I
ten superb arrangements in guitar tablature & standard notation, including chord symbols, melody line & lyrics
ANTONIO CARLOS JOBIM f o r guitar tab
this p u b l t c a t l o n
IS
n o t authorised
f o r s a l e ~n t h e unzted s t a t e s of a r n e r c a andlor canada
wise publications london / n e w y o r k / p a r i s /sydney/copenhagen / madrid
corcovado
6
quiet nights of quiet stars
desafinado
50
slightly out of tune
h o w insensitive
12
insensate2
if you never c o m e t o me
is
inutil paisagem
meditation
24
medita~ao
one n o t e samba
32
samba de uma nota so
somewhere in t h e hills
38
o morro nao tem vez (favela)
t h e girl f r o m ipanema
44
garota de ipanema
water t o drink
59
agua de beber
wave
66
vou te contar
t a b l a t u r e & i n s t r u c t i o n s explained
4
tablature & instructions explained
The tablature stave comprises six lines, each representing a string on the guitar as illustrated.
-
Finger Vibrato
Tremolo Arm Vibrato
Glissando
J\ Gliss
A number on any of the lines indicates, therefore, the string and fret on which a note should be played.
Strike the note, then slide the finger up or down the fretboard as indicated.
Tremolo Strumming
This sign indicates fast up and down stroke strumming.
4th String 3rd String 7th Fret 7th Fret 5th String OPEN
3rd String 3rd String 5th Fret OPEN
1st String 2nd String 3rd String 4th String 5th String
OPEN 1st Fret 2nd Fret
2nd Fret OPEN
1
Chord of A minor
This sign indicates that the notes are to be played an octave higher than written. loco This instruction cancels the above.
A useful hint to help you read tablature is to cut out small squares of self-adhesive paper and stick them on the upper edge of the guitar neck adjacent to each of the frets, numbering them accordingly. Be careful to use paper that will not damage the finish on your guitar.
This note-head indicates the string is to be totally muted to produce a percussive effect. P.M. = Palm mute
Bend
Bend
Pre
HALF TONE BEND
FULL TONE BEND
DECORATIVE BEND
Play the note G then bend the string so that the pitch rises by a half tone (semi-tone).
Bend
PRE-BEND
GHOST NOTE
Bend the string as indicated, strike the string and release.
The note is half sounded
Bend
Uni
Bend
Full+
Full-
?
BEND & RELEASE
BEND & RESTRIKE
UNISON BEND
STAGGERED UNISON BEND
Strike the string, bend it as indicated, then release the bend whilst it is still sounding.
Strike the string, bend or gliss as indicated, then restrike the string where the symbol occurs.
Strike both strings simultaneously then immediately bend the lower string as indicated.
Strike the lower string and bend as indicated; whilst it is still sounding strike the higher string.
HAMMER-ON
PULL-OFF
RAKE-UP
RAKE-DOWN
HARMONICS
Hammer a finger down on the next note without striking the string again.
Pull your finger off the string with a plucking motion to sound the next note without striking the string again.
Strum the notes upwards in the manner of an arpeggio.
Strum the notes downwards in the manner of an arpeggio.
Strike the string whilst touching it lightly at the fret position shown. Artificial Harmonics, (A.H.), will be described in context.
corcovado (quiet nights of quiet s t a r s ) english w a r d s b y g e n e lees jobim music B crtiginal w o r d s b y ar7tbnio c ~ r l o s
Coreovado literally means 'hunchback', It is h e name of h e mountain werlasking Rlo de Janeim on lap 01 whlch stands the statue of Christ The Redeemer with its outstretched arms embraelng the clty below. The music tells the story of a man who lives on the mountain dreaming al a simple life.
qui
-n
c
h
sur - r o u n d s
qui
-
et
us.
Qui
qui - e
dreams, -
and
a
win
dow
t
look
walks
-
by
qui
ing
on -
-
-
e
t thoughts
and
et streams,
the
moun
-
-
want
tains
to
and
the
s
e
a
.
