DISCO GTXTTAK BIBLE = AUTHENTTC IRANSGRIPTIONS NOTES AND TABLATURE
wlTH
2
BAD GIRLS-{}r,;* lt* liiut**lt
9
BOOGIE NIGHTS- j ,:..
:, ,
t4
BOOGIE OOGIE OOGIE-:\'il;r:,,(*
2L
BRICK HOUSE- i r .'
28
DA YA THINK I'M SEXY-l{q:*
34
DANCE WITH ME-ilut.*r Br*r,r,ir
40
DANCING MACHINE-'ilj:c,{x,rirsr:rt li DECEMBER 1963 (OH, WHAI A NIGHT)-i:rer:kiq: V;rlli *n* i];t $r:ur L{*xs*nr DISCO INFERNO-T'irt' ['r*nrrnpr:
47 52
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FUNKYTOWN-' , r,..
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GET DOWN
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GET OFF-l'*;'iv
76
GOOD
79
90
I LOVE THE NIGHT LIFE-Atiri* S+.i* g*:x KUNG FU FIGHTING-{.;,yi $*lrgt*ir LE FREAK-{,hi*
95
LOVE ROLLERCOASTER-$.-\iri*
85
1
TONIGHT-Kil
TIMES-,"
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$us:*liir:{:3i$sd
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MACHO MAN-\,'it
107 118
NATIVE NEW YORKER-g.3* vx**.,i NEVER CAN SAY GOODBYE-{ii*ti*
128
PICK UP THE PIECES-.,\u;r*lx$* !Yltii* lian*{
135
SHADOW DANCING-;\ x#y
144
SHINING STAR-$:;ryth,. \,\l** $r Fir,*
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STAYIN,
'1.57
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ALIVE-;i.,, . ,, q. SUPER FREAK-;-...0 :
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168
SUPERSTITION-$i*r.i * \\qr*e *r THAT'S THE WAY (I LIKE IT)-HL & Th*: liri**]ri*r, WE ARE FAMILY- .. , , .i",;";,.
17't
Y.M.C.A.-Vili
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:-
-.,
tsl*_v*ris
101
i
F4.
175
* YOU SHOULD BE DANCING-$}** fi*srs
180
Cuitar Notation Legend
jScnd
*51* $:'**pi
= ISBN 0-h3q-08I35-b
ZHAL.LeoTARD. 7A Lacor?poRATrot\ 7777 W. BLUEMOUND RO. pO, BOX 1 381 9 MTLWAUKEE, Wt 5321 3
For all works contained herein: Unauthorized copying, arranging, adapting, recording or public performance is an in{rrngement of copyrighl lnfringers are liable under the law.
!a !ea^a': C- ^e al www.halleonad.corn
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7
Bad Girls Words and Music by Joe "Beans" Esposito, Edward Hokenson, Bruce Sudano and Donna Summer
eb
Am
H'* C" 311
Gm Asus4
A
H H'"'H"
Intro Moderately .J = 124 *F
Grr
2 tclean
t
Riff
eb
Dm7
Gm7
A
xChord symbols reflect overall harmony
Am7
Am7
Gm7
Am7 \roc. Fig.
1
End Voc. Fig. I
(Toot Rhi'. Fig.28
Gtr.3 (clean)
+
+++
-
End Rhy. Fig.28
+++
,rf
End
RiffA
End Rhy. Fig.
rJ-:
r3
I
Rhy. Fig.2A
Rhy. Fig.2
---r
Copyright @ 1978 by Rightsong lvlusic Inc., Earborne Music and Sweet Summer Night Music All Rights for Earborne Music Administered by Rightsong Music lnc. International Copyright Secured All Rights Feserved
End Rhy. Fig.2A
End Rhy. Fig.2
"t Gtr. l: w/ Rhy. Fig. I (1st 2 meas.) (2 times) Gtrs. 2
&
3: w/ Rhy. Figs. 2A
& 2B
Dm7
(3 times)
Am7
Am7
Gm7
End Voc. Fig.2
beep
Toot -
beep.
toot.
Gtr. 1: w/ Rhy. Fig. 2
Dm7
Am7
beep
-
beep.)
Chorus Gr. 1: w/ Dm7
Bad
Rhy. Fig.
I
(2 times)
Am7
CrmT
Am7
Am7
Gm7
girls,
Rhy. Fig.3
Gtr. 2: w/ RIy. Fig. 3
Dm7
Am7
Am7
Gm7
in'
'bout
Gm7
yeah.
Verse 1: w/ Rhy. Fig. I (1 l/2 times) Gtr. 2: w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 2B (3 times)
Gtr.
Dm7
Am7
Am7
(Wa1k -
the price
You can'l
in')
if your
pock -
et's
right.
-
Gm7
/
End Rhy. Fig.4
r:_J---
ff
Pre-Chorus
'
Gtr. 3 tacet
Am
Bb Rhy. Fig.S
cr, )
)
l
n, )
Am
Bb
//.
You ask Gtt.Z
Rhy. Fig.5A
Now don't
- self you ask your
vour
n
self-
Am
I
Bb
//
\
)
n7
Gm
/
l)
Interlude Gtr.
1: w/ Rhy. Fig. I Gtr. 2: w/ Riff A
2nd time, Gtr. 3: w/ Riff B
Asus4
w) w they come
Dm7 End Rhy. Fig.5
tl
from
thev wan - na
1.....:
t J t / t-
be
near a_
and star. End Rhy. Fig.5A
To Coda
Am7
$
Gm7
oh, oh,
Chorus Gtrs. 1 & 2: w/ Rhy. Figs. I & 3 (2 times)
Dm7
Arnl
Gm7
Am7
Dm7
Gm7
=-------. Bad
girls,
l' (Bad
sad
girls,
gir1s.
r Sad
--yeah.
girls.
Am7
sad
gir1s,
-
Am7
Gm7
in'
'bout
bad.
Gm7
Am7
Gm7
Verse Gtr.
1:
w/Rhy. Fig.
1
(1 ti2 times)
Gtr. 2: w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 28 (3 times)
Aml
Dm7
2. Fri
day night
Am7
Gm7
and the strip
is
Am7
Dm7
Gm7
hot,
and thev're out
to
trot.
_ Out trot - tin'.)
Am7
Gtrs. I & 3: w/ Rhy. Figs.
,1
&
D.S. al Coda
4,A
Am7 Dm7
Gm7
A
\-, high
and
look
legs
Do you
hot.
wan
- na
get
down?
-
-
$coaa
Bridge I& Dm7
Gtrs.
2: w/ Rhy. Figs. 1 &
3
(2 times)
Am7
---/ that's
yeah,
us.
*Gtrs.,1 & 5
Bad
girl, you're such
girl,
a
dirt
bad
Riff C
girl.
Beep -
End Riff C
-
"!f w/ clean tone
*Gtr. 4: clean tone w/ slight reverb: Gtr. 5: synth. an. for gtr.
Gtrs. 4 & 5: w/ Riff C (3 times)
Dm7
Gm7
bad
(Bad
girl,
you
oirl
sad sad
Am7
such such
difi
-
dirt
-y
girl girl
Beep
beep,
Verse ctr.
1; w/ Rhy. Fig. I (lst 2 meas.) Gtr. 2: w/ Riff A (2 times) Gtr. 3: w/ Riy. Fig. 28 (3 rimes) Ctrs. 4 & 5: w/ Riff C (,1 times)
Dm7
3. Now vou
Gtr.
Am7
Am7
and
(Both the 6
same.
_
1:
w/ Rhy. Fig. 2
Dm7
But you
call
your -
self_
girl, you're girl, you're
Gtr. l: w/ Rhy. Fig. I (lst 2 meas.)
Dm7
name.
_ Dif
f'rent
Now your
ma -
ma won't like-
when
she
name.
Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4,A
Dm7
Am7
girl
Finds
out.)
-
out
_
-
Guitar Solo Gt$. I & Grr 4
Bb
2: w/ Rhy. Figs. 5 & 5,A
Am Bb N.c.
Bb
Bb
cr.5
Am
Gm
N.C.
Gtr. 4 tacel
Bkgd. Voc.: w/ Voc. Fig. I
Asus4
A
7
Interlude Bkgd. Voc.: w/ Voc. Fig. 2 (4 times) Gtr. 5 tacet
N.C.
Toot - toot,
beep- beep
Toot- toot,
beep
-
beep.)
Blgd
Voc.: u/ Voc. Fig. 3 '2 rimer1 Gtrs. I & 2: w/ Rhy. Figs. I & 3
CBb
F'CR
Bb
Hey,
Outro Bkgd. Voc.: w/ Voc. Figs. 2 & 3 (till fade) Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 3 (till fade)
Dm7
Am7
Gm7
Have
Am7
Am7
Dm7
\fis
Am7
Ooh,
you
got
dime?
Gm7
Am7
Do you
terl
Am7
Gm7
-
wan
spend
got what you
yeah.
your
ba
by, come and
time?
-
Dm7
want
you
got what
I
need.
Gm7
be
somg
-
Am7
spend
me.
_
Hey,
mis
Begin fade
Dm7
I',lt
spend
Am7
Gm7
some
trme
with
you
Wirh
Fade out
you.8
You
Am7
fine
With
you.
Gm7
Am7
Boogie Nights Words and Music by Rod Temperton Gtr. 3: Drop D tuning: (low ro high) D-A-D-G-B-E To match recording, tune up 1/4 step
Intro Moderately
.J
= 124
*N.c.
(Harp)
(Drums)
---\
approx.7 sec.
*Chord symbols reflect overall
hmony
Em9 Voc. Fig,
1
Copyright @ 1976 RODSONGS
All Rights Administered by ALMO MUSIC CORP All Rights Reserved Used by Permission
.---
7 ff
v"..u Bkgd. Voc.: w/ Voc. Fig. 2 (2 times)
Grrs. I & 2: w/ Rhy. Fig. 1 (2 times) ctr. 3: w/ Riff A (2 times)
E7|de End Voc. Fig.2
I
no
2
that
al1
3
End Rhy. Fig.
I
doubt, groove,
right
End Riff A
,!f w/ phase shitter
Chorus -{m
we are here to par let it take you high when you got that feel -
on out. it move, Hold it tight,
ty.
Come
got to get
er.
Make
set
ing.
it
this place on
got to
start
-
ea.
11-rel keep on deal in.e.
-
)
Dance
with
the
I Rh1. Fig. 2
Gtrs.
'Cause boog
1
&
l +'
the best
in
town. End Voc. Fig.3
get End Rhy. Fig.2
Interlude
To Coda
Gtrs. I & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff A (2 times)
(Got to keep on
danc
- in',-
Can
keep on danc
you show
- in'.-
that you know
keep on danc
how
right
to
it,ie
do Boog
do-
-
$
in'.)
it?
nights.
End Riff B
phase shifter
Get
right,
on down
off
with the sound
of
the
mu Boog
s1c,
ie
_
s1c,
nights.)
/ $coau
Synth. Solo ctrs. I & 2: w/Rhy. Fig. I Gtr. 3 : w/ Ritl A (4 times)
_)l
(4 tines)
^
h/'l+9
+Synth.
a[. for gtr
-
== -
7
Boog
(Cot
on
danc
keep
^+
on
danc
2-
Chorus Gtn. 1 & 2: w/ Rhy. Fig.
2
Bkgd. Voc.: w/ Voc. Fig. 3
Am
Em
Interlude Bkgd. Voc.: w/ Voc. Fig.4 Gtrs. I & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff A (2 times) 1..I
t9
*Synth.
m.
for gtr
P#m
B9(no3rd)
Outro Bkgd. Voc.: w/ Voc. Figs. Gtr. 5 tacet
I & 4 (till
fade)
Em9 Riff
GtIs.
t&2
cl
,+ /+-
__----------
Rhy. Fig.3
w/ phase shifter
Dm13
End Rhy. Fig.3
Play 5 times dnd.fade
w/ ad lib. talking Gtrs. I & 2: w/ Riy. Fig. 3 Gtr. 3: w/ Riff C lst & 2nd times. Gtr.4: il RiffCl
Em9
(lf
you wan - na boog
-
ie,
wan
na
boog - ie
boog -
ie,
boog -
ie
nights.)
13
I
Boogie Oogie Oogie Words and Music by Janice Marie Johnson and Perry Kibble
Intro
Plal 4 times
xDTsus4 Gtr. 1 (clean)
Gtr. 3 (clean)
*Chord symbols reflect overall harmony. ++Set fbr quarter note triplet regeneration w/ 7 repeats
tClavinet and gh. ar. for gtr., composite mangement
Gtrs.l&2tacat Dm7
Riff
Bb/C
A
*Clavinet m. for gtr *+Bass m'. for gtr.
14
:-\
Gtr. 3: w/ Rhy. Fill I
Bb/D
Dm7
fGtr. 2 (clean)
xctr.4
8vq-----mf
2nd, 3rd & 4th times
Moderate Disco J = 124
Copyright @ 1978 Conducive Music and On Time Music All Rights Controlled and Administered by Spirit One Music (BMl) lnternational Copyright Secured All Rights Reserved
w/ wah-wah
Bb/C Gtr.
--=_----
Dm7
D7sus4 Fill
1
End Fill
mf
l
1
R}ty. Fig.
I
*Gtr. I
€!
Rhy. Fig. 1A
Gtt.2 -
*Doubled throughout
End Rhy. Fig. 1A
15
I v"rr.
S( /')
2nd rime. Bkgd. Voc.: u/ Voc. Fig. Gtr. 1: w/ Rhy. Fig. I (3 3/4 times) Gtr. 2: w/ Rhy. Fig. 1A (4 times) 2nd time, Gtr. 6: w/ Fill 1
D7sus4
I
Dm7
1. If you're There's no
2.
think
lng
you're
time
to
waste,
too let's
-
to the
cool
this
get
show
boog -
Dm7
D7sus4
boy,
oh
Lis - ten
to
boy, the
mu -
sic
have and
gotnewsyour bod - y
let
for
you.
_
flow.
-
2nd time, Bkgd. Voc.: w/ Voc. Fig. 2
Dm7
D7sus4
The
ie
road.
Ev - 'ry-bod - er we be -
soon
Bb/C
v gin,
the
here
night
to
long -
er we've
got
must to
_-
boog
groove.
_
D7sus4
tell
you,
you
Lis - ten
are no ex to the mu - sic and
cep
let
to_
tlon your
rhe
bod-r
Chorus Gtr. 1 tacet
Am7
Cer Novn Rhy.
Fill2
get
on_f on _ i
up
End Rhy. Fill 2
Dm7
c
the
floor
Rhy, Fie.2
End Rir. Fig.
Gtt.2
Voc. Fig.
16
1
\\e re gon-na
Voc. Fig.2
boog - ie
2
oog - le
we'
Gtr. 2: w/ Rhy. Fig.
D7sus4 \vboog - ie
no
(No
lA
(2 times)
Dm7
_
more,
boog
-
ie
more
Gtr.
more RiITB
End Riff B
I
*Top notes of bkgd. voc.
