A Matter of Life and Death Different World - 02 These Colours Don't Run - 12 Brighter Than A Thousand Suns - 22 The Pilgrim - 33 The ongest Da! " #1 $ut $f The Shado%s " &1 The Reinarnation $f Ben(amin Breeg " &) *or The +reater +ood $f +od " )0 ord $f ight " ,& The ega! " ,
Digital Conversion © 2011 Sorgdal Sorgdal
Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any
claim to its accuracy or value as a learning aid.
Different World Words & Music by Steve Harris & Adrian Smith
E5
C5
7fr
D5
3fr
G5
A5
Dsus4
D
G/B
5fr
2fr
Intro
q = 185
[E]
Gtr. 1
ff w/dist.
9 7
9 7
P.M.
9 10 7 7
7 7
9 7
7 7 9 10
9 10 9 7
7
9 7
9 10 7 7
7 7
7
9 7
10 9
7 10 9
7
ff
Gtr. 2
P.M.
w/dist.
P.M.
0 2 0
2 0
2 0
3 0
0 0
2 0
0 0
2
3
2 3 2 0
0
2 0
2 0
3 0
0 0
2 0
3
3
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
3
0 5
0 5
0 5
0 5
0 5
cont. in slashes
P.M.
9 7
9 7
10 7
7 7
9 7
7
7
9 10
9
10 9 7
7
9 7
9 7
10 7
7 7
P.M.
Sorgdal
2 0
2 0
3 0
0 0
2 0
0
0
2
3
2
320
0
2 0
2 0
3 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited BMG Music Publishing Limited All Rights Reserved. International Copyright Secured.
0 0
7
9 7
Gtr. 2
2 0
0
0 5
Gtr. 1
9 7
2
Gtrs. 1+2
f w/dist. 0 5
0
E5
Gtr. 3
3
2
2 0
10 9 7 10 9
P.M. cont. in slashes
0 3
2 0 3
2
Verse
C5
lead me on I thought I
2.
the had it
path, all,
E5
rhythm cont. sim.
1. You
D5
keep I
show - ing had it
me all
the way. worked out.
Gtr. 2
P.M. cont. in slashes
0
I Just
a the
lit - tle fu - ture
lost, held,
E5
feel what
Gtr. 1 2°
0
3
G5
a that
lit there
-
tle would
strange be
4
5
D5
no
7
hold up
D5
of what - ev - er comes my and I took an - oth - er
5
Gtr. 2 2°
cont. in slashes
P.M.
7
7
9 1 0
10 9
7
Gtr. 2 1°
cont. in slashes
P.M.
0
0
Sorgdal
2
2
3
3
2
to - day. doubt.
C5
4
7
2
cont. in slashes
P.M.
3
I think I’ll take a But then the card came
5
2
way. turn.
E5
Gtr. 2
P.M.
G5
D5
Then we’ll see what hap pens, take But I don’t know if it’s for - ev -
1.
it er
day that
by I
day. yearn.
cont. in slashes
0
0
2
3
3
2
$
Chorus
2.
G5
C5
A5
C5
rhythm cont. sim.
Tell me what
you can hear
G5
and then tell
C5
me
E5
D5
view
the world.
what
you
see.
E5
Ev ’ry - bo
-
dy
C5
you to
diff
- ’rent way
to
G5
has a
D5
know,
when you see
C5
Sorgdal
ci
- ate
this
E5
the
sim
- ple
life.
It’s
not
too
things,
to ap - pre -
G5
D5
-
I would like
late
to
E5
learn.
Don’t
Gtr. 3 (2° ad lib.)
9
3
G5
Bridge
C5
D5
E5
want
to be
here,
7
8 9
10 9
8 9
8
9
9
7
8
9
8
9
G5
some
9
9
10
9
C5
10
9
9
9
7
9
8
9
9
9
9
D5
E5
-
-
where
I’d ra
-
7
8 9
10 9
8 9
8
9
8
But
7 10
9
9
9
9
9
9
9
C5
ther be.
10
9
G5
-
9
8 9
7 9
8 9
9
D5
9
A5
when
I get
there,
7
8 9
10 9
8 9
8
9
7
10
9
9
8 9
9
9
9
10 9
10 9
9
Dsus4
7
9
To Coda
C5
I’m a - fraid
9
8 9
G5
for me.
7
Sorgdal
4
8 9
8
10 9
9
9
Tell me what
7
10 9
9
9
9
8 7 7
9
Ø
D
it’s not
9
8 7 7
8 7 7
7 7 7
7 7 7
C5
Chorus
A5
C5
G5
you can
hear
and then tell
me
C5
what
E5
dy
has
a
diff
- ’rent
C5
you to
to
view
the
- ate
world.
I would like
D5
know,
when you see
the
sim
G5
this
l ife.
It’s
n ot
too
- ple
E5
l ate
things,
to ap - pre -
D5
ci
E5
C5
-
Ev -’ry - bo -
G5
way
see.
D5
-
you
to
learn.
Interlude
Gtr. 1[E]
P.M.
7
9 7
9 7
9 7
10 7
7 7
9 7
7
7
9 10
9
10 9 7
7
9 7
9 7
10 7
7 7
9 7
10 9
7
10 9
7
Gtr. 2
P.M.
Sorgdal
P.M.
0 2 0
2 0
2 0
3 0
0 0
2 0
0 0
2
3
2 3 2 0
0
2 0
2 0
3 0
0 0
2 0
3
2
0 3
2
0
5
P.M.
7
9 7
9 7
9 7
10 7
7 7
9 7
7
7
9 10
9
10 9 7
7
9 7
9 7
10 7
7 7
9 7
10 9
7
10 9
7
P.M.
2 0
2 0
2 0
3 0
0 0
2 0
7 10 9 0
0
2
3
P.M.
2 3 2 0
*E5
0
C5
2 0
2 0
3 0
0 0
7
2 0
10 9
G5
7
D5
Gtr. 1
Gtr. 2
8 8
8 9
7 7
8 8
8 9
7 7
8 8
8 9
7 7
7 7
Gtr. 3
2
9
7
7 10
9
10
4
Sorgdal
6
9
7 9
10
5 5
7 10
4
4
5
4
5 5
5
9
9
*chords implied by bass
E5
8 8
7 7
C5
8 8
8 9
G5
7 7
D5
8 8
8 9
7 7
8 8
8 9
7 7
8 8
8 9
7 7
5 7
5
4
5
4
5
5
4
5
5
4
5
5
4
5 5
E5
C5
G5
D5
8 8
5
Sorgdal
8 8
7 7
4
5
8 9
4
5
8 8
7 7
8 9
8 8
7 7
8 9
8 8
7 7
7 7
5
4
5
5
4
5
5
4
5 5
f
8 9
Gtr. 4
7 7
w/dist. 9
7
9 9
7
9 9
7
9 9
7
9 9
7
9
11
7
E5 Gtrs. 1+2
A5
C5
D5
Gtr. 5
f w/dist.
cont. in slashes
1/2
8 8
7 7
8 8
8 9
7 7
8 8
8 9
7 7
14
10 7
5
4
5
4
5
5
4
5
5
5
9
7
9
7
9
C5
Gtr. solo
9
7
9
9
11
G5
D5
E5
rhythm cont. sim.
Gtrs. 3+4 tacet 14
12
full
12 12 13 15
15
13
12 13 12
12 14
14 1 2
11 1 2 1 4 12
C5
G5
3
12
15
D5
E5
3
12
12
14
15
14
12
12
12
Sorgdal
8
11
10
10
12 10
10
12
10 12 12
12
12 10
10
5 5 5 6 5 5 C5
12 8
7 5
12 8 8
7 5
8 12 8
5
7 5
12 8 7 5
12 8 7 5
D5
-1/2
12 8
3
3 5
12 8
C5
5
12 8
7 5
P.M.
5
8 7 5 5 7
12 8 7 5
12 8 7 5
w/bar
7
G5
4 7
5
5
4
4579 5
2
3 5 7
-1/2 D.S. al Coda
G/B
Dsus4
D
G5
Tell me
what
3
3
full
full
full
0
14
15
17
19
20
20
20
17
7
9
9
Ø
Coda
9
9
E5
Gtr. 3 cont. ad lib.
G5
Don’t
E5
G5
Feel
A5
C5
Sorgdal
- fused,
the more
the
days
-
want,
C5
I
G5
C5
more
Dsus4
go
I
ing
D5
where
E5
be.
what
to
know
or
D5
C5
D
want
D5
con
by.
9
Outro
[E]
Gtr. 3
3
0 5
0 5
0 5
0 5
Gtr. 1
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
5
0 8
0 8
0 8
0 8
0 8
0 8
0 8
0 8
0 8
0 0 0 0 8 10 10 10
P.M.
7 9 7
9 7
9 7
10 7
Gtr. 2
7 7
9 7
7 7
910
9 10 9 7
7
9 7
9 10 7 7
7 7
9 7
10 9
7 10 9
P.M.
P.M.
2 0
2 0
2 0
0 0 0 0 12 12 12 12
3 0
0 0
0 12
2 0
0 12
0
0
0
2
3
2
320
0
2 0
2 0
3 0
0 0
2 0
3
9 7
9 7
10 7
7 7
9 7
0 0 0 0 17 17 17 17
3
0 17
0 17
0
17
7
9 1 0
10 9 7
0
0 0 0 0 0 0 0 12 12 12 15 15 15 15
7
2
E5
P.M.
9 7
9 7
9 7
9 7
10 7
7 7
9 7
9 7
P.M.
Sorgdal
10
2 0
2 0
2 0
3 0
7
0 0
2 0
0 0
2
3
2 3 2 0
0
2 0
2 0
3 0
0 0
2 0
2
0
These Colours Don't Run
Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
Em9 C'9/E D'9/E E5 2fr
5fr
Intro
C5
7fr
G5
3fr
q = 110 Em9
D5
3fr
Csus2 Gsus2
A5
F5
E5*
5fr
Gtrs. 1+2
mf
C'9/E
Em9
P.M.
C'9/E D'9/E
P.M.
Fig. 1
w/clean tone
4
4
2
4
2
5
4
4
5
3
0
Gtr 3.
7
5
5
2
5
5
2
0
Em9
7
4
3
4
2
7
3
0
C'9/E
9
5
2
5
0
Em9
0
C'9/E D'9/E
mp w/dist.
Gtrs. 1+2 play Fig. 1
mp 10
12
12
12
10
13
9
12
10
12
10
12
12
12
11
11
12
Gtr. 4
accel.
w/dist.
7
2
9
9
9
7
5
5
9
7
5
5
4
Em9
5
7
13 1 2
10 1 2
12
12
2.
C'9/E D'9/E C'9/E D'9/E
10 12 12 12 10
4
1.
C'9/E
Em9
9
12
11
11 1 2
11 9
11 9
7
99975
5
9
7 9
5
5
4
4
5
4
4
7
Sorgdal
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured.
7
q = 148 Em9
1.
C'9/E
Gtrs. 1+2
Em9
C'9/E D'9/E
P.M.
1 ff Fig. w/dist.
4
7
4
2
5
4
2
5
4
5
2
3
0
4
5
7
4
3
5
2
0
4
2
7
3
0
2.
9
5
2
5
0
0
Verse
C'9/E
D'9/E
E5
1. It’s the same 2. There is no - one
C5
in
ev that
-
’ry will
coun save
G5
- try, you,
when go -
Gtr. 2
P.M.
P.M.
Fig. 3
4
7
4
2 0
5
2
4
5
4
5
2
3
3
0
3
Gtr. 1
P.M.
P.M.
Fig. 2
7
5
5
0
9 9 7
-
you ing
0
D5
say down
leav flames.
you’re in
0
P.M.
P.M.
9 9 7
0
9 9 7
7
3
5 5 3
5 5 3
3
3
5 5 3
3
0
ing.
P.M.
P.M.
P.M.
Fig. 3
3
Fig. 2
Sorgdal
2
7 7 5
7 5
5 5 3
E5
-
P.M.
5 3
P.M.
3
9 7 5
7 5
5
3
5 5 3
P.M.
3
5 5 3
7 7 5 3
P.M.
7 7 5
5
P.M.
5
7 7 5
5
Gtr. 1 plays Fig. 2 Gtr. 2 plays Fig. 3
C5 G5 D5 E5
Left be hind, the loved No sur ren - der, cer -
ones tain
wait - ing, death, you
si look
lent it
C5 G5
Where you’re go ing, On the shores of
there’s tyr -
ad - ven - ture ra - ny you
in in
the the
hope. eye.
D5
oth crashed,
ers a
on - ly hu - man
dream wave.
E5
of.
E5
G5
Red and green light, this Pay ing for our free
Pre-chorus
is - dom
Csus2
real and with your
- sion,
for theg lo
-
so lone
- dier
for yourc oun
you ly,
go to war. un -marked graves.
Gsus2
ry.
-
D5
E5
for them on
Gsus2
try.
For the pas -
rhythm cont. sim.
For the mem - ’ries,
Csus2
D5
-
Gtrs. 1+2
C5
- ey.
You’re a
sol
D5
What’s the diff - ’rence?
All the same.
Chorus
q = 103 E5
C5
G5
D5
E5
C5
G5
D5
rhythm cont. sim.
Far a - way
from the
land
ofo urb irth,
We fly a
flag
in some for - eignearth. 1.
E5
G5 D5
Sorgdal
C5
We sailed a - way
G5
likeou r fath - ers
D5
bef ore.
E5
C5
These co - lours don’t run
from cold, blood-y
war.
Gtrs. 1+2
0
3
q = 148
Em9
C'9/E
Em9
C'9/E D'9/E
P.M.
4
7
4
5
2
4
2
5
4
4
5
2
3
5
4
3
2
0
7
5
4
2
9
5
2
7
3
0
5
0
0
2.
Em9
C'9/E
Em9
G5 D5
C'9/E D'9/E
cold, blood-y war.
Gtr. 2
2 0
Gtr. 1
P.M.
4
4
2
7 5 4
5 4 2
5
2
3
0
4
5
2
0
Interlude
4
3
7
5 4 2
5
2
7
3
0
5
0
9 9 7
0
q = 180
$
[A]
Gtr. 3
Gtr. 4
f
w/dist.
12 5
13 6
15 8
13 6
12 5
13 6
12 5
13 6
12 5
13 6
12 5 13 5 14 7
Gtrs. 1+2
P.M. Fig. 4
Sorgdal
4
2
3
3
0
5
5
0
3
7
0
2
5
0
3
3
2
5
3
3
0
5
5
0
3
7
0
2
5
0
3
3
5
(*F5)
(D5)
Gtrs. 1+2 play Fig. 4
12 5
13 6
To Coda
15 8
17 10
15 8
13 6
12 5
13 6
Ø
12 5
13 6
12 5
13 5
14 7
*chords implied by bass
[A]
12 5
13 6
15 8
13 6
12 5
13 6
12 5
13 6
12 5
13 6
12 5
13 5
14 7
12
13
15
17
15
5
6
8
10
8
13
12
13
12
13
12
5
6
5
6
5
13 5 14 7
Gtr. 2
P.M.
