ATCL ATCL Recital (Piano) Lee Jia Jia Wen 1-456120045 09:00 Tuesda 12t! "a 2015 T!e #o$t!a%& Penan'
Programme
o%enico *ca$latti
+e,oa$d *onata in & +259
2 %inutes 40seconds
+e,oa$d *onata in & +260
. %inutes 40seconds
Jose/! adn
*onata in lat %a3o$& o,:49 : Allegro non troppo : Adagio e cantabile : Finale-Tempo di minuet
6 %inutes 00seconds
Jo!annes 8$a!%s
nte$%eo in A %a3o$ /117& #o 2
Claude e,uss P$;ludeⅠ& no2& <oiles<
2 %inutes .0seconds 6 %inutes 20seconds
. %inutes 50seconds Total ti%in':
Domenico Scarlatti (16851757) Ke board Sonata
7 %inutes 10seconds
..%inutes10seconds
iuse//e o%enico *ca$latti =as an talian !a$/sic!o$dist and co%/ose$ *ca$latti>s 555 ?e,oa$d sin'le %o@e%ent sonatas a$e !i'!l distincti@e and o$i'inal& %ostl =$itten in ,ina$ o$% *onata in & +259 s!o=s %atu$it o stle and t!is sin'le-%o@e%ent ?e,oa$d sonata ,e'ins in coc?su$e !i'! s/i$its =it! a t!e%e t!at is successi@el /$esented in t!e u//e$ and lo=e$ $e'iste$s o t!e ?e,oa$d n a '$ande$ and %o$e $adical scale is t!e *onata in & +260& =!e$e once a'ain /assa'es o un$easona,le etensi@e $e/etition alte$nate =it! %o$e a%ilia$ %ate$ial t is ull o t!e %ost i%a'inati@e %odulations and ,$in's to %ind 'uita$-li?e i'u$ations
Sonata in E fat major, Hob. XVI:49, also known as the “ en!inger" Sonata, is Ha#$n%s late &erio$ work 'om&ose$ aro(n$ )*+9)*9-. It was =$itten o$ !is $iend& "a$ia Anna @on enin'e$ and dedicated to "a$ia Anna Je$lisc!ec? T!e sonata o$%ed 1st %o@e%ent& Allegro is an ecellent dis/la o concent$ated %oti@ic =o$?in' t o/ens =it! ,$o?en t!i$ds %elodic %oti@es =!ic! a$e /unctuated , ull-,odied t!i$ds in t!e let !and 'i@in' it its s/$in' i%/ulse T!e second %o@e%ent& Adagio e cantabile is a%on' adn>s %ost intensel e/$essi@e ?e,oa$d slo= %o@e%ents W$itten in t!e te$na$ (A8A) o$%& t!is l$ical %o@e%ent is %ade u/ o $ee-lo=in' %elodic lined =!ic! a$e o$na%ented and deco$ated T!e Finale, in %inuet stle& alte$nates %a3o$ and %ino$ /assa'es in t!e sa%e ?e t is a c!a$%in' %o@e%ent& ,ot! inti%ate and adeuatel la$'e-scale to %a?e an ecellent conclusion to t!is ,$illiant sonata Joseph Haydn (1732-1809) Sonata in E flat major Ho!"#$%&'9 I. Allegro non troppo II. Adagio e cantabile III. Finale-Tempo di minuet
Johannes rahms (1833-1897) %ntermeo in * major +p"118 ,o" 2
B$an Jose/! adn =as an Aust$ian co%/ose$ o t!e Classical $a
Claude Debussy (1862-1918) Co%/osed to=a$ds t!e end o 8$a!%s> lie& nte$%eo in A %a3o$ li?e se@e$al o t!e sa%e /e$iod is nostal'ic as /$o@en , t!e use o t!e te$% DteneramenteE t is =$itten in t!e te$na$ o$% (A8A) to acco%%odate 8$a!%s> %atu$e stle %itati@e tetu$es (canon)& one o 8$a!%s> a@ou$ite co%/ositional de@ice can ,e !ea$d in t!e slo=e$ c!o$dal /assa'es o t!e slo=e$ %iddle section t!e$ t/ical eatu$es o 8$a!%s> stle eatu$ed in t!is /iece include $euent dou,lin's o t!e %elodic lines in t!i$ds and sit!s& /edal /oints and dense sono$ities in t!e lo=e$ $e'iste$s o t!e /iano
r.l/deⅠ no"2 $oiles
Ac!ille-Claude e,uss =as a /$o%inent B$enc! %usical co%/ose$ Alt!ou'! D%/$essionis%E can ,e oten seen in e,uss>s co%/ositions& !e i$%l denied t!e association n 190.& e,uss =as !ono$ed =it! t!e status o C!e@alie$ o t!e FLe'ion o ono$> as one o t!e %ost si'niicant co%/ose$ in B$anceT!e 24 /$eludes& in t=o ,oo?s o t=el@e eac! =e$e /u,lis!ed in 1910 and 191. T!e $e/$esent e,uss>s %atu$e stle oiles is t!e second /iece in t!e i$st set o t=el@e /$eludes T!e title %a t$anslate to n'lis! as eit!e$ @eils o$ sails T!e enti$e /iece uses t!e =!ole tone scale ece/t o$ so%e %ild c!$o%atis% and a s!o$t /entatonic /assa'e T!e st$uctu$e o t!e /ieces ollo=s a te$na$ o$% (A8A)