How
be,-
love
-
ly!
This
here with you
fin - a1
flick
-
er
SO
of
close
to
i
me,-
s
where
I
I
be
Id
-
liev
-
t' joke,
*
have
ing
4
found
life
-
-
was
on
w
with
you
who-
was
and
lone
-
ly,
*' -
ly
-
a
bit - ter
tra
-
gic
I
the
mean
-
ing
of
ex
-
is - tence,
oh,-
*Y
love.-
is - tence,
oh-
mY
love. -
how insensitive (insensatez) music by antonio carlos jobim original lyrics b y vinicius d e moraes english lyrics by norman gimbel
Allow the melody in this piece to sit gently with the chord accompaniment, which should be languid and allowed to flow.
in - sen
1. How
See Block Lyrics for Verse 2
0 c o p y r l g h t 1963. 1964 b y a n t o n l o c a r l o s l o b m a n d w n l c l u s de m o r a e s . b r a z l l m c a music Ihmfted, 7 7 f u l h a m p a l a c e r o a d . l o n d o n w 6 for t h e b r l t l s h c o m m o n w e a l t h (excluding Canada), s o u t h a f r l c a . continent of e u r o p e ( e x c l u d ~ n gt a l y
france. ~ t s colonies. p r o t e c t o r a t e s
and mandated terrltorles, algerla, tunlsla. morocco. andorra and monaco) all r l g h t s r e s e r v e d international copyrlght secured
12
-
si
-
live-
I
I
must-
have
seemed
when
he
Hold chord.. .
10 9 8
9
told
10 -----10 9--9 88
11-10
9
me
9
that-
11-
9 8
10-10-
S-
9
he
loved
p p
9-
8 7
8
10-
8
me.
T
Hold chord.. .
II
B b maj 13
How
un - moved-
and
cold-
I
I
me
so
sin
-
m u s t
have
seemed-
IY.
cere
C m7
why
when
B dim
he
m u s t
have
asked
he
I
I
did
I
I
just
turn
and
stare
in
-
i
cy
si
-
-
lence?
-
was
I
What
to
say?
What
c
a
n
you
say -
I
I
when
Hold chord.. .
a
love
-
af
f a i r
is
o
ver?
Hold chord
love
af
-
f a i r
is
Let ring
rall.
Verse 2: Now, he's gone away And I'm alone With the mem'ry of his last look Vague and drawn and sad I see it still All his heartbreak in that last look How, he must have asked Could I just turn And stare in icy silence? What was I to do? What can one do When a love affair is over?
Portuguese lyrics A insensatez Que voc&fez Corapio mais sem cuidado Fez chorar de d5r 0 seu am& Um amBr tdo delicado Ah! Porque vocP Foi fraco assim Assim trio desalmado Ah! Meu cora@o Que nunca amou Nrio merece ser amado Vai meu C0ra~d0 Ouve a razdo Usa sd sinceridade Quem semeia vento Diz a razdo Colhe tempestade Vai meu corap?io Pede perddo Perddo apaixonado Vai porque Quem ndo Pede perddo Nrio e' nunca perdoado.
i f y o u never c o m e t o m e (inutil paisagem) music & original w o r d s by antonio carlos jobim english lyric by ray gilbert
The chord progression in this piece was originally recorded with voice and piano. To achieve the feel, relax and lay back on the tempo.
Slow Bossa Nova I Freely C 619
O c o p y r i g h t 1 9 6 5 ( p a n e m a music c o m p a n y Sparta f l o r ~ d am u s l c g r o u p I ~ m l t e d 819 f r l t h s t r e e t all r l g h t s r e s e r v e d
International c o p y r ~ g h ts e c u r e d
18
usa london w l
rubato A
II
rubato
A tempo
J =88
Cmaj7
I
I
-
There's
use
no
of
a
moon - light
glow
I -
or
the peaks where
win - ter
snows.
