Iron Maiden Anthology Aces High - 02
The Evil That Men Do – 156
Be Quick or Be Dead – 11
The Number of the Beast – 171
Bring Your Daughter To The Slaughter – 22
The Phantom Of The Opera - 182
Can I Play With Madness – 35
The Trooper – 200
Fear Of The Dark – 44
Two Minutes To Midnight – 210
Flight Of Icarus – 59
Wasted Years – 224
Hallowed Be Thy Name – 68
Wrathchild – 233
Iron Maiden – 81 Killers – 88 No Prayer For The Dying – 103 Powerslave – 116 Revelations – 126 Running Free – 135 Run To The Hills (PVG) – 141 Run To The Hills – 147
Digital Conversion © 2011 Sorgdal Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any Sorgdal
claim to its accuracy or value as a learning aid.
from Iron Maiden - Powerslave
Aces High Words and Music by Steven Harris
Transcribed by Paul Pappas Guitars: Dave Murray Adrian Smith
A5
F5
G5
C5
D5
G5 open
B5
E5
5fr 11
13
13
13
7fr
13
13
1
34
13
1., 2., 3.
Intro Moderately fast q = 160 ***F#m
D
*Gtr. 1 (dist.)
f
P.M.
6
4
7
6
6
4
6
4
7
6
6
4
E
6
4
7
6
6
4
6
*Adrian Smith
**Gtr. 2 (dist.)
f
P.M.
7
**Dave Murray
4
6
4
7
6
4
7
6
4
7
6
4
5
7
D
P.M.
7
4
6
6
4
P.M.
4
6
4
6
7
***Chord symbols reflect overall harmony.
4.
7
5
7
6
6
7
E
6
P.M.
7
4
6
P.M.
5
7
5
7
4
6
6
7
7
4
7
4
6
4
Copyright © 1984 by Iron Maiden Holdings Ltd. All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC International Copyright Secured All Rights Reserved Reprinted by Permission of Hal Leonard Corporation
6
7
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Faster q = 252
Am
5
7
Verse
E5
1. There 2. Move
Rhy. Fig. 1 Gtrs. 1 & 2
9 7
E5
then Let
9 7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
5
4
5
4
5
7
F#5
5
7
5
5
5
5
5
A5
the to
si fire
11 9
12 10
14 12
F#5
G5
A5
the the
sound sharp
12 10
14 12
goes in
comes off
11 9
F
G
G5
5
4
4
5
5
4
Play 4 times
5
3
3
5
3
5
4
7
5
5
G5
-
7
ren at
12 10
G5
12 10
E5
that the
warns main
11 9
of burst
F#5
F#5
9 7
5
7
G5
5
E5
guns then
9 7
the of
air bomb
send turn
12 10
ing a
F#5
-
4
7
5
D5
raid, ers.
11 9
11 9
7 5
D5
-
7 5
F#5
5
11 9
G5
4
D5
of stream
4
F#5
12 10
the and
11 9
7
-
flak. way.
End Rhy. Fig. 1
11 9
7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1
F#5
Out Roll
for o
F#5
E5
E5
Got Move
Jump Ban
B5
-
2 0
A5
G5
A5
get their
up blind
4 2
5 3
7 5
C5
-
C5
-
D5
the E
wheel one
5 3
7 5
C5
D5
-
ing and
speed turn
and clock
start move
5 3
4 2
C5
-
B5
-
blocks, o -
B5
Gath cend
B5
-
er ing
C5
-
as ing
2 0
5 3
4 2
no out
B5
we our
head Spit
C5
-
down fires
B5
en hind
-
G5
to the
waste. sun.
B5
G5
gines. us,
Re -
4 2
5 3
As
-
End Rhy. Fig. 2
3 3 0 0 X 3
4 2
B5
tack. gain.
5 3
5 3
A5
-
2 0
-
D5
borne. them.
time of
4 2
C5
-
G5
the be
there’s nine’s
B5
up in
A5
5 3
D5
at a
F#5
air hind
-
F#5
ing ing
C5
Gtrs. 1 & 2: w/ Rhy. Fig. 2
A5
-
A5
pit o’
com fir
D5
get be
G5
F#5
to in
E5
the and
got come
G5
F#5
for sides
-
E5
we’ve to
G5
F#5
ble, ’round
G5
cock eight
4 2
scram spin
the at
2 0
the ver,
C5
all M
A5
in dits
D5
B5
move ten
G5
Rhy. Fig. 2 Gtrs. 1 & 2
-
to to
A5
G5
the to
run face
B5
-
way, them,
G5
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
B5
got head
-
C5
ta ing
D5
get straight
air for
Pre-Chorus Em
*
*
1., 2. Run - nin’ 3., 4. Roll - in’,
Gtr. 1
5
7
Gtr. 2
5
-
B5
A5
borne them
be I
-
7
5
7
7
7
fore press
7
5
fly - in’. div - in’.
7
7
C5
7
7
7
7
7
too my
7
late. guns.
Am
7
7
7
4
7
7
7
4
5
7
5
0
5
7
7
G5
5
7
7
B5
it’s down
*
7
scramb - lin’, turn - in’,
7
C5
4
7
7
5
7
5
4
0
*w/ echo set for half-note regeneration w/ 1 repeat, next 7 meas.
Em
*
*
Roll - in’,
*
turn - in’,
1.
2.
Am
Am
div - in’.
Go - ing in
5
7
7
7
7
7
5
7
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
7
7
7
7
7
7
7
7
7
5
7
7
7
7
7
7
7
7
5
4
5
7
5
7
5
4
5
5 7
a - gain.
7
5
5
4
7
5
7
5
4
7
5
7
Chorus E5
C5
Run,
live
Gtrs. 1 & 2
9 7
C5
D5
fly
9 7 0
do
or
die.
9 7
5 3
3 3 0 0 X 3
7 5
F5
G5
fly
to
live,
Eb5
fly,
_1
_1
_1
_1
_1
F5
Live
to
_1
8 6
10 8
End Rhy. Fig. 4
steady dive
_1
_1
_1
_1
_1
_1
5
5
5
5
5
5
w/ bar
Pitch: D
Eb5
f Harm.
5
run?
E5
End Rhy. Fig. 3
9 7
D5
you
*Adrian Smith
C5
G5
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (3 times)
9 7 0
G5
*Gtr. 3 (dist.)
7 5
Rhy. Fig. 4
Gtrs. 1 & 2
5 3
D5
Won’t
live,
C5
fly,
E5
to
to
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1 3/4 times)
E5
Rhy. Fig. 3
9 7 0
D5
5
G
–1
–4 1/2
–5 –6
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Sorgdal
T o Coda
Gtr. 3 tacet
Eb5
F5
ac
-
G5
es
high.
Eb5
F5
Interlude
A5
D5
Gtrs. 1 & 2
P.M.
2 0
3
3
0
0
3
2
A5
P.M.
7 5
0
7 5
0
3
3
0
0
2 0
2 0
3
2
1.
D5
P.M.
0
3
3
0
0
3
2
0
P.M.
7 5
7 5
0
3
3
0
0
3
2.
A5
0
3
2
0
3
2 0
*Gtr. 4
Gtrs. 1&2 divisi
(cont. in slashes)
**
3
2
0
X 2 X 0
3
**Gtr. 4 to the left of slash in tab.
*Dave Murray
Guitar Solo ***A5
Gtrs. 1&2
Gtr. 4
F5
Rhy. Fig. 5
3
3
3
1 1/2
7
7
7
7
7
7
7
7
***See top of first page of song for chord diagrams pertaining to rhythm slashes.
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Sorgdal
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
G5
A5
C5
D5
8
8
3
1
1
5
7
7
End Rhy. Fig. 5
8
5
5
7
7
5
7
5
5
7
7
5
7
5
0
7
Gtrs. 1 & 2: w/ Rhy. Fig. 5
A5
F5
3
8
5
3
0
7
5
3
0
8
G5
3
5
0
7
3
5
0
8
5
3
0
7
3
5
0
7
3
5
0
7
5
A5
3
0
8
5
3
0
7
3
5
C5
8v a
3
3
3
3
10
10
13
14
12 14 12
14
12 14
12 13 12
14
12
5
0
7
5
0
3
13 15
8
D5
1
8
0
3
12 13 12 15 15
15
15
Gtr. 4 tacet
B5
Rhy. Fig. 6 Gtrs. 1&2
*Gtr. 5 (dist.)
G5
open
A5
f 10
*Adrian Smith
12
0
10
14
0
10
12
0
10
14
0
10
12
0
10
14
0
10
12
0
10
14
0
10
12
0
10
14
0
0
0
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Sorgdal
B5
loco loco 15 ma
15 ma
P.H.
D5
E5
0
5
P.H.
12
0
10
0
8
0
10
0
8
0
7
0
8
0
7
rake 1
0
7
0
8
0
7
0
6
Gtrs. 1 & 2: w/ Rhy. Fig. 6
B5
7
9
7
10
9
7
9
9
7
9
9
9
7
9 9
9
7 7
9
7
D5
3
3
9
5
5
0
E5
3 P.H. 1
P.H.
3
1/2
B5
A5
X
6
G5
End Rhy. Fig. 6
3
3 P.H. 1
1
17
7
10
7
11
9
8
Pitch: G#
15
16
7
9
C#
8
7
17
17
17
15
7
A#
B
Interlude
2nd time, Gtr. 5 tacet
1st time, Gtr. 5 tacet
A5
Gtrs. Gtr. 5
1&2 divisi
D5
17 20 3 3 P.M.
0
Gtrs. 1 & 2
0
3
2
A5
P.M.
7 5
0
7 5
0
3
3
0
0
2 0
2 0
3
2
0
3
2nd time, D.S. al Coda
P.M.
0
3
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Sorgdal
3
D5
0
0
3
2
0
A5
P.M.
7 5
7 5
0
3
3
0
0
3
2
0
3
2 0
Coda
Outro Am
5
4
5
4
5
4
Gtr. 2
F
Gtr. 1
7
5
7
5
7
5
5
5
5
5
G
5
5
4
4
5
4
Play 3 times
5
3
3
5
3
5
4
7
5
5
7
F
7
5
7
5
4
4
5
4
7
5
Free time
Am
5
4
5
4
5
4
rit.
5
5
5
5
4
5
4
5
4
G
3
4
5
7
5
Am Gtr. 4
7
5
5
5
7
7
5
7
5
7
6 7
8 9
5
3
6 7
5 5
3 4
5 5
6 7
5 5
5
3
1
4
5
4
3
4
4
5
4
5
4
2
5
µ
4 5
5 7
3 8 9
3
A5
3
Gtr. 5 divisi
5
3
rit.
7
3
fdbk. Gtr. 1 Gtr. 2 divisi 5 7
5
Pitch: E
2 0
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Sorgdal
from Iron Maiden - Fear of the Dark
Be Quick or Be Dead Words and Music by Bruce Dickinson and Janick Gers F5
G5
Gsus2
8fr
10fr
134
C5
134
1341
Bb5
Ab5 6fr
8fr
13
11
13
11fr
13
F5 XIII
G5/D 10fr
13
Eb5
8fr
D5 4fr
13
F5/C
10fr
10fr
11
13fr
13
Intro Fast Rock q = 256
µ
** G5
*Gtrs. 1 & 2 (dist.)
(Drums)
f
5
0
0
0
1
0
3
Eb5
0
1
C5
0
3
F5
Eb5
C5
3
0
0
0
1
0
0
1
0
0
3
1
0
3
Riff A
5
3
3
0
0
0
1
0
3
0
1
0
0
5
3
3
3
0
0
1
0
Eb5
C5
G5
Ah,
5
3
0
3
F5
0
3
G5
G5
3
5
**Chord symbols reflect implied harmony.
F5
3
3
*Composite arrangement
3
0
0
0
1
0
3
0
1
0
0
3
5 3
3
0
0
3
Copyright © 1992 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
0
1
0
3
0
1
0
3
3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
Bb5
ow!
Eb5
F5
End Riff A
3
5
3
0
0
0
1
0
0
1
0
0
3
3
5 3
0
0
0
1
0
3
0
1
0
3
3
1
0
Verse
2nd time, Gtr. 2: w/ Fill 1
G5
1. Cov ser
-
ered pent
in is
sin crawl
-
ners ing
and in
drip side
-
with your
guilt. ear.
1
3
3
3
3
G5
3
3
3
-
ing you
3
3
your must
mon vote
3
3
3
3
3
-
ey for
1
3
3
3
3
3
3
3
3
3
3
from what
slime you
3
Fill 1
Gtr. 3
10
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3
Bb5
3
3
P.M.
Sorgdal
ping of
D5
Mak says
-
Rhy. Fig. 1
P.M.
3
3
3
C5
and want
3 1
5 3
3
from to
3
Eb5
He
7 5
8 6
8 6
Eb5
Bb/D
filth. hear.
Pa Don’t
8 6
8 5
8 5
End Rhy. Fig. 1
Gtrs. 1 & 2: w/ Rhy. Fig. 1
G5
rad mat
-
G5
your what’s
vest Call
ing ter
-
ing your
-
bel wrong
our self
lives stu
-
lies
in as
in
your and
pid
i long
as
Bb5
C5
schemes rob
vo
- ry you’re
and your
D5
tow all
-
pow blind.
In
-
right.
your self
ers.
Eb5
-
Eb5
Bb/D
ers.
Pre-Chorus
3rd time, Gtr. 4: w/ Fill 2
C5
You’ve
got
to
watch
them,
Bb5
be
quick
or
be
F5
dead.
Rhy. Fig. 2
Gtrs. 1 & 2
P.M.
3
3
3
3
3
3
3
3
C5
Snake
3
eyes
in
heav
3
3
3
3
3
en,
the
thief’s
3
3
3
3
3
3
1
1
-
1
1
1
Bb5
1
in
Eb5
your
3
1
3
3
3
3
3
1
1
1
1
1
1
1
1
1
Bb/D
1
1
Eb5
head.
3
1
P.M.
3
1
1
8 6
8 5
End Rhy. Fig. 2
8 6
Fill 2
8v a
Gtr. 4
18
18
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Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 2
C5
You’ve
got
to
watch
them,
be
C5
quick
or
Bb5
be
Snake
eyes
in
heav
-
en,
Eb5
the
thief’s
in
dead.
Bb5
F5
Bb/D
Eb5
your
head.
Chorus
G5
Eb5
D5
Bb5
G5
Be
Gtr. 2 Gtr. 1
14 7
12 5
divisi
10 3
13 6
10 3
12 5
10 3
12 5
10 3
10 3
13 6
10 3
10 3
To Coda 2
quick Riff B
or
be
dead.
13 6
13 6
13 6
12 5
Eb5
D5
13 6
10 3
G5
Bb5
Be
End Riff B
Riff B1
10 3
End Riff B1
14 7
12 5
13 6
10 3
12 5
10 3
12 5
10 3
10 3
13 6
10 3
13 6
10 3
13 6
13 6
12 5
13 6
10 3
Gtrs. 1 & 2: w/ Riffs B & B1
*
quick, *w/ echo set for whole-note regeneration w/ 2 repeats.
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Sorgdal
Eb5
or
be
D5
Bb5
G5
*
To Coda 1
Eb5
D5
Bb5
F5
dead.
Gtr. 2 Gtr. 1
divisi
(cont. in slashes)
**
10 3
14 7
12 5
13 6
12 5
10 3
10 3
12 5
10 3
10 3
13 6
10 3
13 6
10 3
13 6
13 6
12 5
*w/ echo set for whole-note regeneration w/ 3 repeats.
Gtr. 1
See
10 10 8 3 1
**Gtr. 1 to left of slash in tab.
Bridge
13 6
G5
what’s
rul
-
ing
all
our
lives.
Gtr. 2
3 1
F5
Rhy. Fig. 3
5 3
See
G5
who’s
pull - ing
End Rhy. Fig. 3
strings.
Rhy. Fig. 3A
End Rhy. Fig. 3A
3 1
5 3
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
F5
See
what’s
rul
-
ing
G5
all
our
lives.
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Sorgdal
F5 Gtr. 1
who
pulls
See
Gtr. 2
3 1
Bb5
bet
Gtrs. 1 & 2
3 1
3 1
you
won’t
G5
fall
on
you
in
place.
5 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 3
Bb5
the
strings.
Bb5
your
3 1
5 3
C5
F5
3 1
5 3
D5
3 1
5 3
7 5
5 3
5 3
G5
(cont. in notation)
I
face.
5 3
G5
3 1
Gsus2
5 3
C5
C5
hold
Sorgdal
F5
3 1
G5
Bb5
Your
bel
F5
-
will
ly
3 1
3 1
Eb5
F5
8 6
10 8
10 8
Interlude
G5
Uh!
F5
Iz,
5
3
0
0
0
1
0
0
1
0
0
5
3
3
3
0
0
0
1
C5
G5
ak!
Eb5
0
3
0
1
0
3
3
3
Gtrs. 1 & 2: w/ Riff A
Gtr. 3 (dist.)
F5
Eb5
C5
G5
f
10
12 10
0
7
0
8
0
10
0
8
0
7
0
10
10
12 10
0
8
7
0
F5
0
Eb5
C5
G5
10
0
8
7
10
10
10
D.S. al Coda 1
F5
Eb5
C5
Bb5
2. The
12 10
10
0
7
0
8
0
10
0
8
0
7
0
10
12 10
10
0
10
7
0
8
0
0
8
7
10
8
7
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1
Guitar Solo
Eb5
D5
Bb5
C5 Gtrs. 1&2
Gtr. 3
F5/C
grad. release
Gtr. 2
C5
F5/C
8
8
8
-1
-2 1/2
Gtr. 1
F5/C
w/ bar
X X X
C5
C5
(cont. in slashes)
divisi
(cont. in slashes)
13 6
10 3
13 6
13 6
C5
F5/C
Gtr. 3
12 5
13 6
C5
8
8
11
8
11
C5
8
11
F5/C
7
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
8
7
10
3
7
10
7
7
8
8
10
F5/C
10
7
7
3
3
8
7
10
C5
C5
3
7
F5/C
3
8
10
C5
3
C5
10
F5/C
Sorgdal
3
8
10
Eb5
10 8
7
10
7
Bb5
8
7
7
10
Ab5
3
10
7
3
10
7
10
3
7
10
7
3
8
7
10
8
7
10
8
10
10
C5
F5/C
C5
F5/C
C5
F5/C
3
3
C5
F5/C
3
C5
3
1
1
8
8
10
Eb5
8
8
8
11
13
8
11
11
8
11
8
8
11
13
11
10
11
10
F5/C
8
10
C5
8
8
C5
11
10
11
8
F5/C
8
8
10
C5
8
F5/C
10
8
8
7
1
11
C5
F5/C
C5
Bb5
11
10
11
Ab5
D5
8v a
Gtr. 4 (dist.)
10
G5/D
8
D5
f w/ bar 17
-2
Gtr. 3
8v a
3
3
w/ bar 13
7
8
7
10
7
10
7
10
7
10
8
10
8 -1 1/2 -3 1/2
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5/D
D5
G5/D
G5/D
8v a
D5
D5
17
15
13
12
18
17
18
18
17
15
15
13
12
8v a
w/ bar
13
15
18
15
15
13
15
loco
w/ bar
17
F5 XIII
10
11
Gtr. 3 tacet
D5
G5/D
Gtr. 4
11
10
10
11
D5
G5/D
G5/D
3
3
10
D5
11
10
D5
9
10
9
C5
10
9
12
Bb5
10
-1
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
11
13
11
10
-3
15
12
G5/D
10
11
13
D5
w/ bar
–1 1/2
14
3
–1 1/2
_ 1/2
12
3
_ 1/2
10
12
D5
12
G5/D
3
w/ bar
10
3
10
D5
18
11
G5/D
D5
G5/D
G5/D
8v a
D5
D5
17
15
15
18
17
15
15
13
1
w/ bar
F5 XIII
18
15
17
-1
D5
G5/D
8v a
3
15
D5
3
13
15
13
G5/D
15
13
11
13
11
13
11
3
12
12
13
12
D5
G5/D
D5
8v a
D5
3
14
12
12
12
14
15
14
D.S.S. al Coda 2
Bb5
C5
G5/D
(cont. in notation)
15
18
3 3
3
1
14
15
15
17
16
15
17
15
16
15
15
18
15
15
18
15
15
17
18
15
17
15
18
Coda 2 G5
Eb5
D5
Bb5
G5
Be
10 3
13 6
13 6
13 6
12 5
13 6
µ
quick!
10 3
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Iron Maiden - No Prayer for the Dying
Bring Your Daughter to the Slaughter Words and Music by Bruce Dickinson E5
E5 VII
D5
7fr
11
13
5fr
13
Intro Moderate Rock q = 144
D
G5
*Gtrs. 1 & 2 (dist.)
f
2 3 2 0
D
A5
3 3 0 0 X 3
2 3 2 0
2 2 0
D
G5
E5
2 3 2 0
3 3 0 0 X 3
0 0 4 2 2 0
*Composite arrangement
P.S.
X X 0
X X X X X X X X X X X X X X X X X X X X XX
1. Hon - ey,
w/ bar
X X
2 2 0
2 2 0
it’s
get - ting
close
+1/2
2 2 0
Copyright © 1989 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Verse 2nd time, Gtr. 3: w/ Fill 1 * Em7
to
G6
mid - night, to day -
Gtr. 3 (dist.)
and
all the
break
the is
myths
sun
creep
are -
still ing
A5
in in
town. the sky.
f **w/ delay P.S.
X
X XX
**Set for half-note regeneration w/ multiple repeats.
Gtrs. 1 & 2
Riff A
let ring
0
2
let ring
3
2
5
0
*Chord symbols relfect overall harmony.
True No
love and pat - ent
lip - stick rem - e - dies
on
Em7
lin - en, heart
your for
let ring
w/ delay
14 14
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
2
Gtr. 3
ache,
bite just
the emp - ty
pil - low, words
make
End Riff A
3
P.S.
14 14
and
let ring
5
Fill 1
XX
G6
X
X X X
Gtrs. 1 & 2: w/ Riff A (1 1/2 times)
A5
no
1st time, Gtr. 3 tacet
sound. hum - ble
If
there’s So
pie.
some
liv - ing down
get
to
loco
Harm.
X X
7
X X
9
be - fore your as - sume
life
one. be
- comes your ti - tude.
Un - chain your ’cause you
wait - ing,
Gtrs. 1 & 2
be at
an
A5
G6
0
ha, hon - ey,
you’d You
A5
back know,
tomb,
door,
bet - ter just
in - vite know I’m
you
let ring
2
F#
Em7
done, knees,
your
9
Pitch: G
G6
be on
Harm.
8
8v a
Gtr. 3
Em7
me a - round. com - ing soon.
know
that
the I’ll
I’m pray
D5
Bring
your
daugh -
let ring
3
2
5 7 5
0
Chorus
E5
D5
-
ter,
bring
your daugh
Rhy. Fig. 1
7 5
9 7
9 7
9 7
9 7
X X
X X
7 5
E5
-
ter
9 7
9 7
C5
to
the
X X
X X
5 3
slaugh
9 7
A5
-
ter.
D5
Let her
go,
End Rhy. Fig. 1
P.M. 3
3
3
5 3
5 3
5 3
2 0
0
3
4
2 2
3
4
2 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let
her
go,
Rhy. Fig. 2
let
G5 E7
her
2 0
4 0
2 0
2 0
4 0
2 0
2 0
4 0
2 0
2 0
Bring
your daugh -
1/4
2 0
3
G5 D5
End Rhy. Fig. 2
1/4
2 0
go.
G5 E7
D6 A5
D5
D6
2
5
2
4
2
1/4
2 0
3
2
5
2
4
2
7 5
3
Gtrs. 1 & 2: w/ Rhy. Fig. 1
-
E5
D5
bring
your
ter,
daugh
-
E5
C5
ter
to
the
slaugh
A5
-
ter.
D5
Let
her
go,
1.
let
her
go,
Gtrs. 1 & 2
let
her
G5 E7
2 0
4 0
2 0
2 0
4 0
2 0
2 0
4 0
2 0
2 0
3
Let her
2
5
2
yeah.
w/ bar
2 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
4
2
Heh, heh,
+1
3
go,
1/4
2 0
E5
1/4
2 0
G5
go.
G5 E7
D6 A5
D5
D6
1/4
2 0
2
5
2
4
3
3
heh,
heh,
heh,
heh,
heh,
+1/2
2 0
3
ha,
ha,
ha.
0 0
0
2. Hon - ey,
0
2
it’s
get - ting
close
2
0
2.
Bridge
µ
G5
So pick up your fool - ish
3 3 0 0 X 3
3 3 0 0 X 3
2 0
where,
Gtr. 4 (dist.)
5
2
4
2
no
way,
no
place
to
hide.
Harm.
12 5 Pitch: G
pride.
D
No
2 3 2 0
2 3 2 0
A5
go - ing back,
no -
D
Let
her
G5
E5
go!
_1
f
w/ bar
_1
7 14 19
Gtrs. 1 & 2
P.S.
X X XX X X
X X
G5
D
2
19
0
0 -2 1/2
2 3 2 0
3 3 0 0 X 3
2 3 2 0
2 2 0
2 3 2 0
3 3 0 0 X 3
2 2 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
C5
G/B
w/ bar
14
14
14
A5
14
12
14
12
10
D5
7
12
9
12
10
12
10
10
12
12
12
-1
2 2 0
2 2 0
X X X
2 2
0 0
5 3
E5
5 3
G5
Rhy. Fig. 3
X X
5 3
2 0
5 2
C5
2 0
5 0
X X
2 0
2 0
G/B
2 0
A5
3
1
14
12 12
12 12
2 0
2 0
2 0
12 12
14
12 12
3 3 0 0 X 3
3 3 0 0 X 3
X X
1
12 12
14
1
12 12 12
12 12
12 12
12 12
12 12
12 12 12
14
1
12 12
12 12 12
14
12 12
12 12
12
12
14
End Rhy. Fig. 3
2 2 0
2 2 0
X X X
2 2
0 0
5 3
5 3
X X
5 3
5 2
2 0
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 2 meas.)
D5
G5
Gtr. 4 6 6 6 6 6 6 6
13 13
12 15 14 12
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13
12
13
12 12 15
12 13 12 13
12 15 15 12
13 12 13 15
12 14 15 17 17 15
17 17 15 14
16 15 14 12 12
14 14 14
E5
14 0
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)
1
C5
G/B
6
3
1
12
14
12
12
14
14
15
12
14
12
14
12
13
12
D5
A5
14
12
12
14
15
12
14
12
12
14
13
12
14
12
14
12
G5
E5
3
14
12
16
12
14
12
14
12
12
16
14
12
14
12
12
12
16
14
12
C5
6
14
12
12
16
14
15
12
12
12
13
14
G/B
6
6
12
A5
6
3
1
12
15
12
13
12
12 12 12 15 12
13 12 13
12 15 15
12 13 12 13
D5
15 15
17
14 15 15
16
12
15
14
12
14
14
14 15
14 15
15
14
G5
14
14 17 17
17
15
E5
Bring
your
daugh --
w/ bar
1
19
17
0
16
19
0
0
7
0
5
0
5
0
3
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtrs. 1&2
-
ter,
bring
your daugh -
ter,
bring
your daugh
-
ter,
bring
your daugh
-
ter,
bring
your daugh -
Gtr. 4
w/ bar
0
0 -1/2
-1
-1 1/2
-3 1/2
-4 1/2 slack
Riff B Gtr. 5 (dist.)
mp
7
7
7
P.M.
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
Gtrs. 1 & 2 tacet
7
7
7
7
7
7
Gtr. 4 tacet
C5
D5
-
7
ter,
bring
E5
your daugh
-
ter
to
the
slaugh
- ter.
Bring
your daugh -
0
End Riff B
5
7
7
P.M.
3
3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
3
3
3
3
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
Gtr. 5: w/ Riff B
E5
G6
-
ter,
fetch
your
daugh
Gtr. 2 mp divisi * mp
Gtr. 1 *
A5
-
ter,
bring
your
daugh
-
ter,
fetch
your
daugh
-
ter,
bring
your
daugh -
9
12
14
7
10
12
*Vol. swells (next 8 meas.)
C5
-
ter,
D5
fetch
your
-
ter
daugh
E5
to
the
slaugh
-
ter.
5
7
9
3
5
7
Interlude Gtrs. 1 & 2 tacet Gtr. 5: w/ Riff B (2 times)
E5
G6
A5
(Ah. Riff C Gtr. 6 (dist.)
End Riff C
mp
9
8
7
8
10
8
7
8
9
8
7
8
10
8
7
8
9
8
7
8
10
8
7
8
9
8
7
8
10
8
7
8
Gtr. 6: w/ Riff C (3 times)
C5
D5
E5
Ah.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G6
A5
Ah. Riff D
Gtr. 7 (dist.)
End Riff D
mp 7
8
7
10
8
7
10
7
7
8
10
7
8
7
10
7
7
8
7
10
8
7
10
7
8
7
7
10
8
7
7
10
Gtr. 7: w/ Riff D
C5
D5
E5 VIII Gtrs. 1&2
f
D5
Bring
your
daugh -
Ah.)
Gtr. 4
f 1
12
1
12
15
1
12 12
12
12 12
15
1
12
12 12
15
1
12
15
1
12 12
12 15
15
12 15
Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gtr. 4
E5
D5
-
ter,
Riff E
bring
your
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12 12 15
C5
-
ter
1
12 15
daugh
E5
1
12 15
0 0 0
to
the
slaugh
12 12
15
15
1
12 15
0 0 0
-
1
12
A5
ter,
8
10 12
Let
her
1
10
D5
go,
End Riff E
1
10 13
Gtrs. 1 & 2: w/ Rhy. Fig. 2
G5 E7
go.
let
D6 A5
her
go,
10 13
1
let
D5
her
5
12
7
Bring
your
daugh -
1
10
D5
D6
1
12
5 7
15
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff E
E5
-
ter,
bring
your
let her
daugh
A5
-
E5
C5
ter
to
the
slaugh
G5
go,
A5
-
10 13
let her
go.
1
10
5
12
7
Let
her
go,
Bring
your
daugh -
loco
8v a
w/ bar
w/ bar
X X
Gtrs. 1 & 2
D5
D5
1
ter.
Gtr. 4
Em7
D5
19
19
1
19 12 15
0
0 -1
3 3 X 2
3 3 X 2
1/4
2 0
2 0
4 0
2 0
2 0
4 0
2 0
2 0
4 0
2 0
2 0
3
2 0
3 3 X 2
3 3 X 2
3 3 X 2
7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff E
-
E5
ter,
D5
bring
your
daugh
-
E5
ter
C5
to
the
slaugh
-
A5
ter.
D5
Let
her
go,
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let
her
Em7
let
her
go.
