Basics of The V-Ray Render SettingsDescripción completa
REF615
There is an elusive aspect of articulation which, up to the present, if not totally neglected, has not received the attention it merits. I refer to what is here termed the 'articulatory sett…Full description
Seatings
Full description
Amp Settings 123 10 Years Gain:8 Treble:6 Bass:7 Mids:5 Reverb:2 A AC/DC - Angus Young - General Gain - 5 Treble - 10 Mids - 10 Bass - 5 Channel - Overdrive Aerosmith Joe Perry Gain: 5.5 Treble: 2 Mid: 7 Bass: 2 Volume: Full (used Fenders in the early days and switched to music Man during th e Toys era, now uses a mixture) AFI General Early AFI Treble: 9 mid: 7 bass: 5 gain: 10. Middle AFI Treble: 8 middle: 5 bass: 7 gain: half New AFI Treble: 7.5 middle: 6 bass: 6 Gain: just before half Alice In Chains Jerry Cantrell Gain 6-7 Treble 6-7 Mids 5-6 Bass 5-6 Reverb 3 Atreyu Gain - 8 Bass -8 Mid - 2 - 3 Tremble 9 Audioslave - Tom Morello - General Gain - 7
Treble - 10 Mid - 4 Bass - 4 Reverb - 0 Channel - Overdrive Avenged Sevenfold Low - 7 Mid - 6 High - 8 Drive - 10 (on my Boss DS-1) Reverb - 2 or 3 Avenged Sevenfold with Boss MT2 Metal Zone pedal Level- 3 o clock High-3 o clock Low-3 o clock Middle- 11 o clock Middle frew-1 o clock Distortion- 2 o clock B Jeff Beck Gain - 10 Bass - 6 Mid - 5 Treble - 7 Reverb - 4 Black Label Society - Zakk Wylde - General Gain - 10 Treble - 4-6 Mid - 4-6 Bass - 10 Presence - 2 Channel - Distortion Black Sabbath - Tommy Iommi - General Gain - 7 or 8 Bass - 6 Middle - 6 Treble - 6 Channel - Overdrive Black Sabbath Randy Rhoads Gain 7 Bass 7 Mids 7 Treble 10 Reverb 0 Graham Coxon of Blur Gain 7 Treble 7 Mid 6 Bass 5 Reverb 0 Buckethead Bass: 5-6
Mids: 5-7 Treble: 7-8 Presence: 6 Boost clean channel with an OD Tone: 5-6 Volume: 5-8 (have it boost the volume of the amp a little) Distortion: 0 Bullet for my valentine High-Gain amp Model. Bass-6 Mid-5 Treble-8 Boston Bass - 3 Middle - 10 Treble - 5 Reverb - 0 Gain 5 Boston settings Gain - 5 Treble - 5 Mid - 10 Bass - 3 Reverb - 0 C Children Of Bodom Treble: 9 Mid: 4 Bass: 7 Gain: 8 Reverb: 4 (on guitar) Tone: 10 Pickup: Bridge Cradle Of Filth Gain: 10 Bass: 10 Mids: 1 Treble: 10 Volume: 10 Cream - Eric Clapton - General Gain - 7 Treble - 5 Mid - 7 Bass - 7 Presence - 8 Channel - Clean Cream Clapton Woman Gain (2) Bass (10) Mid (10) Treble (5) Reverb (1)
Use it with a double Humbucker Guitar, and select both Creed/Alter Bridge Mark Tremonti Gain-10 Treb- 6 Mid- 3 or 4 Bass- 7 Presence- 6 Creed/Alter Bridge Mark Tremonti Gain: 7 Bass: 6 Mids: 4 treble: 7.5 Reverb: 1-2 D Darkest Hour Gain-6 Bass-7-8 Middle-7 Treble-5 Presence-7 Darkness, The - Justin Hawkins - Solos Gain - 7 Treble - 8 Mids - 8 Bass - 6 Reverb - 5 Effects/Other - Tube Screamer Channel - Overdrive Deep Purple - Smoke On The Water Drive: 7 Treble: 3 Middle: 7 Bass: 9 Reverb: 3 (Overdrive) Def Leppard Pete Willis Gain- 4 Bass-4 Mid- 5 Treble-7 Reverb-4 Dethklok Gain- 8-9 Treb-5-6 Mid-6 Bass-8 Herman Li of Dragonforce gain- 10 bass- 8 mid- 5 treble 7
