4894

DISCOGRAPHY

I Will Always Love You Solo for Flute - Clarinet - Alto Saxophone - Trumpet & Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare

Arr.: John Glenesk Mortimer

Dolly Parton EMR 1694S 1 1 8 1 1 1 5 4 4 1 1 2 2 2 1 1 3 3 3 2 2

Score Solo Parts Flute Oboe (optional) Bassoon (optional) E Clarinet (optional) 1st B Clarinet 2nd B Clarinet 3rd B Clarinet B Bass Clarinet (optional) B Soprano Saxophone (optional) 1st E Alto Saxophone 2nd E Alto Saxophone B Tenor Saxophone E Baritone Saxophone (optional) E Trumpet / Cornet (optional) 1st B Trumpet / Cornet 2nd B Trumpet / Cornet 3rd B Trumpet / Cornet 1st F & E Horn 2nd F & E Horn

2 2 1 2 2 2 2 1 1 1

1st Trombone  +  2nd Trombone  +  Bass Trombone  +  Baritone  +  E Bass  B Bass  Tuba  Bass Guitar (optional) Timpani Drums

Fanfare Parts

Special Parts

1 1 1 1 1 1

1 B Trombone  2nd B Trombone  B Bass Trombone  B Baritone  E Tuba  B Tuba  st

2 2 2

1st Flugelhorn 2nd Flugelhorn 3rd Flugelhorn

Print & Listen Drucken & Anhören Imprimer & Ecouter

www.reift.ch

Case Postale 308 • CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail : [email protected] • www.reift.ch

Feelings Track N°

1 2 3 4 5 6 7 8 9 10 11 12 13

Titel / Title (Komponist / Composer)

ill Always Love Y I W Will You ou (Parton) Don’t Cry For Me, Argentina (Webber / Rice) Feelings (Morris / Gaste) What A Wonderful World (Thiele / Weiss) Yackety Sax (Rich / Randolph) Romantic Blue (Armitage) Summertime (Gershwin) Ave Maria Païen (Plamondon / Cocciante) Morning Has Broken (Traditional) Concerto P our Une V oix (Saint-Preux) Pour Voix My Way (François / Revaux) Strangers In The Night (Kaempfert) Tutti F rutti (Buttall) Frutti

Time

4’13 5’18 2’56 2’59 1’37 4’45 2’03 3’46 2’05 4’59 3’55 3’33 2’38

N° EMR Blasorchester Concert Band EMR 1694S EMR 1546 EMR 1543 EMR 10690 EMR 1804 EMR 1901 EMR 1803 EMR 10094 EMR 1801 EMR 10368 EMR 1153 EMR 1519 EMR 10199

Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Case Postale 308 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch

Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Photocopying is illegal!

Words & Music by Dolly Parton

I Will Always Love You Slow Ballad q = ca. 72

Solo in C

        

      



mf

Flute

Oboe

Bassoon

1st Bb Clarinet

2nd Bb Clarinet

3rd Bb Clarinet

Bb Bass Clarinet

 

2

 

3

  

      

4

5

   



7

              

8

   

















     

















      



     































    

















    

















     











9

Arr.: John Glenesk Mortimer 6

 

4





Solo in C

Fl.

Ob.

Bsn

Cl.1

Cl.2

Cl.3

B.Cl.





  

















































      

































Hn.1

      















Hn.2

      

 















Tbn.1

     

















Tbn.2

2nd Trombone

      

















B.Tbn.

Bass Trombone

















Bar.

      

















     



















     

















     

















   

















Bb Tenor Saxophone

Eb Baritone Saxophone

1st Bb Trumpet/ Cornet 2nd Bb Trumpet/ Cornet 3rd Bb Trumpet/ Cornet

1st F Horn

2nd F Horn

1st Trombone

Baritone

Tuba in C

Bass Guitar

Piano / Keyboard / Guitar (ad lib.)

Timpani (ad lib.) Drums



          



  

      

 







 T.Sax.