What's
the
"
Gliss
3 6 5
T
-
I
use
II
I
3 65
of
0
6\5-3
the
waves
1-1 1-1
1 -'
that
will
0
2-1-0
in
break
the
cool
of
the
Let ring
eve -
-
ning?
What
is
the
song
with -
I
out
you?
no - thing.-
It's
B rnaj7#'3 n
rm
-
I
Y -
I I
o
d
\
1. It
2.(%)Ad lib. Instrumental -
I
.
may
be
.. - - -
you
will
ne - ver
come,
/
I
if
you
ne
the
use
of
7
3
-
ver
come
to
me;
3
-
-
What's
(End Instrumental)
my
won - der - ful
dreams
- 3
7
3
why
would
they
7
-u need
and
---------
me?
--Where
would
they
lead
me?
With
D.E.a1 Coda $
To Coda @ C maj
I
out
Coda $
I
you,
to
no - where.-
Cmaj7
no - where,
to
no - where.
rubato Cmaj7
no
-
rall. ~b9Q11
where.
rubato
4
3443-
3 4 4 3
rall. 3
3
4
4
5 3
5
3
8
$7 I 4
6
$3 I 4 4 3 $ 4
, T
-
meditation (medita~ao) original w o r d s by n e w t o n mendonca e n g l i s h lyric b y n o r m a n g i m b e l music by antonio carlos jobim
This piece should be played in a cool and contained style with the chord accompaniment gently supporting the melody. The original instrumental version was played on the piano.
Hold chord -
-----------1
8-6
5
5
P n
5 5 4
5
5 5 4
-5 -5
5
-4
5 5 4
Q copyright 1962 1 9 6 3 a n t o n l o c a r l o s J o b l m a n d m r s n e w t o n m e n d o n c a
m c a m u s l c I h m t e d 77 f u l h a m p a l a c e r o a d
5
bra211
london w6 f o r the brltlsh
c o m m o n w e a l t h ( e x c l u d ~ n gc a n a d a ) s o u t h a f r c a a n d e i r e all r l g h t s r e s e r v e d i n t e r n a t ~ o n a lcopyright s e c u r e d
24
5-3
5---
576-
Verse: Cmaj7add6
1. In See Block Lyric for Verse 2
my
lone
*Fretted but not played
li
-
ness,
when you're g
I
I
II
__
ca
-
o
n
e
and I'm
all-
by
my - self-
and
I
need your-
I
ress.
-
just
t h i n k
of
Hold chord
and the thought-
/
Id
of
you
-
hold
ing
me
near-
makes
-
li
-
ness
soon-
dis
-
ap - pear.-
-
-
Yes,._
I
love
you
so
my
lone
-
EL dim
Em7
I
I
and
I
will
5-
5 43
5 54 -
3-
54-
w
a
i
that
for
m
t
for
YOU
7 7
*7 *7
7
*Fretted but not played
is
a
l
l
1
need-
'
I
to
know.-
,tll, the sun-
101199---
9
r
I
e
109 9 7
7 -7 -----7-8-1088 977 9-
7 8 7 7
I -
I
you.
II
Hold chord
will
Me - di - ta
-
tion how sweet-
wait
life will be-
Gl3
Dm7
__
when
you
-
come-
Ab7#5/~b
back
when you come-
to
back to
--
me.
me.
D. %. a1 Coda $
B b maj 13
B b maj 13
II
rall.
rall.
Verse 2: Though you're far away I have only to close my eyes and you are back to stay I just close my eyes And the sadness that missing you brings Soon is gone and this heart of mine sings.
one note samba (samba d e uma nota so) original w o r d s by n mendonca e n g l i s h l y r i c by jon h e n d r i c k s music by antonio carlos jobim
The most effective way of playing this song is to make the chordal rhythm percussive. Try experimenting with the feel making some notes long and some notes short. At [BI the guitar part can follow the vocal line or continue as a rhythm accompaniment.
