MISERERE MEI, DEUS GREGORIO ALLEGRI
A Ques or or the Holy Grail? BEN BYRAM-WIGFIELD
© 1996 B B-W Rv 1998, 1999, 2002, 2005, 2007 A h v. A D b B B-W A u u h , h u h h.
MISERERE MEI, DEUS GREGORIO ALLEGRI
A Ques or or the Holy Grail? BEN BYRAM-WIGFIELD
Bn By-Wld w bn n Hdh n 1970, nd dvd All’ Mierere mei h K’ C, Cb, wh h h C h u wk. A v h K’ Sh, W, h b h h S M’ Ch, Ebuh wh u B.S. H W Uv. H ubqu k Gu Ch, h u huh u.
MISERERE MEI, DEUS GREGORIO ALLEGRI
A Ques or the Holy Grail? Content Introducion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 e Manuript . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 e Holy Grail . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Remaining Quesion . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Summary and Chronology . . . . . . . . . . . . . . . . . . . . . . . 21 Posript . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Soure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Muial Appendie . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Biography o Allegri . . . . . . . . . . . . . . . . . . . . . . . . . . 30
KNWLEDEEN I hu k hk h Bb A V h Bh Muu k h u vb; Ph C D. S A h h h.
Fu: 1. Ev h S Ch b F Juv, 1711 2. Bb A V ms 185, 1 3. Ev G A, 18h (A.)
A Ques or the Holy Grail?
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Introducion
G
regorio All (1582 - 1652) w n n h Ppl Chpl 6h Db 1629, u h h 17h Fbu 1652. H xuv kw h b P 51 (Vu P 50), h ierere mei, uu h . M wll knw h hl wk hunn p C, un by ln v, nd h wpn hny h l h, pd by pl plnhn. Bu A’ v h v v, wh h h v h h wk? H bu u wh —h - abbellimenti — never written down, but iply paed ro perorer to p. Mny hv xpundd n h p’ buy nd unqun, nd h uuh h wk w xub . I w de rigeur h h G u h 18h u h h wk u H Wk. Mz u hv h wk h . Hwv, uvv b h h. Ahuh uu h wk’ uh b , v w hv h h wk , v w w b b u x wh hu b. T hv b , w h ‘ C’ v, whh uh . M k h u u h wk bh h Bb A V h Bh Lb, hw h p h bn wn huhu hy, nd hn dw nlun h u. Fnlly, n uhn dn pdud, hw n dn hw h wk wu hv b u. I h h h u, I h v h hu h h k h wk , h uh . Ben Byram-Wigfield
Allegri’ Mierere
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e Manuript Vatican mss 205 & 206 (see Appendices 1 & 2) T d n h pul x falobordone , lnn w h v nd u v bwn v plnn w nd by Cnnz F, (. 1490 - 1545) 1514. Subqu, h w b P, A, N, Gu h, b A hi verion. Tee opanion volue are a opilation o twelve uh , b h , Ax ii, (1655 - 1667). Ms 205 v h 1661, A’ h. A (ee below) v h 1638. Ms 205 nn v 1, 5, 9, 13 nd 17 h dfn n, wh ms 206 v 3, 7, 11, 15, 19. T v, 20, bh, v h h v. T wk alobordone , bw v u hoir, eah eparated by plainong. Te original part requireent, taken h satt ssa, wu b v h p. T l v n ndn npn, nd h wk nlly hoophoni, with oe rhythi intere. Te r hord o eah vere h hh, u w . T 5vv h ub u whh w h , d h nd 4vv h, wh h n u h kn 4h hd, wh h 5h bw h u , vu v D Mj. T h C, bu w b E h . T v h v h. T wk h w b wh H Wk, P 51 u h Lu Lu Mu Tu G F, enebrae —k— Luk’ G, 23:44: ‘ h w k v h h’. Vatican ms 185 (see Appendi 5) Alo one hundred year ater the oneption o Allegri’ original, thi nup pp n vlu dd 1731, bd by Jhnn Dn d B. T h ; C ii, P 1730 1740; C P Ob (1667-1740), h w-kw u; A B, M h P Ch.