Dream Theater John Petrucci Clean Preamp Mode: Rhythm 1 Yellow Gain: 6 Treble: 6.5 Middle: 3.5 Bass: 3 Lead 1 Drive: 0 Lead 2 Drive: 0 Master: 5.5 Presence: 8 Dynamic Voice: 7 Power Amps set on Deep And Modern Dream Theater John Petrucci Main Distortion Preamp Mode: Lead 1 Red Gain: 6 Treble: 6 Middle: 6 Bass: 4.5 Lead 1 Drive: 4.5 Lead 2 Drive: 0 Master: 4 Presence: 6.5 Dynamic Voice: 6.5 Power Amps set on Deep And Modern
Dream Theater John Petrucci Lead Preamp Mode: Lead 2 Yellow (MarkII Lead Sound) Gain: 7.5 Treble: 4.5 Middle: 4 Bass: 5.5 Lead 1 Drive: 0 Lead 2 Drive: 6.5 Master: 6 Presence: 0 Dynamic Voice: 3 Dream Theater John Petrucci Effects Chain Clean Sound - basic chorus sound Lead Sound - 602 and 460 millisecond delay with 3 repeats Crunch - 26 milliseconds delay Dropkick Murphys Gain: 10 Treble: 8 Mid: 7.5 Bass: 4 E Eric Clapton of Eric Clapton Gain - 7 Teble - 5 Mid - 7 Bass - 7 Presence 8 Eagles Joe Walsh Treble: 7
Bass:3 Mid: 4 Master:3 Reverb:2 Presence:3 F Foo Fighters Dave Grohl Distortion:8 Treble:7 Middle:5 Bass:3 Reverb:3 (room) Mattias Eklundh of Freak Kitchen: Drive 7 Gain 7 Bass 10 Middle 4.5 Treble 4.5 Reverb 0 Presence 4
G Guns 'n' Roses - Slash - General Gain - 6.5 Treble - 4.5 Mid - 7 Bass - 7 Presence - 8 Channel - Overdrive Green Day (newer) Billy Joe Armstrong Drive - 6 Treble - 10 Mid - 8 Bass - 5 Reverb 3 Green Day (older) Billy Joe Armstrong Gain:9 Treble:10 Mid:8 Bass:5 Reverb:3 H I Iron Maiden - Janick Gers - General Gain - 10 Treble - 10 Mid - 8 Bass - 5 Reverb - 0-1 Iron Maiden Dave Sullivan
Drive - 7 Treble - 9 Mid - 7 Bass - 4 Reverb - 0 Use your brigde humbucker - I find this tone to be excellent for Maiden - The Tr ooper, Hallowed especially J John 5 Gain- 3-5 Bass-10 Mids-4 Treble- 8 Jimi Hendrix - General Gain - 4 Treble - 5 Mid - 5 Bass - 8 Reverb - 5 Effects/Others - Neck Pickup Channel - Overdrive Joe Satriani - Surfing With The Alien Drive: 7 Treble: 6 Middle: 3 Bass: 6 Reverb: 0 (Distortion) K Kerry King Gain - 9-10 Treble - 10 Mid - 4 Bass - 6-7 Reverb 3 The Kinks Dave Davies Gain- 7.5 Volume- 10 Treble- 10 Middle- 6 Bass- 4 Killswitch Engage Reverb:4 Bass:6 Mid:6 Treble:4 or 7 depending on song. Gain:8 L Led Zepellin - Jimmy Page - General Gain - 4 Treble - 8 Mid - 3