1
10 13
Gtrs. 1 & 2
go,
Gtr. 4
G5
5
12
7
1
10
1
14
14
A5
12
12
14
14
1/4
4 0
2 0
2 0
4 0
A5
Let
2 0
2 0
G5
4 0
her
14
12
14
12
14
15
14 14
2 0
3
X X
X X
2 2
X X
let
12 12
rake
1
X
14
1
12
X
12 12
3
14
G5
2
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 3 X 2
2 0
3
E5
her
go,
1
15
14
1/4
3 3
3 3 X 2
X X
A5
go,
12
2 0
E5
12
2 0
2 0
2 0
1/4
2 0
2 2 0
2 0
3
2 0
A5 G5
let
E5
her
µ
go.
Yeah,
com - ing
3
12
15
3
w/ bar
w/ bar
14 12
15
12
15
12
12
15 12
14
12
14
12
14
to
get
you.
1
14
14
14
14
12
14
14
14
-1
2 0
2 2 0
2 0
0 X 3
2 2 0
Free time
E7#9
µ
Wow!
_1
w/ bar
P.S.
_1
X X
8 7 6 7
X 14 X
_1
12
15
X X X
w/ bar 1
_1
15
12
15
12
-1 1/2
8 7 6 7
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Can I Play With Madness Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
D
D/C Csus2
Intro
G5
Dsus4
D5
A5
B5
Esus4
mad
-
ness?
E
Bb5
q = 145
Can
I
play
µ
G
with
Gtr. 2 (elec.)
D
D/C
0
0
0
P.M. f w/dist.
Gtr. 1 (elec.)
Csus2
f w/dist. 2 3 2 0
cont. sim.
0
0
0
0
0
0
0
0
0
0
0
0
0
2 3 2 X 3
2 3 2 X 3
2 3 2 X 3
P.M.
0
0
0
0
0
0
0
0
0
0
1. G5
Sorgdal
3 3 0 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2. Dsus4
3 3 2 0
D
Dsus4
D
2 3 2 0
3 3 2 0
2 3 2 0
Dsus4
3 3 2 0
Dsus4 Gtrs. 1+2
3 3 2 0
© Copyright 1988 Iron Maiden Publishing (Overseas) Limited. Zomba Music Publishers Limited. All Rights Reserved. International Copyright Secured.
D
Dsus4
D
2 3 2 0
3 3 2 0
2 3 2 0
Dsus4
3 3 2 0
Verse
D
1. Give me 2. I screamed
G
Fig. 1 2 3 2 0
0
G
Sorgdal
2
3 3 0 0 2 3
0
if say
0
0
0
0
0
0
0
I’m
free. you
P.M.
0
0
don’t
Give me I say
0
0
0
a you’ll
sense pay
0
0
0
0
0
0
0
Dsus4
0
0
Csus2
of for
won this
-
0
0
0
0
0
0
0
can or
0
0
be the
- lieve next.”
P.M.
Fig. 1 ends
0
0
0
0
0
0
0
0
0
0
0
0
0
Dsus4
D
2 3 2 0
3 3 2 0
2 3 2 0
0
0
0
Dsus4
3 3 2 0
to in
aw,
P.M.
0
0
Dsus4
0
3 3 0 X 3
0
0
D
3 3 2 0
0
0
der, mis - chief,
P.M.
0
0
0
know.
0
to said, “Don’t
I
2 3 2 X 3
0
der, old man,
0
know I this world
won to the
P.M.
2 3 2 0
to
0
3 3 0 0 2 3
0
D
0
sense a - loud
D/C
P.M.
won - der lie and don’t
the
0
0
3 3 2 0
0
0
0
0
0
0
0
D
Dsus4
D
2 3 2 0
3 3 2 0
2 3 2 0
0
0
0
Dsus4
3 3 2 0
Gtrs. 1+2 w/Fig. 1
D
Give
me
Oh,
G
spit back
in their raged
tell
D5
out lake
this
door,
you
Sorgdal
3 2 0 0
to
Dsus4
of of
this
with
D
a
Dsus4
D
hold
my
freez
-
Dsus4
ing
head
up,
Don’t He said, “You
G
got - ta your
A5
bad fire.”
D5
break
down
the
soul’s
gon - na
need no
wan - na know the truth,
A5
and
eyes.
2 2 0
glance,
D
face. in his
the truth,
me
Gtrs. 1+2
fixed
hell - fires
lock
he
the strength
Csus2
and then
D/C
key
to
son? Lord,
walls,
the
un I’ll
break
burn
in
D5
the
A5
place.
3 2 0 0
2 2 0
3 2 0 0
2 2 0
3
$
B5
Chorus
Can I
G5
play
mad
with
D5
- ness?
A5
B5
The pro - phet stared
at his crys - tal ball.
3° tacet Gtr. 3 (elec.)
let ring...
mf w/dist. 10
10 10
12 10
14 10
10 10
3° tacet
4 2
4 4 2 2
Can
4 2
4 2
10 10
10
I
play
10
3
4 2
4 2
4 2
mad
-
G5
3 3 3
4 2
3
12 10
14
10
10
10
9
10
12 10
10
3 3 0 0 X 3
3 2 0 0
3 0 0
0 0 0 0
2 0
2 0
4 4 2
There’s no
vi - sion
there
12
14
10
10
3 3 0 0 X 3
3 3 0 0 X 3
P.M.
3
E
10
2 4 2
0 0
Esus4
10
3 2 0 0
10
P.M.
3
ness?
14 10
P.M.
4 2
12 10
4 2
with
3 2 0 0
10
3 3 0 4 0 2 X 3
4
14 10
P.M.
P.M.
Sorgdal
10
11
12
10
3
3 3 0 0 X 3
12 10
0 0 2 2 2 0
10
10
at
all.
14
12 9
12 10
10
P.M.
0 0 2 2 2 0
0
0
0 0 2 2 2 0
0 0 1 2 2 0
B5
Can
I
play
10
10 9
11
12
10
10
10
0 0
mad
-
12
2
2
0
P.M.
10 10
10
Sorgdal
10
10
4 2
4 2
4 2
4 2
4 2
4 2
A5
B5
Ha!
He said,
P.M.
3 3 0 0 X 3
4 2
3 2 0 0 3
can I play
12 10
14 10
10 10
9
10
10 12 10
10
10
G5
with
12 10
3
3
3
10
He said,“You’re
10 10
3
mad - ness?
14 10
3
12
14
10
10
10
11
14
10
10
12
10
3
looked and he and laughed at me.
10
The pro - phet
10
ness?
14
10
D5
12
P.M.
with
G5
3 2 0 0
P.M. P.M.
3 2 0 0
3
2 4 2
0 0
0 0 0 2 0 0 0 0
2 0
4 4 2
4 4 4 2 2 2
4 2
4 2
3 3 0 0 X 3
P.M.
3 3 0 0 X 3
3 3 0 0 X 3 3 3
3 3 0 0 X 3
3 3 0 0 X 3
P.M.
3
5
D5
A5
D5
too
Gtr. 3 tacet
3 2 0 0
3 2 0 0
2 2 0
Csus2
3 2 0 0
2 2 0
G5
P.M.
2 3 2 0
2 2 0
to
see.
blind
0
0
0
0
0
0
0
Dsus4
0
0
2 3 2 X 3
0
D Dsus4 D
2 3 2 X 3
Dsus4
P.M.
3 3 0 0 X 3
P.M.
2 3 2 X 3
D
P.M.
3 3 0 0 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 0 0 X 3
0 0 0 0 0 0 0 0 0 0 0 0
3 3 0 0 X 3
2 3 2 0
3 3 0 0 X 3
2 3 2 X 3
2 3 2 X 3
0
0
0
0
0
0
0
0
0
D/C
Gtrs. 1+2
2 3 2 X 3
Csus2
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
P.M.
0
0
3 3 2 0
0
0 0
Gtr. 1
P.M.
6
You’re,
Sorgdal
Gtr. 2
A5
see.”
said you’re too
Interlude D
f w/dist.
D/C
to
D5
blind
A5
blind,
1.
To Coda Ø
2 3 2 0
3 3 2 0
2 3 2 0
3 3 2 0
3 3 0 0 X 3
3 3 0 0 X 3
P.M.
0
0
G5
Dsus4
D
Dsus4
D
Dsus4
Gtr. 2
3 3 0 0 X 3
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
Gtrs. 1+2
3 3 0 0 X 3
0
Gtr. 1
3 3 2 0
2 3 2 0
3 3 2 0
2 3 2 0
3 3 2 0
2. [E]
G5
[E]
Aw,
Fig. 2
7
9
9
9
9
lis
-
7
5 5
Fig. 3
5
7
7
[E]
7
7
5 7
pro -phet.
Gtr. 3 w/Fig. 2
Sorgdal
5
7
7
7
7
5 7
3 3 0 0 X 3
G5
3 3 0 0 X 3
X X
X X
X X X X X X
X X X X X X
ten
9
5
to me,
9
9
9
7
7
7
5 7
[E]
5 5
G5
A5
X X X X X X
X X X X X X
X X X X X X
X X X X X X
3 3 0 0 X 3
7
7
7
5 7
2 2 0
7
7 7
3 3 0 0 X 3
5
7
7
said the
9
A5
7 9
Gtr. 3
G5
2 2 0
X X X
X X X
7
[G]
Bb5
[G]
Bb5
C5
Fig. 4
7
8
8
8
7
4
5
5
5
5
4
0 0
[G]
Bb5
4
5
5
5
5
4
3 3 1
0 0
X X X
X X X
8
8
7 7 8 8
X X X
X X X
5
4
X X X
8
X X
3 3 1
Gtr. 3 w/Fig. 4
X X
8
7
7 8 8
8
X X X
5
5
5
4
0 0
[G]
4
10 10
5
5
5
5
4
0 0
X X
3 3 1
5 5 3
Bb5
C5
3 3 1
5 5 3
X X
X X X
X X X
X X X
X X X
Double time feel
Solo
[E]
G5
[E]
Gtr. 4
G5
ff w/dist. + pitch shift fx Gtrs. 1+2 w/Fig. 3 Gtr. 3 tacet full
full
full
full
Sorgdal
8
full
full
full
15 15
A5
15 15
15
15
15
15
15
15
17
12 2
[E]
G5
G5
6
full
full full
full
A5
3
3
[E]
full
24
20 22 2
2
0
2
2
2
2
0
2
2
2
21
22 20 22 20
22
21
Interlude G5 Gtrs. 1+2
G5
3
1/2
15 17
w/bar
1/4
17 15 17 17 15
17
3 3
17
D5
A5
D5
A5
P.S.
3 3
3 2 0 0
2 2 0
3 2 0 0
A5
2 2 0
3 2 0 0
2 2 0
Ø Coda
Gtr. 4 tacet
D5
X
Gtrs. 1+2
D.S. al Coda
G5
A5
to
see.”
2 2 0
D5
A5
3 2 0 0
2 2 0
Gtrs. 1+2 tacet
Can
I
play
µ
Sorgdal
with
mad
-
ness?
9
Fear Of The Dark Words & Music by Steve Harris
D5
C5
5fr
G5
G5
5fr
F5*
5fr
Intro
A5
3fr
G5**
3fr
D5*
Bb5
F5
3fr
3fr
F#5
5fr
9fr
E5
Dsus2 D5**
7fr
q = 80
1 (elec.) Gtr. *D5
C5
f w/dist.
7
7 7
7
9
9 10 10 9
9
7
7
9
9
5
5
7
5
5
7
7
9
9
7
7
5
5
9
5
5
Gtr. 2 (elec.)
P.M. f w/dist.
5
5 5
5
7
7
8
8
7
7
5
5
7
cont. sim.
7
3
3
5
3
3
5
5
7
7
5
5
3
3
7
3
3
*Chords implied by Bass.
D5
C5
7
7 7
7
9
9
10 10
9
9
7
7
9
9
5
7
5 5
5
7
7
9
9
7
7
5
5
9
5
5
5
5 5
5
5
7
7
8
8
7
7
5
5
7
7
3
3 3
3
3
© Copyright 1992 Iron Maiden Publishing (Overseas) Limited. Zomba Music Publishers Limited. All Rights Reserved. International Copyright Secured. Sorgdal
5
5
7
7
5
5
3
3
7
3
A5
G5
7
7
7 7
7
9
9 10 10 9
9
7
7
9
9
5
5 5
5 0
0 0
0
2
2
3
3
2
2
0
0
2
5
7
7
9
9
7
7
5
5
9
5
5
0
5
7
5
5
2
5
5
7
7
9
9
7
7
5
5
9
5
5
0
A5 F5 G5 rall.
7
7
7 7
7
9
9 10 10 9
9
7
7
9
9
3
3
3
7
3
3
5
5
7
7
5
5
3
3
7
3
3
3 0
0
0 0
0
2
2
3
3
2
2
0
0
2
3
3
2
3
3
5
5
7
7
5
5
3
3
7
3
3
0
a tempo
4 (elec.) Gtr.
D5*
Bb5
C5
Bb5
C5
10
10
mf clean tone Gtrs. 1+2 tacet 8 7
9 10
10
9
10 7
7
10
10
8
10
10
Gtr. 3 (elec.)
Sorgdal
2
let ring... Fig. 1 mf clean tone w/chorus 2 0
2 0
2 0
2 0
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5 3
3 1
3 1
5 3
5 3
D5
Bb5
C5
8 7
9 10
10
9
7
10
2 0
2
2
0
2
0
0
3
3
1
3
1
3
1
5
1
3
5 3
5 3
5
5
3
5
3
3
5 3
5 3
Verse Gtr. 3 w/Fig. 1 Gtr. 4 tacet D5*
Bb5
1. I
am
a
man
road
at
night
or
stroll
D5*
When
Sorgdal
2 0
2 0
the light
2 0
and when I’m
walk
C5
- ing
through
the
park.
be - gins
to change,
- ing
a dark
Bb5
I
some - times
G5*
feel
a
lit - tle
2
5
0
3 1
3 1
3 1
3 1
5 3
C5
F5*
C5
C5
let ring...
a - lone
Bb5
Bb5
Bb5
who walks
D5*
Gtr. 3
C5
5 3
5 3
5
3
5 3
7 5
7 5
3
3
D5*
Bb5
A lit - tle
2
2
0
an
2
0
strange.
C5
-
xious when it’s
dark,
fear
of
the dark.
2
0
0
3
3
1
3
1
1
3
5
1
5
3
5
3
5
3
5
3
5
3
5
3
5
3
3
Chorus
Bb5
C5
Sorgdal
4
Fear
of
3
3
1
1
0
5 3
stant
fear
that
some - thing’s
5 3 1
3 1
1
Bb5
3
3
C5
2
3 1
3 1
2
0
0
al - ways
near.
have
5
a
con -
2
0
D5*
5
5
3
5
3
Fear
of
3
the dark.
7 5
7 5
2
2
0
0
2 0
D5*
Fear
of
2 0
2 0
2 0
2 0
1
2 0
3
0
5
5 3
5 3
the dark.
3
C5
2 3 1
3
5
3
1
3
5
3
G5*
5 3
F5
-
5
I
3 3
the dark.
1
C5
2 3 1
Bb5
D5*
5 3
2 0
2 0
I
have
a
2 0
5 3
5 3
5 3
5 3
Bb5
F5
pho
- bi - a
that
G5*
5 3
3
1
3
1
1
some - one’s
3
3
D5*
al - ways
there.
5
7
3
7
5
2
5
2
0
2
0
0
2 0
2
2
0
0
0
1
Gtrs. 1+2
ff w/dist.
5
q = 208
Interlude
Chords implied by Bass.
Bb5 D5
Gtr. 3 tacet
7
7
5
5
7
7
5
Sorgdal
7
5
5
7
7 5
5
7
5
5
5
7
5
5
7
7
5
D5
7
7
5
7
5
C5
7 5
5
7
5
5
7
7
7
5
5
7
5
5
7 5
5
1.
2. Gtrs. 1+2
5
5 5
Verse
cont. in slashes
5
7
7
8
-
(3.)
and
5
8
8
8
7
5
5
you times
run when
have at
fing scared
-
ers to
your you’re
you the
felt corn
your -
er
neck of
5 8
D5
search - ing for the some - thing’s watch - ing
light?
down take
C5
7
Bb5
the a
8
crawl room.
You
when sense
wall, look
you’re that
2. D5
3. Some
you.
8
skin the
5
8
1.
6
Sorgdal
2. Have
5
D5
Fear
of
Bb5
the
dark.
C5
Chorus
D5
C5
Fear
of
the
I I
dark.
Bb5
a a
con pho
have have
1.
-
F5*
stant fear bi - a
that that
some - thing’s some - one's
D5
al al
4. (6.) 7.
you de you
- ways - ways
near. there.
-
thought find bat sense,
you And - ing May
ev - er as you hor - ror - be your
Bb5
you it ing and
been quick
films mind
heard hard es sud - den
foot to
Fear
of
the
dark.
Bb5
folk eyes
be a -
hind, gain. lore. fix
cont. in slashes
7 7 5
1, 3.
D5
5 5 3
C5
lone at night, up your pace, be - fore, night play - ing tricks,
steps look
C5
-
and ly
-
Gtrs. 1+2 (1° only)
Bb5
-
7 7 5
a - en the is
G5
witch
Gtrs. 1+2 (2°- 4° only) F5
Sorgdal
Verse
3. Have
D5
$
2.
G5**
D5
and turned a - round and no - one’s there? you’re sure there. Be - cause there’s some - one The un - known trou les on your mind. on danc - ing sha - dows from be - hind.
7
2, 4.
Fear
Chorus
of
the
C5
Fear
C5
I
have a
of the dark.
Gtrs. 1+2
cont. sim.
3 3 1
Bb5
F5*
3 3 1
3 3 1
3 3 1
3 3 1
G5**
3 5 3 5 1 3
D5
5 5 5 5 3 3
3 3 1
3 3 3 3 3 3 1 1 1
6 3 3 5 3 3 3 1 1 3
5 5 3
5 5 3
5 5 3
7 7 5
con - stant fear that some - thing’s al - ways near.
D5
dark.
q = 104
Bb5
Fear
7 7 5
7 7 7 7 5 5
Bb5
7 7 5
7 7 5
5 5 3
5 5 3
C5
of the dark.
Fear
5 5 5 5 3 3
5 5 3
of the dark.
cont. sim.
7 7 5
7 7 7 7 5 5
3 3 3 3 3 3 5 3 3 3 3 3 3 5 1 1 1 1 1 1 3
8 7 5 5
7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5
7 7 7 7 7 7 5 5 5
5 5 3
5 5 5 5 5 5 3 3 3
5 5 5 5 3 3
To Coda Ø
D5
C5
I have a pho
Sorgdal
8
7 7 5
7 7 7 7 7 7 5 5 5
7 7 5 7 7 5 5 5 3
5 5 5 5 5 5 3 3 3
Bb5
-
bi - a
that
F5*
G5**
D5
some - one’s al - ways there.
5 5 5 5 3 3
3 3 1
6 3 3 5 3 3 3 1 1 3
8 7 5 5
7 7 5
3 3 3 3 3 3 1 1 1
7 7 7 7 7 7 5 5 5
7 7 7 7 7 7 5 5 5
7 7 7 7 7 7 5 5 5
7 7 5 5
q = 208
Interlude
D5 Chords implied by Bass.
7
7
5
5
7
Sorgdal
7
5
5
7
7
5
5
7
5
5
7
7 5
7
5
5
7
7
7 5
7
5
5
7
5
5
5
Interlude
2.
q = 112
5
5
7 5
5
5
5
7
7
8
5
8
8
8
7
5
5
Bb5
G5
Bb5
C5
1/2
7 5
2
7
5
1.
5
8
7
5
5
9
10
9
10 9 7
7 5
3
3 2
5
2 5
8
8
8
7
7
9
Bb5
10
9
G5
10 9 7
7 5
3
Bb5
3 2
C5
D5
5
7
5
7 5
7
D5
7
5
C5
D5
Bb5
7
Bb5 G5 C5 D5
8 7
7 7
9
10
8 10 9
7 7
9
10
10 9
7 5 7
8
7
7
9
Bb5
G5
C5
D5
cont. in slashes
1/2
8 7
7
9
10
7
7
Solo
Gtr. 5 (elec.)
ff
w/dist. full
13 12
12 10
12
10
10 10
12
Rhythm cont. sim.
10
15
13
13 12 10
13 11 10
12
rake
full
full
15 13 12 13 12
15
12 10 12
13
10
12 10
X
12
12 10
12
C5
D5
10 12
X
10 12
full
Bb5
10 10
13 12
3
10 10 10 10
full
10
D5
C5
full
10
10
7 10 7
12
10 9
Bb5
full
10
10
10
9
7
D5
8 10 9
Gtr. 6 (elec.)
ff w/dist.
full
17 17
14
Sorgdal
10
full
13 13 12
12 10
10 12
12 10
10 12
12 11 10
8
10
8 10
10
10
F#5
5
Gtr. 5 tacet full
17 16 17 16 14 16 14
full
full
15 14 17
17 14
14 17 14 16
16
14 17 14 14 15 14
14 15 14 16
16
14 15 14 16 14 13
17
13 14 16 16
D5
E5
w/bar
F#5
3
6
full
full
19
14
14 16 1416 14
16
16 14 14
14
14 16
14 16 1416 14
16 14 16
16 14 14
16
14 16 16 14 16
3 3
gradually release bend full
1/2
19
19
17 16
14 17 16 14 17
14 15 16
1/2
14 16 14 17
17 14 14 15 14
16 14 16
14
14
16
16 16 18
D5
1/2
E5
6
1/2
6
6
6
Sorgdal
18
18
18 16 18 16 18 16 14 16 14 16 14 13 14
14 14 19 14 19 14
14
14
14 14
16
6
14 14
18
F#5
6
1/2
14 16
Gtrs. 1+2
12 12
11
Interlude D5
Bb5
Fig. 2 Gtr. 6 tacet
10
10 10 12
6 10 12
12
12 12
7
12
8 8
8
A5
Dsus2
G5
6
10
Gtr. 7 (elec.)
9
7 8 8
9
5
8
5 5
mf w/dist.
3
6 3
5
7
5
7 7
9
5
7
7
7
7
5
5
7
7
7
7
5
5
7
7
7
Bridge Gtrs. 1+2 w/Fig. 2 Gtr. 7 tacet
D5
Fear
of
the
Bb5
dark.
Fear
G5
A5
Fear
of
the
Sorgdal
12
of
the
Dsus2
dark.
Gtr. 7
Fear
of
the
dark.
1.
dark.
Interlude q = 208 Chords implied by Bass.
2.
D5
Gtrs. 1+2
5
Bb5
Gtr. 7 tacet
7 5
7
5
5
7
7
7
5
5
7
5
5
7 5
C5
D5
7
7
5
5
7
7
7
5
5
7
5
5
7
7
5
5
7
5
5
7
7
7
5
5
1.
7
5
5
7
5
5
2.
D.S. al Coda
D5
Gtrs. 1+2
5. Watch
cont. in slashes
5 5
5
5 5
5
7
7
8
5
8
8
8
7
5
5
5 8
5
8
8
8
7
Ø Coda D5
there.
Fear
of
Bb5
C5
the dark.
Fear
of
the dark.
cont. sim.
Sorgdal
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
13
D5
C5
I
have
a
Bb5
con - stant
fear
that
F5*
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
D5
5 5 3
5 5 3
Fear
of
near.
5 5 3
5 5 3
5 5 3
3 3 1
cont. sim.
7 7 5
7 7 5
D5
7 7 5
7 7 5
7 7 5
7 7 5
C5
7 7 5
7 7 5
7 7 5
I have a pho
Sorgdal
14
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
7 7 5
7 7 5
3 3 1
3 3 1
3 3 1
Bb5
bi - a
that
3 3 1
F5*
-
3 3 1
3 3 1
6 5 3 3
8 7 5 5
Fear
of
5 5 3
3 3 1
6 5 3 3
8 7 5 5
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
D5**
some - one’s al - ways
3 3 1
5 5 3
G5**
3 3 1
the
dark.
5 5 3
3 3 1
dark.
7 7 5
3 3 1
C5
3 3 1
Bb5
the
3 3 1
al - ways
5 5 3
there.
7 7 5
some - thing’s
7 7 5
G5**
3 2 0 0
5 5 3
5 5 3
Interlude q D5*
= 80
Gtr. 4
Bb5
C5
Bb5
C5
mf clean tone Gtrs. 1+2 tacet
8 7
9 10
10
9
10 7
7
10
10
8
10
10 10
10
Gtr. 3
let ring... mf clean tone w/chorus
2
2
0
0
2 0
2 0
3
3
1
D5*
3 1
3
5
1
Bb5
1
3
5
5
3
5
3
3
3
3
1
5
1
5
3
3
C5
8 7
9 10
10
9
7
10
2
2
0
0
2 0
2 0
3 1
3 1
3 1
3
5
1
3
5
5
3
3
5
5
3
5
3
5
3
5
3
3
rall.
Outro D5*
Bb5
C5
F5
G5*
D5*
When I’m
Sorgdal
2 0
2 0
walk - ing
2 0
a dark
road,
I am
a man
2
who walks
5
0
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5
3
5 3
a - lone.
7 5
7 5
2 0
2 0
0
3
15
from Iron Maiden - Piece of Mind
Flight of Icarus Words and Music by Bruce Dickinson and Adrian Smith E5
A5
F#5
E/G#
B5 4fr
11
11
13
14
134
Intro Moderate Rock q = 112
A5
E5
F#5
P.M.
2 2 0
4 2
*Gtrs. 1 & 2 (dist.)
f
2 2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
*Composite arrangement
Verse
F#m
1. As
the
sun
P.M. 4 2
4 2
bove
4 2
4 2
the
4 2
4 2
ground,
4 2
4 2
4 2
4 2
4 2
an
4 2
4 2
4 2
4 2
4 2
4 2
old
man
stands
4 2
4 2
4 2
4 2
4 2
4 2
on
the
hill.
4 2
2 2 2 4 4 2 Copyright © 1983 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
breaks
a -
2 2 2 4 4 2
X X
X X
A5
As
the
2 2 0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
ground
warms
to the
A5
first
rays
of
F#5
light,
a
bird - song
Rhy. Fig. 1
2 2 0
shat - ters
the
still.
His
End Rhy. Fig. 1
let ring
2
2 2 0
X X X X
4 4 2
Pre-Chorus
F#5
eyes
are
a - blaze,
see
the
A5
mad - man
B5
in
his
gaze.
C#5
4 2
4 2
X X
7 4
7 4
X X
X X
4 2
X X
Fly
on your
4 2
F#5
E5
way
like an
Rhy. Fig. 3
X X
µ
7 4
X X
7 4
2 0
2 0
X X
4 2
4 2
6 4
D5 A/C# D5
A/C# D5
ea - gle,
X X
2 0
X X
2 0
A/C# D5
fly
as
high
E5 D5 E5
9 7
as
the
End Rhy. Fig. 3
let ring let ring let ring
4 2
4 2
4 2
2 0
9 7 0
9 7 0
9 7 0
X X X X
Gtrs. 1 & 2: w/ Rhy. Fig. 3
F#5
sun.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
E5
End Rhy. Fig. 2
Sorgdal
Rhy. Fig. 2
Chorus
E/G#
On
your
E5
way
like
an
7 5
4
5
X X X X
7 5
4
µ D5 A/C# D5
ea - gle,
5
A/C# D5
X X X X
7 5
4
X X X X
5
A/C# D5
fly,
9 7
7 5
E5 D5 E5
9 7
12
touch
the
F#5
sun.
Yeah.
Mm.
2. Now the
Gtrs. 1 & 2
4 2
4 2
P.M.
4 4 4 2 2 2
4 4 4 2 2 2
4 4 4 2 2 2
4 4 2 2
4 4 4 2 2 2
4 4 4 2 2 2
4 4 4 2 2 2
4 4 2 2
4 2
4 4 4 2 2 2
4 4 4 2 2 2
4 4 4 2 2 2
4 4 2 2
4 2
4 4 4 2 2 2
4 4 4 2 2 2
4 4 4 2 2 2
4 4 2 2
Verse
F#m
crowd
breaks
and a
F#m7
young
boy
*
ap - pears.
Looks the old
3
man
in the
A5
eye,
as
let ring
2 2 2 4 4 2
2
2
5
2
he
X X
X X
2 2 0
*w/ echo set for quarter-note regeneration w/ 2 repeats.
Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
spreads
his
wings
and shouts at
the
crowd,
F#5
“In
the name
of
God,
my
Fa - ther, I’ll
A5
fly.”
His
Pre-Chorus
F#5
eyes
seem
so
E/G#
A5
glazed
as
he
flies
on the wings
of
a
B5
A5
dream.
Now
Rhy. Fig. 4
he
End Rhy. Fig. 4
4 2
4 2
X X
7 4
7 4
X X
Gtrs. 1 & 2
X X
4 2
X X
4 2
X X
7 4
X X
7 4
2 0
2 0
X X
X X
4 2
4 2
X X
X X
2 0
2 0
X X
4 2
2 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 2
F#5
knows
his
Fa - ther
be -
A5
trayed.
Now
his
3
3
ash - es,
to
wings turn
to
B5
3
ash - es
his
C#5
E5
E/G#
grave.
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)
F#5
Fly
on
F#5
sun.
your
on
your
E5
way
like
an
E5
way
like
µ D5 A/C# D5
A/C# D5
ea - gle,
fly
µ D5 A/C# D5
an
as
A/C# D5
E5 D5 E5
high
A/C# D5
A/C# D5
ea - gle,
as
the
touch
the
E5 D5 E5
fly,
Guitar Solo
E5
Gtrs. 1&2
P.M.
4
4
2
f
F#5
P.M.
1
4
E5
sun. Gtr. 3 (dist.)
A5
4
2
4
3
2
0
8v a 6
14
16
2
2
A5
E5
6
1
1
13 14 13 13 14 16
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14 15 14 15 17
14 17 14
17
14 17 14
14 17 14 16
14
14 17 14 17
17
19
16
17
19
19
19
17
P.M. 8v a
A5
E5
loco 6
3
3
6
3
1
19
19
19 17 19
17 19 17 19 17 19 17 19 17
16 17 16 17 16 17 16 17 16 14 16 14
17 14 17 14 17 14 17 14
16 14 16 14
16
14
Gtrs. 1 & 2: w/ Rhy. Fig. 4
F#5
P.M.