_
re
sung by male voice and sound one octave lower than written
Gtr. l: w/ Rhy. Fig. 1 2nd time, Gtr. 1: w/ Rhy. Fig. I (1st 3 meas.)
Gtr. 1: w/ Rhy. Fig. I (last 2 meas.)
86/C
V
You
t.v more
_
:--:
boog -
ro
-
-
Coda
S
2nd time, Gtr. 1: w/ Rhy. Fill 2
Bb/C
Lis Lis
boog
to to
the
mu
my
bass,
----.----
Interlude Gtrs.
1
& 2: w/Rhy. Figs.
D7sus4
1
& 1A (2
times)
Dm7
=
---^-----_--\
17
I DTsusJ
D.S. al Coda
loco
-'-^-\ _-_\
1/2
) a..--\
.
t_a--)
$ coaa Interlude Gtr. 5: w/ Riff A
N.C.(Dm7)
2nd time, Gtr. 1: w/ Rhy. Fill 2
18
Guitar Solo
.
Gtr. l: w/ Rhy. Fig. I (3 3/4 times) Gtr. 2: w/ Rhy. Fig. lA (4 times)
D7sus4
Dm7
,---=-----_ Boog - ie!
a
^'i.i/.!i/.lA/.l
A/.|'i'f ./t/I/tit'.A't/IA
^-^
tAA,.ta^^^^AAAa
,--= -2-.--=:
l/2 a--*_\
).1
19
I :---
^
Boog-ie! .,+-\^
--..T-:
tA/.l A '.! 2
-.-------t--
Gtr.
1
a/v|a
1:
w/ Rhy. Fill 2
^t
----\
Gtr. 2: w/ Rhy. Fie. 2 (2 times) Gtr. 6 tacet
Am7
Dm7
down,
Am7
boog
-
Am7
Ie
oog -
re
oog - le
Dm7
dori n.
Gm9
ie
-
oog -
ie
oog - ie
Dm7
Outro Ctr. l: w/ Riff B Gtr. 2: w/ Rhy. Fig.
D7sus4
lA
Gtr.
Dm7
Gt6. I & 2: w/Rhy. Figs. I & lA (tillfade)
D7sus4
20
1:
Bb/C
Dm7
w/ Rhy. Fig. I (last 2 meas.
)
,--
l---
-----\ ------
Repeat andfade
----\ _---.
Brick House Words and Music by Lionel Richie, Ronald La Pread, Walter Orange, Milan Williams, Thomas McClary and William King Aml1
ffiror. FII+N 341 I
Intro
.FFi-E
Moderately J = 102
ffii-EfTni-E
N.C.
Gtr. I i (clean)
*
p
(drums)
*Key signature denotes A Dodan.
SIM
**Tap body of gtr. neu pickup w/ pick.
i-Ei-Ti-Ti-T]
fiTtrtrffiffi
i
mm,
-
7[Tli '!'TT;i ,!
i
ittttttt^ (cont. ln notatron)
-'---_-..-=-
Ow, she's
a
Am
End Rhy. Fig.
t
letnng----------l
*Chord s1'mbols reflect tonalit-v of gtr.
i
O 1977 JOBETE MUSIC CO., INC., LIBREN MUSIC, CAMBRAE MUSIC, WALTER ORANGE MUSIC, OLD FASHION PUBLISHING, MACAWRITE MUSIC and HANNA MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC lNC. All Rights Reserved lntemational Copyright Secured Used by Permission
21
I Gtr. 1: w/ Rhy. Fig. 1, 5 times, sinile
Bm
I like
PM.--------------.
no - thin
she's a
stacked- and that's a fact.-
la - dies
letring ---------
brick
P.M
we re
to - geth
er ev - 'rv - bod
knows
-
this is how the
--------------.
sto
End Rhy. Fig. 1A
P.M.-------------------------------r
22
letdng------------,-r
Am7
knows
O,..
,
Am7
Am7add6
she's
AmTadd6
thing.
Rhy. Fie,2
-
P,M,
Rhy. Fig.2,A
AmTadd6 Am7 Am7add6
AmTadd6
Am7
End Rhy. Fig.2
23
I Gtr. l: w/ Rhy. Fig. 2, simile
AmTadd6 Am7
AmTadd6
AmTadd6
Am7
AmTadd6
Am7
AmTadd6
Am7
AmTadd6
AmTadd6
Chorus Gtr. 1: w/ Rhy. Fig. 1, 6 times, simile Gtr. 2: w/ Rhy. Fig. 1A, simile
Am
Bm
Am
Bm
Am
She's
might-y,might y-
oh.
Bm Am
Ain't hold-in' 24
noth - in
back.-
_
just
la - dies
let-tin'
stacked
it all*hang
and
out.
that's a
-
Ah, she's
fact.
Am
,--)
Oh,
she's
brick
-
house.
Yeah,
-
-
a
Ctr. 2: w/ Rhy. Fill I
She,S
the
the
one,
-
ty
on
built
one
like an Am - a -
2. Mm.
zon.
-
-
-
Verse Gtr. 1: w/ Riy. Fig. 2, 2 times, simile Gtr. 2: w/ Rly. Fig. 2A, simile
AmTadd6
Am7
AmTadd6 Aml
AmTadd6 Am7
the clothes
she
wear,
y
her
-
AmTadd6 Am7
ways
_
make
Am7add6
AmTadd6 Am7
days- yeah,-
young - er
AmTadd6 Am7
AmTadd6
o1d-
an
Am7
AmTadd6
Am7
AmTadd6
and knows how
She-knows she's built
man-
Am7
wish
Am7
AmTadd6
to
Chorus Gtr. 1: w/ Rhy. Fig.
Gtr.
AmTadd6 Am7
AmTadd6 Am7
1:
Am Bm
AmTadd6 Am7
I,
4 times, simile
w/ Rhy. Fig. 1A., 1st 7 meas., simile
Am
Am
+r
Sure 'nough can knock
a
Bm
y,
to his
knees.-
Am
Bm
she's might -
sffong_ man
might
Am
'Cause she's
jusl
brick
Yeah.-
Am
Bm
y
a
let-tin' it all- hang out.-
Am
Bm
brick
Hey
house.
-
-
Gtr. 2: w/ Rhy. Fill 2
-
la - dies Rhy. Fill
stacked
-
and
that's
a
fact.
-
Ain't hold-in
noth -
in' back.
Ow
t
Gtr.2
Rhy. Fill 2
Gtr.2
25
I Bridge
Aml
I
,,-l_r
)
at t)'
/.-o
11.
-t
I12.
FI
/' /'
/' /',
/'
A shake it down, shake it down now.-
l-l/r r A shake it down say, "Ow."
A shake it down, shake it down, down, down.
-
Chorus Gtr. 1: w/ Rhy. Fig. l, 4 times, simile Gtr. 2; w/ Rhy. Fig. I A, lst 3 meas., simile
Am
Bm
Brick
Am
Yeah.
house.
might - y.
she's
might
a
y
Gtr. 2: w/ R}ty. Fill I
*/ RIl.
Gtr. 2:
Am
let-tin'
it
all
-
hang
just
Fig. 1.\. lst 1 mero.- simile
Bm
Am
-
brick
house.
she's the
-
one.- theon - ly one-
Bridge Gtr.
1:
w/ Rhy. Fig. 1. 2 times. sinile
Gtr. 2: w/ Rhy. Fig. 1A, lst 1 meas.. simile
Am
built
like an
Am
Bm
Shake
Yeah.
it down. shake it down. shake it
now.
_
Am
Shake
Bm
it down, shake it down, shake it now,
-
11.
Shake
26
Shake
now.
it down, shake it down,
shake
it,
shake
Am
it down, shake it down, shake it now,
l12.
down,
shake
now.
-
Interlude Gtr. I tacet
Am (elec. piano)
AmA
sChord symbols reflect implied tonality
27
I Da Ya Think I'm Sexy Words and Music by Rod Stewart and Carmine Appice Dm
iiffi'n l-t+Hl 3121
Am
C TT---l
ffi lll
5tr
TtrTT-'5ti
ffi
11
Gm Errrn
xxxx
ffi lt
ebm
xxxx
^ mT-461r
ffi
l1
C]
xxxx ^ rT-a8tr
ffi II
Introduction ModerateDiscoJ =l12
----.._ - +' -
Both notes vib.
i^/t't'll/t/t/l|a/\
O 1978 MUSIC OF UNICEF, EMI FULL KEEL MUSIC, WB MUSIC CORP. and NITE STALK MUSIC
28
All Rights for MUSIC OF UNICEF Controlled and Administered by EMI APRIL MUSIC lNC. All Rights for EMI FULL KEEL MUSIC and NITE STALK MUSIC Controlled and Administered by WB MUSIC CORP All Rights Reserved lnternational Copyright Secured Used by Permission
--\-
w/Rhy. Fig. I
w/Riff A
Dm
(end Rhy. Fig. 1)
w/Rhy. Fill I
Dm
1st Verse Rhy. Fig.2
Dm
Gtr.2
O
29
I
what they're think- ing?_
you want my bod
you real- ly
30
need
- y and-
you think
reach
I'm
sex
out and
y come- on sug-ar
touch me. Come
_
on
If-
let
tell
(Tell me so, baby)
w/Riff A
Dm
(end Rhy, Figs. 1 and 4)
ff
z"a and 3rd Verses w/Rhy. Figs. 2 and 3 (1 1/2 times)
Dm
Dm
_t_
He's act
- ing at
They wake
hold onOut - side -
They catch
He
shy dawn-
a
look-in' for an an - swer a1l the birds are sing - in'.
- fore we go much it's mist- y and it's be
min-ute.
it's
a
'cause
cold,
cab
-
says, "I'm sor- ry
high*rise a-
fur
C
Come
Two
-
ontal
give
ther,
last
pafi-ment
his
but
I'M out of milk and cot - Iee". -
me a
dime
-
Nev-er
he
so
can tell her
mind, sug-ar,
the night to - geth-
spend
but that
strang- ers,
They got each oth-er.
rain-ing.
to
let's
hon-ey,
to-
I nei
act we can
er
Now
ain't what they're think-in
can phone
- I her one s
- ly
watch
the
my moth -
er
com - plain- ing.
what his heart needs.) ear
- ly
mov- ie. llf-
Chorus w,Rhy. Figs. 1 (2 times) and 4
Dm
you want my bod - y
you think I'm sex
and
-
Y come
I
- lD.s.r
on hon-ey tell on (sug
-
ar
let
31
JFJ you
real-ly
need me
just-
reach
out and
rouch
me come- l:: ;:1_3;
let tell
me know. _
me
so.
Ow. Ooh).
_
- Last Time
w/Riff A (repeat until fade on D.S.)
x
Repeat and Fade
Dm
(end Rhy. Figs. 1 and 4)
Sug - ar
D.S.
His *Use repeat on D.S. only, vocals ad lib. using chorus lyrics.
Bridge Am
ctz/
Dm
|
JI )
J
he's got
* Solo w/Fill
Bbm
Re
* lax
C7
t,l
/
now we're
all
)t
.
1
ctr.2 Dm
!*-1 /
lr
tl
/
<
vol
tA /!l,.ll
*Sax solo an. for Gtr
32
ltr ///////
Dm
C]
Dm
)) <
vol.<
aAA
w/FiU I
C7 I
)t :1
R}Iy. cont simile
Dm
a,. ,t
)
a
^A ^f
Dm
t )t
c'7
)
)a
) ^'.,t,!
vol.
/l't/IA,'A
Dance With Me Words and Music by Peter Brown and Robert Rans llx
F
RbmaiT Fj
Fffisrr ^xm6k
ffiffiHffi
Intro Moderately slow
BbTsus4
/
l/
FFrTlr0li FmEri
)=tr2
** AbmaiT
N.C.
BbTsus4
lt/wwvwvr/llltt
nlf
*Kybds. an. for gtr.
**Chord symbols reflect overall htmon)
Gtr.
1:
w/ Riff A (2 times)
Cm1
Cm7 Rhy. Fig.
34
I
O 1977 EMI LONGITUDE MUSIC and SONGS OF UNIVERSAL, lNC. All Rights Reserved lnternational Copyright Secured Used by Permission
Gtr. 3: w/ Rhy. Fig. I
Cm7
(You got - ta
keep
mak
-
You got - ta
keep
mak
- in'
in
me
high,
-
high,
-
you got -
ta
keep
you
ta
keep
got
-
mak
-
in
high.
-
Verse I : w/ Riff A (3 3/4 times) Gtr. 3: w/ Rhy. Fig. I (3 3/4 times)
Gtr.
Cm1
1.
If you're feel -
ing
and
sad
blue,
come on
can make your dreams
with
-
men.
get
on
_
_
and
your
and
dance
with
-
come
come
La -
-
come on
Gen-tle
_
get
dies,
up
off
on
and
seatsl
-
e._
with
come on
and
dance
35
I Chorus
w
Abmaj7 End Rhy. Fill
1
.\/ /^
BbTsus4
Rhy. Fig.2A
.\/
,/
/'
/^o with mv
End
RiffB
Rhy. Fig.2
i---
Abmaj7 End Rhy. Fig.24.
-\l / / your-
/'
mind-
andyour bod-y
End Rhy. Fig.2
Interlude Gr. l:
rv/ Riff A
Gtr. 3: w/ Rhy. Fig. i
Cml
(You got - ta keep on 36
mak
- in' me
high,
-
you got - ta
keep on
mak
- in' me
high.)
-
be-
hand.
Piano Solo Gtr. 1: w/ Riff A (1st 2 meas.) (2 l/2 times) Gtr. 3: w/ Rhy. Fig. I (lst 2 meas.) (2 1/2 times)
Cmj
*Pimo an. for gtr. Gtr.
I : w/ Riff R Ctr. 3: w/ Riy. Fill I
F
Eb
AbnajT
Interlude
Gtrs. I & 2: w/ Rhy. Figs. 2 & 2,A (1st 2 meas.) Gtr- 4 tacet
Cm9
BbTsus4
F'7
N.C.
x*Kybds. an. for gtr. ***Set for eighth note regeneration w/ 7 repeats Gtr. 5 tacel
Gtr. 3 tacel
<---'----__
r
grad. release
Gtr.
(You
I:
got -
w/ Riff A
ta keep
danc
- in' 'cause it's
mak-
in' me
high:
-
you got - ta
keep,
keep danc - in'.
37
/ Gtr.
i:
w/ Riff A
(You got -
got
ta
- ta keep
danc-
in"cause it's mak- in' me
high;
you
-
got
-
ta
Gtr. 1: wi Riff A (1 3/4 times)
keep
11.,2.,3 )
c
(You got -
got
l+.