P.M.
P.M.
P.M.
Fig. 5
Gtr. 1 plays Fig. 4
9
10 10
12 12
0
10 14
0
9 12
0
10 10
P.M.
9 12
10 10
0
P.M.
12 12
0
P.M.
10 14
0
P.M.
9 12
0
10 10
12
0
Gtr. 2 plays Fig. 5
Sorgdal
12 5
13 6
15 8
13 6
12 5
13 6
12 5
13 6
12 5
13 6
12 5
13 5
14 7
5
F5
12 5
D5
13 6
15 8
17 10
15 8
13 6
C5
12 5
13 6
12 5
13 6
12 5
13 5
14 7
Gtr. Solo
D5
Gtr. 5
ff
w/dist. full
12
15
12 5
13 6
15 8
13 6
12 5
13 6
12 5
13 6
12 5
13 6
12 5
13 5
14 7
Gtr. Solo
q = 103 E5*
E5* G5
G5
6 12 15
1415 14 12
15
6
full
12
12 14 12
15
15
14 1 2
12 14 1 2 15
15 14 12
12
12
14
3
15 17 15
Gtrs. 1+2
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
Fig. 6
2 2 0
0
0
2 2 0
0
0
2 2 0
0
0
5 5 3
5 5 3
2 2 0
E5*
0
0
G5
2 2 0
0
0
2 2 0
0
0
5 5 3
E5*
5 5 3
G5
6
3
3
3
Gtrs. 1+2 play Fig. 6
Sorgdal
6
1 3151 3 1 513
1 2 1 312
1312 14
6
121312 1412111214
1412141112111211 1412141212 14
14
7 1 41
12 14 2
0
E5*
G5 3 6
13
12
15
14
12
12 1 3 1 2 15
12 15
14
12
12
12
12 1 5
14
14
11
12
13
12
15
E5*
12
14
12
13
14
G5
3 3 w/bar
12
13
12
14
14
12
14
12
11
12
11 14
12
10
12
10
12
10
9
10
12
10
9
E5*
G5
-1/2
12
15
14
-1/2
E5*
5
D.S. al Coda
G5
-1/2
w/bar
8
7
10
-1/2
8
13
-1/2
Ø
12
3
w/dist.
17 1 9
1/2
19
18
full
10
10
10 13
19
19
13
10 12
P.M.
13
12
1 2 1 3 12 5 6 5 13 5 14 7
Gtr. 2 (Fig.
10 10
Sorgdal
17
[A]
10 12
15
Gtr. Solo
f
14
-1/2
Coda
Gtr. 6
12
15
9 10
9
4)
P.M.
Gtr. 1 plays Fig. 3
2
3 3
0
5 5
0
3 7
0
2 5
0
3 3
2 5
3 3
0
5 5 0
3 7
0
2 5
0
3 3
5
7
Gtr. 1 plays Fig. 3 Gtr. 2 plays Fig. 4 15
12
17
17 1 7 1 5
13
15 13
13
14
13 15
13
14
13
12
12
14
12
*F5
121315
14
12
D5
1/2
12
15
15
1 3
13
1 2
12
12
14
10 1
0
9
9
*chords implied by bass
[A]
rake
15
5655
4
5
7
5
7
5
7
5
17 1 8 1 7 1 8
7
15
17
19
17 18
X
7
X
20
22
Interlude
Gtr. 3
E5
G5
Fig. 7...
12
Gtrs. 1+2
Sorgdal
8
4
12
13
15
1 3 12
12
45
7 45
45
13
C5
D5
1.
2.
Oh,
...Fig. 7 ends
12 14
12
14
12
14
12
14
4 75
E5
7
oh,
57
G5
57
C5
oh,
Gtr. 3 plays Fig. 7
4
45
7 45
45
1.
Sorgdal
2.
D5
D5
oh.
Oh,
7 5
4
7
7
5 7
5
5
5
9
q = 103 Gtr. 3 tacet
E5
Chorus Gtrs. 1+2
C5
G5
D5
rhythm cont. sim.
E5 C5 G5 D5
Chorus
Far a - way
fromt he
land
ofo urb irth,
Wef ly a
flag
in some for - eign earth. 1.
E5
C5
G5
D5
E5
C5
G5
D5
We sailed a - way
likeou r fath - ers
be fore.
These
co -lours don’t run from cold,blood y war.
G5
D5
D5 E5 C5 rall.
2.
G5
cold, blood- y war.
These
q = 110 Em9
co - lours don’t run
from cold,
blood- y war.
Outro
C'9/E
Gtr. 3
Em9
C'9/E D'9/E
mp Gtr. 3 w/dist.
Gtrs. 1+2 play Fig. 1 10
12
12
12
10
13
12
10
12
12
12
12
11
11
10
12
Gtr. 4
mp rall.
w/dist.
7
5
99975
9
Em9
C'9/E
7
9
5
5
4
Em9
13 1 2
10
12
12
5
7
C'9/E D'9/E
10 1 2 1 2 12 1 0
4
12
12
11
11
12
11 9
7
99975
5
9
7 9
5
5
4
4
5
4
7
Sorgdal
10
Brighter Than A Thousand Suns Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
D/E 4fr
Em F#m/E G/E 5fr
7fr
Em9 Cmaj7#11 Am9
Gtr. 1
F#5
G5
B5
C5
3fr
F5
5fr
Intro
E5
9fr
G/B 2fr
q = 115 D/E Em
E5*
D/F#
C
G5 Fmaj7#11
D'4 C5*
7fr
9fr
A5
3fr
4fr
F#m/E G/E
B5*
8fr
F#m/E
A5*
7fr
Em
5fr
D/E
Fig. 1
mf let ring
w/slight dist.
Verse
D/E
4
5 0
ar e
not
G/E
the sons
0
7
8 7
0
D/E
12 11
0
Em
12
G/E
- ple now.
0
Em
D/E
not
his
10
- sen
peo
7 9
0
0
F#m/E
he
cho
8 11
7
0
Em
trod,
we will
0
D/E
We have crossed the path
0
12
0
5
12
0
F#m/E
0
we ar e
4 7
0
God,
10 9
5 9
F#m/E
Gtr. 2 w/clean tone+ chorus Gtr. 1 plays Fig.1
7 10
0
of
Gtr. 2
mf
10
0
F#m/E
1. We
9
9
9
7
Em
7
5
feel
the pa in
of
7
8
7
10
9
0
12
11
0
12
12
0
10
12
0
8
11
0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured. Sorgdal
7
9
0
7
0
0
accel. poco a poco
D/E
Em
F#m/E
(1° only)
G/E
F#m/E
Em
his
D/E
be -gin ning.
Gtrs. 1+2
ff P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
Fig. 2 w/dist.
4 5 accel. poco a poco 5
7
9
7
0
9
9
10
0
7
5
10
0
0
4
9
0
7
5
0
0
0
E5
F#5 G5
B5C5 E5
D5
F#5
G5
B5 C5
$ P.M.
2 0
2 0
2 0
2 0
2 0
4 2
5 3
P.M.
4 2
5 3
0
2 0
2 0
2 0
2 0
7 5
0
4 2
5 3
4 2
5 3
q = 125 Gtrs. 1+2 play Fig. 1
D/E
q
Verse
= 125
F#m/E G/E
Sha - dow Knock - ing Yel -low 4. 5. Di -vide and Bomb ers 6. 2. 3.
F#m/E Em D/E
Em
fing - ers rise a - bove, heads to - geth - er well, sun, its ev - il twin, con - quer while ye may, launch with no re - call,
ir - on fin - gers raise a ci - ty in the black, the oth ers preach and oth min ute warn - ing
stab build winds ers of
the de - sert a liv - ing de - liv - er fall and pray. the mis - sile’s
D/E Em F#m/E G/E F#m/E Em D/E
sky. hell. him. fall.
Sorgdal
2
Oh, be Join the We will In a Take a
hold the pow er of race to su i split our souls with bunk - er’s where we’ll look at your last
man, cide, in, die, sky,
on lis at there guess
its ten om the ing
tow - er for the seed to ex e you won’t
read - y for tol - ling of nu - clear dust cu - tion - ers have the time
the the is they to
1, 4.
E5
F#5 G5 B5 C5 E5
2, 3, 5.
D5 F#5 G 5 B5 C5
E5
D5 F#5 G5 B5 C5
fall. bell. riv en. lie. cry.
Gtrs. 1+2
P.M.
2 0
2 0
2 0
2 0
2 0
4 2
4 2
5 3
P.M.
5 3
2 0
0
2 0
2 0
P.M.
7 5
2 0
4 2
0
5 3
4 2
5 3
2 0
2 0
2 0
cont. in slashes
7 5
2 0
4 2
0
4 2
5 3
5 3
Pre-chorus
C5
A5
G5
F5
rhythm cont. sim.
Out
of
the un
-i
- verse,
a
strange
love
is born.
1.
C5
G5 Fmaj7#11 A5
Un - ho
- ly
u
- ni -on,
E5
tri
F#5 G5
- ni - ty
re -formed.
B5 C5 E5
D5
F#5 G5
2, 3.
B5 C5
Gtrs. 1+2
P.M.
2 0
2 0
2 0
2 0
Em9
2 0
4 2
5 3
4 2
P.M.
5 3
2 0
0
2 0
Cmaj7#11
Gtrs. 1+2
2 0
To Coda
7 5
2 0
4 2
0
Am9
5 3
4 2
Ø
5 3
Fmaj7#11
Fig. 3
mf let ring
Sorgdal
w/slight dist.
0 0
0 4 2 0
0 0
0 4
4 3
0 0
0 0
5 4
0 0
0 0
2
7
3
0 1
0 2 3
3
Em9 Cmaj7#11 Am9 Fmaj7#11
Chorus
Out
of
the
dark
- ness,
bright
er -
than
a
thou
-sand
suns.
Gtrs. 1+2 play Fig. 3
Em9
Cmaj7#11
1.
Am9 Fmaj7#11 Out
of
the
dark
-
bright
er -
than
a
thous
Am9
2.
- ness,
ness,
bright
- er
than
a
thou
- sand
-and
suns.
Fmaj7#11
suns.
Chorus
E5* Gtrs. 1+2
C5
Out
of
the
dark
A5
- ness,
bright
-er
F5
E5*
rhythm cont. sim.
than
a
thou
sand -
suns.
C5 A5 F5
Out
of
the d ark
- ness, bright
er -
than
a
thou -sand
suns.
Gtr. 3
ff
full
w/dist. 10
Sorgdal
4
14
0
C5 A5 G/B C5 G5* D/F# E5* Gtr. Solo
E5
full
12 1 4 1 5
10
1 4 1 2 1 4 1 2141 210
141214
12 14
12 1 4
12 14
12 10
Gtrs. 1+2
Fig. 4 9 9 7
9 9 7
91 0 9
2 2 0
7
7
8
8
578
7
2 2 0
5 2
0 112
12
12
0 1 0112
5 5 3
5 2
5 5 3
12 10
9 9 7
12 9
5
C5 A5 5
*Gtr. 3 w/pitch shift pedal Gtrs. 1+2 play Fig.4 12
14
15
17
12
12
15
12
15
12 17
6
12
15
1 2 1 5 1 2 15 12
*Set pitch shift -1 8ve and use pedal to slur into notes.
15
12
12
17
12
15
12
15
12
15
12
17
12
15
12 15
G5*D/F#
6
6
12
15
G/B C5 6
1 2 17
15
E5*
1/2
12 1 2
0
0
19
19
15
C5
A5
3
full
full full
12
Sorgdal
12 14
full
full
12 12 15
12
15
full
12 15
12
12 14
12 12 15
12 15
12
12
15
15
12
14
5
E5* G/B
full
15
C5
full
15
full
15
15
G5* D/F#
full
full
17
12
17
15
C5 A5
1 7 1 1 15 17 12 15 12
17 12 15
12
12 1 5 1 7 12 1 5
12 15 17
12
12
14
G/B
12 14
16 12
full
12 1 5 1 2 14
C5
full
12 14
G5*D/F#
full
full
full
12
full
12
15
12
12
full
12 15 1 2
14
12
12
15
12
14
12
12
15 12
14
12
15
15
12
14
Interlude Double time feel
E5 C5 Gtrs. 1+2
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
Fig. 5
Gtr. 3 tacet 9 9 7 0
9 9 7
0
0
9 9 7
0
0
9 9 7
0
0
3
5 5 3
3
3
5 5 3
3
3
5 5 3
3
3
0
A5
F5
P.M.
0
P.M.
0
2 2 0
0
P.M.
0
2 2 0
0
P.M.
0
2 2 0
0
P.M.
0
2 2 0
1
Sorgdal
6
P.M.
1
3 3 1
1
P.M.
1
3 3 1
1
P.M.
1
3 3 1
1
1
3 3 1
(Double time feel) Gtrs. 1+2 play Fig. 5
E5 C5 3 3 3
A5
3 3
Bridge
Bu - ry your prob lems and Ev - er would Ro - bert have
F5
your his
dead, God,
’bout
E5
bu - ry said to
sand. sun.
E
e - quals
M
your head in made war with
the the
C5
3 3
Bu - ry how he
3
C squared,
you
can
re
- late
A5
3
how
we
made
3
God
with
F5
our
hands.
Gtr. 2
Gtrs. 1+2
P.M.
5
P.M.
5
4 5
5
P.M.
5
4 5
5
P.M.
4 5
5
5
P.M.
4 5
5
1
1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
End double time feel
1.
[E]
C
D'4
[E]
C
D'4
What
Gtr. 3
let ring
let ring
4
2
0
5
4
2
0
2
4
2
4
3
0
2
4
3
5
let ring
0
5420
0
2
2
0
2
0
let ring
Sorgdal
4
5
0
0
5
3
0
4
5420
5
0
2
2
3
4
5
0
7
(End double time feel)
2.
Bridge [E]
C
D'4
[E]
C D'4 [E]
All
na tions are ri s
-
ing,
through
ac
- id veils
of love and
hate.
let ring
let ring
Fig. 7
4
2
0
5
4
2
0
2
3
4
2
4
3
0
5
4
2
4
3
0
0
2
5
5
0
let ring
let ring
Fig. 6
0 5 4 2
0
0
2 2
5420 2
C
D'4
Chain
let ters of
Sa
[E]
4
3
5
C
All
na tions are r is
- ing,
fu -s ion
fu
- ry.
of
led
A5
us all
C5 A5
to this.
veils
Fmaj7#11
Cold
tain ty
through ac id -
G5
-
F5
D'4
Gtrs. 1+2
Un cer
G5 A5
0
- tan,
F5
Gtr. 3 tacet
0
2
5 0
Gtrs. 1+2 plays Fig. 6 Gtr. 3 plays Fig. 7
0
4
3
0
of love
and
hate.
