2 ,]cadengJwo,td @ clUtnne,r "Oieb ffnon theJ,(otionQictu,te $nocg
Soonsft Cr,9ateft
(9.*Unags $etJtg J,to^)
J { u s i c o n d9 y r t i c sb g S t e p [ , eSn o n d [ r e t n t
A d a g i o ( . r= 8 0 ) Languorously
p()('o ('t'c.\('. N
34
34
O 1990RILTINGMUSIC.INC.andTOUCHSTONE PICTURES MUSIC& SONGS.INC All Rightson behalfof RILTINGMUSIC,INC.Administered by WB MUSICCORP. All RishtsReserved
'-3-.'....'....-
'.......-.-j
\7
-
pl
Soon - er
lat - er
or
vou're gon - na
II
de
,np 34
Soon -er
a)
\u p
1-
lat - er there's no - where to
b+ I 1 4
----/
or
7r-7 DY
.t r=_
hide.
| |
a
f'---f '
V l'
t| r
|
I
r/-r-Tl
|
|
I :-l-
t'llE < _
ftr t....-3.....-
Y
l
.
t
-
bt t,
3
I
*hy
hoT
hT
TI
mpl
waste it
in
----
f I
t lr,.sr'.
f=-.-|
2 l\--'l l
-
' l
I
r ' t
lne
?
l---?l
.
I
r
I
I
i
f
= l 3-t
Ba - by, you're mine on
I
V
b, ?, (q)
r
2
.
i-l
SoonerOrLater-7-3
C
l-->
TT '
.,=\ f
- 1
ter
l
---r
t-...-r
po(of
f
r J
if
more
you in - sist,_
babe, the
chal- lenge de
ex - cltes _
lt
-
And
lights me.
no
one
The
I've
more you re - sist,-
kissed.
v- 1|<<
leg,ato, po(o (resc.
you're on
my
list._
tion
? r . , I l - l -
S o o n e r O r L a t e r - -l 4
I
r I
of
babe,
the
,i
t(,qut()
r' |
n()n le,galo
e. I I
+
'--,7 I
-
I
TempoPrimo - Molto lllaestoso
gon - na
I'm
you
love
no - thing you've
like
<>. known.
\3-=--
34
gon - na love
you, and you
7-^---7 t l
l
+
| z
l
=
|t
\--/l
C
t l
2
1,->
F - '
bet - ter
t
It - ' - - / l
l
l
=
, lt - ' - / l
t
l
l
t
S o o n e r O r L a t e r - 7- 6
=
l
I
a->
t
l t
'
i t, Y,
l
- 2
I
t
l
| l
- t
\\. Y "
-'-\
-
DTT f
>
i
--l_:
r''
?-----?
, l
f
'
'
t = l t
, ,
than
=
e
I
- 2
t---''
e lt - - - / l
,--3--^
l
7 I
r
I
A tempo
\? mp
! -3l l
I
t-
T 7
)': 7
i_-
-a 7
q#
l
a
StxrncrOrLirter-7-7
t o l)-
r \
{>
"Silrqtnq tfteSt0nr./,(xsieo0 Srrorn Out9oud"
Oawrt
bg J,{usteond9g,tics Stepl'ten Sor',dl,eu^
Adagio1J= 100)
Q
T ?
T
T' |
N-T | /
1
1
r | t
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n-T / | -
-
l
t
l
l0
A
caughthalf- way-
*
e be-tween
t
i J , yes - ter - day_ And to
J - mor-row.
ten.
AJ
V r 7-L
7 I '<
A €}
l
c
Animato, ma non troppo Q = 176)
Walk - ing home
From work - ing
q,
1.f_e
/
And
v
round
Dawn. I
len.
De'-
O=---.-'
great,-'Cause you've
t"o'*( , ^A-fr
D a w n - 1-12
_
ll poco rall. ten.
Dawn.Iten<--
b a
, suD.
l
f
If'l
"
lA,-
e
You're |
'
-
C
f
both
)
-
)..---,4
f
c
half - way be-tween
r
)
e
r
yes
l
|
,!f
-
ter - day-
|
r
And ten.
r
l
poco rall.
I ',-
'r
m i l k- m a n ' s
; I
I I
I
to -
t2
fi-V /
l
It's when thc
7 j1)
i))
J)./.DJ^e l
"If
-
l
f
C
|-
l -l
t'-.1)
-
r =
Rubato
ICron s
Q
'
sub'
mP (q)g
gone
down,-
But
the
sun's
not
()
l
molto legato
up,
7' |
Just be - fore this
ln-T | /
.r|
hn
_
t
-
(!)e
town-.
t)
Be-comes a
Your
#J
13 a tempo
a tempo
"!f
sempreteggtero
Dawn._
b)
"n ,be' 'f,"
, r
&
bJ -=:-
l
The
?4
b)'-
=;e:
May have
EP.;
dis - ap
Dawn! t
l
D4 rDEf o
ttth
f
r l z - \
D4'
I I
a.-a-t<-
Dawn-11-5
b
--o
-ct. \zr.
t4
- v -
Not
a streetthat is - n't
clean and
still,-
Not
a
wall that does- n't
MILKMAN:
Dawn!
a
e
(t
r t
t
f
gleam and
-
glis
a -
t
1
ten,
Not
t
-
a
is - n't
roof that
r t gold
t
-
And
lis
-
ten.
not
a
STREETCLEANER:
.
D a wn ! -
o
_
t
t
€>
r
t-+
r
t
s i n- g l e
?
drill-
2
io'
What a
-=
e
-
e
f \ 7
P I
r
f thrill!_
Dawn!-
MEN:
What a
|
a
,._l__ rhrrZ'-!. ?, Dawn-ll-6
/
vr
|
|
thrill!-
Das'n !
Vgr €>
It-P /
D?-,---i '
l
\--/-
I
'
t
't qi l
l5
b7.-.fJ
bl,-..._-
rJ hr
h)f.----lJ
Pocorubato
your
And you
feel
fright-ened, On
ly
STREETCLEANER:
On
Dawn-11-7
ly though you're
f
--lone,-
Some-howyou
a rempo
four,
t
town
is
dead
t7
think, what
more_
can
Calm and qui - ct thoughthe
Q
I livc
a
-
teem
-
l
€>
I
W h a t w i t h s r : v- e n m i l - l i o n
peo - plc
Dawn-11-9
r
) c
r
ver-head
e
e
=
) c
r
t
c
=
a -
J
=
e
.
c
tI dreanr -
ing
Ser' - crt
f ,
=
l
? e
l
r
tI
r f
o
o
e
(
-
Dead a-slcep it's still
seems.-
C
ing,
I
o
-
c
? I
and
cit - y
t
= lJ \ A
And then
takc.-
?
i l
-
e
t8
r-
v-r
Pocorubato
of
the
u- ( q -') e
-. t
l
tQlt'
sun.-
It
-
l
l\-F
makes you
feel
I
l
l
' -
o-o
that
r
done
*" " €ocresc.
is
done-
And
d
l9
r J -
a
It---t t J
"Str'e theSi0nr tFr,or* tItringO$9t gs"
Jio, JJlcftU ,4r',r',
dtusteor,,d 9gr,icsbg Steplen Sonil,ei^
--o =r=<
1 - - t v ' J 7 t o You thought it all_ would be
o
1
e
i
4-4
4 e
--d
-v-
t-
pie.
