83805506-Wohlfahrt-Op-45

^

:,

J

Hu

737.11 .'J'ohlfahrt Sixty studies for the violin 69-7?2 Vol. a,

^^k

NY PUBLIC LIBRARY

3 3333

THE BRANCH LIBRARIES

MY

•

J.

05405 7316

vy/-

^

^^'^^^

THE NEW YORK PUBLIC LIBRARY AT LINCOLN CENTER

-_«

111 Amsterdam Avenue

New

o

Books circulate

York, N. T. 10023

for'Bfcr

weeks

^

days) unless

stamped otherwise. Mt renewals are allowed.

V3\

charged for each overdue book at the rate of cents per calendar day for adult books and f cents

fine will be

^

per calendar day for children's books.

fNT

SCHIRMER'S LIBRARY

Ui

OF MUSICAL CLASSICS Vol.

839

WOHLFAHRT Op. 45

Sixty Studies For the Violin BOOK

II

(Nos. 31-60)

PL.--.

->-M>vvvvvv^^ww^>->-^y^-^-^-.f-^-^-.f-^-.^^^^~.<-^^

r

-'

SCHIRMER'S LIBRARY OF MUSICAL CLASSICS

Franz Wohlfahrt lit

Op. 45

Sixty Studies For the Violin

Edited by

^9-7cil

GASTON BLAY

IN Book

I

Book

II

f

TWO BOOKS Library Vol

838

Library Vol. 839

L

G.

SCHIRMER, INC New York Copyright, 1905, by G. Schirmer, Inc. Primed

In

ihc U.

S.

A.

\tiji^

\^\

Etuden. n

Revised by Theodore John

Studies. n Down- bow.

Heninterstrich.

V Hinaufstrich

V Up-boAV.

.

Franz Wohlfahrt.Op.

N931.Moderato.

te r.o

4T »

ft

L^iJJjliJ.|l^

a

^

ifjjM^

^ jTJ^rirJtf^Lrrixj i

[Xt

r

i

l

17550

^

F=^ •-#-

I iJTJ/^i Cirr^J:

^

^ i

.

ariff:

^

rrxjir cxii

^;tji± rrfffrf frrrfrrr fff

i

ftz'-m-^

^m

^

.

LUu

±=±

at*

i^LU i

ixn /JT^i.

' i

i^ r^

f^asn\uj

JiJjJjJJJ

Book H.

45,

f^#£

:i jj

7^.^i Uirr

^§

i

Copyright, 1905, by G. Schirmer, Inc. Printed In the U.

S. A.

^ ?

^

-^-^^^^^^^f ^^f N«32.AUegrro.

4

2

*

iE

^

23*

^

±A#^ff

t-^if^ -

4 22:

ji'ia 77

TJ

-»

j

i

-»

-^

~a

iy

i

ii *. 3 ^^ ff^frf^ ,l3

3

i

1

^ 3

fiL

1

^ #--1^ S

?

^

'rrffTrrrJ rrrf i

m

33:

ebi

Ie

i

1

^

4

4 o

-ry

1

1

J

i

a

?

• » • F

^

xn

P ^

^

»

2

4

jru

^

i

u

3 •)9-

i

J

i

rfr^rf

UArtr

:

ifif

^^3^

'

^i ';'

i

**

Jrr fiJJlrf'f

i

^

?^

i

It

^

-i9

1

^

V

i

i

^JTJ

l

-Jj

: I

I

'U

^

n:

^ jJirr jJrr i

1-

4^

W 17550

^-

JUiU

^

H^^

T a'i

^

i^P-^

i

^

^1

7?/^

i

N9 33. Allegro moderato. -^

hS

»^ #1—•• ,

/" 10

'in

3 n

'J

4 -P-

^

'

1

rT^JjJ|Jri'rirf>jo f.?• i

*

•

o

i S^=^ i

i

^

n

n

^

i

#-#>#-#^*

3^

-V-

^

^

t^p-1

-^m^tn

i JpJj 1

TT ixnr^r

i

p

^

—

^-^-* -s^-

^1

/C^

i

^

:^

«r

•

i

17550

aza

2A

^^ ^^ ^^*o

;j

f frrr fp.,.HiJuiii3i i

i

^m

^

|',niiXcr Ti7#flffl Jifr 3

1

i

i

i

i»

