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IMG 0075 Libre
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Bebop Exercises ENCLOSURES
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6 Bebop Etudes
When learning to improvise in the bebop idiom guitarists usually encounter tricky fngering harmonically harmonicall y dense progressions and ast tempos.
All o these require a air amount o technique on the instrument compared to say using on mode to improvise over one chord or our bars at a medium tempo.
This article eatures eatures 6 bebop bebop etudes that use perpetual perpetual motion and help help develop some o t techniques required required or playing bebop.
Each bebop etude can also be used to arm up at the beginning o a practice session to he you take your improvisation chops to the ne!t level.
Though the etudes are are not ritten to sound sound completely musical, musical, each o the our note patt ound ith each e!ample can sound musical hen mi!ed ith other "a## licks and rhythms $o besides developing your technique, you are also e!panding your "a## language.
Each o the etudes is applied over a cycling dominant progres progression sion starting on %&, but you c thro in these patterns over rhythm changes or changes or any bebop orkout that eature descendin
The tab fngerings are only suggestions suggestions and * recommend recommend starting rom rom a di+erent di+erent place on neck hen you have played through the positions * rote out.
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Bebop Exercises ENCLOSURES
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ebop Etudes E!ample -
The frst e!ample uses a cool pattern * learned rom atching a antastic arry %reene (ide lesson hich is , /, 0, &.
This is the pattern or the frst chord 1%&2, and the octave o the root is 3ipped or the ne!t 4.
* the pattern continued to ascend or each ne chord in the cycle, you ould quickly run o rets on the guitar hich is hy the octave is loered or the 5 nd chord in the bar.
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Bebop Exercises ENCLOSURES
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ebop Etudes E!ample 5
The second e!ample uses another pattern * learned rom the arry %reene (ideo lesson h , b, 0, &.
The rd 7 b movement is one o the most common "a## patterns and is oten associated great "a## sa!ophonist 4harlie 8arker.
ecause o this, it is important that "a## guitarists have the 'b pattern don in all -5 key in positions across the guitar neck.
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Bebop Exercises ENCLOSURES
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ebop Etudes E!ample
ebop guitar etudes e!ample is a variation o the frst e!ercise and the pattern is , 0, /, This bebop e!ercise orks particularly ell as a arm up because it eatures a 9 th interval can be tricky to apply all over the guitar neck.
The fngerings in the last bar begin to get tough so i you are fnding them di:cult start the e!ercise in a higher octave on the guitar neck.
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ebop Etudes E!ample 9
The frst e!amples eature the & th as note o resolution beteen each chord, so to mi! th the note o resolution in ebop Etudes e!ample 9 is the /th. The /th o the chord resolves to the root o the ne!t chord hal ay through the bar. $ince the note o resolution is changing * decided to change the pattern to -5/ patterns ho di+erent our note groupings ork in this e!ercise.
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Bebop Exercises ENCLOSURES
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ebop Etudes E!ample /
esides using the same pattern or each chord, hy not mi! to di+erent patterns togethe
This ne!t bebop etudes e!ample shos ho you the ormulas that have already being look in earlier e!amples can be mi!ed. The etude starts ith , /, 0, 5nd and descends ith a -5/ pattern.
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Bebop Exercises ENCLOSURES
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ebop Etudes E!ample 6
This last etude looks at ho diminished arpeggios can be used to outline the cyclic progres The frst hal o the bar is a straight diminished arpeggio hereas the second hal eatures
b, &, / patterns, but you could easily use a , b, /, & pattern or the frst hal o the bar to
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=ou can also try mi!ing the patterns up in di+erent bars by starting a ne pattern in each demonstrated in the e!ample belo.
To sho ho these bebop etudes patterns can be musical here)s a lick * composed using th You're Reading a Preview and second patterns as a basis. Unlock full access with a free trial.
* used rhythmic, chromatic, and chord type subs taught in my >*ntroduction to ?a## *mprov) eook to make the line sound musical.
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