No.Mar-y
1-4
--d
f * f
a
v m?
|'-a.
e_€
in the
skv.
No,Mar-y
=l
7
t
f
-v\,\__/z-
e
Pink lit - tle birds_
Ann.-
Ann.-
-
No, Mary Ann
CI i969 (Unpublished)StephenSondheim O 1999RILTINGMUSIC,INC. All RightsAdministererd by WB MUSIC CORP. All RishtsReserved
=rv=r
_- t
.
*f
{
2l
---__-orch
es - tras
In
lYT
g l o - r i - o u s song,
I
\r-__./ t-.---t' Z
N o t h - i n gb u t b e a u
-/.G\
\
Boy.wereyou wrong!-
ct Nowyou say life-
is
Drear-y
and no
a
bore.
v-----_/
No, Mar - y
Ann.
\'--and gray-
No,MaryAnn-6-2
more.
No, Mar - y
----.
22
v
Say it's
all
= 1.
e
C
pink._
r+-+ e
Say
e
4
it's
all
gray,-
ea - sy
That's too
to
think_
And
f r e : - . - ,
f
l
N
r
l
--l-_
ea - sy
a)
to
say._
J=
lt'
And
-
I'm
just
a
man,
;J
Mar
-
q -J
>
f.
> >
+
>
' 7n?
No,MaryAnn-6-3
v-r
come sopra
_ v
too
23
-_v-
Youthoughtit
'
---_
e
all-
No, Ma - ry
would be
Ann
v-f
Pink lit - tle
birds-
in
the
-? I
No, Ma - ry
Sym-pho- ny
Ann.
-T
--
I
I
I
In
No,MaryAnn-6-4
ches-tras
/
24
v s -
Noth-ingbut beau
1t-t_t7t Sud-den-lynow-
a J
: J . J ' J
t. ,
Boy.wcrc you wrong!-
lng'
it's all
a ' z
R-r
I
at flat.
l't
t
-1
l - =
= t - a .
7' '
I
fi-fl
/
e
t
-r
/
7--l
e
t
- e
1
i'
? r
' - t
e
- -
i - l- -
/
r
/
-T
I
I
Say it's
o
J
( e
'
J
e
'
-
J
fi-fl
-
!
T
all
n
/
Say it's
pink,-
1
p
>
cresc.poco a poco
-
1
e
f
r
That's too
gray,-
all
J
O
\ r
J
-
-
I
25
think-
a
ea - sy
And
li'l-i' r' I
-6-6 No,MaryAnn
f
to
say._
r'-ti'r' r
I
IJ I
I
26 thetft0rnJiusico0"Sl,ging ?F,torn Out3oud"
Sarr,d bg JiusieondSgnics Step[,er', Sondi,erro AndanteQ=120)
tG)T (rbr
'(uf
9,r .I
Y
' f (rtF
T = , -
(1'top
O 1992,1993by RILTINGMUSIC,INC. All RightsAdministered by WB MUSICCORp. Inlernational Copyright Secured All RighrsReserved Usedby pemission
27
slip-pingthroughyour fing - ers.
Love is just
' 7(rrF
when I
b
'(q)f
1 . r i
,
+
\t (0r
T
't
T-
Y
't
r
i
Y
l l J
r
f
bump - y,
It can seem smoothwhen
1 f t 4 = 1 1 q /\
)\/
=b? -
t
l
1g)T
It can look soft- and be
dry,
hot and make you jump - y,
, T
7 v
Is
it
q I
the
T"'? l)--/l
r
o r a
lfi)T Lf 1 t , -
T
lwif,fu;
beach be - neath the Car - ib - be - an
7(h)f = be ' V r
t
T Y
7(h)T f v
-
? be
' i Lrilr
gets to drift
'(q)f r
iuti
|
'
.1
,
l
-
'
t
Y
'i f-r '' v-
T r
#t-7 il-.-,f rit. poco a poco
t *f mP
Y
-
=bF J
kgato
I
'1
7
rit. f
30
tl'roJ{usico0 Cut {,torm
". o0{ies"
ffinecl,'tion0d's Od$ir,0s ffu{..{-
dtusiecrnd by $gr,ics Stepl,on Sondl,ein
I
Moderately Q = lZ;
worlcl's
lirll
of
girls
who
wait - ing
are
to
be
kissed. A
-{ a
)
?
T'
r
Y 1/
The \ \ L r tl r l s l r r r l l o l ( i i r l r
l.l
- ' l
r
lt
f r1
i=
/
tt
l
yf
r ' ' l
I
i
-
/
t
t
r
nt
o reTr RANGE RoAD MUSIC''"t '"0BLrRrrrEN Mt'src co' IN(' :,tJfilfilfY,iL1,)t;tlfl1T""Y-tii. iilE All Rights Reserved Used by Permission
-
*
r
nt
Wait - ing
1
Y
+
'
q
to
-
be
.
t
1
t
kissed,
t ,
Oopsl There's one
i 1
i l"
gon - na
kiss
'em
n
I
kissed
'em
guess I'm
all
And
gon - na
i 1
have
v '
to
kiss
'em
i 1
tr
u t
-
u *
, t l
33
Young- er
world's
T
f
than
You
l'ull
ot
.
r-irls
And
bc
Y
v , i 1
r : t
v ' ,i 1
-
lbl e
I
start
r
to
sink,
I
(
ir
*
i )
r
a
34
T
e
e
I a
a) 1-tlf
T h c \ \ ' r r r i r l. l i t r l lo l G i r l s , I . l 5
r
a' l i ft n1 . 1= ft
r
e I t
x' r - ( t = i 1
e '1
v
'
v t
7 I
f C
'1
T /
T h c\ \ ' o r k l : I u l l o l C i r l s - 1 . 1- 6
and have
could go
for
= v = v '1
'l
= t = = J U
T h r W o r l d r l i u l l o l C i i r l s- l . l - 7
j
like
Lh-#
T h e W r r r l d' l r u l l o l [ i i r l s - 1 . 1- 8
me
Out
for
date When you
prob - ab -
ly
Have
38
cel
-
eb - ri - ties
That
fu..#
jus - tice, You're more
hand - some
iil - ways
T h c \ \ ' o r l d r l r u l lo i G i r l s - l . l - 9
the
gone
flesh With
for
old - er
ln
men Which
s h o u l d- n ' t
hair, But
hans you
i
n 1
old - er
lot
When we
me
Who
feels
hon - ored And
,/
i ;
T h eW o r l i l ' F u l l o l C i r l s - 1 . 1- l 0
V
em
so
men
bump
-
if
ter - ri - bly
up
fiiends,
bar - rassed But
what
Get
peo - ple
not,
'Cause
-
tight
Like
out
ln
a n - y - t h i n g . i t ' s
like
said,
kept
or
somr'-thing'.)
40
rf I
u t
* t )
r
t
u
Ir
nt
-
.
* t )
r
1
t
tr
Well,
u t
-
u *
t t )
r
if
you
*
t l
.
1 '
*
1 t
r
4l
each
kissed
hard - ly
boys,
world's
'em
T h eW o r l r i ' l : u l l t r t ( i i r l s
all
l4 - l2
And
and
'ry ev -
can
re
-
sist,
So A
I'm
gon - na
guess I'm
full
'
T
.
