Barnes Molding & Casting Products

Barnes moulding & casting supplies

Product

Catalogue

www.barnesproducts.com.au

D i s t r i b u t o rs rs f o r

ADM Tronics Adolf’s Pattern Shop Alec Tiranti Limited Art Chemical Products, Inc. Asgard Studios (Accu-Cast) Aves Studio Products BJB Enterprises, Inc. Burman Industries Inc. Chavant, Inc. Freeman MGF & Supply Co. GM Foam, Inc. Hanson Casting & Engineering Jacobson Chemicals KD151 - Ken Diaz Mann Formulated Products Pacer Technology Premier Products Rhodia Silicones Sculpture House Silpack Tinsley Transfers United States Gypsum Valspar Corporation Wacker Silicone Walco Materials Group

D i s t r i b u t o rs rs f o r

ADM Tronics Adolf’s Pattern Shop Alec Tiranti Limited Art Chemical Products, Inc. Asgard Studios (Accu-Cast) Aves Studio Products BJB Enterprises, Inc. Burman Industries Inc. Chavant, Inc. Freeman MGF & Supply Co. GM Foam, Inc. Hanson Casting & Engineering Jacobson Chemicals KD151 - Ken Diaz Mann Formulated Products Pacer Technology Premier Products Rhodia Silicones Sculpture House Silpack Tinsley Transfers United States Gypsum Valspar Corporation Wacker Silicone Walco Materials Group

BARNES PRODUCTS WELCOMES YOU TO A NEW DIMENSION AND ATTITUDE A TTITUDE TOW TOWARDS ARDS MOULDING & CASTING SUPPLIES

1

Sculpting Supplies

2 RTV Silicone Supplies

5 17

3 Resins & Releases

23

4 Latex Supplies & Make-Up

37

5 Alginate & Plasters

43

6 Pigments & Adhesives

49

7 Mixi Mixing ng,, Fil Fille lers rs,, Saf Safet ety y, Mis Misc c

53

8 Books & Videos

57

These products are the registered trademarks of Barnes Products Pty Ltd. u a . m o c . s t c u d o r p s e n r a b . w w w

ULTRASIL® GELSIL ® SUPERCAST® EASYCAST ® FLEXICAST® PROCAST® PROSIL®

4

KEVIN GEORGE FLETCHER BARNES 1939–1999 In 1986, Barnes Products Pty Limited (formerly Barnes Pattern Supplies) was founded by Kevin Barnes. Kevin had a vision. This was to introduce the latest technologies in materials such as polyurethane, silicone rubber and gypsum that met world class standards to Australian industry. Kevin’s dream was realised. Today, the Barnes network prides i tself with continuing this high standard of materials and service to Australia and many other countries. Barnes’ head office is based at Bankstown NSW, providing the main facility for distribution, product testing and development of new products and applications. The seminar room provides a comfortable environment for moulding & casting courses. Barnes Products Victoria began operation in September 2002. This division allows Victorian based clients to obtain our standard personalised service and technical advice modelled on the vast experience gained from our Sydney outlets. The first Barnes retail outlet, Barnes Moulding & Casting Supplies, opened in November 2002. Based at King Street, Newtown in Sydney, this shop showcases the whole Barnes range and allows ready access direct to the public. We welcome your visit at any of the Barnes outlets.

1

SCULPTING SUPPLIES

e u g o l a t a C t c u d o r P 5

u a . m o c . s t c u d o r p s e n r a b . w w w

LE BEAU TOUCHE 900g block

6

P40 1.3kg billet

CHAVANT PROFESSIONAL PLASTELINE This clay is complimented by a silky feel and room temperature working consistency. It contains sulphur so a test with certain silicones is recommended. This is one of the softest clays that Chavant produces. This product is the original sculpting clay formula developed by Chavant in 1892. 900g

DA VINCI 900g block

CHAVANT NSP A professional grade sulphur free sculpting clay. NSP contains a higher percentage of waxes making it somewhat tougher than other similar products. NSP has good adhesive qualities, flexibility and length. NSP accepts cut detail lines cleanly. The surface texture may seem somewhat ‘grabby’ as it contains no sulphur. NSP is firmer as compared to other products. Grades Available: Hard & Medium Colour: Brown & Green Size: 900g

CHAVANT LE BEAU TOUCHE Available in brown or grey/green. This clay is sulphur free and has excellent adhesive qualities and smoothness. Holds very good detail, will carve and shape easily. Has high flexibility and will not dry or crack. A small test may be required for curing of silicones.

CHAVANT DA VINCI – firm This grey/green sulphur clay is based on a traditional Italian formula. It is exceptionally soft with a smooth surface. Pieces require an armature as it will slump under it’s own weight. Da Vinci has low strength, flexibility and length. A small test may be required for curing of silicones.

CHAVANT Y2KLAY Y2Klay is lightweight being 40% lighter with 75% increased volume, and has a SG of 0.95. It is sulphur free and is workable at 51°C, meaning faster heating and a more comfortable working range. Many mould types i ncluding MDM, polyester, epoxy, urethane and silicone can be produced from the clay surface. Y2Klay is great for machining and displays no structural or surface cracking as a result of its good stability. 1.3kg

CHAVANT P40 CLAY P40 is a sulphur free de-aired compound. De-airing, which removes 90% of entrapped air, gives a more dense and compact product. This clay is formulated to meet the exacting requirements of the automotive, pattern, industrial design and model industries. Heat to approximately 60°C for best results. Cooling will be very slow, allowing a long period to work. It exhibits excellent qualities of adhesion and cohesion. Can be carved, extruded and slicked to an extremely accurate, glass-like finish. Brown in colour. A small test may be required for curing of silicones. Chavant clay modelling videos are available to order.

“Squishy Nose” Photo Courtesy of MARTIN REZARD

KLEAN KLAY The most popular new oil based clay available. A softer type of plasticene clay with the advantage of not inhibiting the cure of flexible moulding compounds, allowing the set up of the entire Barnes silicone range. SOFT, REGULAR, FIRM & EXTRA FIRM grades available.

SUPER SCULPEY Super Sculpey is a ceramic like sculpting compound that is shatter and chip resistant. It remains soft and pliable if stored in a cool place and can be baked to a varying degree of hardness in conventional ovens. It becomes hard for easier painting and / or glazing and can be carved, sanded and drilled. Sculpey is a sulphur free product. Suitable for Barnes silicone rubber products. Flesh tone.

SCULPEY GLAZE Available in a matte or gloss finish for use over baked Sculpey products. 33ml

KLEAN KLAY 2.2kg block, 22.5kg bulk pack

SCULPEY SUPER-FLEX The most popular polymer clay, super sculpey, now comes i n a colourful version that remains rubbery and flexible after baking. SuperFlex is a non-toxic compound that will not dry out when exposed to air. It stays soft and pliable until baked in a regular oven. Once cooled it is bendable, flexible and virtually indestructible. SuperFlex is perfect for all kid’s creations and adults will love it for it’s incredible durability and range of craft uses. This 8 colour pack includes colour step by step instructions and a sculpting tool. 8 colour pack: White, Black, Blue, Yellow, Flesh, Green, Orange, Red.

SCULPEY III Wonderfully soft and pliable right from the package in 40 vibrant colours. Excellent for general crafting of jewellery, figures and home décor items. This fun and easy to use modelling medium bakes hard with a smooth, matte finish in your home oven. Sculpey III sculpts well with modelling tools, can be rolled and cut, extruded through a clay gun or formed over armatures such as foil, wire and glass. Available in 2oz bars in Basic, Intermediate, Bright and Pearl range of colours. BASICS

INTERMEDIATES

BRIGHTS

PEARLS

White Translucent Green Sweet Potatoe Black Chocolate Blue Yellow Red Beige

Tan Dusty Rose Teal Lavender Leaf Green Emerald Terra Cotta Navy Blue Maroon Coral

Ivory Hot Pink Turquoise Purple Violet Lime Mint Atomic Orange Lemon Red Hot Red

Lilac Pearl Blue Pearl Green Pearl Copper Red Golden Gold Pearl Lt.Pink Pearl Lt.Blue Pearl Silver


SUPER SCULPEY 453g, 3.6kg

SCULPEY SUPERFLEX 448g

MODELLING CLAY (LEISURE CLAY) u a . m o c . s t c u d o r p s e n r a b . w w w 8

Modelling clay 453g

2.2kg

Magenta Orange Turquoise Violet

White Yellow Ultra Blue Black Brown Flesh Green Grey Grey / Green Ivory Red Terracotta

This modelling clay is extremely popular amongst stop motion animation artists in the US and Australia. Vibrant pigmentation in this clay gives true colouring when filmed. Excellent oil based clay for melting down and pouring inside alginate casts and silicone moulds. It’s basic formulation allows for repeated melt-down without the ‘sulphur separation’ that occurs with other similar clays. A small test may be required for curing of silicones.

MODELLING WAX This a soft microcrystalline wax that is nut brown in colour, also known as victory brown. It is primarily used for direct modelling or pulling waxes from silicone moulds for investment casting. 453g & 4.53kg

Wooden turntable

ROMAN CASTING WAX Plastic turntable

A strong, firm, pure black professional casting wax. Also used for carving and modelling small objects. 453g

ROMA PLASTILINA ROMA CLAY 900g

Roma Italian Plastilina will never harden, crust or deteriorate. It’s uniform plasticity improves through use and with age. It’s smooth, even texture and consistency respond perfectly to every touch of the sculptor’s tool. Available in four consistencies: #1 – Soft #2 – Medium #3 – Medium Firm #4 – Very Hard A small test may be required for curing of silicones.

WHITE POTTERY CLAY This is a white pottery clay for general sculpting and for mould making applications requiring the set up of clay walls and joint lines. It has excellent plasticity and is very forgiving. Economically priced and consistent in quality. Produced by Walkers Ceramics. 10kg

WOODEN TURNTABLE An extremely sturdy revolving turntable. The top is waterproof and measures approximately 300mm square. Strong enough for larger work to be completed.

PLASTIC TURNTABLE High impact plastic with ball bearings. A low height wheel but very effective. Diametre of this wheel is approximately 200mm.

VINYL STRIPPABLE SPRAY This product allows the user to laminate fibreglass moulds directly onto wet clay. The Vinyl Spray is applied to the clay surface as a barrier coat to seal in any moisture from the clay sculpt or walls. Use in conjunction with a suitable release agent such as J-Wax. The Vinyl Spray also imparts some protective properties to the sculpt while the moulds are being produced. 400g can

TEXTURE STAMPS

AVES APOXIE SCULPT

Set of ten skin texture stamps per pack. Made of urethane elastomer, so they’ll last for years. These stamps range from subtle to heavy in nature. Silicone stamps are available to order.

Apoxie sculpt is a permanent, selfhardening, two part modelling and repair compound. Cures in 24 hours to a hard, durable, flat finish. It offers strength and waterproof performance with many mediums. Available in Cream only.

ARMATURE WIRE ROUND

• Can be sanded, drilled and painted • Flat finish making repairs and painting easy • Simple water clean-up • 1-3 hours working time • 0% shrinkage, sticks to any clean surface • Freeze – thaw stable • Non-toxic

This round aluminium wire is noncorrosive, lightweight and fully pliable. Excellent for use as a rigid structure in clay sculptures. 1/16" diametre (approx 1.5mm)

9.75m length

1 /8 " d ia me tr e ( ap pr ox 3m m)

6 .1 m l en gth

3/16" diametre (approx 4.5mm)

3m length

1 /4 " d ia me tr e ( ap pr ox 6m m)

3 m l en gth

3/8" diametre (approx 10mm)

3m length

TEXTURE STAMPS

ROUND ARMATURE

9

SQUARE ARMATURE

SQUARE Square aluminium wire that is pliable and available in four sizes. Economically priced. Sold per kg. 1 /8 " d ia me tr e ( ap pr ox 3m m)

3 7m pe r k g

3/16" diametre (approx 4.5mm) 16m per kg 1 /4 " d ia me tr e ( ap pr ox 6m m)

9 .5 m p er kg

3/8" diametre (approx 10mm)

4m per kg

e u g o l a t a C t c u d o r P

APOXIE SCULPT Sizes - 1/4lb, 1lb, 4lb

Left: Unfinished “JANGO FETT” Right: “GAMOREAN GUARD” Material: SUPER SCULPEY Photos courtesy of TDL&S

u a . m o c . s t c u d o r p s e n r a b . w w w 10

“RAPTOR” sculpt in CHAVANT NSP-MEDIUM Photo Courtesy of MORPHOGENISIS

“Kostya” sculpt in SUPER SCULPEY Photo Courtesy of TDL & S Sculpt in preparation for moulding Photo Coutesy of SEAMLESS WORX

“T-REX” sculpt in SUPER SCULPEY Photo Courtesy of MORPHOGENISIS

TOOL-ALG

TOOL-R4 TOOL-8R2 TOOL-298 e u g o l a t a C t c u d o r P

TOOL-DSS (sold as set)

11

TOOL-P47

TOOL-06R TOOL-07R

TOOL-012

TOOL-11R

TOOL-10R

TOOL-07A TOOL-007 TOOL-024 TOOL-022 TOOL-BUR

TOOL-BSS TOOL-BSL TOOL-PRO TOOL-TWE

SHTOOL-59

SHTOOL-KIDSET Set of 2 Rubber Kidneys (Picture not shown)

SHTOOL-74


SHTOOL-73 SHTOOL-166 SHTOOL-165 SHTOOL-164

12

SHTOOL-01 SHTOOL-02 SHTOOL-03 SHTOOL-04 SHTOOL-05 SHTOOL-06 SHTOOL-07 SHTOOL-08 SHTOOL-09 Minarettes are sold separately or a discount is given for purchase of the full set.