F#5
8v a
Gtr. 4 (dist.)
f
1
17
17
Gtr. 3
1
16
16
16 14
14 14 16 15 14
14 16
14 16 14 16 16
16
1
14
14
17
1/2
14 16 14
16 16
14 14
16
16
Gtr. 3 tacet
E/G# 8v a
Gtr. 4
A5
B5
loco
3
17
17
1
17
14
17
14
17
14 17
1
14
17
14 16
16
14
16
A5
14
13
13
13
11
12
11
9
9
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 2
F#5
E/G#
3
9
3
9
3
9
9
A5
1
1
14
14 17
11
11
11
11
11
11
11
11
11
16
1
14
17
14
14
17
17
14
17
16
14
Chorus
B5
C#5
E5
E5
6
Fly
µ
17
6
14
17 14 17 14
D5 A/C# D5
6
14
16
16 14 16 14
on
A/C# D5
ea - gle,
like
an
E5
way
F#5
sun.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
E5
On your
way
µ
fly
as
16 14 16
A/C#
D5
14
E5
16
D5
D5 A/C# D5
like
E5
high
A/C# D5
an
way
like
an
16
ea - gle,
your
14
16
17 14
Sorgdal
Gtr. 4 tacet
Yeah.
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (4 times)
F#5
µ
ea
-
gle,
as
the
fly
as
D5 A/C# D5
A/C#
D5
F#5
sun.
E5
D5
E5
high
A/C# D5
A/C# D5
fly,
On
your
as
the
E5 D5 E5
touch the
F#5
sun.
E5
On your
way
like
µ D5 A/C# D5
an
A/C# D5
ea
-
A/C# D5
E5 D5 E5
gle,
fly!
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)
F#5
E/G#
A5
B5
Gtr. 4
14
14
Gtr. 3
11
14
12
14
14
13
14
11
11
9
11
1
1 12
15
14
17
1 12
1
17
17
1
1 12
9
10
9
12
12
14
13
14
14
11
9
11
11
14
9
11
9
11
10
11
15
14
17
1 12
1
17
17
1
1 12
10
9
12
1
1 12
13
11
9
A5
15
14
17
1 12
1
17
17
14
1
1
12
17
9
B5
12
10
1
1
12
17
14
A5
17
14
10
11
14
E/G#
1 17
13
14
12
F#5
14
9
10
A5
1 17
1
12
10
9
12
1
12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
Gtrs. 1&2
Gtr. 5
1
16
16
16
16
16
17
17
12
12
Gtr. 4
Gtr. 3
16
16
16
16
16
16
16
16
16
16
Gtrs. 3 & 4 tacet
E/G#
Gtr. 5
6
6
*
1
16
16
16
16
16
16
16
1
3/4
16
1/2
16
16
16
16
16
16
16
16
16
16
16
*Gradually release bend while playing rhythm indicated.
A5
B5
A5
6
1 1 16
16
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16
16
16 14
14
16 14 16 14
14 17 14 16 14 16 14 16
14
16
14
16
14
16
16
16
16
F#5
E/G#
17 14 17 14
16
17 14 17 14
16
17 14 17 14
16
17 14 17 14
16
17 14 17 14
16
17
14 17 14
16
17 14 17 14
16
17 14 17 14
16
17 14 17 14
B5
Fly
16
17 14 17 14
16
17 14 17 14 17 14
16
17 14 17 14
16
14
16
as
high
as
the
17 14 17
F#5
(cont. in notation)
sun!
1
17 14 17 14
17 14 17 14
Free time
A5
16
17
Gtr. 5 tacet
A5
E5
F#5
µ
Ah!
Gtrs. 1 & 2
4 2
2 2 0
2 2 0
4 2
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Hallowed Be Thy Name Words & Music by Steve Harris E5
C5
D5
7fr
B5
G5
5fr
q = 80 [E]
A5
7fr
B5*
3fr
E5*
5fr
7fr
1.
Intro
3fr
2.
1. I’m Fig. 1 Gtr. 1
mf
w/clean tone
12
10
8
7
8
7
5
7
12
10
8
7
8
7
5
4
10
9
7
5
7
5
2
5
10
9
7
5
7
5
3
2
Gtr. 2
mf
0
12
10
8
7
8
7
5
4
10
9
7
5
7
5
3
2
Fig. 2 w/slight dist.
0
Gtr. 1 w/ Fig. 1 Gtr. 2 w/ Fig. 2
[E]
Verse
wait - ing
in my
- flect - ing
[C5]
five
cold
clock
past
they
cell,
on my
o’
life
[D5]
when the
bell
it
me
to the gal- lows
be - gins
does - n’t
take
and
to
pole,
Sorgdal
3
5
5
’cause at
the
Gtr. 2
Re -
have much time,
chime.
0
0
7
[C5]
of
time
sands
[D5]
for
me
are
run - ning
low,
3
5
5
0
0
7
Interlude
q = 104 E5
C5
Gtr. 5
7 8
5 7
8 9
7 8
5 3
5 3
5 3
5 3
Gtr. 4 w/ dist. Gtr. 1 tacet full
8 10
7 8
5 7
8 10
Gtrs. 2+3
P.M. Fig. 3
7
7
7
5 7
9 7
9 7
7
7
7
9 7
9 7
3
3
3
8 10
5
7 8
5
full
8 10
5 7
7 8
5 7
8 9
5
5
7 5
7 5
5
5
5
5
5 7
P.M.
5 7
3
3
7 8
P.M.
3
3
run
P.M.
Sorgdal
3
E5
P.M.
7
full
8 10
P.M.
5 7
8 9
D5
7
7 8
-
ning
full
7 8
8 10
5 7
7 8
5 7
8 9
3
7 8
3
P.M.
7 5
7 5
7
7
7
7
9 7
9 7
4
5
4
4 5
5
4 5
C5
Gtrs. 2+3 w/ Fig. 3
low,
8 10
7 8
5 7
7 8
5 7
8 10
7 8
5 7
full
5 7
8 9
D5
full
8 10
7 8
5 7
8 9
7 8
E5
yeah!
8 10
7 8
5 7
7 8
5 7
5 7
8 9
full
8 10
7 8
5 7
full
8 10
7 8
5 7
8 9
7 8
Gtrs. 2+3
[*E5]
[C5]
[D5]
Gtrs. 3+4 tacet
4 4 5 4 5 7 5 4
4 5 4 5 4
4
7
7
7
4
4 5 4 5
5 4 5 4
4 5 4 5 7 5 4
7
7
5 4 5 4
7
7
*chords implied by bass
1. [E5]
2. [E5]
B5
3
Sorgdal
4 4 7
4 7
5
4
5
5
4
5
4 7
4 4 7
4 7
5
4
5
5
4
5
4
0 9 7
Verse
E5
2. When the
D5
E5
a
Can
gone
7 5
it
be
(I) take
E5
that there’s some
sort
of
C5
er - ror?
Hard
it
real
- ly the end
not
some
cra
9 7
-
C5
4 2
5 3
5 2
3
2
to
stop
4
0
7
A5
the sur - mount - ing
ter - ror,
5 3
E5
7 5
B5*
zy
dream?
9 7
5
B5
B5*
9 7
5 3
3
the last sights
G5
at
me.
bars
A5
7 5
B5
5 3
a look through the
ve - ry wrong for
is
Sorgdal
world that has
9 7
9 7
D5
7 5
rites,
of
me the last
C5
5 3
G5
9 7
priest comes to read
C5
3
4 2
5 3
5 2
3
2
0
4 7
5
E5
Some - bo - dy please
Fig. 4
9 7
tell me that I’m
dream - ing,
P.M.
9 7 0
words
P.M.
0
0
0
es - cape
it’s not
7 5
5
5
7 5
5
5
5
try
7 5
5
3
3
5
7 5
5
E5
to
P.M.
5
5 3
when I’ll
P.M.
-
sy
to
stop
from
scream - ing, the
9 7
P.M.
ea
P.M.
5 3
3
3
3
P.M.
5 3
3
3
3
5 3
3
5 3
0
me
0
9 7
0
C5
P.M.
9 7
0
D5
P.M.
B5
C5
speak.
7 5
9 7
3
4 2
5 3
5 2
3
2
4
0
7
5
Gtrs. 2+3 w/ Fig. 4
Tears
flow
D5
though
Gtrs. 2+3
E5
but
why
I
be - lieve
am
I
C5
cry - ing?
all
I’m not
nev - er
is
an
end.
a - fraid
E5
B5*
of
dy - ing,
C5
C5
4 4
5
4
5
7
5
4
4
5
4
5
4
4
7
7
D5
4
7
5
4
5
5
4
5
4
7
7
E5
4 4 7
E5
Sorgdal
Af - ter
that there
5
4
5
7
5
4
4 5
4
5
4
4 7
7
4 7
5
4
5
5
4
5
4 7
E5
C5
Sorgdal
4
5
4
4
5
4
7
5
5
4
7
4
5
4 5
4
4
4
2
2
4
2
2
4
4
5
4
4
2
2
4
4
2
4 7
5
5
4
4
4 7
2
3 2
4
4 4
4
4
5
4 5
5
D5
5
4
5
7
3 4
2
4
5
5
4
5
5
4
7
4
5
4 5
4
3
4
4 5
7
5
D5
5
4
5
3
4
7
7
3 2
4 7
4
5
7
4 5
5
7
2 5
4
5
5
4
7
4 5
E5
Gtr. 4
C5
7
4
5
4
7
4
4 4 7
5
5
4
E5
Verse
P.M. Fig. 5 Gtr. 4 tacet
9 7 0
9 7
9 7
9 7
why does he be - yond
7 5
5
P.M.
7 5
5
7 5
7 5
7 5
7 5
let me to seek the
7 5
3
P.M.
5 3
3
5 3
5 3
3
P.M.
5 3
5 3
3
3
5 3
3
5 3
7 5
E5
go? truth.
P.M.
7 5
“God be with you!” that I have
0
P.M.
5 3
0
some - bo - dy cries from their cell, on, don’t wor -ry now
9 7
0
P.M.
9 7
0
If there’s a God, I’ve gone
gone,
9 7
P.M.
9 7
D5
C5
to the court - yard, my soul lives
3. As the guards march me out 4. Mark my words, be-lieve
P.M.
7 5
7 5
7 5
9 7
9 7 0
0
5
4
5
5
4
7
7
0
Gtrs. 2+3 w/ Fig. 5
E5
As I walk, When you know
D5
catch -stand
my life drifts be - fore that your time is close
my soul, life down there
is
C5
me, at
it’s will - ing just a
to
though the end hand, may - be then
fly strange
a -
il
is near I’m not you’ll be - gin to
sor - ry, un - der -
E5
lu
way. -
sion.
Interlude
Gtrs. 2+3
Sorgdal
E5
D5
7
7
D5
4
4 5
C5
4 5 4
4 5 7
4 5 4
4 5 7
4 5 4
4 5 3
7
4
4 5 4
4 5 3
4 5 4
4 5 3
5 4
E5
Gtr. 4
7
8
7
8
7
8
B5
7
8
Fig. 6 7
7
9
7
9
9
7 9
7
9 7
Gtr. 4 w/ Fig. 6
E5
G5
C5
9 7
B5*
E5
5 3
5 3
4 2
9 7
Gtr. 4 tacet
[E]
C5
D5
[E]
4 4
5
4
D5
C5
4
5
5
4
5
4
7
7
5
5 3
7 5
4
5
4
5
5
4
5
4
7
7
5 3
5
7 5
q=h
E5
P.M.
Fig. 7
9 7
9 7
9 7
P.M.
9 7
0
0
P.M.
9 7
0
0
P.M.
9 7
0
0
P.M.
9 7
0
9 7
7 7
9
P.M.
9 7
0
9 7
0
9 7
9 7
5
4 5
3
2
0
3
1.
D5
P.M.
P.M.
Sorgdal
7 5
7 5
5
7 5
5
P.M.
P.M.
5
7 5
7 5
5
7 5
5
P.M.
5
7 5
7 5
5
P.M.
7 5
5 5
7 5
P.M.
7 5
7 5
7 5
5
7 5
5
4 5
3
2 3
2.
Gtr. Solo
E5
Gtr. 4
P.S.
w/ wah full
full
0
2
X
5
5
3
2
Gtrs. 2+3 w/ Fig. 7
4 3
3
5
3
3
0
5
3
0
5
3
0
5
3
3
3
3
7
3
0
5
3
3
0
5
0
5
3
0
5
0
7
5
0
8
7
3
3
0
8
7
0
7
5
0
8
7
0
7
5
0
8
7
3
3 0
7
5
0
0 12 12
12
8
4
3
3
3
3
3
3
3 8
3
D5
8
3
7
0
7
5
0
12
14
15
12
E5
3
3
full
15
12 15 12 12 14
12 14
5
3 1/4
1/4
12 15 12 15 12
15
12 14
14 12 14 12 12
12 14 12 14 14
P.H. full
Sorgdal
3
full
12 15 12
3
2
15
17
D5
full
17
3
full
17
full
17
15
17
full
15
15
15 17
15
17
15
E5
full
full
17
Gtr. 4 tacet
17
Gtr. 5
full
full
18 *
15
15
12 14
*Tap bent string at 18th fr.
D5
3
12
15 14
12 12 14
12 14 12 14 14
3
3
3
19 14
17 14
19 14
15
15
17 14
19 14 15
19 14
3 3
12 12
3
3
15 12
3
3
3
15
17 14 15
3
19 14 15
17 14 15
15
3 3
3
3
12 15
15 12 15 12
12 14
14 12
14 12
12 14
14 12 14 12 14 14
3 3
3
D5
full
10
Sorgdal
17 14 15
E5
14 14 15 15 15
3
3
12
14
12 12 12 14
14
14 12 14
12
3
3
3
0
3
20 10 12 19 10 12 20 10 12 19 10 12
3
3
3
3
17 10 12 19 10 12 17 10 12 15 10 12
P.M.
0
P.M.
0
9 7
0
0
P.M.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
0
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
5
0
Gtr. 5 tacet
4.
[E]
5 7
5
1/4
5
P.M.
5
7
7
5
7 0
E5
Gtr. 3
2 4
5 7
4 5
2 4
4 5
5 7
4 5
3 4
2 4
4 5
2 4
4 5
2 4
5 7
2 4
4 5
2 4
4 5
5 7
4 5
2 4
3 4
4 5
2 4
4 5
2 4
5 7
9 7
9 7
9 7
9 7
9 7
7 7
7 7
5 7
D5
C5
Gtr. 2
18
0
P.M.
9 7
0
1/4
Sorgdal
full
full
15
P.M.
9 7
0
(1° only)
full
14 10 12 15 10 12 10 10 10
P.M.
9 7
0
1, 2, 3.
3
E5
Gtrs. 2+3
3
0
Interlude
3
4 5
5 7
2 4
4 5
5 7
4 5
3 4
5 7
4 5
2 4
4 5
2 4
5 7
E5
5 7
4 5
2 4
4 5
5 7
4 5
5 7
3 4
4 5
2 4
4 5
2 4
5 7
E5
2 4
5 7
4 5
2 4
4 5
5 7
4 5
3 4
2 4
4 5
2 4
4 5
2 4
5 7
4 5
5 7
2 4
4 5
5 7
4 5
3 4
5 7
4 5
2 4
4 5
2 4
5 7
Gtrs. 2+3
D5
E5
C5
5 7
2 4
4 5
2 4
4 5
5 7
4 5
3 4
2 4
4 5
2 4
4 5
2 4
B5*
5 7
C5
3
9 7
4 2
5 3
5 2
3
2
4
0
7
5
Chorus
E5
Yeah,
9 7
9 7
C5
D5
yeah,
hal
9 7
5 3
5 3
5 3
5 3
5 3
5 3
5 3
lowed
5 3
-
5 3
7 5
7 5
7 5
7 5
7 5
7 5
0
E5
be
thy
name.
Sorgdal
9 7 0
7 5
yeah,
7 5
7 5
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
Yeah,
yeah,
7 7
7 7
9
9 7
9 7
9 7
9 7
yeah,
C5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
-
lowed
5 3
7 5
5 3
A5
7 5
7 5
be
thy
Outro
hal
q = 104 E5
D5
7 5
7 5
7 5
cont. in slashes
7 5
D5
7 5
7 5
G5
name.
Gtr. 4
7
7 7
7
8
9
7
8
7 7
9
7 7
7
rall.
Yeah,
B5
oh.
7
Sorgdal
7 7
9
8
7 9
8
7
8
7 7
7
8
7
9
9
E5
0 0 9 9 7 0
0 0 9 9 7 0
3
3
9 7
9 7
8
7
8
9
7 9
7 8
Gtrs. 1+2+3
7
8 9
E5*
7 9
7
7
8
D5
9
7 9
A5
8
9
7
8
7
8
9
7 9
C5
7
7
8
9
9 7
9 7
9 7
9 7
9 7
9 7
9 7
8
Iron Maiden Words & Music by Steve Harris
A5
G5
Gsus4
G
C5
3fr
G5*
D5
3fr
D5* 5fr
q = 195
Intro
[Am]
Gtr. 2
f
w/dist.
5
3 5
4
5
4 7
5
4
2
0 3
0
3 3 Gtr. 1
f
5 2
2
0
2
0
5
4
0
7
5
2
0
2
0
5
3
5
5
4
5 7
5
4
2
3
4
5
7
3
2
0
2
0
5
4
2
0 3
3
2
2
5 5
0
5
0
5 2
7
4
0 3
5
4
0
4
4 7
5 2
[G5]
5
w/dist.
[*A5]
0
5
*chords implied by bass
Sorgdal
© Copyright 1980 Zomba Music Publishers Limited.
2
0
5 0
4 7
5
0
$
Verse
A5
Won’t you
come
in
to
my
room?
-
G5
Gsus4
(I) Wan -- na
G
show you
all the
wares,
Gtrs. 1+2
P.M. P.M. P.M. P.M.
Fig. 1
0
0
2 0
0
2 0
0
0
2 0
0
2 0
0 0
2 0
2 0
2 0
0 0 3
5 3
3
3
5 3
3
3
1 0 0 X 3
3
0 0 0 X 3
0 0 0 X 3
Gtrs. 1+2 play Fig. 1
A5
(I just) wan - na
G5
see your
blood,
(I) just
want
to
Gsus4
G
stand and
stare.
Gtr. 1 w/ ad lib. fills
A5
See the
A5
blood
be
be
fought,
as
Sorgdal
up - on
I - ron
Maid - en
floor.
be
sought.
Gtrs. 1+2
the
can’t
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
1° only
[A5]
5
3
5
4
5
[G5]
4 5
4
2
3
3
5
4
5
7
2
0
2
0
4
2
0 3
3
2
2
5 5
0
5
0
5 2
4
0 3
5
7
pours
3 3 0 0 X 3
it
G
G5
Gsus4
flow
G5
to
can’t
- gin
I - ron Maid - en
4 7
5
0
2
0
5 0
4 7
5
0
[A5]
[G5]
3
3
5
5
5
4
5
4
5 7
5
4
2
5
4 7
3
4
0
5
3
2
0
2
2
0 3
2
2
0
3
5 2
4
0
5
0
5
4
0
7
0
2
0
5
5
4
0
7
5
Chorus
C5
G5*
Oh, well,
wher - ev
D5
-
er,
A5
wher - ev
-
er you are, Gtr. 1
w/wah-wah
cont. in slashes
full
5 3
C5 Gtrs. 1+2
5 3
5 3
5 3
I - ron Maid - en’s,
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
G5*
gon - na
get
you,
7 5
5
8
7
10
Gtr. 2
P.M.
7 5
D5
7 5
7 5
2 0
2 0
P.M. cont. in slashes
A5
Gtr. 2
no mat - ter how
full
2 0
2 0
far.
Gtr. 1
w/wah-wah full
Sorgdal
2 0
full
full
5
8
10
7
10
12
C5 Gtrs. 1+2
G5*
watch - ing it shed
up
a - bove
A5
See the blood flow,
D5
our
heads,
Gtr. 1
2º + 3º Gtr. 1 w/ ad lib. fills
full
I - ron
Maid - en!
full
5
To Coda Ø C5 Gtrs. 1+2
I - ron
wants
you
Maid - en
for
A5
dead.
0 2
[A5]
5 5
Gtr. 1
Gtr. 2
5 5
5 7
Gtr. 2
D5
5 5
5 7
To Coda ØØ
G5*
full
7
5
2
1.
[G5]
D.S. al Coda
2.
3 3
5
5
4 5 4
5 7
5
4
2
Sorgdal
4 5 4 7
3
Gtr. 1
5
0
3
2
0 2 0
2
0 3
3
5
5 0
4
0
5 2
5
4 7
2 5
2
0 2 0
5 0
4 7
5
0
4
2
0 3
5
4 7
5
0
ØCoda G5*
D5*
wants
[Am]
3 3 0 0 X 3
3 3 0 0 X 3
you
3 2 0 0
3 2 0 0
3 2 0 0
7
5
7
9
Gtr. 1
0
2
Gtr. 2 tacet 2 0 2
4
2
3
0
2
3
4
2
3
4
5
3
5
0
[A5]
7
Gtr. 1
for dead.
Gtr. 2
h = 131 [Am]
free time
3
5
Play 3 times
5
7
2
4
7
0
2
3
5
3
µ
Play 3 times
Gtrs. 1+2 tacet
Sorgdal
7
9
2
2
Bass arr. for Gtr.
2 2
0 0
0 0
0 3 3
3
3 3
Gtr. 2
D5
q = 195 [Am]
C5
5 3
7 5
7 5
7 5
7 5
7 5
Gtr. 1
Gtr. 2
f
5
4
5
3
5
4
5 2
2
0
2
0 0
7
5
7
4
2
0
5
4 3
3
w/dist.
5
3
2
0
2
0
0
5 2
5
4
0
[A5]
7
5
1.
[G5]
2.
D.S. al Coda ØØ
3 3
5
5
4 5 4
5 7
5
4
2
Sorgdal
4 5 4 7
3
5
0
3
2
0 2 0
2
0 3
3
5 5
0
4
0
5 2
5
4 7
2 5
2
0 2 0
5 0
4 7
5
0
4
2
0 3
5
4 7
5
0
ØØCoda Free time D5 Gtr. 2
Gtr. 1
Vocals cont. sim. ad lib.
3
3
3 2 0
cont. sim.
for dead.
w/phasing
3 2 0
5
0 5
0
4
0
5 0 4 0 5 0
4 0 5 0 7 0 7
0
5
0
2
0
4
3
3
3
w/bar
full
14 0 10 0 12 0 12 0 12 0 12 0
14
1 1/2
14
full
7 0
2 0
2 0
17 17
2 0
2 0
2 0
5 5
2 2 2 0
-1½ w/bar
0
0
-1
7 0
2 0
7 0
17
full
full
17 20
17 20
17
17
20
12 12
15 15
20
17
20
full
17 20 19 17
17 19 17 19
19 19
19 17
19
17
20
17
20
20
w/bar full
19
full
A5
17 19 17
7
10 10
0
3 3 3 3
19
8 8
0
-1
7
14
14
14
full
Sorgdal
full
12 0 12 0 12 0 12 12
A5
full
0
-1½
w/bar
1/2
9
5
3
0
19
0
Gtr. 2
ad lib. trem bar and fx
10 X 7
17
from Iron Maiden - Killers
Killers Words and Music by Steven Harris and Paul Andrews
Intro Fast Rock q = 176 ** E5
*Gtr. 1
D5/E
C5/E
B5/E
E5
Riff A
End Riff A
(Cymbal)
mf let ring
7
0
7
0
7
0
7
0
7
0
7
0
7
0
7
0
5
0
5
0
3
2
0
2 0
7
0
7
0
7
0
7
0
*Bass arr. for gtr. **Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A
D5/E
C5/E
B5/E
E5
Oh,
Gtrs. 3 & 4 (dist.)
mf
8v a
let ring
Harm. let ring
12
7
12
7
Gtr. 2 (dist.)
mp
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
mf
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
Copyright © 1981 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A (2 times) 2nd time, Gtrs. 2 & 4: w/ Rhy. Fills 1 & 1A 2nd time, Gtr. 3: w/ Fill 1
E5
yeah,
B5/E
E5
mf
let ring throughout
0 9
8
0 9
8
0 9
Riff B
12 10X
12
loco
Gtr. 3
9
8
0 9
8
0
0
8
9
8
9
0
0
8
9
9
0
8
0
8
9
9
End Riff B
12 X 10
12 10
End Rhy. Fig. 1
f
0
8
10
Rhy. Fig. 1 Gtrs. 2 & 4 loco
C5/E
yeah!
Gtr. 5 (clean)
D5/E
9 7
9 7
9 7
9 7
Rhy. Fill 1
9 7
9 7
Gtr. 2
Gtr. 4 divisi Rhy. Fill 1A
Fill 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
12 X 10
12
Gtr. 3
2
10
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
Gtr. 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff B
Oh,
0
8
8
9
0
9 7
9 7
9
A5
B5
Riff C
9
D5/E
C5/E
0
8
9
Gtr. 2
3
B5/E
E5
G5
yeah!
Gtr. 5
10
0
10
0
10
9
9 7
0 9
0
8
9 7
9 7
8
9
0
8
9
0
0
8
9
9
8
0
0
8
9
8
9
7 5
G5
A5
9 7
12 10
13
0
13
0
C5
12
11 9
8
0 12
13
let ring
13 12
14
12 10
7 5
12
12
let ring
13 12
14
12
G5 End Riff C
12
9
7 5
9 7
10
0
10
0 9
10
7 5
1.
2.
Gtr. 5: w/ Riff C
A5
B5
C5
G5
A5
Oh,
Gtr. 2
9 7
9 7
11 9
12 10
12 10
7 5
7 5
9 7
A5
Oo,
9 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude 2nd time, Ld. Voc. tacet
Riff D
8v a
Gtr. 2
look
out!
D5
E5
5
5
f
*Harm.
2
2.6
2.6
3
2.6
3
3
4
4
4
Pitch: G E *Harm. pitches produced by gradually sliding index finger up neck. Harms. w/ decimals located between the frets. Rhy. Fig. 2 **Gtrs. 3 & 4
f
5
5.6
A
5.6
5.6
7
7
9 7
9 7
9 7
9 7
7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
12
12
12
9 7
9 7
7 5
G
slight P.M.
loco
9 7
9 7
9 7
9 7
9 7
9 7
7 5
**Composite arrangement
Gtr. 2: w/ Riff D Gtrs. 3 & 4: w/ Rhy. Fig. 2
E5
D5
End Riff D
7
Gtr. 3
Gtr. 4 divisi
End Rhy. Fig. 2
*
7 5
4 5
2 4
4 4 0 5
2 4
4 4 0 5
2 4
4 4 0 5
2 0
4 5
2 0
4 5
5 0
*Gtr. 3 to left of slashes in tab.
Verse
Gtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)
1. You 2. My
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
(4.) walk in -
through no -
the cent
sub vic
-
way, tims
his are
eyes slaugh
burn - tered
a with
hole wrath
in and
D5
your de -
back. spise,
lung ha
-
es tred
pre - pared that burns
D5
for in
at the
-
E5
A a
foot mock
-
be re
- hind li
step ing
you, gion
-
he of
tack. night.
Chorus
C5
Scream I
for have
E5
mer no
-
Rhy. Fig. 3 Gtrs. 3 & 4
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
cy, one,
9 7
9 7
9 7
9 7
9 7
9 7
9 7
C5
9 7
9 7
9 7
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0
5 3
5 3
5 3
5 3
5 3
5 3
T o Coda
C5
blood
fies
all
B5
-
ing
to
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
4 2
-
is
5 3
1. his
de
sat
5 3
4. my fy
lust
pel
-
7 5
5 3
as to
5 3
he’s watch - ing de - stroy all
5 3
be - hind
you,
in - side
me,
5 3
G5
5 3
5 3
5 3
5 3
5 3
you this
bleed. greed.
E5
voice
7 5
laughs bound
A
7 5
he I’m
Kill - er
C5
5 3
5 3
7 5
5 3
D5
5 3
D5
my 4. com 1. his
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
5
needs. me,
4
4
4
2
4
4 2
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
4
4
2
Gtr. 4 divisi
4
5 3
14 14
14 14
12 12
12 12
12 12
10 11
12 12
10 11
10 11
10 11
8 9
8 9
8 9
D5
E5
5
5
3
7 5
7 5
9 7
9 7
7 5
G5
7 5
7 5
7 5
A5
E5
9 7
5 5 3
X X X
7 7 5
X X
7 7 5
7 7 5
10 11
10 11
8 9
5
7 5
9 7
8 9
8 9
12 9
7 7
Rhy. Fig. 4 Gtrs. 3 & 4 7 7 55 3
10 7
G5
G5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
ha,
ha.
7
7
7
5
5 5 3
X X X
7 7 5
X X
7 7 5
7 7 5
12 12
E5
X X X
7 7 5
7 7 5
7 7 5
X X
D5
9 7
9 7
7 5
9 7
7 5
7 5
X X
9 7
9 7
7 5
7 5
9 7
9 7
5 5 3
X X X
7 7 5
X X X
7 5
9 7
E5
7 5
E5
7 5
G5
D5
7 5
12 12
9 7
0
14 14
E5
7
A5
A5
14 14
12 9
End Rhy. Fig. 3
1
6
ha,
1/2
ha,
1/2 1
9 7
ha,
Sorgdal
Interlude µ Gtr. 3
ha,
4 2
D5
C5
X X
A5
7 7 5
7 7 5
End Rhy. Fig. 4
0
Bridge
F5
I
G5
can
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
what
a
5
5
5
5
5
5
0
0
5
5
5
5
5
5
D5
meant
5
to
be.
3
3
slight P.M.
3
3
3
3
3
5
5
knife’s
5
3
C5
see
1
3
3
3
3
F5
3
3
3
3
3
3
2
7 5
3
You’ll
slight P.M.
7 5
7 5
5
5
5
5
5
5
5
G5
nev - er
3
3
3
3
3
3
3
5
5
5
5
5
5
5
5
5
3
5
1
3
3
3
3
3
3
3
3
1
C5
3
5
know
how
3
3
3
I
came
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
to
Gtr. 2
fore
-
see,
1
slight P.M.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
see,
see.
10
10
13
13
13
7 5
3
1
10
3
1
Gtrs. 3 & 4
D5
7 5
7 5
Guitar Solo
Ha,
12 15
12 15
ha,
ha,
E5
ha.
1
1
4
12
14
14
14
14
14
12
14
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
slight P.M.
7 5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 7
rake
D5
C5
1
1
12
12
14
D5
15
12
1
12
12
15
15
15
12
15
12
X
12
14
12
14
14
14
X
slight P.M.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
5
9 7
9 7
5 3
5 3
5 3
7 5
7 5
7 5
5 3
5 3
D5
E5
Gtr. 6 (dist.)
14
f
17
9
slight P.M.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
15
9 7
9 7
7 5
9 7
9 7
E5
7 5
14
D5
D5
15
17
14
9 7
9 7
slight P.M.
