2
-
G5
♯
G 5 A5
♭
B 5
lot.
leaves to
A5
her the
♭
B 5
B5
na sky.
C5
xx xx xx xx Oh,
End Rhy. Fig. 3
♯ ♯ ♯♮♮ ♮ ♯
(cont. in slashes)
T A B
8 8 8
8 8 8
5 5 5
6 6 6
7 7 7
8 8 8
7 7 7
8 8 8
9 9 9
10 10 10
Double-time feel F5
7
♭
Chorus C5
B 5
Rhy. Fig. 4
x x x x ♭
Gtrs. 1& 2
Yeah.
She’s
a
dwell
-
ing
place
for
de
-
mons.
♭ Gtr. 3
T A B
14
15
13
13
14
15
13
13
12
14
12
13
14
12
13
12
10
12
F5
11
10 12
11
10
10
C5
♭ ♭
T A B
11
10
12
She’s
a
10
12
10
11
cage
13 15
for
ev
13
13
14
-
15
’ry
13
14
un -
13 12
14
♭
B 5
clean
13
spir
-
12 14
12
it,
13
12
G5
♭ ♭ ev
T A B
12
-
10
’ry
11
filth
-
10 12
10
y
11
bird,
and
10 12
10
11
10
makes
us
10
12
11
drink
13 17
15
the
15
poi
20 17
-
15
son
15
20
8
F5
♭
C5
B 5
♭ ♭
wine
T A B
15
to
for
ni
13
13
14
-
15
14
cat
-
ing
13
13
14
with
12
Fall
13
T A B
-
11
en
12
11
10
11
10
10
12
To Coda 1 End double-time feel
A5
is
10
D5
F5
D5 G5 D5 D5
11
10
Bab
11 13 11
12
11
10
End Rhy. Fig. 4
A/C
-
10
9
y
10
10
-
10
lon
9
10
9
Gtrs. Gtrs. 3 tacet.
♭
♭ 8va Gtr. 4
Gtr. 4
Gtr. 3
1
the
10
10
9
11 10 10
9
11
10
(13)
13
12
♭
12
♭
1
T A B
13 10
13
10
13
(13)
F 5 D5
F5
1
16
1
16
19
16
19
16 19
19
10
(12)
Gtrs. Gtrs. 1 & 2: w/ Rhy. Fig. 3
B 5
F5 D5 D 5
loco
1
12 15
15
D5
♭ ♭
♭ ♭
1
divisi
T A B
♭
A 5 D5 G5D5 F5 G5 D5 F5 D5G5 D5 A 5
great.
10
10
11
Guitar Solo
♭
12
10
11
♯ ♯ ♯ ♯
now
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (last (last 4 meas.) meas.)
kings.
12
13
12
14
11
our
12
13
To Coda 2
♭ ♭
-
G5
G 5
♯
A5
1
1
1
♭
A5
11
13
B 5
♭
B 5
B5
C5 8va
♯ ♯ ♮ ♭ ♮ ♭ ♮ ♯ ♮ ♮ ♭ ♯ ♮ ♯ ♭ ♮ ♯ 8
10
9
11
10 12
1
11 13
13
12
11
10
14 14
13
12 12
11 15
14 14
13
14 14
16
13 15
16
9 Double-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 4
F5 va (8 )
♭
C5
B 5
♮ ♭ ♯ ♯ ♭ ♭ ♭ ♯ ♭ loco
17
T A B
17
18 17
17
17 18 17
17
17
20 17
20 17 (17)
17
7
5
8
F5
7
8
5
6
7
5
6
C5
7
(7)
1
17
T A B
(17)
17
18
15
(15)
17
(17)
1
10
9 10 13 11 10 11 13
9 10
(8va )
12
13
(13)
13
15
7
9
12
(12)
13
(13)
1
(17)
17
Gtr. 4
T A B
9
B 5
8va
Gtr. 5
(17)
1
(13)
13
(13)
Gtr. 5 tacet
G5
F5
1
T A B
(20)
20
♭ ♭ ♭ ♭ ♭ ♮ 5
6
5
1
P.M.