SHTOOL-PAL006 (sold as set)

SHTOOL-S11

TTOOL-GL (sold as set) e u g o l a t a C t c u d o r P 13

TTOOL-AF (sold as set)

TTOOL-MR (sold as set)

TTOOL-GRIF Italian Griffons sold separately 68, 69, 70, 86, 87, 88 (small to large)

TTOOL-RAC16 TTOOL-RAC10


TTOOL-RAC6 TTOOL-RAC2 TTOOL-RAC & RTP Rubber Angled Chisels sold separately. Size 2 & 6 are also available as a Tapered Point Tool

14

TTOOL-JELKNF

• TTOOL-HELIX Set of 14 plastic tools (Pictures not shown) • SHTOOL-C12 12" outside calipers (Pictures not shown) • SHTOOL-PC18 18" proportional calipers ideal for creating larger or smaller figures (Pictures not shown) • TTOOL-BOX Small plastic tool box (Pictures not shown)

TTOOL-S3

TTOOL-S7

Swann-Morton Scalpel Blades are also available in a variety of sizes to suit these Swann-Morton handles.

TTOOL-SB


TTOOL-BM (sold as set)

15

TTOOL-46E TTOOL-47E TTOOL-46I TTOOL-47I TTOOL-49I • TTOOL-48I (Not shown) • TTOOL-52I (Not shown)

TTOOL-8HW (sold as set)

Silicone / Clay Compatibilty Chart Sculpting Products u a . m o c . s t c u d o r p s e n r a b . w w w 16

ULTRASIL

M4503

585

520

4601

4644

4644/SF18

Klean Klay - Soft

✔

✔

✔

✔

✔

✔

✔

Klean Klay - Regular

✔

✔

✔

✔

✔

✔

✔

Klean Klay - Firm

✔

✔

✔

✔

✔

✔

✔

Klean Klay - Xtra Firm

✔

✔

✔

✔

✔

✔

✔

Super Sculpey

✔

✔

✔

✔

✔

✔

✔

Da Vinci

✔

✗

✗

✗

✗

✗

✗

Professional Plasteline

✔

✗

✗

✔

✗

✗

✗

Le Beau Touche

✔

✔

✔

✔

✔

✔

✔

NSP

✔

✔

✔

✔

✔

✗

✔

Roma No 1

✔

✗

✗

✗

✗

✗

✗

Roma No 2

✔

✗

✗

✗

✗

✗

✗

Roma No 3

✔

✗

✗

✗

✗

✗

✗

Roma No 4

✔

✗

✗

✗

✗

✗

✗

P40

✔

✔

✔

✔

✔

✔

✔

Y2Klay

✔

✔

✔

✔

✔

✔

✔

I307

✔

✗

✔

✔

✗

✗

✔

J525

✔

✗

✗

✔

✗

✗

✗

J88

✔

✗

✗

✔

✗

✗

✗

Leisure Clay

✔

✔

✔

✔

✔

✔

✔

Micro Wax

✔

✔

✔

✔

✔

✔

✔

This chart is intended as a guide only. A test should always be carried out for individual applications.

M4503 Silicone Skin Mould taken from a plastilene sculpt. Photo Courtesy of SEAMLESS WORX.

2

RTV SILICONE SUPPLIES


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Grades available for: • Polyurethane

e p y t o t o r p

• Epoxy • Polyester

RTV-2 Silicone Rubber

• Low Melt Alloys • Wax • Plaster • Gypsum • Cement • Chocolate

ELASTOSIL ® M The flexible mould-making material for perfect copies.


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ELASTOSIL ® M includes a wide selection of addition-curing grades for moulds used in vacuum casting processes.

With ELASTOSIL ® M silicone rubbers, Wacker-Chemie offers a great variety of customised moulding solutions for the mould and tool making sectors.


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7 4 6 4 M R E K C A W

0 7 6 4 M R E K C A W

0 4 0 3 V T R A I D O H R

e c n i o t c e c i l h t i s i s s d e n o e o r a i f t a p p a o s i c n h i t l n r i e p k s o p s u a , & t r f o o f S

y . x o o h h t t p g g s e e i n y o c & h e r l l n , t a s a d t s r e l l s n a a t i s a H c e e . i r h n m t n a w i h h e r s o g u e c L i y r e l H o m p

t e n l e b c a u r l u s o n P a r T

e l b e a u r l u B o P

®

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E U L B M U I M E R P

Silicones Using the most common element on earth.


To create the most innovative materials for use in the highest performance products.

This is the ambition of the Rhodia Silicones Enterprise.

RHODIA AUSTRALIA. Ph: 03 9541 1000 Fax: 1300 130 174 www.rhodia-silicones.com

KE45T u a . m o c . s t c u d o r p s e n r a b . w w w 22

Translucent, thixotropic one component material. Shore 30A paste consistency that can be easily pigmented. Dilute with solvents such as D-Limonene and airbrush or brush onto a soft silicone to produce great effects 85g, 290g KE45T

E41 & E43 E41 is a transparent, flowable, onecomponent, acetic acid cure silicone with excellent mechanical properties. Excellent primerless adhesion properties. 93g, 330g E43 is a transparent black, self-levelling, one-component, acetic cure silicone with very good mechanical properties. Excellent primerless adhesion properties. 98g, 330g

D-LIMONENE

PC12 THIXOTROPIC This clear medium is used to thicken R520 & R585 grades of condensation cure silicone which are flowable as supplied. 100g, 500g & 1kg

THIXOTROPIC ADDITIVE M A colourless, cloudy medium viscosity liquid with a faint odour. Exclusively used to thicken those condensation curing RTV-2 silicone rubber grades of the elastosil M45.. series which are flowable as supplied. 50g, 100g, 500g

PROTECTIVE FILM SF-18

A biodegradable solvent occurring in nature as the main component of citrus peel oil. It has a pleasant citrus aroma and has a FDA-GRAS rating (is generally recognised as safe.) Replacement for toxic solvents. Can be used to thin KE45T.

A solution of a modified polyvinyl butryal in ethyl alcohol (ethanol). Used for covering surfaces of models or other surfaces with which the uncured silicone rubber makes direct contact, to prevent vulcanization problems, eg amine-cured epoxy resins and some plasticines and styrene based products.

500ml, 1ltr, 5ltr or 19ltr

170g, 700g

SILICONE DILUENT

STABILISER 43

A non-reactive fluid used as a diluent. When used in small amounts of up to 10% it allows for retention of physical properties while reducing the viscosity of the total system. Used with silicones like Soft Translucent of amounts up to 30%, it will allow for the production of floppy ‘skinlike’ material. 100ml, 1ltr, 5ltr, 20ltr & 200ltr

STO-RAPID Rapid cure additive for use with condensation cure silicones. Only a few drops are required as this product is extremely active. 114g

A colourless, cloudy medium viscosity liquid with a faint odour. Exclusively used to thicken those addition curing RTV-2 silicone rubber grades of the elastosil M46.. series which are flowable as supplied. 100g, 500g

G790 PRIMER This primer is great for actually adhering the Wacker range of silicones to a substrate. The liquid rubber is poured against the primed rigid surfaces. 100g, 700g

3

RESINS & RELEASES



s e m i t t s l d a o c o m t e d d e s s u u i o r e r a a v y e d e i h t v r y o l n p o s m m e m t o s c y t s s e o s e M h . T s . n s o i t e a m c a i l r p f p e a r u f t o i c y p t e d i r n a a v s e t d n i e w m a a t n e r e o , m s e o p t a d h e s n l g a i s r u e t d c e n t i e h e c b r a e , v s a y o h t , d s n e a p y D t o e r t o o h r p S l a 5 i r 8 t s o t u D d n i e , r t o r a h S f 0 o s 7 t c m j e . o b t r f o h g s , i s s n r e e e n r u v d o r t a a o n t h i s m n i e t e & u g l s n n e i a r d m s o 5 m m , m e s o t r s g f y i e s n s g g u n n o a i t h r s r n a e a c t c e u s p h c e m i h o h T c w

S E N A H T E R U D E L L I F N U D I G I R

T H O I G I T E A W R Y B

3 1 1 / 0 0 1

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E ] G h A c n i K / N I h R c n H i S [

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N O ] i I T T s p A C [ E E 6 H L 6 F @ E D ] h T c n i D C / . O A s Z b I P l M I / . t f [

0 0 1 / 0 0 1

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4 1 3 1 4 7 0 0 0 0 0 0 0 . . 0 . 0 . 0 . 0 . 0 0 0 0 0 0

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C C ° C ° C ° C ° C ° ° C ° C ° C ° 7 7 6 1 8 4 6 6 6 0 5 7 6 8 8 1 6 6 6

C ° 6 6

5 6 . 0

L H A T R G ] i U N s p X E [ E R L T F S

2 4 . 0

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n i n i m m 3 5 0 1 1 3 - 5 5

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t u n s e s e r m p P i & u q m e g u n u ® i t c T a ® s V T S ® a , T c i S A x * † A C S M 8 8 2 5 2 0 1 2 m C R A 6 r 0 1 2 2 5 8 8 8 u u t e Y E C 0 S P O 8 - 8 - 8 - 8 - 8 - 8 - 8 - 8 - 8 - c e a A U R C C C C C C C C C V M E S P T T T T T T T T T * †

. l l e w s a s t r a p e k a m o t d e s u e r a n e t f o y e h t , r e v e w o h , s n r e t t a p y r d n u o f d n a s d l o m g n i k a m r o f d e s u y l l a r e n e g e r a y e h T . s n i s e r t s a c t s a f d e l l i f d e l l a c e r a s m e t s y s e s e h t n e t f o t s o M

S E N A H T E R U D E L L I F D I G I R


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S E N A H T E R U D L O M E D T S A F E L B I X E L F


0 0 1 / 0 6

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0 5 0 0 0 2 5 2 2 8 0 6 1 1

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9 0 0 . 0

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8 0 . 1

8 0 . 1

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4

6

6

A A A A A A 5 2 0 0 0 0 2 4 6 7 8 9

5 2 F

2 4 F

0 6 F

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S E N A H T E R U E C N A M R O F R E P H G I H E L B I X E L F

E ] G h A c n K / i N I h R c n H i S [ N O I T ] A G % N [ O L E

5 0 0 0 3 9 5 0 9 5 5 6

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5 2 1 2

C I Y T c 6 5 5 0 F I I c 0 C V / . 0 . 0 . 1 . E A g 1 1 1 1 R P S G D L ] U E s 8 8 4 6 - - 1 O I M r 6 - 4 6 8 M T H [ E D K E ] n 5 5 0 0 R M i O I m 2 2 6 2 T [ W S E S R E O N H D S R A H


A A A A 0 0 5 5 5 6 7 8

0 0 5 5 5 6 7 8 0 0 0 0 1 - 1 - 1 - 1 T T T T S S S S

s i t I . s g n i t s a c r e t s a l p d n a e t e r c n o c r o f s d l u o m f o e r u t c a f u . n s a n o i m t e a c h t i l r p o p f a d g e n p i o l d l e u v o e m d l y r l l a a e c n i f e i c g e d p n s a n s e p e r b o s p , a s h t r e a g p n r a o r f t r s l a a c u i x p e o l f p e o s h l T a

S E N A H T E R U S E I R E S ® T S A C I X E L F



8 1 / 0 0 1

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C S I V ] s D p c E [ X I M

5 3 1 1

0 0 5 0 0 8 1

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C I Y T c 6 5 4 F I I c 0 C V / . 0 . 0 . E A g 1 1 1 R P S G D L ] U E s 2 2 2 - - O I M r 1 1 1 M T H [ E D K E ] n 1 7 R M i O I m 1 T [ W

3


A A A 0 0 5 4 6 8


0 0 5 4 6 8 ® ® ® T T T S S S A A A C I C I C I X X X E E E L L L F F F


n i a t n i a C m o W s e l a l h l i T . w s t d a i n h t k l s l l a a f i r o e t s a t r m a e p l b g n a i t t n a e i c m r b g i f p a r d f o n t a n e l e l b l e a t c x n i t e , e h r g a u s o l t a i g r e n t i r a i u m q e e r s e s h n t o , i t s a e c m i l i p t p g a i n . n k i r g e o k s w 0 u d 0 r n 0 o a 4 f f d s o e e s n s s d g i e r s n a e e w p d d u n r a e h n e f e b o v e e y , s v a a r e z h r a i s s n l n a l i s h a f e r t i o g W s n . g i t s i n s n t a i o s c t a a c d i i c r g l o i r p f l p l d a e n r w a o e o k r l d o b i t w x u e o t s l f i n c e y u s t d e i a o r h l T c p

E N A H T E R U R A E L C R E T A W E L B I X E L F


0 0 1 / 0 0 1

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0 0 0 0 4 0 4 8 9 1

E ] G h A c n K / i N I h R c n H i S [

4 0 0 . 0

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0 0 1 / 5 6


0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 0 5 7 6 6 6 6 6 6 6 6

E ] G h A c n K i / N I h R c n H i S [

4 0 0 . 0

0 0 1 / 5 7

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3 0 0 . 0

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5 0 0 . 0

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4 0 0 . 0

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6 0 0 . 0

N O ] i I T T s p C A C [ ° C ° C ° C ° C ° C ° C ° E E 6 0 0 0 0 0 3 9 L 7 7 7 7 7 6 7 H 6 F @ E D ] h T c n D C i / 1 . 6 . 4 . 0 . 0 . 0 . 0 . 0 . . O A s 8 3 1 1 1 1 1 1 P Z b I M l I / . t f [

