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DISCOGRAPHY
4
BIOGRAPHY
5
CLASSICBUD POWELLPERFORMANCES
6
APRILIN PARIS
2/50
8
DANCELAND
12/29/58
16
GETHAPPY
2/50
26
IT COULD HAPPENTO YOU
5/1/51
38
OBLIVION
2/51
46
PARISIANTHOROUGHFARE
2/51
55
SO SORRYPLEASE
2/50
64
TEMPUSFUGIT
lOR 2/49
74
UN POCO LOCO
5/1/51
86
-:
.Q25'~~ Note: All titles except "Danceland" were originally issued on 78 RPM singles. These issues do not appear. LP listings are the first 33 1/3 RPM releases of each title. Titles issued on Clef and Norgran appear on the CO Boxed Set 314 521 669 April in Paris, Get Happy, So Sorry Please - LP: Norgran MGN 1063 Oanceland - LP: Blue Note BLP 4009; CD: Blue Note 46529 It Could Happen to You, Un Poco Loco - LP: Blue Note BLP 1503; CD: Blue Note 32136 Oblivion, Parisian Thoroughfare - LP: Clef MGC61 0 Tempus Fugit - LP: Norgran MGN1063
4
t2J~~ Bud Powell was one of the finest pianists in jazz. He influenced nearly every pianist that came after him, and he influenced many non-pianists as well. His style of playing has been described as "rapid melodic lines in the right hand punctuated by irregularly spaced, dissonant chords in the left." He was a gifted composer, and such pieces as 'Tempus Fugue-it," "Webb City," "Strictly Confidential," "Parisian Thoroughfare," "Oblivion" and "Un Poco Loco" are still studied, performed and treasured by jazz musicians - students as well as seasoned professionals. Earl Rudolph Powell was born in New York City on September 27, 1924. He was a child prodigy, studying classical piano by age five. By age ten he was performing classical repertoire publically and participating in local jam sessions. At fifteen, Powell quit school to become a professional musician. He played jobs all over New York and jammed after hours at one of the birthplaces of bebop, Minton's Playhouse. At this time Powell met pianist Thelonious Monk, who soon began providing his challenging compositions for Powell to play. By 1943, Powell was playing in trumpeter Cootie Williams' big band and sextet; the next year he made his first recordings, also with Williams (who had become Powell's guardian). In early 1945 Powell, after appearing one night with the sextet, was beaten over the head, mercilessly, by the police as they were arresting him for being drunk and disorderly. After his release from jail a few days later, he complained of headaches and, shortly afterwards, entered a psychiatric hospital for the first time. He returned to similar facilities at least a half dozen times in the next ten or so years. During the late forties and early fifties, when Powell did perform with his trio, his playing was nothing short of incredible, as commercial and remote-broadcast recordings prove. It's unfortunate that, by the mid-fifties, his playing became quite erratic due to his problems with alcohol (it was thought that he took to drinking in the forties to deal with his terrible headaches), and his public appearances were sporadic. By 1959 Powell moved to Paris. He remained there for five and a half years, playing for much of the time at the Blue Note nightclub with bassist Pierre Michelot and drummer Kenny Clarke. Powell played, on occasion, as he had in his heyday, and his fans treated him with great respect - though recognizing that he was past his prime. By the middle of 1963, Powell had attracted a zealous French fan, a young commercial artist named Francis Paudras. When Paudras discovered that Powell had tuberculosis, he arranged for the pianist's cure and for his return to New York and to Birdland, the scene of many dazzling Powell performances in the early fifties. Powell was well received at first and lived up to his fans' expectations. But his playing soon became erratic and the crowd's initial enthusiasm waned. Powell had started drinking heavily again. After a few weeks the engagement was canceled. He played a few concerts after that but then grew indifferent about performing. His liver gave out, and he died on July 31, 1966. But what counts is his legacy, thrilling music that continues to influence and instruct countless fans and musicians worldwide.
Peter Pullman's contributions to the textual portions of this folio were invaluable. Mr. Pullman is writing Bud Powell's biography for Farrar, Straus and Giroux.