Bass - 7 Reverb - 2 Channel - Overdrive Led Zepellin - Jimmy Page 2 - General Gain - 4-6 Treble - 9-10 Mids - 4 Bass - 1-2 Reverb - 4 Channel - Overdrive Effects/Other - Bridge Humbucker Linkin Park (older) Bass = 2-3 o clock Treble - 1-2 o clock Mid - 10.5-11 o clock Gain - 3-4 Lynyrd Skynyrd Gary Rossington Treble - 5 Mid - 10 Bass - 5 Gain - 2-3 M Yngwie Malmsteen Bass 5-7 Mid 2-5 Treble 6-8 Presence 4-6 Volume 10 Megadeth Gain 10 Bass 4 (Its low, but its the fact he puts it through a stack gives it the extra chug) Contour 10 Treble 10 Metallica - Kirk Hammett - General Gain - 9 Bass - 7 Mids - 2 Treble - 10 Reverb - 3 Channel - Distortion Metallica - Kirk Hammett 2 - General Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2 Channel - Distortion Metallica Kirk Hammet Fade To Black Distorted Gain:8.5
Bass:7 Mids:6.5 Treble:8 Reverb:7 Metallica Kirk Hammet Fade To Black Clean Bass:2.5 Treble:10 Misery Signals Distortion channel gain-5 bass-6 mid-5 treble-6 resonance-5 presence-6 clean gain-2 or 3 bass-8 mid-5 treble-4 resonance-8 presence-3 Dez Cadena of The Misfits Gain: 9 Bass: 9.5 Mid: 6 Treble: 5 Post gain: 5 Motley Crue - Mick Mars - Dr. Feelgood and others Gain - 3 Bass - 2-3 Contour - 2-3 Treble - 10 Channel - Overdrive N Nevermore Pre Gain- 6-9 Low- 4-7 Mid- 5-7. High- 5-7 Post Gain- 7-10. Presence- 5-7 Nickelback Gain 9 Bass 8.5 Mid 1 Treble 5.5 Nirvana - Kurt Cobain - General Gain - 7 Treble - 7 Mid - 4
Drapery Falls Intro Tone(for Boss GT-6): Only things that are on are: -Reverb(set to 75) -Overdrive/Distortion(Metal>Heavy Metal Preset) -Overdrive/Distortion Drive and Level set to 100 -Equalizer: Low EQ +1 dB Lo-Mid f 500Hz Lo-Mid Q 2 Lo-Mid EQ +2 dB Hi-Mid f 4.00 kHz Hi-Mid Q 2 Hi-Mid EQ +2 dB High EQ +2 dB Level +2 dB -Pedal Assign: Exp Pedal ON, Foot vol min 0 Opeth Distortion: Only things switched on are: -Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation) -Overdrive/Distortion Drive and Level: 100 -Reverb: 25 -Pedal Assign: Exp Pedal ON, Foot vol min 0 -MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION P Pantera Dimebag Darrel Gain - 7 Treble - 10 Mid - 4 Bass - 9 Reverb - 0 Parkway Drive bass 10 treble 9 gain 8 high 9 low 10 mid 9 mid frequency 6 Pearl Jam Mike McCready Treble: 7 Mid: 7 Low: 5 Pink Floyd David Gilmour Bass: 10 Middle: 6.5 Treble: 10 Gain: 1.5 or Gain-2-3 Treble- 7-8 Mids- 9-10 Bass- 5-6
Reverb- 60-70% Phish- Chalkdust torture Gain:6 Bass:8 Mid:7 treble:4 reverb:3 Andy Summers of The Police Gain 5 Bass 7 Mids 5 Treble 5 Reverb 5 Q Queen - Brian May - General Gain - 8.5 Treble - 4 Mid - 9 Bass - 5.5 Reverb - 4 Effects/Other - Brian famously uses old sixpences to pick the strings of his gui tar. Channel - Overdrive Queens Of The Stone Age Gain: 7 Treble: 3 Mid: 8 Bass: 6 Reverb: 0 R Paul Gilbert of Racer-X Gain 7 Bass 7 Mid 5 Treble 7 Radiohead - My Iron Lung Drive: 10 Treble: 6 Middle: 7 Bass: 6 Reverb: 3 Rage Against The Machine Drive: 6 Treble: 8 Middle: 0 Bass: 6 Reverb: 2 (Distortion) Rammstein Bass: 9-10 Mids: 4-5 Treble: 9-10 Gain: 10