1. This
on
a
sin
-
gle
just a lit tle 2 . Ad lib. Instrunlental - - -
is
--
note.-
0th
-
er
notes
are
B c o p y r g h t 1961 1 9 6 2 1 9 6 4 a n t o n o c a r l o s j o b i m a n d m r s n m e n d o n c a b r a z l m c a m u s c I ~ m l t e d 77 f u l h a m p a l a c e r o a d
o n d o n w6 f o r the b r t s h commonwealth f e x c l u d n g canada) all r g h t s r e s e r v e d
n t e r n a t ~ o n acopyright s e c u r e d
32
bound-
to
fol
I
low
new
I
one
one
we've
just-
but
is-
the
root
the
been
through -
is
con
s t i l l
that
se
as
Now
note.-
-
I'm
of
quence
bound
to
b
the
the
e
the
un
-
I
-
There's
a
so
man
,
II
I
-
void
-
-
a - ble
y
peo -
con - se - quence-
ple
who
can
of
talk
and
talk
and
Gliss
P
Gliss
no
you.-
thing
or
near
-
ly
no
thing
talk
and
just
say
I
have
used
no
come
up
all
thing
back t
o
my
the
or
first-
I
scale
near
-
ly
note
know
and
at
no
as
the
thing.
I
must
end
I've
come
I
So
come
b a c k
to
to
you.-
I
I
I
will
pour
"
love
I
feel-
in - t
o
that
one -
all
note
the
.for
you.-
A
-
ny
he
the
1
-
show.
will
note-
Bet
find
ter
with
no -
know.-
YOU
-
him - self-
play
show,
Bet
This
the
note-
YOU
-
ter
play-
is
know.
s o m e w h e r e in t h e h i l l s ( o m o r r o nao t e m vez (favela)) m u s i c & o r i g i n a l w o r d s b y a n t o n i o c a r l o s j o b i m & vinicius d e m o r a e s english lyric by ray gilbert
Favela means music written for a play. In this piece it describes the slums which lie in the hills around the city of Rio. The guitar plays a simple accompaniment to this haunting melody, which can either be sung, or played on the flute.
t
0
ro
rnor
0 copyright r o n d o r m u s i c ( o n d o n ) l l m l t e d
10a p a r s o n s g r e e n l o n d o n s w 4 4 t w
all r l g h t s r e s e r v e d nternational copyright secured
38
nBo
t
t
tern
vez-
v
3
foi
de
o
lhem
-
mais.-
bem
Mas
vo
-
c&s
Quan
-
do
G m7
~bm6
de - rem
vez
-
ao
mor
-
da
a
cida - de
pas - sa
-
gem
mor
-
ro-
quer
v
-
Mor
se
To Coda @
D m7
a
l
ro-
mo - strar
can
-
F -
A
-
bram -
vai
fa
a
-
E
t
t
t -
lar.
las
E
pro
-
mor
um
cem,
I
C
B
ro
Tam
-
-
bo
dois,
nm-
tr&s-
6
mil -
a
-
vez-
I
de - rem
vez
-
ao
mor
-
ro
To
-
da
Mas
a
cida - de
v
a
i
can
se
-
tar.
D. %. a1 Coda $
Coda $
Gm7 h
D m7
I
--
G m7 I I
G m7
-
I .I. I.
D m7
-
I
Repeat to fade
t h e g i r l f r o m ipanema ( g a r o t a de ipanema) original w o r d s by vinicius de m o r a e s english lyric by norman gimbel music by a n t o n i o c a r l o s jobim
The feel of this classic Bossa Nova should be established in the opening four bars. Use a mixture of strumming and fingerstyle and try to keep the tempo even throughout the piece. lpanema is the name given to a sand spit between the lagoon and sea next to Copacabana beach.