T A B
(13)
13
7
5 7 8
5 7 8 10
7
8 8 7
10 8 7
C5
10
7
10 8
7 8 10
7 8 10
7
8 10 8 7 10 8 7
10 8 7 7
B 5
Gtr. 4
3
T A B
8
10
7
8
10
7
9
10
12 10 9 10
6
12
10 11 13 10 11 13
10 12 13 12 10 12 10
13
11 10 11 10
12 10
(10)
10
♮ ♭ ♭ ♮ ♮ ♭ ♮ ♮ ♭ ♮ ♮ ♭ ♮ ♭ ♭ ♭ ♭ ♮ ♮ ♭ ♮ ♮ ♭ Gtr. 5
T A B
loco
8va
22
21
20
19
22
21 20 19
22 21
20
19
22
21
20
19
22
21
20
19
♭ ♭ ♭ ♭ ♮ ♭ ♭ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♭ ♮ ♭ ♭ ♮ ♭
Gtr.8va4-
T A B
18
17
16
15
18
22 21 20 19
22
21
20
19
18
17
16
15
22 21 20 19
loco
17 16 15
18 17
16
15
18
17
16
15
18
18 17 16 15
17
16
15
18 17 16 15
♯
D.S. al Coda 1 End double-time feel
♭ ♭ ♮ ♭ ♭ ♮ ♭ ♭ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♭ ♮ ♭ ♭ ♮ ♭ A5 8va
T A B
18
A/C
loco
17
16
15
18
17 16
15
18
17
16
15
18
17
16
15
18
17
16
15
♭ ♮ ♮ ♭ ♮ ♭ ♮ ♭ ♮ ♮ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♮ ♭ ♭ ♮ ♮ ♮ ♭ ♮
T A B
15
14
13
12
15
14 13
12
15
14
13
12
18 17 16 15
15
13
12
15
15 14 13 12
14
13
12
17 16 15
15
14 13 12
18 17 16 15
15 14 13 12
Coda Interlude D5type2 Rhy. Fig. 5
♭ ♭ great.
T A B
14
18
12
(12)
End Rhy. Fig. 5
♯ 1
1
1/2
5
(5)
11 Gtr. 1: w/ Rhy. Fig. 5 (2 times) Gtr. 2: w/ Rhy. Fig. 5
8va
♮
D5
♭
♯
♯
1/2
1/2
(5)
(5)
(5)
♭ Gtr. 4
A 5 D5 G5 D5 F5 G5
D5 F5 D5
G5 D5
D5
F5 G5
x
0
♭
-2
♭
D5 F5 D5 G5 D5
♭
-4 1/2
A 5 D5 G5 D5 F5 G5
slack
♭
D5 F5 D5 G5 D5
A 5 D5
G5
D5
F5
G5
x
xxx xx xx x x x x x
The
Gtr. 1
0 0 0
D5 C5
F ♯5 G5 x
time
has
x ♭
♭ x
A 5 G5
F5 D5
come
for
x
P.S.
0 0 0
Bridge
F5
x x all
♭
G5 A 5
us
Rhy. Fig. 6
X X X
X X X
x x G5 F5
D5
sin
ners,
-
10 10 10
*Composite arrangement
X X X
♯ ♭ x x x x x x F5x D5x C5
F 5 G5 A 5 G5
if you’re not
a serv-ant, you’ll be
End Rhy. Fig. 6
♭ ♭ ♯♯♯ ♭♭ ♮♮♮ ♮ ♭♭♭ ♮ 12 12 12
X X X
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (7 times)
*Gtrs. 1 & 2
G5
Gtr. 4 tacet
D5
-1
5 5
T A B
T A B
♭
A 5
loco
-5 1/2
5 5
Pitch: E B
♭
F5 D5 G5 D5
T A B
5 5
divisi
1
Gtr. 2: w/ Rhy. Fig. 2 (1st 2 meas., 4 times) Gtr. 3 tacet
w/ bar
Gtr. 3 1
T A B
Harm.
Gtr. 4
4 4 4
5 5 5
6 6 6
5 5 5
3 3 3
0 0 0
3 3 3
5 5 5
6 6 6
5 5 5
3 3 3
0 0 0
12 F5
G5
struck to
the
♭ G5 x x
A 5
x x x
♭
♯ x
F5 D5
♭ x
C5 F 5
x
G5 A 5 G5 F5
x
ground.
Flee
the
D5
burn - ing,
greed - y
look - in’ back on
her to
see there’s noth -ing
-
♭
C5 F 5 G5 A 5 G5
y, F5
D5
a - round. I
don’t be - lieve in
fair - y
tales and
♯ ♭ ♮ Riff B
♭
Gtr. 4
cit
♯
C5 F 5 G5 A 5 G5
♭
A 5 G5 F5 D5
x x x x
x
♯ ♭ F5 D5 F5 G5 A ♭5 G5 F5 D5 x x x x x x x x x x x x x x
♭
F5 G5
10
T A B
8
8
11
♯
♭
F5 G5 A 5 G5 F5 D5
♭
9
8
♭
C5 F 5 G5 A 5 G5 F5 D5
F5 G5 A 5 G5 F5
10
7
D5
♭ ♭ ♭ ♭ ♯ ♮ ♭ no one wants to
go
to hell. We’ve made the wrong de - ci - sion and it’s
eas - y
to
see.
Now
End Riff B
T A B
(7)
10
8
9
8
10
10
8
7
8
11
9
8
10
7
Gtr. 4: w/ Riff B
♯
♭
9
♯
♭
C5 F 5 G5 A 5 G5 F5 D5
8
10
F5 G5 A 5 G5 F5 D5
8
10
7
♭
C5 F 5 G5 A 5 G5 F5
D5
♭ ♭ ♮ ♮ if you wan - na serve a - bove or
be
a
king be - low with us, you’re wel-come to
the cit - y where your
8va
T A B
10
8
10
(10)
17
15
10
10
8
10
13
10
10
8
10
(10)
17
15
10
10
13 F5
Gtrs. 1 & 2: w/ Rhy. Fig. 3 Gtr. 5 tacet
♭
G5 A 5
G5
F5
♭
D5
B 5
is
set
for - ev
-
G 5
♭
A5
B 5
♯ ♯♯
♭ fu - ture
♯
G5
er. (Ah.)
