/[RTIST TN1|l{SflRIPTIOI{S
SAXf'PHONE
?ryruv
ceLL €
€. T t
)lV
***w,
Photc. by Laurie Pepper
HeI LnoNART) *qpry1i-****'?- .ffi,9#ffiHryf;flit,il.iii,,:::l,3g
;ii
-
-: -' -:if'
.
'r l.:
:::.:::; ..;]:
D FORE W O;'R ;:' !-r:
'
is not often that a musician can
g€
.':
I disappear' - ':- Rnétn6ithord ,..; 1.
often associated with Art's music is
r:
I consisiency.
from the jazz world for a number of years
No matter how bad he might have feli when
and then make a spectacular comeback.
he recorded, his work does not show it. Aiternate takes
For someone to do it twice is a miracle.
now available show what a resourceful and hard working
Art Pepper may be the onlY mqor
soloist he was, making every note and phrase count. He
iazz
was fortunaie that he was affiliated with the Contemporary
voice that did just that. A major soloist
and Fantasy labels, with sympathetic label heads Les
with the Stan Kenton Orchestra and one of the leading
Koenig and Ralph Kaffel. His years at Fantasy fill over
voices in the West Coast jazz scene of the early '50's, his
16 CD's! Yet there is noihing in that collection that would
drug addiction stalled his career and created a lot of
be thought expendable, even when Art worked with
negative publicity. He came back hotter than ever, made a
someone where the rapport was missing.
classic series of jazz albums, and then suddenly left again
for an even longer period of time. When he re-emerged in the late'70's, he returned to stay. By the time of his
And it was Kaffel that gave him what he most
;,
wanted; a ballad album with strings. WINTER MOON has
death in 1 982, he'd proven that he was otre of the
.-l
now jdined the ranks of only a handful of 'soloisi with
greatest voices in the history of jazz'
stringó' álbums that really work. lt is understandable that '
'f.
¡..,
autobiography STRAIGHT LiFE - The Story Of Art
'
Pepper, perhaps the most candid autobiography by an artist in any field. Art believed in the truth, in liíe and his music, so it was typical of him ihat he did not spare him-
l
Art thought it was his finesi album. 1 ,,
Art Pepper's life is chronicled in detail in his
This book starts with solos from the the years
right after he left Stan Kenton and played with such lead-
'
ers asshorty Rogers and Shelly Manne, as well as lead-
self in telling his tale. The volume you now have before
ing'hii own groups. PEPPER RETURNS signifies the
you celebrates his music. lt is made up of solos on Alto
first comeback for Art, and STRAIGHT LIFE begins
Sax and Clarinet from the years 1952 thru 1980, and chronicles the long and precarious path that Art's music took. And yet there are a few constants throughout his
a
. selection of solos from his classic Contemporary albums.
From OPHELIA onward, these solos are from his last' maturé period. Art composed many new pieces during '
l-.
work; no matter how 'out' Art could get in his soloing, he
ihis time, and he often returned to composiiions from his
alwaysEtiessed melody and beauty in his music making
earlier years. As a bonus, we have included two versions
G
His ballad playing is one of the treasures that he left us; gorgeous, often effusive, and yet funky at the same time.
of SURF RIDE, the firsi from 1952, the second from 1979. The similarities and differences are striking between the two, as even a casual look will show.
And when the tempo was fast, his invention was unflagging; he matured in the era of jazz where musicians had to prove ihemselves constantly against the competition. Art was always ready to show a troublesome rhythm section that he could hold his own and 'cut' them
lf music was truly Art's life, then this book is him a kick to know his music was being played and studied. I hope you have fun playing it.
if necessary. His wife Laurie has wriüen that he often played better under such pressures, that ultimately he loved noihing better than to be challenged. He spent his life showing listeners that he deserved their attention, and he experienced their love and adulation many times over in the years before his death'
a
supplement to his autobiography. I'm sure it would give
Jeff
Sultanof
CONTENTS
ALBUM
TITLE
PAG
E
ART S OREGANO
SURF RIDE
lo
DIANE
GETTIN TOGETHER
'R
LANDSCAPE
LANDSCÁPE
50
LAS CUEVÁS DE MARIO
SMACK UP
e1
MAKE A Lls-r
IMAKE
A
wlsH)
STRAIGHT LIFE
62
ON E SEPTEMBER AFTERNOON
74
oPHELIA
LIVING LEGEND
.)+
PEPPER RETURNS
THE RETURN OF ART PEPPER
t+
soMErlME
LANDSCÁPE
46
STRAIGHT LIFE
ART PEPPER MEETS
MR. BlG FALLS Hls
HAND i----------------'G:
THE RHYTHM SEC-rION
suRF RIDE
(l)
SURF RIDE
suRF RIDE (il)
STRAIGHT LIFE
THAT:S LOVE
wlNrER MOON
THE TRIP
THE TRIP
WALTZ ME BLUES
ART PEPPER MEETS
THE RHYTHM SECTION
20 o
56
39
6
Alto
sflRF Rrritr (r)
Sax
2/7 /52 Surf Ride
Very Fast./ = 216
Written by ART pEppER
G6
(w/ Bass + Drums.)