19-^

JJ^ rgri

3

—V** \,fTrrrirXj-i —ft— *

i

mroir r'rr^

4

*

^^^

4

4

e

i

•

*

afgcr rr7?>r

rii

*rgr^r ij::Pr^irrr^r

^

W=m-

« a a

i

X

o

->r)

^^ ii

iijL,i.J^

ffiT?Tfir^^g3%:r

i

£frrfi:

T^ i

rTr

^

^

r[:^

^

N« 34. Allegro.

B^

y

i

f»i

rrr rrrJj-ji i

CX["'I1£JJJ-J|JJJS A

J^:t:=

,fff^.

rrr^rrtfrrt^.i^rrr fr:YiMrrT^ i

^m ^

^^^

£tf :frC£r i

w**t*h

IE

M

m [Xfl'^Clf

i

3

1—

.i'p.y_^f|txfrfr

|

^

t#^P^|Sf

•I'^^^rfp

rTrmf^.^^r

i

pijpyfr

i

.ippp

*

(naf ^'frrij^jn'r i

»

P ff if

^ ^P

—»—44«

^ir[fJ7]i;P cjr

^

#f P

^?^f^

F^Mh

1

—

I

i»

i

»

cCr

^^^i^ I

^ •

^ff^l^

^

£:££

Uj"'i>^

—t

Ctr^'^ij^^^ii

17560

I

•;

.

u

*«-

•

6

N? 35. Allegro.

i

ff^^

Jjjjjjj

i

i

ij^

^ ^^W

rr" ^aJJ]Uii^ i

i

«

i

ifli'

rri

f

r

^

if^

^ ^M

i

^

g

?

w-j-f^

^

rMTjf

i-'y

»* -

ffffffr f V" 3

^

*

5^?t

1

,

i>

i

i^*

[flJI^Ij •^••* •-: J T .

*. #

#-^-FI*

*#?

U]jj^\}^t\^u:li}\ij^\^

l

ITS 50

^ m^aT^jiJam [jja/if j,ji^S S^ JCnfflir Jij^.^

[!r[[firJfi!i^ar-g

i

i

ri^jjjJrjijJ^urrm

»

i

# ^» -^

^i

1

i

^* •

ri

'^

'I-'

rJJ^^^JOr' ^ccSrr"nrJiJjJjji

I

ri rr f

Wi'

' I

m ^ d J m '' ^^

,•«,• j^

'

'

pjJrjijrrHjjP^JJijrrirc^fcjj

.^jju LLTrrfir f

«i

^JJMiJ

1

rffFfr-

»3»^

^

l

jjli^Uifc ijjii-j

;r* ff:^

3=»t

r^

i

|

rjcrD-^

l

N9 36. Moderate.

m m^

m

°; ^ '

J''^rri ir frffir

rrrf||'

i

3t_ *

1

irrrfirrj,ijiii^iiiirff|

^S^^^S^

i*

ice

^ra lt§

# ^i ii

j'

^^^^

j^rr fr |

^ ,^

- ^

i

|

iiii

^rr

i

•^

fj^:r q::rJj

j^tM 1

i

ri^ ijijjjj,iii^rr

jT'rrtrrcx;

f'i^i^J

LJfcJj:]

F jpi,'ffirrf

i

nn

1

i

^^^^^^

&q^

rv

^

^

i

1

m

ji3

;^

rpr p

^^ Lif

i

rr^M

17550 ,

P

a

iia

*

!

8

N938.Moderato.

f'-;

m

^tt^m^

1

-#

^p

^^

9

N9 39. Moderate.

^ ^^^^Ff^

n

J

94.

i^^^ ^^

—

7*

#

W^

*

^

I

:?• 3>-^

*

I rrp' jfj jFf'fr^ irru n ijijFi

III

I

i

'1

I

rnrru

17550

.it>i

•i/«

iUiri

bilU

L^j

W^-ylJ

V_. J

rr.