H T R G i ] A N l 5 6 5 p 6 6 7 E E [ 3 T R T S

L H A T R G ] i U N s 0 p 9 X E [ 2 E R L T F S



5 0 5 5 5 5 5 3 0 0 5 6 6 6 6 6 1 2 2 1


0 8 7 2

0 0 0 5 0 8 1 3 1

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6

6

K E ] n 5 5 5 R M i O I m 1 1 1 T [ W S E S R E O N H D S R A H


A A A 5 0 0 6 7 9

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E N A H T E R U R A E L C R E T A W D I G I R

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4 4 4 2 4 8 - 8 - 4 - 8 - 3 - 2 - 2 2 2 6 6 6 6 2 6 6 1 1 1

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D D D D D D D D D 5 5 2 2 2 2 2 8 4 5 6 8 8 8 8 8 7 8

o d e e p s r e p y r a v l l i w s e i t r e p o r p l a c i s y h P . s e m i t k r o w t n e r e f f i d h t i w e l b a l i a v A

* * * 5 5 0 1 2 3 4 6 8 5 6 8 8 8 8 8 8 8 7 - 7 - 7 - 7 - 7 - 7 - 7 - 7 - 7 C C C C C C C C C W W W W W W W W W *

. T d H e G s O I u T I E e W r A R a Y B s t n e m C g S i I p V ] r D s p e E [ c k r X a I d M n E ] e h G h w A c n i / y K l N l h I a R c i n c H i e S [ p s e H T r u R G ] o A N i l l p o E E [ c T R T d S n a e N O c I n T ] A e i l G % i s N [ e r O n L E i a t n i H a E T L i m I G ] N s o S p N E [ s l E R a T T S y e h T . I Y s C T c I n F o I c C V i / t i E A g R d P n S G o c r o o D d t L E ] s u U M r o O I H M d E T [ n D a t s h t i w K ] n o R E t M i O I m T [ d W e n g i s S e d E S E n R N e O D e H R b S A s H a h p u o r E g M c A i t N a h T p C i l U a D s O i h R T P

E S U R O O D T U O R O F S R E M O T S A L E

0 0 1 / 0 9

0 0 1 / 0 0 1

0 0 1 / 0 0 1

0 5 / 0 0 1

0 5 / 0 0 1

0 5 / 0 0 1

5 4 / 0 0 1

0 0 1 1

0 0 2 3

C I P O R T O X I H T

0 0 8 3

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C I P O R T O X I H T

0 0 0 2

1 0 0 . 0

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0 0 0 0 0 0 0 5 5 5 0 0 0 5 7 7 4 6 8 6 3

0 0 0 0 5 0 0 0 5 2 3 3 3 9 7 1

0 0 2 2

0 0 2 2

0 0 5 4 4 4 4 0 . 0 . 0 . 0 . 0 . 0 . 0 . 1 1 1 1 1 1 1

4 2 6 1

4 2 6 1

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5 5 5 5 0 5 2 4 4 2 2 2 1 1

A A A A A A A 0 0 0 0 0 0 0 3 4 4 6 8 8 9

0 1 0 0 1 0 0 0 0 3 4 4 6 8 8 9 6 6 6 6 6 6 6 C C C C C C C T T T T T T T

BJB WATER CLEAR TIPS MOULDS All BJB WC series products produce most optimum results when cast into platinum based (addition cure) silicone moulds.

PRESSURE

Some clients have had success in casting the 80 Shore D water clears (never any of

Generally using 50-70psi works best when using pressure without utilising vacuum first. It is important to add pressure gradually when using silicone moulds. Putting the pressure on too fast will very often distort the mould. When using pressure it is important to take temperature into consideration. The temperature in most pressure tanks is less than 25°C and will often cause the material to cure slowly or to inhibit a through cure, especially if cast in a thin section. We try to recommend that the client utilise a heater band on the pressure vessel when possible.

the lower durometer products) by baking out their tin based systems overnight at 66°C or utilising a well aged mould. This allows the methanol that causes the inhibition to dissipate. For best results from silicone moulds, we recommend allowing the mould to fully cure, rinsing the mould in a light solution of dishwashing detergent and warm water, then rinsing well with warm water and drying well before casting. Avoid scrubbing the mould as it could affect the surface detail on your mould.

CURING

Other mould mediums may be utilised but keep in mind that the surface of the mould

RELEASE

The flexible water clear products can be cured with elevated heat for a faster demould times. However, heat curing has proved to compromise the finished physical properties – mainly tear strength and elongation. Slightly elevated temperatures (26-30°C) will assist in giving thin section a “kick” for curing but any addition temperature would be detrimental to the finished properties.

Most mould releases will cause fogging or

POLISHING

clouding of the part surface with the WC series. We have seen excellent surface

Everyone has their own method and what works for one person doesn’t always work for another... This is what works for BJB Enterprises:

will be duplicated. You cannot obtain a glossy part from a rough mould. It is also important to remember that keeping the mould and WC temperatures close to each other will help eliminate inhibition and chill marks.

clarity when using J-Wax. We recommend that testing be done prior to any application of a release agent.

VACUUM vs PRESSURE While both of these processes work well separately for eliminating air bubbles in the part, using both will often produce the best results. Vacuum will generally eliminate 97% of the air and low pressure of 40-60psi can diminish the remaining amount.

VACUUM When using vacuum it is best to de-air the material after mixing parts A&B together before casting the part. In most instances you will see the material continue to bubble under vacuum. An easy rule of thumb for pulling vacuum is to mix A&B, pull vacuum, break, wipe sides with a stir stick, and pull vacuum again. This should break the surface tension and eliminate continued bubbling. We offer AF4 for assisting in de-aeration during vacuum.

• Wet sand the part with 600, 1500, then 2000 grit wet/dry paper. • Buff the part with Schlegel #1 buffing pad and 3M Perfect-it rubbing compound #05973 • Finish with Schlegel #2 pad and 3M Perfect-it foam polishing glaze #05996

TROUBLE SHOOTING TIPS Surface is Tacky: • Did the part see adequate amount of time in the mould? • Was a tin based silicone mould used? • Were thin walls (3mm or less) given a “heat boost”?

Part is Foggy: • Was it cast cold (under 25°C)? • Was a suspicious release agent utilised? • Was another material cast into the mould before the WC? Shrinkage: • Was the part cast in a two-part mould with risers? • Was part mass cast without risers?


Part Shatters from Mould: • Was the mould cold when the part was cast? • Was the material preconditioned (warmed)? • Was the part left in for full-recommended time before demoulding? > Optimal results occur when the material is processed and postcured as stated on the technical data sheet, especially when the cast is done in a thin wall section. > Casts done 3mm or less will require slight temperature increase to promote internal exotherm. > Clear casts that come from a mould looking “cloudy or hazy” have most likely been cast at a lower than ambient temperature (25°C), have been cast in a mould that has not finished curing, or has been used with a release that would cause the cloudiness. Determine temperature of materials with a thermometer, not the thermostat for your room! > Shrinkage will occur with large cast parts, even when utilising the longer work life materials in thicker masses. Closed moulds with feed gates are highly recommended in these applications. > The WC series of polyurethanes can all be tinted to translucent colours or pigmented for opacity.

TIPS FOR POLISHING WATER CLEAR POLYURETHANE PARTS u a . m o c . s t c u d o r p s e n r a b . w w w 28

To achieve the best finish possible on water clear urethanes, a post-cure is required regardless of the part size. Follow the instructions provided on the data sheets for post-curing operations. The surface condition or your part will dictate where you are to begin finishing and will determine the grit of sandpaper required. To finish/polish a machined part (milled, saw cut or lathe turned finish), begin with the finest grit sandpaper possible to produce a flat surface free of tool lines or steps. 800 grit wet/dry sandpaper will provide a good place to start. Utilise a hard, flat acrylic or hardwood block. Rubber blocks or your hand may cause unevenness and will provide a wavy surface on the final polish. Take extra care to maintain an even surface if you are working with a curved or rounded part, and are hand sanding. Soak sandpaper in water for 1 to 2 hours prior to sanding to soften. Add a small amount of detergent to a spray bottle or bucket with water to lubricate while sanding (keep the surface wet). This mixture will avoid loading the sandpaper. Begin sanding in one direction only until surface is flat and uniform in appearance without noticeable tooling step lines or defects. If you find the defects are too deep and are difficult to remove, you should switch to a heavier grit sandpaper and proceed until they are completely removed. Continue sanding with finer grits, i.e. 600, 800, 1000, 1500, 2000. If you have obtained a flaw-free surface early on, these steps will go quickly. Rotate 90 degrees each time you change grits. Continue to sand across the last completed grit area. This step will assist you in perceiving the previous lines, and

Urethane WC780 (3hr potfile) cast from an M4642 Addition Cured Silicone Mould. A single solid pour of approximately 68kg. Photos Courtesy of TERRANCE PLOWRIGHT FINE ARTS

when they are gone you may move to the next grit. When you reach the 2000 grit paper, you should be able to note a slight shine to the surface. This will help you determine whether you have removed all flaws. If so, proceed with the polishing steps. High-speed buffers tend to work well on metals but will burn plastics quickly. Lower speeds perform better, and the heat build-up can be controlled. Finishing with a foam buff pad tends to provide better results than with the use of traditional wool or cotton. 3M products have proven excellent for polishing urethane. Start with ‘Finesse It’ compound in a cup. Apply a light film onto the part with a brush. Do not allow the surface to dry out for long while buffing. Continue to re-apply the compound. Monitor the surface temperature – warm is good, hot is not. This step will provide a high shine on the part. In some instances, this may be enough of a finish for your part. For a higher sheen, utilise a new buff using 3M’s ‘imperial Hand Glaze’ in the same manner as the ‘Finesse It’. Though not intended as a machine compound, on the clear urethane product, it works beautifully. Then spray the part with ‘Brillianize’ (an anti-static polish/spray available where acrylic products are sold). Hand buff with a polishing cloth or a very soft flannel towel. Avoid terry cloth because it may scratch.

This amazing Water Clear Urethane cast, produced by Terrance Plowright Fine Arts, weighs in at an incredible 68kg. The solid cast is the largest ever produced in Australia from BJB’s Water Clear range of urethanes. The grade chosen for this cast was WC780 with a 3 hour work time. Photo Courtesy of TERRANCE PLOWRIGHT



t d c n a a p m h i h t t i n e w l l l l e e c w x e s , s s e i e c t r o r e p p o o s r p l a n l l o i i w t c e e f l m e o d S t . 0 a e 0 h 5 h E g P i C h e & i r 0 u 0 q 3 e r E t P a C h s t ’ s B t J r B a p s e a p y h t c o u t s o t r n p e d m n p a i u n o q i e t c g u n d i o s r n p e p n s u i r d t x r o i h m s r . e g s t n e i t r e m c p u r h t t i s m u w n b o n c g o i n i t r o t c f a l n t u u j c m e i n f o r s c e r o n p f i e t r d a a e e s l s r u a g i s e r i e 2 b t o a 7 t 1 m d e C e s M n e . g h S i s T B e . A d t o y n e t l l a m r a c i p l i i p u m y q i t e s e r e e a s r a s n l e d a p n i r i s a e d , t a d e c m e n a e t r t s a s e e i h p s T o e r

S E N A H T E R U D E S N E P S I D E N I H C A M

E M O I U T L A O R V Y B

0 0 1 / 7 6

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E ] G h d e A c n r u i K / c N t I h s R c o n H i P [ S

4 0 0 . 0

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C C C C ° C ° C ° C ° ° 4 ° 0 ° 1 1 9 2 0 9 9 8 8 1 1 1 1 7

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5 5 0 . . 8 . . 3 7 3 1 1 1

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9 2 . 1

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K E ] 0 0 0 0 0 5 0 R M c 2 5 4 6 8 4 9 O I e s T [ 1 1 W S E S R E O N H D S R A H


D D D D D D D 5 8 8 0 0 0 0 8 7 7 8 8 8 7

R R F - F 4 6 4 7 8 0 2 0 0 1 1 1 2 7 0 0 0 0 0 0 1 8 - 8 - 8 - 8 - 8 - 8 - C C C C C C C R R R R R R M

r e t s a m s a h c u s s e s u r o f l a e d I . h t g n e r t s t c a p m i h g i h d n a e . c e n c a n t s t a i s i s e r s r n e o r i s a e a r w b l a a h n o g i i t h p g e n c i x d e u l g c i n n i r i s u e q i t r r e e s p n o o r i p t l a c a i c l i p s p y a h r p e d h t e r o u d c t n n a e , l l s e e c c a x f e e t i i d b i g h n x i e m s r l o a f i r l e a t t a e m m , h s g e u x o o t , b d e i g r o i r - c i , m s n e r s e t e t h a T p

S E N A H T E R U E C N A M R O F R E P H G I H

T H O I G I T E A W R Y B C S I ] V s D p c E [ X I M E ] G h A c n K i / N I h R c n H i S [ ] h T c n i D C / . O A s Z b I P l M I / . t f [

0 5 / 0 0 1

0 5 5 1

9 0 0 . 0

0 4 / 0 0 1

5 2 4 2

5 0 0 . 0

0 8 . 1 8 > >

L H A T R G ] i U N s p X E [ E R L T F S

0 3 4 1


0 0 1 8 3 4


0 0 4 4

0 7 0 2

5 2 0 5

C I Y T c F I I 4 c 3 C V 1 / . 1 . E A g 1 1 P R S G D L ] U E s 3 3 O I M r - [ 2 2 M T h E D K E ] n R M i O I m T [ W