A Ques or the Holy Grail?
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T wk k wh A’ h u, y h nub dfn. T n p h b nh bl p, nd h b n hnd pvd fcv hny. T l vn n h hny, nd nnn, nludn uu C# n pn. I h h h vllu hd C wh 7h 9h u, b h b h. T h A’ w h h. T wk k uh h h, bu h h hh . A’ qu u h l v. T yl pn lvly h, nd h u wn u . Cuu, x h h. B w w mss 340 341 1748. T h 4vv 5vv h, v, bh B’ A’ . Carles Brney (1726 - 1814)
La muia he i anta annualmente nelle Funzioni della ettimana anta nella appella ontiale . 1771 (see Appendices 3 & 4) T bk , hw v h mss. Te r hoir i a urther reworking o ms 185, 40 year later, with the h h x h b. Hwv, h h h A’ , u h abbellimenti . T lnd Si Canto il Mercoledi e Venerdi Santo Mierere del Signor Gregorio Allegri vb h u, hw h w u W F H Wk. Eah vere o eah hoir i haronially idential, wherea ms 185 ha ub bw v. A h h hh h v h h; h, ubqu v v h ndn Canto Fermo bv h ph hyh.T nd h v b h A’ , u h k 4h h. I h v w h u ueso
ultimo vero i anta dagio e iano, morzando a poo a poo l’rmonia.
T bk B’ h x, u Mu Tu, whh kb h hh u u, w P’ tabat ater, mproperia (Rh) Fratre ego, whh w u M, h A h C, u H Wk v.
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Allegri’ Mierere
Britis Lirary ms 31395
ought by me at ome in the oro, 1841. Frederik layde, h. h. xon. Ti opy i all but idential to Vatian mss 185 and 206, but ored and ollated. Te only diferene i that the peeh rhyth ha been written u v b bu w v. I uh, h h hh h wh h wh. A’ uhh . Britis Lirary ms 24291
uia laia [] by everal aesri della appella Vatiana, opied by or or iovanni Jubilli. T ms b, wh h v V ms 185, h 4vv h k wh A’ . Hwv, h : h w h v, h qu dfn nd h v b h l 9 p v. T 4vv v v v B’ h ierere . A w u h v, b reducio partiturae . Britis Lirary ms 2468
Te srucure o thi ierere i the ame a that o llegri’, being in the ame key & with a imilar modulation, although not o muh lled internally, and i probably the inorrec opy mentioned by awkin, vol. 4 p. 90. ee the original by urney. T bv k h Bh Lb u. I, uqub wk A’, bu h h b w , I wu u h b h uu h. T w u- huhu, b sat v v. T u h v h u. T Hwk eneral isory o the iene and racie o Muic, publhd n 1776 by S Jhn Hwkn (1719 - 1789). In , h nn h h A , bu I k h h h k h abbellimenti . Britis Lirary ms 2470
ollecion o ompoition written or the hurh o ome in the ame hand. T ms 19h u b Rv. Ew G, bv
A Ques or the Holy Grail?