- ta
ta keep on (You got - ta
keep
danc-
in'
'cause
it's
mak - in' make
me me
mak
me
Gtr. l; w/ Riff B Gtr. 3: w/ Rhy. Fig. 2A (last meas.)
you got -
you got -
high;
on
mak- in' make
keep,
make
me me
high.) high.)
keep,
Gtr. 3: w/ Rhy. Fig. 2A (1st 2 meas.)
me
high.) high.)
keep
danc
me
- in
mak
keep
- you got - ta
AbmajT
keep
ta ta
BhTsus4
F7
rn',
yeah.)
-
Rhy. Fig.3
?^
-
1: w/ Riff A Gtr. 3: w/ Rlly. Fig. I
Gtr.
Cm7 End R}ty. Fig.3
(You got - ta
38
keep
mak
-
in
high,
-
you
got
-
ta
keep
mak
- in'
me
high.)
-
Verse Gtr. l: w/ Riff A (1 3/4 times) Gtr. 3: w/ Rhy. Fig. I (l 3/4 times)
Cm'l
2.
If you're
- ing
feel
and
sad
come
b1ue.
on
and dance with
-
me.
Cm7
I can
make
your dreams
come
come
true;
-
on
_
dance
with
with
my
hand.
dance
with
and
-
Chorus Gtr. l: w/ Riff B
GtI. l: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 2A
Gtr. 3: w/ RIy. Fill. I
FEb
(t
1/2 times)
AbmaiT
Say
the
BbTsus4
word
and
I'll
sum-
mon the
band
_
-
-
l:
Gtr.
Let
w/ Rhy. Fig.
3
Abmaj7
Eb
your-
BbTsus4
mind-
and vour bod-y
fiee;
be
-
-
me.
-
-
Interlude Gtr. 1: w/ Riff A (lst 3 meas.) Gtr. 3: w/ Rhy. Fig. I (lst 3 meas.)
C.m1
(You got -
ta keep
on
mak
-
in' me
high,
- you got - ta
keep
on
Gtr.
1: w/ Riff B Gtr. 3: w/ Rhy. Fill I
Abmai7
F
You got - ta
you.r
mak
keep
-
in
high,
-
you got - ta
keep
on...)
-
mind
-
Outro Gtr.
1: w/ Rhy. Fig. 3 Gtr. 3: w/ Rhy. Fig. 2,A (1st 2 meas.)
F7
and rour
bod -
BbTsus4
1
be
free;
dance
-
with
-
me.
39
I
Dancing Machine Words and Music by Weldon Dean Parks, Hal Davis and Donald E. Fletcher Tune down 1/2 step: (low ro hish) Eb-Ab
ob cb eb-pb
Intro Moderately .l = 107
N.C.
*A5
c5
D5
ln,-
(Danc
danc
1n'
ma
chine.)
-
Riff A Gtr.
1
(slight dist.)
*Chord symbols reflect implied harmony
Am9
tI
--
+2++-a-^-aQ
-: Move
me,
End Riff A
w
lllvlvtttttt
Verse
Am7 ++Yoc. Fig.
) rt^
1
+
1)
7
l\oc'Fig'l
--rr
=-=
+2+2a^2++^+ -
l. Au bop,
dit
mat bop
Riff B
fu11
bop,
dit
of col ty, bop.
or,
tained.
ffi ffi
m
*xApplies to downstemmed part
40
@ 1973 (Renewed 2001)JOBETE MUSIC CO., lNC. and STONE DIAMOND MUSIC CORP. All Rights Controlled and Administered by EMI APRIL MUSIC lNC. and EMI BLACKWOOD MUSIC INC All Rights Reserved lnternational Copyright Secured Used by Permission
Bkgd. Voc.: wi Voc. Fig. 1 (2 1/2 times) Gtr. 1: w/ Riff B (2 times)
neled
to_
*Voc. Fig.2
End Yoc. Fig.2
xApplies to downstemmed part
p#r.lbs
Gtr.
1
w/ Riff B
Am7
stops, Gu. 2 (slight dist.)
now.
_
Yeah. hn
,'::...,........--'.
41
I Verse Bkgd. Voc.: w/ Voc. Fig. I (3 U2 times) Gtr. 1r w/ Riff B (3 times)
Gtr
2 facet
Am7
2. Rhv
At
-
thm
the
bat
drop
knows
of
coln
what-
_
dy
She,S
mlte
she
she's
per
She's
bad,
now.
_
-
<---------...->+-\
Bkgd. Voc.: w/ Voc. Fig. 2
+'+
She's
mind.
t!!vttt/r!!tt
vwr /tft
i/t!
Interlude Am7 tltttlyltlt
Ctr.
1:
w/ Riff A (1st 2 meas.)
N.C.
A5
C5
D5
++
t-.,1
tn,-
42
she's
in'.
-
a
danc
- in'
ma
-
chine.; _
1: w/ Riff A Gtr. 2 tacet
Gtr.
== t-,,1 she's
I
'
a
x/^\
iL'-a'
r)
Am/Ff
dance,
dance.
-
danc
- in' ma -
chine.
-
Watch her get
down,
watch her get
down
as
she
End Voc. Fig.3
Gffs.1&2tacet
Am7
dance,
dance,
-
dance,
dance,
danc
- in'
ma - chine.
Watch
her get down,
watch
her get down
as
-
Am9
onr
Oo,
Bkgd. Voc.: w/ Voc. Fig. 4 (6 times)
Am/F#
xvoc, Fig.4
AmiF#
-/-\
bop, dit - ty,
Come bop.
*Applies to downstemmed parls
on, Oo,)
ba
Oo,
ba
_
she
Am/F#
Oo,
Dance,
ba
(Bop
bop.
She's aEnd Rhy. Fig. I
Bkgd. Voc.: w/ Voc. Fig. 3 (till fade) ctr. 2: w/ Rlty. Fig. 1 (till fade)
45
Am/Ffi
Am/G
'-'------\_
46
December 1963 (Oh, What a Night) Words and Music by Robert Gaudio and Judy Parker
-)
Tune up 1/2 step: (low to high)E! Ar+-Dl-Gi]-Br+-El
Intro Moderately *Gtr.
J = tOS
I
(Drums)
*Piano arr. for gtr
*xChord symbols reflect overall harmony
Verse Ctr. 1i w/ Rhy. Fig. I (2 times)
C
F/D CIE
F/D
CIG
F
ber
F/D
What
cial time
a
-
for
CIE
back
CIE
-
ber what
me,
-
CO., lNC. and SEASONS MUSIC COMPANY All Rights Controlled and Administered by EMI APRIL MUSIC lNC. Reserved lnternational Copyright Secured Used by Permission
a
night.
-
@ 1975 (Renewed 2003) JOBETE MUSIC
AII Rights
47
Verse Gtr. l: w/ Rhy. Fig. (2 times)
clc You know
I-
G
did
ven End Rhy. Fig.2
W
Gtr. 2: w. Rhy. Fig. 2 (3 times)
C
F/D
CIF'
gr
nev
c
I
got a fun - ny feel - in' when she
walked
-e
(Ah.)
€>
48
FID
CIF'
gon -
F
na
the
-
same.
_ G
G7
my,
_
ed much too
-
(Oh, what
a
Verse 1: w/ Rhy. Fig. I (2 times) Gft. 2: w/ Rhy. Fig. 2 (4 times)
Gtr.
c
F/D
CIE
CIE
C
3. Hvp 4. why'd
no
TIZ
it
take
1ng,
mes
SO
long
mer - iz - in'to see the
meJ
_
light?
G
CIF,
was
she
_
'ry
EV
so_
Seemed
wrong,
_
but
FID
C
thing now
dreamed S9EMS
CIE
F
Interlude Am
C
D
she'd so
-
-
be.
Sweet
right. -
What
-
-
der,
ren
sur
a_
dy,
la
what what
F/C
Am
C
D
*Gtrs. 2 & 3
xComposite mangement; Gtr. 3, homs
m.
*xctr.4
e
for gtr ffi
.rr /t y$vryt /Vl/!V
ffi
lttttvtwwltt/!\!
\J
1r!f x*xw/ octavgr & dist.
"-Slrl
u-
l-or
sr.
---o-'.. -r ri ior
ona 6-a!.e abo\.e
49
Bridge Dm7
Gtr
3
na
Gtr.
-1
tacet
Em1
a
divisi
To Coda FmajT
50
S
Interlude Gtr. 3 taoet
Gtr. 5: w/ Riff A (3 times)
c
F/D
c FID clB
CIE
tw/ wah-wah
"!f w/ dist. w/ fingers
"+Clavichord an. lbr gtr
ctr.
2: w/ Rhy. Fig. 3 (2 times)
C FIG CIE End Rlry. Fig.3 2
F
D.S. al Coda
$coaa Outro
2nd time, Begin fade
(till fade) Gtr. 2: w/ Rhy. Fig. 2 (till fade) Gtr. 1: w/ Rhy. Fig.
1
c
F/D
(Do,
do,
) r:L-
do,
C
FID
do,
-
-
CIE
do,
do,
F/G
F
do.
-
lth
time, Fade out
G
^t+
Play 4 times
++
do,
do.
do.
Oh. what
+n?
I
do.
do.
-
-
a
Disco Inferno Words and Music by Leroy Green and Tyrone G. Kersey
Intro Moderately .J = 136 *Cm7
N.C.
ab
Gtr. I (clean) (Drums, bass & strings.)
xChord symbols reflect overall hamony
sb
eb
52
F
Cm7
Copyright @ 1977 Songs Of DreamWorks (BMl) Rights lor Songs Of Dreamworks Administered by Cherry River Music Co. Rights outside of the United States for Songs Of Dreamworks Administered by Peermusic lll, Ltd lnternational Copyright Secured All Rights Reserved
eb
F
Cm7
CIE
F/A
Dm7
ba- by, burn.
Rhy. Fig.
ff
llz
It.
Bum,
-
r7e
nb
Gm
Cml
ba -by, burn.
End Rhy.
1
Fig.1
Rhy. Fill
End Rhy. Fill
1
I
v"..u Gtr. 1: w/Riff A
1. To 2.,3.
2nd time, Bkgd. Voc.: w/ Voc. Fig.
Eb
sur - prlse, _
my
is-fac -
Sat
F
1
cm7
Bb
lis - ten,
hun - dred
tion
came
sto
inz
- ries high. (..-u" chain-lre-ac -
tion. rion.
Cm'l
I
Look-ahere.j
Gtr. l:
peo
w/ Riff B (2 times)
2nd time, Bkgd. Voc.: w/ Voc. Fig. I
-pleI
could -
get -tin
loose,
n't
e-
get
-
y'a11,
tin' down dlll I had so)
F
The
The
funk was flam heat was on.
on_
they're get -
nough
ro
self
the
roof.- Look-a
de
struct.
Bb
Cm7
It was
so
here.
-
Cm7
out of in' to the
ing 11s
con - trol. top.
_
-
To Coda Gtr. l: w/ Riff C
2nd time, Bkgd. Voc.: w/ Voc. Fig.
I
(l
st 2 meas.)
Eb F Cm7
en-ter - tain - ing Ev-'ry-bod-y go- in' strong,
when
the
F
boog-ie
is when my
that
Voc. Fig.
$
start to ex-plode'- r rr.-a some-bod-y | hot. 'park got
spark
)
say
(Burn,
-
1
(Oo, hoo,
hoo!
53
Chorus Gtr.
1:
w/ Rhy. Fig. I (1 3/4 times)
CIE Dm7
FIC
Bb
Dis ba
- by,
J Brrn
co in - fer
I
burn
Burn,
ba
-
- by,
Burn
that that
er moth-er moth -
F/A
Dm7
Gm
I:
'
w/ Rhv.
Fill
I
Bb FIA
--\ Dis ba
- by,
co in - fer - no,
yeah.
bum.
Burn,
-
- -
ba
Burn that
moth - er down
by, burn.
Burn
lu
Bridge
"l
FIA
Bbmaj7
Bb
Csus4 C
54
J
Burn,
F/C
C
I y'a11.
bum.
Gtr.
CIE
down. down,-
- in'!)
cm7
-
D.S. aI Coda Cm1
$coau
Outro-Chorus Gtr. 1: w/Rhy. Fig.
CIE
moth
-
1 (4
times)
Dm7
Dis -
er
ba - by,
co
burn.
,bJI->
55
ba - by,
Burn that
moth -
er
down.
burn
ba
Begin
- by, burn
fade
Gm
\
l)
)a
ba - by,
Burn
moth
that
- er
down.
burn
loco
b.
grad. bend
t
FlccF
ba
- by,
burn.
by,
burn.)
I
.IYWVYYwI!!
56
Fade out
Funkytown Words and Music by Steven Greenberg F ra-rT-F 8fr A1
I TI-IT--1 ttL Intro
Moderately J = 128
Gtr.
1:
w/ Riff A (2 times)
C5 Riff A
End
RiffA
Riff B
End Riff B
** Gtr.2
*Synth. bass an. for gtr
x*Kybds. an. for gtr.
Verse Gtr. 2: w/ Riff B
Gtr. 1: w/ Riff A (4 times)
C5
that's
right
-
to keep me mov - in', keep me
groov-
in'
with some en
-
er
-
gy.
Gtr.
talk
a-
bout it, talk
a-
bout it,
talk
a-
bout it. talk
a-
1:
w/ Riff C
bout it,
-
Gtr.2
End Riff C
Copyright @ 1980 by Rightsong Music Inc. and Steven Greenberg Music All Rights Administered by Rightsong Music lnc. lnternational Copyright Secured All Rights Reserved
57
Gtr.
1:
\\/ Riif .\
{4 rimes)
C5
move on.
58
Got -
ta
move on.
Chorus Gtr. 1: w/ Riff D (4 times)
Cm7
A *Gtr.3
(clean)
vnon't 1ou take
me
Funk-v - town?
lo
Won't you take me
to-
Funk-y
-
RhY. Fig. 1
-
town'/
-
End Rhy. Fig.
1
xDoubled throughout
Gtr. 3: w/ Rhy. Fig. I
Won't you take
me
Funk-v
to
-
town?
Won't 1ou take
Funk-y - town?-
me to-
Interlude Gtr. l: w/ Riff D (4 times) Gtr. 3: w/ Riy. Fig. I (2 times)
Cm1
*xviolin ar. for
gtr.
It. Gtr. 3 tacel
Gff. 4 tacet
F
ctr.i "-"Crr.5
L , ,lr l I f /7 f 7 17 f /, r
*--Sa\ d. to. Sr
)r- ) ),t llt - lt
t:
Chorus Gtr. l: s'/ Riff D (,1 times) Gtr. 3: w/ R}ly. Fig. I (2 times) Gtr. 3 tacet
ctl.
5 tacet
Cm'l
Won't you take me to
Funk-y
-
Won't you take me
town?
-
-
to-
Funk-y
town?
-
-
D.C. al Coda
Won't 1 ou take me lo
Funk-v - town?
Won't you take me to-
Funk-v-town.
-
\
$coau Chorus Gtr. 1: w/ Riff D (,1 times) Gtr. 3: w/ Rhy. Fig. 1 (2 tines)
Cm1
f TJJJ-T
T
)
Funk- y
Won't you take me to _
Funk
Won't vou take
me
town.
to
nDoun.temmed nole.
