M
22 .Bll W644 1893 vol.
1
lU^liiilliill£il^tiZiiilUiltii^^
SCHIKIAEFJS LIB FLA FLY
i
Schirmer's Library of Musical Classics •
•
Vols. 13-14
J OH ANN Sebastian
Bach
THE WELL-TEMPERED
CLAVICHORD FORTY-EIGHT PRELUDES AND FUGUES IN
TWO VOLUMES
f EDITED BY
CARL CZERNY WITH A BIOGRAPHICAL SKETCH OF THE AUTHOR BY
PHILIP
G.
SCHIRMER
HALE
(INC.),
NEW YORK
Copyright, 1893, by G. Schirmer (Inc.)
Printed in the U. S. A.
fXOHANN SEBASTIAN BACH, %J
member
the greatest
temper was stormy. He was aware of his own worth yet he was free from the common jealousy and vanity Of musicians. A severe teacher, he was beloved by
sanguine
of a large
;
family of distinguished musicians,
March 21, Hisfather, Johann Ambrosius 1685. Bach(i645-i695) was a violinist and an organist, and he married for his first wife, Elizabeth Lammerhirt of
was born
Erfurt,
Eisenach,
at
who
her eighth and
last child,
up and taught by
forehead, deep eyes,
Sebastian,
mouth
was about
ness,
his father,
and, in
from
do with the Maker of the Matthew Passion, the Mass and the church
clavichord lessons from his uncle,
Johann Christoph.
Stories are
cantatas
still
and and in 1700 Liineburg, from which place he
told of the jealousy of Sebastian's brother
studies of the boy,
who
sang
received free education in
made excursions on
the secret
the choir,
in
Hamburg, to hear the organists Reinken and Liibeck. About this time Bach became acand quainted with the works of the French clavecinists foot to
;
the influence of Couperin, the Great, his
paratively of the education of Bach
probable that he Bach's
first
was
is
We
compositions for clavichord.
;
seen in
know but
many
com-
little
it is
of
more than
essentially an autodidact.
position
was
1703 as violinist in the
in
A few
Ernst at Weimar.
orchestra of Prince Johann
months afterward he was appointed organist of the New church at Arnstadt, in which town he staid four years.
He
visited Lubeck,
and associated with Buxtehude,
influenced mightily his compositions for organ.
who
In 1707
the
had neither an organ to play nor a chorus to lead he His devoted himself to orchestral and chamber music.
strange, at times inexplicable.
;
the next year he married
Anna Mag-
she dalena Wiilken, the daughter of a court trumpeter sang, copied music, and bore her husband thirteen ;
children, six of
whom grew
up
;
she died in 1760, after
Bach went to Cantor at the positions of fill the Leipzig in 1723 to Thomas School and musical director of the city. Here His eyes troubled he labored for twenty-seven years. him seriously during the latter years of his life, and at the living for eight years
on public
charity.
by enormous
labor.
We
flat
new
in-
counterpoint and household joy and care.
His nature
was
Copyright,
1893,
the others
J.
A. Hiller
tells
us in his
life of Bach (1784) that Bach employed all the fingers equally he had invented his own system of fingering for conquering difficulties, and it rested chiefly on the use of the thumb. ;
From
the purely musical standpoint, these preludes
and fugues are a
monument
Cart well says, this chaste
As William "screaming"
for all time.
Muse shuns
the
nor will she speak to the jaded ears of a crowd indifferent, or greedy for startling effects. " Each of these pieces has its own cachet and you relight of the concert hall,
;
have no time to look
struments, the parochial quarrels with petty officials, the The man's life was one of intercourse with rulers.
regard
concerned
Bach here showed the possibilities of the new system. A new system of fingering was introduced inevitably by this work. Before Bach, the little finger and the thumb were almost never used, for although Couperin gave in 17 17 directions for using them, his manner is
Others are full pours out his soul
at the
;
we are
of the tone that follows are regarded as identical"
member
contests with foreign virtuosos, the interest in
tiois
fairly accurate,
He
died July 28, 1750. end he was totally blind. These are the baldest outlines of a life distinguished
may we now
were ignored. Our present system is a compromise, and the only interval tuned with accuracy is the octave. "The sharp of a tone and
grew up. 1708 saw the couple in Weimar, where Bach was court organist and chamber-musician to the reigning duke, William Ernst, who was fond of churchNine years were spent busily and agreeably in music. Weimar. In 1717 Bach entered the service of Leopold, prince of Anhalt-Kothen, and lived at Kothen where he ;
nor
with the composer of "The Well-tempered Clavichord," sometimes called "the 48 preludes and fugues." This work is in two parts, and each part contains 24 preludes and 24 fugues. The first part was finished in 1722 at Kothen, and to this part alone he gave the name " The Well-tempered Clavichord." The second part was finished in Leipzig, probably in 1744. It is believed that early compositions, were used in the compilation of the first part, and it is certain that many preludes had already appeared as independent compositions. Bach is said to be the introducer of our present system, the "equal temperament," but it was known probably before, as Mersenne gave the correct number of the ratios in 1636. In the first system of temperament, the "unequal" or "mean-tone," the more common scales
were
four
;
the master of organ prelude and fugue
Bach moved to Miillhausen, where he played the organ and taught for a year. Here he was married to his cousin, Maria Barbara, by whom he had seven children, of whom
wife died in 1720
summed up his own age,
a musician he
exhausted and looked beyond even the end of But we have not to this century.
probability,
all
The man was
the past,
;
violin lessons
large
a face of keenness, frank-
:
and strength.
