Canadian Brass - Book of Favorite Quintets

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IO. COR ROYAL

I

chorate by philipp Nicolai (1556-160g)

obbtigato metody I

bi peteióornàii* tiaii-ïËï+r arranged by \{atter Barnes

st Br Trumprt

l;;; íi. ir:nra.t

:

i(rm In F

Trombone

fubr

F Hn.

Trb.

Tuba

I

Copvrighr l9lilJ Dr. Brass I Bivíl r. Toronlo .-\ll rights rcscrved. Printcd in U.S.A. nrulhortZCd !()p\ Ing. JarJn-!rng Jdrpt.lng. rccordrng.or puhlic pcrl,rrmrn!c Inlrinlcrr lre liahlu und!.r rhr lf,s

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F Hn.

F Hn,

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Sakura & Kimigayo Traditional Japanese The Canadian Brass has made many lours lo the íar East, even períorming our music on the Íamous

chinawall! ltisinJapan,though,thatweíeelmostathome. weiravemetmanyÍinemusÍciansthere,

and have had the opportunity to sample a great dealoÍ Japanese traditional music. What seems unique to us about Japanese culture is the blending of so-called western music with locattraditional

music' lt is not unusual

to fínd modern music being ptayed on traditional Ínstruments, and conversely,

traditíonal music being played on modem instruments. lt is with the laner in mind that we have included two songs in this book which are very wellknown by ail Japanese. KIMIGAyO is the "prayer to the Emperor," and SAKURA is the Íamous iolk song, "Chárry atóssoms." KtMlcAyo is to be used much as we would use the American or Canadian National Anthem, while SAKURA ís excenent program materialto be used in any perÍormances that you gíve. These two Japanese songs will give you wonderful oppoftunities to investigate what we consider to be our main, basic performance points for brass players.

L A!4.SlLry@f: Tht^s i9 the key element in atl brass playing. When you get a chance, refer to our BooK.OF BEGINNINQ oUtNTETi (the Green book) in wnicln tne rirst two pages tatk of air supprt. playing, lo'.".|t^!!Pt .targe breaths'and frequent breaths are essentiat for good tone and tuning. 2' LISTENING: we have tatked about listening throughout this book. we urge constant, careful Iistening to your fettow ptayers for dynamics, btánd, tuiing, temw. putse, and doubtings. 3' TIMING: Timingof notesandiests,especlattythenígero,nes'. Timingof entriesandbrcaths, so that you are at one with your other ensemble players. íiming of thoughts and rehearsat needs,

so that you are not at odds with your feilow ptayers. 4' ToNE: Your tone is your'musicalfingerprini';onty you possess that sound, onty you can improve ít,andonlyyoucanproiectthattonetoyouraudience.- Praciiceinfrontof amirrorwhereyoucanwatch yourself breathing. Also, find an extremely reverberant room in which to practice from time to time (such as a concert hall, gymnasium, churcít, or even targe bathroom) so that you can enjoy the realy arge sound you can make. TlN!l!9: tn every text in this book, we ha.ve tatked about tuning. you might have greatest the tone' but the moment you b99in lerforming with another musician,'tet atone four others, intonation

?

becomes most important. Gáod tntonatioÁ.or tuning is onty possíble when you are

support and carefully listeninQ to your colteagues.

we want you to be the

best you can,

using good g!1

and these five points witt surery herp. Canadlan Brass

-:'iSa:*"sÉiiá_n'

46

11. SAKURA (Cherr-v Blossoms)

traditional Japanese

arranged by Walter Barnes Isr Bb

Itumfrr <__-_:=-

HOm ln

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KIIVTIGAYO (Prayer to the Emperor)

J=oo

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traditional Japanese arranged by lValter Barnes

lst Bi Trumoer

2nd lJr

irnrcct

Hom in F

Trombone

Tuba

t'

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Tó.

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Farandole

from L'Arlesiennà Suit. No. 2

and

Toreador Song from Carmen GEORGES BTZET (1838-1875) French composer Bizet is particularly remembered

today Íor two malor works : LArlesienne suite andfre opera carmen. we have óosen rhe mostfamoussslectionhomeachotdesemasterpiecesÉryourqlíntet. BothworkswerewnttennoaÍthêendof BizefsllÍeandfeaturethewarmth and feeling oí soutrem Europe. They are examples oí 'vísual''musi" ro, Ér"ri qulniet, and represent the Rornantc period weg.

Trumpet l:

Horn:

FARANDOLE has two main themes: tha first is your melody (in the mnor at the beginning, aN the second is the-French Hom,i at Oar .key) t r ne ilrst thema should have a heavy effect. Don,t ailow he doned t!Vthnl.(3:1 to slip into triptets (i:1 raie. At bar t7 you are in a ftio) supporting role. ln bars 2ê.33 and aà<9, yori proviae a bend.,tn the orchestal version, which l_hope you will hear; the violins play a gliss.ando.' sliding their frngar the sting. wu be able to .by produce this eífect by quickly ptaying the tvw ór three notes betow the wnnen note. If you use a piccolo Trumpet íor this piece, so much the beíer. Bars 5742 must bd in the form óf a.dblogub,b,etween Wu and the other Trumpet. Frorn 65 to the ena, *eep Xe íny*i iteaay, with no

/.

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ip

itard'

Fred TOREADOR SONG íeatures the Tronbonist in your group; you are in a suppming role. The Trumpet part shoutd be ptaíac, shon and staccato with a prcussive effect, but &nl tat it gàt óverpowering. Isolate aN gaclce bar 4l which features a scati run. This run brings you, at last, into the the metody for íour b,ars, fottowed by a counter-melody with the Trombone solo: caraíul not ro ornrpo:v:r,the solo. Play ight to t e end oí the piece withour a ibrd fq added Ron

b

excitement-

Trumpet

II:

FARANDOLE opens with a very ltong theme in g minor (which returns later in the low instruments in G najoi). RemeÀÈer a oasrc rule: in order to balance, the lower Trunpet muit play a tittà nuaer. That rute holds true in barst-|7. From there to bar ás, yoi Àiií peaorn win a The

v3ry clean, bright unobtrusive sound, or you wiil

At bar 33, y?u join the Hom on the ;e@nd

aver

the French Hom.

n"tàljin

but &n,t creatrng a new

overpower. The two instumen.ts must merg€ into one, tnsttument, a new sound, This is diíficult, so the two of yoi shoutd spend time prlclcing without the rast of íhe qriit"iío rcach stytistic y:.u enter a diatosue with the first uumpet Y, resutung n a similat need íor agreement. play right to the end ol the ptece without a iltard for ad&d excitement. éoid!