,--=:
'-S....--.
V Won't
Ufr1
you take
me to-
Funk-)
)
- town? -t
4
7R/ Won't you take me to
Interlude
Outro
Gtr.
I : w/ Riff D (4 times) Gtr. 3: w/ Rhy. Fig. I (2 times) Gtr. 4: w/ Riff E
Gtr. 1: w/ Riff D (till fade) Gtr. 3: w/ Riy. Fig. I (till fade)
Cmj
Cm7
Won't you take
me
to
down
Begin fade
town?
-
Fade out
Won't you take
60
Funk - y
me down-
to Funk-v -
town?
Won't you lake
me
down
-
to Funk-y-town?
Get Down Tonight Words and Music by Harry Wayne Casey and Richard Finch lntro Moderately .J = 116 ** F7sus4
*Kybd. an. for gtr. Gtr.
1
(clean)
Rhy, Fig.1
End Rhy. Fig.
1
**Chord symbols reflect overall hamony
Gtr.
1:
w/ Rhy. Fig.
I
(3 times)
F7sus4
\
loco
C} 'j'
1
)
@ 1975 (Renewed 2003) EMI LONGITUDE MUSIC All Rights Reserved lntemational Copyright Secured Used by Permission
61
Verse Gtr. 1: w/ Rly. Fig.
1 (4
times)
F7sus4
do the things,
-
do the things _
Gtr. l: w/ Rhy. Fig. I
Gtr.
F7sus4
Cm
Get down to - night.
_
1:
w/ Rhy. Fig. 2
Do a lit - tle dance,
Gtr.
1:
w/ Rhy. Fig.
1
F7sus4
Verse Gtr.
l: w/Rhy. Fig. 1 (4 times)
F7sus4
2. Ba- by, babe,
-
meet
you
-
some
place,
-
33-^ -iC-
F7sus4
\ get
to -
geth
-
er
Gtr. l: w/ Rhy. Fig.
I
F7sus4
Gtr.
1:
w/ Rhy. Fig. 2
Cm
Gtr. 1: wi Rhy. Fig. I
F7sus4
Keyboard Solo Gtr.
1:
w/ Riy. Fig. I (4 times)
F7sus4
Gtr.1:w/Rly.Fig.1 F7sus4
Do a
lit - tle dance
make
a
Get
down
Gtr. l: wi Rhy. Fig.
1
F7sus4
down
to -
night.
Interlude Gtr.
1:
w/Rhy. Fig. I (4 times)
F7sus4
F7sus4
Gel
down
Outro Gtr.
l: W
Rhy. Fig. 1 (till fade)
F7sus4 ,b
3
Get
down.
get
down,
-
D 'b
ba
wooJ
by.
-
ger
woo'
woo'
down,
l^ .D?^
D* down to -
down,
night,
[-:
-
2 t:
P.M. - ----l
No, no, no,
no,
,P,
no,
no,
,'i
-
get
down,
no,
get
get
down,
get
down to -
F7sus4
ir-
ba -
by.-
P.M.- -------------------l
Woo. woo,
woo,
\
woo. woo
oo.
P.M.
- -- ---------l
woo.
night,
-
F7sus4
Woo, woo, woo, woo,-
woo,
woo,
woo,
n
bf^
Get
get
down,
down,
get
down,
down,
down
to
-
P.M.
---------l
Fade out
come
Come on,
on,
come
on,
child,
come on
-
P.M.---------J
P.M.-----------
---- l
/
\/ \^ r
,ot?
L)
a
Get Off Words and Music by Carl Driggs and lsmaelAngel Ledesma Bm fTT-517fr
titl
H+H 111
Intro Moderately .J = 136
Gtr. 2 tacet
** Bm/E
N.C.
a)
(oo,
*Gtr.2
AI 8vo----
RiIT
End Riff
Al
A
a:
oo,- oo,- oo,- oo.-
-
Riff B
Bm
:-.\_ Woo!
End Riff B
l
Gtr.3 (dist.)
ngf
End
RiITA
Rhy. Fig.
w/ talkbox
End Rhy. Fig.
1
I
\
+Kybds. arr. for gtr
*xBass plays E
w/ Bkgd. Voc. ad lib. (next 4 meas.) Gtr. 1: wi Rhy. Fig. 1
Bm/E
Yeah!
Get off!)
O 1978 EMI FULL KEEL MUSIC, TOTER BACK MUSIC, EMI LONGITUDE MUSIC and LINDSEYANN MUSIC CO All Rights for TOTER BACK MUSIC Controlled and Administered by EMI FULL KEEL MUSIC All Rights lor LINDSEYANN MUSIC CO. Controlled and Administered by EMI LONGITUDE MUSIC All Rights Reserved lntemational Copyright Secured Used by Permission
71
Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 3 tacet 2nd time, w/ Bkgd. Voc. ad lib. (next 16 meas.)
Bm
la - dies - in' through her
1. Cra - zy 2. Look
are dress,
our drives
at
it
We
dis -
me
so
we
and makes
can
me
get get
cra
un i-ty
keep
Sen - su-
al
so
tron zy
cre
der
we can get
and makes me get
the
with
sheets
ex -
off. off.
-
Said,
If
cites
my
two mind
love -
hope that we were you, I'd
off. off.
-
lys
get get
the 1
-
- ise, la good per - spec -
prom
\
dies,
and
make
me
tive
on
how
to
get get
off. off.
-
Take I-ove
ir
from
me
wild
girls
with
-
and
our l - mag love me cra
can
Pre-Chorus Em7
Aadd9
can love you cra
*Piano ar. for gtr
72
get
off.
-
Bm7
the heat vou will
F#m7
that's what makes
let ring -
a
Find out what she wants
la
in
(To
get
)
Chorus
\
Gtr. 1: w/Rhy. Fig.
1 (1 3/4 times) Gtr. 4 tacet 2nd time, Gtr. 3 tacat (next 4 meas.)
Bm
to get t/r^ /tf!!!!tlw!*wv!w
off.
-
It. Gbs. 1 & 2: wi Riffs A & ,41
Gtr. 3 tacet
N.C.
to get
to get off
off,
to
ger,
73
Interlude Gtr. 1: w/ Rny. Fig. I Gtt.2: wl Riff B
Bm
Bm/E
Bm
8va---
(Oo,
-
oo,
-
oo,
-
lz
oo,
oo,
-
_
oo,
_
oo,
_
oo,
_
oo.
_
oo,
oo,
_
_
oo,
oo,
-
oo,
-
oo,
oo.)
Guitar Solo Gtrs.
N.C.
I&
2: w/Riffs A & A1
Gtr. l: w/ RIy. Fig. I (3 3/4 times) Gtr. 2: w/ Riff B
Bm 8ra --
BmlE
'
a* *t-* ;-i (Oo,
-
oo,
-
oo,
-t-* {^* ,(-* *t-* *'-p -d oo.
-
A
-
oo,-
oo,-
oo,*
oo.-
Woo! GtI.3
ffi
tlt'f
la ) ) J) =+
Gtr.5 (dist.) divisi
Gtr. 3 tacet
Bm/E
lr. lJ)
w/ Bkgd. Voc. ad lib. (next 8 meas.) Gtr. 5 tacat
A
Bm Gtr.5
74
-
A
Bm/E
Bm Rhy. Fill
Gtr. l
Il)
q
l/.
End Rhy. Fill
1
)
1
-
(Get
Outro-Chorus
Interlude
w/ Bkgd. Voc. ad lib. (till fade) l st time, Gtr. 1: w/ Rhy. Fig. 1 (lst 3 meas.) 2nd time, Gtr. l: w/ Rhy. Fig. I
w/ Bkgd. Voc. ad lib. (next 4 meas.) Gtr. 1: w/ Rhy. Fig. 1
Gtrs.3&5tacet
J Bo
(So get off,
A
Bm/E
Bm
Bm/E
Bm
I
g.t
off.-
to get off.
-
,----->-.
I
to get off,
to
get,
J
2nd time, Begin fade lst time, Gtr. 1: w/ Rhy. Fill
1
Gtr. 1: w/ Rhy. Fig.
1
Bm
A
Bm/E
sel
off.
Get off.
-
to get off,
to get
-
off,
to get off.
-
To get
off
To get off...)
75
Good Times Words and Music by Nile Rodgers and Bernard Edwards
Intro Moderately j = 116 *
Em7
E7sus4
Rhy. Fig. 1
Gtr.1 (clean)
*Chord svmhols reflect ovenll hamonv
It. A6
**Vocals doubled throughout.
ff
cto.o. Ctr. l: w/Rh5. fig. I
Em7
14
timerr
E7sus4
good
times.
good
76
Leave
-
times.
-
Good
Copyright @ 1979 Sony/ATV Songs LLC and Bernard's Other Music All Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, I Music Square West, Nashville, TN 37203 lnternational Copyright Secured All Rights Reserved
times.
good
times.
-
ro Coda
$
Verse Em7
2.A ru - mor has- it
Gtr.
I
that
Rhy. Fig.2
the
time
time
is
march - es
right on,
-
End Rhy. Fig.2
77
Gtr. l:
w7
Rhy. Fig. 2 (3 times)
Em7
Let's get to-geth-er; The clock
keeps
how'bout
turn - in',
A6
do it
all
a
why
hes
Come
ten?
-
a - gain.
-
Boys wlll
be
Let's
the
cut
bet - ter
boys, rug,
(a) lit - t1e
-
be
We
the
want
gir1s, best.
cute po - ny tails and curls. we won't set - tle for less. -
-
let's you
foo1,
let them have their toys., jive and jit - ter - bug.-
Emj
A6
Girls will
to - mor-row.
You sil - ly
F'm'7
change your fate. -
can't
ter to - i-tate?-
quar -
Must
put an a
Don't be
to
end drag,
-
this
paf
-
\
ll. Asus4
A
A6
and strife; tic - i -pate;-
stress
live
Good
the
hmes,
-
lz. D.S. al Coda Asus4
A
the
clams
Good
half
shell
$coau 1:
Em7
78
rol
ler
skates,
-
rol
ler
t1mes,-
skates.
Play 3 times and.fade
Outro Gtr.
and
w/ Riy. Fig. 1 (till fade)
E7sus4
I Love the Night Life Words and Music by Alicia Bridges and Susan Hutcheson
Coo
x
Cmaj7 Ci o x ooo x
FmajT Fm6 xx o xx x
-:T +
rarar
trarr
32 I
32
3241
G
olllta
F++N F++N f++l+ 321
3
14
3
ebma17 ebo Ab tYPe2 Frc A^nlx F+FFi4,, FFffirrr FFru5ri FFffiar tlTTt
ffiffiffi#ffiffiffi 1321
D XXO
324
32t
Dmaj7 D7 XXO XXO
'_
FH-+N
32tt
Fm
Fm7
ffi
3 421
A
larr
4
TFi]
311
GmajT Gm6 XX XX X
i-
F
-Ti E
eb
32tt
xx
xooo
314
Gm
XX
Ti
X
i-
Lril*j trr+fr' rffi' # C+rl lld -+rrh rl-j-n Til-r irrl+ Hi. i#, 132
r11
4321
213
314
Intro Moderately ; = 128
Gtr. 2 tacet
c +Gtr.
311
c'l
CmajT
D-1
I <)J.
,!f
Fm6
FmajT
^o
(cont. in notation)
Gtr. 2 (clean)
1cont. ln slashes)
+Kybd. ar. for gtr
Verse C
C]
CmajT
Rny. Fig.
1
o
GrlO
o
\ 1.
Please
don't talk
a
to -
- bout
night;
please
-
don't talk
a
- bout
sweet
love.
,
Gtr. 2
FmajT
Fm6
o
o
Please
don't talk
a-
bout
be - ing
and a1l
End Rhy. Fig.
the
trou - ble
-
we've
been
Copyright O 1 977 Sony/ATV Songs LLC All Rights Administered by Sony/ATV Muslc Publishing, I Music Square West, Nashville, TN 37203 lntemational Copyright Secured All Rights Reserved
through.
-
I
Ah,
79
ff
Pre-chorus znd time, Gtr. 2: w/ Rhy. Fill 2
G
F
o
o
don't talk love them all
all
please
u
hen
of the you're
plans through.
we -
ro -
had
may -
be -
that
of
-
mance.
you.
-
AbmajT
A! go
where the
peo - ple Rhy. Fill
1
I
want some End Rhy. Fill
1
2nd time, Gtr. 2 tacet
Ab6
/'
Rhy.
Fill2
Gl(.2
80
Abmajz
I /^a
2nd time, Gtr. 2: w/ Rhy.
Ab6
t'I
Fill
2
A.btvpe2
f
/^ /
l
_
Chorus F/G
.///o\l
7ll \
G
C
CmajT
D^)
d' I
I
D
love the night- life,
Fm6
! \--l
on
the
oh,
_
*Refers to upstemed notes only
C
!
n-l Cmaj7
r)-)
81
To Coda Bkgd. Voc.: *y' Voc. Fig.
ft
1
FmajT
o
Fm6
Fm7
o
)
r)^n Fm6
Fm
/
Verse Gtr. l: w/Rhy. Fig. I
C
-v-
+ to
love
-
-
your sweet
night;
talk
-
D.S. al Coila
$coau Sax Solo
D
Fm6
o".
\t
' "J.
\ D]
!
GmajT
l)-o IIIITAAA AA AA/*
f
+
o llt/vttlltttlt
ffi
-,a.
83
Gtr. 2: u,/ Rll1.'. Fig.
Gm6
2
D
D7
Rhy. Fig.3
!
)
)
n'_-l
o' I
/ /^
Outro-Chorus
Gm6
Gm6
Gm
w/ Lead Voc. ad lib. Gtrs. I & 2: w/ Rhy. Figs. 2 & Gtr. 3 tacet
D
3
DmajT
End Rhy. Fig.3
I
oh.
tt.rt!*rv!!t!,|
lrwrvwlrnr
_
love the night-life, love the night-iife,)
Kung Fu Fighting Words and Music by Carl Douglas D
arrrttaTa
Em Tl.1-
OOOOvrx aat
DVrr
ffi #### 132
Emvllt
A
f::.tETrr ::::::rexrr rrr.sir I rr r I tat
23
111
342
3211
It
Intro Freely
D
i.i:"'",
Em
o
o-----\
-
'rnlp wl amp ltremolo
-<'
-
',ry
w/ wah-wah as filter
E-
Chorus Moderately Slow .l = 108
\
D Gtr. 2 tacet
Evrry-bod-y
was
kung
fight
fu
those cats were
Rhy. Fig.
1
wah-wah off
nlf w/ wah-wah *o -+
*Wah-wah indications: o open (toe up); = + = closed (toe down)
Copyright O 1974 (Renewed) Schact Music, Inc. All Rights Reserved Used by Permission
85
Gtr.