C5* Gtr. Solo
B5*
rake
full
7
10
7
7
9
9
7
9
7
9
7
9 1 0
10
9
9
7
X
9
X
9
Gtrs. 1+2
P.M. Fig. 8
Sorgdal
8
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
10 8
A5* B5* G5* F5
16
14
14 16
16
14
12
14
12 14
Interlude D/E
Em
13
F#m/E G/E
13
F#m/E
Em
D/E
ff
w/dist.
P.M.
4
P.M.
5
7
5
P.M.
P.M.
9
7
0
E5
P.M.
9
9
7
10
0
0
P.M.
5
10
0
F#5G5
P.M.
4
9
0
7
0
B5C5 E5
D5
E5
F#5
0
G5
B5 C5
P.M.
D.S. al Coda
2 0
2 0
2 0
2 0
2 0
4 2
5 3
4 2
5 3
0
F#5 G5
2 0
2 0
2 0
B5C5 E5
2 0
D5
7 5
0
F#5
4 2
4 2
5 3
5 3
G5
B5 C5
P.M.
5
0
P.M.
P.M.
Ø
2 0
4 2
Coda
2 0
2 0
2 0
2 0
4 2
5 3
P.M.
5 3
0
2 0
2 0
2 0
7 5
2 0
0
4 2
5 3
4 2
5 3
Gtrs. 1+2 play Fig. 3
Em9
Sorgdal
10
Cmaj7#11
Out
of
the
dark
-
ness.
Am9
Fmaj7#11
Em9 Cmaj7#11 Am9
Out
of
the d ark
- ness, bright er than
a
thou
- sand
Fmaj7#11
suns.
f Gtr. 1
w/dist.
3 3 1
E5 Gtrs 1+2 play Fig. 4
Chorus
C5
A5
3 3 1
G/B
3 3 1
C5
3 3 1
3 3 1
3 3 1
Out
4.
of
the d ark
G5*D /F#
- ness,
E5
bright
5 5 3
5 5 3
12 10
Outro Gtr. 1
mf
12 10
12 9
G5*D /F# E 5*
a thou
- sand
suns.
(Hi-hat)
2 2 0
Em
F#m/E G/E
F#m/E
Em
D/E
let ring... Gtr. 1 w/slight dist. Gtr. 2 tacet 4
rall.
5
7
5
9
7 0
than
D/E
-er
3 3 1
1, 2, 3.
3 3 1
9
D/E Em
0
F#m/E G/E
7
5
10 0
9 0
F#m/E
Em
D/E
Ho ly Fa - ther, we have
4 7
0
5 0
0
E5
9 10
0
sinned.
Gtr. 2
mf let ring...
w/slight dist.
Sorgdal
7
8 7
10 9
0
12 11
0
12 12
0
10 12
0
8 11
0
7 9
0
7
0
0
2 2 0
11
The Pilgrim Words & Music by Janick Gers & Steve Harris
E5
C5
7fr
Intro
D5
3fr
q = 95
µ
E5
Gtr. 3
A5
F5
F5*
C5
D5
E5
7
7 8 7
10 8 7
7
10 10
7
10 8 7 9
w/dist.
4
4 5 4 7 5 4
7
4
7
4
C5
D5
E5
8 7 9
9 7
D5
4
7 5 4
7 5 4
7
E5
10 10 8 7 9
Gtr. 4
4
A5
7
10 8 7
9
D5
w/dist.
7
Db5 4fr
Gtrs. 1+2
f
4fr
C5
f
B5/A
8fr
(Drums)
B5
5fr
E5
C5
7 7 54
7
7
D5
A5
5 4 7
7 5
7
7
787 10 8 7
9
7
10 10
7
7
10 8 7
9
10 8 7 9
10 1 0 8 7 9
7
9
Sorgdal
4
4
454 7
7
5 4
7 7
7
4
4 7
5 4
4 7
5 4
7
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
7 7
7
5 4 5
7
E5
Gtrs. 1+3
P.M. Gtr. 4 tacet
P.M.
P.M.
9
7
0000
q = 190 E5
Verse
1.
cour age Gtrs. 1+2+3 (2.)
9 0
0
0
The keys find
P.M.
P.M.
0
hell, will.
0
0
9
7
0
0
0
7
0
0
0
0
the ail - ing king dom, De - liv er good from
P.M.
9 7 0
0
P.M.
9 7 0
9 7
0
0
doomed to fail.
The
ill.
9 7
3
P.M.
5 3
3
3
P.M.
5 3
3
3
P.M.
5 3
3
3
5 3
3
5 3
0
A5
E5
of sin and the wat - er,
5
P.M.
5
7 5
hearts clean
will break, our guilt.
the With
pil grim’s coursewill us do what you
5
P.M.
5
7 5
0
P.M.
0
2 0
0
P.M.
2 0
0
Quell - ing Then
take. will.
P.M.
9 7
P.M.
9 7
0
0
9 7
0
0
9 7
0
0
9 7
0
C5
the
will
P.M.
2 0 0
dev il’s
my
judge ap
-
might
and
pear,
bear
read y no
for false
e an
-
ter
- gel
- nal
fight.
that I
hear.
P.M.
2
9
7
0 0 0 0
Sorgdal
9 0 0 0
P.M.
7
0
death and gra - cious
P.M.
9 7 0
P.M.
0
P.M.
bonds Clean
P.M.
C5
0
to and
D5
P.M.
9
7
P.M.
P.M.
P.M.
9 7 0
0
P.M.
9 7 0
0
P.M.
9 7 0
0
9 7 0
0
9 7
3
P.M.
3
5 3
3
P.M.
3
5 3
3
P.M.
3
5 3
3
3
5 3
5 3
For
A5
Ach - ing on -
faint ing soul, will con fess
0
P.M.
0
2 0
0
E5
P.M.
2 0
0
0
P.M.
5 3
0
3
C5
P.M.
3
5 3
P.M.
toll. hell.
7 5
1.
Gtr. 3
9
2. 3.
9 7
D5
Li Now
-
ber give
-
ty us
5
8
di ly
D5
E5
- er - er
in - to in - to
wine. wine.
2
7
8
7
4
5
4
E5
C5
7
9
5
7
9
4 5
0
the the
D5
So
to
you
we
bid
fare -
7
8 7
0
chang - ing chang - ing
9 5
0
0
5
9 7
0
7
7
0
- vine, sign,
9 5
9 7
0
4
Gtr. 2
0
P.M.
C5
7
hope ho -
P.M.
9 7
0
B5
and our
Gtr. 1
wat wat
P.M.
Gtr. 4
Sorgdal
bat - tles take their my e - tern - al
0
Pre-chorus
ho - ly to
D5 E5
limbs and lythen I
P.M.
$
C5
7
8
7
4
5
4
9 5 7
3
B5
F5
well,
king
- dom
of
D5
hea
E5
ven -
5
7
9
5
7
6
8
3
7
5
7
5
Spi
-
rit
ho
-ly,
life
Fig. 1 Gtr. 4 tacet 14 14
13 14
12 12
12 12
10 10
0
Raise
me
up,
take
Fig. 1
14 14 0
tern-
- al.
9 10
12 12
12 12
0
e
Gtrs. 1+2+3
4
7
[A]
Sorgdal
hell.
Chorus
to
7
4
C5
13 14
12 12
me
D5
home.
12 12
10 10 0
9 10
7 7 5
7 7 5
Gtrs. 1+2+3 play Fig. 1
[A]
Pil
- grim
sun
On
-
pa
ward
- rise,
jour
To Coda
gan -
sun
- ney
- set.
D5
be
Ø
-gun.
Interlude
q = 95 E5 Gtr. 3
F5*
rhythm cont. sim.
P.M.
Gtr. 2
Gtr. 1 dbls. ad lib.8vb
E5
C5
9 10
9
9
9
10
9
10 9
9
10
9
10 9
10
9
10
0
F5
9 10
9
9
9
10
9
10 9
9
10
9
10
9
10
9
10
Db5
5 5
6
5
5 6
6
5
6 5
5
1.
C5
6 5 6 5
2.
Db5
5
6
Db5
2.
Sorgdal
5 5
6
6
5
5 5 65
5 6
6
5 6565
To
5 5 6
6
5 6565
5
q = 190 Gtr. SoloB5
Gtr. 5
P.M.
P.M.
3
rake
ff
w/dist.
full
4
4
4
5
full
7
5
5
5
4
5
4 5
5454
X
X
C5
B5
B5/A
3 3 rhythm cont. sim.
P.M.
1/2
11
11 7
7
6
8 8 7 87
7
8
11
12
10 4
4
8
8
7
C5 B5 3
B5
full
12
1 2 11 8 1 1 8
7
7
10
1 4 1 71 51 41 2 1 5 14
12
12
15
12
14
B5/A B5 3
12
13 1 2
10
10
12
11 12
10
12
C5
13 0
13
0
13 1 2 1 3
12 1 1
11 13
B5
full
12
Sorgdal
6
12 14
15
14
15
15
15
D.S. al Coda
B5/A
B5
C5
D5
3
3
3
1/2
14
12
14
full
14
12
15
14
15
14
16
Ø
14
15
17
17
16
Gtrs. 1+2+3 play Fig. 1
Coda
[A]
Spi - rit Pil - grim
Interlude
life e pa - gan
-
tern -al. sun - set,
take ney
-
me be
2.
D5
home. gun.
-
q = 95 E5
Gtr. 3
Raise me On - ward
1.
up, jour
ho - ly, sun - rise,
F5
P.M.
rhythm cont. sim.
Gtr. 2
Gtr. 1 dbls. ad lib. 8vb
E5
9 10 9
9
9
10
9
10 9
9
10
9
10 9
10
9
10
0
F5
Sorgdal
9 10 9
10
9
9 9
10 9
9
10
9
10
9
10
9
10
7
C5
Db5
5
5
C5
6
5
5 6
6
5
6 5
5
5
6 5 6 5
6
Db5
5 5
Outro
6
5
5
6
5
6 5
5
6
5
6
6565
Slower
E5
C5
D5
E5
D5 E5
C5
Gtr. 3
Gtrs. 1+2
f
w/dist. 7
7
7 87 10 8
7
9
10
7
10
7 10 8
7
7
10 8
9
7
9
9
Gtr. 4
f
w/dist.
4
4
7
5
4 54
4
7
7
4
7
4 7
5
4
4 7
7
5
4
7
7
rall.
1.
2.
D5
A5
10
10
8
9
7
Sorgdal
8
7
7
5 4
7
10
9
5
7
E5
A5
8
9
D5
10
7
7
5
7
8 7
7
4
7
5
9
4
5
7
The Longest Day Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
E5
C5
7fr
G5
3fr
5fr
G/B Asus4 G5*
Intro
Cadd9 Eadd9 Dadd9
D5
3fr
2fr
10fr
5fr
Badd9 Gadd9 Aadd9
F#5
2fr
9fr
3fr
5fr
q = 108 Bass arr. [E] for Gtr.
[E]
7
7 7 7
7 7 7
7 7 7
7 7
7
7 7 7
7 7 7
7 7 7
7 7
Gtr 1
Fig. 1…
mf let ring... w/slight dist.
7 9
7
9
9
10
7
7
10
9
7
9
7
9
10
7
0
7
7
7
9
7
7
0
…Fig. 1 ends
7 9
7
9
9
10
7
10
7
9
7
9
9
7
7
7
9 7
0
2°+3° poco a poco accel...
[E]
Verse
mf
In the 2. Ov - er ris - ing 1.
Gtr. 2
3.
The
gloom - lord, dead,
the your
gath ’ring mast - er fac - es
storm not bloat
-
your ed,
P.M.2 w/dist.+ flanging Gtr. Gtr. 1 plays Fig. 1
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured. Sorgdal
a - bates. God. torn.
cont. sim.
In the ships, The en - e - my coast, They are re - lieved,
gim - let dawn ing liv - ing
the
eyes grey wait
ham mer puk ing, bul let’s
at shak got
[B]
All The Val
the ing your
-
gates. fear. name.
4
2
4
the
throw ev - il for those who to hell and
the the Val
A call to arms, These wretch ed souls, Your num ber’s up,
sum mers long, world’s a - light, - hal - la waits,
drills cliffs - kyr -ies
to sent back
to build e - rupt rise
to
its fate. them here. a - gain.
the
in and
ma flame. fall.
2
4
2
a - wait. scud. turn.
To blow them wide, To take a bul - let You still go on
Gtr. 1
with their
5
2
5
2
2
Gtr. 2
P.M.
cont. sim.
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
- chine, to
turn
men
from flesh
and
blood
to
steel.
From pap - er
sol diers
to
No ri - es cape, war or tombs
The
4
2
Sorgdal
2
2
4
re - morse lie op - less en
4
2
shrap - nel for us
5
2
2
2
rains. all.
4
A
4
2
Drown man, ghost -- ing ly hand
2
4
no
4
2
2
bo dies chance for reach es
on the a war - ri - or’s through the
beach. fate. veil,
From A
5
4
2
2
4
hell’s pre - vail!
gate!
2
rhythm cont. sim.
Fig. 2
5 5 3
5 5 3
-
5 3
ing
9 7 0
9 7 0
on
our
5 2
X X X
9 7 0
9 7 0
D5
7 7 0
side.
wire,
7 7 5
and we
C5
-
C5
a - live,
0 0 0
5 5 3
5 3
5 2
To
the
X X X
5 5 3
E5
edge
7 7 5
7 5
rush
blood
G5
pray to God
5 5 3
7 7 5
7 4
9 9 7 0
X X X
E5 D5 with the
G5
with the
5 5 3
fear
still
-
er is red
on ly
G5 C5 of the
we go,
Fig. 2
w/dist.
Gtr. 1 plays Fig. 1
G5
C5
Slid
9 7 0
Sorgdal
don’s reach.
4 4
-ged
4 4
2
E5
en - ter will
- ma
we
4
2
ff
ar
Pre-chorus
to
sum mer sands chok ing death, blood and sand,
2 5
2, 3.
1.
tide.
Oh, the
D5
wat
E5
of the
dead.
Oh, but
I’m
D5
Gtrs. 1+2
I sur vive. -
3
Chorus
q = 122
Eadd9
Cadd9 Dadd9 Eadd9 Eadd9
How
long,
on this
long
’til we
fin
Gtrs. 1+2
Fig. 3 let ring...
- est day,
Cadd9
7 4
4
5
5
2
0
2
0
Eadd9 Eadd9 Dadd9
Cadd9
How
long,
on this
long
9
- est
7
7
7 5
7 5
7 5
5
7
2
G/B
2 0
A5
fin
-
al
- ly
make
it
we
4
5
0
C5
’til
9
4
3
day,
Fig. 3
5
through?
4
3
0
Dadd9
it
7
7
2
make
9
5 3
3
- al - ly
through?