/
-
h
^f E;ttl ñ, x," lAll *_----G6
cf"
G6tD
.--lD)
=__
,.-;> E7(b e)
AmiT
D+7(b9)
AmiT
.,---¡]..
E
G9
D+7(b9)
FmiT
.---i.
C$mi7
E7(be)
AmiT
DmiT
BmiT(b5)
E7
Copyright @ 1954 ARTHUR pEppER MUSTC Copyrighr Renewed lntcmational Copyrighr Secured All Righrs Reseñed
EmiT
D7(b e)
D7(be) c6
Aml /
E
D7(be)
E7(be)
D7(b
AmiT
MG6
e)
EbmiT DmiT G7(b9)
BmiT
Bbmi6
AmiT
D7(be)
AmiT
D7(be)
EbmiT DmiT
G+7
t4q -G6
BmiT
D7(be)
G6
D7(be)
G6
m¡t
C7
;\
F;A
AmiT
D7(be)
AmiT
GmaTlD
D.S. (w/ Repeat)
AmiT
D7(be)
W;A D7
D7(be)
------------'t Ge(c11) ---+-\ñ\
e
al.$
Photo by Laurie PepPer
l0 Alto
AR.T'S ORtrGAJ{O Sax
Fast J = 200 (Unaccompanied)
12/27 /53
,_f I
Tenorl
x
tr--l t utttl
I
E
D6
G6
EmiT
A7
F{mi7
AmiT
D7
BmiT
B7
E7 ,----. : *+;
EmiT
AmiT
!.- a
f B7(b' EmiT/A
A7(bs) DmiT
GmiT
_ Gmi6
Fgmi7 F7lB EmiT EbTtA
/ ''-\----'*^r¡r'¡'¡ -bt^i :-=---:> E7(b\ AmiT/D D7ft
D9
GmiT
lEll
-----l--l) G
Cmill
G6
.--T>--
cm);;;fmi6
AmiT
,{\
BmiT BbTtEAmiT
D+7
Ab7/D
E7
trT>t DmiT
rlN
Coplrighr O 1954 ARTHUR pEppER tvtusIC Copyrighl Renewed Inremational Copyright Secured All Righrs ReseNed
G+7
EmiT
A7
r-------..--
DmiT
G7
GmiT
C7
CmaT
Cmi6
BmiT Bb7lE AmiT Ab7lD
FmaT
Fmi6
EmiT Eb7lA DmiT
^-)
----
E
F
ÉInl /
D6
A7
Ffimi7
BmiT
AmiT
B7
,<--.
{;;-87
EmiT
AmiT
;;
Fine A7
Gmi6
D/A
Cmi6
G/D E7
B7
EmiT A13 D6
----_-::D7A
-*
DmiT
G7,.,
C6
AmiT D13 G6
B7(be)
F$miZ
EmiT
B7
EmiT
AmiT
A7
D7(be)
Gmi6
AmiT
E7{be)
Cmi6
lF I vLl
D7(be)
D7
G6
Bb7
B'7
//---<
._'-
F#miz
G6
Gmi6
<-...."....--.
87(b e)
EmiT A7
EmiT
A7(be)
413
13
m
|
^
lnal
Al
II
enor Jotol
8
II fDi.-^
I
F$mi7
llml/
AmiT
G9
rr-¡l I.JJI
5t
út1A
F*mi7
87(b e)
t4
PE,PPtrR RTTURI\S 8/56 The Retum of Art PePPer Written by ART PEPPER
Alto Sax
VeryFastJ =ZO¡
WilWth*r*A
tf ----__; r^-l lv¡.¡j'l
^-
^/ f5 fa-rl
'-,---
|
| +Rhythm Bb6
I
D7(be)
't-;
--:
';
----
A7(be)
Bbmi6
--1--
Copyrighl O 195ó ARTHUR PEPPER tvluslC CoPYright Renewed
Intenrational Copyright Secured All Rights Reseryed
\/
15
F7(be)
Bb6
:----\
c7(b9) FcF=
-
[:=bt
9*i7------>
cll zf-='-
AmiT
D't(bg)
EmiT
A7(b9)
--------fE
fiDmi
A7
/1-¿ ^ Eb7
>-'1--.