/
1
t-
T h e \ ' \ ' o r l d ' sF u l l o f G i r l s - l 4 - l 3
.
t
have
to
t
'em
o - v e r a - g a i n . -
col - or,
of
1
kiss
v 1
q
I
shape and
-
t
r
u
t
kind,
Raun - chy
world's
and
re
full
of
-
fined.
And
I'm
Look
at
sure
you
that
be
would - n't
-
hind.
If A
,
g()
i l
and
Ihe World s l\rll ol Cirls
sleep with
t : 1, l . l
v . , i 1
44
"Oo 6norntfreunprroduced SV ,-,i1,(ustca0$ou Seo,t,A aJJaQt6?"
Oo 0 Seaft'+ cUtiaQt6? Moderato (J. = 60)
soundslike
O l 9 9 t i b ) ' R I I - T I N G N , l t J S I CI.N C . A l l R i g h r ' A , t n r r r r r r t c r cht1i W B l \ l t S I C C O R P . I n t e r n a t i o n uCl o p y r i g h tS e c u r c d A l l R i g h l sR e s c r r e d L J s e d b1 Penrission
bg ;Musiecrnd $gr,ics Steplnen Sondl,retr*
45
the
IS
Hold your
Do I llcar r \\'illl1 l
.+ 2
rose._
time
8r,b- . D o I H c a rr \ \ ' r l t z ' l - ' t - 4
48
"?Io00ies" S,rorntfier,{,(ustco0
Qeauti$u0 0u,0s Maestoso(J=l2O\
;-\
ffi\
G
Moderately Cmai9
C6
Cmaj9
C6
here they here's the
those of
c G
c whal your
That's Where
you've rea
been son
is
ing un
I
for. done.
I €
Ebo
Na Beau
-
ture ty
nev can't
fish ioned hin - dered
a from
flow - er so tak - ing its
I O l97l RANGE ROAD MUSIC, INC., QUARTET MUSIC, INC., RILTING MUSIC. INC. and BLIRTHEN MLTSICCO.. INC All Rights Administeredby CARLIN AMERICA. INC. All Rights Reserved Used by Permission
49 Em7(-5)
No You
rose may
can com lose con
Noth-ing Faced with fi_J
re - spect - a ble these Lo - re - leis, J ____l r_
.t _-al
'
t
''
-
r
i
il-L
U
Half What
so man
de - lec can mor -
ta - ble. al - ize?
Cmai9
C6
in on
their your
Cheer Cau
glo guard
T-i--_] ) +
-.,-
.r tT
7 1
Gf Dia-mondsand Beau ti - ful
r-.?
----
Dazz Flaw
F + 11
u t l
j.w els charm - ers
ling less
= e Em7(-5)
Dm7
score one.
This This
I-,j
, .,
is is
what beau - ty how Sam - son
Dm9(-5)
--l
can was
bv ev
r
+
l
50 B|ml A,
--.1--l
Beau - ty Each in
ce - les - tial, her style a
fi-J
t-
=r-\
J --1
A7
Dml1
the best,you'lla - gree: De - li - lah re - born,
you, these Beau - ti - ful gem, A beau-ti -ful
l--J
=-r=\
/---\ l-J-
\
h
B e a u t i f uCl i i r l s- . 1 , . l
t-{-r-
5l
".,,1{en,ti0g cl{,,e tfis-Muslco0 S.r,om Qo00J0ong"
clrtp $ooLrrtr/rg
dtusieond9gr,ics {cg Stepf.en So,,llei^,
Ad lib.
/6''
U
U
f A
t),
"f/
\i#r t
sDr. .;)
CrowingUp-7-l
O 1991RILTINGMUSIC,INC. All RightsAdminisreredby WB UUSIC COnp. _ IntemationalCopyrightSecured All fuehrsReserved
*nr-'l
7 4
A
6)
52
(whistle)
r e - m i n d - i n gm e . . . (marcato)
f r cresc.
Frank's old
molto rall.
mr,tltorall,
a tempo
mp
53
Just re - shap - ing them.
Grow-ingup.
Risoluto (J : .J)
Char - ley won't budge.
Char - ley
"If
non legato
54
Char - ley won't bend.
Char-ley'sa judge.
Why
GrowingUp-7-.{
is
it
old friendsdon't
want
Char-leyis
friends to
55
a tempo (J : J)
u So, old
have
il
GrowingUp-7--5
Mov - ing
on._
-Vfriends.-
t
v
Don't you
- v -
e
see_
we
56
Re-ad
Just
ing them
Grow-ing
up.
Grow-ing
T #T T tt'im.
- v -
e
with_
the
'-
Add - ing
dreams-
When
the
oth
ers don'l
f/
last
r
r r ?
Un-der - stand- ing that
Grow-ing up,-
?
nu
=f3 7:7Jz
,
grow-ing nev - er ends._
''g
=
l-r{
,
(rlr,rr)f-.--
e
e
?
?
t
p t
ft
l
t
?t
t
t
Ft
fl
_
ten.
(whistle) ten.
d f r I r .
l
G r o w i n gU p - 1 - 1
\
l
'
7 l
V l
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"?Xubta, ?Ir,orn ?I,onJnd A{z{zre"
ffi^e{woC$Uou Moderato
TheTwoofYou-4-1
@ 1955(Unpublished) Chappell& Co. (Renewed) O 1999RILTING MUSIC, INC. All RightsAdministererdby WB MUSIC CORP. All RiehtsReserved
Jilusieol,d9gr,icsbg Stepl,ren Sond(,reir^
59 Slowly,freely
Ie'F\
what
.G
lhe Two of You - .1- 2
to
say,
60
come
a)
your
tt'i
want no one else in
I
way."
f
r7n7)
?
-
vt
r r I
lieu
I
(). of you;
e" F ( x
r
I
e" F S ,
----l
4-1
TheTwoofYou-4-3
I
6l
mf v
r | - - - . - - - - -
bd
-\---l
you,-_.--
you, ten.
62 "9nto S,torntfteuMustca0 3l,re.w-oods"
0r^ffineSbU $tarnts
J { u s i eo n d9 g r , i c sb g Stepl,er,r Sondftetyyr
Andantemoderato,non rubato (J = 132)
v Ll.-_S{_? mP dolce e legato, marcato
when you're way up high and you look be-low At the worldyou'veleftand
C i a n t si n t h e S k y - 8 - I
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the things you know, Lit-tle
more than a glance is
e - nough to show you
Just how small you are
Whenyou're
--....Q
L,€ way up high and you're on your own In a world like none that you've ev-erknown, where the skyis lead and tre earth is stone, you,re
fr plor -
G i a n t si n t h e S k y - g - 2
things you'd
nev
I
er
dare 'Cause
you
don't
care, When
sud -den _ ly
& ,Broadly
tall
nf
ter - ri - ble
gi
ant
legaro
'--*
-*
=
/
+
'
'
T
'
t
=
)
food and she
a r' G i a n t si n t h e S k y - 8 - 3
r-l
gives-
rJr
qr.
F f
=
V
=
I
r---r'
p non legato, marcato
just when you've madea friend and all, Andyou know she'sbigbut you don't feelsmall, Some-onebig€erthan her comes a-longthe hall To
rg G i a n l si n t h c S k y - 8 - 4
66
swal- low you for lunch.
'
heart is lead and yourstom-achstoneAnd you're
i_r3_
t, . - i - l
t_==-_
poco cresc.
mp legato e mist,erioso
real - ly scaredbe-ing all
then that you long for the things you've known And the
=\L,
world you've left
I
/ = t
,
Iit - tle you own- -The
is done
=i--LJ sub.$
po(o ('resc.