5
~czJ~£F~~~~~ This listing is a selection of great Bud Powell recordings issued under his name from the many that exist. It does not include the numerous "unofficial" recordings that circulate. CD release listings are current as of the year 2001. Transcriptions of titles marked with an asterisk (*) appear in Bud Powell Classics(HL0067237l), and transcriptions of titles marked with a plus sign (+) appear in this folio.
1/10/47
BUDPOWELL,CURLYRUSSELL,MAXROACH Remember April, Indiana, Somebody loves Me, I Should Care, Bud's Bubble, Off Minor, Nice Work If You Can Get It, Everything Happens to Me
Recorded for the Deluxe label, this session was sold to Roost Records. This session is now available on Blue Note 30083.
Early 1949
BUDPOWELL,RAyBROWN,MAXROACH Tempus Fugit, 'Celia, 'Cherokee,
I'll Keep Loving You (piano solo), Strictly Confidential, All God's
Chillun Got Rhythm Recorded for Norman Granz's Clef label, these recordings were later reissued on Verve. This session is now available on Verve 314 521669.
8/8/49
BUDPOWELL,FATSNAVARRO, SONNYROLLlNS,TOMMYPOTTER,ROY HAYNES Bouncing with Bud, Wail, "Dance of the Infidels, 52 nd Street Theme
Recorded for Blue Note; alternate takes have been issued of the first three titles. This session is now available on Blue Note 30083.
8/9/48
BUDPOWELL,TOMMYPOTTER,ROY HAYNES You Go to My Head, Ornithology
Recorded for Blue Note; an alternate take of "Ornithology" has been issued. This session is now available on Blue Note 30083.
2/50
BUDPOWELL,CURLYRUSSELL,MAXROACH
«So Sorry Please, -Cet Happy, Sometimes I'm Happy, Sweet Georgia Brown, Yesterdays (piano solo), + April in Paris, 'Body and Soul Recorded for Clef, reissued on Verve. This session is now available on Verve 314 521669.
6 or 7/50
BUDPOWELL,RAyBROWN,BUDDYRICH Hallelujah, Tea for Two
Recorded for Clef, reissued on Verve. Alternate takes of "Teafor Two" have been issued.
This session is now available on Verve 314 521669.
6
2/51
SOLO PIANO
-Parisian Thoroughfare, «Oblfvlon, Dusk in Sandi, *Hallucinations (Budo). The Fruit, A Nightingale Sang in Berkeley Square, Just One of Those Things, The Last TIme I Saw Paris Recorded for Clef, reissued on Verve. This session is now available on Verve 314 521669.
5/1/51
BUD POWELL, CURLY RUSSELL, MAx ROACH
-Lln Poco Loco, Over the Rainbow (solo piano), *A Night in Tunisia, +It Could Happen to You (solo piano), Parisian Thoroughfare
Recorded for Blue Note. "LInPoco Loco," JlANight in Tunisia," and "It Could Happen to You"have been issued.
Alternate takes of
This session is now available on Blue Note 30083.
8/14/53
BUD POWELL, GEORGE DUV1VIER, ART TAYLOR
"Autumn in New York, Reets and I, Sure Thing, Collard Greens and Black-Eyed Peas, Polka Dots and
Moonbeams, I Want to Be Happy, Audrey, The Glass Enclosure, I've Got You Under My Skin Recorded for Blue Note. Alternate takes of "Reets and I,"and "Collard Greens and Black-Eyed Peas" have been issued. This session is now available on Blue Note 30083.
5/25/58
BUD POWELL, PAUL CHAMBERS, ART TAYLOR
The Scene Changes, Down with It, Comtn' Up, Duid Deed, Cleopatra's Dream, Getting There, Crossin' the Channel, -Danceland,
Borderick
Recorded for Blue Note. This session is now available on Blue Note 30083.
12/17/61
BUD POWELL; PIERREMICHELOT; KENNY CLARKE
Thelonious, Ruby, My Dear; There will Never Be Another You; Off Minor; I Ain't Foolin', No Name Blues; Squatty; Monk's Mood; Cherokee This session was recorded in France and was produced by Cannonball Adderley. Cherokee has never been issued.
Other notable recordings include the ten releases on the Mythic Sound label (one selection, "Tune for Duke" is transcribed
in BudPowellClassics).
7
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