1:
Gr.3:
$r Rh\. Fig. i u7 Riff.A
D
it
fact,
was
a
End Riff A
End Rhy. Fig.
I
\
but they fought with
pert
1. There *ere i 2. There was
J
-
Verse
Dvil
funk funk -
y y
chi Bil
na
ly
- men_ Chin
funk - y Chi
lit - tle
na my
Sam
town. Chung.-
d
86
wah-wah as filter
-
rc^ff) fll/E rc^N,Tlrc DVtr
EMVtrI
them"Here
they
up,
comes th" big
were
chop - ping
them
- it get
We
-b*r; -
rc^Ft fllfT DVII
- cient and
m^m f7lrc
Emvllt
and ev-'ry - bod - y
Chi start
- ed
swing -
ing
knewwith
their
part.
the
_
hand.
From a feintA sud-den mo-
-
DVX
ttT_ Yt
ing to a
frombrand
the hip. new trip.
I I
Ev-'ry-bod-y
ll
was
87
ff
cno.ot
Gtr. 1: il Riy. Fig. 1 (2 times) Gtr. 3: w/ Riff A (2 times)
D
those cats
were
light
as
(Huh!
ning.
-
*Refers to upstemmed notes only.
-
Bkgd. Voc: w/ Voc. Fig. I End Voc, Fig. 1
--J-
lit - tle
ToCoda
bit
$
Interlude Bm
ex -
pert
-
yeah.
(Oh, ho. ho. Rhy. Fie.2
Gtr.
I
:.
Bkgd. Voc.: w/ Voc. Fig. I
ho,
ho,
ho.
-
End Rhy. Fig.2
88
Gtr. 1: w/Rhy.
Fig.2
Bkgd. Voc.: w/Voc. Fig.
D.S. al Coda 1
Bm
Oh,
ho,
ho,
ho.)
Keep on,
-
-
keep
on,
keep on,
rfrcoau
-
keep on.
Sure
-'nough,
ev
-'ry-bod-y
was
Outro 1: w/ Rhy. Fig. 1 (till fade) Gtr. 3: w/ Riff A (till fade)
Gtr.
Kung oh.
ho,
fu
ho,
-
had
toOh, ho,
be ho,
as
fast ho.
light
oh,
-
ho,
ho,
Lead Voc. tacet (next 4 meas.)
D x Voc.
Fig.2
Huh!
Huh!
oh
ho.
\
ho,
ho,
ho.
xRefers to upstemed notes only.
Begin fade Bkgd. Voc.: w/ Voc. Fig. 2 (2 times)
on,
Oh, ho, ho,
Yeah, ho
-
Oh, ho, ho,
ho.
Ev -'ry-bod-y Oh, ho,
yeah!
rJ-
had
to
be
oh
ho.
last ho.
ho
as_
was ho,
kung ho.
fight
fu
lng! _
Fade out
light
Oh, ho,
ho...)
89
Le Freak Words and Music by Nile Rodgers and Bernard Edwards
Chorus Moderately
)=Da
N.C.
/-\ One,
two.
Ah.
freak
-
Gtr. I (clean)
"clc
Le
out!
c'est Chic.
Freak,
Riff A
*Bass plays G
ff
v".r" Gtr. 1: w/ Riff A (5 times)
Am
1. Have you heard 2..
3.
A1l
that
bout the
pres
new
craze'l - danceyou down, got
Lis - ten has
to us, your -head
Am
sure you'11 be spin - ning all
90
a - mazed. a - round.
Big
fun
Feel the rhy - thm,
by ev - 'ry - one.chant the rhyme.
-
Copyright @ 1 978 Sony/ATV Songs LLC and Bernard's Other Music All Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 lnternational Copyright Secured All Rights Reserved
It's Come
up on
to you, a - long-
sure - ly can be have a real- good
lt and
and old Like the days -
Young
done.
time
2nd
&
of
3rd times, Gtr. 1: wi Riff A (2nd meas.)
DC
do
-
in'
stomp- in'
at the
told. Sa - voy,
-
Just one
try
now
free,
we're
and
you
too
will
be
oh,
what
a
Riff B
End Riff B
GtI. l: w/ Riff A (2 times)
Am
It's ca11ed "Le
Jusl come on
Freak."
down-
\
they're
ro Coda
do
- in' it night and
lst time, Gtr.
show you they the
on
1:
I
floor.
|
-
Ah,
l:
_
out
w/ Riff A (2 times) w/ Riff A (1 1/2 times)
Am
C
way.-
we'll
$ Chorus 2nd time, Gtr.
D
Al - low us, find a spot -
day.
to Fif - ty - four, -
D
freak
It.
Le
Freak,
C
c'est
Chic.
llz
D
91
92
\
93
$coau
Outro-Chorus Gtr.
1:
w/ Riff A (3 l/2 times)
Am
Play 4 times &fade Gtr.
1:
w/
RiffB C
a-)
Ah,-
freak
out!
Ah,
freak.
94
Love Rollercoaster Words and Music by Ralph Middlebrooksn James Williams, MarshallJones, Leroy Bonner, Clarence Satchell, Willie Beck and Marvin R. Pierce Intro Moderately
) = ttl C End Rhy. Fig.
Bb
Bb PIat 3 times End Rhy. Fig.2
Rhy. Fig.2
Gtr.
l:
1
w/ Rhy. Fig.
ebA
Gtr. 1: w/ Riy. Fig. 2
1
Bb
Aaddg A
(Roll
\
Chorus band enters
Gtr. 1: w/ Rhy. Fig. 2 (7 U2 times)
c
Bb
Aaddg A
eb
Aadd9 A
C
\
)t e
b.t' 4
Huh. huh
Say what?
of
coast- er
Bb
oo,
Roll - er coast-er.
1ove.
sb
Aaddg A
Bb
oo,
Bb
Aadd9
Roll - er
oo,
C h
El +
of Bb
Roll - er coast-er.
love
Aadd9
roll er
Bb
Bb
i---......--\
coast -
Roll - er
of
er
coast
love
Aadd9
)
n
yeah.
Roll -
er
Copyright O 1976 by Rick's Music, lnc. All Rights Administered by Rightsong Music, lnc. lnternational Copyright Secured All Rights Reserved
coast - er,
95
Bb
C
Bb
Aaddg A
Aaddg A
I
J) 5
Right
oo,
oo,
Roll -
oo.
Bb
er
of
coast - er
Whispered:
-
C
\
!4 t-l
, t, Y
1.,2.
(Your love Voc, Fig.
On
Iike
the
roll - er
A
roll - er coast
- er,
Gtr.
End Rhy. Fill
1
- er ba - by,
coast
love
ba -
by.
I
roll - er Rhv. Fill
Sh.
Roll - er coast - er,
love.
coasl
- er,
love
1
1
I y don't - you zy ride, I A cra Wt
- er coast - er, ride Ail I do is ride. -
ro11
\-/ ride. -
child?
roll - er
coast -
er,
i
girl. t - Vm. Fig. I End
Your
love is
like
ride.
To Coda
G]
roll - er
coast
roll - er
coast
A1l
ro11
96
- er
coast
- er. love
I
do
- er.
is
-
er.
Ab'l
ride ride. -
Bah,
-
bah,
bah.)
$'
Interlude Gtr. 1: w/ Rhy. Fig. I (4 times)
Gtr. 2: w/ Rhy. Fig. 3 (3 times)
CBbA
BbA
Don't you want
to
ride, -
End Rhy. Fig.3
* Homs an. for gtr
BbA
Well,
girl?
-
well.
Chorus Gtr. C
1:
w/ Rhy. Fig. 2 (5 U2 times)
Bb
Bb
Aaddg A
Aaddg A
)t Love roll - er
Say what? (Ro1l -
er
of
coast - er
Roll -
1ove.
er
coast-er,
oo,
C I "l)
coast
-
huh.
er,
Roll - er
oo,
coast
-
Ro1l
er
-
er
Aadd9 A
C
"lcoast
-
Roll - er
er,
coast
-
Love roll of
er
er
love.
-
D.S. al Coda Gtr. I : w/ Rhv.
Fill
I
Aadd9
C N
h.t'
s
child.
-
Roll - er
Lov coast
-
er.
in'
you
real oo,
-
ly
wild.
oo.) 97
$coaa
Interlude
Breakdown Lead & Bkgd. Voc.: w/Voc. ad lib. (1st & 2nd timesr
Gbs. 1 & 2: w/ Rhy. Figs. 1 & 3 (2 times)
C BbA
Gtr. t: w/ Rhy. Fig. I (4 times)
I
CBbA Huh.
tj
2J.
huh.
Chorus Gtr. l: w/ Rhy. Fig. I
---_lt4 ebc
Bb
Bb
C
)t Love
er
(Roll -
Aadd9
coast
-
roll - er
of
eI
coast
-
girl.
er,
-
love.
Rol1
Huh. er
-
A
-
you
_
cra -
world,
zy
Roll -
oo.
Bb
-
er
Bb
--=--.--
)C
)t
me_
ride
-
Bb
Aadd9
Bb
C
ET
Bb
\
lt
dt t-l
bJ'
)
High,
Roll
98
A
-
er
of
high, love.
-
now.
Ro1l
Bb
)) tt
Aadd9
high.
-
Roll - - er
er
A
Bb
Bb
--T---
)) it
)
Aaddg
A
Outro Bkgd. Voc. : w/ Voc. Fig. I (till fade) 2nd,3rd & 4th times. Lead Voc.: w/ Voc. ad lib.
G9
Bah, bah, bah
oo,
oo,
bah. oo.)
- er, love ba - by, ba-by
coast (Your
love is
like
RiffA
99
G9sus'l Plat 4 imes
coast
do
-
you
er, is
let
me Ride
ride
End RiffA
End Rhy. Fig.4
Lead Voc.: w/ Voc. ad lib.
(til
fade)
Gtr. l: w/ RIy. Fig. 4 (till fade) Gtr. 2 tacet
G9
on the
roll - er
ro11
-
coast -
er,
er coast-er,
ba
ba
-
-
roll - er
by,
by,
ba
- by
coast-er.)
er
coast - er.)
roll - er
coast - er.)
roll -
Gtr. 2: w/ Riff A (till fade)
G9
on 100
the
roll - er coast-er, ba - by,
Macho Man Words and Music by Jacques Morali, Henri Belolo, Victor Willis and Peter Whitehead
Gm7 x x
ebml "A" ffi4fr
ffi
Intro Moderately J = 136 D5
C5
Bod Bod
-
D5
C5
F5
y, y,
wan
- na
Check it
wan
-
feel out.
my
my
bod bod -
na
check it
y?
y.
GlI. I (clean)
\ Gtr.
C5
D5
bod bod
- y, - y,
Bod Bod
-
y, y,
C5
ba
D5
t_
G5
AD5
oy!
Such a
ba
Don't
such a don't you
thrill.
doubt-
my my
1:
w/ R}ty. Fig
F5
D5
C5
thrill,
my
bod bod
-
Bod Bod
- y, - y,
you doubtmy-
bod bod
Copyright @ 1978 by CAN'T STOP MUSIC All Rights Reserved Used by Permission
1
C5 D5
D5
y, y,
yeah, yeah,
-
F5
yeah yeah
wan
talk
- na touch - in' 'bout--
101
c5
D5
Ab5
lt
Wan-na touch my Talk-
in' 'bout my
my my
bod bod
-
It's too much,
my
Bod- y, Bod- y,
y?
y.
ff v..r" Gm7
AbmT
Gm7
AbmT
Rhy. Fig.2
crrtg
.2
I
Gl(.2 (clean)
)
-l Ev -'ry Ev -'ry
- to ought- to wants
!
\
ot
)
have the kind o[
be be
lir
e a
lile ol
bod - v free dor,
Rhy. Fig.2.{
Gtr. I tacet
Gm7
C
o
al - ways in ma - chos
102
Db
c9
C6
End Rhy. Fig.2
de
make a
-
mand. stand.
-
_
Jog - ging in the mom Have your own life
go. deals.
\
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2,A
CrmT
Work out in the health spa; sess the strength and con - fi-dence;
ma -
cho
man.
You can best
son
Voc. Fig.
Hey!
in
an-y-bod-y's
1
Hey!)
cho
man.
>>
['re 'sor ro be u J ma - cho imu-cho
got to
be
be
- liere
an - y - onewho
with
-
Hey!
Abmi'
ma - cho man. mll - cho ma - -cho
cho
man.
-
| "an.land.-i
ft
To Coda
Bkgd. Voc.: w/ Voc. Fig. I Gtr. 2: w/ Rhy. Fig. 3
Bb
got to got to
be
be
a a
ma-cho.. ma-cho..
Ma Dig the hair on my
chest.
End Voc. Fig.
I've got to be
- cho,
ma
- cho
man,
-
got to
yeah,
be
-
1
a
End Rhy. Fig.3
Ma
- cho, ma-cho man,-
I've got to be a
ma - cho...
Interlude 2nd time. Gtr. 2: w/ Riff A
2nd time. Gtr. 2: w/ Riff B
N.C.(Dm)
right. right.
uh. yeah
Bod
f tHoms m. for gtr
104
-
y.
y, y,
wan
-
love
na
to
feel pop
my my
Bod
-
bod bod
-
my
feel
my
bod bod
-
-
y, y,
al -
by? yeah.
right
Bod-y
Ri{T A
End
Gtr.2
RiffA
wah-wah off
w/ Lead Voc. ad lib. (ti1l D.S.)
So
Bod - y, Bod - y,
come
and
thrill
it's
SO
hot.
Bod- y, hot,
come
and
thrill
SO
hot.
-
my Yeah.
mybod-y mybod-y
105
2nd ime. D.S. al Coda
t?
i -,t
$coaa
Bgkd. Voc.: w/ Voc. Fig. I (till fade) Gtr. 2: w/ Rhy. Fig. 3 (till fade)
F
I say,
dig
big,
my
thick
A1
mous
-
right
\
I've
got
mu - cho. mu -
be
Big broad
shoul
- ders,
yeah.
cho
ma - cho.
Dig
-
my
ma
-
cho
mus
-
cles
Al - right
man.
Talk- in' 'bout
a
Begin fade Bb
cho. mu -
cho
ma - cho.
ma - cho
man.
_
Fade out
man.
106
_
['ve
go1
Native New Yorker Words and Music by Sandy Linzer and Denny Randell Intro Free time
*** Dbg +Gtr.2 (clean)
+Sax an. for gtr
**Gtr.1
(clean)
***Chord symbols retlect overall humony ++Strings an. for gtr.
\
ModeratelySlow;=98 Gtrs.1 &2tacet
Cmaj7 Gtr. 3 (dist.)
---\
fPiano au. for grr
Copyright @ 1977 by Featherbed Music Co. and Three Wise Boys Music LLC All Rights Reserved Used by Permission
107
Gr. 3 mcer Cmaj7
Young and
New
York Cit - y (Twen- ty - five, thir- ty - five.
