Casio Ct380 User Manual

asiotne CT380 I  , . 'i: REONI ML

OPERATIN 1ANUAL MANA DE PAC

.

2 0

:asiotone CT-380 ELRONI MUSIAL NRUMN

ntroduction

Your new    CT-80 keyboad is a stateof-the-art usical in strument whic incopoates the latest electronics tech nology to make its opeation as easy as possible  Exceptional soun d quality baced up by a host of sophisti cated features and functions maes this keyoad a joy to  play for everyone In order to enjoy the eatues and unctions of t his unit  to  ther fullest, be sue to caeull read this anual and  follow the instuctions contained herein 

ontents

General Guide . .      .      3  P ower Supply .... . ... . .. , 5 3 General Operation.                        .  6 4 Preset Tones .. ..  7 5  one Bank ounds  . .... .. .   . . 8 6. Auto-rhythms . ...... .. 10  Autoaccomaniment..     .  . .  11 8 roubleshooing .. . ....  . 15 9 Care of You K eyboard   ..  .  16  Speci fications .. .  .   ..... 17 

.

















.



2







.



.





.





1 Gerl Gie  

 c

:

-

-

e  





     

  

@





     a  = 



uilt-in speaker  ower sitch ain olue slider  Accop olue slider  hyth olue slider  Casio Chord selector 

 

     

nchro/illin utton hth start/stop utton Intro/ending utton Tepo contro uttons hyth selectors hyth select utton

@

 

     

J-



 Tone selectors  Tone select utton  Tone ank tton  Auto haronize utton  Deo utton I atter coartent

 General Guide

[ear panel]

P

 I

Output jack   adaptor jak 

 9V 

Ds is  feres  rese deonsr ion e i s bee relly ro gred o sose ll e eres d benes o is ni Sily ress e Deo bo G nd lse o e -38 lys sel!

 



Th nttn tn  y n n   P th D bttn gn t t th tn Th kyb  nb h yng t nttn

           

2 Pwer Sl y 





_ 



Dry batteries  h nt n e owered  x D ze (SUM/R2P ngnee dr ell ttere Wekened ttere wll relt n lower vole or oor tonl qlt t t te hnge ttere or ht to one o the lternte ower sore entoned elow 

aer replaceent  en the tter ortet over on the rot o 

 

the nt nd tke ot ed ttere

 od new ttere tkng re tht olrt  orret



t  vb to r  x bttr t th   or ogr  ttry  Str bttry   roxmt  hor

Car battery  Vth the r tter dtor (C otonl DC ower  led ro  r tter throgh te grette Ighter oket

A AC dtor (AD, otonl  rered when ng hoehold rret e only  gnne CSIO dtor  wth the e voltge rtng , 7  or 4  the oer ly n yor re to revet coonent dge Plg the AC dtor nto the AC otlet nd the ord nto the t h ll totlly  o te ttery ower l



w 

se oly geie CS dtos to void risk o £mge * T e dto y beoe w we let o eted to  otlet is is ol bt te dto sold be soeted we ot i se \uto power off fnction Powe is totilly t o oxitely 6 mites ter te lst oetio o te it Powe sly  be estoed by switig owe  d te N gi

*

PECAUTIO

oetly sig btteies  se lekge o bsts, d y dge yo odt Note te olowig etios

      

e se tt ± olity is oet Do ot ix bttey tyes. Do ot ix ew btteies wit old oes Neve leve ded btteies i bttey otet as tey y se ltios Reove btteies we ot sig te podt o exted ed eiod Te sied btteies ae ot egebe Do ot exose te bttey to diet et let it beoe soted o ty to tke it t (f a battery leaks, lean out the batte cmpatment of the   pdut immediate taking care to avi letting the batter fluid ome into diet ontat with y skin.)

3 Geerl Oeri : Tr te owe swit N  jst te vole level  elet oe o 2 eset toes (see Peset Toes'

pge 7 o oe o 2 Toe k sods (see oe Bk  Sod ge 8.