As
Christoph, organist at Ohrdruff the
boy had received
good and
economical, honorable, yes, noble.
Johann
his brother,
robust, broad-
shouldered, with highly developed
was brought
Sebastian
He was
his pupils.
After the death of
nine years old. his father,
when
died
his
;
it,
Are some severe ? of modern romanticism. If Bach now
as the face of a loved one."
in prayer,
or gives
way
to
gloomy
thought, at other times he laughs with peasant gayety and
dances and sings with the people.
And
often the
most
surprising contrapuntal feat escapes notice by the apparent simplicity of the performance. by G. Schirmbr.
Philip Halb.
;
:
;
:
:
Vorwort.
Preface. The
new
principal object in issuing this
edi-
tion of J. S. Bach's "
"
Well-tempered Clavichord has been to make it as correct and complete as possible, both by means of comparison with all preceding editions, and by collating with some In marking the fingering, earlier manuscripts. which renders this issue far more generally useful, two points have been steadily kept in view First, to keep the hands as quiet as may be, even in extremely complicated passages;
Bei dieser neuen Ausgabe von J. S. Bach's wohltemperirtem Clavier hat man vor Allem gestrebt, durch Vergleichung aller frtthern Ausgaben so wie einiger <ern Handschriften, die moglichste Correctheit und Vollstandigkeit zu erlangen. In der Angabe des Fingersatzes, wodurch dieses Werk eine weit grfissere Gemeinnutzlichkeit erhalt, wurde stets der zweifache Gesichtspunkt beachtet Erstens, die Hande, auch in den verwickeltesten Fallen mdglichst ruhig zu halten Zweitens, jede einzelne Stimme von den Andern unabhangig, streng gebunden und folgerecht ausfuhren zu konnen.
Secondly, to enable the player to bring out
each separate part independently, with perfect smoothness, and with due regard to
Der Spieler wird
verwendende Miihe, sowohl auf dem Pianoforte wie auf der
the phrasing.
Patient study, either on the pianoforte or on the organ, will be rewarded by the rich and effect
full
produced by a smooth and flowing poly-
has been
finden, die mit
belohnt
einem vollstimmigen und
fliessen-
Das Zeitmass und den Vortrag habe
my
endeavor to indicate tempo
acter of each
movement
Fugen
according to the well-remem-
bered impression
number
einst
von Beethoven
vortragen
hSrte;
made on me by Beetho-
ven's rendering of a great
ich
Erstens, nach dem unzweifelhaften Character eines jeden Satzes Zweitens, nach der wohlbewahrten Erinnerung wie ich eine grosse Anzahl dieser
according to the unmistakable char-
Secondly,
Wirkung
den Spiele hervorgebracht wird.
and interpretation First,
die daran zu
Orgel, durch die gehaltreiche
phonic rendering. It
: ;
;
nach den Ideen aufzubewahren zeichnen und zu gesucht, welche Drittens, endlich
of these
fugues
ich selbst durch ein
mehr
als dreissigjahri-
Thirdly, according to convictions matured
ges Studium dieses Werkes
by more than thirty years' study of this work.
setzte.
Wo
in
mir
fest-
ein bedeutend schnelles Zeitmass vorge-
Wherever an extremely rapid tempo is indi- schrieben wurde, ist es naturlicher Weise nur cated, this is, of course, meant only for the piano- fiir das Pianoforte berechnet. Wollte man jeforte. When playing passages so marked on doch die so bezeichneten Satze auch auf der Orgel vortragen, dann miisste allerdings das Tempo the organ, the tempo must be moderated very bedeutend langsamer
genommen werden.
decidedly.
Those who have no Maelzel's Metronome hand are reminded, that the Allegro compositions
more
is
tranquilly
to be taken, as
and slowly than
in
a
in
at
these old
rule,
much
modern works.
Fiir
diejenigen, denen
kein
Maelzel'scher
Metronom zu Gebote steht, wird noch erinnert, dass das Allegro bei diesen altern Compositionen in der Regel viel ruhiger und langsamer zu nehmen ist, als bei modernen Tonstucken.
CARL CZERNY. Inverted
mordent.
Trill
Mordent
without after-beat.
-trr± Praller.
Mordent.
;
I Triller
ohne Nachschlag.
ixois
Trill
with after-beat.
Triller
mit Nachschlag,
Contents Vol.1 page 4
Fllg"a a 4 voci page 6
f^c^'
p
page 62
Puga
a 3 voci
Preludio
page 66
Fug"a
a 4 voci
page 68
Preludio
page 70
Puga
a 3 voci
page 72
Preludio
page 76
Puga
a 4 voci
pag-e 78
Preludio
page 80
Fuga
a 4 voci
Preludio
page 84
Puga
a 4 voci
page 86
Preludio
page 88
Fuga
a 3 voci
page 89
page 64
f^r
Preludio
page 8
Preludio
Preludio
7
Preludio
page 18
Puga
a 3 voci
Puga
a 3 voci
Fuga
a 5 voci
Preludio
page 24
Puga
a 4 voci
Preludio
page 28
Puga
a 3 voci
Preludio
page 32
Puga
a 3 voci
page 38
Pug"a
a 3 voci
page 10
page 14
page 20
page 26
r
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page 40
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pag-e
92
page 94
Fugaa4'
^
a 3 voci
Preludio
page 100
Fugaa3voci
Preludio
page 104
Fuga
a 5 voci
page 108
Fuga
a 4 voci
Fuga
a 4 voci
page 102
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Preludio
page 52
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page 50
Fug"a
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page 54
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BR/GHAM YOUNG UNIVERSITY
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