-\
l6
-----:-=--
Cmi
>,-{-=----.
f"Dmi
l-r
A7
.C-t
c13(be)
Ge(f 11)
D7(be)
A7(be)
GmiT
Lmt/
F6
DmiT
GmiT
C7
11
Bb6
')
r.-_ ;l lJolo óreaKl F6
r--Jl
-a.D. I
tl
-'
fF6
al,f,oq
^7(be)
-I
GmiT
Dmió
AmiT
Gml /
C7(b9)
l8
@
Dmi6
A7(be)
Ab e(f
c7(re)
/--
Abo
c7(be)
(vITlI /
Ab"
)-
GmiT
Abo
GmiT
l1)
L7
F6
EmiT
A'7
t;---_-l ])ms.l
_-----:-.
.ílj+
|
A,I
@
F6
D.S. w/ repeat al Coda
W*')
CODA
S
Bbe(g11)
Epe ^
I
so'l
pe1X111
STR.AIGF{T LIFtr
20
Alto Sax
I 19:Art Pepper Meets the Rhytlm Sectir-: Written by ART PEPPER.
VeryfastJ:f¡A
tr*TD-il
---\
CRhyhA
%
Cmi6
Cmi(ma7)
Cma7
E E
E7
--
Dmi6
G7(be)
Cmi6
87(be)
EmiT
BbmiT
il)\
Copyright O 195ó ARTHUR PEPPER MUSIC Copyright Renewed Intemational Copyrjght Secured All Righls Resened
Ab7
Cmi6
G7(be)
Cmi6
EmiT
D13(be)
22
Cmi6
G6
l-;
G6
Db9
. | ,---\
/-;\
f G6
D13(be)
CmaT
GmaT
CmiT
Ami6
Go
87(b e)
G9
/J
BmiT
Bb mi7
f-=.---------;--
lftano
I|'Bass Solo Pickuos
Sotol
,----=fE^'iild
Dms. Solo Break
l,1Jl
4
Cmi6
3' 6;il
tl I JA.T.i ñ;t rJol I
(t)i
T;--l lJdx.l
Cmi6
C6
Gó
A9
f^----l
lutns.l
I
D13(be)
C6
BmiT
mi7 A,N
Bb
D13(+l
l)
D.S. rv/ repeat al Fine Db9
Photo by Laurie Pepper
WAL'T'Z Mtr BLTTES
26
1/19t5'.1
Alto Sax
= 180
Art Pepper Meets the Rlythm Section Written bv ART PEPPER and PAUL CHAMBERS
tr;r D;A
(c{")
(c)
_-----=lqo ^*b- - - -
EmiT C
ATIC* D7
omil ^f
D7(be)
AmiT
Bb7({e)
T;I IAJ
F;;¡A rr@
AmiT
BmiT
I
Jar.
E
r*
I
GmaT
G7(f e)
tp
I
r)----. n) \
.-
==:>-
t.-.
lA
f--:--l bass Jolo I
I
Copyright O 1956 ARTHUR PEPPER MUSIC CopYrighi Renewed Intemational Copyrighl Secured A¡l RiShts Reseñed
7> 2:¿ G
AmiT
T^-;t /l
AmiT
Bbmi7 Bbmi6
BmiT
CmiT
M IA
-
XI
u_t:l
| Dms. Solol
------
27
tAql
F¡rrd:
'l ¿1a
---:--=:
_ -
@
G
f,p-
-'-->\
28
DíAhIE
AIto Sax
2/29/60
t_ f;-;;--r óarraal
G13(bsXbe)
|
r_
FmaT
J
G7(be)
______r
G13(be)
Gettin'Together Written by ART pEppER
E
a-
AmiT
Cma
AmiT Abmi7 GmiT
FmiT
G13(be)
Eb7(re)
Db7(be)
CmaT
AmiT Abmi7
GmiT
Gb9/13
G9/13
G13(# 11)
¡-.-l---¡
Cma9/G
Bb 13/F
Gr3(f
11)
---'----Copyright O 1956 ARTHUR pEppER j\{USIC Copyrighr Renewed lntemalional Copyr¡ghr Secured All Righrs Reserued
29
G7f s(fle)
BmiT
Ami(ma7) AmiT
AmiT
Cma7
Cma9
G7(#sXbe
G7(f e)
AmiT AbmiT GmiT
Gl3
|1mt /
ñma/
Gb7
EbmiT
DmiT
Db7(be)
Lma /
G7({s,fl9)
[___l tJd,Y.l
Piano Solo - Double Time
fÁz
Gb7
-(l¡¡l IL¿I
Gl3
ts
Fmil1/Bb
lTlá /
t-J
BmiT
E7(b e)
_J
Ami9 (Double Tíme)
Bb r3({ r 1)
it,
DmiT
lbtl
G7(f s,f 9)
DmiT
:---G]>-.
,--E\
a---.
cmae
AmiT AbmiT
Cma9
--\
Gl3
FmaT
CmaTlG
Gb7
GmiT
:,_-
. r>---<-,'..---:
Dmi9/G
CmaTlG
---¡ --=
-'^\
G7(be)
FmiT
FmiT/G
_3-----1 I
CmaT/G
,
LJJ
Gmr/
GmiT
uml
/
7^\
GmiT
t-)
Alto
LAS CUEVAS Dtr MAR.IÜ
Sax
J =roo 7
+1
31
10/24t60 Smack Up Written by ART PEPPER
(Bass)
(+Piano)
(+Dms.)