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b h h S. Su , , v h h u h V mss 185 206, . I h h v hu b u bu h 19h u, wh h v abbellimenti w h . (ee ther oure.) Britis Lirary ms 31525 (see Appendi 6) T u 18h u ms B’ , b Bnd Mn, buh bk R by Jph Wn, lhuh h lu n h dfn B’ n pd by Buny. A w hw b h h. I B’ , bu A’. T u b mss 185 206 h 18h nuy u hv dn. Hwv, bh h hhly nnd wh ll, un, nd h dnn, nd h l x dyn ndn. In h h, hy lb n h vn ldy pn ms 185, h h, h u h h h w b , h k h u. T , h , u h . Hwv, h h h h h C v, whh k A’ 1840 ( ee below). T lentando h h h A b o the lower part to aoodate the r treble’ run, whih inlude a C# bh, h h h h. Eh v h h . Hwv, h v u, A’ . O h x , v w whh v h h. T v , h , wh w h v, bu h v h b , wh . T v w h bu u. Pietro Alfieri (1801 - 1863)
In 1840, Aleandro Geiniani, a nom de plume or Pietro Aleri, pubh l almo ierere poso in muia da regorio llegri e da ommao ai, ubliato ogli bbellimenti per la prima volta. A R, h uh G h v h u h h V u. H u h k, h , h
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Allegri’ Mierere
Chuh’ u ubh h bk, h h w h h . Hwv, h vu hu b huh uu v h . A h u u h h wk w h buu v w, uh, hu b ub, bu ‘x … without explanation’. Aleri believe hiel to be ‘doing a kindne to v u’. H uh h h h wk u, wh h abbellimenti , k A, B, C, D E, h b h h v . Bv h v hu b k , bu u h u h w, h u h h P Ch ‘v G B ’. I k h h h wk u h, u b Mh’ 1831, whh u h h u uh. I , h , h hv u xu bh wk, w. F bh wk, B’ v w w b A’ mpliu (v 3). T h v w u h, huh B’ 8- tun imponent (h l v) llw h All’ n All’ vn. T xn h w wk u b h u h u bw h. A’ v hw, , , V mss 185 206. T h , h h h u ms 31525. A A B v h h h h v A’ v v, wh h u B’ v. A, C D h h: B E h h bh . A h , w h ms 31525. Jlis Amann Juliu Aann’ oendable udy, Allegri Mierere und die Aufuhrungpraxi in der Sixtina, (1935) i a detailed reord o all oure o Allegri’ Mierere , vn n nnn nd nn ph hyh. Dp h d, h nly pdud n dn h wk, ndn All’ nl pn whu nnn mss 205 & 206, wh n vu hv. T bk v G u h , whh h u ms 31525.
A Ques or the Holy Grail?
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e ‘op C’ Version Te reeived verion, a it i widely held today, i a ix o Burney’ r h wh bz h, h Gv’ Dicionary o ui & uiian 1880. A u x, W.S. Rk hw h h h u- v b Aleri, but then ik Mendelohn’ 1831 reord o the r hal —up a ourth— on the eond hal o the vere. Ivor Atkin, or hi edition o 1951, k Bu’ h v, h h Gv’. T b h h Mh abbellimenti h h, u uh hh h w h h v. I h h u u qu wh h b ju F# u C, w b h w h C . T h b w ubqu , u b . T u buu, bb h . I , , one o the o popular piee o ared ui. However, it i neither a h h S Ch h, u hw h w v u h. Oter Sorces T ny nup h Mierere n lb Eup; php h hl h pbl. T Vn, hwv, h pl whh w huld dw u nn. Ms 263, n uph llcn p b Jh B (1691 - 1748), M h P Ch 1737 u 1742, whh u A’ ierere 5 v, b h w h x, whh h w h 4 v b 8 v v. T h u ms 354, bk M, M, H P 1705. T nub Iln u, whh ud h Vn, dating ro . 1820 onward that are opletely reoved ro anything nd h Vn, nd w npy nun. Whl nn n yl, h d h huly p, hy ll l nn h u abbellimenti . Hwv, h v b h bd n, wh n l h h’ l. S hd, , hv u u h b h 19h u. T h P Ch u
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Allegri’ Mierere
the 19th entury a urther doubt on uh oure, partiularly whil , uhu u bu. Plainsong Wh h V u k h v, h Bh Lb mss h b h w w h v, whu ny lu h hn. Ms 31525 Il Populo riponde altro vero, wh h mss vu h h b u otto voe , in oro, whh h v u b b h v. T u bd n h tonu peregrinu , wndn n, nd wuld hv bw h h h h. Hwv, v h pn huh whh h p w pd, ny h w hv b u, u h w u h liber uuali . T P 50 h Lu Lu Mu Tudy nd Gd Fdy iii 1 nd ii 2, pcvly, nd h l h bn ud n ny dn dn. I l huh h n h nnnh u, h h w . ommaso Bai (1650 - 1718) Vn ms 203 nn B’ n, wn hly , w b T Av 1713, wh H B M h P Ch h . B’ h text i baed upon Allegri’, being haronially iilar in it rucure. Hwv, h vn nd hn lbn, wh h v howing diferene. Te piee i written or the ae voie a Allegri’ , satt ssa, bu h A’ h h . M h h hh h b w u u, h wk k hdl nu wh undlyn plyphn vn. T nn h ph hyh nn wh h ud n l vn All’. T l v b n nphnl dubl h ssaatt, bu h A’ uu wh . T w ub b B u h abbellimenti u A’ v, , h w w h, A . Other work by Allegri, uh a hi Lamentation , are oaionally iatbu B.
