12 Italian songs for Voice and Guitar

Twelve Italian Songs

by Albinoni, Caccini, Caldara, Carissimi, da Gagliano, Giordani, Lotti, Melani, Monteverdi, Monteverdi, Pergole Pergolese, se, Pesenti, and Stradella

Arranged by Peter Peter Billam For guitar accompaniment

© Peter Peter J Billam, Billam, 1979 1979 This score may be freely photocopied, and redistributed in paper form. form. It may be freely perform performed ed to live audiences audiences;; performing rights rights are waived. It may not be redistributed redistributed in electronic form, and all other rights, such as those of recording and broadcast, remain reserved by the the arranger, arranger, Peter Billam, GPO Box 669, Hobart TAS 7001, Australia.

This printing 11 April 2006.

// www.pjb.com.au http: // www.pjb.com.au

Twelve Italian Songs, for voice and guitar

These arrangements were made when I was a guitarist, accompanying the Swiss tenor Franz Anderegg in the late 1970’s.

Page 3

Giulio Caccin Caccinii (155 (1550-1 0-1618 618), ), from from Le nuove musiche di Giulio Caccini Amarilli, Giulio Firenze, Maresco Marescotti, tti, 1601 detto Romano, Firenze,

6

omaso Albinoni Albinoni (1674(1674-1745 1745), ), Bibl. Bibl. del Conse Conserv rvatori atorio, o, Ruscelletto Limpidetto, Tomaso Firenze. Ms D. 772 I, f. 63−65

8

Antonio o Cald Caldara ara (1670(1670-171 1716) 6) Come Raggio de Sol , Antoni

10

Giacomo Carissim Carissimi, i, Bibl. Bibl. Estense, Estense, Modena. Modena. Ms, Ms, Mus. G. 28. Vittoria, Vittoria, Giacomo

12

omma maso so Gio Giord rdan anii Caro Caro mio Ben, Tom

14

Giovanba nbatis tista ta da da Gagli Gagliano ano,, from from Varie Musiche di Giovanbatista Pupille Arciere , Giova Alessandro Vincenti, Vincenti, 1623 (Espl. (Espl. Bibl. Naz da Gaglia Gagliano, no, Libr Libro o Primo Primo, Venezia, Alessandro Firenze)

15

Pur Dicesti, Antonio Lotti

18

Alessandro o Melani, Melani, Bibliot Biblioteca eca Laure Laurenzian nziana, a, Firenze Firenze.. Ms Ashb Vezzosa Aurora , Alessandr 1452, f. 13−16

20

attributed to Giova Giovanbati nbatista sta Perg Pergolese olese (1710-17 (1710-1736), 36), in fact fact written written by Nina, attributed Legrenzio Vicenzo Ciampi (1719 - ?)

22

Lamento D’Arianna , Claudio Claudio Monte Montever verdi, di, Bibl. Bibl. Naz. Naz. Firen Firenze. ze. Ms Ms Cl. XIX, 114, 114, pp. 18−1 18−19. 9. Aria Aria dall’ dall’ oper opera a Arianna (1608)

23

Sig nor MarO Biondetta Biondetta Lasciav Lasciavetta etta, Mart Martin ino oP Pes esen enti, ti, from from Arie a voce sola del Signor tino Pesen Pesenti, ti, Libr Libro o Terzo, Venezia, Alessandro Alessandro Vincenti, 1636 1636 (Espl. Bibl. S. Cecilia, Roma, p. 17)

24

Alessandro ro Strade Stradella lla (1645 (1645-168 -1681), 1), from Bibl. MarMarCosi Amor me fai Languir , Alessand ciana, Venezia. Venezia. Ms Ital. IV. IV. 466, pp 57−62 or Bibl. Reale, Copenhagen. Ms C I c 530, pp 49−50

Peter Peter J Billam, www www.pjb.com.au .pjb.com.au

Giulio Caccini

3

Amarilli

Adagio 4 4

A

−

ma

− ril

−

li ,

mia

bel

−

o:

−

la ,

non

d’es

−

cre − di, o, del

mio

4 4

6e en Re

cor

dol

l’amor mi

−

−

−

ce de − si

o.

Cre

−

di lo

−

ser

pur

tu

−

e se ti −

cresc . . .

