Descripción: the Mozart Clarinet concert solo part !
Complete score of Kalevi Aho's Clarinet Concerto.Full description
Complete score of Kalevi Aho's Clarinet Concerto.
the Mozart Clarinet concert solo part !
Concierto para clarinete en La mayor de MozartFull description
Descripción: francaix
Full description
the Mozart Clarinet concert solo part !
Complete score of Kalevi Aho's Clarinet Concerto.
Professional article by Douglas Monroe on the Nielsen Concerto for Bb ClarinetFull description
Complete score of Kalevi Aho's Clarinet Concerto.Full description
francaixFull description
J.Francaix Clarinet Concerto
Professional article by Douglas Monroe on the Nielsen Concerto for Bb ClarinetFull description
francaix
Molter Clarinet Concerto No1 for Eb Clarinet and Orchestra
Complite score for clarinet and string orchestra.Descripción completa
Professional article by Douglas Monroe on the Nielsen Concerto for Bb Clarinet
Molter Clarinet Concerto No1 for Eb Clarinet and OrchestraFull description
Elliot Carter Clarinet Concerto • •
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Composed in 1996(?) Commissioned by the Ensemble InterContemporain of Paris for their 20th anniversary Premiered an!ary 199"# !nder the baton of Pierre $o!le%# &ith 'lain amiens as soloist *eparated into " movements# played &itho!t brea+ Each movement feat!res a clarinet solo &ith a chamber,-ro!p chamber,-ro!p style th accompaniment .nly the " movement feat!res the f!ll 1/,piece orchestra in t!tti (ecept for transitional material) Each of the other 6 movements feat!res the solo clarinet in dialo-!e &ith a -ro!p of instr!ments in the accompaniment ensemble 's the sections pass# the soloist moves from section to section &ithin the ensemble (:00-:30)ovements 1 and 2 are similar in nat!re# havin- !pbeat tempi and an incredibly comple rhythmic str!ct!re ovement 1 feat!res the clarinet in dialo-!e &ith the pitched perc!ssion (marimba# piano# harp)# and movement 2 feat!res the !npitched perc!ssion (4:00-6:30) ovement presents the 3rst real contrast of the piece# -ivin- !s a slo s lo peacef!l# and 4!ite bea!tif!l chorale,type section 5his movement primarily primarily feat!res feat!res the clarinet &ith accompaniment accompaniment from m!ted brass# ho&ever &e also hear interections of perc!ssions and strin-s thro!-ho!t (8:30-9:00) ovement 7 is an episode bet&een the soloist and a nd their fello& &ood&inds# the 8!te# oboe# En-lish orn# and $assoon# all movin- in frantic and incessant chromatic co!nterpoint co!nterpoint '-ain as before# other instr!ment families interect thro!-ho!t ovement :# &hich &e;ll s+ip for the sa+e of time# is another chorale, es4!e section# this time &ith the soloist s oloist accompanied by slidin- and 8!id strin-s 5his chorale is notably more dissonant than it;s predecessor in movement # b!t still has the same calm and comfortin- charm (13:25-End) ovement 6 is reminiscent of movements movements 1 and 2 in it;s seemin-ly discombob!lated bac+,and,forth nat!re of dialo-!e bet&een soloist and accompaniment o&ever# this time the soloist is conversin- &ith the brass# !nm!ted this time 5he "th and 3nal movement contin!es the rapidly shiftin- tet!re tet!re of movement 6# &ith the entire orchestra orchestra no& providin- accompaniment *nippets of the previo!s 6 movements can be heard in the vario!s instr!ments !nder the solo line# and the movement contin!es !ntil it appears to# in my opinion# disinte-rate to a rather abr!pt end
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5hro!-h the &hole piece# Carter +eeps !p his si-nat!re style of immense rhythmic compleity# yet still varyin- m!sical characters and styles