?t -.> -
scram- ble
i Lre\( .
:+A*_+ G i a n t si n r h e S k y - 8 - 5
l
LLL
steal what you can and run!
And
l
ii-i -L__
_ --\. 2C )t r
t-
+-4 F
1-
i->
+-i-+-
i.-r
1-
67
house, and your moth
The
roof,
house.and the
world-
l ' ' r t
G i a n t si n r h e S k y - t t - 6
you
68
thought to
-
"
-t
ex - plore.-
you've
at
And you
And you
i-p
?,.. I
wish
live
in -
-a
4
I dim. o
gain, on - ly
G i a n t si n t h c S k y - 8 - 7
you could
think
I Y
of
of
the
things_
And you're
69
(Intensely)
mp.
Af - ter the sky.-
There
ctesc.
gi - ants in
the sky!
^9 to.
won-der - ful
G i a n t si n t h e S k y - 8 - 8
gi - ants
are
a?
There are
big tall ter - ri - ble awe - some sca - ry
70 "Stouisbg" tfi,on,tfteJ,{otbnQtetutre
" Si,orr^Stautsbu ffinerne Maestoso
J I u s i eb US t e p h eSao, n d h e r
J=76
Tempodi "Fox-trot" ) = $ 2
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dim. poco a poco
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What would you
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3 right
now,
Herein your arms?
l.}.,
That day
when we
glanced
ev - er shouldhave
That we
;--..
at each oth - er
in
the
park.
We saw that we were
mf grazioso
I . L
Happrness'9-2
\
t,,
How quick-ly
L r +t +'
.h.t
.b
- 1
= = =
t-vt poco rall. :---'-:-
=
/
+ l
V '
f t
7t i r
poco rctll.
empo
*t l
r
= = t
Jv/
o
+| I
*1.' V
knew what
so
much soon
I
thought I
knew what
knew
how
But now
do.
t
I
feel with
t -
A* "t '/
?t
l?r
n5-
+ I
tt '= l
= V-l
=4''
b
Rubato
+ Y
tI t
*
t t
r
No one else has
"
,
f
l
4
Poco meno mosso
T h a t ' sw h a tt h e yw o u l d c l a i m .
of them the
dim.
c resc.
a letnpo
love
u
sto- ry.--
;;t !-tr
Somesay
|
T
L i
a tempo
t
I
Happincsr t) ?
.
-\-'l
r
e
= i I
=t v =l = r f = |
|
'
l"(r'f = i
'==to7;; l
r
t
t
l
= g , I+
'^ntt)
mf
/'r/ T T . |
rrpirr.
Then
= *
is
esc.
7\-2.
tI
I
I
\--lt
L
tr-_z
*
t ,
V
No one real - ly
a kind of
= f rr
) v v 'cr l
.----t
ir
\\-//
-.__-
f
tI
-----/--..-\-
I
pocn rit.
thoueht wherethere was
there was
shame
rall.
dim. poco a poco
Happincss-9'9
84
"8uentng ?Fr,orthe€Is0eurston Qrroductton Qrrrnrrose"
0dUouCo^Sir^dJIe, .9'r',',Wefte
J l u s i e a n d9 g r , i c sb g S t e p h eSno n d l , e t m
Allegro
lone?
I
c'resc.
am
dim
-t--'
I f Y o u C a n F i n d M e , I ' m H e r e- 1 7 - I @ 1966 (Renewed1994) StephenSondheim. BURTHEN MUSIC COMPANY, INC., owner of publication and Allied Riehrs for the world CHAPPELL & CO., Sole Selling Agent AU Rights Reserved Used by permission
a - lone.
It's
85
o(cel. mollo c resc.
E -t---'
+
J J
If You Can Find Me, l'm Here - 17 - 2
86
You'll get used to
it
in
I shall be
\t---/
t
r -
If You Can Find Me, I'm Here - I 7 - 4
-
r
-
.
/
-
88
Cood -
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ifi+ p
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l f Y o u C a n F i n d M e , I ' m H e r e- 1 7 - 5
hr e.
you
mv
t
.
89
find
u
l
I'm
me.
u
,
here.
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Fare - well.
Jfi:
=
you
j
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t 2 l '..__// .
r
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If
you
can
90
find
a
r
I'm
me.
q
/
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l
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\----l
And :
u
i ,
t l
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>
I'll
l'-,. .
t ? l -\--.
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e /
stay,-
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r
t
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by
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Er '.-__--P 1.
If You Can Find Me. I'm Here - l7 - 7
>
legato
ly
et t
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ffi
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l a r ' - >
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a
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wait
U
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till
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you
go
a
-
way.-
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f,t ?
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lr,
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my
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t l l sim.
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Srvill -
a
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t
(0)r
a
your
pret -
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t l l
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and
i
b e e r .-
i
r
-
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t
e
i
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i
e
Good -
o
tfr= p
bye.
cle
>
-
spoil -
ers
t t '
of
t
i
u
wake
you
Jlr
-
ty.--
e
i
t
a
r
l
. si r r t .
2
When
beau
t
I f Y o u C a n F i n d M e . I ' m H e r e- 1 7 - I I
up
with
7
one
t
-
gen
H
U
t
ius
'
less,
t
a
.
95
you
If
I'm
me.
find
can
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7r
a
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a
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l e . , L
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fr
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l
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u
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free.-
^
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t
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96
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tzt C
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7
9'7
Books
o
to
read.
Light
x
gte
a
?-'-- a
-
fi4
I
r
l
T,4
--=_-2 r
fresh
I
L-Jt
' l -
\ -? f i t
ment
be
-
Q c a f l r l +
fore
I
F,,e
e
-
oro
ceed.
A # e t r
il*
'rl
ft
'
l
firl
a bar
,
l
-
est
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r
re
es
\
a)
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r
sen -
f
tials
-
l
a
\
r t
e I f Y o u C a n F i n d M e , I ' m H e r e- l i _ 1 4
-
po
l
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et
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would
\
i
need.'-=-
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n
n
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t
l f Y o u C a n F i n d I \ , I eI,' n r H e r e- l 7 - 1 5
99
L
wav
C
at
I
will
r
)lL
f
-
be
glad
to
pro
1-
e I
i--__----/ -'--.
J
t --___-./ l
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r idc
wav
a
lf
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ciin
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at
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iind
me.
I'n .q//.\.!
L
I f Y o u C a n F i n d M e , I ' m H e r e- 1 7 - l 6
100
l f Y t n rC a n F i n d M e . I ' m H e r e- l i - l j
101 "9 9rn$ou" Sro*rtlreff cy--,4,,{usico0Qe0teuo
9q,Uou I Qe0leus JIlecl,UhU ffingu,1sb J I u s i eo n d9 g n t c sb g S t e p l ' r eSronn d h e t n r p
Take heart, my ,-
poco cresc.
be - lieve in
friend,
I've bucked the
-
f
t
poco cre$c.
?---7-
Some
f,F
O 1990RILTINGMUSIC,INC. Administeredby WB MUSIC CORP' All fuehts All RightsReserved
say
I'nr
-
r02 r-3
-l
t-3
Or
I'm
out
of
my
mind.
r-J
+
|)^b I + +
IG
They'd be star-tled to
r--q+
true.
zffr\_
a)
l
TT VL'
l
---l
r-3
Ev - 'ry word is
find -
1 3 ) 1
I
dim.