Hel -
lo,
New York Cit-y by, New York Cit - y
ba
*Gtr. 5: Elec. pimo m. for gtr. Composite arangement
ff
v".r" CmajT
e. 1
2
You grew Mu - sicRhy. Fig.
up
Run clos
sub danc
p1ays,
ning with
er and,
1
**Vocals doubled next
8 meas
Gtrs. ,1 & 5; w/ Rhy. Fig. I 2nd time, Gtr. 6 tacet
CmajT
Har - lem. down on friends and find - in
Broad
way
You're
lov
ers.
There
tramp are
End Rhy. Fig. I Grr. 6 (clem)
ryp
108
-
but you're no lost in the
-
Gtr. 6 tacet 2nd time, Gtr. 3 tacat
2nd time, Bkgd. Voc.: w/ Voc. Fig.
Am7
Dm7
la - dy,shad Gr.
-
ows,
1
talk - in' that street talk. * - in' for some-one
You're
search
-
heart and to set you
the
soul free
of
-
New
York
from New York
3
Pre-Chorus Gtr. 3 tacet
2nd time, Gtr. 10:
Em7
LTbs
Fill I
Dm7
\'---// And And
love, whoa
love
where
-
did
is al1
a
-
pass
yes -
ter
lng
word. go?
days
-
-
*Clavichord dr. for gtr
Voc. Fig. 1
+ '+ Search
-
set
in
you
New York
Fill 1 **Gtr. I 0
*=Homs
m.
for gtr.
109
Gtr. 6:
s/
Rhv. Fig. 2
Em'7
the thought
you
-still
you
a
had be - lieve
-
tax
goI
could real
a
End Rhy. Fig.2
*2nd time, vocals doubled next 3 1/2 meas
To Coda
$
2nd time. Gtr. 3 tacet 2nd time, Gtr. 10: w/ Fill I
Gtr. 3 tacet
Dm7
G7sus4
the
-----curb
show.
when
-
he
dropped
xGtrs.
Rhy. Fig.3
6 &.',I
xComposite mangement
-
off
_
Chorus Gtrs.6&Ttacet CmajT
East
Eight
y-
third.
You're a
-
na -
tive
New
EndRhy.Fig.3 RiffA
**Elec. piano
ffi.
for gtl
Gtr. 8: w/ Riff A (1st 2 meas.) Gtr. 9: w/ Rhy. Fig. 4 (1st 3 meas.)
/
CmajT
You
should
the
score
bv
(You should
know
-
End Rhy. Fig.4
1'11
now.
D.S. al Coila
Interlude Gtrs. ,l & 5: w/ Rhy. Fig. I
CmajT
oo, oo, oo,
(Yeah.
_
oo. oo.)
_
_ -
oo.)
_ -
-
rfrCoau Gtrs. 6 & 7: w/ Rhy. Fig. 3
GTsus?
t '-were
the
star.
did
/
oh
close?
-
(You
were
Did
the
Chorus Gtr.8: w/Riff A (1 1/2 times) Gtr.9: u/ Rh1.l ig.4 (i 3/4 limes)
Cmaj7
Na-tive New York
-
er.
Am7
o - pens
-
for a na-tive New York-
the door
The door,
112
-
no sir.
er
Young and pret- ty
-
New York
Cit-y
gir1.)
Sax Solo Cmaj7
Ab6sus2
lltwvttlf
let ring - a
Rhy. Fig.5
GtI. 4 tacet
Gsus2
(Oo,
.-^-rtf
e,. t /i- --:
i
oo,
F#6sus2 G6sus2
Gb6sus2 F6sus2
_
firl
w
113
Gu. 10: s/ Rhi. Fig.
5
ftsus2
Ab6sus2
by
Oo
by.
Gb6sus2 F6sus2
oo.)
8l a
b-0{>
/i;hr'r/i-
ltr
Breakdown Gtr. 2 tacet
E6sus2
114
F,b6sus2
T)
b+^
-3A
Pre-Chorus Gtr. 6: w/ Rhy. Fig. 2 (1st 3 meas.)
Gtr. 10: w/ Fill I
Eml
Dm7
*Vocals doubled next 7 meas
Ctr. 6: w/ Rhy. Fig. 2 ( l.t 3 meas.
D#m7
When
you
r
Em7
still
A1b9
be
-
lieve
could
love
real
ly
-
Gtr. 8: w/ Riff A (1 l/2 times) Gtr. 9: w/ Rhy. Fig.,+ (1 1/2 times)
CmajT
You're
Broad - way
You're
a
na -
tive
the
New York
115
Gtr. 6: w/ R}ly. Fig. 6 (lst 2 meas.)
CmajT
the
You're
score
(La
a
New
York (York
er. )
dy,
Rhy. Fig.7 Gtr.
6
r
.,
You're
116
a
na -
tive New York
Begin.fade Gtr. 6: w/ Rhy. Fig. 7
Ab:-
Gtr. 6: uy' R-hv. Fig. 6 ( I l/2 times) Gtr. 8: $/ Riff A (1 l/2 times) Gt.. 9: w/ Riy. Fig. 4 (l l/2 times)
CmajT
You're
a
na -
tive
New
Fade out
117
Never Can Say Goodbye Words and Music by Clifton Davis Intro
Moderately J = 127
Eml
FmajT Rhy. Fig.
1
(clean)
Dm7
PIG
I
End Rhy. Fig. 1
-
End Rhy. Fig. 1A
*Homs an. for gtr
,!f w/ phaser
118
O 1 970, 1971 , 1975 (Renewed 1 998, 1 999, 2003) JOBETE MUSIC CO., lNC. All Rights Controlled and Administered by EMI APRIL MUSIC lNC. All Rights Reserved lnternational Copyright Secured Used by Permission
F/G
nev
-
er
can
_
----/
say.-
_J
"Cood - b)e."
Rhy. Fig.2
-
Gtr.4 (clean)
letring---1
Rhy. Fig.24
\--_--) no.
no.
119
End Rhy. Fig.2
End Rhy. Fig.2A
think
and
nough
for
start
-
,-,2
Rhy. Fig.3A
120
+
\
the
door.
/
h
,---
-
CmajT
plerc
--------_,........'...---a
'll
121
You know you-
love-
him
and
more
more.
-
-
w
,'-----
Em7 Dm7
----/
is (Tell
6va
122
me
why.)
-
it
so?
_
Chorus C
----\ Don't wan - na let vou
go.
_
nev - er Voc. Fig.
can
_
1
--0
-
-
0
Riff A loco
End Rhy. Fig.3
Rhy. Fig.4
End Rhy. Fig.3A
.?t-a-'--^----__
123
nev - 9r
can
_
say,
no,
_
no,
_
no! _
h"y. End Voc. Fig.
No,
"Good - bve.
no, no,
no, no,
J
no, End Riff A
2
End Rhy. Fig.4
Gtrs. 1& 3: w/ RIy. Figs. 2 &
2-A
FmajT
+I
I
nev
- er
say,
can
"Good
+
(I can't -a<
-
r
'r/
say, j-\
FmajT
can
_
Sav-
--(
rood
===L--'l'-Good
-
bye,"
7boy )
-
l-r
124
2.r
V
Verse Gtrs. I & 3: wi RIy. Figs. 3 & 3,A
Cmaj9
that our
soon
prob
ale
_
gon - na work
all
-
\un
same old
v
hap
- py
diz - zy
leel
hang
and
and that
that
you
with
do
\--/
with - out.
or
-
doubt.
-
Tell
me
aS;-\
FIG
N.C
125
Chorus Bkgd. Voc.: u'/ Voc. Fig. I (2 times) Gtr. I ; w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 4 (2 times)
C
nev
- er can
say, "Good - bye,"
Oo,
ba
hoo,
-
A:-\^ -
er
can
_
no.
say,
_
no.
_
oo.
nev - er
nev -
126
er
can
-
say, "Good -
bye,"
no,
no,
_
no,
no.
no,
_
no
_
-
Interlude Gtrs. I &2: w/Rhy. Figs. I Gtr. 4 tacet
&
1A
FmajT
hoo.
hoo.
-
Outro-Chorus w/ Riff A (till fade) Gtr. 3i w/ Rhy. Fig.4 (till lade)
Gtr.
1:
C
hey,
can
-
say, "Good - bye,"
boy.
-
-
No,
no,
-
-
no,
ba -
ibl-- -^ -
Bkgd. Voc.: w/ Voc. Fig.
I
Begin fade (last 4 meas. only)
Dblc
DIC
C
say, "Good -
No,
bye."
-
i-
,+,?|
r-^ .
-_-..
no,
-
no,
please
-
don't
make
-
me
b!>
Letring'--------)
Bkqd. Voc.:
u/
Voc. Fig.
i rtill
fadet
127
Pick Up the Pieces Words and Music by James Hamish Stuart, Alan Gorrie, Roger Bail, Robbie Mcrntosh, owen Mcrntyre and Marcorm Duncan
cl lf
9
BbtUC
fu{srr ffiroi' FH+N ffi
E
ModerateFunkJ =106
:=:::::::::::: " "-urr)tu))u))D nryry[T7 c11#9
*f
nwmm
(cont. in notationl
XE 4th time, Gtr. 5 tacel
* Fm7
mf
^f
fA^
Rhy. Fig.
**
Sax
128
m.
for gtr
^^
I
* Chord symbols reflect overall hilmony.
@ 1974 (Renewed 2002) AVERAGE
MUSIc (AscaP)/Administered by BUG MUStc and JoE,s soNGS, tNc. (ASCAP) All Rights Reserved Used by Fermrssion
^
/t.r
End RiffA
End Rhy. Fig. I
I
Gtr
Gtrs. 1 & 2: w/ RifT A & Rhy. Fig. 1 (4 times)
Gtr.
l:
3rd time, to Coda 1
S
4th time, to Coda 2
O,
w/ Riff A (2 times)
2nd time, Gtr.
l:
w/ Riff A (1 1/2 times)
Gti. 2: w/ Rhy. Fig. I (2 times)
2nd time. Gtr. 1: w/
Fill I
Fm7
.AAA/IAAAAAA'
129
Bb
11
Riff B
Rhy. Fig.2A
D.S. al Coda Ctrs.
c7#e
Fm7
End Riff B
le
Fiil
End Fill 2
2
* Gtr. 3 to left of slash in tab End Rhy.
Fig.2
a'
Rhy. Fill
-o
End Rly. Fig.2,A
>^ )'
130
--o
I
End Rhv. Fill
.l
I&
2: w/ Riff A
& Rhy. Fig.
I
I
$ coaa r Gtr. 1: w/ Riff A (1st meas.) Gtr. 2: w/ Rhy. Fig. I
Gtn. 3 & 4
tacet
Fm7
Pic
kup
Gtr.
1:
w/ Fill I
E Gtrs. 1, 2, 3 & 4: w/ Rhy. Figs. 2 & 2A & RifT B
Bb
the
piec
le
11
Pick
up
the
piec
a
Gtrs. 1 & 2
^.o.
Pick
le
up
the
piec
Pick
the
piec
_e
(Gtr. 2 cont. in slash)
131
*')-nt'/
Riff
c
x Sax an. for gtl
Gr. ctr.
5
132
1: w/ Riff C (4 times) Gtr. 2: w/ Rhy. Fig. 3 (5 times)
End Rh1'. Fig.
)v | )'
/'
) Jl l'/ -uu
t
N- - NJ','l '/ /',t
-1
Gtrs. 3 & 4: w/ Riffs D &
Dl
(3 times)
a^ /r
^
Gtrs.
^,1
I&
2: w/ Riff A & Rhy. Fig.
I
(2 times)
Fm7
D.S. al Coda 2
133
$ coaa z Gtr.
1:
w/ fuff A
(l
tr
st meas.)
Gtr. 2: w/ Rhy. Fig.
1
Gtrs.3&4tacet
Gtr.
l:w/Fill I
Gtrs. 1,2,3 & 4: w/Rhy. Figs.2 & 2A & RiffB (1st meas.4 times)
Fm7
Bb 11
GtIs. 1 & 2: w/ Rhy. Fill I Ctrs. 3 & 4: w/ Fill 2
Gtrs. 1, 2, 3 & 4: w/ Rhy. Figs. 2 & 2,A & Riff B
c7l,e
tr Gtr.
1:
w/ Riff A (4 l/2 times)
Fm7
Gtr. 2: w/ Rhy. Fig. 4 (2 times)
Fm7
Pick Gtr. 2: w/ Rhy. Fig.
F7sus4
Woo.
134
Pick
Fm7
up
the
plec
I
(2 times)
up
the
plec
Shadow Dancing Words and Music by Maurice Gibb, Robin Gibb, Andy Gibb and Barry Gibb
Bb
F
m'" ffi'' Intro Moderately .l = 100 Gtr.
p
1
(clean)
1312
ebmajz
Gm
D
Cm
ffi
ffi ffi
ra-rTTr 5fr
tt-t].1 taa
n--flttt
I 3,12
1333
I
sbto
nb
pb
, *Strings
m.
for gtr Gtr. 2 tacet
**Gm End Rhy. Fie.
I
Oo. ,
Gtr. 3 (clean)
**Chord symbols reflect basic hilnony
Rhy. Fig.2
Copyright @ 1978 by Gibb Brothers Music, Warner-Tamerlane Publishing Corp., Crompton Songs LLC, Unichappell Music Inc., Hugh and Barbara Gibb Music and Joy USA Music Company All Rights for Gibb Brothers Music throughout the world Administered by BMG Music Publishing lnternational All Rights for BMG Music Publishing lnternational in the U.S. Administered by Careers-BMG Music Publishing, lnc. All Rights for Crompton Songs. LLC Administered by Warner-Tamerlane Publishing Corp. Ai; Rights for Hugh and Barbara Gibb Music and Joy USA Music Company Administered by Unichappell Music lnc lnlernational Copyright Secured All Rights Reserved
End Rhy. Fig.2
135
Verse Gm
1.
You
Rhy. Fig.3
chas -
ing your
-
di - rec
I was tel - ling you
-
was
no
lov-ing
when the words
-
\-my
head.
And in
a
End Rhy. Fig.3
(cont. in slashes)
ff
Pre-Chorus Eb
o,
Bbmaj7
F
r/^!
' )'
of
world
/^-r
t) on-ly liv -
peo
sen -
sweet
Crm
sa
you in
ing
and
your
-
-
D
Cm
,
!
!
Gm
Eb
o
l/ ^-l
noth-ing
come
breathe when
be - tween
-
-
)ou're a - way.-
^
\ .-....-
us
ln_
l----fhe end
it
pulls
me down.
-
can I the
(How (Ah,
hold
you are
ques
-
yolr
when
tion and
-
you the
let
ring - )
ro
Bbmajl
Cm
Gm
t
$ To Coda2 $ Coda
A
D
@ 7fr
)
/^a l)
o
---:-\
\l
aa
)
/---: ain't e - ven an - swer am
mlne?) r.)
_
l
-
On-ly you
can
see me through,-
leave
I
-
it
up
-
to
you.