♭
(8va )
♯
Gtr. 4
( )
1 1/2
8
T A B
10
13
10 12 (12)
12
A5
♭
♭
B 5
Chorus B5
C5
13
Gtr. 4 tacet
F5
14
D.S.S.
C5
15
al Coda 2
♯ ♯♯
12
She’s
a
dwell
-
ing
place
for
♭ ♮ ♭ ♭ Gtr. 4
1
T A B
14
15
12
13
(16)
16
Gtr. 3
T A B
15
14
13
13 15
14
13
13 14
12
13
12 14
12
13
12
14
Chorus
♯
♯ ♯ ♯ ♯ ♭ A5
Coda 2
♭
A/C
Bab
-
y
Gtr. 4
-
A5
lon
the
great.
a
17
19
♯♯♯
She’s 8va
T A B
♭ ♯ ♮ ♯♯♯ Gtr. 3
8va
12
T A B
10
9
10
10
10
9
10
E5
9
10
9
10
12
10
9
12
18
19
17
17 19
18
17
17
D5V
♯ ♯ ♯ dwell
-
♯♯♯
(8va)
T A B
16
ing
place
for
de
-
mons.
17
19
17
17
18
She’s
a
17
16
♯♯♯ (8va)
T A B
18
16
17
16 18
16
17
16 16
14
15
14 16
14
15
14 16
14
15
14
14
15
16
17
A5VII
E5
15
D5
♯ ♯ ♯ cage
for
ev
-
(8va)
17
17
17
un
♯♯♯ T A B
’ry
19
-
clean
spir
-
it,
ev
-
’ry
filth
-
y
16
17
19
19
17
17
16
17
♯♯♯ (8va)
T A B
19
17
17
18
19
17
18
17 16
18
16
17
18
16
17
16
16
B5
14
15
14
16
15
14
14
A5VII
♯ ♯ ♯ bird,
and
makes
us
drink
♯♯♯ (8va)
T A B
16
17
poi
-
son
wine
16
19
19
to
for
-
ni
-
17
19
the
17
19
17
18
♯♯♯ 19
(8va)
T A B
16
14
15
14
14
15
16
17 21
19
19
19 21
19
19
19 19
18
17
17 19
18
17
17
16
♯ ♯ ♯ E5
D5
cat
-
♯♯♯
(8va)
ing
with
our
kings.
Fall
-
en
1
16
T A B
16
16
1
16
16
17
(19)
19
19
♯♯♯ (8va)
T A B
18
17
16
16 18
17
16
16 16
14
15
14
14
16
♯
14
15
17
15
14
16
15
15
14
15
End double-time feel
♯ ♯
♯ ♮ ♯ ♮ ♯ ♯ ♮ ♯ 89 C 5
now
is
♯♯♯ T A B
(8va)
19
17
C /E
Bab
-
y
16
-
lon
the
♯
19
18
15
♮♮♮ 9 8
♯♯♯ ♯ ♮♮♮ 9 ♯ 8 (8va)
T A B
14
15
14
15
17
15
14
15
16
14
13
14
14
14
13
14
13
14
13
14
15
14
13
15
17
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1
F ♯5
89 9 ♯♯ 8 86 x great.
Gtr. 4 tacet
x
D5
x
x
♭
D 5
x
x x
x
x
86
Ah.
♯ ♮ ♮ 6 ♯ ♮ 8 ♭ ♭ x x ♭ 6 ♭ ♭ ♭ 8 x x ♯ x ♯ x x x 44 x ♯x x loco
Gtr. 3
Gtr. 4
Gtr. 3
loco
divisi
T A B
14
(14)
16 (16)
11
1
10
11
13
13
14
C5
9
(9)
9
10
9
F5
10
(10)
10
(10)
D 5
10
9
10
10
12
10
B 5
1/2
1/2
T A B
10
( 10)
10
9
10
12
13
(13)
13
(13)
15
( 15)
13
15
17
17
17
Faster = 176
Gtrs. 1& 2
Gtr. 3 tacet
A5
Segue to “Burn It Down”
Gtr. 4
P.S.
1/2
T A B
20
X
X
X
X
X
X
x x ♯ ♯ ♯ 44 ♯x
X
1.1 1.1 1.1
♯
1.8
♯
P.S.
**harm.
*harm.
T A B
X
X X
1.8 1.8 1.8
1.8
1.8 1.8 1.8 1.8
1.8
X
Pitch: G C *Harmonic located one-tenth the distance between the 2nd & 3rd frets. *Harmonic located eight-tenths the distance between the 2nd & 3rd frets.
X
Г
Г
Г
Г
