-
-
Ha
Contents Preface Introduction Elem Elemen ents ts of Jazz Jazz Harm Harmon on Inte Interv rval al an Tria Triads ds Sevenths Seve Sevent nt Chord Chord Simp Simpli lifi fied ed Seve Sevent nt Chor Chords ds Walk Wa lking ing Bass Bass Inversions Circ Circle le of Fift Fifths hs Chrom Chromat atic ic Alter Alterat atio ions ns De en ho Ch Elev Eleven enth th an Thir Thirte teen enth th Chor Chords ds Subs Substi titu tuti tion on Chor Chords ds II-V-I Progressions Progressions Harm Harmon onic ic Patt Patter erns ns Scal Scales es an Mode Mode Swin Swin Pian Pian Styl Styl Bass Bass Tent Tent Syst System em Bebo Bebo Pian Pian Styl Styl Bloc Bloc Chor Chords ds Pian Pian Styl Styl Mode Mode Voic Voicin in Chor Chor Symb Symbol ol Appe Append ndix ix
Preface re
re
lr rs
th az pi no in ne om re nsiv nsiv ol me Many Many oung oung spir spirin in th ri iq
as ects ects
mate materi ri rd mu ic io
is re ente ente ri
Like Likewi wi e, st di to
ev te
perf perf rm nc ex aust austiv ivel ely. y. Bu ea ro ll ic ty is ti in in
te hniq hniq es
pl yi
zz pi no
th ra ti ia ists ists awar awar
ex lu iv ly to th de el pmen pmen
ch pter pter deal deal with with ecif ecific ic te hnic hnic is ro le it re t, iv is
keykey-
pr b-
Introduction music. It in
ti
ic
li imil imil
lu io
oa n - ga ga rd rd e twel twel e-to e-to te hniq hniq th a oa le th r. o- alle alle "ser "serio io s" musi musi nd zz lies lies in th tw ,m st char char ct ri ti
tw feat feat re
th zz
1.
rf rm betw betwee ee th tt devices.
lo
ri ti ri comp compos oser er an inte interp rpre rete ter. r. ti th th
rm ic th
In
th io
th
it to
le rf
in ri te th ti lo rm esta establ blis ishe he duri during ng th baro baroqu qu peri period od (160 (16000-17 1750 50). ). It is bsol bsol tely tely ssen ssenti ti ic ia iz it tr io rm provIse.
is in ti ra ti
or er in rd orto im-
-
interval. Inter-
io
on
s.
name name
th high highes es note note
_ 0
_ 0
& . . . . . . . . . .
. . . . . .
& . . .. . .
fifth
unison
...........-
& . . . .. . . .
& . . . .
sixth
scale scale degree degree
IV
VI
root/
i. e.
major
diminished
VII
(I,
is dimini diminishe she
(0)
IV
Ii
Sevenths notets). Seve Sevent nt chor chords ds ar tria tria
it
stil stil anot anothe he thir thir
supe superp rp sed. sed.
IV
II7
1II7
IV7
majo majo seve sevent nt
IV
FM7 10
chor chords ds (M7) (M7) e-
mino mino seve sevent nt
chor chords ds
VI
mi
minor
Am7
domi domina nant nt seve sevent nt in si
ed ri th
chor chor
¢) half half-d -dim imin inis ishe he seve sevent nt chor chor or se th ow ng he nt al dimi dimini nish shed ed seve sevent nt chor chor rp ed mi ds
mi sh which
diminished.tl!;inor
major!llminor lriadseventli
B¢
Bo
Seve Se ve th Chor Chords ds he le (melodic). As yo
re wi
ra ot
th
r-4--t.
er
rs
ll
ar ni rc ro figur figured ed bass bass
he ht nd zo ed it ch ym ol
ll
ow
Th stro strong ngly ly sync syncop opat ated ed figu figure re
11
....,
II
VII
"n
.-
CM7
--
C6
FM7
VII
.fL.
~-r-'1
-fL.
......
L...J...J.J
-........J~
""
CM7
B¢
Am7
Em7
Dm7
Em7
VII
II
m7
VII
G7
II
II
_f:-.
r-
9-
B¢
CM7
fL
on
CM7
Dm7
VII
.fl-
I'
CM7
Dm7
CM7
Em7
•~~~f: I
I
I
Am7
-~
I
....
G7 12
G7
Em7
FM7
Dm7
CM7
----
CM7
Em
fl
,.
t;;;
Am7
B¢
.Jt,....,
r-
:.
FM7
Dm7
r---- -s-:
1\
,.
Em7
,.
--.-........J
I~
C6
'"
Thir Thirds ds an Arpe Arpegg ggio io
-."..~ It.