Ers;
(unís v,/tpt.)
4
3
DmiT
f; DmiT
--'T--.
G
G
GmiT
C7
w)
z---.
,"-*-
,h 0.4'
J
r-----"' C7
DmiT
G
l-:
un$.
7pt)
G
.---."..--.
: Ebe
9
T--;-----
I Jdx.
I rpr |
I
I
(\va)l
t-l t;;-------;;--yamp lKhythm
I
I
'-*/
@c
? '-:
DmiT
DmiT
G
:-tT---C7
DmiT
?n-
GmiT
Eb 7({ e)
C7
DmiT
/;\ D7(f e)
@ Copyright 195ó ARTHUR PEPPER MUSIC Copyright re¡cwed Inremational Copyright Secured All Rights Reseñed
GmiT
DmiT
l\
'j' G
C7
DmiT
G
DmiT
G l-t',J,
EG
DmiT
GmiT
D7(f e)
Eb9
DmiT
DmiT
/> \ t-
rG
DmiT
,'---
DmiT
33
(rIIll /
GmiT
DmiT
Eb9
(¡llll
/
Eb7(fle)
DmiT
D.S.
/+\ altf
(with repeat)
W. tr24
S"t"]Q
fP¡rr" sadfz
Choruses)
tri-".......-\
:---:
r--.:;----:---.;;-l
Choruses)
I
K4,lhnt
D7
o Piano
-
Yontp
4
24
at'p
I
OPHtrLIA
34
Alto
9t9/7 5
Sax
Living Legend Written by ART PEPPER
ta
J=roo
ll
=--..'.--
DmiT G7
DmiT G7
tbl/^/
/'
t\l )' J'^l t -
><---
Cf mi7 Ffi7
))^)
i
BmiT(b5) E7(b9) _-"+-r\
Ami
Ami/G{ Ami/G } *
DmiT G7
tBl _
)
Cdmi7
)
CmiT
/'I
^/t
t,
)-,) Ff;7
)^) r
*
F7
hl /'-'/
Dmi6/F
E7(b9)
Ami6/9
--'..,--\
r¡Tt tv'J A7
Copyright O I 966 ART¡lUR PEPPER MUSIC Copyright Renewed Intemational Copyright Secured All Righrs Resened
C$mi7 F$7
)A CmiT
F7
)
),^
\
35
J'
813(be)
/
Ami2
\tt
DmiT
G7
DmiT
G7
)
)
)
)
Cfimi7
F$7
Cfmi7 F+7(bs)
)
)
/'
CmiT Bb ma7lF
rh/nl
^)
CmiT
BbmaTlF
)
)
q)
)
h /.\
@v*p;;ll E13(be)
Dmll
Ami9
G7
\'-lE/ F$ 13
Cf mi7(b5)/G
F# 13
Db7(b9)
BbmaTlF
BmiT(b5)
A6/9
BbmaTlF
E13(be)
F#7(bs)
í;-\
\
Am619
@ Er3(b 9)
Am6/9 >/i
(Rough)
^s@;a
Dmi1l
(whole-tone scale)
fDilo-r!
Ami
?¡P
-<=-==
cf;7(bs)
CTIG
Lnlt
CmiT
'----:--'-
Fl3
/
Fl3
Fr3
Ami6/9
--
E t^ ---;16 I
,r pass Jotol
Very rough ad lib. (2 measures)
C$mi71add
F{¡
/'th
CmiT(add F) Fl3
Cflmi7(add Ff,) F#7(b s)
)
b
)
/nl
)^o
CmiT(add F) F13
lh
/'
Ami2
/ nl
DmiT(add
G)
G13
Cmi9
Cmi9/F
)^)
)
/-/
/i
)
F$71bs¡
/^
39
T'I{E T'R.{P Alto
9il 5t76 The Trip Written by ART PEPPER
Sax
JazzWaltzJ =tSA A9
Bb 13
Bb13
A9
Bb 13
|s¿rl fÁil aq (sim.)
A9
Bb 13
Bb 13
3.-\.