Main volume slider

P ow er

Accop volme sider

R hy t hm v ol ume   slider

4 Prese Tes 



T( .Iect a peset tne eciy eithe th u o ow row o est tone by essing the tone seect button he inicato beow the ton st button ights when the owe ow is activ Pes one of the tone seecto to choose a pest tone





T select percssin snds We PRCUION on i seece by te tone eetr, te keyboar key can be u to pay a tota o 42 fferent bit-in perci son Tese son are aigne to repetie key a shon beow;

-\" tn s ttcy st hn  s trn  

al bass snds When BA son is seecte by pressing te BA buttn (one o the ton seector), two ierent bass tone can b paye on t kyboar at t ame time. T e OOD BA ton ons on te ower a of the ebar (C2B3), whie the LAP BA tone souns   n te per haf (C4C6)

I-d ss (3)

lp ss 



         

bass drum 1/2 snare drum 1/2 gated snare drum rim shot closed hhat 1/2 open hhat 1/2 crash cymbal 1/2/3/mxed synth cymbal 1/2/3 rde cymbal 1/2 gong 1/2

• •

• • • • •

to 1/2/34mxed synth. tom 1/2/3 cow bell 1/2 triangle open/mute tmbales; hgh mue/  hgh/ low/mxed co puter game sound 1/2/3 aggo gh/low 

5 Tne Bnl< Sds  keyboad eatue Cao' oae oe Bank feaue whch le you chooe om an amazn oal   210 dee oud combnao To ceae hee yeed oud he Toe Bak uco acually neae he chaacec of he 20 pee oud whch ae ·�ced by the ew PCM ound ouce o ceate etely  :d dct oud whch ca be eleced houh e ollow pocedue 

To selec oe Bank sonds  Selec any of he 20 pee oe Whe elecg Toe Bak oud he oe tally eleced  ued a a bae o Pmay" oud

 Selec ay ohe o he 20 pee oe The caace c of h Secondary oud  automacally eat ed wh hoe o he Pmary ound aleady eleced



To selec a dieen seconda sond The ecoday oud ca be changed a ay me a log a he Toe Bak fuco  eleced Smpy  elec a dfee pee oethe pmary oud e ma he ame



To selec a dieren pma son T he pmay oud ca be chaged by f ug he Tone Bak fuco OF (pe Toe Bak buo o ha dcao goe out elecg ay ohe pee toe ad ally ug he Tone Bak ucto back  ON. The econday one ema he ame  th cae





Whn th  n  t th kyb t 10-nt  yhn

 Pe he Tone Bak buto Th actae the Tone Bank funcon allow you to c e a Seonday ound to eate wh the PJay oud you jut elected



A th n Bn bttn   th kyb hng t 5nt  yhn

 <

Example f Te Bak Operati>

 Seec he prese ORGAN oe y 

pressg he correspog oe seec r (hs s he rmary sou) ay, e ORGAN oe ca e aye w 10oe poyphoy (1) Pess he oe ak uo    he ORGAN oe ca ow e paye  wh 5oe poyphoy



Z R

o

R 

I

ndt gh

ON BNK

NT:

Tone bank button

he power s ure ON, he ANO oe s auo acay seece  oe ak memoy. ecause o hs, roceue  aove causes he ORGAN oe o e e + wh he ANO oe

 eec he rese HORU oe y  pressg he correspog oe seec o hs s he Secoary" sou) ow he ORGAN  ORU egae oe ak sou ca e paye wh 5noe poyphoy.

