12/22/2016
Dai ly Pr acti ce 5: 1,9,5,13 - mattotto.or g
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Daily Practice 5: Tetrad 9
Daily Practice 5: 1,9,5,13
Daily Practice 5: 1,9,5,13 In this video I practice using a 4 note cell or “tetrad” consisting of just the 1st, the 9th, the 5th and 13th degree of the major scale. In C this would be C, D, G and A. An interesting thing about this speci•c tetrad is that, since it contains no 3rd or 7th it sounds great for improvising over Major 9, minor 9 or Dominant 9 chords. This means that just working on this one tetrad will potentially cover a lot of harmonic ground and practical application. Also, be placing the tetrad in a di㫜erent location in the harmony, i.e. built o㫜 the #11 on a Dominant 7th chord, it can easily imply altered harmony i.e. G7 (C#, D#, G#, A#) or #11, #5, b9, b9. I practice the tetrad in various ways in all keys. Doing this over time will lead to a ‹uidity in its use. ~Enjoy! .
Daily Practice 5: 1, 9, 5, 13 Tetrad.
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Daily Practice 4: Modes of Harmonic Minor
Daily Practice 6: Major 7ths and Altered
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DAILY PRACTICE
1: Lydian b13, Cycle 5 http://mattotto.org/daily-practice-5-19513/
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Daily Practice 5: 1,9,5,13 - mattotto.org
2: Accenting Triplets 3: -7b5 Chords 4: Modes Harm Min 5: Tetrad 1,9,5,13 6: Maj7 and Alt 7: Car Practice 8: Stardust 9: Relax, Use Space, Listen. 10: Posture, Balance, Breath. 10b: Repetition
ALBUMS
Albums Soliloquy Broken Waltz La Commune Anima Red Q Trio, Vol.1 Joe-Less Shoe Joe-Less Shoe “Out sole” Joe-Less Shoe “Midsole” CD Music of Tom Waits 3-ish “BaoBab” 3-ish “Events” Lost and Found Drones Arco Bass Play Along Drum and Bass Play Along CD in 7/4 Drum and Bass Dom 7th http://mattotto.org/daily-practice-5-19513/
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Daily Practice 5: 1,9,5,13 - mattotto.org
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PDF MAJ TRIAD MASTERY
PDF VOL.1 HARM. MAJOR
PDF VOL.2 MAJOR II-V-I
PDF VOL.3 MINOR II-V-I
RECENT POSTS
Daily Practice 14: 5/8 Over 4/4 Daily Practice 13: Triads through Scales Daily Practice 12: Dominant Pentatonic Daily Practice 11: Maj Triads 2nd Inversion
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Daily Practice 5: 1,9,5,13 - mattotto.org
LESSONS:
Lessons 1 – 49 Lesson 1: Spread Triads Lesson 2: Diatonic 4ths Lesson 3: Rhythm Changes Lesson 4: Cycle Melody Lesson 5: 13th Arpeggios Lesson 6: Minor ii-V-i Lesson 7: C7 – Maj7(#5) Lesson 8: ii-V7 using triads Lesson 9: Voicings Lesson 10: Whole Tone Lesson 11: Major b9, b13 Lesson 12: Embellishment Lesson 13: Lydian 5ths Lesson 14: Diminished Lesson 15: Drones Lesson 16: Long Tones Lesson 17: Intervallic Lesson 18: Long Tones 2 Lesson 19: Maj7 #9 #11 Lesson 20: V7 -3rds Lesson 21: V7 Chromatic http://mattotto.org/daily-practice-5-19513/
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