Fig. 3 5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 5 2
0 5 2
0 5 2
0 5 2
0 5 2
2 2 0
2 2 0
2 2 0
2 2 0
Gtrs. 1+2 play Fig. 3
Cadd9
Eadd9
How
Dadd9
Sorgdal
4
long,
Dadd9
on this
long
Eadd9
- est
day,
’til
Cadd9
we
fin
Cadd9
Eadd9 Eadd9 Dadd9 How
long,
on this
long
- est day,
’til we
- al - ly
Eadd9 To Coda
Ø
make
it
through?
G/B
C5
fin - al - ly
make
it
through?
1.
A5
2.
Asus4
2 2 0
3 2 2 0
Gtrs 1+2
A5
2 2 0
2 2 0
e = 190
E5 G5*F#5 D5 E5 G5F#5 E5 G5* F#5 D5
9 7
9 7
9 7
12 10
11 9
7 5
9 7
9 7
12 10
11 9
9 7
9 7
9 7
12 10
11 9
7 5
E5 G5*F#5 D5 E5 G5F#5 E5 G5* F#5 C5 [E] 9 7
9 7
9 7
12 10
11 9
7 5
9 7
9 7
12 10
11 9
9 7
9 7
9 7
12 10
11 9
5 3
[F]
P.M.
P.M.
2 2 0320
2
2
30320
[E]
3
1
3
3
5
5
3
2
5
5
3
[F]
P.M.
P.M.
2
2
0320
Sorgdal
2
30320
2
3
1
3
5
3
5
5
3
2
5
3
5
[B]
[C]
P.M.
P.M.
4 4
4
2542
4
52542
5
3
5
5
7
5
4 7
1.
[B]
7
7
2.
[C]
[C]
Gtr. 3
ff
w/dist.
P.M.
P.M.
4 4
2542
4
52542
5
5
7
7
5
4
3 5 7
75
P.M.
0 0 0
14
4
5
cont. in slashes
4 2457 35
Gtr. Solo
Eadd9
Gadd9
Gtrs. 1+2
Badd9
Aadd9
Badd9
rhythm cont. sim.
full
full
full
12 14 15 14 12 14 12
Eadd9
15 15
15
12 15
1 21 41 2 1 2 15 12
15
15 1 4 12 14
X
12 14 14
X
Badd9 Aadd9 Eadd9 Gadd9 12
11
12
12
12
12
Sorgdal
6
14
14
12
12
14
12
11
11
14
12
14
14
12
12
14
Eadd9 Gadd9
Aadd9
Badd9
10
12
9
9
9 1 1
12
Gadd9 Aadd9
14
10
17
12
12
17
15
12
10
12
Gtr. 4
5
7
Gtr. 5
Gtr. 6
10
12
7
C5
G5
D5
E5
C5
9
1.
G5
D5
Interlude
Gtr. 3 tacet
7
9
7
5 4
7 7
4
5
5 7 7
5
97 7
4
54
7 7
5
7
5
12
13
12 1 0
8
7
5
4
8
10
8 7
7
5
10
9
9
10
9
7
7
Sorgdal
Interlude
7
7
12
12
13
12
10
8
7
8
1 08
10
12
7
9
7
4
5
9
9 10
9
7
5
4
5
7
7
7
2.
A5
E5
Gtrs. 1+2
Gtrs 4+5+6 tacet
6
9 9 7
10
7
9 9 7
9 9 7
9 9 7
P.M.
9 9 0 2 3 0
2
7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
2 2 0
9 9 7
9 9 7
Gtrs. 1+2
10
7
9 9 7
9 9 7
9 9 7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
1.
P.M.
Fig. 5
9 9 7
3
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
3
2
0
3
2
0
P.M.
P.M.
Fig. 4
2 2 0
2 2 0
2 2 0
2 2 0
0 0
2
2
3
C5
2.
2 2 0
2 2 0
2 2 0
G5
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
D5
2 2 0
2 2 0
E5
2 2 0
3
2
0 3
2
0
rhythm cont. sim.
Gtr. 4
Gtrs. 1+2 play Fig. 4 Gtr. 3 plays Fig. 5
3
5
Gtr. 3 tacet
7
9
7
7
5 4
7
7
5
5
9
7
5
7
4
Gtr. 5
Gtr. 6
Sorgdal
8
10
12
12
13
12
10
8
7
5
4
8
10
8 7
7
5
10
9
7
9
1 09 9
7
7
7
7
12
7
4
5
9
C5
1.
G5
D5
2, 3.
D5
Gtr. 3
12
14
cont. sim.
79
7
5 4
7
7
5
57
7
57
cont. sim.
D5 E5 C5 G5 C5 G5 12
13
91 0
12
9
10
8
7
7
8
5
10
4
8
5
7
10
7
12
7
80 1
9
5
10
7
12
7
9
Gtr. Solo
full full
15
full
3
14 1 5 1 4 12
12 14
full
12
12 14
15
17 15 17
17
D5 C5 G5 D5 E5 15
15
15 12
15 12
12
14
14
14 12
14
3
D.S. al Coda
17
17
12 1 4
15
1 4 1 5 1 4 12 1 4
1 5 1 4 1 5 1 4 1 2 1 4 1 5 14
1 2 14 1 2
12 10 1 2 10
15
C5
G5
10
12 14
12
D5
full
15
14 15 14
12
12
15
Sorgdal
14 15
17
17
full
17
15
17 17
17
9
A5
Ø
Asus4
Coda
2 2 0
[E] Gtr. 1
3 2 2 0
3 2 2 0
3 2 2 0
ring... mf let w/slight dist.
7 9 7 99
7
10
10 7
0
0
Gtr. 2
mf
P.M. w/dist.+flanging
0
0
0
0
0
cont. sim.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
9
7
9
9
7
10
7
9 7
7
9
7
9
9
7
7
0
rall.
7
10
10
9
7
Sorgdal
10
7
9
9
7
0
10
7
7
7
7
9
9
7
0
Out Of The Shadows Words & Music by Bruce Dickinson & Steve Harris
Am
E
C
G
Dm
F
C5
5fr
Asus2
A5
Em
D
D5
3fr
A
Bm
Em7
5fr
F#
D*
5fr
Csus2 Dsus2 3fr
A*
5fr
5fr
Em*
Bm*
7fr
E5
7fr
7fr
Intro
q = 85 Am
E
C
Gtr. 3 (acous.)
Gtrs. 1+2
ff
2 2 0
w/dist.
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
1.
C5
3 3 1
3 3 1
3 3 1
D5
5 5 3
6 7 7 5
5 5 3
5 5 3
5 5 3
Em7
7 7 5
Csus2
C5
3 3 1
3 3 1
Fig. 1
mf w/slight dist. Gtr. 3 tacet
Sorgdal
5 5 3
F
5 5 3
3 3 1
q = 73
Am
5 5 3
6 7 7 5
6 7 7 5
6 7 7 5
7 7 5
7 7 5
0
3 3
0 2 2 0
D5
Dm
2.
F
G
rhythm cont. sim.
3 0
5 2
5
3 3 1
5 5 3
3 3 1
7 7 5
Em7
Csus2
0
3
3
3 5
0 5
2
3
2 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
3 0
5 2
5 3
3 5 5
Em7
Csus2
Dsus2
Asus2
Gtr. 4
f
w/dist.
full
1/2
full
12
12 15
15
12
15 14 12
14
14 12 14
14
14 1 2
1412
1 41 2
12
0
3
3
0
3
0
0
2
3
5
2
3
5
2
5
2
5
0
3
2
0
2
0
2
0
3
0
2
2
2
0
0
Gtrs. 1+2 play Fig. 1
Em7
Csus2
Em7
Csus2
Em7
Csus2
Verse
1. Hold a
2. Dust y
Dsus2
ha - lo round theworld, gold - en is the day. dreams in fad - ingdaylight,flick er on the walls.
Asus2
Em7
Princ - es of theun - i - verse,your Nothing new,yourlife’s a -drift, what
bur - den is the way. pur - pose to it all?
So there is no bet -tertime, who Eyes are closed and deathis call - ing,
Gtr. 4 (2° only)
Csus2
1/2
7
7
7 5 7 5
Em7
Csus2
will
be born
reach ing out
Gtr. 4 (2° only)
to -day?
rake
Sorgdal
2
A
his hand.
7 X X
gyp - sy child
Call up - on
1/2
7
Csus2
4
Em7
5
5 7
7
7
9
at day - break,
the star - light,
a
to sur-
Dsus2
A5 Gtrs 1+2
king -round
for
a
day.
you.
Gtr. 4 (1°)
$
full
2° Gtr. 4 plays ad lib.
1/4
15 9
12
12
Chorus Gtr. 3 (acous.)
Em
12
12
14
C
the sha
-
15
14
12
A
rhythm cont. sim.
of
14
D
Out
12
1 4 12
14
14
dow,
and
in
to
the sun.
2°+3° Gtr. 4 plays ad lib. fills
12
Gtrs. 1+2
Fig. 2
2 2 0
2 2 0
X X X
Gtrs. 1+2 play Fig. 2
Em
X X X
5 5 3
5 5 3
7 7 5
X X X
X X X
C
7 7 5
X X X
X X X
7 7 5
D
7 7 5
Dreams
of
the
past,
as
the
old
ways
are
done.
Sorgdal
Oh, there is
C
beau ty,
D
and sure -ly therei s
A
pain.
Em
But
we
C
must en - dure it
Ø ØØ
To Coda To Coda
Em
X X X
A
X X X
to
3
D
A
live a - gain.
Gtr. 4
full
15 14
14
Gtrs. 1+2
12
14
14
7 7 5
7 7 5
X X X
X X X
7 7 5
f Gtr. 5
w/dist.+echo
7
9
3 3 Em7
Csus2
Em7
Csus2
Em7
Csus2
Gtr. Solo
Gtrs. 1+2 play Fig. 1 Gtrs. 3+4 tacet
10
9
9
11 1 2
12
9
7
7
9
9
7
5
7
7
9
9
10
1 1 12
12
12
1 2 10
8
Gtr. Solo
Dsus2
Asus2 Em7
3
Csus2
Em7
Csus2
rake
P.M.
D.S. al Coda
7
10
8
7
8
7
7
10
79
9
7
7
10
8
7
10
7
8
9
9
7
9
X
7
Em7
7 575
7 5
9
X
Csus2
Dsus2
7
7 17
Asus2
3
6
6
P.M.
5 7 8
5 7 8
4 5
4 5
7
Sorgdal
4
4 5 7
7
7
8 7 5
5
8
0
8
1 01 0 8
8
5 1 2
1 51 2
12
15
15 12 15 12
12
14
1412
Ø
D
Coda
A
livea -gain.
Gtr 4
1/4
P.M.
full
12 1412
12
14 1 3
1 2 10
full
15 12
14
15
14
14
1210
Gtrs 1+2
7 7 5
7 X X 7 X X 5 X X
7 7 5
Interlude
q = 93
Bm
F#
Gtr. 3 (acous.)
D*
Fig. 3
2 2 3 4 4 2
X X X X X X
X X X X X X
A*
X X X X
5 5 6 7 7 5
5 5 6 7 7 5
X X X X X X
X X X X X X
Gtr 6 (elec.)dbls. w/dist.
Gtrs. 1+2+4 tacet 2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
X X X X X
X X X X X
2 2 3 4 4 2
2 2 3 4 4 2
Em*
Bm*
7 8 9 9 7
7 7 7 9 9 7
X X X X X X
X X X X X X
Gtrs. 1+2
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
X X X X X
X X X X X
7 7 7 9 9 7
F#
Fig. 4
7 7 7 9 9 7
Bm
Sorgdal
G
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
X X X X
D5
5 5 6 7 7 5
E5
3 3 4 5 5 3
X X X X X X
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
D*
X X X X X X
7 7 5
X X X
X X X
9 9 7
X X X
X X X
A*
Gtr. 3 plays Fig. 3 3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
X X X X
X X X X
4 4 2
4 4 2
4 4 2
X X X
X X X
7 7 5
7 7 5
7 7 5
7 7 5
X X X
X X X
7 7 5
7 7 5
7 7 5
X X X
X X X
5
Em*
Bm*
G
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
D5
E5
X X X X
X X X X
9 9 7
9 9 7
9 9 7
X X X
12 12 10
X X X
12 12 10
12 12 10
12 12 10
X X X
X X X
7 7 5
X X X
X X X
9 9 7
X X X
X X X
Interlude
Bm
Gtr. 4
F#
D*
A*
Gtrs. 1+2 play Fig. 4
Em*
Bm*
12 12
9 12 12 12 12
11 11
11 9
11
G
D5
11 12 11
E5
12 10
12 12
9 9
12 11
9 11
9
C5
ØØ
D.S. al Coda
D5
Gtrs. 1+2+3
P.M.
12 10
10 12
ØØ
12 12 11 9 1 1
12 11 9
7
7 7
Gtrs. 1+2 play Fig. 2 Gtr. 4 plays ad lib.
Coda
D
A
Em
9
9 1 0
10 1 2 1 3 15 9
12
11 1 2
10
C
D
A
live a - gain.
Em
Out
C
of
thes ha - dow,
D
A
and
in
to
Em
the sun.
C
Dreams of
the past,
D
as the old
waysare done.
A
Em
Oh,
there is
beau -ty,
and
C
Sorgdal
6
sure - ly
there
is
pain.
But
we
must
en - dure
it
to
D
live
a - gain.
Gtrs. 1+2
7 7 5
q = 75
Outro
Em7
Csus2
Em7
Gtr. 4
Csus2
The
3
1/2
15
12 14 12 14
14
14
mf rall.
let ring... w/slight dist.
0
3
3
0
3
0
0
2
2
3
5
5
2
3
3
5
0
5
3
0
2
3
2
2
0
Csus2
man
who casts
no
12
Dsus2
sha -dow,
has
12
7
Asus2
no
8
soul.
10
9
9
7 9
7
0
5
3
0
Em7
Sorgdal
5
5
3
5
3
3
0 2 2
3
0
5 2
5 3
0
3
3
5
2 5
0
0
3
2
0
2
2 0
2 0
0
7
Em
Csus2
q = 110
Esus2
3
1.
Let me
rake
7974
5
57
7
9
4 5
4
5
54 X
X
Verse
Em7
[E5]
tell
you ’bout my
life,
let me tell
you ’bout my
dreams.
Let me
Gtr. 3
3 let ring w/clean tone mf Gtr. Gtrs 1+2 tacet
8 7
7 9 7
7
7 9 7
8 7
7 9 7
7
0
7 9
7
7
8 7
7 9 7
7
7
7 9 7
9 7
7
10 7
7 7
7
0
0
0
tell
you ’bout t he
9 7
10 7
things
that hap
7 7
9 7
0
7
pen, -
10 7
al
ways -
7 7
real
9 7
0
7
to me.
10 7
Letme
7 7
9 7
7
0
D6/F#
10 7
Gadd9
Sorgdal
2
tell
you of
my
hope,
7
F'#11
7 7
0
of my need
to re ach th e
sky.