5 1 2 1


D D 0 0 6 7


E M O I U T L A O R V Y B

0 1 8

4 2 6 7 7 7 8 - 8 C C T T

N O ] i I T T s p A C [ E E 6 H L 6 F @ E D ] h . c T 0 D C i n 0 / . 6 O A s E Z b I P l M P I / . t C f [ s ’ B L H J B A T G ] i s R N s a U p X E [ h E R c L T u F S s t N n e O I m T ] p i A % [ u G q N e O y L E a r p H s T t E L n I G ] i e S N s n N E [ p o E R p T T S m o c o C Y w I T c t F I I V c h C t i E A / g w P R G S n o i t c n D u L j n U E ] n o O M i c I m T [ n M i E D d e s u e ] b K c R E e M o I t O T [ s d W e n g i S s e E S d R E N y O D l l H a S R A c i H p y t e r a s E l a M i r A e N t a T m C e U s D e O h R T P

S E N A H T E R U D E I L P P A Y A R P S

0 0 1 / 0 0 1

0 0 1 / 0 0 1

0 0 1 / 0 0 1

C ° 9 8

1 9 . 0

r a e T 0 9

0 0 1 9

5 7 5

5 . 6 6 1

5 7 3

5 7 0 5

3 1 . 1

6 0 . 1

5 1 . 1

0 2 1 0 6

0 2 5 1

0 2 5 1

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n i 4 m 0 3 3 4

A D D 5 8 0 4 7 7

0 1 5 0 C 4 - 2 - H P P 0 S S 7

CENTERPOINT METER-MIX EQUIPMENT m e t s y S e s n e p s i D 0 0 3 E P C

m e t s y S y a r p S 0 0 6 E P C

n u G g n i s n e p s i D e c n a n e t n i a M w o L

The CPE-300 METER-MIXDISPENSE SYSTEM & CPE-600 METER-MIX-SPRAY SYSTEM come furnished ready to run on a rollingcart. Both systems utilise air-operated, positive displacement pumps for dual component airless material systems.

s c i t s a l P n o i t c u d o r P o t e p y t o t o r P


FASTFLEX (A/B/C) TC276 FLEXIBLE CASTABLE AND POLYFOAM BRUSHABLE 5.0lb density water blown flexible foam


This system is a soft stretchable polyurethane material that comes in three parts. Fastflex has been designed for rapid demould of skin surfaces especially when polyurethane foam is cast behind it. Depending on the application and the amount of the third component used, demoulds can often be made in two hours or less. Refer to SC-89 Paint System for selection of compatible products. 1.9kg, 7.85kg

ELASTOMERIC GEL A fantastic new single component material to simulate a very soft flesh like gel. Simply heat to the instructions and pour into a variety of mould materials. Can be easily tinted and is non-toxic and safe for skin contact. A percentage can be remelted with virgin material. Excellent for use with an elastomeric coating. Available in three grades: Grade A – Extremely soft & mushy Grade H – Standard grade, closest to skin or blubber feel. Grade L – Firmest, feels like a Jelly Baby. 400g, 800g, 4kg, 16kg

LOADS O'LURES This kit contains all the materials required to produce either up to 150 small (3–5cm) or 50 medium (6–8cm) fishing lures. This fun and easy to use kit offers the flexibility of designing your own plastic lures for trolling and casting. Make enough copies of your favourite design to last a lifetime without the expense of production lures! KIT INCLUDES: Easycast Urethane Resin, Light weight Buoyancy Spheres, Silicone Moulding Rubber, Instructions & Safety Data, Release Agent, Modelling Clay, Measuring Cups, Stainless Wire, Bib Plastic, Styrofoam Sheet, Mould Bands, Mixing Sticks, Dust Mask & Gloves

TC265 FLEXIBLE POLYFOAM 3.0lb density water blown foam. Common uses are make-up appliances, puppets and prosthesis components.

with an integral skin. Common uses include impact absorbing bumpers, special effects props and arm rests.

ISF100 FLEXIBLE POLYFOAM 100 Kg/m3 – Self skinning flexible foam. Ideal for any parts requiring a reasonable quality skin. Can also be used for backing up elastomeric products like FastFlex and ‘F’ series. Must be mixed thoroughly before every pour as product separates rapidly in the tin.

FF110 FLEXIBLE POLYFOAM 60 Kg/m3 – This soft foam is the nearest equivalent material to the old HR50. Ideal for puppets, backing up latex & fastflex and most SFX applications.

AU276 RIGID POLYFOAM 38kg/m3 – Rigid foam used in applications requiring either thermal insulation or good buoyancy properties. Commonly used as void fill in boats, surf skis and moulded fibreglass building panels.

TF65 RIGID POLYFOAM 70kg/m3 – Rigid foam used as an in-situ cavity filling material. Suits construction panels and is widely used in taxidermy applications. Displays excellent flow characteristics and has a long pot life for hand mixing.

AU760 RIGID POLYFOAM 96kg/m3 – Rigid foam designed for selfskinned or structural components. Apart from the hard skin, the final mouldings have a high softening temperature combined with high compressive and flexural strengths.

RELEASE AGENT SELECTION CHART This chart will assist you to choose a release agent suitable for your application. The chart in some cases may only represent a starting point where multiple releases would be required.

For Use On


Surface Finish

Packaging

e n a h t e r U y l o P

y x o p E

Ease Release 200

•

•

Ease Release 2831

•

Challenge 90

•

255 Release

•

•

•

PVA Release

•

•

•

J-Wax

•

•

•

•

Gensil 601

•

•

•

•

•

•

Gensil 605

•

•

•

•

•

TR Wax

•

•

•

r e t s e y l o P

m a o f y l o P

V T R e n o c i l i S

•

•

•

•

s s o l G

y n i h S

•

•

•

•

•

•

•

•

•

•

•

•

A water based release agent that permits easy removal of cast concrete and plaster parts from almost any mould material.

This is a versatile lubricant for use as a mould separator. It can be used full strength or diluted with water. Most popular for plaster and gypsum moulds.

x a W f f u B

• •

PURE LUBE MOULD SOAP

1ltr, 5ltr, 20ltr & 200ltr

d i u q i L

• •

1ltr, 5ltr & 19ltr

t a l F

•

REMOVE-IT (20VOC) Fantastic to use as a release agent on the Flexicast range of elastomers. It is biodegradable, odourless & non-staining.

n i t a S

l o s o r e A

•

• •

•

33


PR-310 LAMINATING RESIN Low styrene emission fast wet-out, fast cure laminating resin. Ideal for spray up and hand laminating and exhibits minimal heat development in resin rich areas. Requires the addition of 1-2% MEKP catalyst. 1kg, 4kg, 21kg, 230kg

34

PR-349 MULTILAYER RESIN This LSE resin is great for continuous laminating where it is not ideal to stop between layers. It can handle heavier lay up without excess distortion. Requires the use of up to 2% MEKP catalyst. 21kg, 230kg

PR-361 INDUSTRIAL RESIN This LSE laminating resin is budget priced and can be used in almost any general FRP application. 230kg

PR-9260 CLEAR CASTING – RAPID CURE This resin has a long gel time and low exotherm and cures to a water white colour with excellent clarity. Suitable for large castings also. Requires the addition of 0.6-2.7% MEKP catalyst. Best clarity achieved by using 0.75-1.7% MEKP 1kg, 4kg, 21kg, 230kg

PR306 LXS GREY FLOKOTE This product is commonly used as a finishing flokote or sanding gelcoat. 25kg

PR-311 QUALITY CASTING Suitable for use with a large range of fillers. Ideal for large or thick walled items. Higher catalyst additions may be required when a filler content of up to 75% is used. 1kg, 4kg, 21kg, 230kg

PR-368 NEUTRAL BRUSHING GELCOAT This gelcoat has been formulated for general industrial and mould making use where a combination of an excellent gloss off the mould, weather resistance and toughness is required. General catalyst addition is 1.3-2.0% MEKP. 1kg, 4kg, 22kg

PR-368W WHITE BRUSHING GELCOAT This gelcoat has been formulated for general industrial and mouldmaking use where a combination of an excellent gloss off the mould, weather resistance and toughness is required. General catalyst addition is 1.3-2.0% MEKP. 1kg, 4kg, 25kg

Fibreglass Mould with an Ultracal 30 Gypsum Core for running GM Foam Latex. Photo Courtesy of SEAMLESS WORK

PR-300 TOOLING GELCOAT This red tooling gelcoat is formulated for use in the production of fibreglass reinforced polyester moulds. Ideal on tools, moulds and masters where a high strength film, resistant to cracking and capable of holding a high gloss is desired. High heat distortion. Requires 1-2% MEKP catalyst addition.

WOVEN CLOTH AF251 cloth for use with polyester and epoxy resins available by the metre or the roll.

SURFACING TISSUE For use between gelcoat and CSM. For intricate work with high detail. Can also be used for repair of plaster walls.

1kg, 4kg, 25kg

Sold per metre or full roll.

PR-390 CLEAR GELCOAT

CHOPPED STRANDS

This product is fantastic for laying up a clear surface as a proof coat or to mix with metal powders for cold cast effects.

Used to fill polyester resin for strength. The strands are 6-8mm long. 2kg, 20kg

1kg, 4kg, 21kg

PR-339 CENTRIFUGAL This resin is a part rigid centrifugal casting resin developed for use in rotational casting equipment. Looks great when a gelcoat is rotated in the mould first. 21kg, 230kg

MEKP CATALYST Methyl Ethyl Ketone Peroxide catalyst for use with all polyester resins & gelcoats. 50g, 100g, 500g, 1kg, 5kg

ACETONE Clean up solvent for use with polyester based products. 1kg, 4kg, 16kg, 160kg

CHOPPED STRAND MAT CSM available by the metre or full roll. 225g/m2, 300g/m2, 450g/m2, 600g/m2, 900g/m2


CATALYST DISPENSER For dispensing MEKP catalyst in a safe and controlled manner. 500ml, 1000ml

PIPETTES A cheap way of measuring and dispensing catalyst in small amounts. 3ml

CONSOLIDATION ROLLERS Economical wire frame rollers ROLL-WIRE1 – 50 x 12mm ROLL-WIRE2 – 70 x 12mm ROLL-WIRE3 – 70 x 10mm ROLL-WIRE4 – 70 x 8mm Steel frame rollers ROLL-STFIN1 – 70 x 14mm ROLL-RING1 – 50 x 10mm ROLL-RING2 – 70 x 12mm Moulded handled rollers (best quality) PROFIN1 – 80 x 20mm PROFIN2 – 135 x 20mm ROLL-PAD1 – 80 x 23mm ROLL-BRISTLE – 100 x 23mm

35

Catalyst Dispenser

BARNES EPOXY RESIN PRODUCTS u a . m o c . s t c u d o r p s e n r a b . w w w 36

n i s e R

817 Tooling Gelocat

813 Casting & Laminating Resin

814 Aluminium Filled Resin

r e n e d r a H

o ] i t t a h R i g x e i w M [

137–Extra Fast

100/10

137–Extra Fast

100/20

169–Fast

100/20

1414–Medium

100/20

945–Low Exotherm

100/40

945–Low Exotherm

100/50

169–Fast

100/10

1414–Medium

100/10

945–Low Exotherm

100/20

e f i l t o P ] g [

] n i m [

s s a 10 40-60 m t s a c 500 20 n o t 500 43 n a 500 60 d n e 500 360 p e 500 360 d s i e 350 20 m i 350 90 t e r 350 240 u C

y t i s o c s i V ] s x p i c M [

s s e n d r a H e r o h S

y t i v a r G c i f ] i r c t l e / g p k S [

85000120000

1.70

85 D

2000

1.09

75 D

1400

1.10

75 D

1700

1.10

78 D

2500

1.05

65 D

2800

1.05

65 D

21000

1.66

85 D

22000

1.70

80 D

36000

1.52

80 D

n o i t p i r c s e D Blue, medium viscosity tooling resin that when mixed offers high mechanical strength and very hard, abrasion resistant surface. Clear, unfilled amber resin generally used in conjunction with glass cloth or filled with products such as aluminium powder/grain, talc, omyacarb, slate, iron powder. Can be mixed with any of our special true metal powders. Grey, aluminium filled, viscous resin. Used as a backing material behind tooling gelcoat or as a gelcoat itself. Great choice for vacuum form tools.

TC8200

EPOXY PACK SIZES

TC8200 is a lightweight, two component epoxy backfill system.It is ideally suited for foundry applications involving mould and core construction and features the following characteristics:

PRODUCT

• Low Cost • Simple Mix Ratio 1:1 • Long Work Time • Low Shrinkage • Colour change to ensure complete mix

945 Low Exotherm

TC8200 is ideal for use as a sandwich layer between fibreglass materials to allow a fast build up of thickness and gives high structural properties. 16.33kg kit

MODEL / TOOLING BOARD Machinable tooling board is an excellent medium for making master mould patterns and for many types of NC proofing applications. It machines well and is easy to surface finish. Standard Size: 1500 x 500 x 50mm

100g 200g 500g 1kg

2kg

4kg

5kg 18kg 20kg 200kg

817 Tooling Gelcoat

•

•

813 Casting/Laminating

•

•

•

•

•

814 Aluminium Filled 1414 Medium 169 Fast 137 Extra Fast

• •

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

4

LATEX SUPPLIES & MAKE-UP


LATEX LIGHTNING u a . m o c . s t c u d o r p s e n r a b . w w w 38

Paint on coagulant solution to induce rapid build-up of latex when dipped for 15 to 30 minutes. 1ltr, 5ltr

LATEX THICKENER Chemical to thicken latex up to brush grade. Use @ 1.5% PBW. 100g, 1kg, 5kg, 20kg

NATURO PLASTO WAX A soft, pliable sculpting material known universally as ‘ Mortician’s Wax’. Various make-up and effects uses. 8oz

LIQUID LATEX Liquid Latex is still one of the most widely used materials for flexible mouldmaking.This natural latex material has been pre-vulcanised to give it maximum elongation and excellent return memory without permanent distortion. It can be brush cast in all types of mould materials or in porous moulds by slush casting or absorption skinning. Superb for all types of mask making and especially good when used as a skin for polyurethane foams. Can be easily painted with most adhesive-based paints. 125ml, 250ml, 500ml, 1ltr, 5ltr, 20ltr, 200ltr Pre-thickened latex is also available for a higher quality brushing latex (min qty 20ltr)

LATEX FILLER An additive for slip cast latex. Used as a hardener when casting into a negative mould. Hardness can be varied by the amount of filler added. Pint, Quart, Gallon

TRANSLUCENT POWDER A neutral set, colourless powder that blends well with no colour alteration. Great for setting Pax, make-ups etc.