Randy Rhoads Gain 7 Bass 7 Mids 7 Treble 10 Reverb 0 Red Hot Chili Peppers - John Frusciante - Soft Rock songs (eg. Under the Bridge, Californication) Gain - 4 Treble - 8 Mid - 2 Bass - 6 Reverb - 7 Channel - Clean Rolling Stones - Keith Richards -General Gain - 4.5 Treble - 4.5 Mid - 6.5 Bass - 5.5 Reverb - 1.5 Effects/Other - Open G tuning, D G D G B D (low to high) Channel - Overdrive Rush Gain - 6 Bass - 8 Mid - 6 Treble 4 S Santana Carlos Santana Gain - 7 treble - 10 mid - 6 bass - 5 reverb - 2 Joe Satriani 1.) Gain 7 Treble 6 Mid 10 Bass 6 Reverb 1 2.) gain: 7 Treble: 6 Middle: 3 Bass: 6 Reverb: 0 (Distortion) 3.) Gain: 6 Treble: 7 Bass: 9 Mids:0 Savatage Gain 9
Treb 6 Mid 2 Bass 5 Presence 6 Sex Pistols Steve Jones Gain- 7 Volume- 10 Treble- 8.5 Middle- 6 Bass- 4 Slayer Gain: 7 Treble: 7 Mid: 2 Bass: 9 Slipknot - Mick Thompson - General Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Effects/Other - Tuning of B F B E G# C# (low to high) Channel - Distortion Smashing Pumpkins Billy Corgan For songs like 1979: Bass: 8 Mid: 7 High/Treble: 6 Pickup Position: 2 or 4 (Strat) For heavier songs like Zero or Jellybelly: Bass: 10 Mid: 4 High/Treble: 8 Use a thick heavy distortion with medium tone and a lot of sustain. Stevie Ray Vaughan Low 10 (full) Mid 7.5 High 5 John Squire of The Stone Roses Gain 7 Bass 7 Mids 7 Treble 3 Reverb 5 The Strokes Gain 4 Treble 8 Mid 4-6 Bass 6
USing the bridge pickup when using dist and neck pickup when clean Jerkyll and hyde ultimate overdrive settings Drive full, turn down for softer songs l tone full volume set to desire Distortion Drive 3 oclock for songs like juicebox, heavy songs ect turned down for softer s ongs tone 10 - 11 o'clock EQ 7 - 8 o'clock volume set to desire Strapping Young Lad Gain 7 Bass 8 Mids 6 Treble 7 Reverb 0 Sublime General Treble 9-10 mid:0 bass: 7 with a hint of chorus...on clean System Of A Down Daron Malakian Amp Used: Crate VFX5212 Gain: 8 Treble: 6-7 Mids: 3-5 Bass: 10 Presence: 8 Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb) System Of A Down Daron Malakian 2 Pre-Amp: 7 Gain: 5 Trebble: 8 Mid:9 Bass: 7.5 Presence: 9 T Testament Bass- 6-7 Mids- 2-3 Treble- 4 Presence- 7-8 Gain- 5-7 Thin Lizzy Gary Moore Bass 7 Treble 7 Mids 8-10 Gain 5-7 depends on song Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