'
137
Chorus Gtr. l: w/ Rhy. Fig. 2 (3 times)
Gm
-\ ing
me through
the
-
night.
Shad - ow
- +-a _-__,
danc - ing,
*Unison vocals (next 8 meas.)
Ah,
right.
more.
-
the
-
floor.
-
Shad-ow
danc
this and
A1l
Gtr.
138
Drag
I
Interlude Gtr. 1: w/Rhy. Fig. I Gtr. 3 tacet
BbtD
ctr.2 D
Gtr. l: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet
Gm Gtr.3
Verse Gtr. l: u/ Rh1. Fig. Crm
chas - ing your
-
3 r
l.t I
mea..t
Eb
$coau r
Chorus Gtr. l: w/ Rhy. Fig.
,---
Do it
letring----
3
Gm
light.
-
Tak
ing me through the
-
night.
Shad-ow danc-
l
*Unison vocals (next 7 l/2 meas.)
bv, vou
it
right.
-
Give
more.-
Drag- me a -
D.S. aI Coda 2 (take 1st lyrics)
the
-
$coau
floor
All
Shad-ow danc
lng
noth
\- e
'i.
more.
-1
And in
_
this
z D
j
this and
,---up
ler
Chorus GmN.C.
to
_
Do it
you.
ring--
light.
-
I
*Unison vocals (till fade)
Gfis.1&3tacet
through the
-
night
Shad -
ow
danc
by, you
1ng,
do
it
right.
-
Give
me
more.
Drag
-
-
me a
-
cross
the
floor
Shad-on danc
-
ing.
All
this
and noth-ing
more. _
141
Gtr. 1: rv/ R}ly. Fig. 2
(.1
times)
Gm
Do lt
Tak
lng
me
the
-
night.
Shad-ow danc
Rhy. Fig.4
,----: Ah.
Give
more.
Drag
-
me
the
a
floor
Shad-ow danc
-
noth Filt I End RhY' Fig'
Outro Gtr. 3: w/ Rhy. Fig. 4 (1st 3 meas.)
Gm
142
4
ctr.
3
more. End Fill
1
ctr.
3: w/
Gtr. 3: w/ Riy. Fig.4 (till fade)
Fill I
,------do it
right.
Give
-
me
Drag- me a
more.
-
cross
the-floor.
Shad-ow danc
-
-
Begin fade
All
this
and
noth
more.
,
Tak
1ng m9
,----: through
the
night
Shad-ou danc
-
ing.
by,
you do il
right
-
-J
Fade oul
143
Shining Star Words and Music by Maurice White, Philip Bailey and Larry Dunn
Intro Moderately J = 104
ctr.I(clean) NC
*Composite anangement
144
O 1975 (Renewed 2003) EMIAPRIL MUSIC lNC. All Rights Reserved lnternational Copyright Secured Used by Permission
End Rhy. Fig.
Gtr. 2: w/ Rhy. Fig. l, simile
Verse Gtr. 2: w/ Rhy. Fig, 1, 6 times, simile
E7il9
'nerl I I
mero
1
will
take
-
you
)r -<---'4 :
J'2
-)
of
nights
Hey.
-
-
i.AAAAAAA/}
146
the
sky
-
You're
yeah.
so
-
a
-
shin
ing
star,
-
no
mat - ter
who
vou
Shin - ing
afe.
tA /IAAA i ryhAf
TAAAAAAAAAAAAAI
22
bright to
what you could
see
-
(Em)
ly
be.
i^/t/t^ /t/!
i/t/t^/t^At
IAAAAAAA/I/}
Interlude
tru
Guitar Solo
(G7)
(G#7)
(A7)
147
(Af 7)
(87) -k ),
Verse Gtr. 2: w/ Rhy. Fig. 1, 12 times, simile
(87*e)
148
(87)
(c7)
(cil7)
A.f
o2;)
your bod
y
big
-
-
and
sfong,
/----_ a
man - child
of
the
-
sun.
_
yeah,
yeah.
-
-
149
----_
you
find
-
your
self
why- don't
t
v
wis -
01
dom.
yes-
You're
I
GtI.
1
tacel
(c7)
(G7)
no mat-ter
a
who you
(B7)
what vou could
Shin - ing
are.
-
(c7)
ty
bright
be.
Your're
-
see,
a
shin -
ing
star,
-
_
ing star-for ).ou-to see-
who you
no mat - ter
Shin - ing
are.
-
You're
u,hat-your life-can tru
(87)
ly be.-
a
Shin-
-
your
life-can tru - 1y be.151
Stayin'Alive from the Motion Picture SATURDAY NIGHT FEVER Words and Music by Robin Gibb, Maurice Gibb and Barry Gibb
Fm
eb
ffi^n ffio'' ffi FH+H
Moderately
) = nl
Fm
G,rl(ac.us)ffimffiffiffimffim Rhy. Fig.
End Rhy. Fig.
1
1
nw * Gtr. 2 (elec)
End Riff A
RiffA
mf w/ clean tone
xTwo gtrs. an. for one.
Gtr. 1: w/ Rhy. Fig. Gtr. 2: w/ Riff A
1
Fm
Bb
ffiffiffiffiffiffiffiffi
Rhy. Fig.2
End Rhy. Fig.2
l. Well, you can
ff ff
v"... ctr.
2: w/ Riff A (2 times)
Fm
152
Copyright @ 1977 by Gibb Brothers Music, Warner-Tamerlane Publishing Corp. and Crompton Songs LLC All Rights for Gibb Brothers Music throughoui the world Administered by BMG Music Publishing lnternational All Rights for BMG Music Publishing lnternational in the U.S. Administered by Careers-BMG Music Publishing, lnc. lnternational Copyright Secured All Rights Reserved
Gtr.
1:
mu -
S( /.)
w/ Rhy. Fig. 3
sic loud
and
wom
I'vebeen kicked a - round- since I-
warm,
was
born.- Andnow it's
Pre-Chorus Gtrs.
I&
2: w/ Rhy. Fig. 4 & Riff C (2 times)
Bb Rhy. Fig.4
Gtr.
' ////
lY
I
I
|
I
)))) ll'/
| 'l
xx
It's
right
all
nffi
End Rhy. Fig.4
|
{ t.. r.
O.
lz.
RiITC
ana
you may
I'tl tive to
look see
the oth an - oth -
er er
End Riff C
we can
try
to
un
- der -
New
stand
York
Time's
-
ef
fect
on
man.
-
_
Chorus Gtr.
1:
w/ Rhy. Fig. 1 (5 times)
Fm
Wheth-er you're
Feel the
a broth-er or
and
wheth
ev
-
er you're
ry-bod -
a
y
moth-er you're stay
shak-in' and we're stay-in' a- live,
stay-rn
a-
live.
---
153
2nd time. Bkgd. Voc.:
u/ \-oc. Fill
l
1S ro Coda 2S ro
Coda
Gtr. 2 tacel
Cm7
Oh,
stay-ln
-
when you walk.
-
Verse Gtr. l: w/Rhy. Fig. I Gtr 2: w/ Riff A
Gtr.
1: w/ Rhy. Fig. 3 (2 times) Gtr. 2: w/ Riff A (2 times)
Fm n+. ----i\ Eht ttbt
Fm
'--\ Wellnow,
I-
getlow,- andl-get
high,_andif I can'tgetei-ther,
I real-ly
try.
Got the
D.S. al Coda
wings of
on
mv
shoes.
- I'm
a
and
danc
(oh.)
154
-
t
Just
_
can't
lose.
You know it's
I
SY
coaa
tGlI-
Gtr. 2: w/ Riff A
2 tacel
N.C.
Cm7
Fm
Bridge Gtr.
1: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 2: w/Riff B (1st meas.)
Gtr. 2: w/ Riff B
Bb
Gtr. 1: w/ RIy. Fig. Gtr. 2: w/ Riff A
-
Some
bod
1
Fm
me.
help
me_
Some - bod
where.
yeah.
Gtr. 1: w/ Rhy. Fig.2 (1 1/2 times) Gr. 2: w/ Riff B (1st meas.)
-
Gtr. 2: w/ Riff R
Bb
Some
me,
help
bod
yeah.
-
-
.,
D.S.S. al Coda 2 w/ Rhy. Fig. I Gtr. 2: w/ Riff A
Gtr.
stay -
$
1:
3.
1n
Well,
vou
can
coaa z
yeah.
-
155
Outro I I w/ Rhy. Fig. 2 (l 1/2 times) Gtr. 2: w/ Riff B (1st meas.)
Gt..
Gtr. 2: w/ Riff B
Bb
,/---.-\-
Life
Some
me-
bod
Gtrs. I & 2: wi Rhy. Fig. 1 & Riff A 2nd time, Bkgd. Voc.: w/ Voc. Fill 2 3rd time, Bkgd. Voc.: w/ Voc. Fill 3 4th time, Bkgd. Voc.: w/ Voc. Fill 4
Fm
Some
help
bod
-
me,
yeah.
Yeah.
-
Gffs. 1 & 2: w/ Rhy. Fig. 2 & Riff B
Some
bod
me,
help
-
yeah.
Play 4 times and fade
Gt6. 1 & 2: w/ Rly. Fig. 1 & Riff A Fm
(2 times)
(I'm
stay-in
live.)
(Ah,
t
ah
-
(Ah,-
ah,-
ah.)
ah,
-
8va-------.
(Oh,-
156
ha,-
ha.)
Super Freak Words and Music by Rick James and Alonzo Miller
G/D
Am/C
Asus4
iiiffi'* t-t+.i# F++N Eiffi"
iiim
sls ttl
lntro
|t;---;;_lz
Moderately fast Funk J = 132
N.C. Rhy. Fig.
Am/C
G/D
*ctr.3 (drums)
,
) ), ^f
- \l\-
[[, ''lt'
mf Riff A1
('1""') nin'l 1G,f'1,1
Am/C
I
End Rtry. Fig.
1
)
'
, )),
/'1"
, )),,
)),
",
Am/C
, )),
''//'h[' 1. She's
)j
End
RiffAl
frel'/H !J / / | /t)=1 7-fir+71
Lrp.,,ii,., vi,
a
)J =1
tV6t
t
"nu*oro?
slight P.M. throughout
*Kybd. an. for gtr
Verse Gtr. 1: w/ Riff A (3 times) Gtr. 2 tacet Gtr. 3; w/ Rhy. Fig. I (2 times)
*D5
Am
ver-y kink-y
take
home
to
moth - er.
hmony Gtr. 3: w/ Rhy. Fig. I
D5
nev -
kind you don't
gir1,
+Chord symbols reflect combined
D5
Am7
er
get your spir- its
once
you
Am
gather
street.
She
likes the
End Rhy. Fig.2
Rhy. Fig.2
Am'7
the
band.
-
that I'm her
all -
time
fa -
v'rite
O 1981 JOBETE MUSIC CO., lNC. and STONE DIAMOND MUSIC CORP. All Rights Controlled and Administered by EMI APRIL MUSIC lNC. and EMI BLACKWOOD MUSIC INC All Rights Reserved lntemational Copyright Secured Used by Permission
157
Gt. l:
w/ Riff A (last 2 meu.. 2 times) Gtr. 3: w/ Rhy. Fig. 2
Gtr. 3: w/ Rhy. Fig, I
D5
D5
Am7
make my move
ff
to
her room
it's the right
She's nev-er
time.
hard
- to
please.
-
ere-Chorus Ctr. J: w/ Rhy. Fig. I {4 timesi
D5
Am
)C
Am
)
a
Gtr.
l:
w/ Riff B
D5
Am
)a
girl
(tnu") -
rear-ryl .
is
The girl's a
su - per freak
like
flo
taste
_
her.
...ev-'ry time we meet.)
Chorus F
c
Am
G
Am
Asus4 Ctr.
3
'
-
:'--_ She's She's
That The
all
right dghr.)
-
158
/'^
To Cotta
ol^ / with
Esus4
\l ,--/' 4
/'^
I
S
/'h^ o
r
_
Hey, hey,
hey,
hey
!
Interlude Gtr. 1: w/ Riff A (last 2 meas., 2 times) Gtr. 2: w/ Riff Al (2 times) Gtr. 3: w/ Rhy. Fig. 1
Gtr. 3: w/ Rhy. Fig. 2
D5AmG
D5
She's
rE
su
^
Am7
-
per
Am7
su
freak,
- per
She's su - per freak -
fieak
y,
Gtr. l: w/Riff A Gtr. 3: w/ Rhy. Fig. 1 (2 times)
D5
Am
Am
Ev-'ry-bod-y
sing.
- per
Su
-
su
freak,
- per
2. She's
freak.
a
Verse Gtr. 1: w/ Riff A (4 times) Gtr. 3: w/ Rhy. Fig. I
Gh. 3: w/ R1ly. Fig. 2
D5
D5
(The
her
kind
of
girl you
want
love.
feet, Gtr. 2: w/ Riff A1 (2 times) Gtr. 3: w/ Rhy. Fig. I
Gtr. 3: w/ Rhy. Fig. 2
slne.
D5
Am7
Am7
D5
_
Three's (Long
and black
and
shin
- ing
not
Am
----
says,
a
bright.
_ M6-
Gtr. 3: w/ Rhy. Fig.2
D5
Room nage
love
sev
you.
four - teen
Am7
I'I
be
wait
G
Am7
When I
ing."
-
Ow.)
-
159
Gtr. 3: u/ Rhr. Fig.
Gtr. 3: *y' Rhy. Fig. I
D5
D5
get there she's
$
got
D.S. al Coda
I Am7
Am7
It's sucha freak-y-
in-cense, wine, and
Coda Interlude Gtn.
1 & 2: w/ Riffs A & Gtr. 3: w/ R}Iy. Fig. 1
Al
(3 times)
Gtr. 3: w/ Rhy. Fig. 2
D5AmG
D5
Am
She's Gtr. 3: w/ Rhy. Fig.
a
su
-
Am7
per freak,
- per freak
She's su
Gtr. 3: w/ Rhy. Fig. 2
1
D-5
su
Am
D5
Am
Temp
- ta - tions
- per freak-y,
G
Am?
Am7
sing
(oh. Gtr. 3: w/ Rhy. Fig. I
per
Su
per freak.
freak
The
per
girl's
freak
Verse Gtr. l:
w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 1
Am7
G
D5
Am
)t
\<-=
3.
kink
She's
girl,
-
Gtr. 3: w/ Rhy. Fig. 2
Am7
take home
D5
Am7
And
to Gtr. 3: w/ Rhy. Fig.
Am
G
you
Gtr. 3: w/ Rhy. Fig. I
D5
won't
kind
the
D5
once
you
get
she
Am7
her
nev
1et
your
spl1
down
rts
2
off
the
G
Am7
Blow,-
dad
-
dyl
Outro 1: w/ Riff B (till tade) Gtr. 3: w/ Rhy. Fig. I (til fade)
Gtr.