EMR 1694S © 1973, 1993 VELVET APPLE MUSIC EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED







     

  

   

  

  

      

Tpt/ Cnt.1 Tpt/ Cnt.2 Tpt/ Cnt.3

   

mf`

     







12

       

       

   

     

   



   





   









































  

  

  



  

  

      

  

     

      

  

   

      

  

  



mf`

  

  

  

    







 



  

  















  

























  

    







    

  







   





       

  

mf`

  

    

 Timp. Drums



  

  

  

             Fm7

  

  

Db



  

   





  

 

Eb

         

 



   Ab

   

   

Fm7

  

     

mf

 

mf

     

     



   



   







  

       

    





  

  

  

 

                Db

  

Eb

  

















EMR 1694S

  

mf



     

  





mf`



  



    

mf`





mf`

Kbd/ Gtr







Ab

  



   

   

         



mf`

mf`

  



    

    

  



mf`

Bass

  

    



  

  

 



    

mf`







     





mf`

Tba

  



  

   



  



    







      



14





   mf`

13



  

  

11

       

  



mf`

B.Sax.



  

mf`

    



mf`

mf`





             

mf`

A.Sax.





mf`

    

Eb Alto Saxophone

   

10

 

 Ab

 



     

                



  

                  



5 15

         

Solo in C

Fl.

    

Bsn

Cl.1

T.Sax.

B.Sax.

Tpt/ Cnt.1 Tpt/ Cnt.2

Tpt/ Cnt.3

Hn.1

Hn.2

Tbn.1

Tbn.2

B.Tbn.

Bar.

Tba

Bass

Kbd/ Gtr

Timp.

Drums



  



  





 

 

  

  

   





        



           

 



 



p



 



    



  



 



      

  







  







   





Ab

 













 

  

 

   



  

p cup mute

  

p









   

  

   

  

 

p

p

  



Ab Bbm7

             

     mf

EMR 1694S





p





 p



     

   

  

 

A.Sax.

B.Sax.

  

  



  

  

Tpt/ Cnt.1

  

Tpt/ Cnt.2

  



Hn.2

  



  

Tbn.1

Ab

        

Eb





B.Tbn.







Bar.



          



   Fm7

 

Bass

Ab

 

   

 

 





             

Kbd/ Gtr

Timp.

Drums



 

  





    

  



   

    



  





 

  







  





   

  





  





 

    

mf

 

  

  

26

  mf

 



  

 

  

 



mf



mf













mf









  















  

   









 

  

  















   











   



    



   

     Db

          



 







  

           

  

    

  

   

             

   Ab

 

Eb/Ab

    

   

  



 

             

   



mf

  





















         











  Eb

 

   

mf









  















mf



mf



mf



Fm7





   





  

Ab

Db^

     



 

    

  



  

mf

  

  



mf

 

Eb

    



mf

 





 

mf









   









Ab

   





 









   

mf

    

 



  







mf



 









 

  



 



Eb









 







 





 

    







  









   

  





  

25

     







24



 





   



 

23



   

   

22



 

  Tba  





 

  

Tbn.2





Tpt/ Cnt.3

Hn.1







T.Sax.





Cl.1

B.Cl.



  



     

Cl.3







Cl.2





Db

 

  

  

                            

p



Fl.

Bsn





   Ab

  



 





  







p

p















  









   

Solo in C

Ob.





   

p

 

Bbm



  

p cup mute

  

 

 

    

      

   

  



     



 

    

 









  



21

   



p cup mute











      



    



  



p

      





6

20







p





 

   

    

    

mp







         

Db





  



 



19

p

   

         

    



   

      











  





      

          







  

  





18





  

   

   







Cl.3

A.Sax.



   

 

17

 



    

Cl.2

B.Cl.

 



  

Ob.

16



mf

  

mf



  

   

            

Ab

Fm7

                                                          mf

EMR 1694S

7 27 Solo in C

Fl.

Ob.

Bsn

Cl.1

Cl.2

Cl.3

B.Cl.

A.Sax.

T.Sax.

B.Sax.

Tpt/ Cnt.1

Tpt/ Cnt.2

Tpt/ Cnt.3

Hn.1

Hn.2

Tbn.1

       

    

                           





   



      

  

      

   

  

  









  













 

 

    



  





    

     

 

  

  



   

 Timp. 





