Grade Level: 2
HIGHLAND/ETLING FIRST PHILHARMONIC SERIES
3
Egmont Overture Ludwig van Beethoven
Arranged by Richard Meyer
INSTRUMENTATION 1 — Conductor Score 1 — Flute 1 — Oboe 1 — Bassoon
1 — Tuba 3 — Percussion (Snare Drum, Bass Drum, Crash Cymbals, Triangle) 1 — Timpani (1E) 8 — Violin I 8 — Violin II
1 — 81 Clarinet I 1 — 131 Clarinet H 1 — 81 Bass Clarinet 1 — El Alto Saxophone 1 — F Horn
3 — Violin III (Viola 5 — Viola 5 — Cello
1 — 81 Trumpet I 1 — 136 Trumpet II 1 —7, Trombone
4)
5 — String Bass 1 — Piano Accompaniment
Now, ah l the intensity of this powerful, minor-keyed overrure for the young full orchestra! While keeping the colors of the original intact, individual parts are ah l in very practical ranges, with string parts playable in first position (with optional shifting for first violins). Percussion parts have been tastefully added. A grear opener or closer for any concert.
HIGHLAND/ETLING A DIVISION OF
Alfted
ii
Please note: Our band and orchestra music is novo bein g speed system. The enclosed paro are now sorced by pag collated by an automadc highe count, rather than score order.
PROGRAM NOTES Denance of tyranny was a fundamental idea that always appealed to Beethoven and is the central f Goethe's play Egmont. The composer greatly admired the poet Goethe, and when asked theme o to cont ribute music to the new play, he diri so without accepting payment and "merely for love of the E(3et. Beerboven's incidental music to Goethe's tragedy, written in 1810, includes nine numbers, of which the Overture is the most stirring. The music was well-received by audiences and critics. After bearing a performance, the critic E.T.A. Hoffmann wrote: "It is indeéd a gratifying aspect two great masters united in a wonderful to see Goethe's Egmont depicts the military enslavement of the Netherlands by the Spanish Dulce of Alija in the 16th century. It shows their betrayal, their agony, their growing defiance and of victory. It ends with a call to revolution inspired by the death of the play's hero, Count drearns E mon t. In measure 93, we hear the imprisoned Egmont's head fall by a sharp stroke of the swgord, followed by the trWmphant flourishes of liberty.
NOTES TO THE CONDUCTOR all the intensity of this powerful; minor-keyed overture has been arranged for the young Now, re hestra. While keepin_g the colors of the original intact, individual parts are all in very full • a lranges, with string paásuplayable in first position (with opcional shifting for first p ractic 05). Percussion parts have been tastefully added, and parts for Bass Clarinet, Alto Saxophone, violi III (Viola treble clef) and Piano Accompaniment are included. Violin
Egmont Overture e
3
CONDUCTOR SCORE Duration - 5:00
Ludwig van Beethoven (1770-1827) Arranged by Richard Meyer
Allegro = 144) >
Finte
Oboe
BE, Clarinets II
Eh Alto Saxophone Bassoon (131, Bass CIarinet) F Horn
BbTrumpets
Trombone Tuba
Timpani (B-E) Percuss ion (Sone Drunt Bass Drum, Crash Cymbals, Trianglc)
Violins
Viola (Violin ¡JI)
Cello
String Bass 2
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Egmont Overture
6 FLIJTE
Ludwig van Beethoven (1770-1827)
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gmont Overture Bb BASS CLARINET
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