_..J r::lr
CM7
Dm7
B¢
G7
r-r,....... 141.1
Io....J.....L.. ,.,
CM7
B¢
B¢
Em7
Dm7
CM7
Dm7
F6
It.
Dm7
B¢
Em7
Dm7
CM7
II t.J
14
Em
CM7
Dm
ft ..
G7
Am7
FM7
G7
CM7
G7
Em7
-'IlL
FM7
CM7
_.
Dm7
FM7
Em7
I
I
:s G7
C6
B0
C6
-------------
i!,....,
L-:r ~:
O_,
CM7
Em7
Dm7
f:.~.'f:.~
fL
..,..
~~
Ie
~:
~: FM7
1\
FM7
G7
fL
..,..
..,..
It)
b.
-r--
.1
;t
............
-:
~:
Em7
Dm7
G7
.,..
fL
1\
oJ
oJ
.,.._
..,..!'-.
-,:..,.. iJ
1>-
Em7 16
Am
Dm7
CM7
-
___b_.
......,..
1$
.1
..
~~
I-
Dm7
Am7
G7
B¢
II-_
Em
B¢
_.....
~ -
.,
4.J
CJ
Am7
FM7
G7
Dm7
Em7
FM7
Dm7
i't'1
r--'r-I
......"
....,..
41
B~
..... ~:
CM7
FM7
Em7
Dm7
.~ if
1>.-------......
""-j--J
--:t-J
-......::I
~:
Em7
Dm7
CM7 17
....
Em7
Dm7
CM7
.,..
FM7
~.
~~
.#.fI.
'OJ
G7
18
C6
Am7
Dm7
G7
Am7
FM7
Am7
Em7
B¢
FM7
G7
Am7
Em7
.1
_1*"_""'_
_~"'f:.~"f:.~_~
-e
-.
jit_
Mo er rd
ia ists ists re te inte intere re ti it in rs
es enti enti
th
th righ rightt- an
mino minor, r, or half half-d -dim imin inis ishe he
re
onor onorit itie ie by el ctin ctin ll voicing, ld
im rovi rovi atio atio seve sevent nt
nd rear rearra ra ging ging cert cert in otes otes
onta ontain in th se mi si
-h note note
ecau ecause se th in
chor chord. d.
or
or C7¢
19
.'1
.'1
It
fr
Dm7
G7
B¢
Em7
':J:."* b,., '~ G7
C7
'"
D-e-
F7
...._:
b1
A~7
FM7
20
F6
-
"I
-
II
....
....
L--
BbM7
b6
C7
,.....,-,-,
s:»;
(b)o
Co
CM7
,..._,
""'""""
~~#-
'1Y
FM
Am7
G7
Dm7
I""'-oo!
_.
.... I~'"·It·
... "iJ* "iJ*
....
_ll
ff
E7
Am7
t;'I
_l
::
....
u· t;'I
Am7
D7
Dm7
-6
Dm7
B¢
G7
Em7
.....
1'-'
r:;.,;
?,;
FM7
C7
Gm7
-6
Em7
j_
Ill.
(2
~.i9-
AM7
Bm7
DM7
dm7
v-____
-'---
Il
"*
"*,-
"JII
Dm7
IU
Dm7
CM7
G7
G7
-,
'J "1
22
G7
Am7
B¢
Cm7
Ie
BbM7
Fm7
Crn7
G7
!5'"
Em7
FM7
-e,
-_
......,
Ie
!!
b:9-
9-
v_
GoM7
Dm7
G7
........,
,........__ v_
Ie
P-6
-6
£OM7
,"
FM7
B¢
........
Em7
:g
"1
G7
FM7
23
lk ng Bass Bass
-a la rs line line
ig li pl re ll in
tw ur ti
is
ic
rh thmi thmi
ti igur igur
in
Il
~.
....
::>
'---
'I""'....____...
::>
F7
C6
r--: ..__,
v--------
C7
":
....__"
-----
F7
_ _ " .
.". C6
24
'1'_
....
--, G7
i'i"'i
"""--
-4
G7
Fm
,...._
_l
'"
....
::>
;;.
q...
F7
J:::l -#-
F7
it
_l_
-:J.
··H· G7
~,
..--:::.
,....-":I o·...
'"
b'it__l
.~
F7 25
~ -
--_-----
-
't
J.:--
I'., -I
D7
rl---._I
fI
G6
r--L_,I
D7
Am7
E7
I'_'
If"'"
B7
Em
Em7
t\
.1'
.I
lu ..-
E7
'I
J.J.
..----.=
AM7 26
Bm7
Bm
F#7
"vo
DM7
GM7
CM7
---,
I~r:
;-.J
R~I:
!I'
~~
FM7
..".
DM7
D7
,..,
...,
n~
R~~r
If
'---r
~r~r
~Hf:
;:
~.