(misterioso)
tl'----___-lll. Eb13 Bb13
l//'
|
Eb 13
,. L- 3 --)
---/
Eb 13
I
cTl as
mp (ntísterioso) Bb 13
A9
Bb 13
copyright lq) ls66 ARTHUR PEPPER lvlUSIC Copyright Rcncwcd lntcmafional Copyright Secured All Righls Rescrrcd
Bb 13
Cf mi7
G13
í----\--+\
Fil t3
r-;.-'r
>----
BmiT
A
fñTr 1",I
Bb 13
(ntislerioso) Bb 13
A9
Bb 13
Bb
(P
iutto
So
Wtt-
V"^r=,
lo cotlt¡nues)
A9
E
r3
Bb 13
(enctpianoSoto)
Fy'wrytÁ r't1
Bb 13
tr¡",r, Srta
Bb r3
Bb 13
Bb 13
Bb t3
Bb 13
r-
Eb 13 J -------1
E
Eb r3
Eb13
Eb 13
D9
Eb r3
Eb 13
t;;1 ILJI
Bb
Bb 13
Bb 13
A
Eb 13
l3
Bb 13
/,,_\ mf
{9
Bbr3
Ebe
Dmi9
C{mi7
F# r3
_
(nf)
-:--;-a
-:-- f
.tr(ojlL-T-*
El3
----=:
Ar3
Gt3 Cf mi7
Fft3(be)
BmiT
fJ
tI'jl
Bb 13
-49 --
nlp Bb 13
Bb r3
Bb 13
/--. a^
,F DTJ Bb 13
T;;I rrl {9
I
A9
F\
ñ
b¿)
Bb 13
Bb 13
-+
Bb r3
Bb r3
A9
Noodle wildlYl
Bb r3
/*,*
---
Bb 13
!,-----
;=-É--\--^¿)
Bb 13
-
-<
\
f -i;r
Bb 13
A9
Bb 13
A9
Noodle wildly!
Bb 13
A9
:--l---:
Bb 13
Bb 13
ñ\
_------->-
;--)--r
A
Bb 13
A9
.-----:-
f-=:l tF\l l'"1
Bb 13
¿
Bb 13
Bb 13
Bb
,,G\
Bb 13
r3
Bb r3
ryp (m¡sÍer¡oso) Bb 13
Bb7
-l
.+.1
trl
A7(f e)
Bb7
A7(#e)
Bb7
-r-_/
v
split tone Bb 13
Bb
l3
^f Bh
l3
Bb 13
+'-T\.
Bb 13
Bb 13
49n
Bb 13
A9
Bb 13
Bb t3
Bb 13
Bb 13
Bb 13
Bb 13
Bb r3
Bb r3
T;;]
lfvlA9
Bb 13
A9
Bb
Bb 13
t3
Bb 13
Bb 13
Bb 13
Bb 13
Bb 13
lFtol¡s
Bb 13
Bb 13
Bb 13
Al3 (split
dint.
SOMtrTIMtr
46
flb t lannel
7,16,79 Landscape Wrrtten bY ART PEPPER
)=ttz lSolo
E
x
G9
CmiT
breakl ,
Bblc cr3(b9)
c11
GmiT
Fl3
Bb6t9
Eb9tDb
Bb7
c7(f
Gmi9/C
E"n CmiT
Fl3
clt
86tC
F13
Fr3(be)
Cl3(b9) Fl3
F7(fs)
Bbma9
F6IC
Bb7
Copyrrghr
t
Eb9/Db
1q79 ARTI1UR PEPPER MUSIC'
Copyrrght Rcnc*ctl Inrcffrxrion¿l ( tr¡r'¡ght Sceurcri A1l Rights Rtscnccl
s,b e)
D9
c7
0
GnriT/C
t;-t,50lo
Gb7(f e) F6
ht eok)
--t
cil
GmiT
Db mi7
U ( ml/
F7(f s,f 9)
Bb ma7
Bb6
Eb9
M GmiT
c11
c7(f
e)
G9
Fl3
CmiT/F F7(#5,f9)
CmiTlEb
Iag--,---BbmaT
CmiT
Eb9tDb
c#o
Bb6
Bb7
cll
C9
l.:---:-----:-----;-l
F,l3 | Solo hreak |
cr
G9
r
,
N
t |
/
;
,A
^
>
tr Fl3
Fl-1([9¡
CmiT
c7(f s,#9)
..1,_-.
-z.---
lag--------Bb ma7
F6IC
('ml
Eb9
IBt ce
/
cil
cr3(be)
Gb7(fe)
F6
F6(e)
DbmiT
8ra-.--
CmiT
c7({s.f
e)
o
F6(9)
EG9
Ei
BbmiT
AmiT
C13(b9) Fma9
13
,=_>
-_umr/
--/
GmiTlC
D7(f,e)
AmiT
GmiT
tr Fl3
El3
Eb
Dl3
l3
''zl
GmiT/C
c'/
D7(f e)
Eb9
añ
cl3(be)
F6
G9 ^
FailiÁ -_--/-
Clat'. Caden;a
o
Quickh'
,-:::7
¡r rj-r
Quickly 3
a-/
Quic'klt
A little.slutt'er
:--
U
<---9
50
LAI{DSCAPE
Alto Sax
' l6 -9 Nledium Groove
J
Landsc
= 176
Emill(toircdutlounhsl
Ff mil
pc
F#mill(simile)
j"----.