PROS-AIDE II Pros-Aide II was developed to eliminate the difficulty of removing pros-aide from the skin. It is similar to the original in all characteristics except that many cleansers and adhesive solvents will break it down. Ideal for more sensitive skin. 125ml, 250ml, 500ml, 1ltr, 5ltr, 19ltr

PROS-AIDE NO TACK Based on the original formula, No-Tack offers the user a tack free surface once the product has dried, unlike Pros-Aide, that stays tacky after setting. Ideal for PAX base and painting foam latex skins. 125ml, 250ml, 500ml, 1ltr, 5ltr, 19ltr

PROS AIDE REMOVER A Safe remover/cleaner for Pros-Aide and PAX Paint. Formulated from natural ingredients that allow for safe removal of adhesives and other makeup. 8oz

6.5oz

PROS-AIDE / PAX BASE This very flexible and tenacious acrylic emulsion prosthetic adhesive has many applications. While liquid, it can be thinned with distilled water or thickened with cabosil into a paste. It can be mixed with cosmetic grade pigments and acrylics to create a smudge-proof appliance paint (pax paint). It is waterproof, hence difficult to remove from the skin. The official Pros-Aide remover is available in 8oz bottle. 50ml, 125ml, 250ml, 500ml, 1ltr, 5ltr, 20ltr

PAX REMOVER Contains orange oil to cut through pax, and aloe for gentleness. Also works to remove pros-aide adhesive. Fresh citrus aroma and smooth feeling to the skin. 4oz, Qt

AQUA CREAM This product is ideal to apply to the skin both before application and after removal of adhesives and makeup. Will allow for easier removal of adhesives. 16oz

GM FOAM LATEX GM Foam is a four part professional “hot” foam latex system sold by the kit. The foam is whipped in a mixer, filled into moulds and cured in a low temperature oven. Easy to follow instructions detail the use of the product. Health and safety precautions are explained. The latex is ideal for prosthetic make-up appliances and animatronic creature skins. It can be made into a variety of densities. GM Foam is a more consistent and dependable foam than other systems. Quart, Gallon, 5 Gallon

FLOW INCREASER This product lets you whip the foam to high volumes and still flow well over fine detail without trapping air. 8oz, 16oz, gallon

CELL CHOKE An additive that produces finer cells and makes softer foam, even when not whipping to high volumes. 4oz, 16oz, quart

STABILIZER By adding a few grams in hot and humid conditions you can extend your working time. A must for hot climates and labs with no climate control. 4oz

GM FOAM LATEX PIGMENTS Foam latex pigments sold as a set of six 1/2oz colours or available as single bottles in three different sizes. Highly concentrated. Pallette – 6 x 1/2oz Bottles – 1oz, 2oz, 4oz Black, Blue, Red, Yellow, Tan, Tone, Ruddy (Flesh)

GAL FOAM KIT

MICAD This additive allows whipping to greater volume while still keeping the cells fine. Very soft foams can be achieved using this additive.

39

ACCESSORIES

4oz, 16oz, quart PROFESSIONAL FOAM INJECTION GUN

PROFESSIONAL FOAM INJECTION GUN Highest quality foam latex gun available. All parts are precision made to make this gun perform time and time again.

BALLOON RUBBER Natural slip latex is thin, elastic and strong. Good for making bald caps, bladders, membranes etc. 1ltr, 5ltr, 19ltr

LATEX SHEETING Pure 100% natural latex sheeting. It’s 0.006 inch thick and is 46 inches wide by 1 yard. Light natural amber in colour.


ISO ALCOHOL


Probably the most essential product to have on hand at any time, especially in the make-up kit. Used for a variety of cleaning and thinning applications. 250ml, 1ltr, 5ltr, 20ltr, 200ltr

ISO MYRISTATE This is an oil based remover that is incredibly gentle on the skin. Good for removing regular make-up, grease paint and PAX or Pros-Aide.

40

250ml, 500ml, 1ltr, 3.75ltr

TINSLEY TRANSFERS

KD151 BLOODS

LATEX BALD CAP PROFESSIONAL A high quality bald cap manufactured by local FX artists, Connelly Makeup FX Team. This bald cap is fast becoming more popular than any of the caps imported from the US. Made up of the highest quality compounds. Meticulous care is taken to give flawless blending edges and a better shape than other caps.

KD151 BLOODS

GELEFECTS

This line features twelve of the most commonly asked for types of blood, meticulously colour matching the characteristics of actual human blood at it’s various stages. KD products are an industry standard used by most professional makeup and FX artists worldwide. Blood Jam

Bright or Dark 1oz, 8oz

Blood Jelly

Bright or Dark 1oz, 8oz

Drying Blood Jelly

1oz, 8oz

Flowing Blood Syrup Bright or Dark 1oz, 12oz

Drying Blood Syrup

1oz, 12oz

Mou th Blo od

Bright o r Dark 1 oz, 8 oz, 32o z ga ll

P um pi ng Bl oo d

B ri gh t o r D ar k 1 oz , 3 2o z, ga ll

TINSLEY TRANSFER TEMPORARY TATTOO EFFECTS Sheets available are Bruises, Scabs, Cuts & Scratches.

GELEFECTS 3 COLOUR PACK Ideal for casualty simulation and zombie make-ups. Create all kinds of cuts, scars, wounds and bullet hole effects. Washes off with warm water. No adhesives or glues necessary for application. Three colours in pack – Flesh, Clear, Blood. Available in 1oz and 2oz sizes.

SUPER SOLV

TELESIS 4 ADHESIVE

TELESIS 4, 5, 6 THINNER

Pressure sensitive, silicone based, nonflammable, clear, water like viscosity, very mild odour. Nearly indistinguishable from the popular Dow Corning 355 Adhesive and has virtually all the same performance characteristics.

Three separate thinners for diluting the corresponding Telesis Silicone Adhesive.

1/2oz, 2oz, 4oz, (To order only 16oz, 32oz)

TELESIS 5 ADHESIVE Pressure sensitive, silicone based, nonflammable, clear, water like viscosity and very mild odour. The slowest drying of the three Telesis adhesives. 1/2oz, 2oz, 4oz, (To order only 16oz, 32oz)

TELESIS 6 ADHESIVE Pressure sensitive, silicone based, nonflammable, slightly cloudy appearance, water like viscosity and mild odour. Yet another formulation that provides exceptional performance at even lower cost. This is the fastest drying of the Telesis Adhesive range. 1/2oz, 2oz, 4oz, 16oz, (To order only 32oz)

2oz, 4oz, (To order only 16oz, 32oz)

SUPER SOLV Non-oily, hydrocarbon based, pleasantly scented, extra strength adhesive and prosthetic remover. Allows rapid removal of adhesives and prosthetics without damage to appliances and latex foams. 4oz, 8oz, 1/2 gall

SUPER SOLV GEL All the fantastic properties of super solv in a non-drip gel. Great for facial use and critical areas.

TOP GUARD Methacrylate based, skin prep and surface primer. Mild alcohol odour. A water and perspiration resistant formula that reduces skin irritation and increases the adhesion of prosthetic devices. 1.1oz, 3oz, 4oz

BRISK Skin cleanser with a peppermint oil fragrance. An excellent antiseptic blend of analgesics and astringents that contains Tea Tree Oil, a natural germicide and fungicide. Brisk cleans and refreshes itchy irritated skin caused by oils, perspiration and extensive prosthetics wear. 2oz, 4oz, 8oz, 1/2 gall

TELESIS 4 ADHESIVE


LATONAS BODY ART INKS u a . m o c . s t c u d o r p s e n r a b . w w w 42

Latonas Professional Make-up Supplies have designed and created a truly original range of tattoo inks. No more messy and difficult mixing of countless toners and neutralisers. Latona’s skin tattoo inks are a consistent colour match to shades of foundation for the fairest to the darkest complexions. Waterproof, fast and effortless colouring of prosthetic pieces and airbrush creations. Body Art Inks come in skin tones, a range of colours and a new range of pearlescents.

BOTTLES: 14ml, 60ml. Larger sizes to order

BRUISE PALETTE: Orange, Shade 6, Fuchsia, Aged Green, Green, Red, Red Neutralizer

COLOUR PALETTE: Yellow, Lite Toner, Red, Blue, Deep Red, Black Toner, Brown Toner, Red Neutralizer

FLESH PALETTE: Cream Beige, Almond, Shade 10, Sandy Beige, Fawn, Shade 4, Pale Beige, Espresso

The STANDARD of the Indus try GM Foam is ideal for prosthetic make-up appliances and animatronic creature skins. It can be made to feel extremely soft, or dense and tough like leather, depending on the procedure and additives used. GM Foam is also used for costuming and stop motion animation figures. DICK SMITH “I’ve used GM Foam for years because of it’s fine quality, reliability, and great Flow Increaser. Another plus is knowing I can call on Gil’s expertise if I have a problem.” KEVIN HANEY “GM Foam never lets me down. It’s the only foam I care to use.” MATTHEW MUNGLE “GM Foam is one of the most reliable materials we as Makeup Effects Artists use. It’s a consistent product that won’t let you down.” MIKE WESTMORE “With great success, we have been using GM Latex Foam for over fifteen years on Star Trek.”

5

ALGINATE PLASTERS


No1 POTTERY PLASTER


HYDROSTONE TB

USG Pottery plaster is highly uniform, noted for outstanding performance and long life. Ideal for running slip latex, sanitaryware and dinnerware.

One of the hardest and strongest gypsum cements. Slightly higher setting expansion than hydrocal, but is ideal in case moulds, press and stretch dies. The most widely used product for solid casts and statuary.

1kg, 5kg, 22.5kg

1kg, 5kg, 22.5kg

REGULAR DENTAL PLASTER

DRYSTONE

A general purpose dental plaster with a moderately slow setting time. Similar to moulding plaster. 1kg, 5kg, 22.5kg

HYDROCAL WHITE A gypsum product used for slip l atex moulds and case moulds. Offers slightly better heat resistance than pottery plaster with higher wet and dry strengths. 5kg, 22.5kg

HYDROCAL 105 A good strong mould material. Commonly known as ‘buff stone’, an off coloured stone ideal for sculpting prosthetics. For dental stones with controlled expansion. 1kg, 5kg, 22.5kg

HYDROCAL 106 Same as Hydrocal 105 but not coloured yellow. 22.5kg

HYDROCAL C-BASE A harder, denser base Hydrocal cement which can be formulated by the customer. 22.5kg

ULTRACAL 30 The most widely used gypsum cement with the lowest expansion rate available. The industry standard for casting of foam latex. Highest strength with less tendency to warp. Excellent for case moulds, close tolerance tooling and applications requiring exceptional hardness. 5kg, 22.5kg

Similar to Hydrostone, but with the advantage of a rapid setting time. Allows the user to paint the cast parts within a few hours of de-moulding. 5kg, 22.5kg

CERAMICAL A form of Hydrocal compounded to produce a dense, smooth wearing die material for pressing clayware. Specifically for automatic clay-forming presses. 22.5kg

GARDENCAST Fully outdoor, weatherproof product. Designed as a 30 minute set, white gypsum that can be mixed with sand at a 1:1 ratio. Ideal for outdoor statuary. 5kg, 22.5kg

RAYITE MDM-R & MDM-S A unique ‘mix with water’ product that offers a quick surface duplication. Two grades available, MDM-S surface coat and MDM-R reinforcement media. Used in conjunction with each other or MDM-R alone. MDM-R: 5kg, 20kg MDM-S: 1kg, 5kg, 15kg

DENTAL SEPARATOR Water based dental separator. Used in dental acrylic processes and for “floating off” multiple appliance sculptures when sculpting on plaster and white hydrocal. 125ml, 250ml, 500ml, 1ltr, 5ltr

ACRYL 60 When added to stone or plaster, Acryl 60 increases structural strength and hardness. 1ltr, 5ltr, 20ltr

USG PLASTER & GYPSUM CEMENTS PRODUCT

USE CONSISTENCY (parts water by weight per 100 parts of powder)

HAND MIX VICAT SET

SETTING EXPANSION

(minutes)

MINIMUM DRY COMPRESSIVE STRENGTH (psi)

No 1 Pottery Plaster

(%)

WET

DRY

70

27-37

2000

0.21

97.6

66.0

Regular Dental Plaster

70

19-22

2000

0.2

99.0

69.0

Hydrocal White

45

25-35

5000

0.39

110.6

90.0

Hydrocal 105

40-42

7-10

6000

0.2

Hydrocal 106

40-42

7-10

6000

0.2

Hydrocal C-Base

36

20-35

7000

0.35

Hydrostone TB

32

17-20

10000

0.24

119.4

108.7

18-20

5-10

10000

0.275

130.0

128.0

Gardencast

26

25-35

8000

0.1

131.0

110.0

Ultracal 30

38

25-35

6000

0.08

115.0

99.0

Ceramical

40

18-23

6000

0.13

115.1

96.5

Drystone

DENSITY (lb/ft3)

UNITED STATES GYPSUM Creative possibilities with Industrial Plasters & HYDROCAL ® brand gypsum cements • Art & Casting Plasters • Moulding Plasters • Industrial Grade Gypsum • Tooling Grade Gypsum • Gypsums for Press Clayware • Exterior Gypsums

www.usg.com www.gypsumsolutions.com


Accu-Cast

™


LifeCasting Impression Materials

We are proud to be the Australian distributor for Accu-Cast Prosthetic Grade Alginate Impression Materials. With over 31 years of dental alginate and 16 years of prosthetic alginate experience, Accu-Cast we really know their subject. Currently there are four Accu-Cast impression materials available, each with distinct properties. One of these is sure to be “just right” for your next project.