D5
*Sax m. for gtr
160
FGAm
Am
xxsung 1st & 3rd times
Repeat and fade
-
Superstition Words and Music by Stevie Wonder B7
c] ^
Bb"]
^
A1
m'. m'. m'. m'. Tune down 1/2 step: (low to hish) Eb-Ab-Db-cb-Bb-Eb
Intro
.J
Moderate Funk.J = gA
tfr = fi
r
I
(drums)
tClavinet mr. for gtr
N.C.(Em7)
ff
ve.se Gtr. I : w/ Riff A,
8 times,
simile
^N.C.(Em7)
-
tious, tious, tious.
wrlt-lng s
on
wash your face
-
noth
- ing
more
lad-der's 'bout -
the wall. and hands.to say. _
to
fa1l.
do all that you can. -_ the dev-il's- on- his way.-
Very-y su-per-stiRid me of the prob Ver-y -su-per-sti-
- old in a Thir-teen month - old Thir-teen
Keep
month
me
ba -
dayba -
a-----.--by dreams.
*Go 2
by,
RiffB
look - ing
mm,
glass. strong.- _ End Riff B
-
*Homs m. for gtr
@ 1972 (Renewed 2000) JOBETE MUSIC CO., lNC. and BLACK BULL MUSIC
c/o EMI APRIL MUSIC lNC. All Rights Reserved lntemational Copyright Secured Used by Permission
161
Gt.
2:
s/ fuff
B-
I timei
Ser - en You Sev
- en
years wan
don't -
of
years
-
the good things sad
good things
-
ln is in
- of na
bad SAVE
bad
-
-54
your my your
When you
lieve
Chorus B7
81
BboT
n^f) n^ff)
Rhy. Fig.1
o,,rfi^-) simile on repeat[
a? N.C.(B+7)
A'7 End Rhy. Fig.
(conr. in notrtion)
162
I
To Coda Gtr. 1: w/ Riff A, 2 times, simile
11.
$
N.C.(Em7)
Crr. l:w/Rhy.Fig. l.simile
D.
B7
C7
B7
Bb"7
A'7
,-\^.'--\
ha,
-
Gtr.
l
Gtr. 1: w/ Riff A, 2 times, simile
D.S. al Coda
N.C.(Em7)
3.
Ver
Scoaa Gtr. l: w/ Riff A, till end, simile xctr.
N.C.(Em7) 3
*Horns
ffi.
tbr gtr
Begin Fade
163
That's The Way (l Like lt) Words and Music by Harry Wayne Casey and Richard Finch
Ir.,2..
Intro Moderately .J = 116
z
Fm9
(Do,
do,
do,
do.
Rhy. Fig.
do,
do
do.
-
-
1
End Rhy. Fig.
*Bkgd. voices are female throughout
lq
ff cno.,r, Cml
*xT
164
= Thumb on 6th string.
O 1975, 1976 (Renewed 2003) EMI LONGITUDE MUSTC All Rights Reserved lnternational Copyright Secured Used by Permission
I
GtI. l: w/ Riff A
/
That's
ro
Coda 1
To Coda2
the
uh - huh,
way,
uh -
huh,
$ $ Verse
ir,_
uh
-
huh.
uh
huh
1.
2.
tell
me
your
I'm
when we're all-
-
When you
When I
lov all
take get
-
me
be
to
by
the
in
your
When you give When you whis -
man lone
hand, arms, _
me
per
2nd time, D.S. al Coila
all in
your my
love ear,
and
do it, you
when
babe,
turn.
-
the ver-y
best
you
turn
me
can, on.
I
oh... oh...
165
$coaa r Interlude Gtr. 1: w/ Riy. Fig.
1 (4
times)
Fm9
babe.
That's
llz
D.S. al Coda 2
oh..
That's the way,
$coaa
np
_
uh -
huh.)
z
Interlude Gtr. 1: w/ Rhy. Fig. I (4 times)
Fm9
(Do,
do,
do,
-
do,
do.
-
-
Rhy. Fig. 2
do.
-
Gtr. 2: wi Rhy. Fig. 2
uh-
huh.
Do,
do.
do,
do,
do,
do.
do,
-
do.
End Rhy. Fig.2
166
huh.
Do,
do,
-
do,
do,
-
do,
do,
Uh do,
-
oh...
huh.
Do.
do.
do,-
do,-
do,
do.)
do,
-
-
-
Outro-Chorus Gr.
1: w/
Riff A
(3 times)
Cmj
That's
the way
uh
-
uh
huh,
- huh.
uh
-
the
huh
way, uh - huh, uh - huh, I
/-----
Rhy. Fig.3
Gtr. 3: w/ Rhy. Fig. 3 (2 times)
uh
-
That's
huh.
the
way, uh - huh, uh - huh, I
like
uh
- huh.
uh
-
huh
End Rhy. Fig.3
__--,__
'.-_'O
Begin fade
Thet's
the
uay.
uh
-
like
huh.
uh
it,
- huh,
uh
-
huh.
Your love
is
(That's
-
hot,
the way,
uh,
yeah.
uh
- huh, I Fade out
oh,
_
and I
oh,
uh -
huh.
uh
- huh. I
167
We Are Famlly Words and Music by Nile Rodgers and Bernard Edwards
Intro Moderately Gtr. I
)=Da *A
G/A Rhy. Fig.
(clean)
I
*Chord svmbols reflect overall harmonv
A l times End Rhy. Fig. I Play
ff
cno.ot lst & 2nd times, Gtr. l: w/ Rhy. Fig. 1 (3 3/4 times) 3rd time, Gtr. 1: w/ Rhy. Fig. I (3 1/2 times) 2nd & 3rd times, w/ Lead Voc. ad lib.
GIA
We
are
G
fam - i
ry.
_
I've got all my
sis - ters
with
me.
-
**Vocals doubled throughout chorus.
Al
GIA
Get up
ly.
ev
-'ry - bod - y and
-
GIA
G
- ly,-
['ve got all my To Coda
GIA
arefam-i-lv.
sing!
sis -
ters
with me.-
$
D
Get up
ev - 'ry -
bod
y
and
sing!
168
Copyright @ 1979 Sony/ATV Songs LLC and Bernard's Other Music AII Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights on behalf of Bernard's Other Music Administered by Warner-Tamerlane Publishing Corp. lnternational Copyright Secured All Rights Reserved
Verse
A
\v_
l.Ev - 'ry - onecan2. Liv - ing life is fun and we've just be - gun
see- we're to - geth to get our share -
Rhv. Fig,2
End Rhy. Fig.2
,=.---
Gtr.
1:
w/ Rhy. Fig. 2 (6 times)
A
Emj
t--.--il as we of this
walk
on_
world's
de
- -
And we fly High hopes we have
(And!) (High!)
by. lights.
like
just
birds
-
of a
feath -
for the fu
-
- -
no_
tell
goal's -
in
sight.
(A1l!) (We!)
-
we
No
Al1
of
don't
get
the peo de - pressed, -
I
a-
ple
round us,
they
here's what we
say,
_
call
Can
they be
our
gold
-
Just 1et
that close?" rule:
- en
Have faith
-
2nd time, D.S. al Coila D9
we're giv -
ord
you
do,
you
won'1
go
for the rec in you and the things
me state
Oh, no.
wrong.
ing love This
in
a
is
our
fam - 'ly fam - 'ly
A
dose.
jewel
-
169
cc#A
Get
up
ev - 'ry -
bod -
y and
sing!
-
I've
got
all
LrE^
7e
.fam
i - ly.-
Get
up
ev - 'ry -
bod
- y and
sing!
-
Y.M.C.A. Words and Music by Jacques Morali, Henri Belolo and Victor Willis Intro Moderately .J = 124 Gtr.
rBlcil
--==-
t4l
w/ Rhy. Fig.
I
( 3 times)
Plctl' 4 times End Rhy.Fig. 1
Rhy.Fig. I
+--
1:
.,--,+
***Homs arr. for gtr Rhy. Fig.2 (rtl- i
End Rhy. Fig.2
I
+- -=--
I
-,+
*Chord symbols reflect overall htrmony
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
8va -
-t
loco
istrings m. for gtr.
Verse Gtrs.3&4tacet
Pf-
F#
l. Young man, 2. Young man, 3. Young man,
no need to you list-'ning I was once in
there's
are
feel to your
said, said, said,
w/ wah-wah
Copyright O 1978 by CAN'T STOP MUSIC All Rights Reserved Used by Permission
171
self off the
you wan - na out with the
ground." be?" blues.
-
"Young man,"Young man,
said, said,
-
no
felt
man
-
you can cared if
-
be
got
know world
the
you can go." by him - seif." came up to me
place
all
I I
said, said, and said,
make
I
new town, there's no dreams, but you've a-live.Ifelt
your
real wsre
Glim
A{,im
need
1na
cause you're
_
py. thing.
hap one
jive.
so
Young man,
No
-
man
That's when
-
you're short put your pride take a walk
"Young man, "Young man,'Young man,
when
on on up
dough. You can the shelf and just the street. There's a
your
-
I
and to
I'm the the
sure
Y. Y.
you M. M.
will C. C.
findA. A.
-
man
I'm They
-
y
sure can
ways they start
have
help back
They have
(J-m(maj/l
(J/m
It's fun to lt's fun to
stay stay
at
Y._
at
Y.
M. M.
You
C. C.
can
get your-self
clean.
You
can
Young man,- young man, there's no
PIay 3 times
have a good meal need to feel down
You
do what - ev Young man,-
can
you man,
_
feel.
pick
-
self off
your
the ground. End Rhy. Fig.3
Outro Begin fade
Gtr. 2: w/ Rhy. Fig. 3
G#m(maj7)
F++
M. C.
A.,
and
just go to
the
Y._
M. C.A
Young
man,
young
man, I
was
f ^*-/
Fade out
(r+1m
once
your
in
-
shoes
Young
man, young
man
down
with
-
the
blues.
-
174
You Should Be Dancing from SATURDAY NIGHT FEVER
Words and Music by Robin Gibb, Maurice Gibb and Barry Gibb Gtr. 2 tuning: (low ro high) G-A-D-G-B-E
Intro Moderately , = 121
N.C.
Gm
C/G
G6sus2 Rhy. Fig.
lA
End Rhy. Fig. 1A
I
*Elec. piano
ffi. lbr gtr
ff Gtrs.2 & 3: w/Rhy. Figs.
1
&
v".r.
1A
Gm
Gm
l.My Gtr.
I
Gtr. 3: w/ Rhy. Fig. 1A (4 times) 2nd time, Gtr. 2: w/ Rhy. Fig. 4 (4 times)
Rhy. Fig.2
End Rhy,
ba - by juic - y
Fig,2 6o.
c::2 {r.1ivlsr/
G6sus2
moves
goes right
j l
Rhv. Fie.3
lst time, Gtr.
G7sus2 G6sus2
on till the dawn. -
she gets it End Rhy.
Fig.3
at mid
1
3rd time, Gtr. 2: w/ Rhy. Fig
Gm
-
and she's
to me good.
Rhy. Fig.4
2
w/ Rhy. Fig. 3 (2 times)
Gm
My My
wom-an take me wom-an give me
)tI
high
G6sus2
2
-
er,
pow
End Rhy. Fig.4
Copyright O 1976 by Gibb Brothers Music, Warner-Tamerlane Publishing Corp. and Crompton Songs LLC All Rights for Gibb Brothers Music throughout the world Administered by BMG Music Publishing lnternational All Rights for BMG Music Publishing lnternational in the U.S. Administered by Careers-BMG Music Publishing, lnc. lnternational Copyright Secured All Rights Reserved
175
Pre-Chorus
C6sus2
G7sus2
Cm
G7sus2
wom-an keep me warm.right down to my blood.
my
What
cha
do-
-
Cm(maj7)
in' in your
bed?
Rhy. Fig.5 Grr. I
Cm(mai7)
'in
Cm(maj7)
your bed?
You should be End Rhy. Fig.5
It
Chorus
llz
Gtr. l: w/ Rhy. Fig. 2 (2 times) 1st time, GtI. 2: w/ RIy. Fig. 4 (2 times) Gtr. 3: w/ Rhy. Fig. 1A ( 2 times)
Gtr. 2; w/ Rhy. Fig.
3
Gm
G6sus2
2nd & 3rd times, Gtr. 2: w/ Rhy. Fig. 4
Gm
G6sus2
danc
yeah,
G7sus2 G6sus2
G7sus2 G6sus2
danc
-
-
ing,
yeah.
-
2- She's
-
danc
1ng,
-
yeah.
Pre-Chorus Gtrs.
1
& 2: w/ Rhy. Figs.
Cm
G7sus2 CIG
5
&
5,A
Cm(maj7) Cm7 J)
What cha
176
do-in' in vour bed?
Cm(mai7) '1--------
Cm(maj7)
>+\
what
cha do-in' in your
bed?
Cm?
-
ro Coda
Chorus Gtr.
w/ Rhy. Fig. 2 (2 times) Gtr. 2: w/ Rhy. Fig. rl (2 times) Gtr. 3: w/ Rhy. Fig. 1A ( 2 times) 1:
Gm
Cm(maj7)
You should be
G7sus2 G6sus2
G6sus2
G7sus2 G6sus2
danc
yeah.
-
Interlude Gtr. 3: w/ RIy. Fig. 1A (2 times)
Gtr. 2 tacet
Gm
:"1 0
'(rTr 4
Guitar Solo
Gm Gtr.5 (dist.)
n
!v!!t/!!!t!tf!t& /------
=I
Am
n --1 -t l-a'
!v!!vt!
,r,f
I \
,.8--^Y
f
w/ wah-wah
Rhy. Fill
I
End Rhy. Fill 1
,i,2+
:,
$
D.S. al Coda (take 1st Iyicsl (take 2nd endingl Gtr. 3: w/ Rhy. Fill
Gtr. 3 lacet
1
( 2 times)
Gtr 4 tacet
Gm
6vrr
--------t
--
GX).,/il +6€Ji+"
loco
t"ffi
I -/
t
t!!!!!!vvvv!t!!!"...!!t!vrvttt!!!!!
rfrcoau Breakdown
Ctr.2 O
fl z?.
I,
danc
Gtrs.l&2tacet
.--
N.C.
-D-l
f-r ing,
ii-7
N-/
You should
yeah.
-
Yeah.
yeah.
-
!
-Ll
')
zt.
K-7 r
l_
ing,
danc
I
A-\ )'l
-lrl
z?.
-_T
t_
-
71l-t/ yeah.
r
You should be
t
-1
r_t/ =i-a
?
l
ing,
danc
-
yeah,
You should
be
End Riff A
Outro Gtr. Gft. Gtr. Gtr. 2nd
1: w/ Rhy. Fig. 2 (itl fade) 2: w/ Rhy. Fig. 3 (till fade) 3: WRhy. Fig. 1A (till fade) 4: wi Riff A (till fade) & 3rd time, Lead Voc., ad lib
Gm
G6sus2
G6sus2
G7sus2
G7sus2
G7sus2
clc
179