− mor

t’as − sa

−

le ,

pre

−

di

questo

mio stra

−

le ,

dim . . .

a

−

pri m’il

pe

−

to e vedrai

scrit − to in

co

−

f arrangement (c) 1979 Peter J Billam

Free from www.pjb.com.au !

4

Amarilli, Giulio Caccini

p

re :

mp

A − ma − ril 3

3

−

−

−

li ,

A − ma −

3

legato . . .

mf

cresc . . .

mf

− ril

−

−

−

li ,

A − ma − ril

−

−

li e’il mio a −

ff

cresc . . .

dim . . .

mp

− mo

−

pur ,

pre

e

−

ndi que

−

re !

se ti −

mor

− sto mio

stra

arrangement (c) 1979 Peter J Billam

Cre

t’as −

−

molto rit . . .

tempo

sa

le ,

le ,

−

a

−

−

−

−

di lo

prim’ il


5

Amarilli, Giulio Caccini

p

pet

−

−

to e vedrai

scrit − to in

co

−

re :

A − ma −

mp

− ril

−

−

ri ,

A − ma − ril

−

−

mf

li ,

A − ma − ril

−

li e’il mio a − mo

ff

cresc . . .

−

−

dim . . .

pp

re ;

A

molto rit . . .

−

mo

−

ma −

ril

accell . . .

−

f arrangement (c) 1979 Peter J Billam

−

−

li

e’l mio a −

tempo

−

−

−

re .

4

1

pp 3 Free from www.pjb.com.au !

6

Tomaso Albinoni

Ruscelletto Limpidetto

Andante 3 2

0 3

1

4 3

0 3

1

3 4

6 en Re

4

4

4

1

2

2

0 2

3

2

1

2

4 3 2

2

mf

Ru − scel

−

let − to

vie − ne ,

non

vez − zo −

sa .

− let − to

la

li − mpi −

li − mpi −

det

fa

vez − zo −

to ,

quando

I−

sa ,

re − ne

non

a

la

te sen ’

fa

così

Ru − scel −

det −

no ,


così

−

to ,

quando

non la

I−

re − ne

fa

così

a

te

sen ’

vez − zo −

vie − ne ,

za .


7

Ruscelletto Limpidetto, Tomaso Albinoni

p

no ,

non la

fa

così

vez − zo −

za .

p FIN

la

fi − a

Se co −

po −

no − sce i

i

pre − gi

più cru −

de −

suo

−

i

con gl’ a −man − ti el −

le e più ri − tro

−

sa ,

mf

con gl’ a − man − ti el −

ri − tro −

sa ,


la

fi − a

po −

più cru − de −

i

le e più

più cru −

ri − tro −

de − le e più

sa ,


8

Antonio Caldara

Come Raggio di Sol 3 4

Co − me raggio di

3 4

sol ,

mi − te e

mi − te e

se −

−

re − no ,

no ,

Co − me raggio di

sol ,

sovra

pla

−

cidi

flut − ti

si ri −

men −

−

tre

del

ma − re

nel pro −

sf

dim . . .

po

re

se −

−

sa ,

men − tre del

ma − re ,

cresc . . .

fon

−

do


se

−

no

sta la tem −

pe

−


9

Come Raggio di Sol, Antonio Caldara

f

−

sta

Co − sì

− ten − to

− gre − to

si

marto

di

il

ri

−


sco

so ta −

ler ,

gioaj un vol − to in −

cor pia − ga

−

a −

ra

fio

−

ga − jo e pa − ca

− ra ,

−

−

sa !

−

−

−

to ,

di

con −

men − tre

nel suo se −

to

s’an − goscia e

!


10

Giacomo Carissimi

Vittoria, Vittoria

Allegro 3 4

Vit − to − ria , Vit − to − ria ,

Vit −to − ria , Vit − to − ria ,

mio cuo

−

re !

Non

3 4

6e en Re

la −

grimar

ser

−

più ,

vi − tu ,

non

la −

grimar

Vit −

to − ria ,

Vit −

più ,

e

sciolta

to − ria ,

mio

cuo

d’A − mo − re

−

re !

la

Non

,

rit . . .

tempo . . .

la −

grimar

scio

−

ser

−

più ,

e

−

rit . . .

sciolta

−

vi − tu .

−

Gia

d’A − mo − re

−

l’empia a tuoi

−

tempo . . .

la

ser

−

dan − ni fra

−

−

ta

vi − tu ,

d’A − mo − re

stuo − lo di

e

la

sguardi , con

f



11

Vittoria, Vittoria, Giacomo Carissimi

vezzi

bu −

hanno

−

do

cuo

sciolta

più

−

giardi

di −

lo

−

re !