9 7
9 7
9 7
9 7
C5
9 7
9 7
9 7
16
9 7
7 5
D5
17 16
X X
X X
14
7 5
7 5
14
5 3
Gtr. 2 tacet
14
14
slight P.M.
E5
1
12
X X
17 16
X X
14
slight P.M.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
17
14
16
14
9 7
5
9 7
9 7
16
14
15
17
14
15
14
15
14
15
14
17
15
14
15
5 3
5 3
7 5
7 5
slight P.M.
5 3
5 3
5 3
5 3
7 5
7 5
7 5
7 5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 6 tacet
E5
Gtr. 6
Gtr. 2 divisi
17
14
Gtrs. 3 & 4
15
14
14
17
15
14
14
D5
9 7
9 7
C5
0
0
0
9 7
14
9 7
0
0
9 7
15
15
9 7
9 7
0
0
9 7
9 7
17
15
slight P.M.
5 3
5 3
A5
12
0
0
5 3
5 3
14
14
5 3
0
0
5 3
5 3
15
15
slight P.M.
2 0
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 0
2 0
2 0
2 0
2 0
2 0
5 3
0
0
5 3
0
5 3
15
14
2 0
2 0
2 0
0
0
0
14
17
15
14
0
0
2 0
2 0
2 0
2 0
2 0
4 2
A5
slight P.M.
2 0
G5
slight P.M.
0
5 3
5 3
A5
12
12
0
0
0
0
0
5 3
14
14
0
0
2 0
2 0
2 0
2 0
B5
0
15
15
17
17
15
14
0
2 0
12
0
4 2
4 2
4 2
4 2
B5
15
15
0
4 2
4 2
17
17
15
14
0
0
2 0
2 0
2 0
4 2
2 0
2 0
12
slight P.M.
5 3
0
2 0
slight P.M.
3
0
15
0
15
12
0
0
G5
14
0
0
0
12
17
0
A5
14
3
9 7
slight P.M.
B5
Gtr. 2
0
2
16
A5
2 0
2 0
2 0
2 0
12
C5
A5
G5
8v a
A5
B5
1
12
0
0
14
14
0
15
15
0
17
14
15
14
slight P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
17
15
14
5 3
17
14
slight P.M.
5 3
5 3
0
0
17
14
17
14
5 3
17
14
17
14
14
17
14
17
17
4 2
4 2
4 2
slight P.M.
2 0
5 3
17
4 2
4 2
4 2
Gtrs. 3 & 4: w/ Rhy. Fig. 4
A5
G5
8v a
1
17
17
17
Gtr. 6
slight P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
D5
E5
14
12
14
14
12
12
14
15
12 12
12
15
D5
1
14
17
15
15
12
12
E5
15
17
0
0
15
15
0 0 0
14
E5
1
15
14
12 14
E5
14 16
1
12
14
1
12 12
D5
1
12
E5
2
A5
1
14
1
12 12
14
3
A5
1
14
G5
14
G5
1
Gtr. 2 tacet
Gtr. 6
1/2
14
2 0
let ring
15 2 0
E5
1
1
17
A5
17
G5 8v a
A5
1
17
0
20
20
20
20
14
20
17
17
19
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
A5
loco
Gtr. 6
3
3
3
1
1
7
10
Gtr. 2
7
10
9
10
9
7
7
C5
7
9
9
B5
G/B C5
2
4
5
Gtrs. 3 & 4
4 2
4 2
4 2
slight P.M.
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 0
4 2
5
2
4
5
3
5
3
3
D5
5 3
7
4
5
7
4
5
4
slight P.M. 5 3
5 3
5 3
5 2
5 3
7 5
Verse Gtrs. 3 & 4: w/ Rhy. Fig. 2 (4 times)
E5
3. My
1/2
strong - er
than
life - lines
and
1
7
1
7
7
5
7 5
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
is
7
7 5
be - liev - ing
1/2
7
1
7
1/2
7
1
in
4
7
1/2
7
5
faith
D5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
Gtrs. 2 & 6 tacet
ties.
Gtr. 6
E5
The
glim
-
mer
of
met
-
al,
my
7
Gtr. 2
7
mo
-
E5
death
ment
call
a
is
read
-
ris
-
-
An
y
to
strike.
es,
a
scream
E5
-
oth
-
D5
The
breaks
er
to - mor
-
the
still
row,
re
D5
of
the
night.
-
mem
-
ber
to
walk
D5
in
the
Chorus Gtrs. 3 & 4: w/ Rhy. Fig. 3
light.
C5
I
have
E5
found
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
you,
C5
and
now
ment,
it
shakes
there
is
no
place
D5
done?
to
run.
C5
Oh,
God,
me,
G5
C5
Oo,
yeah.
Ex
help
-
me,
what
have
I
cite -
B5
E5
-
C5
D5
D5
I’ve
Interlude Gtr. 2: w/ Riff D (2 times) Gtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)
done
it
a
-
D5
E5
gain.
D.S. al Coda
E5
D5
4. You
Coda Gtrs. 3 & 4: w/ Rhy. Fig. 3 (last 4 meas.)
needs.
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
Oo,
look
out.
I’m
D5
com - ing
for
you.
Outro
E5
D5
Ha,
ha,
Gtr. 6
3
ha,
ha,
ha,
ha,
ha,
ha,
ha.
3
12 12
12 12
12 12
Gtr. 2 divisi
Gtrs. 3 & 4
slight P.M.
10 11
11 12
Gtr. 3
10 11
11 12
4 5
4 5
Gtr. 4 divisi *
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
7 5
7 5
4 5
7 5
2 4
4 0
2 4
4 0
*Gtr. 3 to left of slashes in tab.
Ow,
10 11
2 4
11 12
4 0
10 12
12 12
4 5
3 4
13 14
12 12
10 11
5 7
4 5
2 4
12 14
12 14
5 7
5 7
ow!
8 9 9 7
8 9 9 7
2 0
2 0
µ
Em
Gtrs. 2 & 6
8 9 9 7
Gtrs. 3 & 4
2
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Iron Maiden - No Prayer for the Dying
No Prayer For the Dying Words and Music by Steven Harris Em
D
Bm
7fr
13 2
C
E5
5fr
D5
B5
7fr
13 4
13 2
13 4
C5
Emopen
Esus2
5fr
134
7fr
134
134
134
13411
12
Intro Moderate Rock q = 88 2nd time, Gtr. 5 tacet 2nd time, Gtrs. 6 & 7: w/ Fill 2
E5 Riff A Gtr. 1 (dist.)
G5
D5
12
Riff B Gtrs. 2 & 3 (clean)
10
8
8
10
8
mf
7
7
let ring
mf 10
C5
7
7
5
7
E5
8
7
5
let ring throughout
9
9
9
G5
12
12
10
5
7
7
12
9
10
9
8
9
8
10
8
12
10
Fill 2 Gtr. 6
7
12
12
D5
let ring 7
12
7
7
5
7
7
5
7
7
7
C5
7
7
5
7
3
5
5
3
5
7
8
5
5
5
9
Gtr. 7
5
Copyright © 1990 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
Gtr. 1
G5
D5
5
12
10
Gtrs. 2 & 3
10
8
9
9
7
8
8
12
mf
7
7
9
9
9
9
9
9
E5
10
10
12
12
12
12
12
7
12
7
5
5
5
End Riff C
5
7
5
7
7
7
7
7
3
D5
5
3
2nd time, Ld. Voc. tacet
G5
8
7
7
End Riff A
5
7
7
5
let ring
Riff C Gtr. 4 (dist.)
7
12
12
10
7
9
7
C5
5
3
5
5
5
5
T o Coda
C5
5
1. There are
10
8
9
9
8
10
8
7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
9
9
9
9
9
10
10
12
12
12
12
7
12
5
5
7
7
7
5
let ring
12
12
7
12
12
10
7
9
7
7
Sorgdal
12
7
5
7
7
7
7
7
5
7
3
3
8
5
End Riff B
5
5
3
7
7
5
5
5
5
5
5
Verse Gtrs. 3 & 4 tacet 2nd time, Gtr. 1 tacet 2nd time, Gtrs. 6 & 7: w/ Fill 1
Em
mf
Bm
times when I’ve won - dered sat by the win - dow
and and
C
times when I’ve gazed at the
cried. rain
Gtr. 1
0 0 0 2 2 0
2 3 2 0
times when I’ve feel - ing the
Gtr. 2
2 3 4 4 2
When my with an
prayers, they were an - swered ache in my heart
at but nev - er
3
2 0
3 0 0 2
2
0
C
lied. pain.
2
Em
But
3 0 2 3
if
you asked me If you
3 3 0 X 3
0 0 0 2 2 0
Fill 1 Gtr. 6
D
2 3 2 0
2 3 2 0
0 0 0 2 2 0
would I just
3
2
2 3 2 0
Bm
a ques - tion, would tell me
3
let ring throughout
Bm
D
5
Em
Gtr. 2
D
3 0
tell what
3
2
C
you the truth? my life means,
3 0 0 2
3 3 0 2 3
3
2
D
Now there’s
D
2 3 2 0
Gtr. 5 (clean)
Gtr. 1 tacet
1
9
Gtr. 7
9
5
5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Em
some - thing to walk - ing a long
bet
on,
Bm
you’ve
got nev - er
road
noth -
reach
C
ing ing
to the
lose, end.
yeah.
Gtr. 6 (dist.)
D
mf
Gtr. 2
0 0 0 2 2 0
3
2
2 3 2 0
2 3 4 4 2
2
7
9
9
3 3 0 X 3
Interlude Gtr. 2 tacet
E5
D5
Rhy. Fig. 1 Gtrs. 3&5
w/ dist.
8
10
8
7
8
7
Gtr. 6
B5
7
7
C5
7
8
10
8
7
9
7
9
9
End Rhy. Fig. 1
9
9
7
Gtrs. 3 & 5: w/ Rhy. Fig. 1 (2 times)
E5
D5
B5
C5
3
8
10
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
7
8
7
7
7
7
8
10
8
10
8
7
9
7
9
9
9
9
7
E5
8
10
8
7
8
7
D5
7
7
7
8
B5
10
8
7
9
7
C5
9
9
1.
7
9
9
2.
D.C. al Coda
E5 Gtrs. 3&5
D5
B5
C5
B5
C5
2. When I’ve
Gtr. 6
1
8
10
8
7
8
7
7
8
10
8
7
8
7
Gtr. 7 (dist.)
mf 8
9
1
7
10
10
8
9
9
1
10
5
8
7
8
9
1
7
10
8
9
9
5
Coda
Double time (e = q ) 1st time, Gtrs. 2 & 4 tacet 2nd time, Gtr. 1 tacet
D5
Gtr. 1
Gtr. 1 tacet
E5
D5
E5
5
Gtrs. 3 & 5
7 7 5
X X X
w/ dist.
7 7 5
9 9 7
9 9 7
9 9 7
X X X
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1.
C5
D5
7 7 5
7 7 5
9 9 7
9 9 7
9 9 7
Gtrs. 3 & 5
5 5 3
E5
X X X
9 9 7
2.
Guitar Solo
E5
Gtr. 6
C
5
0
0
Gtrs. 3 & 5
0
0
11
7
9
12
0
0
0
0
12
7
9
0
0
14
14
0
7
9
0
0
15
8v a
3
3
0
0
0
7
9
0
1 17
P.M.
9 9 7
7
E5
1
17
17
17
17
15
17
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
7
7
9
7
7
7
7
10
B5
17
17
17
15
9
7
1
P.M.
7
1/2
7
7
C
8v a
7
7
7
9
7
7
10
12 15
12 15 12
16
12 15 12
2
4
P.M.
2
2
15
12 15 12
2
4
15 12 15 12
2
2
C5
1
12
15
12
15
12
12
14
14
w/ bar
15
12
w/ bar
1
14
D5
15 14
14
0
-1/2
P.M.
4
2
2
4
5
w/ bar
3
5
P.M.
2
2
3
3
3
5
5
E5
8v a
1 1/2 1 1/4
20
20
0
-6 1/2
14
14
0
-7
P.M.
5
5
7
C
20
P.M.
9
20
17
20
7
7
7
7
9
7
3
9
7
7
10
17
20
17
19
17
19
17
7
9
1
17
20
17 20
20
17
20
17
7
9
7
7
9
7
7
7
C
loco
19
19
7
9
P.M.
7
3 1
20
7
P.M.
3
E5
8v a
5
5
Riff D
17
14
7
7
9
7
7
10
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
17
14
16
14
15
2
4
14
15
12
P.M.
2
16
2
14
2
4
12
14
12
12
14
2
15
2
4
12
15
3
12
12
2
4
2
15
3
12
12
15
C5
12
2
2
12
14 14
5
Guitar Solo
Gtr. 6
3
3
D5
1
12
14
12
12
Gtr. 7
1
12
19
E5
1
14
14
14
14
Gtrs. 3 & 5: w/ Riff D (1 5/8 times) Gtr. 6 tacet
12
14
14
Gtrs. 3 & 5
3
Gtr. 7
3
5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
3
w/ bar +1 15
P.M.
Sorgdal
w/ bar
15
f w/ bar +1
14
15
5
5
C
P.M.
5
w/ bar +1 15
E5
12 15
7
5
5
12
15
14
7
C
w/ bar
15
15
End Riff D
7
+1
15
15
12
14
12
steady gliss.
14
12 12
12 12
B5
3
D5
3
1
7
7
C5
5
4
0
4
E5
5
7
3
3
3
3
13
12
10
12
10
0
15
0
10
12
12
13
12
C
3
3
3
3
3 3
10 12 10 12 15
0
10
0
0
10 12
E5
5
0
7
4
0
0
5
0
7
0
0
12
12 12 10
9
0
7
0
8
9
0
0
12
0
10
0
0
9
0
0
7
5
C
0
8
7
0
B5
0
0 10
0
12
0
12
0
10
0
0
0
0 0
8
10 10 10 10
0
P.M.
4
2
2
4
2
2
5
0
0
0
0
12 12
0 10
4
0
7
0 13 13 10 0
0
8v a
0
5
0
4
0
0
12 12 0
10
0
13
grad. bend
13
0
10
12
17
10 0
Gtrs. 2 & 3
5
D5
let ring
13
0
3
C5 Gtr. 7
7
3
3
11
14
19
15
20
17
12
5
3
3
15
5
5
P.M. 5
7
5
5
7
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Gtr. 7 tacet
F#5
Gtr. 6
E5
F#5
E5
F#5
E5
F#5
w/ bar
1
12
8v a
Gtr. 7
12
12
12
12
1 1/2
20
Rhy. Fig. 2
Gtrs. 3 & 5
4 4 2
4 4 2
4 4 2
2 2 0
4 4 2
G5
F#5
E5
D5
E5
Gtr. 6
F#5
4 4 2
4 4 2
4 4 2
2 2 0
4 4 2
E5
4 4 2
4 4 2
4 4 2
2 2 0
4 4 2
F#5
E5
12
9
12
9
12
5
4
2
0
2
4
4 4 2
4 4 2
4 4 2
2 2 0
4 4 2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
w/ bar
9
9
Gtrs. 3 & 5
10
9
-1
F#5
w/ bar
12
grad. release
12
9
-1
4 4 2
4 4 2
4 4 2
2 2 0
-1 1/2
4 4 2
E5
F#5
w/ bar 1
F#5
E5
D5
F#5
12
12
11
4 4 2
4 4 2
4 4 2
2 2 0
E5
w/ bar +1 5
0
-2
F#5
Harm.
w/ bar
-1 1/2
4
4
G5 8v a
grad. dive
12
E5
w/ bar
1
12
G5
4 4 2
Pitch:
-3 1/2
-4
B
5
4
2
0
2
4
5
4
2
End Rhy. Fig. 2
Gtrs. 3 & 5: w/ Rhy. Fig. 2
F#5
E5
Gtr. 6
F#5
E5
loco
P.S.
P.S.
5
X X X
-1
F#5
E5
8v a
X XX
X X X
F#5
steady gliss.
X X X XX XX XX
2 2
14 14
14 14
slack
G5 F#5 E5
D5
E5 F#5
E5
1
17
14
16
16
E5
F#5
3
3
3
E5
3
14
17
G5
F#5
F#5
14
17
3
14
17
F#5
14
E5
17
D5
14
E5 F#5
17
14
G5 F#5 E5
3 grad. bend
1 1/2
1
14
17
14
17
14
17
14
17
14
17
14
17
14
17
14
17
16
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Gtr. 6 tacet
Esus2 Gtrs. 3&5
Gtr. 6
Dsus2
Bsus2
Rhy. Fig. 3
God,
give
(cont. in notation)
me
the
an
-
swer
to
my
life.
Gtrs. 3 & 5
2
1 3/4
17
Csus2
5 5 7 7 5
Dsus2
Esus2
God,
3 3 5 5 3
5 5 7 7 5
7 7 9 9 7
Csus2
Dsus2
3 3 5 5 3
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 7 7 5
me
the
an
Dsus2
-
swer
to
my
Bsus2
5 5 7 7 5
give
2 2 4 4 2
Dsus2
me
the
an
-
swer
to
my
Gtr. 6
w/ bar
w/ bar
9 X 7
11 X 9
dreams.
God,
Gtrs. 3 & 5: w/ Rhy. Fig. 3
Esus2
End Rhy. Fig. 3
give
2 2 4 4 2
Bsus2
prayers.
w/ bar
11
16
9
14
16 X 14
Csus2
Dsus2
Esus2
God,
Fill 3
End Fill 3
give
me
the
an
Dsus2
-
swer
to
my
Bsus2
15 X 12
15
17
12
14
17 X 14
w/ bar
9 X 7
11 X 9
be - ing.
w/ bar
w/ bar
11
16
9
14
16 X 14
Outro A tempo (q=e) Gtr. 6: w/ Fill 3
Csus2
Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Riff B
Dsus2
E5
D5
C5
G5
rit.
E5
G5
Gtr. 4: w/ Riff C (2 times)
D5
C5
E5
E5
Gtr. 1
G5
G5
D5
D5
12
10
8
8
10
8
7
7
let ring
7
7
7
open
Em Gtr. 2
rit.
5
C5
C5
5
7
8
5
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Powerslave Words & Music by Bruce Dickinson A5
C5
Bb5
Em
G#m
E5
3fr
Bm/G
4fr
G5
B5
G5*
D5
Bm
7fr
D5*
F5
3fr
Bm/A
5fr
E5*
Eb5
8fr
F5*
7fr
6fr
Intro
q = 136 A5 Gtrs. 1+2
P.M. f
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
$
2 0
A5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
3 1
µ 3
2 0
2 0
2 0
2 0
5
5
7
5
4
2 0
2 0
2 0
1. In - to the a 2. When I was Verse 3 see block lyrics
2 0
2 0
- byss liv - ing
C5
A5
I’ll this
2 0
5 3
4
C5
Green bring
is the me the
cat’s blood
eye that and red
En - ter he is
the a
ris man
the eye fear
of was
Hor my
us. game,
night, fall
C5
A5
A5
Bb5
fall, life,
In - to the eyes of the peo - ple would wor - ship and
A5
2 0
A5
A5
2 0
A5
2 0
5
4
Gtrs. 1+2 w/ Fig. 1
P.M.
6
Verse
Bb5
5 3
C5
P.M.
Sorgdal
2 0
A5
A5
Fig. 1 w/dist.
C5
A5
en O - si and a god,
A5
-
and
me their
go. knees.
3
ris - en he will
Bb5
a die
A5 µ
C5
A5
µ
So
A5
C5
this tem to suc - ceed
ris,
A5
in for the one
-
Bb5
Bb5
glows wine,
watch - ing drop to
C5
3
C5
-
A5
too.
ple. me.
gain.
A5 µ
For
C5 A5
µ
Pre-Chorus
Em
C5
Gtrs. 1+2
rhy. cont. sim.
C5
G#m
w/dist.
5
5
13
9
10
9
9
6
5
5
13
9
10
9
9
6
2
2
10
6
7
6
6
3
2
2
10
6
7
6
6
3
Em
Em
Gtr. 3
f
G#m
C5
G#m
5
5
13
9
10
2
2
10
6
7
9
9
6
6
Em
1°+3°
C5
G#m
9
9
6
6
6
3
12
13
12
12
6
9
10
9
9
3
6
5
5
13
9
10
3
2
2
10
6
7
2°
Chorus
E5
Tell me why
I
C5
D5
had to be
[E]
a po - wer - slave,
Gtr. 3 tacet
5 2
Gtrs. 1+2
Sorgdal
Fig. 2 0 0 9 9 7 0
P.M.
5 3
P.M.
P.M.
P.M.
P.M.
7 5 3 0 0 0 0
0 0 3 0 0 0 0
0 0
0 2 2 2 2
3 3 3 3 5 5 5 5 3 3 2
Gtrs. 1+2 w/ Fig. 2
E5
C5
I don’t wan - na
E5
die,
I’m
a
god.
C5
Life - giv - er dies,
Why
can’t
D5
all
a - round
E5
D5
in
my
last
hour,
I’m
a
is
laid
slave
to
2 0
2 0
2 0
2 0
2 0
2 0
the pow - er
of
A5
2 0
A5
C5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
5 3
2 0
death.
Bb5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
3 1
2. Em
5 3
[E]
P.M.
2 0
and
3
2 0
A5 µ
P.M.
2 0
When the
To Coda Ø
waste,
C5
P.M.
2 0
on?
D5
[E]
Gtrs. 1+2
live
1. A5
I
C5 3
[E]
5
4
5
7
5
4 5 4 6
0 2 2 0
Interlude
Gtr. 3
mf
Sorgdal
h=q Bm
Fig. 3 let ring... Gtr. 3 w/clean tone + chorus Gtrs. 1+2 tacet 3
3 4
0
2
4
4 2
Bm/A
3 4
4 2
3 4
4 2
3 4
4 2
Bm
3 4
4 2
Bm/A
4 2
2
0
Gtr. Solo
Bm
mf
Bm/A
Gtr. 4
Bm
Bm/A
3
Bm
3
Gtr. 4 w/dist. Gtr. 3 w/ Fig. 3
9
3
Bm/A
1/2
11
9 11 9
7
6
7
6
6
7
6
4
2
4
6
7
9
9
9
7
3 Bm 3
Bm/A
Bm
Bm/A
3
Bm
Bm/A
full
10 6 7 6 4
7
12
10 12 10
10
7 7 10 7
9 7
9
9 7 9 7 6 4
6 4
4
9
7 9
Bm
7 9
9
7
11
9 10 12
7 9
Bm/A
Bm/G
3
3
full
10 9 10 9
9 10 12 10 9 10 9 12 10 12
10 9
7
9
7
7 9 7 6 7
6
4 7
Gtr. 3
Fig. 4 let ring...
9
3
3 4
4
3 4
9
11
10 12
3 4
4
9
4
4
4
4
0
0 3
Bm
3 4
4 0
3 4
4 2
3 4
4 2
9
7 9 7
Bm/A
3
3
3
Bm/G
3 3 3
Gtr. 3 w/ Fig. 4 10
Sorgdal
full
9 10 9
12 12 10
full
12
12 10
9 10 9
9 12
10 12 9
11
10 12 10
9 10 9 12
Bm
Bm/A
3
3
full
10 9 10 9
9
10 12 14 15 17
Bm/G
full
3
full
17 15 14 15 14
17
14 15 17 15 14 15 14
12 10 12
17
Bm
Bm/A
G5
17
full
14 15 14
17 15 14 15 14 16 14 16 15 14 12 14 12 14 12
14
7 7
5 3
5 3
full
5 3
full
9 7 9
9
5 3
5 3
5 3
5 3
5 3
5 3
5 3
D5*
full
5 3
7
5 3
5 3
full
6
7
full
7
5 3
A5
7
Gtrs. 1+2
5 3
10
7 9
7 9
G5*
7
9
w/bar full
7 9
10 7 9
P.M.
7 10
Gtrs. 1+2
q = 165 B5
1/4
7
9
9
P.M.
Fig. 5 1/4
Sorgdal
4 2
0
4 2
0
4 2
0
4 2
0
4 2
0
3 3 0 0 X 3
3 3 3 2 2 2 0 0 0
2 0
2 0
2 0 3
2 0
2 0
2 0
2 0
G5* D5* A5
B5
3
3
3
full
7
7 10
7
3
full
7
full
full
7 10 7
10 7
9
full
7 7
9
10 7
10 7
9
full
7 7
7 10
7
10
7
9
10
10
10
9
Gtrs. 1 + 2 w/ Fig. 5
10
B5
10
7
8
7
7 7
7
8
7
7
7
7
7 9
3
8
7
8
7
10
3
3
8
7
10
8
7
8
10 7 10
7
9
G5*
7
D5*
A5
4 2
0
4 2
7 7
full 1/2
full
full
7 10
15
10
9 7
14
7
17
15
7 9 9
8
6
3
10 11 10 9
7
7 9
P.M.
7
8
full
10 7 10 7
8
7 9
7 7
8
9
7
7 8
B5
7 7
9
3
8
7
G5* A5 D5*
Sorgdal
full
7
0
4 2
0
4 2
0
4 2
0
3 3 0 0 X 3
3 2 0
2 0
Interlude
*B5
Gtr. 3
Gtr. 2
4 5
2 4
5 7
4 5
Gtr. 1
2
4
2 4
5 7
G5* D5*
2 4
A5
4 5
2 4
5 7
4
2
4 5
4 7
6 7
2 4
7 9
5 5
5
7
5
4
5
7
5
4
7
5
*chords implied by bass
B5
G5*
4 5
D5*
6 7
7 9
6 7
7 9
6 7
4 5
6 7
4
5
4
5
7
2 4
2 4
5 7
4 5
2 4
5 7
2 4
4 5
A5
4 5
4
5
4
5
7
5
4
2 5
Gtr. Solo
B5
G5*
D5*
A5
Gtr. 5
Gtr. 5 w/dist. Gtrs. 1+2 play Fig. 5 Gtr. 4 tacet
f
full
full
full
full
full
7
Sorgdal
10
10
9
9
10
9
7
12 10
10 7 10
full
10 7 10
10
10
7 10 7 9
9 7
9
7
B5
G5*
D5*
A5
3
gradually release bend
6
7
B5
9
10
11
12
full
14
15
17
17
G5*
D5* 3
15 17 15
14
14
15
A5
3
14 15 17 15 14 15 14
14 17
17
15 14 15 14 16
6 7 6 9 7 6 7
6 7 6 8
8 7
5 7 5
4
9
10 7
9
3
10
12
10
9 10 9
12
9
F5
E5*
12
12
11
9
Gtrs. 1+2
3 3 0 0 X 3
Eb5
D5
Gtr. 5 tacet
Gtr. 4
-1
-1
3 2 0
10 8
-1
7
7
w/bar -1
-1
7
7
7
C5
-1
Harm.
Sorgdal
D5*
full
G5*
3 5 3 2 3 2 7
B5
16
-1
-1
7
7
9 7
B5
7
7
8 6
7 5
5 3
4 2
G5
P.S.
E5
2 0
5 3
A5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
A5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
Bb5
2 0
2 0
5 3
2 0
2 0
C5
A5
[D]
2 0
P.M.
P.M.
2 0
C5
P.M. Gtr. 4 tacet
2 0
2 0
q = 136 A5 Gtrs. 1+2
-2
w/bar
5 3
X
2 0
2 0
2 0
2 0
2 0
2 0
3 1
D.S. al Coda
3
3
2 0
5 3
2 0
5
4
5
7
5
4
5
4 6
ØCoda [E]
death.
D5
C5
[E]
Slave
to the pow - er of
death,
Gtrs. 1+2
P.M.
Sorgdal
P.M.
0 0 3 0 0 0 0
0 0
P.M.
5 3 3 0 0 0 0
P.M.
7 5 3 0 0 0 0
0 0 3 0 0 0 0
0 0
rall. C5
Slave
to the pow - er
D5
E5*
5 3
of
death.
7 5
9 7 0
9 7 0
9 7 0
5
4
5
7
5
4
3 1
1 3
3 1
Gtr. 3
3 5
6
5
6
9
6
9
10
13
12 13 12
10
9 10 9
6
9
6
5
2
3
2
3
6
3
6
7
10
9
7
6
3
6
3
2
9 7 0
10
9
7
6
9 7 0
Verse 3: Now I am cold but a ghost lives in my veins, Silent the terror that reigned, marbled in stone, A shell of a man God preserved for a thousand ages, But open the gates of my hell, I’ll strike from the grave. Sorgdal
Free time E5
F5*
9 7 0
µ
2 5
9 7
from Iron Maiden - Piece of Mind
Revelations Words and Music by Bruce Dickinson
Intro Moderately slow q = 73
G5
A5
Csus4
f
w/ dist.
let ring
1/4
3
G5
C
D5
G5
1/4
2 0
2 0
3
3
3
0 3
0 1 2
5 5 3
G5
A5
1/4
1/4
3 2 0
X X X
A5
Play 3 times
3
A5
** G5 *Gtrs. 1 & 2 (elec.)
2 0
2 0
3
*Composite arrangement **Chord symbols reflect implied harmony.
Csus4
C
G5
let ring
3
3
A5
0 1
0 3
2
5 5 3
D5
X X X
F5
G5
A5
G5
Rhy. Fig. 1
3 2 0
2 0
2 0
X
3 1
3 1
5 3
X
5 3
X
2 0
2 0
2 0
2 0
3
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)
A5
F5
G5
A5
G5
A5
1. O
God
of
Earth
and
F5
Al
-
tar,
bow
End Rhy. Fig. 1
2 0
2 0
3 1
3 1
X
X
5 3
5 3
X
2 0
2 0
2 0
2 0
2
3
Copyright © 1983 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
A5
G5
down
and hear
our
cry.
A5
walls
of
gold
en - tomb
earth - ly
us,
the
F5
rul - ers
fal
ter,
G5
Our
F5
A5
swords
-
of
di - vide.
scorn
G5
our
A5
G5
peo - ple
A5
Take
not
thy
A5
drift
and
die.
F5
thun - der
The
G5
from
us,
but
Interlude Gtrs. 1 & 2 tacet
G5
take
Am
a - way
our
Fsus2
C
Csus2
Csus2/B
pride.
w/ dist.
mf
Gtr. 3 (elec.)
Gtr. 4 (elec.) divisi
10 9
Rhy. Fill 1 Gtrs. 1 & 2
mf
w/ dist.
8 7
End Rhy. Fill 1
10 10
8 9
6 7
8 5
6
3
5 5
9
7 9
5 7
10 10
4 5
8 10 8 6 9 10 9 7
Riff A Gtr. 5 (acous.)