,{h,
tJ P
They ask me
why
NTJ
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?)
n[
r--91
I
l-
I ' a )
be - lieve in
I
qr_* ,ir',J
I
to'',, 1-J
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9 poco cresc.
on - ly
I
re-ply
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AW
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a
l
poco cresc. -,,^ )
\lffJ t
I
vou. --.-
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t
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#sp
e
o T h e l ' A s k N { cW h y I B e l i e v ei n y o u - 3 - 2
be - lieve in
-,r\J 4
r-9
1
f--3
---t
r-J
don't think half
*{*r:"
r-3
your - self, -
-r dim.7-3 --
It's -
}J
e - noush
J To Coda S
r-3-r
be - cause
--r
vou don't
your - self -
Take heart, my
P a tempo
_ --___
_
.ffP a tempo
y Ask Me Why I Believe in you - 3 - 3
104
"Sotu,tdcrg tfrec,{dusieo0 cAiig{,rt" ?I,tom
9 Qennsmbentlhat
d t u s i eo n d9 y r , t c sb g S t e p [ r eSno n d l , e t n r
Ruminatively,rubato J Se
I
can re-mem - ber
want to know.
a
tt+'
fa - ces of
names,datesand pla - ces
know the date of
the
Par -
r
O I998BURTHENMUSICCOMPANY,INC. Atl RightsAdministered by CHAppELL& CO. Intemational CopyrighrSecured All RightsReserved
peo - ple whose fa - ces I
But
datethat I'm
105
That
h a z - y
I
was the date
re- mem - ber, in
ear - ly Sep- tem - ber, Or
l r i
No vem - ber.
it
three years a- go?
Up
cer - tain
a
point
my
mind
is
rit.
---
Ev - 'ry de- tail of that
clear.-
u f
T r P \r{
|
f
'
.
T t F r
l
?
f
rit.
date that
f
fate - ful
,F
Even rhythm
{}-€ year.-_-__--
o-1 iqn-fJ '--J-'' I
IRememberThat-7-2
I ar-rived at
LLI'I
r__Ll'r
t
sev- en;
r__tl'r
106
I'd stoppeda- long
To buy a big bou - quet
the way
I
re-mem-ber
r-__L ol ' r r_t I' r
C
J
U
'
In a French-type rest-'rant,
r._L| r
i lrF
We had a sir- loin
f':-ij '
Run by a guy
steak
for
two.-
I re- mem-ber
namedJake,
r._Ll' r
I
re- mem- ber we
a lr frf
sat out in Pros-pect
lRememberThat-7-3
Park in the glc'w of
moon
light.--
Af- ter that, we went back
to
r07
your houseanddancedtill
w
e
'
dawn.
\.,]
-
-
i
rette.
\.J
I
l
2j! _ -l_--_-I_-.-!
From thenon I
LLi'T
r
$lrl lr
J
f.---_rli i l ;
I
for - get What I said,WhatI
e
br-r
a
--
fal - len in lorr e
did and where I
was
atl
' r ' r ' r ' r " f l
I'd
-
You lit a cig
r__Ll'r r__t_l'r
,.1
a
For
cof - fee,
I was pour- ing
with
I'"---J/'| r r r
you,
(t
f
'\'------z-l
.
,
l
' f i r l vt/
r
l
re- m€rn-ber I'd
fal - len in love
r
,l'-------? . ' ; r
a
e l
I
mp
=
t ,
with
.
I
r:r
you, That's the one thing I
re- menr - ber
' v i r n ( IRememberThat-7-4
I
re- mem- ber
+ that.
Ltr r L t r .
a-
r08
Up
to
a point your
mind is
can re-mem-ber some
doubt.
€__-G
things that you
left
I was dressed at
out.
rJLl'r r_tl'r r_LI' r
np
r---I'l
rJtl'
r-__Li c i ' r r--Ll'
Sinceyou'd bought me
r r lRememberThat-7-5
ilfi
109
J
or--tl'
You were a
the check.
You could-n't paY
flow - ers,
r r___Ll" r L_tl'
rJti
I
ner - vous
r
I
by
wreck
re-mem - ber
I
then.-
I
that'
re-mem-ber we
L,H,
a J lf F
-
Ioi:
J
-
r
-
e
=?F
[E"t
["rE?l
lI G
-5
sal
in the park
In the
glow of
a
p'lice- mat
qr
ar-r--jf
r
's
{t
\ight.---
flash
r
r'
*(
t17
Af - ter
r
Ir
Ir *s
'r4f
-1 ---I
that
we went back
I R e n r r ' n r b c r T h r-t 7 - 6
to
mv house and sat
some
more,
You werepour - ing
110
cof - fee
a
All ov - er my
new
dress.
r___J-l' r
r..=-_I-l'I
r.---_J-l' I
From then on
con -
I
e
f-=---l--l ' Afr?
I
rall
fess
I
for- get
What I
said
and where
' r
Q:r -', .J
was
t
i l r
"r
atl -
But
/
f i a /
l
V
I
,f;f
l
__
r o
a temPo
did
fall ir love wir.h
yo ,
o f -E-r- 7 ''-'--J-I
I
v t
'----
a tempo
r
r "
e mem-ber I
-'
a l
t
did
fall in love with
' ? it--..-J, - a
you, That's the one thing I
? t
f
r
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t
a
e
mp
7 _ -trl
f , _
' o - . . - - t -
do
|
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re-mem - ber,_
|
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|
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re-mem- ber
|
that.
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you.
T h a tO k l P i a n oR o l l , l l - 2
on - ly wan-na
you
3
3
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t = t = /
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by. Come on-
lift r._--
r
ili T h u tO l t l l ' i r r n oR r r l l I I
3
fr+ra -
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r
fr
sllcc. e cresc.
r
ilT
a - long,
Come on
frtt?
r
c
and dance,And
-iJ
e
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114
may
a)
!!!I
h'-
? 7g
t
a u t ft r t F
L r r r n t L J
Iegat0
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T h a rO l d l , i r r n oR o l l I I - . 1
u
r
r
yrz.-St
-
I
on - ly wan-na
y o u!
3
They
got some-thin',though,
be
beat,
Some- thin' real - ly
a
They
gol
3
116
p l a y- e r
Yeah - bo,
But
----/
A
Ihrrl Oltl l' lrno ltrrll
II
6
no,_
But
folks from
could hear
And what I meanis
L3r
3
'L3--_l
'
3-)
sl0ccato
T h a t O l tIl ' i r n r r l { o -l l I I - 7
ll8
rag - time
brain.
[ ' m g o n- n a w a n - n a
L3r'
T h r t O i d l ) i r n oR o l l . I I
3
ll
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T h a tO l d P i a n oR o l l - I I - 9
f = t =irt=
l iLf rur(il,'\ >
r
r---t
fr1-
the blues,
tlj
i(#77 p
r
fr?
r
ril.
7
\
I
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-=-=--
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W e ' l l k e e pd r o p - p i n I
on - ly wan-na
I just
wan-na. .
I just
w a n - n a .. .
> >a
122 '.Jnlone S,ton tlreJ,{ustca0 Con cl,tlf,ist0e"
ct,Uitfr So9ittOe?"oQe Sufte Cd
J I u s i ea n dS y r r i c b sg S t e p [ , eSno n d h e r n
Moderato
ti
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at
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now
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there's an-y-thing
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sure e-nough of
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you
makesme
sure e - nough of
me.