1. Tall and tan 2. Ad lib. Instrumental- - .. -
and
young--
and
------
I
I
0 c o p y r i g h t 1963 a n t o n i o c a r l o s joblrn a n d vlnlclus d e r n o r a e s , b r a z l l mca
music
Ihrnlted, 7 7 tulharn p a l a c e r o a d , l o n d o n w 6 t o r t h e b r l t l s h c o m m o n w e a l t h
(excluding Canada) s o u t h a f r l c a , e l r e . g e r m a n y , a u s t r l a . s w ~ t z e r l a n d ,t r a n c e a n d t a l y all r i g h t s r e s e r v e d ~ n t e r n a t l o n a lc o p y r g h t s e c u r e d
44
love
-
ly
the
girl-
I
from
pa
-
ne
ma
goes
walk
-
ing
and
when-
Hold chord
F maj
_
she
Gb7
pass
-
es,
each
o
n
e
she
pass
-
es
goes
"Aaaah!"
F maj
When
she
walks
she's
like-
a
Sam
-
ba
that
I
swings
so
cool
and
sways-
so
gen
-
tle,
that
w h e n
she
pass
F mai
pass
I
Oh,
.
-
es
goes
"Aaaah!"
but
I
watch
her
so
sad
-
1y.-
-
es, each
one-
How
love
can
would
tell
her
I
Yes,
her?-
I
I
give
my
heart
glad
-
ly.-
But
each
-
day
when
she
walks
to
the
sea,
she
straight
a - head
not
at
---7 7 3
T
II
looks
T
Hold chord.. .
T
Hold chord
me.
Tall
and
tan
and
y o u n g
and
-
love
ly,
the
girl-
(End Instrumental)- - - - .J
from
1
pa
-
ne
ma
goes
walk
-
ing
and
when-
Hold chord
w
she
Id
1 3 2 2
pass - es
I
I
smile,-
1 3 2
1 3 2
2
n U \
1
322
-
but
she
does
She
just
1 3 2
just
does - n't
1
3 2
-
w
-
n't
see.
does - n't
1 3 2
see
o-o-o
1-1-1 2-2-2
1 3 2
1
Gb7bs
Repeat to fade
see.
She
o-o-o
1-1-1 2-2---2 1
132-
1
2
Fmaj7
She
-
-
2
Gb7b5
T
-
1
1-
3-
3
2 1
22
does - n't
just
1
1 3 2
3
2 2
-
desafinado ( s l i g h t l y o u t of t u n e ) e n g l i s h l y r i c by jon h e n d r i c k s & jessie c a v a n a u g h m u s i c by a n t o n i o c a r l o s j o b i m
Desfinado literally means 'off key'. This song is the anthem of the Bossa Nova (New Thing) beat and although to start with it was not accepted by the established musicians in Brazil, it became a massive international hit.
Light strum T
12-2 2-2
1
-1 2 2 -
1 2 2
I
-1 2 2 -
1.
II
Love
-1-1 -2 2
is
a
like
I
1 2 2
2 -
-1 2 2
2 2
ne
ver
Finger style
0 copyright 1959 e d i t o r a musical a r a p u a
brar I
c o p y r i g h t 1962 w ~ t hengltsh l y r l c hollls m u s l c I n c o r p o r a t e d a s s l g n e d t o t r o - e s s e x m u s i c lhmlted
s w t e 2 07
plaza 535 ktngs road
usa
london swlO for the brltlsh commonwealth
(excluding c a n a d a a n d a u s t r a l a s l a ) a l s o t h e r e p u b l c s of i r e l a n d a n d s o u t h a f r l c a
all r ~ g h t sr e s e r v e d international copyright secured
50
end
122-
-
ing
rnel
I
1 I
J
pared
L
it
A
dy,
syrn
po
I
I I
h
-
I
I
-
o
-
I
I
A
-
to
a
I
1 i
- pho
0.