Let me
0
0
2 9 7 0
10 7
7 7
0
2 0
0
0
2 0
0
2 0
0
2 0
3
7 2
3
1
2 3
3
3
[E5]
take
you on
an
9 7
10 7
awk
ward -
7 7
9 7
7
0
0
D6/F#
Gadd9
jour -ney,
10 7
let
me tell
7 7
you why.
9 7
10
7
7
7
9
7
7
7
7 7
7
0
F'#11
10
7
0
[E5]
Let
me tell
you why.
Gtrs. 3+4
0
0
2 0
2 0
0
0
2 0
0
2 0
2
0
0
2
3
3
3
3
9
10
7 2
3
1
7
7
7
7
0
9
7
10
7
7
9
7
7
10
7
0
7
7
9
7
7
7
0
10
7
7
7
7
0
Gtr. 4
Harm.
12
12
12
12
12
12
12
12
12
12
12
12
Gtr. 3 plays Fig. 1
Sorgdal
7 9 7 0
10 7
7 7
9 7
7 0
10 7
7 7
7
9 7
7 0
9 7
7
9 7
7
9 7
7
7
0
3
Harm.
12
12
12
12
12
12
E5
7
9 7
9
7
7
9
7
7
7
0
Gtrs. 5+6
ff
9
7
7
0
B5 C 5
w/dist.
15
F#5 G5 F#5 E5
E5
B5 C 5
F#5 G5 F#5
E5
P.M. Gtrs. 3+4 tacet
P.M.
4 4 2
0
5 5 3
0
4 4 2
X
5 5 3
4 4 2
cont. in slashes
4 4 2
2 2 0
0
5 5 3
0
4 4 2
X
5 5 3
4 4 2
2 2 0
Verse
E5
Gtrs. 5+6
Verse
3
Gsus2
3
A5 3
3
3
3
Why should these
E5
B5
cur ses
C5
be laid up - on
F#5 G5 F#5 E5
me?
I won’t be for
E5
B5
- giv - en ’til
C5
I
can
break
F#5 G5 F#5 E 5
free.
Gtr. 7
f
w/dist.
12 15
D/F#
full
12
12
15
Gtrs. 5+6
P.M.
Sorgdal
4
4 4 2 0
cont. in slashes
P.M.
0
5 5 3 X
4 4 2
5 5 3
4 4 2
2 2 0
4 4 2 0
0
5 5 3 X
4 4 2
5 5 3
4 4 2
2 2 0
Verse
E5
Gtrs. 5+6
3
D/F#
3
3
2. What 3.
E5
did I do to de serve all this I know they’re cry ing for help, reach ing
B5 C5
F#5 G5 F#5 E5
Gsus2
A5
3 3 guilt? Paid for my out. The bur den of
E5
B5
sins with the sale of my them will take me down as
C5
F#5 G5 F#5 E 5
soul. well.
Gtr. 7 (1° only)
full
15
Gtrs. 5+6
P.M.
4 4 2 0
5 5 3
0
X
E5 Gtrs. 5+6
cont. in slashes
P.M.
D/F#
4 4 2
5 5 3
4 4 2
2 2 0
4 4 2 0
5 5 3
0
X
Gsus2
4 4 2
5 5 3
4 4 2
2 2 0
A5
3 3 3 3 3 3 De - monsare The sin of a
trapped all in - side of my thou sand souls, not died in
head, vain.
my hopes of God, reach for hea ven from re - in - carn - ates to let me, live a -
Gtr. 7
full
12
Sorgdal
15
5
E5
B5 C 5
F#5 G5 F#5 E5
E5
B5 C 5
F#5 G5 F#5 E5
hell. -- gain.
12 15
Gtrs. 5+6
P.M.
$
cont. in slashes
P.M.
4 4 2 0
5 5 3
0
X
Chorus
E5
F#5 G5
4 4 2
C5
5 5 3
4 4 2
D/F#
My sins are Some one to 3. Some one to
2.
ma save save
-
X
B5
A5 B5
C5
ny, me, me,
Gtr. 7
5 5 3
0
3
1.
0
E5
3
4 4 2
2 2 0
My guilt is too some thing to some thing to
4 4 2
5 5 3
4 4 2
G5*
hea vy. save me from my save me from my
full
12 15
3 3
P.M.
P.M.
Fig. 2
Sorgdal
6
9 7 0
2 2 0
5 2
5 3
5 5 3 0
2 0 X 2
0
2 2 0
4 4 2
2 2 0
4 4 2
5 5 3
2 2 0
3 3 0 0 X 3
- self. hell.
E5 F#5 G5 C5 D/F# E5 B5 A5 B5 C5 3
The pres sure of know - ing, To bring sal - va tion, a des - ti - na tion
3
of how then what I to ex - or - cise this a - way from this night
3
D5
know. hell. mare.
-
5 5 3
4 4 2
P.M.
P.M.
Fig. 2
9 7 0
2 2 0
E5
2 2 0
5 2
5 3
0
F#5 G5
C5
2 0 X 2
0
D/F#
E5
3
1. I’m
a - ble Some one
2. 3.
to to
see save
2 2 0
4 4 2
5 5 3
B5
A5 B5 C5 3
things, me,
Gtr. 7
2 2 0
things I don’t some - thing to
want save
7 7 5
G5*
to me
3
see. from
my
-
self.
Gtrs. 5+6 play Fig. 2 full
To Coda
Ø
12 15
1.
E5
F#5 G5
C5
D/F#
E5 3
The lives of a Tobring sal -
E5
thou va
B5 C 5
- sandsouls tion,
E5
B5 C5
D5
weigh hea - vy down on ex - or - cise this hell.
to
F#5 G5 F#5 E5
B5 A5B5 C5
me.
F#5 G5 F#5 E5
Gtrs. 5+6
P.M.
P.M.
4 4 2 0
5 5 3
0
E5
X
B5 C 5
4 4 2
5 5 3
4 4 2
4 4 2
2 2 0
F#5 G5 F#5 E5
0
5 5 3
0
E5
4 4 2
X
B5 C5
5 5 3
4 4 2
2 2 0
F#5 G5 F#5 E5
P.M.
P.M.
4 4 2
0
Sorgdal
0
5 5 3
X
4 4 2
5 5 3
4 4 2
2 2 0
4 4 2
0
0
5 5 3
X
4 4 2
5 5 3
4 4 2
2 2 0
7
2.
C5
Interlude
D5
E5
C5 B5 E5
1° only
G5 F#5E5
P.M. 5 5 3
C5 B5 E5
D5 E 5
7 7 5
2 0
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
C5 B5 E5
2 0
5 3
2 0
4 2
P.M.
7 5 0
C5 B5 E5
P.M.
5 3
0
0
D5 E5
P.M.
4 2
0
0
0
5 3
4 2
0
0
Play 3 times
C5 B5 E5
G5F#5 E5
P.M.
5 3
4 2
2 0
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
P.M.
E5
7 5
0
5 3
0
0
P.M.
4 2
0
0
A5
Gtr. 7
Gtr. 8
4 2
0
5 3
4 2
0
0
F5
C5
2 0
5 3
P.M.
Gtrs. 5+6
4 2
2 0
E5
C5 B5E5
5 3
2 0
P.M.
2 0
cont. in slashes
2 0
2 0
2 0
2 0
2 0
2 0
2 0
C5
2 0
4 5 7 2
5
4
2
2
4 5 7
3
2 0
A5
F5
Play 3 times
Gtr. 9
Sorgdal
8
8
10
7
9
10
10
7 9
7
8
10
7
9
10
457
7
5
5
6
9
7
5
5
7
4
2
8
5
7
5
4
2
2
3
F5
E5 C5 A5 Gtr. 8
7
7
8
8
10
8
7
5
5
10
6
9
Gtr. 7
4 2
5
7
5
4
2
2
457
3
C5 E5
A5
Gtr. 8
F5
Gtr. 9
7
8
7
7
8
10
7
9
10
8
7
5
5
10
6
9 9
9
7
5
10
E5 2
4
457
5
7
5
4
2
2
3
A5* G#5 E5 C5* A5* G#5 B5* E5
Gtrs. 5+6
F5* E5* E5
P.M. Gtrs. 7+8+9 tacet
P.M.
6 5 3
P.M.
5 4 2
10 9 7
0000
P.M.
9 8 6
13 12 10
0000
0000
12 11 9
10 9 7
E5
G/B
P.M.
Gtr. 9
9 8 6
0000
Gtr. Solo Gtrs. 5+6
5 7
10
C5
f 3 w/dist.
Sorgdal
7 9
9
7
7
5 7 5 4
5
10
7
9
D/F#
Gsus2
rhythm cont. sim.
3
5
5
7
7
8
7 8 7
3
5
7
3
5 7 5
5
8
8
8
7
5 7
E5
5 75
G/B C5
7
8
7 8 7
4
7
8
7
12
9
9 7 5 75
7 5
6
3
3 4
13
full
12 13 12
12
12
full
12 15 12
14
14
12 14
D/F# D5 3
3
3
6
full
1/2
full
full
14 15 15 12
12 14
12 14
14 12
12 14
14 12
14
12 14
14 12 1 4 14
12 10
12
12
14
14 1 2
12 14 14
G/B C5 E5 17
15
14
15 1 4 1 5 1 4
14
17
17
19
15
12
17
14
12
11
D/F#
Gsus2
3
17
Sorgdal
10
20
19
20
19 2 0 1 9
full
17
19
20
20
20
19
12
full
full
2 0
2 0
full
2 0
full
1/2
14
C5G/B E5 3
3
full
14
17
12
15
15
13 15 13 12
17
15 1 7 1 5 1 4
15
15 17 15
15 14
12
D5 D/F# 3 3 3 3 3 full
14 15 14
14 12 1 4 12 17
15 1 3 1 2 1 3
B5 C5
F#5 G5F#5
12
12 14 1 4 12 12 1 4 12
E5
full full
12 15
E5 12
E5
11 12 14
14 1 2
14
B5 C5
12
14
F#5 G5 F#5 E5
Gtrs. 5+6
P.M.
P.M.
D.S. al Coda
4 4 2 0
5 5 3
0
E5
X
B5 C 5
4 4 2
5 5 3
4 4 2
4 4 2
2 2 0
F#5 G5 F#5 E5
0
0
E5
P.M.
4 4 2
0
Sorgdal
0
5 5 3
X
4 4 2
5 5 3
4 4 2
2 2 0
X
B5 C5
P.M.
5 5 3
0
0
4 4 2
5 5 3
4 4 2
2 2 0
F#5 G5 F#5 E5
4 4 2
5 5 3 X
4 4 2
5 5 3
4 4 2
2 2 0
11
Ø
Coda
E5
B5 C5
F#5 G5F#5 E5 E5
B5 C5
F#5 G5F#5 E5 E5
B5 C5
F#5 G5F#5 E5
Gtrs. 5+6
P.M.
P.M.
4 4 2
0
E5
0
X
B5 C5
5 5 3
4 4 2
5 5 3
F#5 G5F#5 E5 E5
4 4 2
P.M.
4 4 2
2 2 0
0
5 5 3
0
X
F5*E5* E5
4 4 2
5 5 3
4 4 2
4 4 2
2 2 0
0
5 5 3
0
A5* G#5 E5
4 4 2
X
C5*B5* E5
5 5 3
4 4 2
2 2 0
A5* G#5
P.M.
P.M.
E5
4 4 2
0
5 5 3
0
X
4 4 2
5 5 3
4 4 2
P.M.
6 5 3
2 2 0
P.M.
5 4 2
10 9 7
0000
P.M.
9 8 6
13 12 12 11 10 9
0000
0000
10 9 7
9 8 6
0000
F5*E5* E5
A5*G#5 E5
C5*B5* E5
A5*G#5
Gtrs. 5+6 tacet
P.M.
P.M.
P.M.
rall.
P.M.
[E5] 6 5 3
5 4 2
0000
10 9 7
9 8 6
13 12 10
0000
12 11 9
0000
10 9 7
9 8 6
0000
Outro Gtr. 4
Harm.
mf let ring...
w/clean tone + chorus
12
12
12
12
12
12
12
12
12
12
12
12
Gtr. 3
mf let ring... w/clean tone
Sorgdal
12
7 9 7 0
10 7
7 7
9 7
7 0
10 7
7 7
7
9 7
7 0
9 7
7
9 7
7 0
9 7
7
7
For The Greater Good Of God Words & Music by Steve Harris
Em
C
G
5fr
D/F# 2fr
Intro Gtr. 2
D
3fr
D5
A5
E5
7fr
7fr
G5*
D5*
C5
G5
3fr
3fr
G5/A
B5
C5
5fr
3fr
q = 58 [E]
q. = 43
mp
7
Gtr. 1
9
mp
w/clean tone + chorus + echo
5
7
7
9
5
7
w/clean tone + chorus + echo
5 5
7
3
5
7
Bass arr. for Gtr.
let ring...
2 0
2
2 5
7
0
0
2
2
3
5
0
0
2
2
5
7
0
0
5
7
2
0
q. = 43
Gtrs. 1+2+3
[E]
5
4
5
7
0
Sorgdal
4
5
7
0
4
7
4
5
5
7
0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
4
5
7
0
4
7
0
1.
2.
5
4
5
5
7
5
4
5
7
7
0
5
7
0
q = 164
Em
C
Verse
G D
Gtr. 3
1. 2.
rhythm cont. sim.
Are you a A life that’s
man of made to
peace, or a man of ho breathe, de - struc - tion or
-
ly de
war? fence.
-
Gtrs. 1+2
Fig. 1 let ring...
9
9
9
5
9
5
7
5
7
5
5
3
5
5
7
7
5
7
5
3
Gtrs. 1+2 play Fig. 1
Em C
Too A
ma mind
ny that’s
Em
So A
ma - ny wolf in
Em
sides vain
Sorgdal
2
know which an bad or good
y in
-
more. tent.
C
G D full of life, sheep’s cloth - ing,
C
Don’t know just Or some that
D
to you, don’t cor - rup - tion,
G
how ma - ny would be - lieve,
but
al
a
so saint - ly
filled or
with sin
G
-
D
pain. ner.
will a
live to ho - ly
breathe war win
a
-
gain. ner.
q = 164
E5
C5
Verse
3.
They fire More pain
off and
ma ny mi - se
shots - ry
G5
D5
and ma ny part - ing in the hist - ’ry of man
blows. kind.
4.
Gtr. 3 (2° only)
mf
-
w/dist.+chorus
8
8
8
9
7
9
7
10
7
10
9
7
Gtrs. 1+2
ff P.M. Fig. 2 w/dist.
9 7 0
P.M.
P.M.
9 7
0
5 5 3
9 7
0
0
0
P.M.
3
P.M.
3
5 5 3
3
P.M.
3
5 5 3
P.M.
5 5 3
3
0
3
P.M.
5 5 3
3
E5 C5
Their ac some - times
tions
be
-
it
yond seems
a more
Gtrs. 1+2 play Fig. 2
8
5
7 7 5
5
reas like
- ’ning,
on blind
the
5
P.M.