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um/
ffi
C9
ffi
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FEETT1 l'.|.H
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Thanksfor ev-'r.y-thing we
Ev - ry - thing that's
r r 7
With So Lifile ro Be Sure Of - 4 _ z
-
124 F6
(-
Aml
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ffi
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n
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-
ver -
Ft
fast. -
too
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c
a
i 4
ffi
o
Ev-'ry-thingthat's
past,
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c
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e of
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bD mal /
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t
r
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--_
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last,-
All of it wiil
H d |
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rffi
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here
and
Aml
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f f i # f f i E v - ' r y - t h i n gt h a t i
qr r 'l'
Of,TT
r
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Em la.r.t+4
ffi
H1n l#l
was
It
mar
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.
vel-ous to
4 I
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l
now
l
r
l
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to - geth- er!
us
and
'rr r r r r c7tsc.
r
t
tl r ? l t ? l
{> know
cl
&
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(
And
you
r
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l
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t h r ou g h .
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Cra
zy
bus-'nessthis, tbis life
>
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Em7
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Fqr
live
Can't
ffi
c o m -p l a i n
a - bout the
time
we're giv
With so
>
1,.A'-
\---
--=-Dml &
H+ffi trfi
fif,l
lit-tle
C { J I I T ]
to
b e s u r e of in this
Ir.
D -hn
cl
ffi
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world,
we had
ffi
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m o -m e n t .
a"
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world,
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\7 WithSo Liule to Be Sure Of - .l - ,l
ffi me -e
e Fr
t26 "saiu,tdog Srom iheu{,{usrco0 .,Uiglut"
Satunday.Ilight Brightly
f
J I u s i eo n dg y r , r c sb-g S t e p h eSno n d h e i r n
) ttz
denche
[{e's gon- na get the Here's a re - vi - val
axe of
from her; "Ben Hur"
What would ya say Goes on at nine
S a t u r d a yN i g h t - l 0 - I
O I983 BURTHEN MUSIC COMPANY, INC. All Rights Administeredby CHAPPELL & CO. All Rights Reserved
to fif -
see - in' teen at
a the
tn
How does the com - bi So when I got my
na - tion mind on
John - ny Mack Brown Who gives a damn
of sex,
Bess - ie Fran - cis
and for
(Dialogue)
6rEi a)
hit - cha? Bush- man?
Love X.
a-\
a
a
J
i
-
'
l
t
Iegato
I
I
)r-gh::rt--
The moon's The moon's
I
.3i
mil - lion watt e - lec - tric ov - er- load- ed Mox - ie
a an
.---->
It It
.-,->
SaturdayNight - l0 - 2
shines shines
up at
the you
friend- ly ,---f'-.
f ,.14-:
and
climbs. bright.-
r28
got - ta got my
spend an - oth - er bud - dies and my
Sat-ur-day bud - dies ar6
At fine-
But
home not
with the on a
To Coda O New York Sat- ur - day
--..-}--.
Moon- Iight on Flat - bush
a
pa - per and
a place where you
fight
the
urge
to
a place where the
I
like the Sun - day
fu- ture looks black.
Times all right, bur
A
O CODA
John- ny Mack Brown and
I
1 'ed
Love...
Love...
131
what can vou do
Sat-ur-day
o n a
night
Ted:
What
can vou do
o n a
lone?
Sat-ur-day night Artie:
What
can you do
o n a
Sat-ur-day
night
Dino:
What
Who
needs a view
on a
Sat- ur- day
Who
night
needsa view on a
Sat-ur-day
Who
Sat-ur- day
S a t u r d a yN i g h r - l 0 - 6
night
can you do
lone?
night
needs a view
on a
Sat-ur-day
night
needsa view
o n a
t32
it's
a
Sat- ur- day
night and
If
it's
gle,-
a
Sat- ur- dav
gle,-
Sat-ur- day
6
with
a
pa - per and
fight
with
a
pa - per and
fight
with
a
pa - per and
with
a
pa - per and
SaturdayNight - l0 - 7
the
urge
gle.-
urge
gle.--
-i--
fight
urge
gle._
home is a place whereyou got-ta go
Home
is a place where you got-ta go
back
lone.
is a place where you got-ta go
Flome
l
I
mP
Home
is a place whcre you
is a place where the
fu-turelooks black.
is a place where the fu-turelooks black,
is a place wherethe fu-turelooks black,
got- ta go
SaturdayNight - l0 - 8
is a place where
134
Thing's-'d be diff - 'rent
an-y
oth-er
night
But
we're on our own
on a
Thing's-'d be diff- 'rent
an-y
oth-er
night
But
we're on our own
on a
Diff- 'rent
a n -y
o th-er
But
we re on our own
on a
an- y
oth-er
But
we're on our own
on a
t h i n g ' s- ' d
stead,-
l
,4f
All:
Sat-ur-day night,---
w
:
-
t
With
| - r l l
t
l
c
rl
lc
rl
<>
r I
l-'l
a
I
I
r
r l
{>
-'.]
t)
-
|
t!) l
l
t
on a
t
u l
a '
l
Sat-ur-day night,_
t
l
l ---t-
.l-%
SaturdaN y i g h t- l 0 - 9
r'
,l
CT
r
5 r l '
Sat-ur-day night,_
r And when you're a- lone
,l J1J
no one to phone on a
r
l
t
l
cresc.
I
I
r '
135
S a t u r d a yN i g h t - l 0 - l 0
136
..Oicb ffnon tlw,-,illtotion eictu/re ffnacg.,
Q,lt)hat AanUou gose?
J I u s i e o n d 9 g r t i c sb g S t o p l t eSno n d [ , e r m
Lazy Blues1.j = lOE)
you lose?
'--ze
-l
I
mP
On
the blues
fi Y C
+
l)\r/
Y
Why keep
l''
nP,
f' W h a t C a n Y o u L o s e ? - 4I -
lng
K f
f'Jo
PICTURESMUSIC& SONGS.lNC. O 1990RILTINGMUSIC,INC. andTOUCHSTONE All Rightson behalfof RILTINGMUSIC,INC.Administered by WB MUSICCORP. All RightsReserved
'ry ev thing you're
137
May-be,though,she
J
What Can You Lose ?
138
J. +-
It 7
Those are the dues
;
?
*l ) ' \ - /.
r
Once the w,ords are
What can you losel
WhatCanYouLose?-4-3
€
k e n , S o m e- t h i n g m a r b e
But what if
she goesl
love her-
139
-
you have part -
of
she had
What
mp
bone._
There's too much to
t
- \ i _
a'l
Rull. . .
f t
to choose'l
l,l:-.--
Leave il
n''f--=:'^n
140
" if,tomtf,re -,{,(ustco{ tft00ies"
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ROAD
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T
I
?
?I
That corneswith be - ing on - ly twen - ty - one
e I
142
o
e
I
I
I
I
' € > have
?
Y
T h e S t o r r o l l - u c r r n d J e s s i c- ( . )- - l
such-
grief.-
my
be
,,= i:fr
is
r. t.
(q).]?.--,-r'. ,l
.=
-.
dress
* t . /-l
rIllll
-.
nr ' / - l ?.
q7:r' rt
* ? . /vl
.r .I]
sie wants to
be
T.