390-S2™

880™

• Light yellow / buff in colour • 32°C recommended water temperature mix • Approximately 3 minute set using 32°C water (cooler water will retard set) • Very smooth mix produces high detail • Smooth model surface • Can be mixed very thin and will set firm and strong, with good tear strength • Ideal for small lifecasting projects like hands in a mould

• Light Blue in Colour • 26°C recommended water temperature mix • Approximately 8 minute set using 26°C water (cooler water will retard set) • Smooth mix • Smooth model surface • Medium mix is best for most projects. Will set firm and strong, with good tear strength • Ideal for very large lifecasting projects like large props and body parts. Also ideal for use in hot environments where other alginates set too quickly.

LS-680™ • Green in colour • 26°C recommended water temperature mix • Approximately 6 minute set using 26°C water (cooler water will retard set) • Lumpy mix (anti-slump formula) • Smooth model surface • When mixed, LS-680 has very little slump • Ideal for medium-sized projects, especially faces and heads

IMPERIAL ™ BODYGEL • Orange in colour • 32°C recommended water temperature mix • Approximately 5 minute set using 32°C water (cooler water will retard set) • Ultra smooth mix • Very smooth, hard cast surface • Medium mix is best for most projects. Will set firm and strong, with good tear strength • Ideal for medium-sized lifecasting projects like faces, heads, and torsos

Pack Sizes: 1lbs – 453gm 2.5lbs – 1.13kg 25lbs – 11.34kg

Accu-Cast™ Benefits of using Accu-Cast • Low Shrinkage Rate – Resists “pull away” from plaster bandage for over 60 minutes. • High Tear Strength – Easier to remove mould from subject without tearing. • Fine Grain – Good surface detail and hard smooth surface on stone cast. • Calibrated Set – Different setting times allow you to match your impression material to the job. • Thikcer Mix – When mixed thicker, AccuCast will not drip like typical materials.

Shrinkage – (when covered with wet towelling) 10 minutes <0.10% 20 minutes 0.16% 30 minutes 0.33% 40 minutes 0.46% 50 minutes 0.62% 60 minutes 0.75% e u g o l a t a C t c u d o r P

Accu-Cast Setting Chart

47

40°C 100°F 35°C

95°F

90°F 30°C 85°F

80°F 25°C 75°F

70°F 20°C 65°F

60°F

15°C

2:00

2:30

3:00

3:30

4:00

4:30

5:00

5:30

6:00

6:30

setting time (mm:ss) ACCU-CAST 390-S2 ACCU-CAST IBG ACCU-CAST LS-680 ACCU-CAST 880

7:00

7:30

8:00

8:30

9:00

9:30

10:00


DENTAL ALGINATE

FLEXIBLE MIXING BOWLS

Budget priced dental alginate, 3min set time.

Recommended for use with alginate and plaster.

453g bags.

Small – Dia. 105 x 70 high Medium – Dia. 120 x 80 high

3", 6" and 8" widths by 3.5m long. Budget Bandage is also available by the box (12 rolls) in 6" only.

48

ALGINATE BONDER Alginate will not adhere to itself once it has set up. Using alginate bonder between coats will allow alginate to stick together. Great for those small areas where there just wasn’t enough build-up.

Large – Dia. 140 x 110 high

IMPRESSION TRAYS Plastic, perforated trays specially designed for holding alginate during the process of dental impressions.

8oz, pint BURLAP Sold per metre or full roll

PLASTER BANDAGE Ideal for a rigid case over alginate lifecasts or as a fast case mould over flexible moulding materials.

Small 4" diameter, Medium 5" diameter, Large 6" diameter X-Large 6" height x 6" diameter

SCRIM Open weave, mould-making scrim cloth used in reinforcing plaster and stone moulds. Siezle also available. Scrim available in 3" & 36" wide rolls or by the metre.

SILICONE KEYS Small, Medium, Large, X-Large & Bi-Lateral

It’s important that moulds lock in place to achieve the thinnest possible seam. These pre-made silicone rubber keys are excellent for mould making. Just put them into place and start mixing your stone or plaster. Saves plenty of time. Sold in sets. Small – 6, Large – 4

4", 6" and 9" single or box

3" (yellow), 4" (green), 6" (orange) and 7" (red)

RUBBER MOULD BANDS These bands offer an inexpensive yet durable means of holding sections of mould together. Made of high quality rubber, they can withstand heat up to 120°C.

MOULD STRAPS Made of 100% nylon strapping with locked metal fasteners. Used to band most sizes and shapes of moulds for a tighter fit.

6

PIGMENTS & ADHESIVES


SC-89 SERIES FLEXIBLE PAINT SYSTEM SC-89 Series is a non-yellowing, elastomeric urethane coating which dries by solvent evaporation. SC-89 series offers the following characteristics:


• Non-yellowing, Aliphatic material • High Tensile Strength • High Elongation • Excellent impact resistance • 700% Elongation • Outstanding abrasion resistance • Solvent resistant • Exceptional gloss and colour retention • Low temperature flexibility Available in Clear Gloss and Clear Flat. Can be used as a stretch coating for fabrics, latex, foam, rubber and polyurethane elastomers such as Skin Flex and Fast Flex. 1ltr, 5ltr, 19ltr

50

SC-89 THINNER This thinner is recommended for use with BJB’s SC-89 series paints. It may be also used as a part cleaner prior to painting.

URETHANE PIGMENTS For use with BJB Urethanes, Elastomers, SC-89 Paint Series and selected silicones. 50ml, 100ml, Pints, Quarts, Gallons #6618 – White #6614 – Thalo Blue #6607 – Black #6141 – Cherry Red #6666 – Grey #6611 – Thalo Green #6606 – Burnt Sienna #6687 – Thalo Red

#6874 – Pink Paste #6697 – BHP Flesh #6645 – Red Oxide #6694 – Violet #6613 – Burnt Umber #6678 – Moly Orange #6610 – Yellow Oxide #6665 – Medium Chrome Yellow #6603 – Primrose Yellow

PSTF DYES Transparent dyes suitable for clear urethanes, epoxies, polyester resins and selected silicones. Fluorescent Yellow Fluorescent Lime Lemon Yellow Emerald Green Red Turquoise Scarlet Red Royal Blue Fluorescent Orange Poly Supra Blue

Bright Orange Brilliant Blue Shocking Pink Aztec Gold Violet Smoke Grey Magenta Autumn Brown Bright Purple Jet Black

50ml, 100ml, 200ml, 950ml. Dilutor Available – 100ml

1ltr, 5ltr, 20ltr

TC-89 PRIMER This two part primer was developed to apply against cured urethane substrates for achieving good adhesion when applying another urethane product for painting or bonding applications. 1.1ltr, 5.5ltr, 22ltr

GM FOAM LATEX PIGMENTS Foam latex pigments sold as a set of six 1 ⁄ oz colours or available as single bottles 2 in three different sizes. Highly concentrated. Black, Blue, Red, Yellow, Tan Tone, Ruddy (Flesh), Green (Flesh & White available in 4oz)

Palette – 6 x 1 ⁄ 2 oz, Bottles – 1oz, 2oz, 4oz

SC-80 WATER BASED PRIMER SC-80 primer is a water-based product designed to enhance adhesion of polyurethane paints, PAX paint and some other paint systems to urethane foams and foam latex. Not for use on urethane elastomers such as F60 or Fastflex. Also used in conjunction with SC115. 125ml, 250ml, 500ml, 5ltr, 19ltr

SILICONE PIGMENTS These predispersed silicone pigments are suitable for use with both Addition and Condensation Cure RTV Silicone Moulding Rubbers. Can also be mixed with KE45T when diluted with D’Limonene. Orange, Light Blue, Yellow, Green, Black, Dark Blue, White, Grey, Red Iron Oxide, Red Brown, Red

50g, 1kg

SC115 WATER BASED COATING SC115 is a water based, aliphatic polyurethane coating. This product when brushed or sprayed will air dry quickly to form a soft, stretch elastomeric coating. It is non-yellowing, 600% elongation, exceptional gloss and has good water resistance. 500ml, 1ltr, 5ltr, 19ltr

PEARL-EX MICA PIGMENTS A range of 24 coloured pigments. The first 16 are pearlescent colours producing different looks from a fine, smooth pearly lustre to a highly metallic sheen. The next 5 colours are interference colours and the last 3 in the line are duo colours which display two tone qualities depending on the light angle. Pearl-Ex Pigments are nontoxic, inert powdered pigments that exhibit extreme colour fastness and stability. Ideal for interior, exterior and archival applications, they can be incorporated into any viscous medium, eg oil, acrylic, varnish, clay or they may be spread dry on any porous surface. 650 – Micropearl 651 – Pearl White 652 – Macropearl 653 – Red Russet 654 – Super Russet 655 – Super Copper 656 – Brilliant Gold 657 – Sparkle Gold 658 – Aztec Gold 659 – Antique Gold 660 – Antique Bronze 661 – Antique Copper 662 – Antique Silver 663 – Silver 664 – Super Bronze 665 – Sunset Gold

670 – Interference Red 671 – Interference Blue 672 – Interference Green 673 – Interference Violet 674 – Interference Gold 680 – Duo Red-Blue 681 – Duo Blue-Green 682 – Duo Green-Yellow 683 – Bright Yellow 684 – Flamingo Pink 685 – Spring Green 686 – Turquoise 687 – True Blue 688 – Misty Lavender 689 – Blue Russet 690 – Sparkling Copper

21g jars

CRES-LITE METALLIC PIGMENTS Add these to urethanes or silicones to create all types of effects. Ideally just brush onto a silicone mould and cast material behind. Silverblue, Red, Silvertone, Blue, Brush Brass, Green, Aluminium Superfine Leaf

WATER BASED URETHANE PAINTS Artist quality pigments mixed with a waterbased urethane and acrylic polymer to produce a flexible yet strong urethane finish. This paint sticks well to polyurethane, vinyl base mediums, concrete, plastic, ceramics, wood and automotive finishes. This product can be reduced with water (up to 25%), Isopropyl Alcohol (up to 50%) or with the Urethane Medium. The Urethane medium is an Acrylic polymer / Urethane clear gloss medium. It can be used as a final clear coat over most Urethanes and Acrylics or used to dilute and strengthen the Water Based Urethane Paints. Lemon* Violet* Wild-rose* Frost Green* Scarlet* Sky Blue* Black* White* Silver** Copper** Bronze** Dark Gold**

Lilac Pearl Amber Purple Orange Green Blue Warm Red Raw Umber Green Oxide Jade Pearl Pearl Moss Midnight Pearl Caribbean Pearl Pearl Gold

Pearl Grape Dragon Fire Pearl Pearl Rose Lemon Pearl Pearl White Silver Pearl Gold Pearl Paynes Grey Burnt Umber Cool Red Cool Yellow Cobalt Blue Warm Yellow Yellow Ochre Burnt Sienna

* Opaque Colours, ** Metallic Colours

STARTER SET: consists of 10 x 36ml colours, 1 x 110ml Urethane medium Colours available in 36ml & 110ml bottles, Urethane medium available in: 110ml & 500ml

NEW GOLD POWDERS

1oz, 2oz

3 new powdered colours in Pale Gold, Rich Gold & Rich Pale Gold. Mix with the resin for paint, or brush on to the mould surface.

FLOCKING

10g, 250g

This is an ideal material to simulate veins on foam latex, on/in Skinflex and Fastflex or most other translucent material. Also good when making your own eyeballs. Red, Blue, Brown, Green, Yellow, Black, White

2oz

SILVER DUST A stamped aluminium flake that gives a sparkling silver effect to most resins and clear paints. 50g, 1kg, 10kg

ILLUMINOUS POWDER Glow in the dark powder pigment. 50g & 500g

PEARL-EX MICA PIGMENTS


ZAP-A-GAP GAP FILLING FORMULA u a . m o c . s t c u d o r p s e n r a b . w w w

Allow 7 to 10 seconds for positioning, 20 seconds cure time - to accelerate use Zip Kicker. Bonds anything to anything. Works on oily surfaces too. ZPT-02 1oz ZPT-01 2oz ZPT-05 4oz ZAP-A-GAP

ZAP/CA

RX RANGE The RX, Range Extended group of instant adhesives are virtually non surface sensitive and will bond in situations where conventional cyanoacrylates fail. The RX chemistry allows instant, high strength bonds on most contaminated surfaces, thus reducing preparation costs.

RX100 Medium cure, 100cps viscosity, 0.005" gap fill 20g

52

SUPER THIN PENETRATING FORMULA

RX50M

Works great on most materials, especially balsa wood. Strengthens fibreglass cloth. Bonds in 1 to 5 seconds.