-
Em7
./I,
....
V~_
''I.,.
'!:!
,...__ -*
"If
G6
27
= I= l
~I
_l
!1
~n-_.,_._-
D7
iT
1'-
....
-,t D7
G6
Inversions he pr edin edin rd
xerc xercis ises es de lt main mainly ly with with tria triads ds an roo positio positio th th te
I_Jt
root
ev nt
chor chor
in ro
siti siti
--
first first invers inversion ion
bt'
:1;:>"%2
third third invers inversion ion
-&
izz2~ 28
b-'l.
second second inver inversio sion. n.
-&
incr increa easi sing ngly ly by mode modern rn pian pianis ists ts
10 .:,g.
I-
C7
CM7
_jI_
1'l.I
v~
li
GI
GI
"!9-
Co
DjIO
GI
,.. GI
7:
6 (
I-
--..
-6
Am6
G6)
f.
"-6
-6
CM7
....
Co
29
Ii
ii
,.,.
G7
BIZf)
?7
'"
r.
....
c.
Fm6
F6
chord. C6 ir inve invers rsio io of Am Dm6 rs rsio rsio G6 rs rsio rsio m7, tc ists ists
equal equal interva intervals: ls: mino mino thir thir
thir thir
ic
iv
inte interv rv ls
1"
G7
CM7
....
Am6
....
_Q_
Em7
....
Am7
....
....
fl
Em7
Dm7
-f-~
!'2_
B¢
CM7
....
....
.... G7
G7
I
I
I
CM7
C7
;;:::::;
(F
r»
Dm7
G7
b.
:-.-
-........,
';
~~ B¢
E7
h"
u,
-.
B~
..,.
...,.
..~..,.
I.
,"
FM7
F7
G7
.... If
~-
G7
Am7
G7
r"""1
__...,
'"""'-.
-~
If-
A7
.......
It
CM7
D7
--'q.~
G7
C6
r--.
-------be
ur
sharps
etc.
i. e.
;l
~t
etc.J
thir thir
th
'):-~;;
lo in
,0 Bb7
~S
Eb7
Ab7
b..u b" C7
ro re io
Db
is
ifie ifie
Is
ije
in in
it
l:
A7
G~7
G7
D7
D-e-
fs
F7
D7
A7
th half half step steps. s.
th
mple mple th
ic ly
G7
i.e. by
in jazz jazz tune tunes. s.
12
,..--,
r""'1 .-
6,.,
ib
1;1"
11.1"l
C7
Eb7
_e::l
L,...-.I
..
c;..
Ab7
.-
-"'-
.-
34
Ab7
B7
B¢
E7
f,
-s-
'3
L.-.~
.~
D7
A7
....._
IlL
--
c;
C7
tM
F7
I!!!!!Iooo
ho
Am7
Am6
BbM7
~L
....__
1--1
ho
D7
Cm7
7if"*-,.
C7
IL
Am7
D7
,..
i9
Dm7
F7
C7
G7
G7
*D-6
F V
li
b,., -6
..
Ab7
Gb7
B7
E7
A7
"*
~~~~
D7
Db7
CM7
G7
hroma hromati ti
.C6
Alte Altera rati ti 5) 5)
C(b5)
C#5(b9)
or C+(b9)
suspended
i'~ IVm(M7)
IVM7
1113
IV ¢"
IVm7
IV7
~I V7
V7(b5)
VIm7
VI7
117
V7
5)
~~I V13
VM7
VI.0'
VIM7
117
or
tl
~btii bVII¢
------
.....
It
then
play
play
$J#JJI play
J;AlJ 13
I':)
I':)
Dm
FM7
CM7
G7
-s,.,
38
Em7
Am7
Dm7
G7
B¢
~~
,.....,..... II
-.......J
'7
b1'7
G7
C7
CM7
B¢
AbM7
Ab6
Ihb~
I!i-
-e-
-..... l':~ G7
FM7
I.b . . . : f 3 .
F7
C7
#.
It..
~.
bn
I..bL%
-1
CM7
.Y
~I
-H~"
b7
G7
G6
39
---------------------
IU
::
11
,..
,~r:L
Iw
IU
-~
~.
FM7
B7
D7
::;:-
.~
'-
h_
!1
~ft
I~
'ih:ft
FM7
Gm7
"{
f.
r'"'
----
t'"
D7
fJ
l'-l
-~
"f:.
~~
__..., -
~~
F¢
·1
Ih.
tL
Dm7
CM7
Th
(9).
triad
:§ 17
19
chords.
b9ft M7
CM9
m7
b 9
C9
chord, i.e. the domi domi an
inth inth
(b
omin omin nt fl
9(
ni th chor chor
or
41