(q)f- -1-.
nt ' t/'--/l ?.
Jes -
t.
Lu
-
cy
wants to
be
Jes -
sie.-
tt.
W.
\T iG G)f]l' bTi u)i
nf=p:
u#--E: '/ -J
T h c S t o r vo l l - u c ! a n d J e s s i e- 9 - 7
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149
" J.,tusica0 Cutffnonttrre tlo00ies"
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V
V V V
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l l
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v v v v
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O l97l RANGE ROAD MUSIC, INC., QUARTET MUSIC. INC., RILTING MUSIC, INC. and BLIRTHEN MtiSIC CIO All Rights Administeredby CARLIN AMERICA, INC. All Rights Reserved {Jsedby Permission
v , vt
Q - u -
u
v v v v v v - T - v
vvvvfr-"
r.fr"--/
The do - min-ionof the
ffiv
-9-2 P l e a \ r nl -ri l l l cK i n g d o m I
I
vvv-v
v v v v v v
v
v v v
v v v v
V V v v V V \ \ _ -
ment-
a n - y g l v - e nm o
i l v-v
- t Y v v v v v v V
v v
v
v
v
i-Fvvvv
v
sub.7t
cresc. poco
tles
man-y lit-tle bat
cresc. poco a poco
you,-
; lt = t l v
v
V
t
V
l t r t} l l V
V
V
-f f ti v f fl-r r r l _ . 1
r52
head an - oth - er drrve
din - ner guestsar - rive.
And we
non legato aEl
trip
And un - less you real- ly look,
u#
-\\
a
dim. poco a poco
we took
And the
You would think we were a - live,
153
SALLY:
\----// Full of
I
v
V V V
Y V V v
v v
v v v v
pleas-antlit-tle
v
vv-Tv
vvv
There are
days,-
vv-vv7"
-
-----/_ char-i-ties and lec - tures-
rJ_fr v v v v frr P l e a s t r rL) il l l l c K i n g d o r n ' 9 - 5
And
ffivfr-
flow - ers
to
There are
raise.-
v v v-Tv
ffi"7
v-Fv
v v-T-v
Vfrn:
v v v v W-
lun-cheonswhen there'ssome-one to
re-mind me And I
the
nev-er look be-hindme.
f v v Y v - v
v v v v v v \ - -
-----/mer-ry lit-tle
J v v v Y
P l e a \ x n [l - i t t l r K i n g d o n r- 9 - 6
chores._
V v v y
Lots of
v v v v y v
gar-den-ingand fix
V
V
v
V
V V v-V
v v v v v V \ - '
155
drive-way
v
Jv
v
v
V
il...'ffivvvvv
v-Fv
cresc. poco a poco
molto legoto
p
lI--J-J-J7 v
v
P l e a s r nlt- i t t l eK i n g d o n ' 9 - 7
l
=
l l ? L-J----J.-J
l
v
v
v
v
v
v
t
v
v
v
v
:
v
v
156
read a
And
I
And the
cresc. poco a poco
T f
t
. 1 - i
t i
iY 7
T ' l r
I
T
t )
r
cas - tle needs re - pair
Broadly
nev - er shed a
tear
mp non m(rc.
molto rit. p
P l c r \ r n tl - i r l c K i n g d o n r '9 ' 9
j
158 " if,tom tfte.Ituslca{ "Jo{{ies"
?Ioo./Iarng./t{or,nlngs A d a g i o1 J = 1 1 6)
f-('-
f--=(f
J l t u s t ea r n dS g r t t c sb g Ste pl,ren Sor',dl,ret,rm
f-Lf
f.--t=
Sempre poco rubato Bmai9 86
=-Too man-v morn - ings.
Wak-ingand pre - tend -
r=----Lrr
for you,
reach-
7.
,7=
t - r f
\
V.
I
Bmaj9(+11)
- sandsof morn - ings.-
7.
--l
l\r-
'
r'--Lr
T_ +
l-.]
G I m s u4s
cf,me/cf;
wast-ed,
mere - ly
,+6 GImsus4
-9 Gf,.rur4
-=-----Time I could have
-r--..-.--
{ ( ) I 9 7 I R A N G I . , R O A D M L I S I C I. N C . . Q T ] A R T E T M U S I CI .N C . . R I I - T I N G M I I S I CI.N C . I N d B U R l ' t I E N M L l S I C C O . .I N C A l l R i g h t sA d m i n i s t e r e db y C A R l . l N A M E R I C A . I N C A l l R i g h t sR c s c r v c d L l s e db y P e r m i s s i o n
f, I/!-T'f-= rrrJJ
8' amajg
86
man-y morn - tngs. man-y mornr-lngs.-
Morn - ing to morn - ing, How man - y morn - ings -
Bmai9
Wish-ins ttnt tlrc room might be filled Wast-ed in pre - tend - iri'g I reach
Turn-ing in'to Are there still to
with you, for you-
How
the much
i
days time
that I thought*ouldnev< can rre hope that thete wrll
All Not
the much
those there's
\/ a tempo To Coda@ (Gm7-5)
Flc
-G
-
to-the bed, (S?1"*lI mov'ing
door,
(*1;Y*)'"., . ing in my -------\
_--
i--'--/
..-G
DbO
with flt94 headasirst rnv head. \nts/
TooManyMornings-4-3
E
;
Dbmai9
161
T T'T @poao!?"p t --(rF*l#)
stard-ingatthe
door,
--ill-:-1'I mov-insto the
-'-----:-------
. _ - - - . - . .
5 B f/ 9 = = - - - - _
(" s:t^ ^]l*st-ing \JOme-one,,
TooManyMornings-4-4
in my
arrns,
my *tth(li1 heada-gainst
t62 "Jssosstrns" ffnon theJ,{usiea0
cllnutronthg O$Sour,goue
u , L t u soi en d9 g n i c sb g S t e p h eSno r n d h e t n n
Soene:The bascmentnecroom in John Hinckley's hou*,.(Hlnckley ptcla up hisgultar and accompanleshtmself) HINCKLEY: [,ove,John. Moderato(J = l12)
HINCKLEY:
Unworthy of Your Love - 8 - I
@ I990,I992RILTINGMUSIC,INC. All RightsAdministered by WB MUSICCORp All RightsReserved
163
I-
would swim
o
- ceans.l-would
moun - tains,I-would
move
do
.\___./
---___---l
y - thing- for
I-
\-=_---./
am un - worth
What do you
want- me
to
do?-
Jo
of your
---_----' \-\----l
Unuol1l1 ,rl Yilur Lorc - 8 - 2 I
164
= =
(n-F V I
Tell-
\-_-----l
me how
can
earn your
love,-
--.-_-----
------t-'
(Lights up on Lynette "Squeaky" Fromme)
FROMME:
l a m
-----------/
noth - ing,
\------l
wind
-__----l
\-,--l
and dev
il
and
---__--.-/
Unworthy of Your l-ove - 8 - 3
j
l
165
r
mv
heart- in two. -
If
that's
p
W
what you
want-
me to
poco rall.
€
I-
am un - worth - v
-.---------o Unworthy of Your Love - 8 - 4
of your
Char - lie.
dar
r66
I-
have done noth - ing
for your
love.