Ngtice y.gur dynantic change: it should sound stong buíindepaiaenii, almost like arm wrestling futween two metched opp;nents. At furs 59_ 64, y::r e!.ter djatggue with. two ot your triends': tha styte oí ptaying must be identical- Finish with a llouríshl

l

The TOREADOF SONG is tha oppsite ot FARANDOLE. Thrwghoul you,are in a supporting rcte. The shofl rctes shoutd be vety stacêato and percussive- lsolate and pnaice he run at bar 4t. eay anenlioi to the slurs at bars SgS4; tl1€y should be sinitarly ptayea Ay everyone. Bar ffi.is g.ryat fo.r us Hom players: good range,'gàoa not"s, anc, g@d a@ents. Have fun.

Davld

Trombone: The FARANDOLE is fuil ol opodunities lor charactedstic Trornbone playing The.opening theme shoutd b massive, yet bright. At bar 34, we pres1nt the opening nelolV, but in a major key. This melody |ies vety well for our instrumenL The staeato noies trón bar s7 to the end should be bright-sounding, without

ln almost the entire TOREAD_OR SONG you are in a

supprtng rote_

very unusualfor the sxond Trumpet in this bok. The aeompaniment íor the Trombone shoutd be very bright and peicusiiÁ,-àt not bua. ge aware ol the doubling at 9. At Bar 19, you have four bais ol solo playing; bnng this out. Bars 2g and offei a challenge in tuníg because oí the low D: enend your third.29 v-alve tuning stidà. ne bar 4t witl need practice to make it second_nature. -Be careful with the sturs n 53_ 54; the entire grcup must sound like one player.

ii i,

Fred

"

."'

hminaing the quintet.

Fínally, we have

a BIG solo in the TOREADOR SONG. In the opera, the Toreador is romancing the very beautjtul Carmen: we want to ponray an energic and irile suitor. gegin with a bright and inspiring

s-711!,,then easeoff slightty at bars 28_E so that at O-ar SO ftne cÁangá ot t
_

Genc Tuba:

_

The frrst 8 bars ol

the FARANDALE shoutd be massiva and that,s fol we're Tuba players! At bar 17, we are responsible íor the dtange of temp.; move it up a notch. Keep the foilàwing thirty_two'F's váry short, bright, and in tune. At bar 94, ia (wih ke to-nboíe re-intrduce the Íirct mebdy (now in the meor key).'Bar 57: 'gB,mean's,Big Breath,, use plenty of air. Watclt the tuning ol the founhs in hzrs 65-67; he ,C, us.:

Ron

:\írtÏltEF'.it$!8ti?ririlr:e.'ff+.r-rïjpr?d

&mands a feat oÍ eÁunn@ írom rhe Franch

s,

:!::.7::i: _l!

;

The FARANDOLE

Hom player! But nore you ptay the pixe, the grcater will b yo,ir 1le endurance. You are in a swng supponing rae-tar Ue first t6 6ars, changing he melody around whid evryone else piwts. The lower .to brass re-intoduq the frrst metody-rcw in a nalor key_at bar 94.

i: liall:

to be sharp ií carelessly píayed. There is a big qesendo kom bar 65 to the end, so make sure you and your quinta engineet it weil.

The TOREADAB.rc/VG is an exercise in acampaniment_the suppofting role. Keep all your notes shor1, bright, and peranssiw. Listen agatn to our recording for a suggested approach. lsolate the run at 4í, i t ( s lowly ! un ttl i t b eco ) end-suaight ahead!

an d p racti ce

me s s econ d- n afixe. N o n tard

Chuck

at

th

e

12, FARANDOLE from L Arlesienne Suite No. 2

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irombonc

iuba

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51

Picc. ifavailable

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13. TOREADOR SONG from Carmen

Georges Bizet

(183&1875i arranged by Walter Barnes lsl Br Trurnpet

Jnd I3r Trumpcr

t't't

t t

HomnF

Tromircnc

Tuba

r

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F-'-- -w

Hava Nagila TRADITIONAL ISRAELI HAVA NAGILA was originally a wordless Chassidic metody dating Írom the end oÍ the nineteenth century. chassidics were extremely orthodox póti"n J&s. This song is most closely associated with the new state of lsrael, as well as the natio;at dance oí lsrael, the Hora.

Everyone in the quintet gets a share of the metody in this arrangement, and everyone ptays a suppofting role as well. The arcompaniment must be bright aÁa sno,t. rne scoring in oárs 41 through 53 is extremely effeaive if everyone neticutoJsty obserues their entries. There is an excettent ruba aunter-metody with the first rruîeí íógíiiigin o^, s7: this same bar isthestaftof afastertemp. tf onàof yourTrumpetplayerscanibtainapiccotoTrumpet, then the excitement oí the dance witlbe even greater in bar 6s. The ending is ny;st effective if you rehearse a stight acceterando, but yoi must stay together as ane voice.

Enjoyl

Canadlan Brass

57

14. HAVA NAGILA

traditional Israeli aranged by Walter Barn€s lst Bi Trumpcr

!lom

rn F

Trombonc

Tuba

'n

Un.

Tó.

Tuba

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Just a Closer Walk arranged by DON GILLIS This anangementwaswÍitten specificallyÍorus to use at the beginning oÍourperformances. Either listen to our recording Canadian Biass LIVE;orbetterstill, watch ourvideo oÍ the same name.

InJUST ACL?SER WALK ard in AMAZING GRACE, knowing abit aboutthe stytistic history can be helpful to ensure an apprcpiate performance. In tiági oísavery in the southern United States, death to the btack person meant freedom. Death altowed a stave to,cross the River

)

'.?;!r

Jordan in the sweet chariot, to meet God and.lesus., óuring the long funerat processionoutof town (sincebtackswere notallowed buriatwithintiecitltinitslrriinas ntig and played hymns. Foru.ariety, these hymns we-re played with inylrovised accompaniment. ln jazz aN dixierand were -furn. coisequentty, .this way prrrrntation of 11;th selections, you should feel.aíreedom of rhythm in yoir mis time the dotted eighth/sixteenth note combination needs to oe ptayea tixe a triptel-iz:t ratio). The metody mustalwaysbeintheforegroundandtheaccompanimentsupprtive. Stightbendsareanice effect in this musicfor att instruments, and can'be appriera tíïiró to make them more conspicuous. After you have mastered Jusr A cLosER wàk, phying it white you ry marclr-two steps to each bar. This wilt certainty aid the rhythm, aÀa coutd even seye as an piece for you.r cglcerts. (A tonger versioá or.l'usr e cLosER uALK is .e.ntrance ?y!l published in our red 1ANAD|AN BRÁss ENSEM:BLESER/Ea iàies-avaitaote from your

ir-ti, peío*iit.

*trt

music dealer.)