A Ques or the Holy Grail?
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I wh h B’ v h 18h u ‘-w’ A’ v- h. 19t Centry and eyond T V u ms 375, 1892, w w b h u- M h P Ch, D Mu. T u b ai et llegri almu 50; 1 - 10v, , b hb h w, wh h v k A. T , Mu u h P u h C S Ch vw h wk. I u h h x h w wk w: B’ u- v h abbellimenti , x h , mpliu lava me ; k n All’ n h v b nplnd. S B’ u h h h vere, Tunc acceptabi acricium iusitiae, oblatione et holocausa . Beaue A u h , A’ h x w B’ v. T v , , h 1731 v- h, w b A’ u- h, wh h abbellimenti . Hwv, h wh wk l nnd, wh ldn h lly, wh l bqu nd n u, h , u uu part, whih pracie run ontrary to the pirit o eah voie taking it u. Mu h h w x- h ierere , h u h ierere h. A “ u” h Cappella Muiale, he onduced it perorane with ‘the la arato’ A Mh (1858 - 1922), wh v u wh h u h wk. T wk w w u uh w h, nd ll qud p C, bu n h hl h u-p h, h h h h. I 1903, P Pu X b h C Mu P, wh b k h . F h 20h nuy, h hv un nd udn hv lnd vn h Mierere h b ll lnhp nyhn h w u h S Ch.
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e Holy Grail Legends T qu , ub, h u the oure o the ornaent. Te only rite o initiation wa the andard u h . T xu, w u, hv v w u: h h u, hb uh . T ub uuh u, h Vn dun h 1700, b n h l. Hwv, w u u h . T w h uh u h V, h b h Kn Pul, Pd Gvnn B Mn (1706 - 1784) nd Ep L i (1640 - 1705). L h qu h P h h h V h , h w u , bu w u, h h P h h h b inerior work. Te Pope then aked hi maesro di cappella , who tried to x h h h bu h u w u h hqu h h h. T P, wh , h u h jb bk h u x h h E’ , h w vu -h. P M w u h hh whh h w h huhu Eu u h. Bu hv h h maesro di cappella , Snll, nd pd wh h Mn 1770. I uu, h, h h 5vv h h h V u, h 4vv h . Another legend, o oure, onern the boy Mozart. In 1770, Mozart, 12, h h v h uu u M, h h v u h. O W H Wk, h ndd nb n h Sn Chpl, nd h yun pdy nbd h u h nx dy. On Gd Fdy, h und h h p n, wh h u uk h h. L, h w 14h A, : "You have often heard of the famou M in Rome, which i o greatly prized that the performer are forbidden on pain of excommunication to take
away a ingle part o it, opy it or give it to anyone. ut we have it already.
A Ques or the Holy Grail?