I
A
sym
-
ny
1
I
con
-
I
% I 1
-
I
'
pho
A
w
-
duc
-
I
I
I
1
ets
have
I t
I I
A.
w
ny.
ted
by
the
corn -
IJ
light - ing
of
love
is
your
slight
kis
"
moon.
ly
-
-
-
w
the
out
ses
w
but
of
tune.
our
song
of
now
the
orch
-
-
es
tra
-
tion
Hold chord
does
-
n't
-------H
2 4 3
-2-
G--43 U
2 4 3
3
I
J
I
seem
3
3
A I .
3 3 3
-
h I1 k-l I
so
I d
w
,
I
I
I I
A.
3
3 3
I
I
I I
w
rich.-
u
f
I I
Seems
Gliss
J
the
tune
we
used
to
-
sing,
5-4-
<6 ) 3 ( 5 ( 3
3
I
0-1-
to
L I\ I
I
n 5-
I
-
1 A
me you've
changed-
-
b.
I
li 1
uI
-I
J
v
like
the
-
rn
I 1
I
Bos - sa
4
No
love
m I 1
E7
I
I
I\
I
va
-
I
I
I
should
-
fect
time,
used
-
-
swing.
~b dim
Amaj7
We
per
-
-'-----' -
to
har - mon
-
ise -
now
two
the
souls
song
in
is 1
f rent
dif
and
the
'Cause
hearts
would a1
-
ways
croon
you
words
for
-
got
don't
e
the
and
-
ven
rhyme.
me1
so
what
o
good's
a
-
heart that's
dy
our
slight -
h
J
k
I
A'
I I
-
ly
out
of
I
heart
I
I
I
your
I -
-
I
I
I I I
-_
I
I
_-
*I
A
tune. -
to
join
with
me
in
har
-
old chord
mo
-
ny
and
-------H
I II
sing
a
song
of
lov
ing.
tune
no
We're
bound
get
in
~b dim
Am7
a
to
I
Hold chord
~ b m
I
-
-
gain
de - sa - fi - na
-
be
-
do
fore
too
when
your
heart
long,
be
-
there'll
longs
to
me
cam-plete
-
be
1y.-
I -
h
Then you
I
L I1
m
J
long
with
-
I I
won't
r~
I I
I
I
N.
I
be
slight - ly
out
of
I
C
tune,-
.I
.I. .I
you'll
sing
a
-
-
me.
Repeat to fade
water t o drink (agua de beber) words by norman gimbel music by antonio carlos jobim
This arrangement keeps the basis of Jobim's original accompaniment and adds melody. The rhythm should be percussive and a certain amount of freedom should be exercised to give the song feeling.
0 ~ o p y r ~ g 1961 ht e d r l o n c a m p l d o g l ~ c ltaly 0 c o p y r g h t 1965 b e x h ~ lm l u s l c corporation & n o r m a n g l m b e l all r g h t s r e s e r v e d l n t e r n a t ~ o n ac l o p y r g h t secured
59
usa
Verse: B
Your
II
Let ring.. .
l o v e
is
rain,
mY See Block Lyricsfor Verse 2
heart
the
flow -
3
- -
r
,
r
- er.-
I
I
will
n e e d
your
love
or
die.-
My
Let ring.. .
is
in
your
pow
-
er.
ve
-
ry
life-
I
I
Will
with
-
er
and
fade
o
r
bloom
to-
Let ring..
I II
give
the
flow - er
P
wa
ter
to
Ag -
drink.-
Let ring
ua
de
be - her,__
u give the
Ag - ua
de
flow - er
wa
-
ter
to
be - bet-
drink-
give the
Let ring ...