5 5
7 9
5 5
10 9
8 7
End Riff A
10 9
3
mf
let ring throughout
5 3
2
5 3
1
2
2
2
2
1
1
0 3
3
1
0 3
3
1
0
2
3
1
0 3
Gtr. 5: w/ Riff A (2 1/2 times)
Gtr. 3 Gtr. 4 Am
Fsus2
10 9
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
8 9
6 7
8 5
6 9
Csus2/B
7 9
5 7
4 5
10 10
8 9
10 10
3
0
8 9
6 7
5 5
7 9
5 5
13 9
12 7
1
0 2
0
0
Fsus2
3
5 5
1
0
Am
3
10 10
Csus2
2
13 9
13 10
12 9
10 7
8 5
8 9
Gtr. 4 3 C
Csus2
Csus2/B
Am
Fsus2
C
Csus2
Csus2/B
3
3
Gtr. 3
8 5
10 9
9 7
7 5
10 10
8 10 8 6 9 10 9 7
5 5
7 9
5 5
13 12 9 7
13 9
13 12 10 10 9 7
8 5
8 9
3
8 5
10 9
Gtr. 5
9 7
10 10
7 5
Gtrs. 1 & 2 divisi
1 3
A5 G5
1
0
2
3
2
8 10 8 6 9 10 9 7
5 5
1
0 3
5 5
7 9
0
0
0
2
2 0
3
Faster q = 164 Gtrs. 3, 4 & 5 tacet
Gtrs. 1 & 2: w/ Rhy. Fig. 2
A5 µ
G5
A5 µ
G5
D5
F5
G5
A5 G5
F5
G5
A5 G5 f
End Rhy. Fig. 2
Rhy. Fig. 2 Gtrs. 1 & 2
2 0
Gtr. 3
2 0
2 0
3
G5 A5
17 17
17 17
7 5
5 3
A5
3 1
5 3
G5
2 0
Gtr. 3
f
Gtr. 4 divisi
17 17
15 16
3
D5
F5
G5
A5 G5 A5
Gtr. 4
17 17
15 16
17 17
17 17
15 16
17 17
15 16
Rhy. Fig. 3 Gtrs. 1 & 2
P.M. P.M. 2 0
0
2 0
0
0
2 0
3
2 0
P.M.
0
P.M.
2 0
0
2 0
2 0
0
5 3
13 14
15 16
7 5
13 14
12 12
13 14
12 12
14 15
12 12
17 17
15 16
17 17
End Rhy. Fig. 3
3 1
5 3
2 0
3
2 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5 A5
17 17
G5
17 17
17 17
15 16
17 17
D5
17 17
15 16
17 17
15 16
P.M.
13 14
15 16
0
3
G5
2 0
0
2 0
A5
0
12 12
5 3
12 12
12 12
14 15
17 17
15 16
17 17
End Rhy. Fig. 4
3 1
G5
A5 G5 A5
13 14
7 5
13 14
P.M.
2 0
G5
Rhy. Fig. 4
P.M. P.M. 2 20 0 20 0 0 02 0
F5
2 0
5 3
3
D5
F5
G5
15 16
13 14
12 12
12 12
slight rit.
2 0
slight rit.
17 17
17 17
15 16
17 17
17 17
17 17
15 16
17 17
Rhy. Fig. 5
End Rhy. Fig. 5
P.M. P.M. 2 0
0
2 0
0
0
2 0
3
P.M.
2 0
0
P.M.
2 0
2 0
0
2 0
2 0
slight rit.
5 3
X X
7 5
X X
X X
X X
3 1
X X
X X
5 3
5 3
Verse Tempo I Gtrs. 1-4 tacet Gtr. 5: w/ Riff A
Am
C
rea - son Eye of the
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5: w/ Riff A (4 times)
Fsus2
C
Csus2
for Sun
Csus2
Csus2/B
Csus2/B
a place like this. rose on her lips.
Am
Am
2. Just came
a to
babe me
Fsus2
in with
a a
black a - byss, ser - pent’s kiss
Fsus2
The walls are cold and souls cry Moon - light catch - es sil - ver
C
out tears
in I
no as the
Csus2 Csus2/B
pain. cry.
An
Am
eas So
-
y we
way lay
for in
the a
Fsus2
blind black
to go, em - brace,
Am
Se - cret watched
of
the I
Hanged
and
Gtrs. 1 & 2
and
a the
The light
Man, - ed
A5
C5
for the
2 0
2 0
of the blind,
you’ll
3
2 0
2 0
path sown
for in
the a
the
smile
fools ho
2 0
2 0
see,
3
the ven - om
3 2 0
3 2 0
0
-
on
his
lips.
who know ly place.
And
the I
Csus2
Csus2/B
3
2
dawn.
G5 F5
D5
2 0
Csus2/B
G5
Csus2
C
wait
Chorus
A5
clev - er seed is
2 0
Fsus2
C
A5
tears my
3 1
5 3
G5
A5
spine.
The Eyes
C5
of the
2 0
1.
2 0
2 0
2 0
3
2 0
2 0
2 0
2 0
3
2.
Tempo II Gtrs. 1 & 2 tacet Gtr. 5: w/ Riff A
D5
F5
G5
Nile
3 2 0
are
o - pen - ing,
3 2 0
0
3 1
you’ll
5 3
Am
Fsus2
C
Csus2
Csus2/B
see.
A5
3. She
G5
see.
2 0
2 0
3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1.
2.
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
A5 µ
G5 A5
G5
D5
F5
G5
A5
G5
F5
G5
A5
G5
µ
Go!
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (1st meas.)
A5
G5 A5
G5
D5
F5
G5
A5 G5 A5
G5 A5
Guitar Solo
G5 Gtr. 3
D5
F5
G5
A5 D5/A A5
Dm/A A5
D5/A
1
7
7
P.M.
2 0
P.M.
2 0
0
2 0
0
2 0
0
C5/A
7
7
P.M.
0
0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3 1
9 7
5 3
7 7
2
9
0
8
0
10
7
8
7
P.M.
9 7
0
10 7
7 7
P.M.
9 7
0
0
0
C5
B5
A5
10
8
10
8
7
8
7
9
7 7
5 5
7 7 5
5 5 3
7
7
7
5
9 7
D5/A
3
3
7
D5
1
P.M.
7 7
7 5
5 3
3
Rhy. Fig. 6
Gtrs. 1 & 2
5
12
A5
3
12
12
15
12
7
7
14
End Rhy. Fig. 6
P.M.
4 4 2
2 2 0
2 0
0
0
9 7
7 7
9 7
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (6 3/4 times)
Gtr. 3
Dm/A A5 D5/A
12
15
12
15
15
A5
D5/A
14
8v a
13
14
5
D5
C5
14
17
18
B5
7
13
14
15
13
12
Dm/A
13
14
A5
15
13
12
13
D5/A
20
20
20
1
20
20
17
20
20
19
C5/A
19
19
17
19
19
19
19
Gtr. 3 tacet
Dm/A A5 D5/A Gtr. 4
15 ma
17
17 19
17
17 17
19
7
5
7
5
7
5
7
5
7
5
7
5
19 19
17
20
17
B5
A5
Gtr. 3
17
19 19
5
7
17
19
20
17
19
19
19
D5/A A5
19
D5
7
17
17 17
5
1
C5/A
Gtr. 4 divisi
19 19
12
C5/A
loco
loco
7
14
1 1/2
20
C5
P.H. 1
7
14
20
1
17 17
Dm/A A5 D5/A
1/2
17
14
A5
D5
1
20
12
1
20
1
D5/A
20
1
A5
1
1
A5
14
B5
3
1
14
20
C5
steady gliss.
8v a
D5
1
15
C5/A
7
C5
7
5
5
B5
7
5
1/4
5
5
6
3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
D5/A A5
Dm/A
5
5
0
C5
5
7
5
5
0
7
7
7
5
7
0
5
7
8
7
5
7
7
1/4
0
5
D5/A A5
5
7
7 7
0
7
0
5
Dm/A
A5
5
5
D5/A
10
D5
15 15
15
15
14
C5 8v a
15
15
B5
A5
D5/A
A5
3
13
15
14
14
Dm/A
1
14
19
17
20
20
1
17
20
17
1
17
20
20
17
20
A5 D5/A
8v a
C5/A
D5
C5
B5
3
1
1
17 17 20
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
13
C5/A
1 hold bend
5
5
0
A5
C5/A
7
B5
1
5
D5/A
17
D5
A5
1
17 17 20
17 17 20
1
1
17 17 20 20
17
19 17
20
17 20 17 19 17
20
17 20 17 19 17
20
17 20 17 19 17
20
17 20
4.
1., 2., 3.
Interlude 2nd, 3rd & 4th times, Gtr. 4 tacet
1st time, Gtr. 4 tacet
Am
C
Gtr. 4 Gtr. 1 divisi 20 2 5 4 2 2 2 Gtr. 2 2 3 2 2 5 3 G
Dm
F
G
C
G/B Am
C
G/B Am
A5 G5 A5
8v a
2
3
5
3
2
3
3
3
2
5
5
3
2
2
5
5
3
3
1
3
3
2
0
5
3
0
1
3
2 0
2
0
2
3
2
0
2 0
3
2 0
3
0
3
2
2 0
2 0
2 0
3
Tempo I
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (3 times)
Gtrs. 1 & 2: w/ Rhy. Fig. 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1
G5
A5
G5
4. Bind
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)
A5
all
of
to - geth
G5
F5
rock
the
us
A5
boat,
-
a - blaze
G5
you’ll see.
er,
G5
A5
The
time
has
A5
with hope
and
free.
F5
come
to
close
A5
No
storm
or
heav - y
G5
F5
weath - er
G5
and
still
the wind
and
rain.
your eyes
A5
will
G5
For the
Outro Gtr. 5: w/ Riff A
Gtrs. 1 & 2: w/ Rhy. Fill 1
A5
F5
one
who
will
be
King,
the
Am
G5
Fsus2
Watch - er
in
the
C
Am
Fsus2
Csus2/B
Oh,
2
2
2
1
1
0 3
3
1
0 3
3
1
0 3
2
1
0 3
2
1
0 3
0
1
0 2
0
rit.
2
it is
1
it
You.
is
Am
Gtr. 5
2
Csus2 Csus2/B
Ring,
Csus2
rit.
C
0
You.
0 1 2 2 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Iron Maiden
Running Free Words and Music by Steven Harris and Paul Andrews E5
G5 7fr
= 13
Intro Moderately fast Shuffle q = 170 µ
*Gtr. 1
(Drums)
13
f
12
*Bass arr. for gtr.
13
G5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
5
7
5
C5
7
7
7
7
7
7
7
0
G5
D5
7
7
7
5
3
3
3
0
E5
E5
5
5
5
0
5
C5
D5
E5
Spoken: O
5
**Chord symbols reflect implied harmony.
E5
1
** E5
E5 open
D5 5fr
13
3
__
C5 10fr
5
5
5
3
kay.
Gtr. 1
-
*** Gtr. 2 (dist.) divisi
5
0 5
7
7
7
7
7
7
7
0
3
3
3
f
7
3
5
5
9 7
5
9 7
***Two gtrs. arr. for one.
Gtr. 1 tacet
E5
Gtr. 2
9 7
G5
F#5
9 7
12 10
11 9
E5
9 7
9 7
9 7
9 7
C5
D5
5 3
X X
X X
Copyright © 1980 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
3
X X
X X
7 5
3
X X
X X
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse E5
1.
Just spent 3. Pulled
six the her
G5
X X
X X
X X
X X
out of si - rens dis - co
X X
A5
luck. wail. hop.
X X
X X
X X
X X X
3
-
X X
C5
where got boys
to a are 3
X X
X X
X X
X X
9 7
X X
A5
9 7
X X
X X
X X
9 7
X X
X X
X X
12 10
12 10
12 10
X X
own. me. me,
I’m and 3
5 3
X X
X X
3
X X
X X
I’m
7 5
*
Chorus E5
3
D5
X X
G5 F#5
9 7
go. free. be.
X X
X X
X X
call my thing on af - ter
I here run - nin’ gon - na
X X
3
3
7 5
G5
X X
got no they ain’t all the
I’m it’s
3
9 7
and
3
3
X X
9 7
gas wild, way
the
X X
E5
mon - ey, to danc - ing,
5 3
X X X
X X X
out of lis - tened whis - key,
and a
X X X
truck, jail Top,
3
7 7 5
I’ve But Now
X X X
E5
X X X
3
3
X X
9 7
Hit the run - nin’ that’s the
3
D5
pick - up L. A. Bot - tle
5 5 3
a in the
teen, night at
E5
-
C5
3
9 7
X X
X X
G5
run - nin’
Rhy. Fig. 1
free,
9 7
9 7
3
12 10
14 12
14 12
12 10
11 9
12 10
*Upper Bkgd. Voc. sung 2nd & 3rd times only.
E5
D5
E5
yeah.
12 10
12 10
9 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
I’m
run - nin’
C5
D5
free. End Rhy. Fig. 1
2
D5
7 5
9 7
7 5
9 7
9 7
5 3
X X
X X
X X
7 5
3
3
X X
X X
X X
I’m
run
Gtr. 2: w/ Rhy. Fig. 1
E5
C5
-
G5
nin’
D5
D5
E5
D5
2. I
I’m
run
- nin’
D5
-
free.
nin’
Get
free.
3
out - ta
my
G5
Rhy. Fig. 2
run
C5
Interlude E5
Gtr. 2
I’m
E5
E5
yeah.
2.
E5
free,
D5
1.
T o Coda
*
3
3
way.
3
f
Gtr. 3 (dist.)
3
3
Gtr. 4 (dist.) f divisi
14 14
3
10 11
12 12
10 11
8 9
10 11
3
3
3
12 12
3
3
8 9
7 7
8 9
3
3
7 7
5 6
7 7
3
5 6
3 4
5 6
3
4 5
2 4
3
3 4
2 2
3 4
2 2
*w/ echo set for dotted eighth-note regeneration w/ 4 repeats
E5
3 3
3
3
14 14
12 12
12 12
8 9
10 11
3
7 7
8 9
3
7 7
5 6
7 7
3
D5
3
3
8 9
3
3
10 11
3
3
3
10 11
C5
3
5 6
3 4
5 6
End Rhy. Fig. 2
3
3
4 5
2 4
3
3 4
2 2
3 4
2 2
Gtr. 2: w/ Rhy. Fig. 2
E5
G5 3
3
3
17 19
15 17
3
3
14 15
15 17
14 15
3
14 15
12 14
3
3
12 14
3
10 12
12 14
10 12
3
10 12
9 10
5 7
7 8
3
3
9 10
7 8
9 10
7 8
3
8 9
7 7
3
5 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
C5 3
3
15 17
14 15
15 17
3
14 15
12 14
14 15
12 14
10 12
12 14
9 10
8 9
10 12
7 8
7 7
9 10
7 8
9 10
8 9
8 9
7 7
3
7 8
5 7
7 8
5 7
D5
7 8
7 7
3
3
5 7
3
3
3
3
5 7
3
10 12
3
3
7 8
C5
3
3
3
E5
3
Gtr. 2: w/ Rhy. Fig. 2 (last 2 meas.)
D5
3
3
3
17 19
3
3
3
5 7
7 8
8 9
8 9
7 7
3
5 7
8 9
7 8
5 7
Gtrs. 3 & 4 tacet
E5 open
Gtr. 5 (dist.)
f
heavy P.M.
Gtr. 2
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
1., 2., 3.
4. Gtrs. 3 & 4 tacet
heavy P.M.
Gtr. 3
3
3
3
3
7 9
7 9
7 9
3
7
7
7
3
Gtr. 4 divisi
8 9
8 9
8 9
3
7
7
3
7 7
7 7
7 7
3
7
5
5
5
Gtr. 2
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
heavy P.M. 7 8 P.M. 5 0
0
C5
D5
0
5 3
7 5
Chorus Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 5 tacet
E5
G5
I’m
run - nin’
E5
I’m
free,
run - nin’
D5 E5
D5 E5
yeah.
G5
E5
E5
free,
I’m
D5 E5
yeah.
I’m
D5
free.
C5
run - nin’
C5
run - nin’
D5 E5
D5
free.
Break!
Interlude 2nd time, Ld. Voc. tacet
µ
D5
E5
µ
D5
E5
µ
C5
D5
E5
Ow! Rhy. Fig. 3
Gtr. 2
9 7
9 7
7 5
9 7
End Rhy. Fig. 3
9 7
7 5
9 7
9 7
let ring let ring 5 5 5 7 7 7 3 3 0 5 5 0
0
2nd time, D.S. al Coda Gtr. 2: w/ Rhy. Fig. 3 (2 times)
E5
µ
Gtr. 3
Gtr. 4 divisi
3 5 7 5 5 7
Coda
7
8 9
D5
E5
I’m
7
3 5 7 5 5
D5
3
7
run - nin’
µ
8
7
C5
8 9
E5
µ
7
3 5 7 5 5 3
7
free.
8
7
8 9
Voc. Fig. 1
C5
(I’m
run
Oh. Rhy. Fig. 4 Gtr. 2
D5
7
Outro E5
D5
8
E5
D5
3
2nd time, Gtrs. 3 & 4 tacet
G5
- nin’
free,
9 7
9 7
12 10
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
12 10
Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 2: w/ Rhy. Fig. 4 (3 times)
E5
E5
12 10
14 12
14 12
14 12
G5
Gtr. 3
3 3
14 14
12 12
10 11
3
15
12 X 10
10 11
8 9
7 7
12
5 3
X X
X X
X X
7 5
X X
Oo,
yeah,
C5
3
7 7
D5
5 6
3 4
15
15
11 X 9
12 15 11 9
X X
X X
I’m
Oh,
yeah.
Yeah!
3
3
5 6
4 5
2 4
3
3
3 4
2 2
3 4
2 2
ow!
1
End Rhy. Fig. 4 3
yeah.
C5
3
11 X 9
I’m
D5
3
12
run - nin’.
D5
C5
5 6
1
12 15
3
Ow,
3
8 9
3
7 7
3
3
8 9
3
3
A5
run - nin’.
I’m
1
12
15
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10 11
ow!
12 X 10
6
Sorgdal
12 12
1
12
3
3 3
I’m
End Voc. Fig. 1
run - nin’.
A5
run - nin’,
3
Ow,
3
Gtr. 4 divisi
I’m
I’m
run - nin’,
G5
Run - nin’,
Gtr. 2
run - nin’,
I’m
E5
run - nin’,
A5
D5
free.)
I’m
- nin’
G5
run - nin’,
E5
run
C5
I’m
yeah.
3
1
RUN TO THE HILLS
Words and Music by STEVEN HARRIS
Rock
µ
ff
brought on
us the
pain plains
White fought
man him
came hard,
and we
a - cross we fought
mis - er gave him
y. hell.
He But
the him
sea, well,
killed our man - y
he out
tribes, came
he too
1
killed much
our for
creed, Cree,
he oh,
took will
our he
game ev - er
for
his
own
need.
We
Copyright © 1982 by Imagem London Ltd. All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC International Copyright Secured All Rights Reserved Sorgdal
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
Much faster
2 D
be
set
free?
D5
D5
5fr
3
3
C5
G/B
5fr
3
C5
wastes, wastes,
3
gal - lop - ing hunt - ing and
3
hard on kill - ing
3
their the
holes, men,
3
the their
3
Chas - ing Rap - ing
C5
the the
red - skins wom - en and
G/B
3
them good
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C5
G/B
3
at their in - juns
3
own are
game. tame.
5fr
3
Mur - der Sell - ing
the
A5
3fr
fight - ing on - ly
back to wast - ing
3fr
Sorgdal
D5
3fr
3fr
plains. game.
bar - ren bar - ren
G/B
3
Rid - ing through dust - clouds and Sol in the dier blue
5fr
for them
3
free - dom, whis - key
the and
3
C5
F 3fr
stab tak
-
3
in ing
the their
back, gold,
en
-
cow - ards, stroy - ing
the
hills,
3
your
G
3
dren and
are de
3
-
C
run
G
lives.
chil young
Run
and the
F
to
en ing
Sorgdal
tack! old!
for
at the
3
3
-
D
wom slav
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
Run
to
the
hills,
C
run
your
lives.
Guitar solo
Sorgdal
To Coda
( )
( )
( )
3fr
G5 3fr
C5
C5
3fr
E5
G5
E5
G
for
F
A5 3fr
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5fr
5
B5
C5
D5
3fr
A5
B5
C5
5fr
3fr
Oh.
5fr
D5
E5
G5
5fr
3fr
Ah.
A5 5fr
Sorgdal
D.S. al Coda
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
G
CODA
Run
to
the
hills,
C
Sorgdal
rall.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
your
Run
to
the
hills,
B5
G5
for
your
lives.
F
lives.
run
G
C
for
run
F
3fr
from Iron Maiden - The Number of the Beast
Run to the Hills Words and Music by Steven Harris G5
F5
13
C5
13
G/B
13
14
Intro Moderate Rock q = 120
µ
A5
D5
Riff A
Gtr. 3 (dist.)
(Drums)
f 1
*Gtrs. 1 & 2 (dist.)
1
12
10
15
15
13
Rhy. Fig. 1
1
12
f
0
9 7
9 7
7 7
0
*Composite arrangement
A5
1
1
1
10
10
12
13
13
15
7 7
7 7
D5
1
15
7
12
7
C5
9 0
1
8
10
11
11
13
5 5
5 5
5 5
7 7
1
13
A5
End Riff A
10
1
8
G5
1
1
8
8
10
10
10
12
10 12
End Rhy. Fig. 1
let ring
0
0 0
Copyright © 1982 by Imagem London Ltd. All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC International Copyright Secured All Rights Reserved
0 0
0 0
2 2
0
2 2
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 3/4 times) Gtr. 3: w/ Riff A (3 3/4 times)
A5
1. White
er
C5
-
A5
D5
man - y
He
killed
G5
came,
sea,
too
much
D5
our
tribes,
A5
own
C5
out
the
his
A5
need.
on
the
D5
C5
he
brought
he
killed
We
fought
A5
for
Cree.
A5
our
creed,
D5
him
hard,
we
gave
him
Oh,
will
pain
C5
us
G5
D5
plains
he
we
hell.
But
ev
A5
we
and
D5
for
well,
cross
-
game
him
D5
fought
a
y.
our
took
A5
came
-
mis
man
G5
D5
-
er
Interlude Faster q = 180
G5
D5
be Gtr. 3
set
free?
w/ bar 1
1
8
8
10
10
1
hold bend
10
10 13
13
10 13
-1 Gtrs. 1 & 2
0 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0
3 2 0
10 13
-1
10 13
D5
10 13
-1
7 5
7 5
7 5
7 5
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
Verse 1st time, Gtr. 3 tacet
D5
10 13
P.M.
14
7 5
7 5
7 5
7 5
7 5
gal - lop hunt - ing
-
7 5
ing and
dust
clouds and in the
bar - ren bar - ren
back wast
5 3
5 3
3
to - ing
5 3
7 5
7 5
3
hard on kill - ing’s
5 3
5 3
their the
holes, men,
7 0
7 5
7 5
7 5
7 5
7 5
7 5
the a
plains. game.
7 5
7 5
7 5
C5
7 5
7 5
G/B
5 3
5 3
5 3
5 3
5 3
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
5 3
5 3
7 5
7 5
7 5
7 5
3
Chas - ing Rap - ing
the the
red wom
7 5
7 5
7 5
7 5
7 5
- en
skins and
P.M.
5 3
5 2
5 2
3
fight - ing on - ly
the
7 5
D5
7 5
5 3
5 3
5 2
5 2
7 5
them good
at their in - juns
own are
7 5
7 5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
7 5
7 5
7 5
7 5
G/B
7 5
7 5
7 5
C5
7 5
7 5
G/B
game. tame.
P.M. 7 5
wastes, wastes,
P.M.
C5
P.M. 5 3
Gtrs. 1 & 2
5 3
G/B
3
7 5
3
14
C5
3
7 5
2. Rid - ing through - dier blue 3. Sol
w/ bar
5 3
5 3
5 3
5 3
5 2
5 2
5 3
5 3
5 2
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
Mur - der Sell - ing
C5
3
for them
3
free - dom, whis - key
a and
2 0
F5 3
stab in tak - ing
0 0
5 3
5 3
the their
back, gold,
en
-
3
wom - en slav - ing
and the
3 1
3 1
0
3
chil - dren young and
and de
-
0 0
7 5
Chorus G5
D5
Rhy. Fig. 2A
3
cow - ards stroy - ing
at the
Gtr. 2
tack. old.
Gtr. 2
Run
(Gtr. 2, cont. in slashes)
7 5
7 5
7 5
7 5
Gtr. 1
7 5
7 5
7 5
Rhy. Fig. 2
P.S.
7 5
7 5
X X
X X X X XX
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
to
the
hills,
5 3
5 3
P.M.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
3 1
5 3
5 3
5 3
5 3
F5
5 3
Sorgdal
7 5
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
1
1
1
3 1
P.M.
1
1
1
3 1
C5
run
for
G/B
G5
your
lives.
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
2 0
2 0
3 1
3 1
4 2
5 2
5 2
5 2
5 2
5 2
5 2
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
C5
G/B
run
for
Run
to
the
hills,
4 2
1.
5 3
P.M.
5 3
F5
End Rhy. Fig. 2
5 3
End Rhy. Fig. 2A
5 3
5 3
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 6 meas.)
5 3
your
G5
Gtr. 2
lives.
Gtr. 1
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
Gtr. 2
G5
Gtr. 3
E
open
P.M. (cont. in notation)
lives.
*w/ wah-wah
12
*Used as filter.
Gtr. 1
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
P.M.
Guitar Solo E5
Gtr. 3
G5
1
1
15
15
Rhy. Fig. 3 Gtrs. 1 & 2
9 7
9 7
9 7
9 7
C5
9 7
9 7
9 7
9 7
1
9 7
9 7
14
14
3
12
12
12
1
12
12
12
15
15
14
12
5 2
5 3
5 3
5 3
5 3
5 3
5 3
2
5 3
14
12
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
12
5 3
C5
G/B
C5
G/B
C5
5 3
G/B
5 3
14
14
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
G5
3
12
12
14
End Rhy. Fig. 3
2
3
2
3
2
3
2
*Chord symbols reflect implied harmony.
6
12
P.M.
5 3
15
* G/B
12 14
12
0
15
P.M.
3
0
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)
E5
G5
8v a
Gtr. 3
loco
P.H.
14
12
12
14
12
14
12
14
12
12
14
12
14
12
12
15
12
15
12
12
14
15
15
7
15
16
17
15
15
17
15
17
Pitch: D
C5
G/B
C5
G/B
C5
G/B
C5
G/B
G5
1 1/2
17
16
15
17
15
15
17
15
15
16
17
17
17
E5
3
12
3
15
12
15
12
15
12
12
12
15
12
C5
3
3 let ring 1/2
15
15 14
14
14
G5
12
15
P.H.
12
15
14
16
Pitch: F#
12
14
12
14
C5 G/B C5 G/B C5 G/B G5
w/ bar 12
12
14
12
14
12
C5
0
12
15
14
12
14
12
12
14
E5
15
G/B
C5
G/B
C5
3 1 1/2
0
12
w/ bar
17
12
17
15 14
3
G/B
1 hold bend
14
15
15
G5
3
15
5
grad. release 1
w/ bar
G/B
17
C5
G/B
G5
15
13
- 1/2
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude 1st time, Gtr. 3 tacet
A5
B5/A
C5/A
D5/A
Rhy. Fig. 4
End Rhy. Fig. 4
Gtrs. 1 & 2
P.M.
9 7
0
P.M.
9 7
0
0
P.M.
9 7
0
P.M.
11 9
0
0
0
P.M.
11 9
0
0
P.M.
11 9
P.M.
12 10
0
0
0
P.M.
12 10
0
0
P.M.
12 10
0
P.M.
14 12
0
14 12
0
14 12
Gtrs. 1 & 2: w/ Rhy. Fig. 4
A5
B5/A
C5/A
D5/A
Yeah.
A5
B5/A
C5/A
D5
Ah.
Gtrs. 1 & 2
P.M.
9 7
0
0
P.M.
9 7
0
0
P.M.
9 7
P.M.
11 9
0
0
0
P.M.
11 9
0
0
P.M.
11 9
P.M.
12 10
0
0
0
P.M.
12 10
0
0
14 12
14 12
P.M.
12 10
0
14 12
14 12
Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (3 1/2 times)
G5
C5
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
Run
to
the
hills,
G5
run
for
G/B
your
lives.
14 12
14 12
C5
C5
Run
to
the
hills,
run
for
F5
G/B
your
Run
to
the
hills,
run
for
G/B
your
lives.
G5
F5
G5
lives.
Run
to
the
hills,
F5
Free time
C5
run
for
your
Gtrs. 1 & 2
rit.
5 3
5 2
G5
life!
3 0 0 X 3
3 0 0
3 0 0 X 3
3
3
rit.
G/B
3
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Iron Maiden - Seventh Son of a Seventh Son
Evil That Men Do Words and Music by Bruce Dickinson, Steven Harris and Adrian Smith Em
D 7fr
13421
C
Dsus4
5fr
13331
13331
Intro Moderately q = 132
13341
C5
mf
Gtr. 2 (dist.) divisi
14 7
16 9
14 7
13
13
14 7
12 5
14 7
14 7
12 5
14 7
14 7
16 9
16 9
12 5
14 7
14 7
16 9
14 7
14 7
14 7
12 5
14 7
14 7
16 9
14 7
12 5
14 7
14 7
14 7
16 9
14 7
D
C
Dsus4
14 7
1
*Guitar synth.
13
D
mf
A5 5fr
mf
Gtr. 1 (dist.)
D5
7fr
Em *Gtr. 3
E5 5fr
12 5
14 7
14 7
16 9
14 7
C
14 7
16 9
14 7
1
15 7
17 9
15 7
8
8
8
Copyright © 1988 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
14 7
12 5
14 7
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14 7
12 5
14 7
D
14 7
16 9
Em
14 7
14 7
14 7
12 5
14 7
D
16 9
16 9
12 5
14 7
14 7
14 7
16 9
14 7
14 7
16 9
14 7
12 5
14 7
14 7
16 9
16 9
C
12 5
14 7
14 7
16 9
14 7
Faster q = 160
Gtrs. 1, 2 & 3 tacet * Esus2 D5/E
G5/E
Gtr. 2 divisi Gtr. 1
Gtr. 4 (dist.)
G6/E
D5/E
Csus2
14 7
f 7 7 9 9 7
Gtr. 5 (dist.)
7 7 9 9 7
f
P.M.
0
0
7 7 9 9 7
9 7
P.M.
7 5
7 5
7 5
*Chord symbols reflect overall harmony.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let ring
7 5
4
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
5
9 7
P.M.