The Canadtan Brass

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61

15. JUST A CLOSER WALK

traditional American

arrangd by Don Gillis

adapted by Walter Barnes

Slow Walk )=66 :rt il,

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r'lom ul F

frombone

Tuba

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F Hn.

Trb.

Tuba

More Jazz

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Àmazing Grace a

la CANADIAN BRASS-

Dixie Style

Please read tho notês íor the preceding selection JUST A CLOSER WALK. The 'dixie' style is imperabve.

Ïhe history oÍ this song is interesting. An American, John Neir,rton, was a slave trader for twenty years, and a regular hequenter of tavems and bars. But, as liÍe is ever-changing, he was convertêd to Evangelical Christianiry, moved to England, and became a Minister of tfre Gospel in l-iverpool. Hs wrotê the words that ha\€ made this melody Íamous, and which brought it kom the beer halls to the gospel halls, and, back home to the black funeral Droc€ssions oÍ New Orleansl

Trumpet l: The second

Horn:

Trumpt

has an unaccompanied solo fot

he frrst 16 bars

Quintet, playing a staighïlotwad version oí the melody. At bar 33, the second Trumpet has a g!!4!g rnrsion of the melody, agah unacompaned. The Quintet enterc again at baÍ 48 in an up-beat nood. You join with the other Trumpet at 65, echoed by the French llqn and Trombone. All íour ol you must play axactly the same style, lapth oí notes, and tonguing. Bar 71-72 should the strcngest noE in the entire selection! Try to in@Wrcte bends'in bar 73. Bar 81 is probably the most diífrcuh chord to tune in this entire baok Beware!

AMAZING GRACE-DIXIE SWLE teatures the 2nd Trumpet, with two unaccompanied solos, one oí which opens the piece. You and the rest ol the Quintet enter in bar 16. The tiplets, which you play through to 3l with the Trombone and the Tuba, must be very clipped, bright, but unobtrusive, so that th€ Wo Tíumpets can be dominant Again, supportive playing. At bar 66, you aN the Trombone echo the two Trumpets: atl lour oí you must play in the *me style, length of note and with the same tonguíng. Bars 69-72 is a duet with the Trombone ; again, identical style must be prcsentad. Bar 8l is probably the nost diflicult chotd to tune in this entire book Eeware!

Wa know that you and your quintet will enjoy this sinpliíied version

We know that you and your Quintet will enjoy this simplified version of

of

AMAZING GRACE-DIXIE STYLE. You &ter, with the rest oí the

b

-

of

Luher Henderson's ítrztngement which we have reanded on our atbum, BASTN STREET BLUES.

-

Luther Hen&rson's affangement which we have recorded on our album BASTN STREET BLUES.

l

Trombone:

AMAZING GRACE-DIXIE STYLE really highlights the 2nd TrumpeL You have a great deal oí work and fun ahead! There are two unaccompanied solos íor you, so I suggest that you stand lor the peF íormanca (and you'd batter practice that way as well). Phy the opening solo in '9LUES' style, as iÍ there were no bar lines, and with feeling. Oon't be aíraid to ad-lib: the notes are only a guife,here. Play this entire piece SOLOISTICAUY, even though occasionally you are doubled by the lst Trumpet (bars 6í76). Tha changa ol tempo at bar 33 is very considerable. lt is here that you introduce 'SWING'. lsdate the tiplets in bars 52, 58, 60, and d3; practice them slowly, and don't rush them when you are back up to speed. Speaking oí triplets, all the doned eighth-sixteenth pattarns should be played in a 2:l ratio - Dixie style. Bar 81 is probably the most diíficult chord to tune in :óis entire book Beware! Your 'SIow - Ad Lib'at bar 82 could be your frrst real experience at imprcisaton. The six notes are, again, only a guide.

-

We knaw that you and your Quintet will

enjoy this simpliíied version ol Luthet Hendersan's affangement which we have racorded on our

AMAZING GAACE-DIXlE

i i

S|/LE features the 2nd Trumoet.

with two

unaeompanied solos, one ol which opens the piece. You and the rest ol the Quintet enter in bar 16. The triplets, which you play through to 31 with the French Horn and the Tuba, must be very clipped, bight, but unobtrusive, so that the two trumpets can be dominant. Again, supprtive playing. At bar 66, you and the French Horn echo the two Trumpets: all f our oí you must play in the same style, length of note and whh the same tonguing. Bars 69-72 is a duet with the French Hom: again, identical style must be presented. &ar 81 is probably the most dilficult chord to tune in this entire book Beware!

-

yout Quintet will enjoy this simpliííed version ol Luther Henderson's arrangement which we hava recorded on our album BASIN STREET BLUES. We know that you and

Gene

Tuba:

albun, BASIN STREET BLUES. I sincerely hope thatyou can listen to Ron

i

I

Trumpel ll:

Good Iuck!

:

t

i

Fred

it.

i I

This selxtion íeatures the 2nd Trumoet in two unaccomoanied solos. one of which opens the piece. You entet with the rest oí the Quintet playing a tiplet paften that is caffied right through to bat 31. The Tuba, the French Hom and Trombona must ba identical in your timing of the notes. Get as much swing into your playing as possibla. Starting again at 48, you have quarter-note accompaniment which wiil put the 'Swing' into the piece íor everyone's enjoyment. Play soloistcally! Bar 81 is probably the most difficult chord to tune in this entirc book Beware! The descending scale at bat 84 brings AMAZING GRACE-DIXIE SIYLE to a íining conclusion.

-

We know that you and your Ouintet will enjoy this simplified vergon oí

Luther Henderson's arrangement which we have recorded on our atbum. EASIN STREET BLUES.

Chuck

ÍI i .t

r+' ï Ê

*

*

16. AMAZING GRACE

traditional America arrangd by Luther Henderso

adapted by Walter Barne

.

s: 3r ïc-tnroet

Slow'tllucs' Stalement

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in,r Br In:mpct

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l.ombonc

I-uba

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2?7

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Dixie )=96 r',r.

FHn

lm.

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F Hn.

Tru.

Tuba

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E,al |,-|

.-+ l. TRUMPET VOLUNTARY

Jeremiah Clarke

(1673'r707)

arranged by Walter Barnes

lst

Bb CORNET/TRUMPET

)

=120

Maestoso |(.-,

f, tr.