-
2-2
A
1 ---3
-0
3
3
4
4
5
5
5
-
ter
to
drink.-
wa -
P n
0
T
flow - er
3
3
4
3
5
3-
5
5
3
5
2. The
Let ring.. .
rain-
3-1-
5
can
fall -
-
ter
to
drink.-
2
1-
I
T
1-1-
0-0L 2 - 2 0
e -
1 ---1-
1
0---0 0 2 -----2 -2 0
1
0-2-0-22 0
1-
-2--0 2 0
1
4-4-3-4-3-3-
2
-1
2
1-
Repeat to fade
Am7
0-
1-1-1-1 0-0-0-0 2-2-2-2 0
0
102-
102-
0
Verse 2: The rain can fall on distant deserts The rain can fall upon the sea The rain can fall upon the flower Since the rain has to fall let it fall on me. Agua de beber ~ g u de a beber camari Agua de beber Agua de beber camari Agua de beber Agua de beber camark
102-
1 0 2
0-
1-1-1-1 0-0-0-0 2-2-2-2 0
0
102-
102-2-
Portuguese lyrics Eu quis amar Mas five medo E quis salvar meu corra@io Mas o amor sabe um segredo 0 medo pode matar o seu cora@o Agua de beber.. . Eu nuncafiz coisa tdo certa Entrei pra escola do perddo A minha casa vive aberta Abre todas as portas do corapio Agua de beber.. . Eu sempre live uma certeza Que sd me deu desilusdo E que o amor E uma tristeza Muita magoa demais para um cora@o Agua de beber ...
100
1-0 2 - , 2
wave ( v o u t e c o n t a r ) words & music by antonio carlos jobim
A classic Jobim song that has become a jazz standard. It was originally recorded on the 1967 album of the same name. The opening rhythm sounds good if it is lightly strummed, and the melody played at should be played fingerstyle - the combination works well.
I
3
1. So
0 c o p y r g h t 1967 .8 1976 c o r c o v a d o m u s c n c o r p o r a t e d a s s g n e d t o w e s t m i n s t e r rnuslc lhmlted s u l t e 2 0 7
plaza 535 k n g s road all n g h t s r e s e r v e d
~ n t e r n a : l o n a l copyright s e c u r e d
66
usa
l o n d o n s w l O f o r t h e u n l t e d k l n g d o m a n d elre
close
your
A
Bb dim
Dmaj7
Am7 / , -
eyes, 2. Ad lib. Insrrumental - - - - -
for
that's
a
love
-
ly
way
to
be,
I
Gliss
5-5-5
7-7-7 6-6-6 7-7-7-
-5
4-
5-5-5
a - ware-
I
I
of
5--5-
5-5 0-0-0
t h i n g s
your
Y
t
heart
a
-
lone-
was
meant-
to
see.-
Gliss
I
t
tw -t
V
t
Gliss
--
The
fun
-
da
-
men
-
tal
lone
I
li
-
ness
g
o
e
s
when
-
e
-
ver
two
can
dream
a
dream
to
-
geth
IBI D maj
You can't
de
.
nY.
don't
Gliss
Gliss
557-75 66 -8 -8 -----6 5-5-7-7-0-5 0
T
-
n
Bb dim
II
try
7-7 8-8 7-7
7-10-9
1
5 7 6 7 5
5-5-5 7-7-7 6-6-6 7 -7 -7 -----5-5-5
Gliss
Am7
to fight the
ris
-
ing
sea,
don't
I
Let ring
I
fight-
the Gliss
------: Gliss
moon,-
I
-
the
stars
The
fun
two can dream
-
a
-
bove-
-
men
a dream
to
da
and
- tal
-
don't-
li
lone
geth
-
fight
er .
me.-
-
ness
g o e s
when
- ev
-
er
When
I
saw
you
first
when
I
time
was
half
past
three,
Hold chord.. .
Hold chord.. .
II
the
your
Hold chord.. .
eyes
met
mine
it
Hold chord.
was
e -
~b dim
Dmaj7
know
the
wave
Am7
,.----,is
on
the
way
to
be,
h
I
I
G maj
just
catch-
the
w a v e
don't
be
a
-
fraid-
of
lov
-
ing
me. -
Gliss
Gliss /
-*" A
A
4
Xli
'n
The
fun - da - men - tal
lone
-
li
-
ness
g o e s when - e - ver
two
can
I
G ID
dream
a
dream
to
-
geth
I
Dm7
G ID
D m7
G ID
Repeat to fade