7 5
7 5
7 5
3 3 0 X 3
3 3 0 X 3
7 5
4
7 4
C5 Gmaj11/B C5 Gmaj11/B
Gtr. 4
3 3 0 X 3
Gtr. 5
5 3
P.M. 3
G6/E
3
8 5
5 3
3
D5/E
3 3 0 0 X 3
P.M. 7 5
8 5
7 5
8 5
7 5
5 5
8 5
7 5
8 5
7 5
Esus2
7 5
7 5
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
7 5
4
7 4
7 7 9 9 7
P.M.
5 3
7 7 9 9 7
P.M.
5 5
9 7
7 5
3
3
3
8 5
5 3
G5/E
7 5
8 5
8 5
7 5
8 5
7 5
8 5
7 5
8 5
7 5
4
3 3 0 0 X 3
3 3 0 0 X 3
E5
5 5
7
C
7 5
7 5
C5 Gmaj11/B C5 Gmaj11/B
D5/E
7 7 9 9 7
Csus2
9
8 5
C
9 7
5 5
9 7
Verse
E5
1. Love
is
ra
a
C5
-
zor and I
walk
the
line
on
sil - ver
blade.
that
9 7
9 7
5 3
Rhy. Fig. 1
P.M.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
Rhy. Fig. 1A
P.M.
9 7
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7
9 7
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
8 5
8 5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5
5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gmaj11/B C5 Gmaj11/B
C
E5
Slept
in
the
dust with
his
-
daugh
ter, her
eyes
red
with the
slaugh
-
ter
of
P.M.
8 5
7 5
8 5
7 5
5 5
9 7
9 7
9 7
9 7
9 7
9 7
9 7
P.M.
8 5
7 5
8 5
7 5
5 5
9 7
7 0
C5
7 0
7 0
7 0
7 0
7 0
Gmaj11/B C5 Gmaj11/B
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
7 0
C
7 0
7 0
7 0
7 0
7 0
7 0
E5
7 0
7 5
8 5
7 5
P.M.
5 3
5 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
5 3
5 3
7 0
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
8 5
5
8 5
5
8 5
8 5
7 5
9 7
9 7
9 7
9 7
9 7
5 5
7 0
7 0
7 0
7 0
9 7
7
Csus2
And
P.M. 5 3
7 0
5 3
9 7
in - no - cence.
5 3
9 7
I
will
pray
3 3 0 X 3
9 7
P.M.
8 5
7 5
5 5
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
5 3
5 3
G5
for
I
3 3 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
I would
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
5 3
5 3
her
name out
loud.
9 9 7 0
5 3
5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
2
3
G5
for
her,
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
9 7
D/F#
if
7
3 3 0 X 3
9 7
call
P.M.
E5
3 2 0 X 2
9 7
5 3
will
bleed
9 9 7 0
5 3
Csus2
5 3
her,
D/F#
I
could
3 2 0 X 2
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
2
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
on
-
Csus2
ly
see
her
5
4
7
5
4
5
5 3
2
5
7
3
3
End Rhy. Fig. 1A
3
2
P.M.
5
3
P.H.
3
End Rhy. Fig. 1
3 3 0 X 3
C
now.
3 2 0 X 2
2
µ
5
3
3
5
Pitch: G
Pre-Chorus
Liv - ing
on
a
ra - zor’s
Riff A
3
5
5 3
5 3
7
5
3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
7
7
7
5
7
7
edge,
9
7
9
7
5
7
5
7
7
9
7
5
7
7
5
7
7
7
9
bal - anc - ing
on
Riff A1
Em
7
5
5
7
9
7
7
9
7
7
7
a
ledge.
D
7
5
7
5
4
7
5
7
9
7
7
bal - anc - ing
7
7
5
7
7
5
7
7
5
7
4
5
7
7
D
on
9
10
Liv - ing
on
a
ra - zor’s
5
7
7
5
7
7
a
ra
-
zor,
7
7
9
C
edge
9
7
End Riff A1
5
7
9
7
5
and
7
9
7
7
C
5
7
5
7
9
10
7
10
9
7
bal - anc - ing
on
9
End Riff A
5
9
5
5
7
9
7
7
9
7
7
7
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
7
a
ledge,
5
7
5
7
7
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
5
7
7
7
5
7
on
5
7
5
7
7
9
Riff B
9
7
5
Liv - ing
on
a
ra - zor’s
5
7
7
9
5
7
9
7
7
7
9
7
you
edge,
5
7
5
7
5
4
7
9
7
E5
know
the
e -
End Riff B
(cont. in slashes)
9
3
know,
7
D
7
7
C
You
5
a ledge.
7
7
7
Riff B1
7
5
9
5
7
8
7
5
7
bal - anc - ing
9
D
4
yeah!
7
Em
5
10
7
7
4
9
5
10
7
7
4
9
9 7
End Riff B1
3 3
2 2
Chorus Rhy. Fig. 2
C5
Gtr. 4
D5
P.M.
-
Gtr. 5
E5
P.M.
vil that
do
men
lives
on
and on.
2 2
0 0
3 3
2 2
2 2
0 0
Rhy. Fig. 2A
P.M.
The e -
2 3 2 0
3 0 X 3
2 2
C5
3 3
A5
A
2 2
E5
open
P.M.
-
End Rhy. Fig. 2
P.M.
vil that
2 2
0 0
men
do
3 3
2 2
2 2
lives
on
0 0
and on.
The e -
3 0 X 3
2 2
End Rhy. Fig. 3A
3 3
2 0
2 2
Gtr. 4: w/ Rhy. Fig. 2 Gtr. 5: w/ Rhy. Fig. 2A (1st 4 meas.)
-
vil
that
men
do
Csus2
lives
on
and
on.
D
The
E5
e -
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Csus2
-
vil
that
Gtr. 5
2 2
0 0
men
do
3 3
2 2
2 2
lives
on
and
0 0
E5
on.
A5
3 0 X 3
2 2
2 0
9 7
Verse Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A
E5
2. Cir
- cle
of
fire,
my
bap
Gmaj11/B C5 Gmaj11/B
-
C
tism
C5
pray
cry
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
of
joy
C5
lamb
slain,
Gmaj11/B
C
fore
sev - enth
Gmaj11/B
at
an
end
it
seems.
the
book
of
life
E5
The
C5
E5
me.
for
you.
for
G5
me,
D/F#
Some
G5
D/F#
be - yond
-
day
I
may
is
where
I
Csus2
learn.
E5
re -
turn.
o - pened
be -
Csus2
And
I
will
Don’t
you
µ
Csus2
C
Pre-Chorus
Gtrs. 4 & 5: w/ Riffs A & A1 2nd time, Gtrs. 1 & 2: w/ Fill 1
C
Liv - ing
on
a
Em
ra - zor’s edge,
bal - anc - ing
on
a
D
ledge.
Liv - ing
on
a
Chorus Gtrs. 4 & 5: w/ Riffs B & B1
ra - zor’s edge.
lives
on
You
know,
Csus2
and
D
you
know
D
E5
on.
A5
The
E5
The
e
the
e
-
vil
do
men
Gtr. 4: w/ Rhy. Fig. 2 (1 7/8 times) Gtr. 5: w/ Rhy. Fig. 2A (1 3/8 times)
-
vil
that
-
vil
do
e
that
E5
C
that
men
Gtr. 5
The
e
-
vil
do
that
men
lives
on
Csus2
lives
on
and
men
do
Csus2
lives
on
and
Csus2
and
on.
D
on.
T o Coda
E5
A5
E5
on.
Gtrs. 4 & 5
P.M.
2 3 2 0
3 3
2 2
2 2
0 0
3 3
2 2
2 2
0 0
3 0 X 3
2 2
2 0
2 0
Gtr. 2 divisi
Fill 1
8v a
Gtr. 1
17
17
17
17
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
µ
E5
5
7
4
5
4
5
7
5
7
4
µ
Gtr. 4
4 2 4 2
2
4
2
4
5
5
Gtr. 5
5 4 5 4
7
Gtr. 2
µ
5
7
4
5
4
5
9 7 0
7
9 7 0
E5
7
5
4
5
4
5
7
2 4 2
4
5
12 X 10
5
12 X 10
4
12
2
4 2 4 2
10
5
7
5
5
5
4
5
9 7 0
7
9 7 0
4 2 4 2
4
5
12 X 10
5
12 X 10
5
5 4 5 4
7
2
4
4
4 5 4
5
7
7
7
5 4 5 4
5
7
7
5
7
F#m11
f w/ bar
14
14
–1
Gtr. 4
let ring
12
4
2
4 2 4 2
10
2
4
5
5
Gtr. 5
7
7
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 4 5 4
5
7
7
4 2 4 2
4
5
5
12 X 10
12 X 10
12
4
2
4 2 4 2
10
2
4
5
5
5 4 5 4
5
7
7
4 2 4 2
4
5
5
0 2
0 0 2 2 X 2
let ring
7
5 4 5 4
5
7
7
5 4 5 4
5
7
7
0 0 2 2 X 2
Guitar Solo
Gtr. 2
w/ bar
14
14
1/2
14
16
D5
16
16
14
3
16
3
17
17
16
16
F#m11
P.H.
0
17
E5
16
14
7
14
Pitch: D# Rhy. Fig. 3
*Gtrs. 4 & 5
0 0 2 2
0
0
2
let ring
let ring
let ring
0 0 4 2
3 2 0
2
End Rhy. Fig. 3
0 0 2 2 X 2
0
2 *Composite arrangement
D5 3 3
7
7
9
7
7 9
9
6
9
9
7
7
9
_ 1/2
w/ bar
_1
_ 1/2
10
11
9
10
F#m11
w/ bar
11
7
_1
3
3
6
3
Bsus4
12
_1
w/ bar
_1
10
9
10
9
9
11
–1 1/2
let ring
0
0 0 2 2
0
2
let ring
0 0 4 4 2
3 2 0
2
2
0 0 2 2 X 2
Gtrs. 4 & 5: w/ Rhy. Fig. 3
Gtr. 2
11
10
12 11
_1
12
D5
_1
E5
_1
w/ bar
w/ bar
w/ bar
_1
_1
_1
11
10
12 11
12
11
10
12 11
12 11
F#m11
16
11
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda
D5
Bsus4
Gtr. 1
C
8v a
f
3
1
22
22
3
16
3
3
17
16
16
16
Gtrs. 4 & 5
14
16
0 0 2 2
0
0
14
21
19 21 19 17
19
2
3 2 0
17
16
17
2
Gtrs. 4 & 5
16 17 16 14
-
vil,
the e
3 3
2 0
14 16 14
17
14
16
14
17
14
3
0 0
0
0 0
0
0
0
0
9 7
3 3
2 2
0 0 0
-
the e
-
vil
D5
vil,
12
0
C5
that
men
do.
_1
0
0 0
14
2 2
0 0
15
12
12
3 3
2 2
P.M.
9 7
0
0 0 0
0 0
0
15
2 2
5 3
0 0
2 2
13
3 2 0
2
P.M. 5 3
17
_1
P.M.
Sorgdal
17
w/ bar
11
2 2
Gtr. 4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
16
Gtr. 5
14
17
0 0 4 4 2
14
2 0
16 14 16 14
16
E5
The e
16
Outro
Gtr. 2
17 19 17 16 17
3
2
Coda
19
1 19
17
19
8v a
Gtr. 2
21
5 5 5 3 3 3
5 5 3 3
5 3
7 5
E5
1
13
12
14
14
3 3
E5
-
2 2
0 0
3 3
2 2
P.M. 0
0
0
0
0
0
0
-
vil
1
8
8
3 3
2 2
P.M.
9 7
0
0
0
0
0
0
µ
that
do.
0
5
0 0
2 2 0
0
P.M.
5 3
5 3
2 2
7
2 2
Ow,
5 3
5 3
5 3
5 3
5 3
5 3
2 0
µ
ow!
5
9 7 0
9 7
5
9 7
men
E5
A5
1
8
0 0
2 0
7
5
4
5
4
5
7
7
P.M.
2 0
e
7
2 2 0
the
2 2
P.M.
vil,
7
7
9 7
1
e
15
the
vil,
12
7 5
-
15
3 2 0
C5
The e
2 0
7
5
4
5
4
5
7
7
4
4
5
5
4
4
5
5
7
7
9 7 0
9 7 0
9 7 0
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Iron Maiden - The Number of the Beast
The Number of the Beast Words and Music by Steven Harris D5
C5
G/B
D5
open
E5
5fr
F5
G5
4fr
134
134
Bb5
1
F5
13
I
5fr
13
C/E
D5
13
X
C5
134
3
134
13
VIII
10fr
134
7fr
G5
III
8fr
134
134
Spoken: Woe to you, oh, Earth and Sea, For the Devil sends the beast with wrath, Because he knows the time is short... Let him who hath understanding Reckon the number of the beast, For it is a human number. Its number is six hundred and sixty six. - Revelations Ch. 13 v. 8
Intro Fast Rock q = 195 *D
Dsus4
D5
1. I
D
Dsus4
left
a
-
Gtr. 1 (dist.)
mf
w/ flanger P.M.
5
5
5
4
5
5
P.M.
7 7 5
5
5
P.M.
7 7 5
5
5
P.M.
7 7 5
5
5
5
P.M.
7 7 5
5
5
P.M.
7 7 5
5
5
5
4
5
5
5
*Chord symbols reflect overall harmony.
D5
lone.
D
Dsus4
My
mind
was
D5
blank.
Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
5
4
5
5
5
7 7 5
Copyright © 1982 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC International Copyright Secured All Rights Reserved
5
5
7 7 5
5
5
7 7 5
5
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
Csus4
I
need
-
C5
ed
time
to
think,
to
C
Csus4
get
the
mem
- ’ries
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 5
7 7 5
5
7 7 5
5
3
3
2
3
3
3
5 5 3
3
3
3
5 5 3
3
5 5 3
3
3
5 5 3
3
3
5 5 3
3
3
3
2
3
3
3
3
Gtr. 1: w/ Rhy. Fig. 1
D5
from
my
D
mind.
What
did
Dsus4
D5
I
End Rhy. Fig. 1
5
5
7 7 5
5
D
Can
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I
7 7 5
5
5
Dsus4
7 7 5
5
5
7 7 5
5
5
4
5
D5
be - lieve
C
Csus4
5
5
Csus4
that
D5
was
real
and
not
just
fan
-
ta - sy?
C5
what
5
C
5
see?
P.M. P.M. P.M. P.M. P.M. 7 7 5
I
saw
that
2. Just
Dsus4
what
night
D
I
Verse Gtr. 1: W/ Rhy. Fig. 1 (1 5/8 times)
D5
saw
D
Dsus4
in
my
old
D5
dreams,
Rhy.Fig. 2
Gtr. 2 (dist.)
mf
P.M.
7 7 5
5
7 7 5
5
5
C
7 7 5
5
5
7 7 5
5
5
Csus4
were
they
C5
re
-
flec
7 7 5
5
7 7 5
5
-
7 7 5
5
7 7 5
5
7 7 5
5
tions
of
my
5
7 7 5
5
5
7 7 5
5
C
5
Csus4
warped
mind
star
-
ing
P.M.
5
7 7 5
5
5
7 7 5
5 5 3
3
5 5 3
3
3
5 5 3
5 5 3
3
3
3
5 5 3
3
5 5 3
3
3
5 5 3
3
3
5 5 3
3
3
5 5 3
3
5 5 3
3
5 5 3
3
Gtr. 2: w/ Rhy. Fig. 2 (1st 7 meas.)
D5
back
at
D
me?
’Cause
in
Dsus4
D5
my
P.M.
7 7 5
5
7 7 5
5
5
7 7 5
D
it’s
al - ways
5
Dsus4
7 7 5
5
5
5
7 7 5
5
7 7 5
C
there,
7 7 5
5
D5
5
7 7 5
5
Csus4
e
-
5
the
dreams
End Rhy. Fig. 2
vil
C5
face
that
twists
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
my
Gtr. 1
C
Csus4
D5
mind
and
brings
me
to
D
de
-
spair.
P.M. P.M. P.M. P.M. P.M. P.M. 3
3
3
5 5 3
3
3
3
2
3
3
7 7 5
3
5
5
7 7 5
Yeah!
Rhy. Fig. 3 *Gtrs. 1 & 2
5 5 3
5
5
7 7 5
5
7 7 5
5
5
5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
*Composite arrangement
Interlude
D5
End Rhy. Fig. 3
(Gtr. 2, cont. in slashes)
7 7 7 5
7 7 5
D5 Rhy. Fig. 4
Gtr. 2
Gtr. 1
5 5 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
End Rhy. Fig. 4
7 7 5
7 7 5
7 7 5
7 7 5
(cont. in notation)
7 7 7 5
7 7 5
Verse
D5
3. Night 4. Torch can’t
was es go
-
black, blazed on,
P.M. 7 7 75 75 75 775 5 5 577 775
had start still
to to be
7
7 7 5
In In I
5
5
7 7 5
7 7 5
the the feel
7
5
7 7 5
5
-
7
7 7 5
7 7 5
5
5
7 7 5
was
some hands just
7 7 5
5
5
7 7 5
hold chants form
-
7 7 5
7 7 5
-
7 5 5
5
ing were the
back praised law.
7 7 5
7 7 5
one held some
7 7 5
7 7 5
5
5
7 7 5
7 7 5
5
5
7 7 5
7 7 5
some tan’s a
P.M. P.M. 5
7 7 5
3
7 7 5
’cause
I as Can
just the they
P.M. P.M.
7 7 5
7 7 5
5
G
5
5
7 7 5
7 7 5
7 7 5
7 7 5
D5
ing the zy
-
3
me? sky. dream?
3
3
3
2
But
and ing ing
-
7 7 5
3
move burn chant
just Sa can’t
-
7 7 5
7 7 5
5
7 7 5
fig - ures fires are wards the
7 7 5
5
watch to cra
P.M. P.M. 5
7 7 5
-
7 7 5
7
C5
or
let ring P.M. 7 5 5
7 7 5
real gun. ize,
-
use cred in
7
C5
7 7 5
7 7 5
kind work void
5
5
G
of is their
3
3
3
7 7 5
7 7 5
3
3
7 7 5
7 7 5
P.M. P.M.
7 7 5
7 7 5
Was all The rit - u - al seem to
7 7 5
5
5
7 7 5
5
7 7 5
D5
hell? done. eyes.
2
7 7 5
twist. bright. hordes,
3
7 7 5
let ring P.M. 7 5 5
7 7 5
7 7 5
7 7 5
for be mes - mer
this has
7 7 5
7 7 5
5
dark the to -
7 7 5
P.M.
mist, night, drawn
5
5
or
P.M. let ring P.M. 7 5 5
7 7 5
5
see, cry, real
7 7 5
no sa must
let ring P.M. P.M. P.M. P.M.
let ring P.M. 7 5 5
was and I
Gtrs. 1 & 2
Six,
(Gtr. 1, cont. in slashes)
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0
5 5 3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtr. 1
G/B
six,
the
num
0
0 0 2
six,
Gtr. 2
P.M.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
1.
7 7 5
7 7 5
5 5 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 7 5
7 7 5
0 0 2
0 0 2
0 0 2
0 0 2
and ri six,
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0 2
5 5 3
of
5 5 3
the
beast.
P.M.
5 5 3
5 5 3
7 7 5
5 5 3
T o Coda
(3rd time, cont. in notation)
were
spawned go one
is the
C5
fire - fice six,
P.M.
ber
-
-
5 5 3
5 5 3
G/B
1. Hell 2. Sac 3. Six,
7 7 5
0 0 2
D5
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
5 5 3
2.
to
0 0 2
7 7 5
C5
5 5 3
C5
D5
(cont. in notation)
be
re - leased.
5 5 3
5 5 3
5 5 3
7 7 5
-
Gtrs. 1 & 2
P.M.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5
5
7 7 5
5
5
5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
ing
P.M. P.M. 7 7 5
D5
5 5 3
open
on
to - night.
5 5 3
5 5 3
X X X
7 7 5
1., 2., 3.
Interlude
D5
open
E5
D5
open
E5
*
2 0
2 0
4 0
0
2 0
0
E5
F5
G5
0
0
F5
G5
let ring
F5
4 0
0
5 0
4 0
0
0
5 0
0
5 0
7 0
0
F5
let ring let ring 4 0
F5 G5
0
5 0
7 0
0
7 0
7 0
7 0
5 0
0
0
*Voc. tacet on repeats.
4.
Guitar Solo
G5
F5
G5
F5
Bb5
F5 I Rhy. Fig. 5 Gtrs. 1&2
P.M.
Gtr. 3 (dist.)
let ring
f
(cont. in slashes)
7 0
7 0
7 0
7 0
7 0
5
3 3 1
18
w/ wah-wah
15
15
15
14
1
14
15
15
14
15
14
12
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (2 times)
C/E
P.M.
12
14
12
10
12
10
F5
C/E
F5
9
9
C/E
Bb5
End Rhy. Fig. 5
6
15
17
15
18
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15
15
17
18
F5
C/E F5 C/E F5 C/E
18
17
15
14
15
14
12
14
10
12
10
9
10
10
1
1
I
D5
15
18 17 15 17 18 17 15 18
20
1
20
20
X
C5 VIII
(cont.in notation)
1
20
20
20
15 13
13
10
3
14
9
P.M.
8v a
Bb5
P.M.
C/E
10
12
15
1
F5
13
15
3
12
18
C/E F5 C/E F5
10
Gtrs. 1&2
15
18
15
1 1/2
1
1/2
F5
1 1/2
grad. bend
Bb5
18
Interlude Gtr. 3 tacet
µ
C
Gtrs. 1 & 2
10
12
3 3 1
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
12
10
12
10
12
Bb5
µ
10
12
11
10
10 10 8
10 10 8
10 10 8
G5
8 8 6
8
8
6
8
6
8
6
G5
A5
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
F5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
8
6
8
7
6
5 5 3
5 5 3
5 5 3
C5
3 3 1
D5
(cont. in slashes)
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
7 7 5
Guitar Solo
F5 I Rhy. Fig. 6
Gtrs. 1&2
G5 III
1
13
1
13
15
13 13
1
13
15
15
15
15
D5
f 1
C5
End Rhy. Fig. 6
Gtr. 4 (dist.)
Bb5
13 15
15
15
P.M.
1
15
15
12 0
1
10
10 12
13
12
12
10
12
10
10
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (3 times)
F5
3
3
G5
3
3
3
3
3
10
10
10
13
C5
10
12
10
10
13
D5
1
15
1
13
10
13
10
12
13
10
F5
18
1
18
15
18
15
Bb5
3
1
15
18
18
15
10 10
12
12
12
18
15
18
15
15
18
G5
1
15
1
18
15
18
17
17
D5
F5
3 1
1
17
18
18
3
17
C5
8v a
10
15
18
15
18
17
Bb5
1 20
18
18
12
1
18
1
1 1/2
17
G5
8v a
10
17
1
15 17
3
17
13 12
1
17
1
15
10
13
17
3
17
10
1
17
1
3
12
18
12
10
Bb5
1/2
13
15
3
1
loco
20
13
D5
1 20
C5
15
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 2: w/ Rhy. Fig. 6 (1 3/4 times)
Gtr. 4 Gtr. 1 divisi
15 7 7 5
7 7 5
7 7 5
Gtr. 4 tacet
F5
7 7 5
7 7 5
7 7 5
7 7 5
G5
Bb5
Gtr. 1
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
C5
D5
3 3 1
5 5 3
5 5 3
Bb5
C5
7 7 5
D.S. al Coda
F5
G5
5. This
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
Gtrs. 1 & 2
3 3 1
5 5 3
5 5 3
Coda
D
for you and
Gtr. 1
5 5 3
Gtr. 2
Dsus4
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
me.
D
6. I’m
Dsus4
com - ing
P.M. P.M. P.M. P.M. P.M. P.M. 5
5
5
4
5
5
5
7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
5
4
5
5
5
P.M.
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
5
7 7 5
5
mf
P.M.
7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
7 7 5
5
5
7 7 5
5
7 7 5
5
7 7 5
5
7 7 5
5
Verse Gtr. 1 : w/ Rhy. Fig. 1 (1 7/8 times) Gtr. 2: w/ Rhy. Fig. 2 (1 7/8 times)
back.
I
C5
sess
your
bod
-
y
D5
fire.
and
I’ll
pow - er
to
C5
Csus4
make
Dsus4
have
C
D5
you
D
the
my
e
And
I’ll
burn.
I
C
C
Csus4
take
its
-
vil
Csus4
Dsus4
have
the
Csus4
I
have
the
D5
pos -
D
force.
D5
make
D5
re - turn.
C
I
will
Dsus4
D
D5
course.
Outro Gtr. 2: w/ Rhy. Fig. 3
Gtr. 1
D
P.M. P.M. 7 7 5
5
5
5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Dadd11
D5
8 7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Gtr. 2: w/ Rhy. Fig. 4
C6sus2
D5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
C5
D5
7 7 5
5 5 3
7 7 5
7 7 5
Gtrs. 1 & 2
µ
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Iron Maiden
The Phantom of the Opera Words and Music by Steven Harris
E5
G5 7fr
A5 10fr
13
13
C5 12fr
B5 15fr
13
II
E5
V G5
A5VII
14fr
13
5fr
13
13
C5 III
D5
7fr
13
5fr
13
13
13
Intro Fast Rock q = 172
µ *Gtrs. 1 & 2 (dist.) 3
Play 3 times
3
5
4
3
3
4
5
4
4
4
5
4
5
7
4
5
5
4
5
7
3
mf
3
3
4
2
5
*Composite arrangement
3 Gtr. 1
3
3
5
3
4
4
4
5
7
4
4
5
5
Gtr. 2
3
3
5
4
3
3
4
4
4
5
4
5
7
4
5
5
4
5
3
4
5
7
3
4
5
7
7
7
9
9
7
7
7
8
8
8
4
4
4
5
Copyright © 1980 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
5
3
3
3
3
7
9
3
3
3
3
5
7
7
7
9
9
9
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
3
3
3
3
All
right,
yeah!
8v a
3
3
3
3
3
f
12
12
12
13
13
13
15
15
15
14
14
14
19
3
3
3
15
19
17
15
19
17
15
19
17
15
19
17
3
3
3
19
17
15
19
17
15
19
17
8v a
3
15
3
3
3
3
f
8
8
8
10
10
10
12
12
12
15
15
15
15
12
15
12
12
15
12
12
15
12
12
15
12
12
15
12
12
15
12
12
15
12
* Em
G5
D5
Gtrs. 1 & 2 loco
3 3
12 10
7
3 3 3 3
7
7
7
10
7
7
7
7
7
10
7
7
7
7
7
10
7
12 10
7
Em 3
3
7
7
10
3
3
7
7
7
7
7
10
7
7
*Chord symbols reflect overall harmony.
G5
D5
7
7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
7
10
7
7
12 10
12 10
F#m
Gm Play 3 times 3
10
3
3
9
9
9
12
9
3
3
9
9
9
9
12
9
9
3
3
10
10
13
10
3
10
10
10
10
13
10
10
3rd time, Gtr. 4: w/ Fill 4
E5
B5
C5
D5
G5/D
D5
Em
Rhy. Fig. 1 Gtrs. 1 & 2
9 7
3
9 7
X X
4 2
X X
4 2
3
X X
5 3
5 3
X X
D5
7 5
7 5
7 5
3
7
7
7
10
7
7
3
X X
5 5
7 5
7
X X
7 5
7
7
10
7
7
7
7
7
7
7
10
7
D5
7
3
7
7
7
Verse µ
µ
3
3
10
7
10
7
7
End Rhy. Fill 1 3
7 5
7 5
7 5
3
3
7
7
D5
Rhy. Fill 1
3
3
3
3
1. End Rhy. Fig. 1
2.
3
3
Em 3
3
3
7
7
7
so ing ning
long
4
5
4
10
7
7
3
for the
you, wings hid
now there, ing,
you you in
3
3
1. I’ve
been
liv - ing stand run -
3. I’m
Rhy. Fill 2 3
7
won’t wait my
5
End Rhy. Fill 2
7
7
3
get for dreams
3
4
3
10
7
7
7 5
7 5
3
4
5
Riff A
in and 3
3
3
4
4
7
5
4
5
Em
a the you’re
3
from tain -
my to ways
3
7
-
way cur al
-
5
4
5
Fill 4 Gtr. 4
grasp. fall. there.
3
7
7
7
10
3
7
7
3
7
7
7
10
3
7
7
7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
Em
D5
µ
3
You’ve been And You’re the
End Riff A
3
7 5
7 5
7 5
3
3
7
7
7
10
7
7
7
7
7 5
7 5
3
3
7
7
10
7
3
3
7
7
7
7
10
7
7
3
7
3
7
10
7
7
3
4
5
Gtrs. 1 & 2: w/ Riff A
3
liv know Phan
ing -
so ing tom
3
long the of
in
hid ter Op
the
-
3
ing, ror ’ra,
and and you’re
hid hold dev
the
-
3
ing ing il,
be you you’re
-
3
hind have just
that on out
false us to
Gtrs. 1 & 2: w/ Rhy. Fill 1
Em
Em
D5
D5
mask. all. scare.
And Now You
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
you I dam
-
Em
last. maul. air.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
know know aged
and that my
I you’re mind
know gon and
3
D5
-
3
D5
to and the
C5
D5
G5/D
that na my
you scratch soul,
ain’t me it
got and just
that maim floats
long me through
Em
3
3
T o Coda
Gtrs. 1 & 2: w/ Rhy. Fill 1
D5
3
Your And You
Gtrs. 1 & 2: w/ Rhy. Fig. 1
B5
3
and know
your I’m
feel help
E5
looks you
C5
ings less
are from
just your
the mes
3
-
D5
3
re mer
-
-
mains iz
-
D5
3
of ing
your cat
G5/D
-
1.
D5
Gtrs. 1 & 2: w/ Rhy. Fill 2
Em
D5
past. call.
Hey,
Em
µ
uh.
2. You’re
2. Gtrs. 1 & 2: w/ Rhy. Fill 1
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
D5
3
E5
B5
C5
D5
G5/D
D5
Ooh.
Interlude Half-time feel
E5
D5
Riff B
8v a
Gtr. 1
8v a
loco
P.H.
9
9
P.H.
9
7
9
Pitch: B
9
D5
8v a
loco
P.H.
9
7
9
9
B
8v a
loco
P.M.
7
E5
9
P.M.
9 7
7 5
7
9
B
P.H. P.M.
9
8v a
loco
9
7
9
B
8v a
loco
P.H. P.M.
9
9
loco
P.H. P.M.
9
9 7
7 5
7
9
B
9
B
Riff B1
Gtr. 2
P.M.
7
9
9
9
7
9
9
9
7
9
P.M.
9
9
9 7
7 5
7
9
9
9
7
9
9
9
7
9
9
9
9 7
7 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
P.H.