5
ly God lead - ing
would the
8 7
And It
Gtr. 3 (1°+2°)
7
9
C5
5
10
E5
7 7 5
3
9
3
7 7 5
P.M.
10
know. blind.
5 5 3
P.M.
G5
8 9
D5
3
P.M.
as brings
he up
lies on us
-
in
8
hea ven, more
or of
8
7
9
9
7
10
10
Gtr. 1 (2° only)
P.M.
Sorgdal
5 2
2
P.M.
2
5 2
2
P.M.
2
5 2
2
P.M.
9 7 0
P.M.
P.M.
9 7 0
0
5 5 3
9 7 0
0
P.M.
3
P.M.
3
5 5 3
3
P.M.
3
5 5 3
3
0
3
G5
it fam
D5
could ine,
-
be death
E5
in and
hell. war.
8
I You
7
feel know
he’s re
-
8
7
7
9
9
7
10
P.M.
5 2
2
P.M.
5 2
2
C5
2
P.M.
5 2
2
2
2
5 2
2
here, has
5 2
P.M.
G5
some where - li - gion
P.M.
or a
2
5 2
2
from ans -
9 7 0
2
be wer
-
low,
P.M.
P.M.
9 7 0
to
P.M.
D5
look ing lot
8
P.M.
9 7
0
0
0
0
but
don’t
I
for.
12 9
12
14
10
12
P.M.
5 5 3
3
P.M.
P.M.
5 5 3
3
3
3
5 5 3
P.M.
5 2
3
P.M.
P.M.
2
5 2
2
2
5 2
2
P.M.
7 7 5
2
5
7 7 5
5
7 7 5
7 7 5
7 7 5
7 7 5
Play 1° only
Pre-Chorus
A5
know.
I
know.
don’t
Gtr. 1
P.M.
2 2
0 0 0 Pre-Chorus
Sorgdal
4
P.M.
P.M.
2 2 0
0
0
2 2 0
0
P.M.
P.M.
0
2 2 0
0
0
2 2 0
0
2 2 0
P.M.
0
P.M.
5 5 3
3
P.M.
P.M.
3
5 5 3
3
3
5 5 3
3
P.M.
7 7 5
5
5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
q = 105
*E5 Chorus
Please tell
me now what life is.
Gtr. 3
4
5
Please tell
me now what
love
D5
is.
cont. sim.
P.M.
Fig. 4
57
G5
C5
2 4
P.M.
000 2220
5
7
2
7
4
5
2 2
P.M.
2
4 4 4 00 0 22 20
7
2
cont. sim.
P.M.
P.M.
P.M.
Fig. 3
9 10
7
9
5 7
44 4 5554
9
7
5
10
7
9
5 5
5
7 77 44 4 5554
7
5
*chords implied by bass Gtrs. 1+2 play Fig. 3 Gtr. 4 plays Fig. 4
E5
Well, tell
me now what
war
C5 D5
A5
is.
A - gain
tell me what
life is.
q = 164
G5
E5
C5
Verse
5. And 6. And
as all
they searched to be - cause of
find it,
the you’d
Sorgdal
Gtrs 1+2 play Fig. 2
8 9
8
7
9 10
sand. learned.
Gtr. 3 (2° only)
8
bo dies in the think that we’d have
D5
7
7
10
9
7
Gtr. 1 (2° only)
P.M.
5 2
2
P.M.
2
5 2
2
P.M.
2
5 2
2
P.M.
5 2
2
P.M.
2
5 2
2
P.M.
2
5 2
2
5
G5
the res
E5
They find But still
C5
it’s the
8
ash es bo - dy
that count,
are the
scat tered a - cross ci - ty fi -
8
D5
land. burned.
8
9
7
9
7
10
7
10
9
7
Gtr. 1 (2° only)
P.M.
5 2
E5
And Some
2
P.M.
5 2
2
2
P.M.
5 2
2
2
C5
G5 D/F#
as their spi - rits where there’s some one
seemed to dy - ing
whist - le in a
on for
the - eign
wind, land,
Gtr. 3 (1°+2°)
8
8 9
8 9
10
7 7
10
7
9
7
Gtr. 1 (1°+2°)
P.M.
5 2
2
P.M.
2
5 2
2
P.M.
2
5 2
2
1.
G5
E5
a shot mean while
C5
is
fired some where, world is cry -ing,
an stu
- oth - er - pi - di
war - ty
D5
be of
-
(Gtr. 3)
the
Gtr. 1 plays Fig. 2
Sorgdal
6
8
8 9
12 9
10
12 10
12
gins.
Pre-Chorus
2.
D5
man,
Gtr. 3
tell
me
A5
why,
tell
me
14
Gtrs. 1+2
P.M.
7 7 5
5
P.M.
5
7 7 5
7 7 5
7 7 5
C5
7 7 5
7 7 5
2 2 0
0
P.M.
0
2 2 0
0
P.M.
2 2 0
0
0
P.M.
0
2 2 0
0
P.M.
0
2 2 0
0
P.M.
2 2 0
0
D5
why?
$ P.M.
5 5 3
3
P.M.
5 5 3
3
P.M.
3
5 5 3
3
3
P.M.
7 7 5
5
5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
q = 105 Gtrs. 1+2 play Fig. 3 Gtr. 3 plays Fig. 4
Chorus
*E5
Pleaset ell
me now what
life
is.
C5
G5 D5 Please tell
me now what love is.
*chords implied by bass
E5 A5 C5 D5
Sorgdal
Well, tell
me noww hat
war
is.
A - gain
tell me what
life is.
7
Bridge
E5
Gtr. 2
rhythm cont. sim.
For
the
great - er
good
of
God.
Gtr. 3
Fig. 6
7
10
7
8 7
9
7
9
8
7
8
7
8 1 0
10
10 8
7
979
Gtr. 1
Fig. 5
4
7
5
4
4
7
7
5
4
4
45457
7
7
7
5
4
757
Gtr. 1 plays Fig. 5 Gtr. 3 plays Fig. 6
C5
For
the
G5 great - er
good
of
God.
For
E5
For
the
D5
Ø
4° To Coda
God.
A5
B5
great - er
C5
the
great - er
good
of
good
D5
of
God.
Interlude
q. = 64 [E]
Gtr. 3
cont. sim.
8
7
8
7
9
8
7
9
10 7 8
87
8
9
7
9
8
7
9
8
9
7
9
5
7
Gtrs. 1+2
Sorgdal
8
5
4
5
7
0
4
5
7
0
4
7
4
5
5
7
0
4
5
7
0
4
5
7
0
4
5
7
0
*E5
C5
E5 5
4
5
D5
4
7
5
4
7
7
0
G5
4
5
5
4
7
0
5
5
A5
5 7
0
C5
4
7
0
*chords implied by bass
4
7
0
5
7
0
D5
5
4
5
4
7
0
5
4
7
7
4
5
5
4
7
0
5
4
7
0
5
4
5
7
0
7
0
5
7
0
G5*
D5*
[E] Gtr. 2
Gtr. 3
8 10 8 7 9
9
9 7 9
9
9
7 9
9
9 7 9 9 9 9 9
7 9
9
9 7 9
9
7
8108
9
9
7
7
9
7
Gtr. 1
Fig. 7
Gtr. 2 cont. in slashes
let ring...
5754 5 7 0
7
7
5 7 0
7
7
5 7 0
7
7
57 0
7
7
A5
5 7 0
7
7
5 7 0
G5*
7
G5/A
5754
7
7
5
7
5
D5
Fig. 8 8 10 8 7 9
9
9 7 9
9
9
7 9
9
9 7 9
9
9
7 9
9
9 7 9
9
9
7
8108 9
7
7 9
7
Sorgdal
5754 5 7 0
7
7
5 7 0
7
7
5 7 0
7
7
5 7 0
7
7
5 7 0
7
7
5 7 0
7
7
5754 7
5
7
5
9
Gtr. Solo
[E]
Gtr. 4
rake
ff
Gtr. 4 w/dist. Gtr. 1 plays Fig. 7 Gtr. 3 plays Fig. 8
10
114 5
14
15
13
X
full
17 1 2
X
1 09
1 4 1 1 1 2 11
10
7
76
1 4 12 14 1 3
12 1 0 1 2
10 11 12
G5*
D5*
12
A5
full
15
1 51 4
10 9
10
12 15
12 15
12 17
12 15
12 14
12
15 14 12
15
12 11 12
14
14
14
14
14
11
14
14
12
G5*
G5/A
D5
full
full
12
[E]
12
12
12
15
12
14
15
15
14
12
12 14 14
12
14
12
10 12
Interlude
1° only
Gtr. tacet 3
Gtr. tacet 4
12
Gtrs. 1+2
P.M. Fig. 9
Sorgdal
10
787
0007
5300
0
5320
0032
0000
[E]
Gtr. 5
rake
ff
Gtr. 5 w/dist.+wah-wah Gtrs. 1+2 play Fig. 9 full
full
12
full
12
15
15
15
X
12
12
full
full
12
12
15
15
12
X
rake
15
14
X
12
15
12
full
12
12
15
12
12
15
X
X
B5
C5
Gtr. 3
Gtr. 1
G5
full
A5
rhythm cont. sim.
full
7
10
8
7 1
1 7 10
10
8
7 8
Gtr. 6
Gtr. 2 7
7
7
8
7
8
8
10
8 7
B5 C5 G5 A5 B5 C5 10
4
4
4
7
5
45
7
5
10 7
12 14 1210 12 10
1 1 1 21 1
11
14
4
Sorgdal
7
7
4
4
10 7
8 5
7 5 4
8 7
8
5
4
14 12
7
4
7
14
4
0
4
12
7
1
5
11
13 12 1312 10 12 10
8
54
7
5
7
14
10
8
7
7 10
8
10
55 4 7
5
7
7
7
4
4
10 4 7
8
7
8
5
4
5
11
G5
A5
B5
C5
G5
A5
Gtr. 5
00000000
2
full
4
8
9
11
12
14
5
8
2 4 5
10
59
8 7
9
10
7
7
7
8
7
8
8
10
8
7
[E] 5
10
7
5
8
10
10
4
4
7
5
4
7
7
4
5
4
5
7
55
10
4
2
Gtrs. 1+2 play Fig. 9 Gtrs. 3+6 tacet 17 0 0 0 0
0 14 0 0 0
0 0 15 0 0 0
0 0 12 0 0 0 0
0
14 0 0
0 0 0 10 0 0 0 0
0 12 0 0 0 0 0
8 0 0 00
0
10 0 0 0 0 0 7 0 0 0 0 0 8 0 0 0 0 0 5 0 0 0 0 0
7000003000003
3
full
X X X
X X X
1/2
12
15
15
12
14
14
14 12 15 14 12 15
15 1 4 1 5 14 12
14 1 2
12
14
Sorgdal
12
13
14
full
14
16 16
15
17
15
14
14
17
15
17
17
17
15
17
1.
Interlude
B5
C5
Gtrs. 1+3
G5
A5
17
7
7
8
4
4
5
7
8
8
10
45
7
Gtr. 2
4
C5
Gtr. 6
7
B5 rhythm cont. sim.
10
8 7
7 10
8
10 4
7
5
7
7
4
4
10
554
7
7
7
8
7
8
5
4
5
2.
G5
A5
B5
C5
G5
A5
Gtr. 3
8
Gtrs. 1+2
10
5
7
Gtr. 2 cont. in slashes
8
Sorgdal
10
8
7
7
10
5
7
5
8
10
4
4
7
5
7
7
8
4
4
5
7
8
8
10
10
7
7
8
7
10
4
5
7
55 4
7
13
E5
1, 2, 3.
C5
4.
D.S. al Coda
(with repeats)
Gtr. 4
G5
D5
rhythm cont. sim.
7
7
8
99
7
10
8
7 9
D5
9
9
10
8
7 9
9
9
7
7 9
8
10
9
9
rall.
4
4
5
77
Ø
4
7
5
5 7
7
7
5
7
Coda
C5
7
5 7
7
7
5 7
5
7
7
7
D5
God.
7
7 9
7
8
7
8
7
8 1 0
7 10
10
8
7
9
Outro
4 5
4
4 7
7
5
4
7
q = 164
Em Gtr. 3
5
45457 7
C
G
Gtrs. 1+2
He
gave
his
life
for
D
rhythm cont. sim.
us,
he
fell
up - on
the
cross.
(Fig. 1)
mf let ring...
w/clean tone + chorus
Sorgdal
14
9 9 7
9
5
9
5
5
7
5
5
3
5 3
5 5
7 5
7 7
Gtrs 1+2 play Fig. 1
Em
C
To
die
for
all
Em
G
of
those
who
C
was
- n’t
meant for
- er
mourn
his
G
It
nev
D
us
to
feel
the
loss.
D
pain
a
-
gain.
Tell
me
rit.
A
C
why,
Gtrs. 1+2
2
me
why?
2
2
q. = 43
7 7
5
2
5
5
0
Sorgdal
tell
2
2
0
D
2
2
5
3
[E]
rall.
Gtrs.1+2+3
7 7
5
5
4
5 7
0
q. = 43
4
5 7
0
4
5 7
5
7
0
15
Lord Of Light Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
Emb6
D13 Cmaj7 Am9 Em9
E5
D
7fr
D/F# Cmaj7#11 G5
B5
Am9* G5*
3fr
2fr
5fr
A5
E5*
5fr
10fr
F#5
Eb5
9fr
C#5
6fr
Bb5
4fr
q = 127 Intro
Emb6
Gtrs. 1+2
mf let ring... w/clean tone
0
1.
1
are
1 4
1 4
that
1
4
4
2
D13
crets -
1
4 2
se
0
1
4 2
There
0
1 4
2
Verse
0
1 4
you
k eep.
0
1 2
1 4
are can’t de -
se reach ny
4
2
0 1
1
4
4 2
0 1
1
1
1
4
4
that I what
4
0
0
keep, see, am,
0
4 0
4 2
4
1
0
1 4
D13
you can’t I
1
4
0
crets things me
0
1
4 2
There I Don’t
0
1
4 2
Emb6
Sorgdal
0
1 4
0
1
4
0 1
1
4
4 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured.
0 1
1
4
4 0
0 1
Cmaj7
There you no
are don’t thing
-
se see hid
-
crets this den
-
1, 2.
Am9
D13
that you strange world still you
tell quite fail
to me a - lone. the same as me. to see the truth.
0
1
0
1
4
1
4
0
1
0
1
4
4
1
4
3
3
1
1
4
2
3
0
1
4
4
4
0
3
2
0
0
3.
D13
Emb6
These
are
things
you
can’t
re
-veal.
0 1
0 1
0
1 4
1
4
0 1
4
0
1 4
0 1
4
2
0
1 4
1
4
2
1
4
2
4
2
4 2
Interlude
Emb6
Gtr. 1
P.M. Fig. 1
9 9 7 9
5 5 7
4
5
4
7
5
Gtr. 2
Fig. 2
0
1
0
1
2
1
4
2
Sorgdal
0
1
4
4
2
0
1
1
4
4
2
1
1
4
4
2
4
Gtr. 3
Gtr. 3 w/dist.
mf Gtr. 1 plays Fig. 1
Gtr. 2 plays Fig. 2
12
12
10
12
8
10
7
8
7 9
7
Gtr. 3 tacet
Em9
Gtr. 1
These
are
things
you
can’t
re
veal. -
Em9
Em9
Gtr. 2
1 4 2
q = 160 Gtr. 1
E5
ff
Sorgdal
P.M.