Slow cure gel, 0.020" gap fill

ZPT-08 1oz ZPT-07 2oz ZPT-06 4oz

Z-POXY – 5 MIN FORMULA

Z-7 DEBONDER DEBONDING AGENT FOR ALL SUPER GLUES Softens cured glued so it can be easily removed from fingers and other surfaces. Always test first. ZPT-16 1oz

ZIP KICKER SUPER GLUE ACCELERATOR The best working accelerator for zap and all other super glues you’ll ever find. Sets instantly. ZPT-15 2oz pump spray ZPT-29 8oz refill ZPT-50 5oz aerosol spray

Z-ENDS EXTENDER TIPS Allow smaller drops of glue to be placed in hard to reach areas. Ten tips and 12" length of micro dropper tube. ZPT-18

20g

Clear, equal mix that cures in less than 5 minutes. Fuel-proof, vibration resistant formula. Flexible and durable yet remains sandable too. Excellent for furniture repair. ZPT-37 4oz ZPT-38 8oz

Z-POXY – 30 MIN FORMULA Our 30 minute system allows 15 minutes working time and then cures in 30 minutes. Great for installing firewalls and bulkheads in fibreglass fuselages and boat hulls. Ideal for skinning small foam parts. Equal mix formula readily accepts balloon rubber for forming fillets. ZPT-39 8oz

Z-POXY – FINISHING RESIN Equal mix, odourless formula. Cures in 6-8 hours at temperatures above 18°C. Easy sanding, excellent for use with fibreglass cloth. Great for sheeting foam wing panels. The only long cure finishing epoxy compatible with many polyester resins. ZPT-40 12oz

7

MIXING FILLERS SAFETY MISCELLANEOUS


AF4 ANTI-FOAM A surface tension relieving agent recommended as an additive for urethane systems. Eliminates cloudiness and haze in most transparent urethane systems and works exceptionally well in the water clear aliphatic urethanes.

MIXING SPATULAS Plastic spatulas are preferred for mixing urethane as they do not contaminate your products with moisture, easy to clean off after use. 1.5", 2", 3"

500ml

DUST MASK u a . m o c . s t c u d o r p s e n r a b . w w w 54

Dust filter masks. Good for use when handling quantities of dry plaster, plaster, alginate etc. Not for use as protection from vapours and solvents. Box of 50 (also sold separately)

JEWELLERY ALLOYS JA7 Excellent low cost alloy when a relatively high weight is not a problem. Suitable for larger objects over 50mm wide and over 5mm thick. Casting range: 310–360°C

HANSON MIXERS

GLOVES Perfect for keeping your hands clean while still allowing maximum dexterity and skin sensitivity. Guards against most chemicals (except for some solvents) and is a must use when handling urethanes and epoxies.

JA8 Offers more ductility and can be bent without breaking. Casting range: 270–320°C

JA12 Called casting pewter, pewter, although not a true pewter. pewter. Excellent casting alloy giving fine definition and polishes easily.

Small, medium, large or X-large. Box of 100. Also sold in pairs.

Casting range: 270–304°C

EYE DROPPERS

DRY AIR BLANKET

Useful for small amounts of pigment and MEKP.

SYRINGES For injecting urethane or measuring l arge amounts of pigment. 5ml, 20ml, 50ml

PIPETTES 3ml pipettes for measuring and dispensing small amount of pigment and catalyst.

PAINT BRUSHES Ideal for brushing latex, plaster, stone, paint, release agents etc. Sold individually. These are uncoated paint brushes which are also suitable for applying polyester resin. 1", 2", 3", 4"

TONGUE DEPRESSORS As a mixing utensil or a good aid for cleaning out moulds. Cheap enough to throw away after use. Box of 100

Aerosol spray for covering and protecting unused portions of urethanes and resin concentrates from the detrimental effects of moisture and air. air. Aerosol can.

MIXING CUPS & TUBS Plastic and wax paper mixing cups for almost any material. Plastic mixing tubs are also available. Plastic Cups – 30ml, 200ml, 455ml. Wax Cups – 375ml, 500ml, 800ml. Plastic Tubs – 1.5ltr, 2ltr, 4ltr, 11ltr, 20ltr

MEASURING CUPS 30ml & 60ml plastic measuring cups for small amounts of urethane & catalysts.

HANSON MIXERS All purpose mixing blades that attach to a power drill to mix quantities of liquid. This brand mixes with less air entrainment than most and ensures thorough mixing. They save plenty of time and hard work when mixing large amounts of material. Ideal for mixing cold cast urethane foam quickly.

WAX SHEET GRADE 266 THERMO STABLE PRESSURE SENSITIVE ADHESIVE BACKED Sheet waxes are most generally used to simulate metal or part thickness. This grade of wax has been developed to prevent wax deformation under exothermic heat conditions. The physical properties that contribute to this wax’s wax’s popularity are: • Uniform thickness accuracy of 0.025mm throughout • Temperature resistance up to 139°C • Firm surface for durability and depression resistance • Maximum flexibility for forming quickly and accurately to any contoured surface • Natural draping characteristics at room temperature and absence of memory (spring-back) (spring-back) eliminates need to warm or temper wax

Sheet size:

Made of a performance proven, high melting point wax formulation for meeting a wide variety of applications. Easily applied to straight or irregularly shaped surfaces because of their flexibility. flexibility. No cutting is necessary. Not affected by lacquer solvents, alcohol or any coating used throughout the patternmaking industry. industry. Produce and maintain accurate radii regardless of application conditions. Can be applied to bare wood or coated surfaces without the use of adhesives. Box Size: 2lbs (24"/60cm lengths) Size #2 #3 #4 #5 #6 #8 #10 #12

Radius 1 ⁄ 8" 3 ⁄ 16" 1 ⁄ 4" 5 ⁄ 16" 3 ⁄ 8" 1 ⁄ 2" 5 ⁄ 8" 3 ⁄ 4"

Length/Box 1152' / 351m 460' / 140m 292' / 89m 240' / 73m 190' / 58m 106' / 32m 72' / 22m 44' / 13m

ANTI-SHIFT INSERTS

305mm x 610mm

Sheet thickness: 0.20 0.20mm mm (10 (10 shts shts/b /box ox)) 0.50 0.50mm mm (10 (10 shts shts/b /box ox)) 1 .5 .5 0m 0mm (8 s ht ht s/ s/ bo box ) 2 .5 .5 0m 0mm (6 s ht ht s/ s/ bo box ) 4 .0 .0 0m 0mm (4 s ht ht s/ s/ bo box ) 6 .0 .0 0m 0mm (2 s ht ht s/ s/ bo box ) Sold per sheet

WAX FILLET

0.25 0.25mm mm (10s (10sht hts/ s/bo box) x) 1.00 1.00mm mm (8 shts shts/b /box ox)) 2 .0 .0 0m 0m m ( 8 s ht hts /b /bo x) x) 3 .0 .0 0m 0m m ( 4 s ht hts /b /bo x) x) 5 .0 .0 0m 0m m ( 3 s ht hts /b /bo x) x) 7 .0 .0 0m 0m m ( 2 s ht hts /b /bo x) x)

TRUE-LINE STEEL DOWELS These dowels are flange-slotted which means that they can be inserted easily, accurately and quickly. Because of the slotted flange, the bushing and pin can be removed with a wrench. Tapered shaft design of pin and square shoulders contribute to accurate alignment. #1, #2, #3, #4 Note: #3 long, #4 long and a full range of wrenches, drills, taps, reamers and counterbores are available to order for each dowel size.

Simply, Simply, this is the most effective means of alignment between cope and drag mould halves. Can be used in moulding boxes or flaskless automated moulding. Full range of tools and cutters are available. 1.5A, 1.5B, 1.75B, 2.0A, 2.5A, 2.5AA, 2.5B, 3.5A Sold per pair

ALUMINIUM LETTERS Gothic style, uppercase letters and numbers. Sharp faced with pins or flat faced with flat backs. Uppercase only. Reversed letters are also available to order. With pins and Flat backs: 1 ⁄ 8", 3 ⁄ 16 16" 1 ⁄ 4", 5 ⁄ 16 16", 3 ⁄ 8", 1 ⁄ 2", 5 ⁄ 8"

With pins only: 3 ⁄ 4", 1", 11 ⁄ 4", 11 ⁄ 2", 2", 21 ⁄ 2", 3", 4" PLEASE NOTE: Dimension is taken along the point of the apex (top). These letters taper out larger to the base.

SUPERFINE FILLER A quick cure filler/bonding putty for filling and repairing FRP articles or where multi component parts have to be held in position prior to laminating. Superfine filler is formulated with special lightweight micorspheres for easier application and sanding as well as minimising component weight.

SUPERFINE FILLER


ALUMINIUM POWDER Very fine aluminium powder for use with most casting resins. Commonly used in applications requiring higher thermal properties. Great for reducing exotherm and shrinkage in large casts while adding strength. Also used for Cold Cast Aluminium effects. 500g, 1kg, 5kg, 25kg


ALUMINIUM GRAIN Commonly used as a filler in resin moulds for vacuum forming and low pressure injection. Imparts high strength and minimal distortion. 1kg, 5kg, 20kg

BRONZE POWDER BRASS POWDER COPPER POWDER These fillers are more commonly used in resins for producing Cold Cast Metal effects. Generally, Generally, higher amounts of metal powder are used to give a true metallic effect. Can be buffed, polished and a patina applied if required. 500g, 1kg, 5kg, 10kg, 20kg, 50kg, 100kg

CABOSIL Used as a universal thickener. It is extremely light in weight. Caution should be taken when using this material as it can be hazardous to breathe.

POOL DUST A sugar crystal sized grade of calcium carbonate. Imparts a glistening effect onto resin when mixed. Can also be used in Winterstone and Gardencast. 8kg, 25kg

INDUSTRIAL TALC A budget priced filler for reducing cost and exotherm in resins. Also used as a surface tension release agent on silicone moulds and as a surface protectant when using high temp silicones. 800g, 3kg, 25kg

MARBLE CHIP A coarse marble chip for use in almost any resin or products like Winterstone and Gardencast. Gardencast. Popular as a filler in standard white cement. 8kg, 25kg

WINTERSTONE This sculpting medium is designed for direct sculpture. It works as easily as clay and sets as hard as stone. When mixed with water it gradually stiffens allowing the user to employ a variety of sculpting and carving techniques. The product can be pigment and mixed with a variety of fillers including metal powders. 5kg, 15kg.

SHELLAC A simple and convenient shellac ready to use in an aerosol can. Just point and spray.

100ml, 100g, 1kg, 10kg

400g

SLATE POWDER

STEEL WOOL

A general filler for ‘bulking out’ resins to reduce price. Fantastic in clear polyester resin to create black bases and busts.

A variety of steel wool grades for polishing Cold Cast Statues.

1kg, 5kg, 25kg

OMYACARB 40 Medium-ground calcium carbonate filler / extender suitable for most applications where a relatively coarse product is required. 25kg

Coarse Fine X-Fine

Grade 1 Grade 000 Grade 0000

500g 100g 100g

VACUUM UNIT High quality vacuum unit comprising of: 3 • 21m /hour vacuum pump • 55ltr vacuum degassing vessel • 63mm 0-100kPa vacuum gauge • 25mm clear acrylic lid • Necessary hoses & fittings

8

BOOKS VIDEOS



THE BEGINNERS GUIDE TO SPECIAL MAKE-UP EFFECTS

FOAM LATEX & PROSTHETIC APPLICATION Volume 1, No. 4

Volume 1, No.1 The first in a series of tapes by make-up effects artist Rob Burman. This video is designed to show detailed step by step instructions for 3 basic make-up applications: 1. Wax build up 2. Bald cap application 3. Gelefects zombie / corpse make-up 120 minutes

SCULPTING & MOULDING A PROSTHETIC Volume 1, No. 3 This tape contains the VIDEFX series with the creation of an ultracal positive and then follows Rob Burman through his sculpting techniques to a finished sculpture of a prosthetic appliance and concludes with moulding the final prototype. 75 minutes

MULTI-PIECE MOULDS Volume 1, No. 5 In this video, Rob takes us through the world of multi piece stone moulds. Every phase of this complex procedure is covered in minute detail, from making the outer four piece mould to its inner core. This basic method of mould making is one that is regularly used in creating puppet and mechanical head skins. 90 minutes

Rob Burman showing all the various stages in running and casting foam latex. From these, the tape continues with the application and painting of the foam appliance with each step shown in minute detail. 67 minutes

SILICONE AND CASE MOULDS Volume 1, No. 6 This tape shows us the intricacies of working with and making a silicone rubber mould. The subject in this case is a core for making a puppet or mechanical head. Every step is shown in extreme detail from making your dividing walls to figuring out exactly how much silicone will be required to fill the cavity. 90 minutes

STAGE MAKE-UP Richard Corson This 400 page hard bound book is designed as a practical reference guide. Shows all the basic techniques and new materials for all types of stage make-up.

Book-03 (available to order only)

TECHNIQUES OF THE PROFESSIONAL MAKE-UP ARTIST Vincent J R Kehoe Hard bound with 285 pages. An encyclopaedia resource textbook covering the methods used by leading make-up artists for the stage, television and film.


FOAM LATEX OVENS Gary Boham Soft bound with 80 pages. Everything you need to know about building a customised, temporary or permanent shop oven. Clear, easy to follow directions make it possible for you to build exactly the oven you want. Industry experts Dick Smith, Gil Mosko, Donna Drexler and others describe how they bake foam and what they expect in an oven.


SPECIAL MAKEUP EFFECTS Vincent J R Kehoe Soft bound with 134 pages. Centering on SFX make-up, Vincent Kehoe has taken the best of “The Techniques of the Professional Make-up Artist” and added it with later make-up marvels such as Ve Neil and Steve La Portes’ “Beetlejuice”. Rick Baker, Carl Fullerton, Dick Smith, Christopher Tucker and Stan Winston.