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Wolgang ha written it down and we would have ent it to alzburg in thi letter, i it were not neeary or u to be there to perorm it. ut the manner o perormane ontribute more to it efec than the ompoition itel. oreover, a it i one o the eret o ome, we do not wih to let it all into other hand." Mz h v M B, wh h Bu. I h u h , Mz h w ierere , 85, whh w u b wh h h h. Performance Practice T x h ierere w u h P L (1513-1521). B A’ , h w wh h wk’ uu , h ub wh h n nd. I l h huhu h hnh nuy All’ wk w w mss 185 206, . I h h h u Mz wu hv h 1770, h h h ’ u . T b h h . T abbellimenti theelve oe ro ornaentation tehnique in Renaiane h, h wk ! T bw h ms 31525 h b A, A Mh wu u uh. A u h hw h v kbly l ndn, n wh h d pvnn. I h uh w v, w wu u h , bu - whh h S Ch h b h, pl n h u whnv ppp. All lly pd h wk hw h u b h xv . T P h’ b v u u antu rmu w w kw h u qu. Suh Okh Jqu hv hw hy xpcd p plyphn vn b nnd, pully oveent up and down the ale. Ti then i not iproviation, but a u . I h w T M — I u— h lain and Eay ntroducion to racial ui 1597:
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"ome have sood in an opinion, whih to me eem very improbable, that men ausomed to deanting an ing together on a plainong without inging either ale hord or orbidden deant, one to another, whih, till ee it, I will ever think impoible. For though they hould all be mos excellent men,
and every one o their leon by itel o well-ramed to the ground, yet it i impoible or them to be true, one to another, unle one man hould aue all the res to ing the ame a he ang beore them." However, by the eighteenth entury, thi ability wa ertainly extinc u h V, h h h w h b, dd hy ln h n by ? I n l whh h Ppl Ch w u uh P b h hh u. Ov h h h wk, h h h w . I, h u b w h, n h dy, bu wuld b pd n n dkn. T u h b ub h h uh P. e Performance Secret B A’ u wh h v taining the ornaent, it an learly be een what ha happened to the hw h h . A’ ub h, wh h b h b ww . T w h v h h , v u h b v h v bvu h C w C# w qu , hu -bh h . T h b b h x , h z, wh h h h h , v h x wh h b ! I l wh nn h h p h p h hv nn dfn , w h h hw h k wh h h h h. Obvu, h x h , h wu h. I h whh k h ierere , whh qu hh u .
A Ques or the Holy Grail?
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Allegri’ Mierere
20
Remaining Quesion O h b hw h h b , w ms 185, b wh? B’ 1713 w u h h A, h w u xu h w . T -wk A k B’ w , bu u B hv ubqu - A’ v? H 1718, whh wu u h u; bu A’ w u ’ k h V b u h h, h. Anh pn nn h plh undnd nup. Why dd , L i h , b hw u h h h h ? D h u h G u h huh h u whh w’ h h h? T b h Rnn bllhn w n knwn ud h Vn — hw hn h whu h ? F, u Bu’ v b h b Mz? T v publihed i diferent ro all other oure, being ore elaborate and h. T k hh k h w Mz’ w u. Bu Mz h hw Bu h , wh Bu ubh h abbellimenti? Mz, h z, w xun; bu Buny, n Enlhn, w n. Buny’ publn h wk n h llwn y w uppd nd ny nn y nply by h Vn. Bu h abbelimenti w n n h dn. Lpld Mz’ h h ‘ wh h h’ wu u h h Mz w uw hw Bu h abbellimenti . Ph uu w h, u h ubh v. T , u, ju.
•
A Ques or the Holy Grail?
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Summary and Chronology 1514 Cz F h ierere alobordone w h, 5 v, h h 4, u H Wk u. 1638 G A h ierere , w h u ub hqu. 1652 A . 1661 A’ w w bk, whh wv h ierere , h alobordone w h 5 4 v. 1713 B’ h ierere , bw hv A, w h V b. 1731 A’ h -w hv . 1770 Mz h h S Ch h u h wk. 1770 Ch Bu Mz. 1771 Bu ubh h ierere , whu abbellimenti , h . R G, F I. 1831 Fx Mh b h ierere , u uh w h. 1840 P A ubh h u h abbellimenti . 1880 W.S. Rk u h h u h Gv’ Dicionary o ui and uiian. Mh’ h G , u uh, h h h v. 1932 Rb H ubh wh abbellimenti , h Gv’, u h ‘ C’ v. 1935 Juu A ubh A ierere und die ufuhrungpraxi in der ixtina, h abbellimenti h S Ch. 1951 Iv Ak H’ h Eh x . Subqu uh h b .