IT
f'I
il>
HINCKLEY
mp cresc.poco a poco
(Ff) f
I
r67
I-
You-would be
queen to
would
crawl
Unwonhl ol Your Love - 8 - 6
-
ly - deep through
me, not
E - ven though I will
die for you,
Ba - by,I'd
bel
E -ven though
al - ways
I will
I-
am un - worth-y
of your
I-
amun - worth - y
of
your
168
dar
l,et-
me prove worth - y
of your
Let-
nE prove worth - y
of
I'll-
find a
way
earn your
I'll-
finda
wav
earn
trt-F
V I
-r-------f'\\----l
Un$orth), of Your Love - 8 - 7
your
your
169
_____--,__r u
o
w
-\---.l
Unwonhy of Your Love - 8 - 8
'-\-------l{>
170
'eoci$ic tl,tornt&eJ,tusoa0 Ouerrtuftes"
9s.AJoOtteftcl,Uog ffinene Jlusteond9g,ticsbg Stepl,er', Sondftetrnn Moderately(J = l20l
-
--------=r-
O
I
++++++++++++++++
o
l
??+++++++++?+++r
++++++++?tt+*++r
l
++++??++?+++++++
++++?+++++++++++
(Hand drum)
p
T h e r el . N , ' ( ) l h e rW a ) - 8
I
O 1 9 7 5& 1 9 7 7b y R I L T I N GM U S I C I, N C . AII RighrsAdministerecl by WB MUSICCORp. All RightsReserved lnternational CopyrightSecured
OBSERVER 2:
pare ft)r your re-turn
(unmeasuredaccel.)
semprep There[s No Other Way - lt - 2
The heartknows
pectyou thenat eve - ning.-
There ls No Other Way , ll - 3
(There must be
oth - er ways.)
. - 1 - d
Thcrc I. No OtheLWay
ti .l
I
The storm ap -
heartre - plies:-"There rs no
oth-er wav.-
t h e r ei s n o
OBSERVER
I will pre-parefor your re - turn, I shall ex-pectyou then al
(unmeasured accel.)
(steady tempo) There Is No ()ther Way
ll - 6
7 the tlt gooo-uy"r. g/iss.
T h e r cI . N r rO t h e rW r y
8 7
no
oth-er
(unmeasured accel.) (Bellplate) |
,
)
a) dim. poco a po(o X
X
Ihcrc ls No Olhcr Wr)
X
- lJ - ll
X
178 Cut $,tonr tlreJ,{usicaQ
"Coupany"
Jhu0titildes Od,+mus
/lusie ond9g,ticsbg StepLen Sondl'reirn
M o l t or u b a t o1 J : 1 2 0 )
-, fh
F
a'aJ )
F
F\
a 1 )
4 1 .
a 1 )
Crowd the streetsbe - low
;F.
O f - f i c e - f u l so f
an>
F
ta- 1.
-
"y-wherc
a
.J
F\ +' \
t )
T
-
or
r))
Wor - d e r w
(F. 1' )))
arrlt. e a e
e l e
a 1 -
a o
M u l t i t u d e s oAf m v s - 7 , I 02838
O 199I zuLTINGMUSIC,INC. All RightsAdrninistered by WB MUSIC CORP. IntemationalCopyrightSecured All fughrsReserved
t it
\\--l-
Ho - ho.
means,-
d
tq1lr io'
I
179 con molto
for
the
bus,
pear- ingthroughre - volv - ing doors.
mys,_
arezPon'-fr\: t - a J
Ev-'ry-wherel
,--\
t J -
MultitudesofAmys-7-2
S e n - t e n - c eosf A - m y s ,
,---.F'.'
;n> e
l_J
; e fr)-. l e
r80
book._--
means_
I've gone
to
( )
Ev-'ry oth-er word
sornc - thing
/-:-:-'
with
p i c - t u r e s o fA - m y s ,
at
lttt<'o tlint.
me with
A
of A-mys
she
says.
181
au - di-ence of
r
€> rall.
I've caught
sta-di-um of
a tempo (-F\
A
"tf 4,) ) .
Multitudesof Amys - 7
- mys-
r82
Sym-pho-niesof
h
e d e
I knowwhat it
a
-LJ.-J a let
J
rrolih, -1' tJ
MultitudesofAmvs-7-5
i-]e l e
means,_
my,
I know what
oh,
I
)
IF.
a'a J
q[h, 'rJ)
KR
1 ') J )
183
r-1
J A
r a[F\ 'tJMultitudcsofAmys-7-6
184
Q
l
l
l
'
l
I
f -i\
3'J )t
[h,
7'I 'l !
.i
-
I know what it
L--)-.-
poco dim.
fF.
fF.
a'rJ -
-l
a'rJ )
\\--l-
means,-
H"y,
A - my,
I know what it
means.-
Oh,
wow!
.-\i
a)
ryfi j r
5;vy
!pe \7
C}
f
//
I'm
read -
y,
,.--l'.-''=......''---
['m
-
read
y,
I'll
,rff\
say
lt:
//
cresc.
//
"i-_- {--------->l
-l
MultitudcsofAmys-7,7
3-e
:>
A
> rQ.
"Sundag 9n €fineQar,bQ,{litftQeonge" S,tomtfiec,it(usica0
JitoueCr',
Tranquillo ()=
185
J I u s i e o n d$ g r t t c sb g S t e p l , eSno n d f t e t m
;13 Z)
.v
wor - ry-ingwhere-
Y'
you're go-ing - -_
sempretegato
you can know where-
O I984RILTING MUSIC, INC, (ASCAP) All RightsAdministeredby WB MUSIC CORP All Rights Reserved
you're
r86
you've
a)
'
I
I t
+!J
t
r
r
t+l
+
+
gone. _
Just
1 i =l-'t ( I I L I
i
keepmov - ing
chose, and my world_
was shak - en --
choice may have been _
f
i
r87
cnoos - lng was not. _
i
1 = Y
I
I
poco dim.
P poco rubato
P
poco rubato
t
not
Move On - 12- 3
at what you'll be.
Look at
all
the
things you've done for
taught
me
how to
' / 1 + T l f l '
no -tice ev - 'ry
tree,
un -der -stand the
' . l =f r T l
= 7 =
Tt-- I
r r t
e
con - cen-trate
' r )
-
on
F
|
want
to
hnd
to
how -
=
get through,
t
T
L
cresc.
poco
I
poco
move
,7--_
190
c = {>
= -
=
T
? 7 1 'I L-)---
-a 5
-V/
wor - ry - ing
M o v e O n - 1 2- 6
if_
your
vi - sion_
191
v----.----
do.
keep mov-ing
l-
r'-
t r t r
on.
p I
I
then at
,-
Move On - 12- 7
r92
things you gave to
me.
Let me
gtve to you
some- thing
in
.z-
Seewhat's in
of my hair
M o v e O n - 1 2- 8
my
And the
way
it catch -
193
hw
t
t
I :>
he
qs mov - ing
' -
q r ?i
Jre
Jh); M o v eO n - l l - 9
t -
qe
hU
t94
al -ways be-longed
E-_Li_r
to- geth-er!
? I
I
will ---e
I
M o v eO n I l - l 0
I
be - long
2-
195
'I
1
.
:>
l
>J
r
>J
)
I
keep mov- ing
e I
on.
Y r + f
dim.
poco
ct
poco
196
o
An - y - thing you do,
let it
come from you.
---
Give us more to
M o v eO n - 1 2- 1 2
see... -=__-
Then it will
be new.
---
-