−

spose

gl’in − gan

co ,

del

−

ni ,

crudo

suo

Vit − to − ria , Vit − to − ria ,

re !

Non

d’A − mo − re

la

la −

grimar

ser

−

le

più ,

fuoco

gliaf − fanni

e

speto

Vit − to − ria , Vit −

non

vi − tu ,

frodi

e

la −

scio

non

l’ar −

to − ria ,

mio

grimar

più ,

e

−

−

−

,

−

−


−

−

−

ta

d’A − mo − re

la

ser

−

vi − tu .


12

Tommaso Giordani

Caro mio ben

Largetto 4 4

1 4

4

1

4

1 4

3 4

4

4 4 2

p

Ca − ro mio ben ,

cre − di mi al − men ,

cor .

te

Ca −

lan −

gui −

sen − za di

ro

mio

te

ben ,

za di

ces −

sa cru −

f

cresc . . .


sen −

sce il cor .

p

Il

lan − guisce il

tuo fe −

del

so −

pira o−

gnor ,


13

Caro mio ben, Tommaso Giordani

cresc . . .

del

tan

− to

ri

−

gor ,

dim . . .

ces −

sa cru − del

pp

− gor ,

tan

− to ri −

gor ,

men ,

ro ri −

cre −

di mi al −

Ca −

ro

cresc . . .

Ca −

ro mio

ben ,

mf

−

tan −

p

sen − za di

te

lan −

gui

−

sche il cor .

mio

pp

cresc . . .

ben ,

cre

−

di mi al − men ,

sen

− za di

te

p

lan

−

gui −

sche il cor .


4

4

4

4


14

Giovanbatista da Gagliano

Pupille Arciere

Allegretto 4 4

Pu O Io

− pil − lu − per

le ar − ci a − voi

cie − re , ma − te , sen − to

pu − lu − gra −

pil ci ve

− le be tor

− −

ne − re , a − te , men − to ,

4 4

reg − gio al − ber chieg − gio me cru − del − lis

voi Da Pur

− − −

quel − le − te − me a − v’a − mo e −in

che non ver −

sa − più so


e tor fo

gio d’A − rce − de si − mi

se − te , i − ta , tan − to ,

− − −

ta men nta

− − −

mo anch’ lu

−

re , io , mi .

−

che da d’a −

te il co to, o Di ne e fiu

tra te mo

− − −

− − −

fig −ge − mi vi − ro pia −

re , ta , nto ,

re . o. mi .


Antonio Lotti

15

Pur Dicesti

Grazioso 2 4

Pur

di −

ce −

sti , o

bocca , bocca

bel − la , o

bocca , bocca

bel − la ,

" si " ,

che

sul D . . .

quel

tut

so − a

− to

il

mio

−

ve e

pla −

ca

ro

cer ,

Pur


−

" si " ,

il

di −

mio

pla −

cer .

ce −

sti , o

bocca , bocca

fa

bel − la , o


16


bocca , bocca

bel − la ,

quel

so −a

mio

pia − cer

− cer ,

tut

−

−

quel

ve e ca

−

−

so − a

il

mio

pia − cer

pia −

cer .

−

ve e ca

ro " si " ,

−

quel

to

so − a

che

−

−

ve e ca

−

ro

fa

−

−

−

−

tut

,

il

ro " si " , " si " ,

−

" si " , " si " ,

− to

il

mio

pia −

che

fa

−

,

il

tr

mio



17


2a

_________

_________

1a

FIN

− nor

−

di

sua

prì ,

dol −

fa −

con

ce

fen

cel − la

un

−

te

ba

del

go −

con

−

un

ba

cio A −mor

der !

Per

−

t’a

Ah −

o−

cio A − mor

−

t’a −

prì ,

−

−

sul D . . .

f

−


−

−

− ,

sì

rall . . .

del

go

−

der !