Í f;;t IJJI

o Copyright 1988 Dr. Brass (BMI), Toronto unauthorized copying,

ananginr,".tl,l:*iïiïllt,tJJitf'li:S:*nce Infringers are liable under ihe law.

is an inrringement oÍ copyright

.tÁ,

2. TRUMfET l'UNb ariu AYKÀ,

Henry Purcell (

lst

Bb

CORNET/TRUMPET

ruNnl -T-oderato )

1659-r695)


I

= 84

r

Copvricht I986 Dr. Brass ( BMI t, Toronto ,qil-riints reserycd. Printed in U.S.A. Unauthorized copying. ananging. aclaptin'g. recor
nuNgl

Moderato

í1

t t] n,'}

3. CANON

/,"

Lst Bb CORNET/TRUMPET

Johann Pachelbel (16s3-1706) arranged by Walter Barnes

E nw

f; l"l

(: )

(r

)

+ o Copyright 1988 Dr. Brass (BMI). Toronto All rishts reserved. Printed in U.S.A. Unau(horized copying, arranging,

udipïG, recording.or public

performance is an infringement of copyright.

Infrinsers are liable under the law.

4. ROh{DtrAU

Jean-Joseph Mouret

(ló82-1718) arranged by Walter Barnes

lstBb CORNET/TRUMPET

"';iíifl,: i:g'*?l Hï,liHbIlÁï'

Unauthorized copying, arranging, aOaptlq!, recording.or public performance is an infringement ofcopyright. tnÍnngers are rraDle under tne law.

15

5. LARGO from Xerxes

C'eorge

Frideric Handel

(1685-1759) arranged try Walter Barnes

Lst Bb CORNET/TRLJMPET

pp

@ nbTo Copyright 1988 Dr.

I

Brass (BMI), Toronto

All rights reserved. Printed in U.S.A.

Unauthorized copying, arranging, adaptin-g. recording or public performance is an infringement of copyright. Infrinsers are liatrle under the law.

6. HALI-,ll,Ltr JÀ*{ UÈt{JKi; s fram Messiah

Georse Frideric Handel

-

arranged

bY

(ló85'1759) Walter Barnes

lstBb CORNET/TRUMPET

Tempo Primo

e Copyright 1988 Dr' Brass.(BMI)' Toronto ïír"iËti, ó*-*.1. Printed in u'S'A' unauthorized copying, arranEing.

'

iiËïËiáËii!.à.fiuriJ *1ïil;;;;ËïËbt"'und"'

"áii

Ërió..ance in" tu*'

is an infringement of copvrighr

alternàe

- 69 ryts- bars 58

if necessary

7. MY HEART, EVER FAITHFUL from Cantata No.68

1st Bb CORNET/TRUMPET

J.S. Bach

(168s-17s0) arranged by Walter Barnes

Moderato

J = 9O

o Copyright 1988 Dr. unaurhorized copying, arranging.


iiË:i:::Ïi;1.ï.1it'"': i:H:*nce are liable under the law.

".1iIntnngers

is an inrringement or copyrighr

8. CONTRAPUNCTUS I from The Art of the Fugue lst

Bb CORNET/TRUMPET

J.S. Bach

(1685-1750) arranged by Walter Barnes

nw

cresc.

fl

I I

I

Copyright 1988 Dr. Brass (BMI), Toronto All rishts reserved. Printed in U.S.A. Unauthorized copying, ananging, ada-pt11g, recording.or public performance is an infringement ofcopyright. Infrineers are liable under the law. @

:-

9. ANDANTE from the Trumpet Concerto lst

ÀnO

Franz Joseph Haydn

(u32-1809)

Bb CORNET/TRUMPET

Andante

zó


(Euphonium cue)

(Solo Trumpet)

nry

E

pgp o Copyright 1988 Dr. Brass (BMI), Toronto All rights reserved. Printed in U.S.A.

Unauthorized copying, arranging. adaptl19, recording.or public performance is an infringement of copyright lnlnngers are liable under the law.

10. COR ROYAL

chorale by Philipp Nicolai (1556-f608) obbligato melody by Peter Cornelius (1824-1874) arranged by Walter Barnes

lst

Bb CORNET/TRIIMPET

Copyright 1988 Dr. Brass (BMI), Toronto All riehts resewed. Printed in U.S.A. Unauthorized copying. arranging. aOlptlÍlg, recording.or public performance is an inlringemenr o[ copyrighr @

lnlnnÊers are llaDle unoer tne law-

25

zt

11. SAKURA (Cherry Blossoms)

traditional Japanese ananged by Walter Barnes

LstBb CORNRT/TRIJMPET

)

=8+

Slightly Faster

Copyright 1988 Dr. Brass (BMI), Toronto All rishts reserved. Printed in U.S.A. Unauthorized copying, arranging, adap!nS,recording.or pubJic performance is an infringement ofcopyright. lntrinsers are liable under the law. @

KIMIGAYO

'; a'

(Prayer to the Emperor)

traditional Japanese arranged by Walter Barnes

T$tBb CORNET/TRT]MPET

;::

J=6o

..'

i .;

it

" ïfii$|l: l::''""i

unaurhorized copying, arranging.

ïm,sïÍ'liIï:""

"*f,ïX"fi;ffi:*ï,c"f,:t"ïtt::

#,?i*cc

is an infringement of copvright'

12. FARAI\DOLE from LArlesienne Suite No. 2 lst

Georges Bizet

(1838_187s)

Bb CORNET/TRLJMPET


)=llz

p @

Picc.

if available

cresc.

J

J

Copyright 1988 Dr. Brass (BMI), Toronto All rishts reserued. Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infrinsers are liable undeÍ the law. @

13. TOREADOR SOI\G from Carmen lst

Bb CORNET/TRLIMPET

Georges Bizet

(r838-r87s)

arranged by \{alter Barnm

J=eo

il tlv4 yt{t

,

.

>

.

o Copyright 1988 Dr. Brass (BMD. Toronto eftïe-ha rcserved Prinred in US.A.

Unauthorized copying. arranging, ada.qrl-g, rccordingor public pcrformance is an infringcment of copyright. Infringers are liable under the law.

35

14. HAVA NAGILA

traditional Israeli

lst


Bb CORNETiTRUMPET

I /:

o Copyright t988 Dr. Ërass (tsMt), Toronto Unaurhorized copying, arrangint,

"áï,ttitJï"t"""'"r**

iXrY;t*"."

is an infringement

of copyright.

t5;.

{u*l ll Cloy, (Jo/L t/

7^l

,?'v.

16. ANIAZING GRACE lst

Bb CORNET/TRUMPET

39

traditional American arranged by Luther Henderson adapted by Walter Barnes

SIow "Blues" Statement

t-.:t

lrrl A

o Copyright 1988 Dr. Unauthorized copying, amanginr,


;X,Y;:,f;nce "áï,Ï:iJï.:ïï"#""J;.t;Ïiï: InlnnÊers are llable under the law.

is an inrringement or copyright

I. TRUMPET VOLUNTARY

Jeremiah Clarke

(1673-r707) arranged try Walter Barnes 2nd Bb CORNET/TRUMPET

) =0o

o Copyright'1988 Dr. Brass (BMI), Toronto All rights reserved. Printed in U.S.A. Unauthorized copying, arranging. adaptrng. recording.or public performance is an infringement ofcopyright Inlrinsers are liable under the law.