E5
D5
8v a
P.H.
P.M.
8v a
loco
P.H.
End Riff B
8v a
loco
P.H.
9
7 5
loco
P.H.
P.M.
5 7
5
7
7
7
7
5
0
3
Pitch: D
G
P.M.
7
5
7
7
0
5
3
5
5
7
9
9
G
7
7
5
5
5
5
3
5
5
3
5
5
0
7
9
9
9
7
9
9
9
7
9 7
B
B
B
9
9
9
9
9
7
9
9
9
7
9
End Riff B1
9 7
7 5
Bridge
D5
Don’t don’t
you you
Gtrs. 1 & 2: w/ Riffs B & B1
E5
Keep Watch
your your
dis step,
tance, he’s
walk out
a to
D5
E5
don’t you.
take Come
-
C5
way, get
E5
stray, stray
don’t from the
fade nar
-
his what
bait. may,
a row
-
way. way.
D5
End half-time feel Gtr. 1: w/ Riff B (last 2 meas.)
*Gtr. 1: w/ Riff B (last 2 meas.)
E5
D5
Gtr. 2
P.M.
7
9
9
9
7
9
9
9
7
9
9
9
E5
D5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
P.M.
9 7
7 5
7
9
9
9
7
*w/ slight rit. on last 2 beats.
6
9
9
9
7
9
9
slight rit.
9
9 7
7 5
Guitar Solo Slower q = 164
= __
3
C5
Gtr. 3 (dist.)
mf
1
Em
rake
1
1
15
15
12
14
3
1
12 12
14
14
12
14
14
12
X
Riff C Gtr. 4 (dist.)
mf
5
Gtr. 1
w/ clean tone let ring
7 8 9 9 7
5 3
Gtr. 2
3
7
8
7 9
9
w/ clean tone let ring
5 5 3
0
2
0
2
0
0 0
2
3 0
2
0
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
12
Em
3
1
13
12
13
12
15
15
13
15
13
12
13
12
3
3
15
5
6
5
7
let ring
5 6 5 7
5 6
*T
1 2 3 3 1 *T = Thumb on 6th string
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
6
8
6
5
3
7
8
6
5
7
8
7 8 9 9 7
3 4 5 5 3
2 2 0
15
17
End Riff C
7
let ring
T
1
16
7
let ring
7 8 7 9
6 5
let ring
8
1
1
6
15
3
3
7
8
7 9
G
F
0 0 0 2 2 0
8 9
Gtr. 4: w/ Riff C (2 1/2 times)
C
Gtr. 3
1
17
17
17
1 1/2
8
8
Gtr. 2
8 10
9
1 0 2 3
F
1 0 2 3
9
8 9 10 10
3
0
2
G
13
0
3
12
7
17
16
14
12
12
8
7
8
9
0 0 2
0 0 2
0 0 2
9
2 0 0
0 0 0
let ring
2
3
12
0
2
0
13
2
15
7 8 9 9 7
0 0
0
let ring
let ring
1 0 2 3
17
17
let ring
8 8 9 10 10 8
17
1
17
Gtr. 1
Em
15
Em
15
17
14
15
17
17
8v a
3
15
13
15
13
12
13
12
3
3
17
let ring
5 6 5 7
5 6 5 7
let ring
1
3
7 8 7 9
7 8 7 9
7 8 7 9
let ring
0 2
7 8 7 9
3
4
7 8 7 9
7 8 7 9
7 8 9 9 7
let ring
5 0
7
8
0 0 0 2 2 0
0
7 8 7 9
5 6 5 7
7 9
8
9
2
0
0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
Em
17
19
17
17
14
12
8v a
loco
1
19
17
19
17
19
17
14
14
let ring
8 8 9 10 10 8
8
8
8
8
9
3
let ring
0
17
14
0
0
3
15
12
0
2
2
0
0
G
7
3
3
15
7
8
8
9
2 0 0
0
Em
2
2
0
3 rake
1
13
12
13
12
15
15
13
15
13
12
13
12
let ring
2
15
let ring
0
F
17
0
0
14
7 8 9 9 7
9
17
15
15
12
1
*
14
14
X
3
let ring
5 6 5 7
5 6 5 7
5 6 5 7
5 6 5 7
let ring T
1
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 8 7 9
let ring
7
7
8
9
1 2 3 3
1 2 3 3
3
3 4 5 5
3 4 5 5
3 4 5 5
8
7 9
0
0 2 0
0 0
2
0
0 8 9
let ring
T
1 2 3 3
let ring
7 8 9 9 7
8
*Flip pickup selector switch from neck to bridge position.
0
C
3
Em
3
3
1
12 12
14
14
12
14
12
11
11
8
9
8 8 9 10 10 8
12
let ring
8 8 9 10 10 8
8
8
8
11
Gtr. 3
1 0 2 3
F
1 0 2 3
0
G
3
3
7
0 0 0 2 2 0
Em
2
Gtr. 4
12
13 12
15
15
13 15
3
3
6
5
5 6 5 7
5 6 5 7
Gtr. 1
6
13 12
5
7
8
6
8
5
let ring
Gtr. 2
7 8 7 9
let ring
0
1
3
8
let ring
0 2
7
3
4
13 12
15
3
6
5
6
7
9
7
6
7
7
7
8
7
8
9
14
0 0 0 2
0 0 0 2
0 0 0 2
0
8 9
8v a
0
15
9 9
3 1
13
9
letring
0
0
11
7 8 9 9 7
9
let ring
0 0
11
let ring
1 0 2 3
9
2
7
7 Pitch: B
15
fdbk. 1
5
7
7
7
B
A
7 8 9 9 7
0 0 0 2 2 0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Slower q = 141 (iq = iq) Gtrs. 3 & 4 tacet
Em Riff D1
Gtr. 2
8v a
3
3
3
3
w/ dist.
19
15
17
19
15
17
19
15
17
19
15
17
Riff D
Gtr. 1
8v a
3 w/ dist.
15
12
3
12
15
3
12
12
15
3
12
12
15
12 12
10
*Gtr. 5
3
3
3
3
3
3
3
3
3
3
3
3
mf
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
*Bass arr. for gtr.
D
C
D End Riff D1
Fill 1A
End Fill 1A
8v a
3
17
14
3
15
17
14
3
15
17
14
3
15
17
3
14
15
15
12
3
13
15
12
3
13
15
12
3
3
13
15
12
13
End Riff D
17
14
3
15
17
14
3
15
17
14
3
15
17
14
Fill 1
15
End Fill 1
8v a
3
14
10
3
10
14
10
3
10
14
10
3
10
14
3
10 10
8
12
8
3
8
12
8
3
3
8
12
8
8
12
3
8 8
10
14
10
3
10
14
10
3
3
10
14
10
10
14
10 10
12
3 3 3 3 3 3 3 3 3 3 3 3
5
5
7
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
5
7
5
5
7
5
5
7
3
3
5
3
3
5
3
3
5
3
3
5
5
5
7
5
5
7
5
5
7
5
5
7
1. Gtrs. 1 & 2: w/ Riffs D & D1 Gtr. 5 tacet
Gtrs. 1 & 2: w/ Fills 1 & 1A
Em
D
Gtrs. 6 & 7 (dist.)
mf
7
C
7
9
9
10
10
End Fill 2
12
10
9
12
12
12
12
12
14
3
3
3
3
12 12
14
14
10
15
Gtrs. 6 & 7
14
15
9
3 3 3 3 Fill 2A
G
Riff E
Gtrs. 6 & 7 divisi
7
12 13
12 13
12 13
12 13
12 13
12 13
14 15
14 15
14 15
C
Gtrs. 6 & 7
3
14 15
14 15
12
12
7
7
7
10
10
10
10
12
Em End Riff E
10
9
G
7
3
7
10
10
Gtr. 2 divisi
17 17 12
10
8v a
Gtr. 1
12
10
C
8v a
12
7
3
Gtrs. 6 & 7 tacet
C
7
2.
Gtrs. 6 & 7 tacet
3
Gtrs. 1 & 2: w/ Riffs D & D1
Bm
12
Am
12
3
14 15
1.
Gtrs. 1 & 2: w/ Fills 2 & 2A
Am
12
3
End Fill 2A
Gtr. 2
Em
Fill 2
Gtrs. 1 & 2: w/ Riffs D & D1
D
2.
Gtr. 1
D
3
3
3
15 16
3
3
3
13 14
17 17
15 16
13 14
17 18
15 17
Gtr. 1
3
3
13 15
17 17
15 16
13 14
Gtr. 2 divisi
17 17
3
3
3
15 16
3
13 14
17 17
15 16
3
3
3
13 14
17 17
15 16
3 (Gtr. 2, cont. in slashes)
13 14
17 18
15 17
13 15
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 6 & 7: w/ Riff E (2 times) 2nd time, Gtr. 1: w/ Rhy. Fill 3
E5 Gtr. 2
G5
f
3
Gtr. 1
3
A5
C5
3
3
3
3
12 10
12 10 10 10 10
14 12
14 12 12 12 12
3
9 7
7
7
7
10 10 10
3
3
3 (2nd time, cont. in notation)
3
5 3
7 5
3
f
B5
12 12 12
3
3
3
3
5
5
5
Slower q = 110 1st time, Gtrs. 6 & 7 tacet
2nd time, Gtrs. 6 & 7 tacet
E5
G5
Gtr. 6
w/ bar
7
7 - 2 1/2
Gtr. 7
w/ bar
7
7 -1
Rhy. Fig. 2 *Gtrs. 1 & 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
0
2
4 2
0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
0
2
7 5
0
*Composite arrangement
Rhy. Fill 3 Gtr. 1
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 7
3
7
7
7
9 7
3
7
7
7
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
A5
Gtrs. 1 & 2
C5
9 7
9 7
5 3
Riff F Gtr. 6
9 7
E5
End Rhy. Fig. 2
9 7
D5
12
Riff F1 Gtr. 7
11
12
11
12
7
9
7
9
7
10
12
10
12
10
10
12
12
8
9
12
12
8
9
7
8
7
8
7
7
8
8
A5
12
12 10 12
C5
10 12 10 12 10
12
D5
12 11 12
12 12
3
3
12
E5
10
12
13
12
10
12
12 11 12
12
11 12 11 12
12
8
8
7
8
7
Gtr. 3
12
12
9
G5
11
f
f
7 5
8
7
8
7
9
9
7
9
9
G5
8
9
3
3
7
9
10
8
7
9
9
7
9
7
9
A5
7
8
9
C5
9
D5
3
f
12
12
End Riff F
Gtr. 6
12
12 10 12
10 12 10 12
10
12
12 10 12
10 12 10 12 10
12
3
3
12 11 12
12 12
12
10
12
13
12
10
End Riff F1
Gtr. 7
9
8
7
8
7
8
7
8
7
8
8
7
8
7
8
7
8
7
9
3
3
9
7
9
9
9
8
7
9
10
8
7
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Rhy. Fig. 3
Gtrs. 1&2
1
1
6
1
1
15
15
15
13
15
13
15
13
12
13
12
End Fill 3
3
3
15
15
Fill 3
1
15
Gtrs. 6 & 7 tacet
E5 II
14
14
15
16
14
15
17
17
12
Fill 3A
End Fill 3A
9
G5 V
Gtr. 3
1
1
17
A5 VII
17
15
17
17
15
16
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)
3
5
16 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
5
4
5
17
D5 End Rhy. Fig. 3
3
E5
4
1
C5 III
15
17
3
15
14 15
14
16 14
3
16
14
12
14
12
14
12
12
12
4
5
16
16
3
4
5
4
5
4
5
7
4
4
16
17
16
17
19
17
16 17 16
18
16
17
16 17 16
19
16
15
G5
A5
Gtr. 4
C5
D5
f 1
12
12
14
Gtr. 3
3 1
15
17
17
15
17
16
16
6 1
12
14
1
1
15
1
15
14
12
C5
D5
8v a
15
12
11
12
11
1
12 12
12
G5
1
14
11
12
15
11
12
14
1
1
15
15
15
12
15
14
E5
1 1/2
15
17
17
15
1 1/2
17
17
17
G5
8v a
15
17
17
19
15
17
17
15
17
19
15
17
17
15
17
19
15
17
15
17
17
15
A5
17
15
15
17
17
C5
D5
6
19
14
0
A5
14
12
12
w/ bar + 1/2
14
1/4
grad. pull up bar
Gtr. 4
12
14
14
1
15
12
Gtr. 3 tacet
15
1
14
E5
19 15
17
6
17 15
17
19 15
17
6
17 15
17
19 15
17
17 15
17
19
15
17
17 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times) Gtrs. 6 & 7: w/ Riffs F & F1
Gtr. 4 tacet
E5
G5
8v a
A5
C5
D5
17
E5
G5
A5
C5
D5
*
2nd time, D.S. al Coda (take repeats)
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times) 1st time, Gtrs. 6 & 7: w/ Fills 3 & 3A
E5
Gtr. 4
fdbk.
7
7
7
7
G5
A5
C5
D5
9
fdbk.
7
7
7
7
7
7
10
10
10
10
12
12
12
12
10
*Resume Tempo I.
Coda
haunt
3
me,
you
C5
3
taunt
me,
you
tor
B5
3
- ture
D5
G5/D
D5
E5
me
back
at
your
lair!
3
X X
X X
7 5
5 5
7 5
9 7
3
µ
E5
Gtrs. 1 & 2
18 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 7
9 7
3
X X
X X
4 2
4 2
3
X X
X X
5 3
5 3
3
from Iron Maiden - Piece of Mind
The Trooper Words and Music by Steven Harris
D5
Dsus4 5fr
134
D
E5
5fr
C5
5fr
1334
1333
A5
7fr 134
E5 open
G5
D5 type 2
F5
5fr 134
134
G5 V
5fr 134
11
134
5fr
13
13
Intro Moderately fast Rock q = 160 * E5
D5
C5
Gtrs. 1 & 2 (dist.)
mf
7
7
7
5
5
7
5
5
3
D5
G5
D5
E5
D5
Riff A
3
5
3
3
2
5
5
5
5
5
C
D5
G5
D5
4
2
2
3
5
7
7
7
5
7
3
5
*Chord symbols reflect overall harmony.
Gtr. 2: w/ Riff A (2 times)
C5
D5
G5
D5
Em
D
Gtr. 1
3
3
3
2
3
5
5
5 7
5
5
4
2
4
4
2
0
2
0
3
5
5
Em
End Riff A
5
7
2nd time, Gtrs. 1 & 2: w/ Fills 1 & 1A
Gtr. 1
8 7
Gtr. 2
7
7 7
8
8
9
7
7
8
8
9
9
9
7
9
7
G5
8
D
Em Fill 1
7
8
9
Fill 1A
7
9
D
7 7
8
10
10
9
10
9
10
Copyright © 1996 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC International Copyright Secured All Rights Reserved
9
7
7
8
End Fill 1A
7
9
End Fill 1
8
9
9
7
9
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D
8
9
G5
9
D
D Riff B
8
7
Cmaj7
7
8
9
Riff B1
9
10
10
9
10
9
10
7 7
8
8
7
9
7
7
9
9
7
9
9
1.
9
10
8
7 7
8
8
9
7
7
8
8
7
9
9
7
9
9
D
Em
7
9
9
9
7
10
10
9
10
9
10
D5
G5
D5
E5
7 5
9 7
7 5
9 9 7
8
2.
D
8
8
G5
9
9
7
G5
D
8
Em End Riff B
7
9
8
9
9
7
7 5
7 5
End Riff B1
10
10
9
10
9
10
10
10
7 5
9
7 5
Verse
2nd & 3rd times, Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/3 times)
µ
1. You’ll take 2. The horse, got 3. We
Gtrs. 1 & 2
my he so
life sweats with close,
but fear; near
I’ll take yours we break to e - nough to
D5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
E5
µ
too. run. fight.
You’ll fire your The might - y When a
7 5
2
G5
7 5
7 5
9 9 7
mus - ket roar Rus - sian
but of gets
I’ll the me
run you Rus - sian in his
D5
G5
7 5
7 5
you’d bet - ter stand, the screams of pain a burst of rounds
C5
µ
through. guns. sights,
µ
D5
7 5
5 5 3
there’s no as my takes my
So And he
when as pulls
you’re wait - ing for we race to - wards the trig - ger and
the the I
D5
G5
next at - tack, hu - man wall, feel the
D5
turn - ing back. com - rades horse be - low.
G5
D5
E5
The We And
fall.
7 5
bu - gle hur - dle as I
D5
E5
7 5
9 9 7
blow,
7 5
the charge that lay gaz - ing
sounds, bod - ies lay there
Rhy. Fig. 1
9 9 7
9 9 7
9 9 7
P.M.
7 5
7 5
on at
be the the
P.M.
9 9 7
-
D5
G5
but and my
9 9 7
7 5
9 9 7
0 0
The We And
smell get as
of so I
on
this the bod - y’s
7 5
9 9 7
7 5
ac near, lay
9 9 7
rid for
9 9 7
-
smoke yet got -
9 9 7
9 9 7
9 9 7
5 5 3
5 5 3
9 9 7
field, fire an and my
-
9 9 7
no one oth - er throat is
9 9 7
D5
9 9 7
G5
D5
9 9 7
C5
wins. round. dry.
9 9 7
9 9 7
5 5 3
9 9 7
and so ten
hors and
9 9 7
9 9 7
9 9 7
-
es’ far a
9 9 7
9 9 7
-
a lone,
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
P.M.
5 5 3
9 9 7
bat - tle Rus - sians numb, a,
9 9 7
P.M.
E5
gins, ground, sky,
9 9 7
D5
9 9 7
7 5
9 9 7
D5
7 5
0
G5
7 5
7 5
D5
E5
breath way.
0
7 5
7 5
End Rhy. Fig. 1
7 5
9 9 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
as We won’t with - out
I live a
plunge tear
on to I
in fight draw
to an my
-
*
cer - tain oth - er part -
death. day. ing
groan.
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
Oh.
9 9 7
9 9 7
(Gtr. 2, cont. in slashes)
P.M.
9 9 7
9 9 7
9 9 7
9 9 7
7 7 5 *w/ slow flanger, next 7 meas.
Chorus ** D5
Gtr. 2
Dsus4
2nd & 3rd times, Gtr. 2: w/ Rhy. Fill 1
D
Dsus4
E5
7 7 5
9 9 7
9 9 7
P.M.
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Dsus4
2 2 0
2 2 0
2 2 0
2 2 0
**See top of first page of song for chord diagrams pertaining to rhythm slashes.
D5
D
Dsus4
E5
(cont. in notation)
Oh.
P.M.
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Rhy. Fill 1 Gtr. 2
9 9 7
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
7 7 5
9 9 7
P.M. 9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0 0
7 7 5
To Coda 1
To Coda 2
Interlude
2nd time, Gtr. 2: w/ Rhy. Fill 2
2nd time, Gtrs. 1 & 2: w/ Fills 1 & 1A
D5
Rhy. Fill 2
G5
9 9 7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
2 2 0
2 2 0
7 5
7 5
P.M.
9 9 7
2 2 0
7 5
G5
9 9 7
9 9 7
Fill 2
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
X X X
X X X
7 5
7 5
7 5
Gtrs. 1 & 2: w/ Riffs B & B1 (last 3 meas.)
D
Em
End Fill 2
7
8
7
8
8
Fill 2A
Gtr. 2
9 9 7
2 2 0
P.M.
9 9 7
E5
End Rhy. Fill 2
Gtr. 1
9 9 7
D5
7
8
End Fill 2A
9
7
7
9
9
7
9
Gtrs. 1 & 2: w/ Riffs B & B1 (1st meas.)
D Em
D
G5
D Cmaj7
1.
2.
D.S. al Coda 1
F5 Cmaj7 D
Gtr. 1
8
9
9
7
8
7
9
Gtr. 2
D
8
7 7
8
8
10
10
9
10
9
10
7
8
8
9
9
9
9
7
D
9
7
9
9
10
10
D5 G5 D5
Em Fill 3
7
8
7
9
8
9
9
7 5
7 5
Fill 3A
9
10
9
10
9
10
7 5
9 9 7
End Fill 3A
E5
End Fill 3
7
9
G5
10
7 5
7 5
7 5
9 9 7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1
Gtr. 3 (dist.)
G5
D5
E5
1
15
Gtr. 1
P.M. 2 2 0
2 2 0
2 2 0
2 2 0
7 5
7 5
P.M.
Gtr. 2
2 2 0
2 2 0
2 2 0
2 2 0
15
7 5
9 9 7
9 9 7
7 5
7 5
15
14
12
14
4 4 2
4 4 2
4 4 2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
D5
12
P.M.
12
15
7 7 5
14
12
9 9 7
7 7 5
7 7 5
0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0
E5
15
9 9 7
C5
15
9 9 7
7 5
1
15
15
P.M.
B5
15 12 15
1
12
2 2 0
D5
f 1
2 2 0
Guitar Solo
D5
14
grad. bend
1
1
12
14
15
1
12
15
14
12 14
14
5 5 3
7 7 5
Rhy. Fig. 2
9 9 7
Rhy. Fig. 2A
4 4 2
4 4 2
4 4 2
0
P.M.
5 5 3
7 7 5
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0
15
D5
B5
C5
D5
3
1
1
12 15 14
1
1
12 15 14
12 15 14
1
1
12 15 14
12 15 14
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
1
12 15 14
1
12 15 14
12 14
15 14 12
14
14 14 12
12
4 4 2
5 5 3
7 7 5
7 7 5
P.M.
12 15 14
1
0
4 4 2
4 4 2
4 4 2
4 4 2
0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
5 5 3
7 7 5
8v a
17
End Rhy. Fig. 2
End Rhy. Fig. 2A
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1 3/4 times)
E5
8v a
Gtr. 3
17
15
19
15
17
15
17
15
19
15
17
15
17
15
B5
19
Gtr. 4 (dist.)
15
17
15
17
15
17
17
15
C5
8v a
Gtr. 3
19
D5
15
15
19
15
17
15
15
20
1 20
1 20
17
15
17
15
19
1 20
17
15
3
1/2
19
20
3
20
17
19
1/2 14
1/2 14
3
1/2 14
20
17
3
1/2 14
15
1
3
f
14
17
3
1 20
15
E5
3
1 20
8v a
15
D5
3 1
19
1/2 14
12
14
15
12
13
15
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
8v a
19
B5 Gtrs. 1&2
20
17
17
loco
C5
D5
(Gtr. 2, cont. in notation)
14
17
12
12
1
12
15
15
12
14
14
12
14
12 14
8v a
12
13
14
Gtr. 4
E5
1
open
semiharm.
P.H.
1/2
8
5
8
G5
5
loco
5
Gtr. 3 tacet
Gtr. 1
14
14
Guitar Solo
8 7
7
7
7
6
5
6
7
5
7
6
5
3
5
Gtr. 2
P.M.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
F5
7 7 5
7 7 5
7 7 5
5 5 3
2 2 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0
G5
Rhy. Fig. 3
5 5 3
A5
9
3
0
G5
5
7 7 5
10
12
9
11
3 1
10
12
10
12
10
12
13
12
13 12 10 12
15
11
5 Rhy. Fig. 3A
3 3 1
5 5 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
0
P.M.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0
3 1
A5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
E5
open
F5
1
15
15
13
15
15
15
End Rhy. Fig. 3
1
15
G5
12
8
15
12
12
15
12
End Rhy. Fig. 3A
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0
P.M.
3 3 1
5 5 3
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1 1/4 times)
A5
Gtr. 4
G5
3 1
15
12
1
12
12
15
15
E5
12
13
12
F5
13
w/ bar
1
12
12
15
17
17
15
15
17
17
G5
9
12
A5
8v a
1
1
1 20
20
20
12
12
17
17
1
20
17
19
19
E5 open
8v a
Gtr. 4
7
–1 1/2
G5 Gtr. 1
17
20
17
2
1
20
20
F5
20
17
19
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
D5
type 2
G5
17
V
D5
type 2
E5
20
19
0
19
19
17
17
19
2 2 0
2 2 0
3 3 1
Gtr. 2
5 5 3
17 19
5 5 3
1
1
20
17
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0
3 3 1
3 3 1
3 3 1
3 3 1
7 5
19
7 5
7 5
9 9 7
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude 1st time, Gtrs. 1 & 2: w/ Fills 2 & 2A 1st time, Gtr. 4 tacet 2nd time, Gtrs. 1 & 2: w/ Fills 1 & 1A
Em
Gtrs. 1 & 2: w/ Riffs B & B1 (last 3 meas.)
D
G5
D Em
D
G5
1.
D Cmaj7
2.
D.S. al Coda 2 1st time, Gtrs. 1 & 2: w/ Riffs B & B1 2nd time, Gtrs. 1 & 2: w/ Riffs B & B1 (1st 3 meas.)
Gtrs. 1 & 2: w/ Fills 3 & 3A
F5 C,7 D
D G5 D Em
D G5 D E5
Coda 2 Outro
P.M. D5
G5
D5
E5
5
7
5
7
D5
Gtr. 1
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
5
5
7
7
7
5
7
7
5
5
5
5
3
5
5
5
3
G5
D5
P.M. 7
5
Gtr. 2
5
5
7
7
7
7
5
7
C5
2
2
2
D5
C5
5
5
5
3
D5
G5
D5
3
5
5
3
3
3
5
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
3
5
5
3
5
7
3
2
5
5
7
7
5
5
3
E5
Gtr. 2
3
Gtr. 1
0
D5
D5
3
3
3
2
3
3
3
2
5
E5
5
7
D
5
4
2
C
5
4
4
4
2
2
2
4
2
2
0
0
2
7
5
5
5
3
3
3
5
7
3
5
G5
D5
Em
5
7
5
7
5
5
Gtr. 2: w/ Riff A (1 1/2 times)
Gtr. 1
5
C5
2
3
3
5
5
3
D
4
4
D5
G5
7 5
7 5
4
7 5
7 5
2
D5
0
E5
7 5
9 9 7
7 5
9 9 7
from Powerslave
Two Minutes to Midnight Words and Music by Bruce Dickinson and Adrian Smith G5
Am7 10fr
A5
E5
C/E
5fr
134
7fr
11
11
D
Em
5fr
134
5fr
3111
C
D5
7fr
1333
C5 5fr
1342
1333
134
134
Intro Moderate Rock q = 188 *Am7 Riff A Gtr. 1 (dist.)
mf P.M.
0
0
Am7
D5/A
P.M.
5 5
D5/A
0
P.M.
7 7
0
0
5 5
0
P.M.
0
0
Am7
7 7
0 0
7 7
D5/A
P.M.
7 7
0
P.M.
5 5
0
0
P.M.
7 7
0
0
0
*Chord symbols reflect implied harmony.
Am7 Gtr. 1
5 5
A5
P.M. 0
0
2 2 0
Gtr. 2 (dist.)
5 5
3
f
let ring
2 0
2 3
0
P.M. 2 2 0
0
5 5
0
0
3
0
P.M. 0
0
7 7
Gtr. 2 tacet
Am7
P.M. 0
0
5 5
P.M. 0
D5/A
0
7 7
0 0
7 7
7 7
Am7
D5/A
P.M. 0
0
5 5
P.M. 0
0
7 7
P.M. 0
0
2 0
Am7
End Riff A
0
Gtr. 1: w/ Riff A
A5
0
D5/A
P.M.
0
Am7 Gtr. 1
0
Am7
Gtr. 2
D5/A
Am7
D5/A
Am7
D5/A
Am7
A5
let ring
2 2 0
Copyright © 1984 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
2 0
2 3
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am7
D5/A
Am7
D5/A
Am7
D5/A
Am7
A5
2 0
Am7 *Gtrs. 1 & 2
P.M.
0
Am7
P.M.
5 5
0
D5/A
0
P.M.
7 7
0
0
P.M.
5 5
0
D5/A
0
7 7
0
0 0
7 7
Am7
P.M.
7 7
0
Am7
P.M.
5 5
0
D5/A
0
P.M.
7 7
0
0
A5
P.M.
5 5
0
0
2 2 0
0
0
3
0
*Composite arrangement
Verse
Gtrs. 1 & 2: w/ Riff A
Am7
1.
Kill for blind men bod - y
bags
Am7
D5/A
goose screams brains of
Black - ened pride rea - sons for mad men play
Am7
or let the and
shout,
gold - en na - palm jel - lied
D5/A
gain
Am7
D5/A
still the
on
P.M.
0
0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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P.M.
5 5
0
0
7 7
D5/A
burns car words
P.M. 0
loose flames, re - main
0
in nage and
but we’ll of
the
Am7
Riff B Gtrs. 1 & 2
on hu - man who
maim, out, rags
D5/A
is of those
shoot to crea - tures lit - tle
Am7
D5/A
-
and of to put
a the
side cut make
this their
D5/A
Am7
we don’t need a show the un - be chil - dren in torn
Am7
us
Am7
D5/A
D5
shell meat
of and dance
all
blood - y lick the to their
trea gra
P.M. P.M. P.M. P.M. 5 5
0
0
7 7
7 7
0
0
5 5
0
0
7 7
0
0
And
The The the
son. ers.
A5
sea feast,
-
Am7
nev - er out of prime time Bel - sen fin - ger right on you.
D7sus4
rea liev two.
A5
-
son. yeah.
D7sus4
As As
the the
Am7
son. vy. song.
We
To
the
End Riff B
5 5
0
0
5 5
5 5
Gtrs. 1 & 2: w/ Riff B
Here’s oil tune
my the of
D5/A
Am7
gun for jaws of starv - ing
D5/A
a the a
bar - rel war mil -
of fun, ma - chine lions
to
D7sus4
for the and make a
love feed bet -
D5
D7sus4
of it ter
liv - ing with our kind
death. ba of gun.
Gsus4/A
Am7
bies.
The
Pre-Chorus
Am
kill
-
F/A
er’s
breed
or
the
*
G/A
de
-
mon’s
seed.
The
Riff C
End Riff C
Gtrs. 1 & 2
P.M. P.M. 5 5 7 0
0
0
5 5 7
0
0
6 5 7
0
let ring
5 7
4 5
5
P.M.
7 0
4 5
4 5
4 5
P.M.
4 5
4 5
4 5
let ring
5 5
5 5
4
2 3 0
5 0
*Chord symbols reflect overall harmony.
F
glam
-
Fsus4
our,
the
for
P.M.
2 3
2 3
2 3
P.M.
2 3
2 3
2 3
C
2 3
-
tune,
the
let ring
3 3
3 3
G/B
pain.
P.M.
2 0
0
5 5
5 5
5 5
5 5
4 5
Go
to
4 5
5
7
Gtrs. 1 & 2: w/ Riff C
Am
war
a
-
F/A
gain,
blood
is
G/A
free
-
dom’s
Gsus4/A
stain.