Db

   

  

Eb

            





 Ab

 

  

            

     

  

  











 









     



 







           

   

  



    











  

Ab

  

                Db

Ab





      

                                      EMR 1694S







Cl.3







B.Cl.

   

  







 

A.Sax.



  





T.Sax.





B.Sax.

   

  

  

 mp



mp

mp

 mp

























mp



mp



 



    









Db

 

Hn.1



  Ab

Tpt/ Cnt.3





 

  Ab

 

Tpt/ Cnt.1

Tpt/ Cnt.2





mp

 



 



mp



 



    

Eb

Cl.1





  



mp

 Solo - open (replace Sax)





Bsn

f

    





Cl.2

  



  

Ob.



mp



Fl.





      









mp











8

Solo in C



mp



f





mp



    



            







  



 

                  Db



SOLO

       Fm7







 













  











 



   

  









 

















33





  





    

   



    

   



  

         

  

 

 

  

  





  







32



    



31















Drums

       



           Bar. 

Kbd/ Gtr

30

  

B.Tbn.

Bass

29





Tba







   

Tbn.2

28

Hn.2

Tbn.1



    

                          

36

37

38

  











   













  













    





















    



 



Kbd/ Gtr



































  

  







































   







   

    











   

   

40







  







 















     



   

  





 





  

   

 

  



    

 

































    

 









 



 

    

 

 

 





 



 









    

   

  

 

    



   

    





   



    

Fm7

Ab

   









  

Db





  

  



 



      

                  

   Ab







 

Eb/Ab

    

   

 









 







  

         



  







 









Eb

  





 

    











    

Ab

Eb











 



     Ab



                 EMR 1694S

       

p (cup mute)

   

 

    

 

p (cup mute) p



  



















 Fm7

 tutti (cup mute)

  

 







 

    





   





  

  





3







 Timp. Drums



39

 

    

Bass

     



3

B.Tbn.

Tba



   

    

Eb

 

35

Tbn.2

Bar.



34

  

  

Db

  



   Eb

  

  

   





   Ab

        

              



Db



           

9 41 Solo in C

Fl.

Ob.

Bsn

Cl.1

Cl.2

Cl.3

B.Cl.

A.Sax.

T.Sax.

B.Sax.

Tpt/ Cnt.1

Tpt/ Cnt.2

Tpt/ Cnt.3

Hn.1

Hn.2

Tbn.1

  



    

 

              





  

 

    



     

Drums



 

 







 



  

 

   

 



   



 







  

   

 



   



 









 



  

 







   Ab

      

 Eb



 













             



   Fm7





Ab



   













Db

 

  

  

  

  

                            



  

 

 





   



 





   





Ab

 

Eb/Ab

    

   

 







EMR 10269



  



Ab

 Eb

 

 

 

             



 

  





  

BACH (Naulais) RICH / RANDOLPH NAULAIS VERDI (Oliver) VIVALDI (Mortimer) SAINT-PREUX (Naulais) MONTI (Reift) MONTI (Reift) TAILOR (Saurer) WEBBER (Tailor) LAST (Mortimer) ROBLES / MILCHBERG (Tailor) JOPLIN (King) MORRIS (Tailor) NAULAIS Arr.: MORTIMER RICHARDS TAILOR ARMITAGE Arr.: NAULAIS TAILOR REVAUX (Tailor) SUBA PREVERT / KOSMA (Mortimer) TRADITIONAL (Tailor) MASSENET (Mortimer) SUBA TRADITIONAL (Schneiders) RICHARDS FRANCOIS (Schneiders) BECHET (Schneiders) MANCINI (Saurer) HORNEZ / MISRAKI (Mortimer) ARMITAGE DANKS (Schneiders) DAMMICCO / BEMBO KAEMPFERT (Tailor) GERSCHWIN (Schneiders) TRADITIONAL (Oliver) RIMSKY-KORSAKOV (Reift) ARMITAGE CHOPIN (Sip) DAMMICCO / BEMBO BUTTALL SUBA THIELE / WEISS (Saurer) ARMITAGE MORTIMER