(Emi11)
a
wrirrcn by ART PEPPER
l
Emil
Emill
/'=--' .-{
AmiT
Emil l
Ff mil I
Emill
mv-- .4Zrrtmill l-ll;f=
Cf mi7
F$ma7
Ff mil
GmiT/C
GmaT
s f
F#mi7lB
Emill
Ff
ma7
GmaT
Emitl
EmiT
l-)..
F$mi7
(N.C.)
Ff mil l
I
Ff mil I
Copyrighr ( |s79 ARTftUR P[:ppER NtUSt( lnlch¡tronal ('opvrie¡t Securcd All Rights Rcscrlcd
I
Ff mil I
Emil
Ffimil
I
AmiT
I
Ff mi11
F#mill Db9
Ff mi7
C9
Fflmill Emill Gmill F{mill Emill F*mi7
Emill
) N)
Emill
F#mil l
Emil l
>
I"-$mil
l
El3
FfmiT(bs) B7(be) )n
Emil
I
Emil I
F#mil I
G13
-.
í-:
Ff mil l
2'.
Emil l
:------.-\
t\
Bb9(f,11) AmiT
Emill
FSmill
Emill Ffmill
;-T---
Emill
,---,,,_\B7(fs,fe)
C9
Emill
Filmill Emill Emil1 Ffmi11 Ff mi11
)N) )
Emill
¿L__
--
Ff mil I
B7 Emill loc'o
Em9 Db9(#ll)
Dmill Emill
_/---
Za
Emi1l Fflmill
r,---: Emil lA5l
I
Emill
Ff mil
I
Ff mil
F*mil
l
l
Ff mil I
Gmil I
F#mill
Emil I
Emil
l
Dmill
/?G,
Bb
BmiT
CmaT
Ami6
AmiT
mil1
>-,-r-
Ff mi7
87(be)
Emi6
Db 13
B7(f,5,f9)
Emil
lÁol¡.¡11
I
Ff mit I
Emil I
Ff
mi11 Emill A
E7(be)
B7(fe)
DmiT
Db 13
B9
Émt /
-------_\>
zf:>
Fe({ l 1)
í->:
Emill
EmiT
l>\
M¿.
4a-=:-t1DInI/
Ff mi7
B7(fs)
(Trade./burs v;/Dms.) Ff mil
>ñ
l
Emil l
(Amil l)
Emil
I
ó
B9sus
Lmt/
Ff mi7
\
l
.'----Emil
Ff
I
mill
1Dns.1
Gmil I
t;-__l t)tn.\ I
Amill
B7(f
s)
C9
Emil I
4
D.C. al $ (w/repeat) 87(
5,# 9)
t^--l um.\.
4
w)
CODA
qr.7
E;,t*;;rt
$
Emi( ma7)
trb]|
Emi9(ma7)
Ae(f
-
n)
Alto
SIJRF RIDtr' ITI) \t^./
Sill
r;;------------:,
Sax FastJ
EX
Straight
=2ooc6
;#^:il:*i
,--}-.
E7(be)
D7(f
5, b
l.
9)
G6
AmiT
---:-
GmiT
C7
FmaT
D7(fls,b e)
FmiT
---:-
DbmaT
=-BmaT
ñ_;l l^Ll
BmiT
AmaT
G6
S o-,,
DmiT
c7(f 5,b9)
BmiT
AmiT
79
Lif!
D7(fls. b e)
(otlriqhr r lqrJ ARTf{LR
pEppF_R \IUSIC Coprnsht Rtnt'rre!l l¡¡cr¡¡rron¡l (irprright Sccurcd .{ll Rrshr\ Rcscr\cd
Bb
mi7
AmiT D7(b9)
DmiT
G6iD
G7(f,s,b e)
.-
cfo
E7(be)
Amt/
E7(#e)
G6
sz( b s)
cf'
AmiT D7(b9)
D7( b 9)
AmiT
D7(*s)
D7(#5,b9)
Gr3
cf"
C7
G6iD
-f:
G6/D
D7(be)
Eb9
Cf,'
G6/D
D9
BmiT
Ami9 D13( be)
G6
DmiT G7(b9)
C7
E
C7
cl3
cf'
¡\mi7
E7( b 9)
AmiT
D7(be)
-
c$"
C9
'--:\
r-=->
-----
'---'T-c$'
E7(fie)
GóiD
:---->-
.-G-;-.
-=-:---
E
/--T.\_
'--T--
DmiT
EbmiT
>-
c{o
Dr3(be) G6 G7
G6 E7(f5,b9) Ami9
D+9
G6/D
Bb7 C9
BmiT /'
--.-'^z
ll¿
G13
í-:---=--
a\
AmiT
D7(b e)
Gl3(b9)
EGl3
Abl3
Gl3(b9)
Ce
cf.