18

Alessandro Melani

Vezzosa Aurora Andante

mp

dolce

3 4

Vez − zo − za Au − Al − ba gen −

3 4 mp

− −

ro − ti −

Vez − zo − za Au − ro − ra , Al − ba gen − ti − le ,

ra , le ,

deh , af −

deh , sor −gi , af − fret − ta il

e il pra chè il mon

− −

sor fret

sì , piè ,

to il do è


− −

− −

E il pra − to−in do Chè il mon − do è vi

do vi

− −

− −

− −

− −

gi , ta ,

− −

− −

ra, le ,

ra, le ,


19

Vezzosa Aurora, Alessandro Melani

il il

− −

pra − to in − do − ra mon −do e vi − le

por − tan − sen − za

do il −di . di te.

ro − ra , ti − le ,

deh , sor af − fret

− −

Vez − zo − za Au − Al − ba gen −

Vez −zo − za Au − ro − ra , Al − ba gen − ti − le ,

− −

gi ta il

gi ! ta !

sì , piè ,


sì , pie ,

Vez − zo Al − ba

deh , af −

− sa Au − gen −

sor fret

ro − ti −

Vez − zo − sa Au − ro − ra , Al − ba gen − ti − le ,

− −

ra , le ,

− −



− −

gi , ta il

− −

gi , ta il

sì ! piè !


20

attributed to Giovanni Battista Pergolese

Nina 4 4

Tre

gior − ni

son

che

Ni −

na ,

te

se

che

Ni −

na ,

che

4 4

Ni

let

−

− te

na

in

let −

se

ne

sta .

ne

sta

f

Pif

−

−

−,

fari , tim

in

−

pani

f

cem

−

ba − li ,


sve − glia

−

te mia Ni −

net

− ta ,

sve −


21

Nina, attributed to Giovanni Battista Pergolese

−

glia

più

−

glia −

−

−

te

te mia Ni − net −

ta ,

−,

ac

−

ciò

non

mia

Ni −

net

−

ac

dor

ta ,

−

−

ma

ciò

no

dor − ma

più .

sve −

Sve −

glia − te

mia

Ni

−

_________________ 1a

net

−

ta ,

ac −

ciò

non

dor

− ma

più .

_________________ 2a

più .

ac −


ciò

non

dor

−

−

ma

più .


22

Claudio Monteverdi

Lamento d’Arianna 4 4

La − scia

−

−

te

mi

mo −ri

−

re ,

la −

scia

− te

te voi

−

4 4

6e en Re

mi

mo −

ri

−

re .

E

che

vo −

le

−

p

che

mi

con

− for

−

te

in cosi

du

−

ra

sor − te ,

in cosi

f

gran

mar

la −

scia

− ti − re ?

− te


mi

La −

scia

mo −

−

ri

te

−

mi

mori −

re ,

re !


Martino Pesenti

23

O Biondetta Lascivetta

Allegretto leggerio 4 4

O O O

bion − det − ta ru − bel − la Lil − let − ta

la − sci − ni − nfa par − go −

vet − ta bel − la , let − ta ,

pa − sto − rel − la D’a − mor freg − gio Lil − la a − ma − ta

tut − ta D’a − mor Lil − la in −

bel pre gra

Se vez − zo − sa , Se ri − den − te , Me − tre in can − ti ,

se fe − pur so − tra − gli a −

sto − za ven − te man − te

pas − to − rel − nin − fa bel − par − go − let −

la, ( lil la, ( lil ta, ( lil

− − −

la − la − la −

4 4

la, ) la, ) la, )

so

1a, 2a

− spi

−

ro ,

______________________

− ro !


ahi

− − −

−

3a

io io io

la ! gio ! ta !

ti ti ti

mi − ro , mi − ro , mi − ro ,

so −

spi

ahi ahi ahi

−

______________________

ro !


24

Alessandro Stradella

Così, Amor, me fai languir 6 8

Co − Co −

sì , sì ,

A A

− −

mor, mor,

mi mi

fai fai

la − pe −

6 8

6e en Re

− −

nguir , nar ,

mi mi

− −

nguir , nar ,

mi fai mi fai

− −

si ma

−

strug − vie −

− −

fai fai

o, i,

ge , ne ,

la − nguir , pe − nar ,

co − sì , co − sì ,

la − nguir ; pe − nar ;

chi il

nel chi


mi mio

fug be

mio non

fo a

A − A −

non non

− −

− −

ge ne

se sac

co , nel mo , chi

− −

mor, mor,

e mi

mi dai

−

guir ciar

deg deg

− −

mio non

fo a

− −

mi mi

fai fai

la − pe −

o chi

cio che tan −to

de − a −

gio , e gio , e

co ho da mo pur

chi mi

si con −

fug − a −


25

Così, Amor, me fai languir, Alessandro Stradella

− −

gir , mor ,

fo a

a e

− −

− −

nguir , nar ,

− −

guir , nar ,

si strug − con − vie −

ge , ne ,

co ho da mo pur

fug − gir . a − mor .