Chorus Or Hebrew Slaves Einsamer Hirte El Condor Pasa

VERDI (Oliver) LAST (Mortimer) Arr.: NAULAIS

EMR 10758

El Condor Pasa

Arr.: NAULAIS

OCARINA & WIND BAND EMR 10314

Cuckoo Clock

TAILOR (Saurer)

BASSOON & WIND BAND EMR 10094 EMR 10536 EMR 10307 EMR 10770 EMR 10368 EMR 1261 EMR 10147 EMR 1713 EMR 10456 EMR 1958 EMR 1726 EMR 10635 EMR 1801 EMR 10446 EMR 1153 EMR 1741 EMR 1901 EMR 1805 EMR 1739 EMR 10634 EMR 1803 EMR 1265 EMR 10113 EMR 1739 EMR 10199 EMR 10690 EMR 1899 EMR 10313

Ave Maria païen (Notre Dame de Paris) Bassoonissimo Chorus Of Hebrew Slaves Concerto Piccolo Concerto Pour Une Voix Csardas (Version in C minor) Csardas (Version in D minor) Gramercy Park Jeux Interdits Keep On Smiling La Maladie d'Amour Meditation From Thaïs Morning Has Broken Morning Has Broken My Way Petite Fleur Romantic Blue Silberfäden Soleado Sonata in D (Duet) Summertime (Porgy And Bess) The Flight Of The Bumble Bee The Minute Waltz Tränen lügen nicht Tutti Frutti What A Wonderful World Wild And Blue Winter Days

PLAMONDON / COCCIANTE RICHARDS VERDI (Oliver) TAILOR SAINT-PREUX (Naulais) MONTI (Reift) MONTI (Reift) TAILOR Arr.: NAULAIS TAILOR REVAUX (Tailor) MASSENET (Mortimer) TRADITIONAL (Schneiders) RICHARDS FRANCOIS (Schneiders) BECHET (Schneiders) ARMITAGE DANKS (Schneiders) DAMMICCO / BEMBO FRANCESCHINI (Andrews) GERSHWIN (Schneiders) RIMSKY-KORSAKOV (Reift) CHOPIN (Sip) DAMMICCO / BEMBO BUTTALL THIELE / WEISS (Saurer) ARMITAGE MORTIMER

WOODWIND DUET & WIND BAND EMR 10146 EMR 10293 EMR 10276 EMR 10276 EMR 10276 EMR 10293 EMR 10417 EMR 10417 EMR 10417 EMR 10634 EMR 10634 EMR 10293

Bramstedter Marsch (Flute & Clarinet) Fantaisie Hongroise (Flute & Clarinet) Gershwin Fantasy (Alto & Tenor Sax) Gershwin Fantasy (Clarinet & Alto Sax) Gershwin Fantasy (Flute & Oboe) Hungarian Fantasy (Flute & Clarinet) Latin Lovers (Clarinet & Alto Sax) Latin Lovers (Flute & Clarinet) Latin Lovers (Flute & Oboe) Sonata in D (Clarinet & Tenor Sax) Sonata in D (Oboe & Clarinet) Ungarische Fantasie (Flute & Clarinet)

BUTTALL NAULAIS Arr.: MORTIMER Arr.: MORTIMER Arr.: MORTIMER NAULAIS SUBA SUBA SUBA FRANCESCHINI (Andrews) FRANCESCHINI (Andrews) NAULAIS

WOODWIND QUARTET & WIND BAND EMR 10479 EMR 10479

Viva Italia (2 Clarinets & 2 Alto Sax) Viva Italia (2 Clarinets, 1 Alto Sax & 1 Tenor Sax)

SUBA SUBA

 Fm7

Concerto in C

VIVALDI (Mortimer)