maybe a splash of reverb Neck pickup George Thorogood Drive: 6.5 Bass: 2.5 Mids: 7 Treble: 8 Chan. Vol.: 7.5 Adam Gontier/Barry Stock of Three Days Grace Gain: 7 Treble: 10 Middle: 2 Bass: 2 Reverb: 6 Channel: Overdrive Thurston Moore Gain-6 Treble-8 Middle-3/4 Bass-6 Tool Bass: 4 Mid: 4 Treble: 8 Gain: 7.5 Trivium Treble- 8.5 Mid-6.5 Bass-6 Gain-7.5 Reverb-none Trivium Setting 2 Gain: 10 Treble: 7 Middle: 4 Bass: 10 Reverb: none U U2 - The Edge - General Gain - 1.5 Treble - 7 Mid - 5 Bass - 3 Reverb - 8.5 Channel - Overdrive V Steve Vai Clean: Treble: 8 Mid: 5 Bass: 4
Lead: Presence: 6 Treble: 6 Mid: 7 Bass: 7 Gain: 8 Steve Vai Clean Channel Settings #1 Reverb 0 Treble 9 Mid 5 Bass 3 Clean Channel Settings #2 Reverb 0 Treble 8 Mid 4 ½ Bass 4 Lead Channel Settings #1 Presence 6 Treble 6 Mid 8 Bass 7 ½ Drive 9 Lead Channel Settings #2 Presence 6 ½ Treble 6 ½ Mid 6 Bass 7 ½ Drive 8 Lead Channel Settings #3 Presence 6 Treble 6 Mid 6 Bass 7 Drive 8 Lead Channel Settings #4 Presence 6 Treble 6 Mid 7 Bass 7 ½ Drive 8 Van Halen - Eddie Van Halen - General Gain - 6 Treble - 4 Mid - 3 Bass- 9 Reverb - 4 Channel - Overdrive Slash of Velvet Revolver Gain: 5-7 Treble: 4-6
Mid: 7-8 Bass: 6-8 W Paul Weller Gain 7 Bass 10 Mids 10 Treble 10 Reverb 3 White Stripes, The - Jack White - General Gain - 8 Treble - 7 Mid - 5 Bass - 8 Prescence - 8 Channel Overdrive Pete Townshend of The Who Gain: 5 Treble: 10 Middle: 10 Bass: 10 Reverb: 3 Wolfmother Gain: 7 Bass: 6 Mid: 6 Treble: 4 Reverb: 2 X Y Neil Young Bass: 5 Middle: 10 Treble: 10 Presence: 10 Gain: 5 Z ZZ Top Bill Gibbons Treble: 3 Middle: 10 Bass: 10 Prescense: 10 Gain: about 5 (crunchy type of sound) Use a Les Paul guitar with not to much output in the pups and select both! Ultimate Guitar User Settings 1. Presense: 5 Bass: 5 Middle: 10 Treble: 5 High Treble Loudness: 5
4. mid 5.5 bass 7 treble 7 volume 5 reverb 4 gain 8 5. mids 0 bass 10 treble 10 gain 10 6. Gain Bass Mids Treble
8 7 8 ? 8
7. Gain:7 Treble:1 Middle:9 Bass:1 8. Gain:10 (or 11 if you're into that kind of thing) Treble:9 Middle:1 Bass:9 9. gain: 1 treble: 5 mids: 7 bass: 10 reverb: about 5 10. gain: 8 treb: 9 mid: 5
bass: 3 reverb: none. 11. Gain- (on pedal. Amp switched to Clean setting) Max or 3/4 up Treble- (amp)-10 (pedal)- both at 3 o'clock Bass- (amp)- 1 Mids- (amp)- 4ish/5 (pedal)- both at 12 o'clock Reverb- (amp) optional. Turn it up for leads, off for everything else 12. old uk treble-8.5 mid-7 bass-5 gain-6 13. dc hardcore treble-7 mid-7 bass-5 gain-8 14. New indie type tone e.g. futureheads, bloc party, razorlight AC30TB setting Gain- 10/11 o'clock (mess around with this to get the right amount for a particu lar band Volume- max Treble- max Middle- 3 o'clock Bass- 9 o'clock 15. Random Speed/Power metal settings Gain: 4 Bass: 4 Mid: 8 Treble: 4 Reverb: 3 Gain: 7 Bass: 8 Mid: 3 Treble: 7 Reverb: 3