D7(be)
Eb9
--
j
BmiT BbmiT
AmiT
Gma9
M
D7b9
G6
----.--]
D+9
AmiT D+7
D7tb9)
BmiT
Bb7
AmiT
cf' ^l ..-?
r-:F--.-
Eb9
BmiT ---T-
C1
í-----.
cfo
Gr3(b9)
AmiT
G9
AmiT
Ab7
AmiT EbglBb
E7( b 9)
.C
C7
G13
r\
Dmig Db9
cfo
C9
AmiT
De(fl 1 1)
G6/D
.-----
c#'
E7(#e)
b¡
\mi7
G6ID
AmiT/D
D7(#e)
,.-...:\
E
GI
@r,,r,t S,tl,t
G7
--_---,
LlJ
L(7
Trude 4's w/Dnts.
Cf
Gó
G6
"
AmiT
G/D
DmiT
-----...,...'.---\
D7(be)
-/--->.
AmiT
G6
L__r
lDms.l
AmiT
bo-^-
EX
D7(#9)
fp
E
Gr3
-f
choru.ses)
ID;;
G6
lña IUJI
I Ba.s.s
S,r/,r
I
5 chot'use.t
T;___l I
Dn6.l
A9(bs) D7(fs,b9) G7
E7(b e)
D13(b 9)
E7(re)
D7 -G6
G/D
cfo
C7
EbmiT
D9
/'-a-t
E7(be)
cfo
^--.
AmiT
E7(be)
_-.,---\t '-+
AmiT
\
D.S. w/ repeat al
T:----t I
Dms.l
3
S
MAKtr A LIST (MAKtr A WISH)
oz
Alto Sax
Latin .l = 144 (even Sths)
Written by
(unis. wíth piano)
_ Al3
a----:, .----\
LAl
|) G13
L-]
rl>..
Al3
x lRhyth;;"-A
CopyriSh! ('r 1980 ARTHUR pEppER VUSIC ¡ntema!ional Cop¡righr Secure
l''o,a
Gr3 pluy otr D.S. onh,
E
,--]rt'or¡ I lst time onlyl
A13
G13
Tmprou6¿siñ,
@d 0 A13
lEilar:
FP
Al3
--.a
Gl3
Al3
64
_ Al3 tru
(split pitch)
É-;1 I l-, ¿tl
Al3
t-=_tl
a
gradualb) louder and more urgenl
-----/ G13 7
_Ar3
trl
A13
A13
Al3
n
41
6--
¡\ l3
loc'o
Ven' rough a¿l lib (ot,erblc¡v.')
,
G13
,At3
|tL,ltr11
Al3
-
- -\
r;--::--=-=-
_ Al3
trll
Gt3
Al3
Gr3
Ar3
(gr tt d u a I l r- d i m i n u e n d o )
A13
G13
Gl3
A13
G13
Gl3
Al3
^Bavampl
Gr3
lDrums and Latinl
Al3
G13
lrl -t
IPercussion
20
solo |t--2 s.¿/. s¡rc¿s
-T D.S. w/repeat
r;---t-';t I LOWD?U
ut,
I
CODA
0
(Vamp)
Ar3'
Al3
G13
(
Intprov.)
Gr3
Al3
G13
Al3
Gl3
Al3
Gl3
A13
G13
S
Al3
Gl3
Gl3
Al3
At3
Gl3
Al3
413
G13
413
lip slide
Gl3
Al3
Gl3
Gl3
Al3
At3
Al3
Gr3
Gl3
\-/_
Al3
EJI ar¡
Gr3
---.\"- _;
;-
Al3
At3
Gr3
cl3
Gr3
At3
Al3
Gt3
Gl3
At3
I'i:..:, a:iilrlil'a;
t..
'
iii'.;
Photo by Laurie Pepper
THAT'S LOVtr
70
Alto Sax
9 '1, 80
Winter Moon Written by ART PEPPER
Slow Blues (J. = 76) 813
f^-t
lJlgs.
D9
)
l
3
A7(f s) De
/
I /ht ^/'
A13
A7(fs) De
De A7(#s) De
AmiT
x
slightly higher in pitch
Copyrighr e 1980 ARTHUR PEPPER VUSIC Inlemational Copyrighr Secured Ail Rights Rescned
I
l tmel
(Dl3)
Al3
--
Verv rottgh ad lib
..---_-)
E7
-----
72
EmiT At3 lñl
Al3 At3
E7(fs,#e)
Al3
EmiT
At3
)
/
/ ^,t'
Ar3
)
I
/
)
)'^)
ht
EmiT
At3
)
br / n//'
simile D9
A9D9>
?*-*
AI3
--]--
F9
E9
At3
--
F9
í\
,-Í--
E9
413
G
Rough ad lib
.47-
í-\
Gl3
A Bb 13
)
tr
/-/-rT El3
@d;;;rhü rbl]
Dr3 Db13 Cr3 Ar¡
¡br¡
rTn
Al3
Ff
13
F13
74
Alto
Sax
MR. BIG FALLS HIS J. G. HAND
9i -i180
One September Aftemoon Written by ART PEPPER
Medium Blues G7
----T--r
(quartal over C)
WV*p;q
G13
Copyright :e 1980 ARTHUR PEPPER IIUSIC l¡temalional Cop!.ight Securcd All Rights Resened
(Gt3) ..Í'---l.