':t

2. TRUMPET TUNE and AYRE

Henry Purcell (16s9-169s) arranged by Walter Barnes

:nd

Bb CORNET/TRUMPET

r

E

{-

o Copyright 1988 Dr. Brass (BMl), Toronto AII rishts reserved. Printed in U.S.A. Unauthorized copying, arranging, adaptirig, recording or public performance is an infringement ofcopyright. Infringers are liable under the law.

IAYREI Andante

3. CANON Johann Pachelbet (r653_1706) arranged by Walter Barnes

2nd Bb CORNET/TRUMPET

o Copyright 1988 Dr. unauthorized copying,

arrangir 't,

Brass (BMI), Toronro

All nghts reserued Printed in U

S

A'

"tlïïilËllïiïlïï,ïoïtï0.'ï l#t",i""""

is an inrringemenr or copyrighr

4. RONDEAU 2nd Bb CORNET/TRUMPET

Brightly

)

Jean-Joseph Mouret (l 682-l 738) arranged bY Walter Barnes

= 8+

nw

(l

o Copyrieht 1988 Dr.

Brass (BMI), Toronto RÍl'ris:hts reserved. Printed in U.S.A. Unauthorized copying, ananging, adaptlqB, recording.or public performance is an infringement ofcopyright Infrinsem are liable under the law.

H:

I

ffr i:r

ti,

15

5. LARGO

wl

from Xerxes

C'eorge

Frideric Handel

(1ó85-1759) arranged by Walter Barnes


t:tl rll

-:e llj t

^í -ïl o Copyright 1988 Dr. Ërass (BMI), Toronto All rights reserued. Printed in U.S.A. Unauthorized copying, amanging. adapting, recording.or public performance is an infringement ofcopyright Inlrinsers are liable under the lau.

6. HALLELUJAH CHORUS from Messiah -JNd Bb CORNET/TRUMPET

George Frideric Handel (1685-1759) arranged by Yf'alter Barnes

Tempo Primo

ïlïïl';ï: i*ï"J ï:ï,JllÍ'li3ï:".. is an infringement of copyright. pcrformance public t fnfriigen"oÀinío. are láble under ihe law'

Unaurhorized copying, ananging, ada'tinï,

-

:

abernate tpts. bars 58 - 69 ifnccessary

A

A

Slow

19

7. MY HEART, EVER FAITHFUL from Cantata No. 68

J'S' Bach

(r685-r750) arranged by Walter Barnes


@

unaurhorized copying, amanging,

Copyright 1988 Dr.


,êï,ïitrï:"::':i1""';,tJlïït

il"Y;?,f;nce

lnrnngers are tlaDle under the law.


8. CONTRAPUNCTUS I from The Art of the Fugue

J.S. Bach

068s-17s0 arranged by Walter Barner


J

I

\-/

o Copyright 1988 Dr.irass (BMI), Toronto All rishts reserved. Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. lnfringers are liable under the law.

9. ANDANTE from the Trumpet Concerto

2nd Bb CORNET/TRUMPET Andante

)=so

23

Franz Joseph Ha.ydn (1732-1909) __ arranged by Watter Barnes

-

p

E

pp o CôByright 1988 Dr. unauthorizedcopying,ananginr."fi

Brass (BMI), Toronro

,ilt_1..::',"J1"?".t;ïilf; :inu.S.A. performance

lntnngers are liable'undei

is an infringement ofcopyright

25

IO. COR ROYAL

chorale by Philipp Nicolai (1556-1608) obbfigato melody by Peter Cornelius (1824-1874) arranged by Walter Barnes


F-ry o Copyright 1988 Dr. u

nau

r

hori zed copy

i n g. a rra

ngin

g.,

áï,ïlï

Brass (BMl). Toronlo

ï.:""':Ji"ï ;,tJ ïilf; :

rnrrngers are liable

i

n u s'A'

,"0.; f,r"J,?t#""ce

is an infringement of copyright'

z/


traditional Japanese arranged try Walter Barnes


J =s+

o Q6pyrisht 1988 Dr.

Brass (BM[), Toronto nil-riÀhts reserved. Printed in U.S.A. Unauthorized copying, arranging. adaptirig, recording or public performance is an infringement ofcopyright Infringers are liable under the law.

KIMIGAYO (Prayer to the Emperor)


znd Bb CORNET/TRUMPET

J=oo

o Copyright 1988 Dr.


All riehts reserved. Printed in U.S.A.

Unauthorized copying, arranging, ada,ptl1g, recording.o-r public performance is an infringement ofcopyright Inlrinsers are liable under the law.

I2. FARANDOLE from LArlesienne Suite No.2

Georges Bizet

(r838-r87s)

2.sb coRNET/TRUMPET


t,,^ a= Llz

@

Copyright 1988 Dr.


All riehts reserved. Printed in U.S.A.

Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infrinsers are liable under the law.

'Jl


Georges Bizet


(r838_187s)


;t.l ----- a

í?

unauthorized copying,

=--

o Copyrighr 1988 Dr. Brass {BMI), Toronto All ngnts reserved Printed in U'S'A'

arrangir

"' '"1ïïilfi!iïiïlïï,loï:ïïoo'::

performance is an infringement of copyright

T4. HAVA NAGILA traditional Israeli arranged try Walter Barnes 2nd Bb CORNET/TRUMPET

| a=lz-^


Brass

tBMlt. Toronto

All riehts reserved. Printed in

U.S.A.

Unauthorizcd copying. arranging. ada,ptin-g, recording.or public pcrformance is an infringement of copyÍight lnfrincers are liable under the law.

ót


traditional American arranged by Don Gillis adapted by Walter Barnes

2nd Bb CORNET/TRUMPET Slow

Walk J =66

More Jazz Style

Slower

o Copyright 1988 Dr. Brass (BMI), Toronto All rights reserued. Printed in U.S.A.. unauthorized copving' arranging'

"o',0"ti,1fi;ï:""1ïï,ïf,:t"ïta':: ln'J',""'f

"""

is an infringement or copvright'

16. ANIAZTNG GRACE


2nd Bb CORNETiTRUMPET

Slow "Blues" Statement

39

J

= 6O

l-r7

73-1

A Dixie )

= 96 ad lib.

o Copyright 1988 Dr. unauthorized copying, arranginr,


Ë.ï:*;""" "áïJl:Jï.:""'.il?q.tJlii,ïi lnrnngers are IlaDle under the law.

is an inrringement or copyrishr

1. TRUMPET VOLUNTARY

Jeremiah Clarke (L673-L707) arranged try Walter Barnes

F HORN

Maestoso

)

=QO

Brass (BMI). Toronto Ail-riÀhts reserved. Printed in U.S.A. Unauthorized copying, arranging. aaa-pt1l"g, recording,or public performance is an infringement of copyright lnfrinpers are lrable under the law.

o Copyrisht 1988 Dr.