RUS

o

MLIC SD

Toe Bak Sous

 Nex, ry chagg he Secoay 

sou y seecg he prese LUE  oe he ORGA  LUE" ega e oe a sou ca e paye  wh 5-oe poyphoy  Nex, ry chagg he rmary sou y rs pressg he oe ak uo oce aga o ur he oe ak uc o O eporary he prese ORGAN oe ca oce aga e pae  wh 0oe oyphoy  Seec a e rmary souhe SRNGS oe for exampe, a ur he oe ak uco ack ON As he secoay sou (LE) oes o chage  hs case you ca ow pay  he RNGS  LUE" egrae   oe ak sou wh noe oy phoy

FWTE

o

SYH RD



I

ON BN RSS S

o

SRIGS

+ 



I

ON BN

6 A-rhyhms 

I�

Pss h hhm sc buon o choos h u ow o h ow ow o auohhms h inicao bow h hhm sc buon ighs whn h ow ow is aciv  Pss on of h rhhm selcors  Pss sa/so bon o sar h rhhm  Ajus h mo of h rhhm b sing he mo conol bons Prssing he <> bon wil incas mo, while essing he <> bon will ecas emo



sing h hhm ome slie Pss sa/so bon once agan o so ao-hhm la





Using Synchro/fill-in bon

Pss o n snchro sa sanb Rhhm sas   whn an accomanimn kboa k (ow  5 ocav, C hough ) is ss  ag  23 o s sncho sa n h auo-accomanmn fo-

Uing nro/ending bon

If o ess h noning bon insea of ss ig he saso bon o sa an ao-rhhm, h selece ao-hhm begns afr a oe-measr ino aen his can b an effec wa o lea no ao rhhm erfomance If ress rng ao-hhm a accomamen eformae, he hhm sos af er an arorae enng ar

 f th thyth n b jst btn 40 n 256 bts    nt ssng bth t kys t th s t sts th t t 2 bts  nt

 Yo can as he relai olme of he hhm b  

manc) hen esse rng hhm an accom anmen erformace, a aorae fll-n is nse n he hthm aen If he bo s hel own, h fillin aern s eeae n he en of h masue rng which he bon s rease

Playing an ao-rhyhm

*

Using synchro sar wih an ro aern

Pess h snchrofill-in bon o ee sncho sar sanb, an subsqen ress he Ino/ning bu on Rhhm sats when an accomaimen kboa k is ss, a a one-measue nro an

 • A-ccmnimen 

Casio Chord  Caso Chod selector e o selec oe o he Caso Chor seector ucos.

      

TE 



FF . .

For ormal pla whou auo accompame. FIGD   &  . . .For auoaccompame pressg chors as usual.  . . . . . . . . For auoaccompame usg he Caso Chor ssem. 

Accopanent vole control Accom ome Aus he volume o he auo Si  accompae.

�

 h aso Cho seco s s o FNGERED 1 o 2)" o ON' he lower 15 ocave  he keboa be come accompame keboa es, a he uppe par o he keboar becomes 4oe polphoc.

j.Akeyboar ccompaniment 

Melyyphonic) kyboar (4note



Durg auoaccompae perormace, cho plae o he accompame keoar wll coue o sou aer eleasg he kes



Auoaccompame sars wh rhhm, he mome he accompame keboar ke s presse  scho sar s  sab saus.

 Auto-ccompme

- Cs Chd y he Caso Chord sysem has been devoped so yo can pay he for man ypes o chords more easy ayng of he chords s smped as shown bow  ressng on of he accompanmen keyboard kys proces a maor chord correspondng o ha noe • Smuaneosy pressng any y o h rgh wo eys a he same me ress n a mnor chord • Smary, prssng one more key o he rgh hree eys n a prodces a sevenh chord, and press ng e forh y o he rgh or eys n a creas a mnor sevenh chord



C C major chordress 0 Cm C mnor chordress 0  ogehr C7 C sevenh chordPress 0   ogehr C7 C mnor sevenh hordPrss 0   

ogehr

No on   nd e bt  n b or h k n b d  ong  th r o th rght ofO

9  Autoaccompan mf rbd

_"

[1] Ato-ampanmnt sng t h aso hord sstem One-fingr metd  S h Caso Chord seecor o N

�g



 Sc on of h aorhyhms and



press he synchron bon

o ndor ght nng tht th o   nnt kbord k  rd o 



Q LQ 

 Pay on he accompanmen eyboard keys accordng o he Caso Chord sysm

Adt th tmo nd onmn o ng  r ontro

 uoaccompanimen

12] toaccopanient play sing standard chord



fingering Set the Casio Chord selector to "FIN ' GERED 1 or "FINGERED 2".