P.M.
P.M.
P.M.
w/dist.
9 9 7
9 9 7 0
0
0
9 9 7 0
0
0
9 9 7 0
0
7 0
7 0
5 0
5
5 5 7
4 7
5
3
P.M.
P.M.
9 9 7
9 9 7 0
9 9 7
0
0
Verse
E5
P.M.
We
are
0
part
of
P.M.
9 9 7
9 9 7 0
0
0
0
P.M.
0
0
5
0
7
5
9
9
7
D5
strange
5 7
plan.
Why
7 7 5
4 7
5
the
P.M.
P.M.
7 7 5 5 5
P.M.
E5
0
some
9 9 7
0
0
9 9 7
0
7
0
Gtrs. 1, 2+3
P.M.
9 9 7
7 7
5
5 5 5
slaugh
-
5
5
ter
of
5
the
P.M.
P.M.
P.M.
P.M.
Fig. 3…
5
7 7 5
7
9
7
9 9 7
5
9
7
9 9 7
0
D5
bro
-
ther -hood
0
9 9 7
0
0
0
9 9 7
0
0
0
of man?
In fern
7
4
7
5
C5
5
5
0
-
-
al
sac -
P.M.
7 7 5
Sorgdal
4
P.M.
P.M.
7 7
5 5 5
5
P.M.
7 7
5 5 5
5
7 7
5 5
55
7
7
9
5
9
7
5 5 3
P.M.
P.M.
5 5
3 3 3
3
5 5
3 3 3
3
3
3
-
ri
-
fice
A5
of
D5
hell.
P.M.
P.M.
5 5 3
3
3
P.M.
5 5 3
3
5 5 3
5 5 3
Gtrs. 1+2+3 play Fig. 3
E5
Fire -venge
2 2 0
2 2 0
… Fig. 3 ends
2 2 0 0 0
0
0
0
D5
breath - ing, liv ing
is
P.M.
lead in
the the
7 7 5
7 7 5
Interlude
ies in
-
E5
as to
they a
Gtr. 2
Gtr. 1
12 12
10 12
all new
burn in mil - le
-
way, past,
melts time
to one. ni - um.
8
10
7
8
7
5
7
4
5
4
7 7 5
7 7 5
12 12
10 12
our to
bod look
2.
D5
7 7 5
1.
-
7 7 5
C5
A5 D5
7 7 5
Re -
13
10
12
8
10
10
7
9
5
7
7 8
9 7 9 9
7 9
9 9
7 9
4 5
7 5
Gtr. 3
P.M.
Sorgdal
P.M.
9 9 7
P.M.
9 9 7 0
0
0
P.M.
9 9 7 0 0
0
P.M.
9 9 7 0 0
0
9 9 9 7 9 9 9 7 7 7 7 5 0
0
7 7 5
P.M.
P.M.
7 7 55 5 5
P.M.
7 7 55 5
5
7 7 55
5 5
555
5
7 7 7 7 5
7 7 7 7 5 5
0
5
E5
12 12
10 12
8
10
7
8
7
5
7
4
5
4
7 9
9979
13
10
12
8
10
10
7
9
5
7
7 8 4 5
7 5
P.M.
9 9 7 0
0
P.M. 9 9 7
0
0 0
0
E5 Spi Fire
ral
0
9 9 7 0
0
9 9 9 9 9 9 9 9 7 7 7 7
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
leads through the - ing, lead the
7 7 5
7 7 7 7 5 5
maze, way,
down Lu -
- der - world - gel led
in ci
-
to fer
2.
D5
un an
7 7 5
C5
A5
fie - ry just an
7 7 7 7 5 5
0
1.
the was
0
P.M.
D5
path breath
-
9 9 7
0
Gtrs. 1+2+3 play Fig. 3
P.M.
Verse
12 12 10 12
9 7 9 9
C5 D5
be - low. a - stray.
q = 80 E5*
D/F# G5
D/F# E5* C5
Chorus
Free
your
soul
and
let
E5
it
D5
fly,
Gtrs. 1+2+3
Sorgdal
6
Fig. 4…
2 0
2 0
5 2
5 3
5 3
P.M.
5 3
5 2
2 0
P.M.
5 3
7 5
0
0
9 7
7 5
7 5 0
0
B5
D5
C5
give
your
life
to
D5
the
Lord
of
E5
D5
Light.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
…Fig. 4 ends
4 2
5 3
0
0
7 5
5 3
5 3
5 3
5 3 0
7 5
0
0
9 7
0
0
7 5
0
0
0
0
0
Gtrs. 1+2+3 play Fig. 4
E5* D/F# G5
D/F#E5* C5 E5 D5 B5 D5 C5 D5 E5 D5
Keep your se crets and
rain on
me,
all
I
see
are
mys - te - ries.
q = 76 Interlude
E5*
Em9
Cmaj7#11
mf
Gtrs. 1+2+3
Gtrs. 1+2
w/clean tone
Fig. 5
Gtr 3 tacet
0
0
0
0
2 2 0
0
4
0
4
2
0
0
4
0
0
0
0
4
2
0
0
0
0
4
0
4
3
4
3
0
Bridge
Gtrs. 1+2 play Fig. 5
Em9
Am
I not Oth - ers
Em9
Sorgdal
We
gath use yours
wor
wait
thy their
in turn,
your their
er wise
de - mons - ly
in as
the the
Cmaj7#11
black lives
and were
blaz meant
to
ing eyes? last,
Cmaj7#11
mir - ror light is
ev fad
- ’ry - ing
day. fast.
Free
your
7
Am9*
Fmaj7#11
The bridge and let it
soul
of fly,
dark - ness
casts mine
a was
sha - dow on us all, caught, I could n’t try.
Time re-
Gtrs. 1+2
0
0
0
0
0
0
5
5
0
5
7
0
2
7
0
0
0
5
7
2
2
3
0
2
3
3
3
3
1
1
1.
Am9
Fmaj7#11
and all a - gain
our
sins to you to pun ish all
turns
give
this
0
0
5
0
5
7 0
0
2
7
3
E5
We were
cast
out
by our blood y
P.M.
0 0
0 2
2
3
3 3
1
1
9 9 7
9 9 7 0
Sorgdal
8
0
strang - ers night mare
in this world,
9 9 7
0
F#5
the
12 10 12 10 10 8 0
fath er’s
Eb5
hand.
un - ho - ly ghost.
P.M.
P.M.
9 9 7
9 9 7
0
0
0
0
E5
lone on
C5
- ly prom ised - ly one we
P.M.
5 5 3 0
5 5 3
0
8 8 6 0
C5
Eb5
land. trust.
P.M. 9 9 7
0
the one
P.M.
9 9 7
We are In our
0
G5*
the sha dows of
P.M.
ff w/dist.
E5
3
0
2
3
1
G5* F#5 E5
us.
3
2
3
1
We are
0
2
3
0
2.
day.
0
5
7
2
0
0
5
we of
0 0
P.M.
P.M.
9 9 7
0
0
0
9 9 7
0
0
P.M.
9 9 7
12 12 10
0
0
10 10 8
P.M.
9 9 7
P.M.
9 9 7
0
0
0
5 5 3
0
0
5 5 3
8 8 6
0
D5 C#5 B5 G5 Bb5
Gtr. solo
B5 Gtr. 4
f w/dist.+ pitch shift pedal set one8vb. full
full
7
10
9
7
9 7999
7
9
Gtrs. 1+2
P.M. Fig. 6
4 4 2
4 4
2
4 4 2
2
7
5
7
7
5
5
P.M.
2222
9
P.M.
4 4 2
P.M.
7 7 5
2
6 6 4
4 4 2
P.M.
4 4
2222
2
2
5 5 3
3 3 1
5 5 3
3
B5 D5 C#5 B5 G5 Bb5 6
3
6
6
Gtrs. 1+2 play Fig. 6
6
6
14 10
12
12
11
11
12 11
12 11 14
11 14 12
14 12 11 14 12 11
12 11 14
11 14 12
14 12 10 14 12 10 9 10
Bb5 B5 D5 C#5 B5 G5
cancel pitch shift pedal
P.H.
12
11
10 7
6
7 6
9
11
14
14
11
10 7 6
14
9 7 7 9
7
7
B5 D5 C#5 B5 G5 B b5 6
3
6
6
full
10
7
9
7
7979
9
Sorgdal
7
7
9
9
7
7
9
7
9
9
7
7
9
full
10
10 7
7
7
7 10
7
9
7
9
9
9
B5
D5 C#5 B5
G5
w/slide w/pitch shift set 8va.
5
710
10
9
9
Bb5
10
12
Gtrs. 1+2
Fig. 7
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
7 5 5
6 4 4
2 0 0
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
5 5 3
3 3 1
D5 C#5 B5 G5 Bb5 B5 D5 C#5 C5 B5 G5 Bb5 *E5 B5
Gtrs. 1+2 play Fig. 7
slow gliss 5
12
12
5
17
14
19
17
q = 194
Gtr. solo
Gtr. 5
f
19
w/dist. w/bar
full
full
full
full
12
15
15
15
14
12
12 12 15 12
14
Sorgdal
10
14
Fig. 8…
5 7 0
*chords implied by bass
7 9
9 10
10 12
9 10
7 9 0
3 3 3 3 3 B5
full
full
full
121512 14
full full
12
14
14 12
14
12 14
14 12
14
12
12
14
12
5 7
7 9
10 12
9 10
9 10
full
17
17
full
17
full
1 7
full
17
17
full
full
17
12 14
7 9
5 7
7 9
9 10
0
A5
D5
E5
14
15
17
14
15
17
14
15
14 15 14
17
14
17
12 7
17
7 9
5 7
4 6
5 7
7 9
16
…Fig. 8 ends
9 10
8
15 17
10 12
9 10
7 9
0
0
C5
Gtrs. 1+2 play Fig. 8 7
8
w/bar
7
8787
7 8 7
9
5
9 75 7
75
3 57
6 5
5 6 5
7
7 5
4
54
7
77
Sorgdal
w/bar
9
57549
11
B5 A5 3
3
full
15
12
12
9
14
14 16
12
14
14
12
12
12
14
15
14
14
14
D5 E5 full
full
15 14
12
12
12 15
14
14
12
12
14
12 14
14
14
Gtrs. 1+2
0
Interlude
1° only
C5
B5
Gtr. 4 tacet
5 7
7 9
9 10
10 12
9 10
7 9
5 7
7 9
9 10
10 12
9 10
7 9
0
0
1.
2.
A5 D5 E5 5 7
7 9
9 10
7 9
5 7
4 6
5 7
0
Sorgdal
12
7 9
9 10
10 12
9 10
7 9
10 12
0
9 10
7 9
q = 92 Chorus
Gtrs. 1+2+3 play Fig. 4
E5* D/F# G5
D/F# E5* C5
E5 D5
B5
D5 C5
D5
E5 D5
Free your soul
E5* D/F# G5
and
let
it
D/F#E5* C5
fly,
give your life
E5 D5
B5
to t he Lord
1, 2.
D5 C5
of
Light.
D5
E5 D5
Keep your se crets and
3.
D5
mys
rain on
E5
-
te
-
me,
all
D5
Sorgdal
see
are
mys
- te - ries.
E5*
ries.
Gtrs. 1+2+3
I
2 2 0
(Hi-hat)
E5
D5
E5
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
7 7 5
9 9 7
13
The Legacy D7 D9'b6 D5
Dsus4 12fr
8fr
10fr
Dm Dsus2 10fr
9fr
C5
7fr
D7sus4 5fr
D6
F5
12fr
A5 Dsus2/4 Dm* D5*** C/E
D5*D7/A[omit3]D5** 7fr
Dsus2 Dm7/A D5/A* Dsus4
3fr
5fr
9fr
E5 Dsus2*D7[omit3] G/D
3fr
4fr
E5*
5fr
E5**
7fr
D9
7fr
G5
Dm* Dsus2/4* D
9fr
F5
12fr
G5*
5fr
5fr
Gtr 1 (acoustic); Gtr 2 (acoustic 12 str.); Chord boxes: 6=D 3=G 5=A 2=A 4=D 1=D
7fr
5fr
7fr
12fr
11fr
D/F# 9fr
All other Gtrs. 6=D 3=G 5=A 2=B 4=D 1=E
Intro
D7 D9'b6 D5 D7sus4 D6 D7sus4 Dsus2 Dsus4
Gtr. 1 (acous.)
cont. sim.
finger picked; let ring...
mf
12
12 10 0
10
8
0 12
8
0
7
0 11
0
7
5
0 9
5
0
3
3
0 7
0
5
5
0 5
0
2
0 4
2 0
5
0
2
0
0
Dsus2 D6 D6 Dm7/A D6 Dsus2 Dm7/A
2
Sorgdal
2
3
0
3
2 0
4 0
2
0 2
0
2 3
2
3
2
3
0
2
0
3
0
2
0 2
3 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
2 0
4 0
3
2
3 2
0
3 0
Verse
Dsus4 D7 D9'b6 D5 D7sus4 D6 D7sus4 Dsus2 1.
Tell Off
2.
you a thing to war
that you to play
ought to know. Two min lit - tle games, and on
utes of your time, their re - turn,
then on can’t name
you go. no names.
Tell Some
Fig. 1 12
12
10
0
10
8
8
0 12
0 11
0
7
5
5
0 9
0
7
3
0 7
0
3
5
0 4
0
2 0
5
0
2
0
5
0
5
2
0
0
Gtr. 1 plays Fig. 1
Dsus4
D7
tale strange
of the men yel low gas
D9'b6
all has
dressed played
1.
Dsus2
in black, with their minds,
D7sus4
that has
com
-
ing
back.
2. Sent
D5
knows
no
D6
most red dened
D7
D7sus4
all
ma - ny
D9'b6
get
D5
lies.
As
strange
D6
How
the
Dsus4
-moved
bounds.
Dsus4
Dsus2
D9'b6
D7sus4
of their
them, eyes,
not re -
2.
D7sus4
D5
as
on - ly
D7sus4
time
D6
it sounds,
D7sus4
well,
D7
death
Dsus2
will
D7sus4
tell.
Dsus2
rall.
12
12
10
0
10
0
12
8
7
3
0
3
2
0
2
0
0
D6
2
5
0
Dsus2
5
0
4
0
Dm7/A
5
0
5
0
Dsus2
5
7
0
D6
5
0
9
0
Dsus2
7
0
11
0
8
Dsus2
D5*
On ly time
will tell.