OBOE & WIND BAND





Badinerie Benny Hill (Yackety Sax) Blue Flute Chorus Of Hebrew Slaves Concerto in C Concerto Pour Une Voix Csardas (Version in C minor) Csardas (Version in D minor) Cuckoo Clock Don't Cry For Me Argentina Einsamer Hirte El Condor Pasa (Solo or Duet) Elite Syncopations Feelings Flûtissimo Gershwin Fantasy (Duet) Gloryland Gramercy Park Holiday Swing Jeux Interdits Keep On Smiling La Maladie d'Amour Latin Lovers (Duet) Les Feuilles Mortes Londonderry Air Meditation From Thaïs Mexican Hat Dance (Trio) Morning Has Broken Morning Has Broken My Way Petite Fleur Pink Panther Qu'est-ce qu'on attend Romantic Blue Silberfäden Soleado Strangers In The Night Summertime Swing Low The Flight Of The Bumble Bee The Happy Whistler The Minute Waltz Tränen lügen nicht Tutti Frutti (Solo or Trio) Viva Italia (Quartet) What A Wonderful World Wild And Blue Winter Days

ENGLISH HORN & WIND BAND

PICCOLO & WIND BAND



 

EMR 10282 EMR 1169 EMR 10758

 

EMR 10410 EMR 1804 EMR 10669 EMR 10307 EMR 10269 EMR 10368 EMR 1261 EMR 10147 EMR 10314 EMR 1546 EMR 1169 EMR 1850 EMR 10443 EMR 1543 EMR 10409 EMR 10276 EMR 1530 EMR 1713 EMR 1898 EMR 10456 EMR 1958 EMR 1726 EMR 10417 EMR 1195 EMR 10040 EMR 10635 EMR 10444 EMR 1801 EMR 10446 EMR 1153 EMR 1741 EMR 10764 EMR 1554 EMR 1901 EMR 1805 EMR 1739 EMR 1519 EMR 1803 EMR 10465 EMR 1265 EMR 1863 EMR 10113 EMR 1739 EMR 10199 EMR 10479 EMR 10690 EMR 1899 EMR 10313

PAN FLUTE & WIND BAND

  







 

         



   

        







   

 





Eb



         





    





 



 

     













 







 



  

 

 

  









  

  





    





 







 



WIND BAND – HARMONIE – BLASORCHESTER FLUTE & WIND BAND





  

    



 

   

  

    









46



   

     

 Timp.











   











   







    

  

   



   Bar. 

   



45

       

    







  

B.Tbn.

Kbd/ Gtr



  













   

Bass





  

  







 

44

   





   



    





     



     



  

    



 

43

  



Tbn.2

Tba



42

 

Ab

      

 

 

                            

EMR 10094 EMR 10307 EMR 1261 EMR 10147 EMR 10758 EMR 1713 EMR 10456 EMR 1958 EMR 10739 EMR 10040 EMR 10635 EMR 1801 EMR 10446 EMR 1741 EMR 1901 EMR 1805 EMR 10634 EMR 1519 EMR 1803 EMR 1263 EMR 10199 EMR 10690 EMR 1899

Ave Maria païen (Notre Dame de Paris) Chorus Of Hebrew Slaves Csardas (Version C minor) Csardas (Version D minor) El Condor Pasa Gramercy Park Jeux Interdits Keep On Smiling La Favorita Londonderry Air Meditation From Thaïs Morning Has Broken Morning Has Broken Petite Fleur Romantic Blue Silberfäden Sonata in D (Duet) Strangers In The Night Summertime The Flight Of The Bumble Bee Tutti Frutti What A Wonderful World Wild And Blue

PLAMONDON / COCCIANTE VERDI (Oliver) MONTI (Reift) MONTI (Reift) Arr.: NAULAIS TAILOR Arr.: NAULAIS TAILOR PASCULLI (Mortimer) TRADITIONAL (Tailor) MASSENET (Mortimer) TRADITIONAL (Schneiders) RICHARDS BECHET (Schneiders) ARMITAGE DANKS (Schneiders) FRANCESCHINI (Andrews) KAEMPFERT (Tailor) GERSHWIN (Schneiders) RIMSKY-KORSAKOV (Reift) BUTTALL THIELE / WEISS (Saurer) ARMITAGE

EMR 1694S Editions Marc Reift ● CH-3963 Crans-Montana (Switzerland) ● Tel. +41 (0) 27 483 12 00 ● Fax +41 (0) 27 483 42 43 ● [email protected] ● www.reift.ch