;50

,f[E<C

  

®

@

Select one of the auto-rhythms and press the synchrofill-in butto  nt ght nng tht th    nnt kyb ky  y f 

SVFNilCHRNO I TAROPI

Play a chord on the accompaniment keboard keys At th t n nnt v g th tv nt h nt  b f gnzng th fng h;  M  5 +�  4 7 M7 7 M7  s4 9 9  >

<bot "Fingered 1 and "Fingered 2> This keyboard features two different types of fingered accompaniment patters. You can select which type you  want by selecting either the Fingered 1 mode, or the Fingered 2 mode Respective accompaniment patterns ad characteristics are as isted below. (Fingered  Accompanment) Accompaniment consists of a singe bass line and two different backing chord patterns. The patter does ot change until you pay a chord consisting of at least 3 notes. (Fngered  Accompanment) Accompanimet cosists of a singe bass line and a single backing chord pattern. n addition you can add notes manually in twoote polyphony on the "accompaniment keyboard without affecting the accompaiment patten The pattern does not change unti you play a cord con sistig of at least 3 notes



At-nnt tn  t n nn t h t-hyth typ A t f t-hyth n pnng    nnt tn  v n pg 14

. Aoomnmen

« Abot

the tones sed in the ato-accompaniment



Eah auto-accompaniment pattern consists of one bass line and two types of chord lines (chord 1 and chord 2) T he es of these elements are preset correspondng to each to-rhythms as shown below; HYTHM ROCK  ROCK   T    ET     EAT    EAT   DISCO   DISO   POP  POP 

HD  TNE

BRASS ENS. RASS JAZZ ORGAN ETALLIC SOND ARIMA SNTH CVI SNTH CELESTA HARP AZZ ORGAN flUTE SLOW ROCK  PIANO  ROCK 2  PIANO  PIANO  S\ ,i'G SAA SNTHE. CLAVI O SSA NO VA ELE. PIANO  WALTZ STRINGS EGE AZZ OGN  TANO   ACORDION EGINE PINO RCH BRASS ENS

S'

HD  TNE METALLIC SOND SYNTH  CAVI PIANO  RASS ENS ELEe PIANO RASS ENS RASS ENS STRINGS PIANO  RASS ENS.  VIRAPHONE HARP RASS ENS. AZZ ORGAN STRINGS ORGAN FNKY CLAVI PIANO  AZZ GITAR FLTE

BA TNE SLAP ASS SAP ASS SLAP ASS SLAP ASS SAP ASS SAP ASS SLAP BASS RASS ENS

WOOD BASS SLAP ASS

WOOQBASS WOOD BASS WOD BASS SLAP ASS

WOOD BASS WOOD BASS SLAP BAS

WOOD B WOO B BRASS EN

*

Usin the ato harmonize fction When youre using the Casio Chord  functon, you can add automatic har mony to you melodies by pressng the auto harmonize button If you use this function when Tone Bank button is ON, automatic harmony is added us uto harmonize ing the econdary sound see Tone button Bank ounds: page  and Primary sound performance becomes monophonic

Th t hnz fntn  ntv hn C Ch   t  t t F  Whn y t th fntn y yb fn b nhn vn f n nnt yb y   

8 Treshig "For
   '-.¥ ( , �

'.  " J 0.  ;,   



 I� "[ ,w�one q e  ) i

to ernal ampifier.