2. TRUMPET TUNE and AYRE Henry Purcell (1659-169s)

arranged by rvValter Barnes

HORN

-;;f lol

Copyright 1988 Dr. Brass (BMI), Toronto All rishts reserved. Printed in U.S.A. Unauthorized copying, arranging, adaptin-g. recording or public performance is an infringement ofcopyright @

Infrinpers are Iiable under the law.

lAYREI4n42n1s

Í @

o Copyriqhr 1988 Dr.

Brass íBMI), Toronto

Ail'ris-hts reserued. Printed in U.S.A. Unauthorized copying, arranging. ad1n1i1S. recording.or public performance is an infringement of copyright lnfrinsers are liable under the law.

3. CANON Johann Pachelbel

(1653-r706)


F HORN

l-.,

a-J-

f,

^lrt |

| I

ff d.t .,

.,

.

o Copyright 1988 Dr. Brass (BMI), Toronto

unauthorized copying, arranginr.

*ti',:ïtritàiï?iï!ts.trl,tt'"'.t;:#i*nce lnfringers are liable under ihe law.

is an inrringement or copyrighr

13

4. RONDEAU

@

Jean-Joseph Mouret (1682-1738) arranged bY Walter Barnes

Copvrisht 1988 Dr. Brass (BMI), Toronto

AÍl'ris-hts reserved. Printed in U.S.A. Unauthorized copying. arranging, adaptlrl-g, recording.or public performance is an infringement of copyright' lntnnsers are llable unoet tne law.

15

5. LARGO George Frideric Handel

from Xerxes F

-

(168s-17s9) arranged by Walter Barnes

FHORN Largo

)

=72

:ï*'

' ïfl 'f"'ft 3:ï?J: ïiïï Jo'lÍ' ii 'tt"*J:::;j'#i*l[: A"y;U*ce

unauthorized copying, arranging,

is an infringement of copvrisht'

'tt

6. HALLELUJAH CHORUS from Messiah

HORN

Allegro J =

George Frideric Handel

(r68s-r759) aranged by \{alter Barnes 9O

f,

Tempo Primo

o Coovrisht lgEE Dr. Brass (BMD, Toronto nÍlïe-hs reserved PÍint€d itr USJau

Unaurhorized copying, arranging adaptinig, recording or public pcrformance Infringers are liable undcÍ th€ law.

ii

an infringemeot of copyright

,,

17

j,b

rs

"'.$l

:r$ '''H L

;1:

$

, r'$l

,1Ë

i

rt

rt

Slow

10

7. MY IIEART, EVBR FAITI{FUL from Cantata No. 68 arrangd FHORN


Brass (BM[), Toronto

All riehts reseryed. Printed in U.S.A.

Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright Infrineers are liable under the law.

J.S. Bach (168s_17s0) by Walter Barnes

zl

8. CONTRAPUNCTUS I from Thc Art of the Fugue

J.S. Bach

(168s-17s0)

arranged by rffalter Barnes

FHORN

J=oo

Í

l

r

o Copyright l98E Dr. Brass @MI), Toronto All rishts r€served. Printed in U.S.A.

Unauthorized copying arrangine,

.

!:'.

performance is an infringement of copgighr-

j:!:f_.9ldllgp,t-?:qti: "&tInfringers are liable under the law-

23


Franz Joseph Haydn (1732-1809) -ged by

Andante

)=

no

o CoDvrisht 1988 Dr.


Ail'ris-hts reserved. Printed in U.S.A. Unauthorized copying, aranging, ada_ptin!, recordilgo.r public performance is an infringement of copyright lntnneers are llable under t.t|e law.

Walter Barnes

25

10. COR ROYAL

chorale by Philipp Nicolai (1556-1608) obbtigato melody by Peter Cornelius (1824-1874)

arrangd

FHORN

o Coovrisht 1988 Dr. Brass (BMf), Toronto AÍl ridha reserved Printed in US'A-

Unauthorized copying arnnging, adaj)ql-g, rccordingor public perf.ormance is an infringement of copyright ínfriógers are liable under the law.

by r#alter Barnes

ffi'

27

11. SAKURA

;

(CherryBlossoms)

traditional JaPanese arranged by Walter Barnes

I d

{ {

x

{

I

i 1

nw

@

mf

E

' ï,ïïi'î:

13,'"ïo*ï: "#,i1

Jo'

lÍ'

b

Iïï'

Unauthorized copying. arranging, aaa-ptift, recording.or public performance is an infringement ofcopyright. lntflnpers are lrable under lhe law.

'ï,>'


traditional Japanes€ arranged by Walter Barnes

lORN J =60

'

'i!'nï

ïnïSlÍ'li3ïï..

13,1?"?;: "ffr Unauthorized copying, ananging, adapt5l"S, recordir.rg or public perf.ormance is an infringement of copyright. Infrinsers are liable under the law.

12. FARANDOLE from L'Arlesienne Suite No.2

-*IORN

Georges Bizet

0838-187s)

arranged by lValter Barnes

l-rrr

G Copyright 1988 Dr. Blass (8.!y{I}-!oronto

Unauthorized copying, arranginr, I

: j.

rr..

.

"áli**:"ffiif""rÏrït#Ë##nce Infringers are liable und€Í the law' t.i ,"'"..'.'

,

is an infringernent .

orcopyright

'i t'

13. TOREADOR SONG F HORN

Georees Bizet

ftom Carmen

(1858-187s)

arranged by \{alter Barnes

ri

a tempo

Vl o,"^po

íL H,Sf?i:i"'

" "'fioi"nH lli"""á nerformaoce is an infringement "l--fr-f;fi!; "4il;ïËir"ifig-dpuutic lËbleïnder itre law' "*

Unauthodzed copying arranging,

of copyright'

35

14. HAVA NAGILA

traditional Israeli arranged by Walter Barnes

FreetyJ =72 (Ramshorn)

[Tromïone cue] fr,p

E

(Ramshorn-open, with raised tlell)

o Copyright 1988 Dr. Brass (BMI), Toronto All riehts reserved. Printed in U.S.A. Unauthorized copying, arranging. adapting. recording or public performance is an infringement of copyright. Infrinsers are liable under the law.


traditional American arranged by Don Gillis adapted by

FHORN SlowWalk J =66

E to."

Jazz Style

:l

,3 1l

l.

Tl'ilïl*l"iHÁ"f ?iÏi"' "ff .*fl"ïlg;ff";$t"r.,:fiï5

Unauthorizcd copying, arraogino

#,:iancc

is an infingement of copyrighc

\{alter

Barnes

16.