2
2
3
0
3
2
0
2
0
2
0
4
0
2
3
2
2
2
3
0
0
3
2
0
2
3
0
Sorgdal
3
2
0
2
0
4
0
2
0
0 0 2 0 0 0
q = 73
Interlude Dsus4*
0 0 12 0
Fig. 2
Dsus4 Dm
Dm
Dsus4 Dm
0 0 10 0
0 0 12 0
0 0 10 0
0 0 12 0
D5*
0 0 10 0
0 0 10 0
0 0 9 0
D5*
Gtr. 2 (acous. 12 str.)
Dsus2*
cont. sim.
Gtr. 3 (elec.)
(fade in w/vol. control)
mf
cont. sim.
Fig. 3 Gtr. 2 w/clean tone + chorus 10
11
10
1
011
10
1
1
10
11
10
10
10
12
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
D7[omit3]
D5*
Gtr. 3 plays Fig. 2
5
5
5
5
5
5
5
5
5
7
7
7
7
5
3
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
D5**
A5
D5**
f
Gtrs. 4+5 (elec.)
Gtr. 6 (elec.)
A5
f Gtrs. 4+5+6 w/dist Gtr 1 plays Fig. 2 Gtrs. 2+3 tacet
Sorgdal
12 10
12
10
12 10
10
9
9
12 10
12
10
12 10
10
9
9
3
D5*
D5*
Gtr. 2 (acous. 12 str.)
Gtr. 3 plays Fig. 3 Gtrs. 4+5 tacet
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
D7[omit3]
D5*
5
5
5
5
5
5
5
5
5
7
7
7
7
5
3
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
Dsus2/4
Dm*
Gtr. 2 (acous. 12 str.)
Gtr. 3 tacet
0 10 9 0
0 10 9 0
8 7
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
10 9
8 7
D5**
A5
Gtrs. 4+5 (elec.)
f
Sorgdal
4
Gtrs. 4+5 w/dist. Gtr. 1 plays Fig. 2 Gtrs. 2+3 tacet 0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
2 2 0
2 2 0
0 8 7 0
8 7
8 7
0 8 7 0
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
D5**
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
q = 90 D5***
F5 E5
A5
2 2 0
0 0 0
C/E C5 D5***
P.M.
2 2 0
7 5
7 5
7 5
10 7
0
D5***
0
C/E
P.M.
C5
0
5 3
7 5
7 5
7 5
7 5
0
0
D5***
0
3 3
2 2
3 3
F5
2 2
E5
P.M.
P.M.
Fig. 4
7 5
0 0
7 5
7 5
10 7
0
0
5 3
7 5
7 5
7 5
7 5
0
0
0
3 3
2 2
3 3
2 2
Gtrs. 4+5 play Fig. 4
D5***
Verse
1. 2.
C/E C5 D5***
You lie Tang - led up
in your death bed in a web of
D5***
Brought us on - ly Un - a - ware of
now, lies,
F5
but what could have been
did you bring a way
C5 D5*** F5
ho - ly sin, the con - se -quence,
ut - ter trust not a - ware
is of
D5***
men.
Sorgdal
So Not
ho - ly peace, can’t be - lieve,
we did to
how could we be such fools? a thing that we could for - see,
and not
to think a sign
ta - ble? pro - phe - sise.
E5
F5
you
kept.
E5
n’t know what was ly - ing re - veal the fa -cade of
C/E C5 D5***
the
a dead - ly thing. the se - crets that
C/E C5 D5*** F5 To the prayer of No - thingthat we
to to
C/E
D5***
E5
un - der - neath. face - less
E5
that we thought you the an - swer. that would tell us the out - come.
5
Pre-Chorus
D5**
Dsus2*
I You
Gtrs. 4+5
can’t had
be - gin us all
to strung
un - der - stand out with pro
ing mis -
all es
the
lies,
of
P.M.
P.M.
P.M.
P.M.
P.M.
Fig. 5
0 0 0
0 0
0 0 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
Gtrs. 1+2 (acous.)
5 0
0 0 2 0 0 0
but but
peace,
on all
4 5
5 5
5 0
5 0
5 0
your death - bed a - long your
7 5
5 5
4 5
G/D
I can see cov - er plan
5 0
0 0 4 5 0 0
D7[omit3]*
5 0
it was
in
your to
eyes. de - ceive.
Gtrs. 4+5 play Fig. 5
0 0 5 7 0 0
5 7
7 7
D9
9 7
7 7
5 7
clear as all the sweat up -on your put to rights now, on - ly time will
Sorgdal
6
9 10 12 10 10 10 10 10
7 9
9 9
10 9
9 9
7 9
Dm* Dsus2/4* Just as Can it
0 0 9 10 0 0
0 0 7 9 0 0
9 10
0 0 10 12 0 0
brow, tell,
it your
real ly makes pro phe cies
10 12 14 12 12 12 12 12
10 12
0 0 12 14 0 0
12 14 15 14 14 14 14 14
12 14
D 1.
2, 3.
D
sense,
I
can
see
it
clear - ly
now.
send
us
all
to
hell
as
well.
0 0 11 12 0 0
will
0 0 11 12 0 0
Pre-Chorus
D5***
D5***
Left
to
C5D5*** E5
all
our
gold
- en
sons,
Gtr. 4
7 7 75
7 9
left
[D]
D5**
up
on
to pick
the
peace.
5 5
5
5
4
5
7
5
4 7
Gtr. 5
5
P.M.
Fig. 6
7 5
7 5
7 5
5 3
7 5
9 7
7 5
7 5
7 5
7 5
7 5
0
0
4575420
C5 D5*** E5 D5*** D5***
Youc ouldha ve giv - en
all
Gtr. 5 plays Fig. 6
Sorgdal
7 7 75
7 9
of
them
a
[D]
lit - tle chance,
D5**
at
least.
5 5
55
4
5
7
5
4
4 7
7
D5***
C5 D5*** E5 D5***
Take thew orld
7 7 75
to
a
bet
7 9
- ter
[D]
place,
giv - en them
D5**
all
just
a
lit - tle hope.
5 5
5
5
4
5
7
5
4 7
D5**
Gtr. 5
D5***
C5 D5*** E5
D5***
[D]
5
Just
think,what
a
le - ga - cy,
you
now…
will
leave.
D5** A5 D5** A5 7 7 7
5
7
9
5
55
5
45
75
4
4
7
Interlude
q = 73
Gtr. 6 (elec.)
12 10 1 2
10 1 210 1 0
Gtrs. 4+5 (elec.)
f w/dist.
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
9
9
12 10 1 2
10 1 210 1 0
9
9
2 2 0
0 0 0
2 2 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
2 2 0
0 0 0
2 2 0
q. = 144 [D]
Gtr. 7 (elec.)
P.M.
P.M.
Fig. 7…
Gtrs. 4+5+6 tacet
Sorgdal
8
5 5
7
8
5 8
6
5
5 8
5 8
7
5
7
8
5 8
7
5
5 8
P.M.
P.M.
…Fig. 7 ends
[D] 5
5
7
5
8
7
5
5
8
87575
8
8
5
7
8
8
7
8
Gtr. 4
P.M. Gtr. 5 plays Fig. 7
P.M.
Gtr. 7 tacet
12
12
14
15
12
D5**E5* 14
12
12
12
15
12
15
P.M.
12
13
15
12
15
14
12
14
15
12
14
12
15
12
15
P.M. 14
12
15
12
15
15
15
C5
Gtrs. 4+5
14
12
14
12
14
D5***
12 15
15
14
15
A5
P.M.
P.M.
P.M.
P.M.
Fig. 8…
D5**E5* 0 0
2 2
2 2
2 2 2
5 5
2 2 2
3333
C5
5 5 3
D5***
7 7
7 7 5
5555
G5
2 2
2 2 0
0000
Gtr. 8
ff w/dist.
14
P.M.
P.M.
Sorgdal
0 0
P.M.
P.M.
…Fig. 8 ends
2 2
2 2
2 2 2
2 2 2
5 5 3333
5 5 3
7 7 5555
7 7 5
5 5 5555
5 5 5
9
C5 D5*** A5 D5**E5* C5 Gtr. Solo
D5**E5*
full
Gtrs. 4+5 play Fig. 8
full
full
full
15 14 12
15
15 12
15
12
12
12
12
15
14
15 14 12
16 14
full
full
12 12
15 15
15
12 14
14
D5***
G5
D5**E5*
C5
D5***
A5
D5**E5* C5 D5*** G5 full
full
17 15 14 15 14
17
15
15 12
12
14
14
15
14
12 1412
14 1514
14 15 17 15 14
15 17
17
14
17
17 15
12
P.H.
full
P.H. 12 17
12
14
15
14
12
full
12
15
12
12 12
15
15
15
C5 D5*** A5 D5**E5* 4
5
15 12
12
15
5
12 15 12
15
12
15
D5**E5*
12 15 12
15
12
15
12 16 12
15
12 15 12
15
C5
12 15
12 17 12
15
12 15 12
15
D5***
12 15 17 19
15
G5
full
full
20
20
19
17
17
Sorgdal
10
full
full
1/2
17
17
20
20
20
20
20
19
Interlude
[D] Gtr. 4
P.M. Gtr. 8 tacet
P.M.
14
14
16
14
17
15
14
14
17
14
17
17
16
14
16
14
17
16
14
14
17
17
4 4 4 4 2 2 2 Gtr. 5
P.M.
P.M.
7
7
9
7
10
8
7
10 9
7
7
9 1 0
9
7
7
10
10
P.M.
14
16
14
17
16
14
17
14
17
17
P.M.
7
7
10
P.M.
14
7
10
17
16
10
9
16
14
16
14
14
17
17
16
10
9
17
P.M.
9
7
10
7
10
9
7
10
7
E5*
10 9
7
9
7
7
10
10
C5
Gtr. 6
2
4
Gtr. 4
2
4
2
4
4
Fig. 9
10 12 7975
10
8
10 7
8 5
8 1 0 8 5754
7
8 5
7 4
A5
F5
4
4
2
2
10 12 7975
10
8
10 7
4
8 5
81 08 57545
7
8
4
2
2
4
Sorgdal
10 12 10 7975
8
10 7
8 5
8 1 0 8 5754
7
8 5
2
4
2
4
7 4
10 12 10 7975
8
10 7
4 8 5
5 5
6 7
5 5
7 7
5 5
11
E5*
C5 P.M.
P.M.
P.M.
P.M.
Fig. 10…
Gtrs. 4+6 play Fig. 9
A5 9 9 7
9 9 7
9 9
9 9 7
7777
5 5 7
7
7
5 5 3
3
F5
5 5
5 5 3
3333
3
3
3
P.M.
P.M.
P.M.
P.M.
…Fig. 10 ends
2 2 0
2 2 0
2 2
2 2 0
0000
0
0
3 3 3
0
3 3 3
3 3
3 3 3
3333
0
0
0
Gtrs. 4+6 play Fig. 9 Gtr. 5 plays Fig. 10
E5* C5 A5
Chorus
We seem
dest - ined
F5
to
live
in
fear,
and
- ged - don
is
near.
that
would say
ar
-
ma -
C5
E5*
some
But where
there’s
a
life,
well
there’s hope,
that
Gtr. 6 tacet 2° Gtr. 5 plays Fig. 11
A5
F5
E5*
C5
man
won’t self
-
Gtrs. 4+5
de - struct.
1. 2.
D5**
Sorgdal
12
G5*
res - pect and lives
a
C5
with more whole
loath - ing thing that
is rife, they learn,
the fight
D/F# D5***
death fire
shake of death
D5**
Why can’t we But some are
treat just
E5*
their hands? and mi
our not
-
se
-
G5*
ry.
their
But The
an - ger on -
and ly
D/F# D5***
on
all sides with fire,
is life
be is
fel - low men want ing peace,
- com - ing cheap.
a
way
of
E5
life.
We
live But
in if
C5
an
un do
-
cer stop
-
tain to
world, think,
they
that
Gtr. 5
P.M.
P.M.
P.M.
P.M.
Fig. 11… Gtr. 4 cont. sim. 9 9 7
9 9 7
9 9
9 9 7
7777
5 5 7
7
7
5 5 3
3
5 5
5 5 3
3333
3
3
3
D5***
fear man
un-
der is
-
stand teet
- ing - er
and ing
ig - nor - ance right on
7 7 5
7 7 5
P.M.
D5*** D/F#
G5*
7 7 5
7 7 5555
-
is the
lead - ing brink.
P.M.
5
…Fig. 11 ends
12 5 5
to
12 10
10
12 9
7 5
Gtr. 5 plays Fig. 11
E5 D/F#D5*** G5* C5 D5***
death.
Interlude
E5 Gtr. 7
Gtr. 8
On - ly But do
the culp - sters you think that
are left, they care?
for They
vult - ures that prey on their bones. be - ne - fit from death and pain and des pair.
C5
Gtrs. 4+6 play Fig. 9 Gtr. 5 plays Fig. 10
Sorgdal
12 4
12 4
13 5
15 7
15 7
13 12 5
4
13
D5***
G5*
12 5
14 7
C5
15 7
13 5
E5
12 4
14 7
D5***
12 4
D/F# D5***
12 4
G5*
14 1 2 7 5
13 5
15 7
D/F# D5***
12 5
12 4
14 7
E5 C5 D5*** G5* D/F#D5*** Gtr. 7
Gtr. 8
12 4
12 4
13 5
15 7
E5
15 7
C5
13 12 5 4
12 5
D5***
14 7
12 4
14 7
G5* D/F#D5***
Sorgdal
14
12 4
12 4
13 5
15 7
15 7
15 13 12 7 5 4
8 5
14 12 7 5
14 7
[D] Gtr. 4
P.M. Gtrs. 6, 7+8 tacet 12
12 14 15
P.M.
12 13 1 2
P.M.
12
15
15
12
15 14
12 14 15
12 14 12
12
15
15
P.M.
5
5
7
8
5
6
5
rall.
5
8
8
5
8 7
1.
5 7 8
5
7
5
12
15
15 14
P.M.
P.M.
5
8
12 14 12
15
5
8
2.
P.M.
12
12 14 15
Gtr. 5
P.M.
P.M.
5
7
8
5
7
5
5
8
8
8
7
15 14 12 14 12
12
15
15 14
12 14 12
12
15 14 15
15
15
14 15 14
10
10
12
P.M.
87575
5 8
8
7
8
8 7
5 7 5
5 8
8
787
3
3
5
Outro
q
= 63 Gtr. 2 (acous. 12 str.)
Dsus4 Dm
0 0 10 0
0 0 10 0
Dsus4* Dm
0 0 12 0
Dsus4* Dm
Dsus4 Dm
0 0 12 0
Dsus4Dm
0 0 10 0
0 0 12 0
Dsus4Dm
0 0 10 0
Dsus2*
Sorgdal
0 0 12 0
0 0 10 0
0 0 12 0
0 0 10 0
0 0 12 0
0 0 10 0
0 0 10 0
0 0 9 0
Dsus2*
0 0 9 0
D5*
0 0 2 0 0 0
15