-Rll | ""
I
N -í-\
Gl3
8va---
(verv rough)
íñ---
EGl3
za-.
C/D T;lCt3 lrJ
-.-,--\
re, t a;S;¡;l ( 2 C ho rLtse s ) t
| tr,
I --
|
l
| Dass
Jqto
I
c13
G9
E
D9
::--T-:
2--.'
I,t
-r----.----
G9
.<,,,,'---
A9
G7(#e)
Ab9
---=--.''...S---
(Rough)
quartal over C
Photo by Laurie Pepper
Photo by Laurie Pepper
s T
A R T
TRNSCHIPTIOIffi Arlist lronscriptions ore outhenfíc, nole-for'note lronrcriplions of lhe hottesl orlisfs in iozz, pop, ond rock fodoy. Ihese oufslonding o((urole 0rr0n ure in on eosy'lo-reod formot whith includes oll essenfiol lines. Artisf Trons
][tMrlfl¡/0l
Bos¡
Guil¡¡ &
0f Piene
The Guitor Book
ffiffiffi:
Bensuscn
flute -
Jomer l{ewlon
i-:j:ir;,.;l lmprovising Ilufe
00óé0r08.....
-
(horlev ft¡isliqn
larry (oryell
-
00ó/3225...................
Gi*
Terro
-
Fridcy Night In Son troncisro
Al Di Illeolo
-
lVlusir, Words, Picfures
lozr Style 0f
Tol
(o¡eo
- lnside Oul
00ó73209...................
Al Di Meola
The
Pi¡no & Keybocrd' :,,:: Coreo - Eeneoth The tflask
ftitk
Jozr Guitor Solos
(ielo I
-
Al Di Meolo
Ihe An 0f Jozz Guitor
(hick (oreo - tye 0f fh. 00óó0007 . :.. ftkk (oreo - liqht Yeors
.
¡rioid.i
'
'
00ó74305.................:
(hkk (oreq
turlow
-
[lektri<
Bond
00ó031 2ó...................
Dovid triesen
- Deporfure
Dovid friesen
-
ftkk
(oreo
- Pnint The World
00ó/2300. .............
Yeors Through
Mkhel Pelrurcioni
lime
00ó7322ó..................
Joe Somple
Irank Gombale
-
Ashes Io Ashes
00ó72310.:....... ..... ..
Jim Holl
-
Mc(ov
Jozz Guiicr Invironmenls
00ó99388 Book/(osefe.
.51i.95
JI:::
oorz:ri Horoce Silver (olle
Soxophone
-
Allon Holdsworfh
leo Kollke
Req(h¡nq
rrifi.
ui
rrrr;
d;;i
_,..",'S#$.;,i'-i o"'1l t:u::li'l lül',','í!:::::Tll
-
Mkhoel Brecker 00ó73237. ...............
- [iqht Sonq¡
Wes Montgomery
-
John (oltrone 5olos 00ó73233....
Guitor lronscriptíons
Slon Getz 00ó99375..............................
John Polifucci
Greol Teno¡ Sox Solos
Diongo Reinhordt Anthology The Genius
ñi'r,,,
Joe Hender¡on
Djongo Reinhordt John Renbourn
-
-
- Selecfions from "lush Life" & "50 Neor 5o Ior"
00ó73252
ol Diongo Reinhordt
Best
0f
Kenny G
00ó73?39...................................
A Treosury of Songs
Kenny [enny
tG -
Breolhless
00673729
The Nine Moidens, The Hermit, Sfelon ond John
#i',i1lr:':l!:li:l
lee Rifenour
Dovid Sonborn Collection
Greot Rockobillv Guitor 5olos John 5colield 00ó03390.
-
Guilor Tronscriplions sl ó.95
.
Segovio, Andres
- 20 Stud¡es tor The Guifol
0000ó3ó2.... ... ........
5l 4.95
Mike Sfe¡n Guilor Book st ó.95
40673224
Jork Wilkins
-
Windows
Rondy Brerker .................. s14 95
The fronk Zoppo Guilor Book 00704325 .. .. .
Prices ond
Trumpel
ovoilobilily subjecl to (honge wilh0ul n0li(e. 5ome produds moy not be ovoiloble outside the ll.5.A
)lc.Y)
00ó73i34 ...
.. ..
.
Freddie Hubbord 00ó73214
T¿JHet-.LEoNARD L-AcaRpoRATroN