Book-06

THREE DIMENSIONAL MAKEUP Lee Baygan Soft bound with 183 pages. The Director of Make-up for NBC demonstrates the techniques of prosthetic make-up for film, television and the theatre. Topics covered include: making a mask, moulds, tools, foam latex and full head casts.

Book-01


FOAM LATEX SURVIVAL MANUAL Donna Drexler If you're having trouble with foam latex or would just like some help getting started, then this is the booklet for you. Foam can be tricky, even to the seasoned pros, this publication is packed full of helpful hints to get you through those rough moments. Fully illustrated, soft bound.

Book-07

GRANDE ILLUSIONS Tom Savini Soft bound with 136 pages. The Art and Technique of Special Makeup Effects. This how-to-book covers many areas of make-up effects with introduction notes by Stephen King and George Romero. Loaded with pictures and illustrations from Tom’s films.

Book-14

MAKEUP MAGAZINE Released in bi-monthly instalments, this mag has in depth coverage of all the latest events, methods and materials world-wide. A must for anyone in the industry. Book-Mag


BEHIND THE MASK

FOAM LATEX 911

Mark Salisbury and Alan Hedgcock

Soft bound with 61 pages. Troubleshooting for foam latex, this is Donna’s second book for beginners and experienced foam latex users.

Soft bound with 127 pages. A celebration of the monster make-up and special effects seen through the work of Hollywood artists: Dick Smith, Rick Baker, Stan Winston, Rob Bottin, Steve Johnson and more.

Book-15

MONSTER MAKERS, MASK MAKERS HANDBOOK Arnold Goldman A how-to booklet shows you step by step the making of a latex monster mask, design, sculpting, moulding, casting and painting. 42 pages, soft bound.

Book-16

SPECIAL FX IN TELEVISION Bernard Wilke Want to know how to get a cork to pop out perfectly every time? This book is chockfull of effects like cobwebs, movement control, wind, rain, glass for bullet effects, knives, and a whole lot more. 262 pages, soft bound.


USING GM FOAM In this video, you will gain a basic understanding of the chemistry of foam latex, and how to use foam successfully to create your very own special make-up effects. GM foam video features Gil Mosko, award winning make-up artist and creator of the GM Foam Latex system.

Donna Drexler

Book-21

MONSTER MAKEUP H/BOOK Dick Smith Soft bound with 107 pages. A getting started handbook, a must for beginner’s and quick reference still used by professionals. Fully illustrated and great descriptions of make-up and special effects techniques.

Book-20

GRANDE ILLUSIONS II Tom Savini Soft bound with 100 pages. Back again, by popular demand. Grande Illusions II offers more pictures and techniques.

Book-19

WIGS & MAKE-UP Patsy Baker A 238 page, soft bound book detailing every detail of hair. Also covers some other aspects of make-up.


SILICONE ART Tom McLaughlin

THE FIGURE IN MOTION

This new book covers the materials, methods and techniques for colouring, painting and finishing silicone rubber. Full of information on rapid catalysts, the different types of silicones (tin and platinum), intrinsic and extrinsic colouring, seaming, bonding and plenty more. Soft bound with 81 pages.

T. Easly

Book-24

MODELLING THE HEAD IN CLAY

MEN, MAKEUP & MONSTERS Anthony Timpone Soft bound with 220 pages, Profiles of twelve masters of screen magic, the best you can find in Hollywood, including Dick Smith, Stan Winston, Tom Savini and Rick Baker. From foam latex to complicated puppetry, it’s all here in this essential handbook. Learn the craft of movie makeup.


MOULDING & CASTING HANDBOOK Thurston James A comprehensive guide to the use of more than 30 moulding and casting materials in the design and construction of theatre properties and scenic elements. Includes a section on designing and building a vacuum form machine. Soft bound with 235 pages.

Book-23

A visual reference for the artist, with photographs by Mark Smith of the nude male, female figures and groups. 176 pages, 200 black and white photographs. Soft bound.

Book-27

Lucchesi & Malstrom Master sculptor Lucchesi invites you on a guided tour of the human form. Follow him as he creates a figure in clay literally from the inside out starting with the skeleton, laying on the muscles, and finishing with every detail down to the face and hair, carefully modelled to make a complete figure sculpture. 144 pages, soft bound.

Book-26

MODELLING THE FIGURE IN CLAY Bruno Lucchesi Lucchesi demonstrates in step-by-step procedures, how to work with terracotta on bust, torsos and small figures. The use of Lucchesi’s prong armature, which is removable before firing, is illustrated. 155 pages, soft bound.

Book-25

SCULPTURE: PRINCIPLES & PRACTICES Louis Slobodkin This book shows step-by-step the process used for sculpting of most materials including diagrams and instructions on the use of tools and advice on the best types of materials. Simple mould making and casting explained and illustrated. 255 pages.

Book-28



MOLD MAKING, CASTING & PATINA

MODELLING & SCULPTING THE HUMAN FIGURE

Bruner Felton Barrie

Edward Lanteri

This is an excellent beginners book for those who wish to accomplish basic moulds, casts in plaster and rubber, with no prior experience. It has 116 pages with over 200 photos and line drawings of specific methods and procedures.

This classic book by Rodin’s teacher covers modelling the human head and figure. 159 pages, 309 illustrations, soft bound.

Book-29

GLASSFIBRE HANDBOOK

MODELLING IN CLAY Dorothy Arnold A step by step guide to modelling heads, torsos and other figures. Discusses armatures, moulding, casting, mounting and mock bronzing. A complete how-todo-it book on modelling for the beginner. 128 pages, soft bound.

Book-33

R H Warring Soft bound with 160 pages, this book shows practical descriptions on how-to-do hand lay-up methods producing glassfibre laminates and mouldings and use in casting methods. The book is a practical guide with each chapter providing complete detail on the subject in question.

Book-34

Book-30

MODELLING & SCULPTING ANIMALS

RTV2 MOULDMAKING GUIDE RHODIA SILICONES

Edward Lanteri Reprint of one of the three volume work originally published in 1911. Lanteri was professor of sculpture at the Royal College. The other two volumes are available as a single volume reprint under the title Modelling & Sculpting the Human Figure- Book 33. 233 pages, 203 illustrations, soft bound.

A practical guide detailing how silicones are used in moulding applications. Its contents are addressed both to those already moulding with other materials and those wanting to learn these techniques. With this goal in mind, the document provides full, unabridged details of certain moulding techniques.

Book-Rhodia

Book-31

MATERIALS & METHODS OF SCULPTURE

AUTOMOBILE DESIGN TECHNIQUES Frederick E Hoadley

J C Rich A complete reference of materials and methods that has become a standard reference book. 380 page, soft bound.

Book-32

CLAY MODELLING – AUTOMOTIVE Yamada Book-36

This book present a comprehensive study of design modelling techniques; beginning with the early years, advancing to the procedures of today, and forecasting the expectations of tomorrow. Hoadley is eminently qualified to present his views regarding the design process.

Book-35

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BARNES PRODUCTS PTY. LTD. 6 Homedale Road, Bankstown NSW 2200 P.O. Box 393, Padstow NSW 2211 Telephone (612) 9793 7555 Facsimile (612) 9793 7091

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CONDITIONS OF SALE

DISCLAIMER

Goods are sold only subject to these conditions and upon the basis that they are at the customer’s sole risk, and so far as they may lawfully do so the manufacturer, distributor and retailer (their servants and agents) hereby exclude themselves from all liability in respect of all loss and damage and be bound by, or responsible for, any other conditions of sale, or any representations, specifications, promises, warranties or conditions of any kind or description expressed or implied statutory or otherwise.

We have attempted to provide suitable precautionary statements on all hazardous or suspected hazardous chemicals. In many instances chemicals have not been studied for hazard or toxicological effect. The burden for safe use of all our chemicals is the sole responsibility of the buyer or user. Our products are intended to be used by qualified individuals who are familiar with there potential hazards. Individuals using these materials should refer to the Material Safety Data Sheet (MSDS) and product labels for applicable warnings and safe use. One should always work in a well ventilated area when handling all chemicals.

Products may cause damage or loss if used otherwise than strictly in accordance with the directions for its use. Each user should conduct his own tests to determine the suitability of this material for his particular purpose. Goods remain the property of the supplier until paid in full. Prices are subject to change without further notice.

RETURNS Any item deemed defective by Barnes Products will be replaced or an adjustment made. Notification of defective products must be made to Barnes Products within 7 days of receipt. Any product selections suggested by Barnes Products employees are given to the best of their knowledge. Returns will not be accepted as a result of these selections.

GST All prices quoted are ex our Sydney Works and include GST. Goods and Services Tax is charged on all products. Contents of this catalogue are offered as a guidance for selecting the correct product for your application. Please note specifications on most materials are determined at room temperature (25°C).

DUROMETER

SHORE A SCALE

A durometer is the device used for measuring the hardness of plastics, synthetics and natural rubber materials.

(soft rubber like materials effectively measure from 10-90)

The Shore A scale is most commonly used as a measurement for the more “rubber-like” materials, including most silicone RTV materials. (Silicone rubbers generally run between 20 and 60 on the Shore A scale.) The Shore D scale will measure harder elastomeric products. Both scales measure hardness on a table from 0 to 100. The higher the measured value, the harder the material. Ratings are always qualified to plus or minus 5 points due to variations of test results from operator to operator.

VISCOSITY Viscosity is the measurement of a fluid’s internal resistance to flow. This is normally designated in units of centipoise or poise. Approximate Viscosities of Common Materials at room temperature

Water Machine Oil #30 Motor Oil Olive Oil Castor Oil Karo Syrup Honey Molasses Peanut Butter

1cps 100cps 250cps 500cps 1,000cps 5,000cps 10,000cps 100,000cps paste

THIXOTROPIC Materials reduce their viscosity as agitation or pressure is increased at a constant rate. Ketchup and mayonnaise are considered thixotropic materials. They appear thick or viscous but actually pump quite easily.

0 10

Very soft rubber or skin-like materials Art gum eraser

20 30 Vinyl toys 40

65

50

Auto radiator hose

60

Auto tyre tread

70 80

Vinyl feet for chairs and garden hose

90 100

SHORE D SCALE (hard rubber like materials effectively measure from 45-95) 45

Moulded plastic cable ends & plugs

55 65 75

Foundry pattern surfaces Skate wheels Computer casings

85 95


Formica table top

INDEX ACETONE

35

PAX REMOVER

38

ACRYL 60

44

PC12 THIXO

22

ALGINATES


46–48

PIGMENTS

50–51

ALGINATE BONDER

48

PIPPETTES

35

ALUMINIUM LETTERS

55

PLASTER

ANTI-FOAM

54

PLASTER BANDAGE

ANTI-SHIFT INSERTS

55

PLASTICENE

AQUA CREAM

38

POLYESTER RESINS

34–35

POLYURETHANE

24–32

ARMATURE WIRE

6–9

40

BLOOD

40

ALUMINIUM

56

BODY ART INKS

42

BRASS

56

BODY FILLER

55

BRONZE

56

COPPER

56

CABOSIL

56

SLATE

56

OMYACARB

56

POOL DUST

56

TALC

56

MARBLE CHIP

56

58–62

BRISK

41

BRUSHES

54

CATALYST DISPENSER

35

CLAY

6–9

CONSOLIDATION ROLLERS

35

CPE DISPENSING

31

DENTAL IMPRESSION TRAYS 48 DENTAL SEPARATOR

44

D’LIMONENE

22

DRY AIR BLANKET

54

E41 & E43

22

ELASTOMERIC GEL

32

EPOXY RESINS

36

EYE DROPPER

54

FASTFLEX

32

FIBREGLASS

Barnes Products would like to thank the following companies for their contributions to this catalogue.

48

BALD CAP

BOOKS

66

9

44–45

CHOPPED STRAND MAT

35

SURFACE TISSUE

35

WOVEN CLOTH

35

POWDERS

PROSAIDE

38

RELEASE AGENTS

33

SAFETY EQUIP.

54

SCRIM

48

SCULPTING TOOLS

11–15

SF18

22

SHELLAC

56

SILICONE

18–22

SILICONE DILUENT

22

SILICONE KEYS

48

STABILIZER 43

22

STEEL WOOL

56

STO

22

FLEXIBLE MIXING BOWLS

48

FOAM LATEX

39

SUPER GLUES

52

G790

22

SUPER SOLV

41

Plowright Fine Arts

GELEFFECTS

40

SYRINGES

54

Ctc: Terrance Plowright Telephone (612) 4757 4777 Facsimile (612) 4757 4717

GYPSUM

TELESIS

41

ISO ALCOHOL

40

TEXTURE STAMPS

Seamless Worx

ISO MYRISTATE

40

THIXO M

22

Ctc: Adam Johansen Telephone 0412 778 836 [email protected]

JEWELLERY ALLOYS

54

TINSLEY TRANSFERS

40

KE45T

22

TOP GUARD

41

Brett Beacham Telephone 0416 062 740 [email protected]

LATEX

38–39

TRANS POWDER

38

Morphogenisis Ctc: Martin Rezzard Telephone 0404 844 097 [email protected]

TDL & S Tom Lampropoulos Telephone 0416 188 352

44–45

9

LOADS O'LURES

32

TRUELINE DOWELS

55

MEKP

35

VACUUM UNIT

56

MIXING ITEMS

54

VIDEOS

MOULD BANDS

48

WAX FILLET

55

MOULD STRAPS

48

WAX SHEET

55

NATURO PLASTO

38

WINTERSTONE

56

58–62

www.barnesproducts.com.au

Barnes Molding & Casting Products

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