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Posript T pup h h h bn v-ld. Fly, hpd h h h b h h u h h x nd h nnn nnd whn. Cc undndn h abbellimenti -x R hqu b v-h. Hu, w h h ‘’ b wh nuy dn. T uh lluu n h wh hv pdud dn h wk huld blnly n h u vdn, w, d h whu , v u . T h bu Bh Lb ms 31525 h b A, h h h b B. I h u h Bh Lby whh dl h abbellimenti , nd h pn h h u . I h h, h u uh, h wk w b w , v h P Ch kw v h wk. F, u h v hw h wk w u h hh u. T b V ms 185 h 5vv h, V ms 206 h nd 4vv h. T nn hv bn kn Bh Lb A. 31525 G.539. N vu hv b hv, b dl, wn ph h bn nnd, lhuh h ky nu h b v x , whh . S u. T h k A’ , mss 205 206, wh h u k wh h 1731 wk. T u h ms 185, Bu’ u u. T k h liber uuali , h tonu peregrinu , whh h alobordone b. T x h b hk h Vu, wh uu u.
A Ques or the Holy Grail?
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Soure ibliotea posolia Vatiana 205: h 206: h 185: h
1661 1661 1731
ritih Library A 24291: A 31395: A 31525: E 2468: E 2470: E 2470:
24b 19 - 27b 1, 21 59 33 - 41b 52 - 59
18h u 18h u 18h u 18h u 19h u 19h u
H. 790: Bu, Ch; La muia he i anta annualmente nelle Funzioni della ettimana anta nella appella ontiale , 1771 Hh 2069: A, Juu; Allegri ierere und die ufuhrungpraxi in der ixtina , 1935 G.539: G, A; l almo ierere poso in muia da regorio llegri e da ommao ai , 1840 Gu, G; M , Ch Mu 1976
Appendie Ax 1 Ax 2 Ax 3 Ax 4 Ax 5 Ax 6
A’ h, v 1 A’ h, v 3 Bu’ h, v 1 Bu’ h, v 3 V ms 185, v 1 () A A 31525, v. 3 ()
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Appendix 1 Allegri’ Original vere 1, ms 205 Treble
Alto
Tenor 1
Tenor 2
Bass
Miserere
me
-
Miserere
me
-
Miserere
me
-
me
- i,
Miserere
me
-
secundum magnam miseri
De
-
-
-
-
i,
i,
De
De
De
-
-
i,
- cor
-
- us,
-
-
-
De
-
-
-
di -
am
-
tu
-
- cor
-
di -
am
secundum magnam miseri
- cor
- di
-
am
secundum magnam miseri
- cor
-
di -
am
secundum magnam miseri
- cor
- di
-
am
tu
-
tu
tu
-
tu
© 1996 B B-W
-
-
us,
-
us,
-
-
- us,
-
us,
-
-
-
secundum magnam miseri
-
Miserere
i,
-
-
-
-
-
-
am.
am.
-
am.
am.
- am.
A Ques or the Holy Grail?
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Appendix 2 Allegri’ Original vere 3, ms 206
Amplius lava me ab iniqui
- ta
-
me
Amplius lava me ab iniqui
- ta
-
- ta
-
Amplius lava me ab iniqui
- ta
-
-
-
-
me
-
te
te
-
-
-
-
me
me
-
-
-
-
-
-
a:
et a pec -
-
ca -
et a pec -
-
ca
- to
et a pec -
-
ca
- to
me
-
o
mun -
- da
me.
et a pec
-
ca
- to
me
-
o
mun -
- da
me.