Don’t
you
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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F
Fsus4
pray
for
Esus4
my
soul
P.M.
an - y
P.M.
let ring
-
2 3
2 3
2 3
2 3
2 3
2 3
3 3
3 3
Chorus
min
-
0
2 2 2 0
2 2 2 0
2
let ring
0
C5
utes
to
0
2 2 2 0
P.M.
1 2 2 0
mid
0
5 5
7
0
7 0
0
5
7
5
7
0
7
0
5
7
that
threat
-
en
6
Gtrs. 1 & 2: w/ Riff D
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
0
the
End Riff D
let ring
7 7 5
Gtr. 2
Am7
7
min
-
utes
Two
Gtr. 1
(Gtr. 2, cont. in slashes)
10 10 8
5
hands
3 3 0 0 X 3
5 5 3
5 5
doom.
let ring
7 7 5
0
Dm
G5
3
night,
F5
0
3
G5
-
P.M.
let ring P.M.
Two
Riff D
more.
Am7
0 2 3
E
12 12 10
C5
to
mid
-
12 12 10
7
G5
night,
5
7
6
5
5 5
3
Dm
to
kill
To Coda 1 To Coda 2
F5
G5
Gtrs. 1 & 2
the
un
-
born
in
the
6
7
7
(cont. in notation)
Gtr. 1
(1st & 3rd times, Gtr. 2, cont. in slashes)
10 10 8
5
open
womb.
let ring
7 7 5
A
Gtr. 2
12 12 10
12 12 10
7
5
7
6
5
3
0
Interlude
Am7 Gtrs. 1 & 2
0
5 5
0
P.M. 0
0
D5/A
Am7
7 7
P.M. 0
0
5 5
D5/A
Am7
D5/A
P.M. P.M. P.M. P.M. 0
0
7 7
7 7
0
0
5 5
0
0
7 7
0
0
Am7
A5
1/2
5 5
7
5
7
5
5
3
2 2 0
D.S. al Coda 1
Am7
D5/A
Am7
D5/A
Am7
D5/A
Am7
A5
2. The
P.M. P.M. P.M. 2 2 0
0
5 5
0
0
7 7
0
0
P.M.
5 5
0
0
7 7
P.M. P.M. P.M. 7 7
0
0
5 5
0
0
7 7
0
0
5 5
P.M.
0
0
2 2 0
0
3
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1 Guitar Solo
A5
Gtr. 3 (dist.)
A5
E5/A
G5/A
mf
3
grad. bend
grad. release
w/ bar
1 1/2
7
7
7
5
4
P.M.
0
0
5
4
2
0
P.M.
0
0
-3 1/2
Rhy. Fig. 1
Gtrs. 1 & 2
P.M.
0
0
steady gliss.
12 12 10
F5
12 12 10
C/E
9 7
9 7
4 2
7 5
7 5
D'4
w/ bar grad. dive
w/ bar
0
2
A5
4 5
E5/A
5
6
8
6
5
2
6
5
G5/A
5
6
5
5
8
6
-1 -3
5 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 2
0 4 5
4
5
7
4
5
7
9 7
9 7
4 2
7 5
5
F5
C/E 3
D5
w/ bar
w/ bar
6
5
8
6
5
7
5
7
5
4
0
12
-1 1/2
0
0
P.M.
7 5
7 5
4 5
End Rhy. Fig. 1
P.M.
0
0
5 3
5 2
12
12
7 7 5
5
7
5
7
5
3
Gtrs. 1 & 2: w/ Rhy. Fig. 1
A5
E5/A
G5/A
1
19
17
20
mf
12
D'4
20
17
20
19
17
20
17
19
19
19
17
12
10
19
1/2 hold bend
15
15
14
13
15
12
13
12 12
12
14
12
Gtr. 4 tacet
A5
E5/A
G5/A
3
12
1
12
19
C/E
1 hold bend
20
1/2
F5
1
19
Gtr. 4 (dist.)
12
19
12
12
12
13
15
12
8v a
13
15
17
3
20
20
12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Half-time feel
F5
8v a
Gtr. 3
1
D5
1
20
Gtr. 3 tacet * E5
C/E
1
17
20
Gtr. 4
1
20
20
5 3
5 2
5
7
5
7
5
14
14
7 7 5
steady gliss.
15
Rhy. Fig. 2
9 9 7
3
1
14
Gtrs. 1 & 2
G/B
9 9 7
12
P.M. 0
0
14
14
P.M.
5 2
0
P.M.
5 2
0
0
0
*Bass plays E pedal (next 16 meas.).
C5
A/C#
P.M.
8
7
9
7
7
7
P.M.
5 3
0
6
0
10
P.M.
5 2
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
10
0
4
3
5
3
3
4
5
G/B
13
End Rhy. Fig. 2
0
12
14
5 3
5 3
5 2
12
0
14
A5
3
3
15
14
12
14
14
P.M.
0
0
12
14
12
5 2
w/ bar
14
16
9 9 7
7
1
14
7
16
15
C5
P.M.
5 2
7 4
12
17
6
3
13
G/B
steady gliss.
14
E5
12
15 0
2 2 0
15 0
15
5
7
5
7
5
3
Gtrs. 1 & 2: w/ Rhy. Fig. 2
E5
P.M.
5
7
P.M.
1/2
4
4
5
G/B
Gtr. 4
7
Gtr. 4
7
C5
Gtr. 3
14
G/B
Gtr. 2
3
15ma
15
14
12
15
13
5 3
5 2
6
7
12
12
5
7
15
1
12
12
7
15
15
3
3
15
1
12
14
14
P.M.
1
12
12
14
1
12
Interlude
C/E (cont. in notation)
3
(Gtr. 2, cont. in slashes)
5 3
P.H.
Gtrs. 1 & 2
15
3
1
15
14
A5
P.M.
3
12
G/B
1
7
Gtr. 4 tacet
5
7
P.M.
9
7
steady gliss.
E5 Gtr. 3
A/C#
9
5
7
C5
14
12
Gtr. 3
loco
3
steady gliss.
11
14
12
10
10
*Gtrs. 1 & 2
2 2 0
5
7
3
5
7
5 5 7
5
0
*Composite arrangement Gtr. 3 tacet
D5/E
Gtrs. 1 & 2
7 7 5 0
9 9 7
9 9 7
9 9 7
7 7 5
7 7 5
9 9 7
9 9 7
E5
steady gliss.
14
0
D5
0
E5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
12 12 10
D5
E5
9 9 7
9 9 7
E5
steady gliss.
7 7 7 5
15
0
Gtrs. 1&2 Gtr. 3
0
9 9 7
9 9 7
9 9 7
7 7 5
7 7 7 5
E5
7 7 5
G5
9 9 7
12 12 10
12
12
15
1/2
15
14
14
12
14
7 7 5
9 9 7
(Gtr. 1, cont. in notation)
3 w/ bar
E5
(cont. in slashes)
D
9 9 7
D5
C/E
5 5 7
D5
D/E
7 7 5
C/E
14
3
14
11
12
14
- 1/2
Em Gtr. 2 Gtr. 3
12
12
Gtr. 1
Gtr. 4 divisi
3 *
8 9 9 7 0
12 12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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steady gliss.
12
10 11
12 12
10 11
12 9
11 9
(Gtr. 1, cont. in slashes)
12 9
*Gtr. 1 to left of slash in tab.
10
12
3 Gtr. 1
12
Gtr. 4 tacet
C Gtrs. 1&2
Gtr. 3
15
14
3
12
14
13
5 5
5 5
Pitch: G D
w/ bar grad. dive
Harm.
12
End half-time feel
Gtrs. 1 & 2
12
12
(cont. in notation)
14
14
Gtr. 3
1/2
15
E5
3
15
D5
-1
-1 1/2
P.M.
(Gtr. 2, cont. in slashes)
0
0
Gtr. 3, tacet
C5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Gtr. 1
5 5 3
0
0
0
0
0
0
0
0
0
0
0
0
steady gliss.
P.S.
2
0
Gtr. 4
2
0
D5
Gtr. 2
0
3
2
3
5
7
X X X
X X X XX XX XX
5
5
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 2: w/ Riff A Gtr. 3 tacet
Am7
D5/A
Gtr. 1
P.M. 0
P.M.
5 5
0
0
7 7
0
Am7
Am7
D5/A
Am7
P.M. P.M. P.M. P.M.
P.M. 0
D5/A
5 5
0
0
0
7 7
7 7
0
5 5
0
0
7 7
0
0
0
0
A5
7
5
7
6
5
3
0
D.S. al Coda 2 Gtr. 1: w/ Riff A (last 4 meas.)
Am7
D5/A
Am7
D5/A
Am7
D5/A
Am7
A5
3. The
Coda 2 Gtr. 2
Outro
G5/A
A5
(cont. in notation)
Mid
Gtr. 1
mid
10
F5/A
10
G5/A
-
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
12 12 10
10
7
night,
P.M.
10 10 8
10
5
0
12 12 10
12 12 10
0
7 5
9 7
0
9 7
C5/A
mid
X X X
D5/A
-
5 5 3
0
7 7 5
X X X
night
P.M.
12 12 10
P.M.
night,
Gtrs. 1 & 2
P.M.
12 12 10
-
7 7 5
1.
C5/A
is
all
7 7 5
A5
night.
Rhy. Fill 1
P.M.
0
End Rhy. Fill 1
P.M.
P.M.
5 5 3
0
2 2 0
0
0
0
2. Gtr. 2: w/ Rhy. Fill 1
is
all
7 7 5
G5/A
A5
7 5
9 7
9 7
9 7
X X
Gtr. 1
P.M.
0
0
P.M.
5 5 3
2
X X
10 10 8
X X
X X
7 7
7 7
X X
2 0
0
9 7
let ring
F5/A
night.
A5
Gtr. 2
C5/A
X X
7
G5/A
12 12 10
12 12 10
12 12 10
X X X
X X X
12 12 10
X X X
X X X
12 12 10
12 12 10
X X X
X X X
Gtrs. 1 & 4
P.M. P.M. P.M. P.M.
7 0
0
0
7 0
0
0
7 0
0
0
7 0
0
0
5
7
5
7
P.M. P.M. P.M. P.M. 7 0
0
0
7 0
0
0
7 0
0
0
7 0
0
0
5
7
5
7
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1.
C5/A
D5/A
C5/A
A5
P.M.
5 5 3
7 7 5
7 7 5
X X X
X X X
7 7 5
X X X
X X X
7 7 5
7 7 5
X X X
X X X
5 5 3
P.M. P.M. P.M. P.M. 7 0
2.
0
7 0
0
0
C5/A
D5/A
Mid
-
0
7 0
0
P.M. P.M. 7 0
7
0
0
7 0
0
7 0
0
0
0
P.M.
7 0
0
0
0
7 0
0
0
0
A5
all
night!
X X X
X X X
7 7 5
X X X
X X X
7 7 5
7 7 5
X X X
X X X
5 5 3
2 2 0
5
7
5
5 5 3
2 2 0
P.M.
7 0
0
0
P.M.
7 0
0
0
7
2 2 0
2 2 0
0
0
P.M.
C5
0
0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
2 2 0
14
5
2 2 0
7 7 5
0
7
2 2 0
7 7 5
7 0
0
5 5 3
0
5
5 5 3
night
P.M.
Sorgdal
0
7 0
5 5 3
P.M. P.M.
7 0
7 0
µ
7 0
7 0
from Iron Maiden - Somewhere in Time
Wasted Years Words and Music by Adrian Smith Dsus4
D 5fr
1334
1333
Intro Moderate Rock q = 150 * E5
Fill 1
Gtr. 1 (dist.)
C5 5fr
134
End Fill 1
0
0
0
0
0
mf 12
12
0
0
0
7
0
0
0
0
0
8
0
0
0
5
0
0
0
7
0
0
3
0
*Chord symbols reflect implied harmony.
5
0
0
0
0
2
0
0
0
0
3
0
0
0
0
5
0
0
0
0
2
0
0
3
0
0
Riff A
12
0
0
0
0
7
0
0
0
0
8
0
0
End Riff A
0
0
5
0
0
0
0
7
0
0
3
0
0
5
0
0
0
0
2
0
0
0
0
3
0
0
0
0
5
0
0
0
0
2
0
0
3
0
0
Gtr. 1: w/ Riff A (1 1/2 times)
Gtr. 2 (dist.)
mf
7 0
7 0
Copyright © 1986 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3 (dist.)
Dsus4
D
(cont. in notation)
mf
1. From
Gtr. 1
0
0
0
0
2
0
0
0
Harm.
5
w/ bar grad. dive
5
5
Pitch: D
0 5
Gtr. 2
the
-1/4
7 7 5
7 7 5
7 0
-1/2
-1 1/2
Verse Gtr. 1 tacet
D5
E5
coast
of
gold
Rhy. Fill 1 *Gtrs. 2 & 3
9 9 7
G5
a - cross
the
End Rhy. Fill 1
P.M.
7 7 5
0
P.M.
9 9 7
0
0
P.M.
9 9 7
0
0
P.M.
9 9 7
0
0
0
-
’lin’
on
D5
sev - en
seas,
Rhy. Fig. 1
P.M.
12 12 10
12 12 10
12 12 10
12 12 10
7 7 5
5
7 7 5
P.M.
5
5
P.M.
7 7 5
5
12 12 10
12 12 10
12 12 10
*Composite arrangement
I’m
P.M. 5
P.M.
7 7 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
5
5
trav
E5
P.M.
7 7 5
7 7 5
7 7 5
7 7 5
9 9 7
7
9 9 7
P.M.
7
7
9 9 7
G5
P.M.
7
7
9 9 7
P.M.
7
7
9 9 7
D/F#
far
and
12 9
*
G5/D
G5
wide.
P.M.
12 12 10
9
P.M.
12 9
9
9
But
now
it
C5
12 9
12 9
12 9
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
E5
seems
P.M.
12 12 10
Cmaj7
P.M.
5 5 3
3
3
let ring
0 0 4 5 3
3
*Bass plays D.
Em
I’m
just
a
stran
-
D
let ring
0 0 4 5 3
Cmaj9
3 3 4 5
D5
things
7 7 5
ger
to
P.M.
4 5
some - times
7 5
7 7 5
5
4 5
4 5
4 5
P.M.
12 12 10
my
P.M.
3
I
5 7
0
5 7
0
5
P.M.
7 7 5
5
5
P.M.
7 7 5
5
P.M.
0
P.M.
9 9 7
0
0
it
is
- n’t
me
but
End Rhy. Fig. 1
5
12 12 10
12 12 10
12 12 10
And
all
the
12 12 10
12 12 10
12 12 10
9 9 7
0
Cmaj7
some - one
12 12 10
else.
P.M.
7 7 5
self.
G5
do,
9 9 7
0
-
G5
P.M.
4 5 3
3
3
0 0 4 5 3
3
Verse 2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1
2. I
0 0 4 5 3
4 5
4 5
4 5
D
Em
close 3. Too much
my
eyes, time
4 5
5 7
0
on
P.M.
P.M.
5 7
E5
D
0
0
my
hands.
P.M.
9 9 7
0
0
P.M.
9 9 7
0
0
9 9 7
G5
I’ve
and got
12 12 10
12 12 10
you
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 1
D5
think on my
of
home. mind.
An - oth - er Can’t
D/F#
G5/D
eas
-
i
it till it’s gone it through an - oth
G5
a - way. er day.
-
And my And it
till hands up
Gtrs. 2 & 3
12 12 10
my
dy - ing to the
3
4 5 3
3
Fill 2 8v a
22
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
fun - ny how it can’t find the
D5
22
heart makes
there,
is ly - ing me want to cry
3 3 4
3 3 4
3 3 4
3 3 4
3 3 4
3 3 4
3
3
3
You nev - er it’s hard to
G5
20
19
20
20
20
19
20
and will be and throw my
Chorus 3rd time, Gtr. 1: w/ Fill 2
Cmaj9
A5
un
3 3 0 0 X 3
3 4 5 3
2 2 0
w/ bar
1
19
to say,
night.
D
Rhy. Fig. 2
is? words
the so
Cmaj9
So,
0 0 4 5 3
3
G5
in
Cmaj7
Cmaj9
day. sky.
P.M. P.M.
Gtr. 1
4
G5
cit - y goes by ease this pain
Cmaj7
miss make
E5
C5
Ain’t it When you
E5
G5
- ly.
Em
19
19
-
der -
D5
C5
A5
stand,
3 2 0
5 5 3
wast
-
ed
3
5
5
3 3 5 5
3 3 5 5
3 3 5 5
3 3 5 5
3 3 5 5
3 3 5 5
3 3 5 5
5
C5
A5
-
en
years.
Gtrs. 2 & 3
let ring
3 5
3
5
3 3 5 5
3 3 5 5
5
those
3 3 5 5
3 3 5 5
3 3 5 5
3 3 5 5
3 3 5 5
4 5
4 5
4 5
4 5
A5
make
your
Cmaj9
up,
E5
re - al
-
ize
you’re
D5
liv - ing
in
the
Gtr. 1: w/ Riff A (last 3 meas.)
E5
Interlude
Rhy. Fig. 3
3 3 5 5
for
Gtr. 1: w/ Fill 1
gold
search - ing
End Rhy. Fig. 2
And
Face
T o Coda
3 2 0
stand.
Csus2
al - ways
G5
D5
time
D5
1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 6 meas.) 2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 3rd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)
let ring
3
your
2 2 0
years.
2 2 0
Csus2
E5
don’t waste
2 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A (5 1/2 times)
2 0
2 0
D5
C5
7 5
7 5
P.M.
3
let ring
7 7 7
5 5 3
P.M.
9 9 0
5
P.M.
5 5 3
3
P.M.
7 7 5
E5
End Rhy. Fig. 3
P.M.
2 0
5 5 3
7 7 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
5 5 3
P.M.
9 9 7
0
P.M.
6
Sorgdal
5
5 5 3
0
5
P.M.
9 9 7
P.M.
7 7 5
9 9 7
0
0
0
P.M.
9 9 7
0
C5
P.M.
7 7 5
0
5
P.M.
9 9 7
0
0
3
3
5 5 3
P.M.
9 9 7
0
0
0
D5
P.M.
9 9 7
3
3
9 9 7
5 5 3
7 7
7 7 5
P.M.
3
3
P.M.
9 9 7
P.M.
0
let ring
5 5 3
7 7 5
5 5 3
3
3
0
0
7 7 5
7 7 5
P.M.
3
3
3
3
3
3
3
9 9 7
7 7 7
P.M.
9 9 7
0
P.M.
5
5
5 5 3
P.M.
7 7 5
5
7 7 5
7 7 5
7 7 5
D5
E5 Rhy. Fig. 4
P.M.
7 7 5
9 9 7
P.M.
9 9 7
0
P.M.
0
9 9 7
0
9 9 7
0
0
9 9 7
0
0
P.M.
9 9 7
P.M.
P.M.
5
5
7 7 5
7 7
9 9 7
let ring
7 7 5
9 9 7
0
P.M.
5
5
P.M.
0
D5
P.M.
0
9 9 7
0
9 9 7
7 7 7
P.M.
5
5
7 7 5
P.M.
9 9 7
0
7 7 5
P.M.
9 9
P.M.
5
5
0
0
P.M.
9 9 7
0
7 7 5
7 7 5
P.M.
7 7 5
5
Guitar Solo
C5
Gtr. 1
let ring
0 5
0 5
0 5
0 7
0
7
8
8
D5
8
10
10
0
12
12
Gtr. 2: w/ Rhy. Fig. 4 (1 3/4 times) Gtr. 3: w/ Rhy. Fig. 4 (1 7/8 times)
D5
10 12
10
0
E5
8
0
8
0
10
0
8
0
8
0
10
0
8
0
End Rhy. Fig. 4
P.M. P.M. let ring
Gtrs. 2 & 3
5 5 3
3
5 5 3
3
3
5 5 3
3
3
5 5 3
3
3
5 5 3
3
7 7 5
7 7 5
7 7 5
3
8
0
10
0
8
0
8
0
10
0
8
0
8
0
8
8
7
7
5
w/ bar
3
5
3
5
5
5
15
-1 1/2
D5
1
15
1
15
12
1
12 14
15
12
1
12 15
15
12
15
12
15
1/2
1
12
15
12
14
1/2
14
14
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
19
20
17
1/2
14
E5
3 1/2
14
17
20
14
D5
0
17
20
13
17
20
19
20
17
13
0
17
20
19
0
13
17
0
17
20
0
17
20
19
20
17
0
17
20
19
0
17
20
19
14
15
12
14
15
12
13
15
12
13
14
12
12
14
8v a
Gtr. 1
14 17
Gtr. 3
5 5 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11
12
P.M.
3
17
17
20
0
17
20
17
0
17
19
20
9
12
8v a
17
11
12
15
17
3
5 5 3
14
P.M.
3
15
3
3
Gtr. 2
0
13
10
12
9
D.S. al Coda
C5
17
steady gliss.
D5
20
1/2
17
19
20
5 1/2
17
12
19
w/ bar
14
0
1/2
14
17
19
17
20
3
3
19
1
15
17
19
20
22
3
4 5 3
3 4 5 3
5 5 3
5 5 3
5 5 3
22
20
22
Coda
G5
Cmaj9
A5
So,
E5
your
time
Face
D5
al - ways
G5
un - der
waste
search - ing
E5
for
-
ize
wast
your
-
ed
years.
D5
C5
A5
stand.
Csus2
liv - ing
in
the
gold
D5
make
A5
don’t
Csus2
C5
stand,
those
A5
you’re
-
Cmaj9
up,
re - al
D5
And
-
en
years.
Outro Gtr. 1: w/ Riff A (2 1/2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 3
E5
C
0 5
G/B
0 5
0 5
0 3
D5
Am
Gtr. 1
1
G
A5
G5
2
0
0
E5
2
0
Gtrs. 2 & 3
3
3
2
2
2
0
0
0
P.M.
3
3
3
3
7
5
7
7 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Killers
Wrathchild Words and Music by Steven Harris
Intro Moderate Rock q = 104 *** D5
E5
D5 E5
D5 E5
µ
*Gtr. 1
f
5
7
7
7
0
0
0
5
0
7
7
7
0
0
0
5
0
7
7
7
5 0
0
0
5
4
5
7
5
4
0
0
*Bass arr. for gtr.
**Gtrs. 2 & 3 (dist.)
f
12
**Composite arrangement ***Chord symbols reflect implied harmony.
Gtr. 1 tacet
D5
E5
1
D5
Gtr. 4 (dist.)
f †w/ delay 1
1
15
E5
D5
15
E5
µ
15
15
12
12
12
†Set for dotted eighth-note regeneration (approx.) w/ 3 repeats.
Gtrs. 2 & 3
Rhy. Fig. 1
7 5
9 7
End Rhy. Fig. 1
P.M.
0
0
9 7
9 7
9 7
7 5
9 7
P.M.
0
0
9 7
9 7
7 5
9 7
9 7
P.M.
0
0
9 7
9 7
5
Copyright © 1980 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc. International Copyright Secured All Rights Reserved
5
4
5
7
5
4
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1
D5 E5
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 4 tacet
D5 E5
D5 E5
1/2
D5
E5
dom - i - nance and
per
D5
E5
I
was
nev - er
P.M.
7 5
9 7
D5
E5
all
0
12
se - cu
-
tion.
9 7
5
5
D5
E5
5
7
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
was
a
queen,
my
14
12
14
9 7
9 7
7 5
9 7
0
0
E5
dad
I’ve
nev - er
seen.
B5
spend
my
0
5 3
4 2
time
look - ing
B5
12
for
a
no
man
that’s
12
9 7
9 7
5 3
4 2
P.M.
9 7
I
D5
Rhy. Fig. 2
P.M.
2
4
14
0
C5
1
0
Now
9 7
9 7
7 5
Pre-Chorus C5
Gtr. 4
moth - er
My
a - round
E5
be.
Gtrs. 2 & 3
D5
4
an - gri - ness and greed,
14
0
of
to
a scene
µ
D5 E5
1. Born in - to
meant
Gtrs. 2 & 3
-
14
µ
14
14
12
D5 E5
1/2
14
µ
-
where
Gtr. 4 tacet
D5
to
be
D5
P.M.
9 7
0
1
nev - er
gon
9 7
9 7
9 7
-
na
stop
7 5
9 7
0
F#5
0
Un - til
find
I
him,
I’m
9 7
9 7
search - ing.
5 3
4 2
C5
I’m
go - ing
to
find
B5
my
15
B5
15
P.M.
0
12 15
G5
1
15
12
1 15
7 5
C5
found.
E5
E5
man,
gon - na
Gtrs. 2 & 3
End Rhy. Fig. 2
5 3
5 3
5 3
5 3
4 2
4 2
3
2
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
D5
E5
trav - el
D5
* 1/2
3/4
Gtr. 4
3
2
D5
E5
µ
’round.
E5
2
2
3
3
3
1
2
2
2
2
2
2
2
2
2
2
2
2
2
0
2
*Gradually bend note while picking in rhythm indicated. Rhy. Fig. 3
Gtr. 3
End Rhy. Fig. 3
P.M.
7 5
9 7
0
0
P.M.
9 7
9 7
9 7
7 5
9 7
0
0
9 7
9 7
P.M.
9 7
9 7
9 7
7 5
9 7
0
0
4
4
7
4
5
4
7
4
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig. 3
D5 E5
Gtr. 4
Chorus
E5
12
-
14
D5
E5
0
0
-
9 7
0
0
D5
9 7
9 7
7
14
5
7
5
a
5
7 5
9 7
9 7
7
7
5
7
Oo,
yeah,
12
-
’Cause I’m
a
delay off
0
0
5 3
5 3
5 3
I’m
a
9 7
9 7
5
6
7
5
com
-
ing
to
5
7
get
you.
5 3
5 3
3
5 3
3
5 3
5 3
µ
yeah.
5 3
µ
I’m
5
10
child.
P.M.
9 7
10
wrath
7
14
E5
C5
5
12
D5
µ
child.
Gtr. 4
P.M.
7 5
12
Yeah, I’m
wrath
9 7
7 5
P.M.
15
µ
child.
Rhy. Fig. 4 Gtrs. 2 & 3
15
wrath
µ
1
Gtr. 4 tacet
D5
12
D5 E5
D5 E5
2
Gtrs. 2 & 3
7 5
7 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 5
7 5
7 5
5
7 5
7 5
5
7 5
7 5
End Rhy. Fig. 4
7
5
5
7
5
7
7
6
5
3
Guitar Solo Gtrs. 2 & 3: w/ Rhy. Fig. 1 (4 times)
D5 E5
D5
E5
D5 E5
µ
w/ bar
1
2
3
2
2
3
6
2 0
0
0
2
0
2
0
3
0
4
0
4
0
5
0
5
0
6
0
7
0
0
-1
-1
-2 1/2
D5
E5
D5 E5
1 1/2
7
0
8
0
D5 E5
8
D5
8v a
9
0
9
0
E5
1
12 15 12 15 12
15
1
12 14
15
1
12 15 12 14
D5 E5
17
17
15
15
17
15
D5
16
15 17
µ
8v a
3
14
15
14
14
15
14
16
X
14
17
E5
1
17
17
µ
19
17
3 1
17
1
19
17
18
18
17
17
20
20
1 1/2
20
20
Gtrs. 2 & 3 tacet
D5
µ
15 17 15
16
3
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (last 3 meas.) Gtr. 4 tacet
7
17
1
17
1
17
C5
1
14
14
D5 E5
1
1
1
E5
17
3
1 1/2
3
17
1
17
µ
3
3
17
12
9
D5
1
17
0
12
D5 E5
Uh!
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
Bm
*Gtrs. 2 & 3
7
7
7
5
7
7
5
7
6
5
3
0
0
7
7
5
7
7
5
7
7
6
5
3
0
0
*Gtr. 3 w/ slight P.M. (next 8 meas.).
7
7
5
7
7
5
7
7
6
5
3
0
0
C#m
7
7
5
7
7
5
7
7
6
5
3
0
Oh!
4
4
4
2
4
4
2
4
3
2
5
2
Dm
4
4
4
2
4
4
5
5
5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
5
5
3
5
3
4
6
3
2
4
2
3
5
2
5
5
5
3
5
5
3
5
3
4
6
3
Guitar Solo
µ
Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Rhy. Fig. 3 (2 times)
5
5
D5 E5
D5 E5
w/ delay
1
1/2
1
7
7
5
7
7
7
D5 E5
6
D5
5
14
14
7
3
E5
D5 E5
rake
12
µ
1
1
15 14
1
µ
7
7
1 1/2
D5 E5
Gtr. 4
12
15
15
12
12
X
12
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times) Gtr. 4 tacet
D5
2. Say
D5
E5
it
E5
know I’ve
does - n’t
got - ta
D5
mat - ter, ain’t
E5
noth - ing
gon - na
D5
E5
find
se - ri - ous peace
al
-
ter
the
of
mind
or
I
D5
E5
cours - es
D5
of
E5
know
my
I’ll
just
des
µ
-
ti - na
-
go
cra
-
D5
E5
µ
tion.
I
zy.
Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 2
C5
Gtr. 4
Now
I
D5
B5
spend
my
time
look - ing
E5
all
a - round
1
12
15
0
12
15
0
12
15
12
0
12
12
15
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
B5
D5 E5
for
no - where
a
man
that’s
to
found.
be
B5
Yeah.
1/2
12
12
I
find
him,
I’m
1 1/2
15
Un - til
1
15
C5
D5 E5
12
14
14
Gtr. 4 tacet
G5
nev - er
F#5
-
na
stop
gon
C5
search - ing.
I’m
go - ing
to
find
B5
my
man,
gon - na
Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Rhy. Fig. 3 (2 times)
D5
E5
trav - el
D5 E5
D5 E5
µ
’round.
Gtr. 4
2
0
2
1
2
2
2
2
D5 E5
D5
1
1
12 12 14
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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2
2
2
2
2
E5
2
2
2
D5 E5
1
12 14
12
1
12 14
1/2
12 14
14
1
14
12
1
12 14
2
µ
2
12
12
12
12
15
’Cause I’m
1 15
1 15
15
a
Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 4 Gtr. 4 tacet
wrath
D5
-
Well,
I’m
a
µ
C5
D5 E5
wrath
Yeah,
I’m
a
-
ing
to
get
you.
com
µ
yeah,
- child.
µ
yeah.
Em
µ
I’m
Oo,
child.
D5
- child.
wrath
µ
E5
D5 E5
Yeah!
Gtr. 3
5
5
9 7
5
7
7
7
6
5
7
5
7
5
5
7
7
6
5
9
7
7
9
9
8
7
5
3
Gtr. 2
7
3
7
5
7
5
5
7
7
6
5
3
9 7 0
12 X 10
9 7
12 10
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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