39

A]V'.{AZING GRACE

traditional American arranged tly Luther Henderson adapted by Walter Barnes

FHORN

o Copyright 1988 Dr. Unauthorized copying, arranging,


".11.,ïtrli:::Ëffi1.t;,:ml;:#ri*nce lntnngers are liable under the law.


"n d9"lAh", {rlatt74, r. TRUMPET

VOLUNTARY Jeremiah Clarke

(1673-1707) arranged by \{alter Barnes

TROMBONE Maestoso

) =Q0

rtt.

o Copyright 1988 Dr. Brass (BMI). Toronto All riehts reserved. Printed in U.S.A. Unauthorized copying, arranging. aaapq{, recording.or public performance is an infringement of copyright. lnÍrinsers are liable under the law.

';.J'

*uí -ROMBONE

ITUNE-I Moderato

2. TRUMPET TUNE and AYRE

Henry Purcell (16s9-r69s) arranged by Walter Barnes

,

)

=84

o Qopyrisht 1988 Dr.

Brass (BMl), Toronto

AftïsÍrs reserved. Printed in U.S.A.

Unauthorized copying, arranging, adaptirig, recording or public performance is an infringement ofcopyright. lnfrineers are liable under the law.

8

fi*/

11

3. CANON

Johann Pachelbel (16s3-1706) arranged by Walter Barnes

TROMBONE

mf,

l;t:1

mf

(:)

o Copyrisht 1988 Dr.

Brass (BMI), Toronto U.S.A.

niirià'trts reserved. Printed in Unauthorized copying, arranging,

recordir.rgor public performance is an infringement of copyright. Infrineers are liable under the law.

ada_pt1-rig.

13

4. RONDEAU

/

BrightlY

arrangedrr*Ít-:lïll::]

, '

)=S '

Mouret

Jean-Joseph

" TR'MB'NE Sohut((an1t a^ps,ctu<-**

mf, ,

nt.

'';n'ls,ï,:

i3$'*?á

H'"i$PtI:i:

*'

Unauthorized copying, arranging, adaptin"g, recording or public performance is an infringement of copyright lïfriisers are liáble under the law.

-

1tr


George Frideric Handel (r68s-l 7s9) arranged by Walter Barnes

TROMBONE

nf=rtt. o Copyright 1988 Dr. Brass (BMÍ), Toronto All rishts reserved. Printed in U.S.A. Unauthorized copying, arranging, adlpt!r1-e, recordiLg or public perf.ormance lnfrinsers are liable under the law.

is an infringement

of copyright.

'r-.*,

6. HALLBLUJAH CHORUS from Messiah È{OMBONE

o Copyright 1988 Dr. Brass (BMI), Toronto All rights reserved. Printed in U.S.A.

George Frideric Handel (1685-1759) affangd by Walter Barnes

Unauthorized copying, arranging, adapting, recording or public performance is an infringement ofcopyright. Infringers are liable under the law.

17

19

7. VtY HEART, EYBR FAITITFUL frorn Cantata No. 68

TROMBONE

1

\

Euphonium.',1 \

préferably

J'S' Bach (r68s-1750) arranged by

r

Moderato J =90

-(r)

''tn'tsl.:

i3$ï?á "ËïïiÍlH'ullÁl

*"

Unauthorized copying, ananging, adaptin-g, recording or public performance is an infringement of copyright. Ihfriisers are láble'under ihe law.

-

\{alter

Barnes

8. CONTRAPUNCTUS from

Thc

21

I

Art of the Fugue

J'S' Bach

(1685-r750) arranged by Walter Barnes

TROMBONE

ry @

5

fí @

Copyright l9E8 Dr. Brass (BM[), Toronto All riehts reserved. Printed in U.S.A.

Unauthorized copying. arranging, aaaptjqE, recordir.rgor public performance is an infringement of copyright. lnlnngers are [aDle unoer tne law.

23


Franz Joseph lfuydn

TROMBONE

(1732_r809)

(,"ï.rlf#iD Andante

arranged by \{alter Barnes

)

N

)=9O



".til,ï"ii:::Ëi:1.tfiï:ïlËHl*nce lnmngers are ltable under the law.

is an inrringement orcopyright

25

10. COR ROYAL

chorale bv Philipp Nicolai (1556-t608) obbligato melody by Peter Corneliu-s- ( 1824- 1874) aranged bY \{alter Barnes

TROMBONE

Copyright 1988 Dr. Brass (BMI), Toronto niiriihts reserved. Printed in U.S.A. Unauthorized copying, arranging, ada.pt11-g, recording.or public performance is an infringement of copyright. lnlnnpers are llaDle unoer Ine taw. @

27


traditional Japanese


Slightly Faster

@

unauthorized copying, arranging,

)

Copyright l98E Dr.


"$i',1"trllïiiïii!t;"tl,i1"t"t$.Ï;l*".. Infringers are liàble under ihe law.

is an infringement orcopyrisht.



_TROMBONE t

J=60

nf,

E

'ï',i,lg*i,i3$1"".i'Ëiï,$\$',ilï:"' Unauthorized copying, arranging, adaptin-g, recording or public performance is an infringement of copyright. Infringers are liable under the law.

-i_

,r

12. FARANDOLE from LArlesienne Suite No. 2

-TROMBONE

Georges Bizet

(r$8-1875)


ry

rnf

''ifi unauthorized copying, arranging,

"o

'ÍËL:

i:;s"á

uËï';,51Ïl',il:À*'

,o#tful?iïlïï,:r.,:r"ït'ï e"J,:iance

is an infringement of copyrighr

31

;f

cresc.

.?.',.

I.3. TOREADOR SONG from Carmen TROMBONE

Georges Bizet

(r838-187s)


mf,

+

tr -

+e-l

*

";fi

'IËft i:g*"á'Ëï,ïi[lïi'È::Àï'

Unauthorized copying, arranging. adlpt!4g, recordilg.or public performance is an infringement of copyright. Infringers are liable under the law.

f{aïr* Na$}iIa È ï

r ornir nrr

* i:

'{'' tl'*' i .J'

14.Ha\'ir nagi ln

trarJ.ïEraE li órr.lrj.Ëarrr*:

i.-., c; il

ril-l

--.1"

"r,p

dÉ(:rÈgÈ. tri r: C| ,: i' ;r t

"*'..,@."