<

Man vue turned dwn 2 Headphnes cnnected 3 Aut pwer  hs actvated

 2

Turn up an vue Dscnnect headpnes  Turn the pwer swtch  and then n agan

Rhyth vue turned dwn

Turn up rhyth vue

Man and accpanent vue turned dwn

Turn up an and accpanent vue

Rergeratrs washn achnes and sar eectrc appances

Use utet as ar awa as pssbe r appance thught t e the cause

1 Man vue turned dwn 2 Deectve cnnectn crd

1 Turn up an vue 2 Repace cnnectn od

9. Care of Your I(ybod ,

Avod he, humdy, nd dre sunh Do no overexpose he uni o direc sunigh pce i ner  heer or in n re subjec o high e perure

2. vod severe mps nd do no drop evere ipcs cn resu in funcion hen crr ing or rnsporion he uni proec he kebord nd kes b pcking wih sof coh

3 Keep he un free of quds, dus, pres, e o no ow foreign er o ener beween he kes Be especi crefu of eic obecs such s hir pins sewing needes or coins Aso, do no ow he uni o ge we

ever emp o modfy ny pr of he un our kebord is  precision usic insruen de p of sophisiced eecronic prs An odificion of or pering wih inern coponens cn cuse roube or funcion

5

Do no use quer hnner or smr hems or  enn Cen he kebord wih  sof coh dpened wih  id deergen souion nd squeeze i uni os dr

6 Remove bees before exende sore Beries ef in he uni for ong periods cn ek nd cuse dge o eecronic circuir  

In se o mfunon Check wheher buons nd connecions re se cor rec s indiced in he roubesooiong chr If he uni si does no work proper, conc he origin reier or  nerb deer ever ep o repir he uni oursef his cn resu in serious dge of he coponens

Specifictions Mdel: Nuer  keys: Plyphni: Prese nes:

Tne n sns: Au-rhyhs:

Rhyh sure: Auapien unin: E.-+: Tels: Biin speer:

380 49 eys 0note polyponc 20 Pno psco Vpone Jzz ogn Ppe ogn Bss ens tngs te os Jzz gt Bes ny c etlc son yntens Pecsson Eec pno gn Accoon yntee Bss ood ss/lp ss) 20 20 Roc 2 8 et -2 6 et -2 Dsco -2 Pops -2 o oc -2  ng m Boss no ltz Regge ngo Begne c 49 P ytm soces so o onfngeed fngee 2 Ato monze tpt c [otp mpednce 0 otpt otge V R) AX]  dpto c D 9V 2 cm 

0. ecificains

Auto ower off functon Aoxiae 6 iues afe he as oeaio Power ource 3-wa ACDC owe souce; • AC   22, 2  ±  , 6 Hz, wh oioa AD AC adao • DC 6 D size S-R2P agaese dy aeies Bae ie oae 8 ous • Ca ae Reuies oioa CA- ca adao Power consuton 6 Densons

867 x 4() x 73  3 8 x  36 x 2 7 8

Wegt

4.9 kg . 8s icudig aeies

Standar accessores

6 "0 size aeies, soe sad, dus coe

' gn n ton  bt o hng thot not

GUIDELNES LAD DOWN Y FCC RLE FO SE OF THE NIT IN THE .SA.

(not applicable o ther areas). Ts equpment generates and uses rado freecy erg and  ot staed and used properl, ha is n srct accordance wt te manuacurer' s nsrc ons ma cause nererence o rado and eevso recepton. It as been tpe esed and fo o copl wt te ms or a Cass B compung ece n accordance wt te speccatons n Supar J  Par 15 o FCC Rues wc are desgned o proe resonable protecton aganst suc ntererence in a resdenta nstaaton Howeer tere s o guarantee tat ntererence wll not occur n a partcuar nstaaton  ts equpment does case nererence to rado or teeson recepton hc Cn be determned b urn e equpme o ad L he user s encoraged o r o correc e i e erence b one or more o e oowng measure: reoren e receng anenna relocate te computer w espec o he receer moe e compuer awa rom he ecee

plu e mpuer no  ee le so ha ome and receer re on deen rac rcs  ecessar e ser soud consult he dealer or an expereced rado/eleson echcan or addonal sugesons The e a d e olown ookle prepare b e edeal Cmmcons Comms son elpul "ow o de d esole ado-V nererece rolems hs ooke s aalale rom he US Goernmet rntn Oce Wasnon DC 20402, Sock jo 004-00003454