-
- to
me
-
me
-
a:
-
a:
te
Amplius lava me ab iniqui
te
-
-
o
mun
-
o
© 1996 B B-W
- da
me.
mun - da me.
a:
Allegri’ Mierere
26
Appendix 3 Burney’ (Mozart?) vere 1 Treble 1
Treble 2
Alto
Tenor
Bass
Mi - se- re - re
me -
Mi - se- re - re
me - i,
Mi - se - re - re
me - i, De
Mi - se - re - re
me-i, De
Mi - se - re - re
me - i,
mi -
- se - ri- cor
-
i,
se -ri - cor
-
di
-
se - ri - cor-di- am, mi -
mi
-
se - ri - cor
-
-
De -
-
De
-
-
-us: se- cun- dum mag - nam mi -
-
-
us: se-cun- dum mag - nam
-
-
-
us: se-cun- dum mag - nam
-
-
-
-
di- am tu
di- am tu
- se - ri - cor - di- am tu
- se - ri- cor - di- am
-
- us: se- cun- dum mag - nam
-
mi - se - ri- cor -
-
- us: se - cun-dum mag - nam
-
-
-
mi
-
-
-
- am,
mi
-
De
-
-
-
-
- am.
- -
-am.
tu
-
-
-
am.
di- am tu
-
-
-
am.
© 1996 B B-W
am.
A Ques or the Holy Grail?
27
Appendix 4 Burney’ (Mozart?) vere 3
Am - pli
- us la - va
me
ab in
Am - pli
- us la - va
me
ab in - i - qui - ta -
Am - pli - us la - va
me
ab in - i - qui - ta -
Am - pli - us la - va
me
ab in - i - qui - ta -
- i - qui - ta -
te
me
-
me
-
te
me
-
te
me
-
te
-
-
-
-
-
a:
-
a:
-
a:
-
a:
- da
da
me.
et
a
pec-
ca
-
to
me
-
o
mun
-
et
a
pec-
ca
-
to
me
-
o
mun
-
-
-
-
-
me.
et
a
pec-
ca
-
to
me
-
o
mun
-
-
da
me.
et
a
pec-
ca
-
to
me
-
o
mun
-
-
da
me.
© 1996 B B-W
Allegri’ Mierere
28
Appendix 5 Reworking o 1731, vere 1, ms 185 (edition) Treble 1
Treble 2
Alto
Tenor
Bass
Mi - se- re - re me
- i, De
Mi - se- re - re me
- i, De
Mi - se -re - re me
- i,
Mi - se - re - re me
-
-
-
-
-
-
-
-
-
- i,
-
- nam
mi
- se -ri - cor
De
- nam
mi
-
- nam mi - se - ri - cor - di - am
- nam
mi
-
se
-
- nam
mi
-
se - ri - cor
-
-
-
-
-
di - am
se -ri- cor
-
-
-
us,
se- cun- dum mag
- us,
se- cun- dum mag
De
Mi - se - re - re me - i, De
-
-
-
-
-
us,
se- cun- dum mag
-
us,
se- cun- dum mag
-
us,
se- cun- dum mag
tu
-
-
di - am tu
-
-
-
mi - se - ri - cor - di- am
ri - cor - di- am
-
di - am
tu
-
tu
-
© 1996 B B-W
-
-
tu -
-
-
-
am.
- am.
am.
-
-
- am.
am.
A Ques or the Holy Grail?
29
Appendix 6 vere 3 rom Aleri &Additional 31525 (edition)
Am -pli- us la- va me ab in -i - qui- ta - te
me
Am -pli- us la- va me ab in -i- qui- ta -
- te
Am -pli -us la - va me ab in -i - qui- ta -
-
me
-te
Am- pli -us la - va me ab in - i - qui - ta - te
et
a pec - ca
-
et
a pec - ca - to
- to
-
-
-
-
me
me
-
-
-
-
-
-
-
-
-
-
a.
-
a.
-
-
-
-
a.
-
-
-
-
a.
me
-
-
me
-
-
o
-
mun
-
-
o
- da
mun -
da
me.
me.
et
a pec - ca - to
me
-
-
o
mun
-
-
-
da
me.
et
a pec - ca - to
me
-
-
o
mun
-
-
-
da
me.
© 1996 B B-W