,;,

,f

r1l

i,*r

,lt p"

,.ffi:

faster

iffii

Ë

qir::

rari.r

37

15. JUST A CLOSER \ryALK

TROMBONE I

SlowWalk J =66

| 181

Mo." JazzSyle

''illiË,|: unauthorized copying, arrangint,

"Ëïï',:l\Ï'ó::À*' "iilg?;if";r.;l,t"tt"*t:: ff;gance "3$'*?á.

traditional American

arranged bY Don Gillis adapted 5Y Walter Barnes

is an infringement of copvright'

39

16. AMAZING GRACE

traditional American by Luther Henderson adapted by Walter Barnes

arrangd TROMBONE Slow "Blues" Statement

J =60

' Unauthorized copying, arranging,

tiff

ï'fL: i:.'.'*?[..'Éïï,:?Yi'È::Àï'

recordir.r8 or public performance is an infringement of copyright. lnlnneers are llable unoer me law.

aaa-pt!r1"e,

1. TRUMPET VOLUNTARY Jeremiah Clarke (1673-1707) arranged by Walter Barnes I

Maestoso

)

= l2O

o Copyright 1988 Dr. unauthorized copying, amanging,


Ëtrf;: ;1'"rj*;nce is an infringement or copyright. "áti,lltrlï":;:*Ë"' Infringers are liàble under the law.

'l.f

2. TRUMPET TUNE and AYRE ]BA

trENE-l Moderato

Henry Purcell (1ós9-r69s) arranged by rffalter Barnes

,

)

= 84

o Copyright 1988 Dr. Brass (BMl), Toronto Riiriàhts reserved. Printed in U.S.A. Unauthorized copying. arranging, adaptin-g. recording or public performance is an infringement ofcopyright Infringers are liable under the law.

IAYREI Andante

11

3. CANON

Johann Pachelbel (1653-1706)


(:

)=5q

''ifi

'liË,i,: i3$'"31.

uËi,ï',:l Yll'ÈI:À:

"."

Unauthorized copying, arranging, ada,plq-g, recordingor public performance is an infringement of copyright. lnfrinsers are liable under the law.

)

13

4. RONDEAU Jean'Joseph Mouret

(r682-1738) arranged by lValter Barnes

TUBA

Brightty

)

=8q.

o Copyright 1988 Dr. Brass (BMI), Toronto All riehts reserved. Printed in U.S.A. Unauthorized copying, arranging, ada,pqrig, recordir.rg.o.r public performance is an infringement of copyright. InÍrinpers are liable under the law.

15



(168s-r7s9) arranged by Walter Barnes

TUBA

Largo ) =72

ry

E

f?ï t:11 mf,

E

@ Copyright 1988 Dr. Brass (BMI), Toronto All riehts reserved. Printed in U.S.A. Unauthorized copying, arranging, aOa.ntjq-C, recordilg,or public performance is an infringement of copyright. Infringers are liable under the law.

"i )'

6. HALLELUJAH CHORUS TUBA

from Messiah Allegro J


(r68s-17s9)

= 96


f Adagio

Edt

| -'

I

Tempo Primo

' Unauthorized copving. arrangint,

tiflJJ,Ë*,', 13,'"'*o";:

ïiï,:ïH bIï*."

.o"ro#,fi;lïiïllï,ff,:r"ït,::

peíormance is an infringement of copyrighr

17

7.

19

MY IIEART, EVER FAITIIFUL from Cantata No. 68

J.S. Bach

(168s-r7s0)

arrangd by \{alter Barnes

Moderato.l =!Q

'nw

o (opyriqht 1988 Dr. Brass (BMI), Toronto

nit-riórs reserved. Printed in U.S.A. Unauthorized copying, arranging, adaptin-g, recording or public performance is an infringement of copyright. Infrinsers are liable under the law.

21

8. CONTRAPUNCTUS I from

The

Art of the Fugue

J.S. Bach

(1685-r750)


I 1

'ï'1rËlÀ''::&'áuËïï',:l1l'b:ïï' Unauthorized copying. aranging, ada.ptl!. recording.or public performance is an infringement of copyright. lnlnnsers are llable under the law.

23


Franz Joseph Haydn

(1732_1809)

TUBA


Andante rb=no

Ppp o Copyright tggS nJsrass (SMI), Toronto unauthorized copying, arranging,

jÏ-rli:::ï:ffit .tftïtff;:#.1,1;"." "tltInfringers are liable under ihe law.

is an inrringement or copyrishr

25

10. COR ROYAL

chorale by Philipp Nicolai (f556-1608) obbligato melody by Peter Cornelius (1824-1874) arranged by Walter Barnes

p_w r i; it t1

F

é



liË:i:::,ïi!1.trtiti,j;:.H"Hnce ".tlInfrinsers are liable under the law

is an infringement or copyright.

27

11. SAKURA (CherryBlossoms)


TUBA

Slightly Faster

nw

r

Copyright 1988 Dr. Brass (BMI), Toronto All rights reserved. Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Ínfriíeers are lábleïnder ihe law. @

'i'.*


traditional JaPanese arranged by Walter Barnes

' Unauthorized copying, arranging,

tio,

,'fiËL: H,t"t*?i:

t;il',51Ïl'.rl:À:"'

recording,or public performance is an infringement ofcopyright. Ihfringers are liable under the law.

ada-pt1q-g,

,dn

"r',Y

12. FARANDOLE from LArlesienne Suite No.2

Georges Bizet

(r838-187s)

)

=112

o Copyright 1988 Dr. Brass (BMD, Toronto All rishts reserved. Printed in U.S.A. Unauthorized copying, arranging, adaptin-g, recording or public performance is an infringement of copyright. lnfrinsers are liable under the law.


Georges Bizet

(1838-1875)


,)=96

a tempo

ffi ffi

' ï'ltl"ï

l3,Xï3i:

uJfi

iïi3lÍ'li

Iï:"'

Unauthorized copying, arranging. adaptirig, recording or public performance is an infringement of copyright. Infrinsers are liable under the law.

35

14. HAVA NAGILA traditional Israeli arranged by Walter Barnes

P-f

mf tilj " t--;t

f tc

o Copyright 1988 Dr. Brass (BMI), Toronto All riehts reserved. Printed in U.S.A. Unauthorized copying, arranging,

"o"rn",rlg;lïl?i.oJï,gf,:r#tat::

performance is an infringement of copyright.

37


traditional American arranged by Don Gillis adapted by Walter Barnes

T{IBA SIow Walk

)=6a

More Jazz Syle

o Copyright 1988 Dr. Brass (BMI), Toronto All rights reserved. Printed in U.S.A.

Unauthorized copying, arranging, aa1nt11e. recordiTg.or public performance is an infringement of copyright. Infringers are liable under ihe law.

T6. AMAZING GRACE

39


Slow "Blues" Statement

J = 6O

zt

Dixie

i

=96

E

o Copyright 1988 Di, Brass (BMI), Toronto All rights reserved. Prihted in U.S.A. Unauthorized copying, arranging, adaptjng, recording.or public performance is an infringement of copyright. lnÍhngers are liable under the law.

Canadian Brass - Book of Favorite Quintets

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