Co − sì , Co − sì ,

mi mi

la − nguir , pe − nar ,

fai fai

chi mi

mi mi

nel chi

fai fai

___________ 1a

mi mi

fai fai


la − pe −

guir , nar ,

mio non

fo a

− −

A − A −

mor , mor ,

mi mi

fai fai

la − pe −

guir , nar ,

co , nel mo , chi

mio non

mi mi

la − pe −

fai fai

la pe

− −

___________ 2a

− guir . − nar .


Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to 1983, where he studied composition, classical guitar, flute and voice, worked as Musical Director of the Theáˆtre Populaire Romand , and as recording engineer, record producer and computer programmer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium, conducted recorder ensembles and choirs, studied recorder, voice and harpsichord. He founded www.pjb.com.au, becoming the first composer to sell scores on-line, with on-line delivery, taking scores from Composer to Performer in one immediate step. Www.pjb.com.au offers new approaches to funding composers and to music publishing. In a special offer to promote the opera November at the Carousel , all the pieces are currently being offered free ! These pieces are written to be read, made to be played ! Compositions at www.pjb.com.au include: Divisions on an Italian Ground , flute and guitar, 1980; Three Violin Duets, 1987; Fable, for piano, 1987; To Erich Jantsch, SAATTB recorders, 1988; A Suite of Curves, trombone (or horn) and piano, 1990; Two Recorder Duets, alto recorders, or other melody instruments, 1991; Trombone Quintet , trombone, flute, piano, bass, and percussion, 1994; Three Songs, on poems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano ( only the first and third of these songs are available), 1994; Piano Study, piano, 1994; Four Dances, various ensembles including recorder quartet, string quartet, 1995; The Poet in the Clouds, on a poem by S. T. Coleridge, SATB choir, 1995; Tres Casidas del Diván del Tamarit , on poems by Federico García Lorca, voice and piano, 1997; Three Suites, for the solo line, piano, and piano and a solo line, 2000; Die Zeiten, on poems by Kästner, Bachman and Jünger, choir (only the second and third of these songs are available), 2000; Three Duets for flutes, 2001; For Four Hands for piano four hands, 2002; Three Preludes for piano, 2003. Second Solo Suite for flute, violin, viola or cello, 2003. Guitar Duet for two guitars, 2006. Arrangements include: By J. S. Bach: Trio BWV 655, piano and flute; Vor deinen Thron BWV 668 , piano; Fugue in F minor BWV 689, SATB recorders; Flute Sonata BWV 1031 transposed into G major for alto recorder and keyboard; Flute Sonata BWV 1032 completed by Peter Billam and transposed into C major for alto recorder and keyboard; Ricercare a 3, from the Musikalisches Opfer for keyboard; Ricercare a 6 , for sSATBG recorders, or strings, or two keyboards; Fuga Canonica in Epidiapente for keyboard and melody instrument; Contrapunctus 14, from the Art of Fugue as completed by D. F. Tovey, for keyboard, or for SATB recorders, or for strings; Passacaglia and Fugue in c for piano four hands; Chorales with Descant for melody instrument and piano; Cello Suite I for flute or alto recorder, Forty Chorales for piano. By Johannes Brahms: Fugue in Ab minor for organ, for SATB recorders and gamba, in A minor; Choralvorspiele for organ with previous settings by Isaac, Bach, Praetorius, recorders. By Franz Schubert: Four Songs, voice and guitar; Schubert Dances, recorders and guitar, Schubert Dances, piano 4 hands. By other composers: G. F. Händel, Concerto Grosso in A minor op 6 no 4, harpsichord and recorders; Claudio Monteverdi, Ecco Mormorar l’Onde, SSATB recorders; Twelve Italian Songs, voice and guitar; John Wilbye, Draw on sweet Night , SSATTB recorders, and for flute choir; Telemann, Twelve Flute Fantasias, recorder; John Carr, Divisions on an Italian Ground , flute or recorder and guitar; Fourteen Folk Dance Tunes, recorder and guitar; Easy Classical Pieces, Bb trumpet and piano.

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12 Italian songs for Voice and Guitar

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