10

N940. Allegro °

^T"-

scherzando.^P''!"^^"'^'';; ^^, bprmging- bow (ricochet;

jm

h^lUta

u Li-

^

^

j^r^im

*

l

JJ Lu

l

fBJh


EJOJ

^

—w—m

^5

i

l

I

^^

rjij: JL

• » •

Llffj^

n^;j jiJ?-^

^

^ f

i

jTItii LJ l

m

^ i'

cjj

i

f eJUf t

f

F

-—

^—^

i»T^

uj'Pi jji/f

^^

i

i

rif

^

fiTiLiLj rirM

=F

uj

m

i'^

y

N941.Alleg:ro moderate.

^-if^p^l

If^

ii

^

u

ffr

i

i

r.rriJT|

* -

'

J

w~z7^m

1

1

^ crrj^jTp^ JncrLr^ijjj^

^ ^^^ •

'

^

MJ

^*

^ i^a ^-r^Tw

tn

rrJ

;^n?fr , .<^rr?gf^^i^ •

u

^31

^ rn ^

i

i i '"CUJ '

^^

rr/^i J:^ i

,

.

W^i j^Tr^ o n^rTf^jju^^ 1^ ap«^ i ^ 'jinMiiifri^i^ OP *i

rj

r

c

^^1

A

i

^ #—

17660

t-

j

£

13

N9 42. Andante.

)i(f


»

dolce

n

rf

^^

:fe*

y

"/

^ ^^^ fi

^r jL^j^jg^gi'ir i

^/

^V ^^ n

WE^ sa

'h^t~

^ ^^^

^^f

N9 43. Moderate. ""

V-

^^^=5 5=fe iSi

-^

t^

?:^

Yffrrfp

17550

"f

"

^ \^v\:\n{} fh

n.'^pr

^

^

J

1

^

9

tempo

-y^

\

f^f ^ 'f

^

^ fe

#-

n i.

F^E

#_«_» *'i-

•

ns5o

14

^ iJJ. Ji.^JJJi N9 44. Tempo

S

n

di

marcia.

i^J^iH

JTO'i^j;^,^

/•-

ji^^

'

raj^jfff

J ?iii 7j J?iiJiJ'i?iiiJ^^i?3/^'fl5

i e;

^<^*

if

d d

if

m

^?

m=±zB.

a

^^

— 1»-

^^

2

-#-»

4-

P^ S^

3t^E

^

=S3:a

i

f

J^J^S'i«rffl^^Qj5jgJT3i

#-

£

«

O

f7f ^ fTr >

«•

^^

|r"rr-/f

i r^JJ^irT * r^ ^j** ^* J^ j '

1

^i^

-

|

^g >

„^f

ryf/T^ '^J J

^ririrtjr

i

_*

'ff

ururiitljl l ^

^t^^^ggti^/LiTiCj/

17550

^

,

^ jlj ^

gi

ii

r rji

2,

^^

mmj

,^

15

&&&

^^

#'*-

iy^

''

E

m^

m

^

i

N945.Mo(ierato. Z2I

m 13550

^f^^

•

::z:

"zr

rjj

1

[^

o

^

^

^ p •

sz «^

p

t?

16

^

N946.AUegTo,

I

*|:

tf:

i

i¥

^#

m

%

**

[rF

i

rijrrr[cr^rr

S m,n^i^w

"3-r^

E;rxrD';c^ ffl[^j]]jg

|

i

m

ts^

*?*^

.SrrTrfr^nafeftfrrf^

i

f7iir7rft!rrr *|g"*4

jgrr^^ -

y E?rSr^ ir|rPf[j^[^iiT [

f

rfr^r

p^^^^

|

^ 17550

rf^

jPrrTOI

|¥ mpjJtfictrJ^a

tt

&jt

2/

Pt

^4U^

a

^^^^^^ # .£3^ f

s ^^ Vj Sr^^^JjJJjfflljJJCDUr^Ji ^ j^JCP a . PS '

^^

rrrrfr ^=

V

i

l -

<^

'

ji^'j

^

^^ ^

17

N9

47.

Andante cantabil^.

^

5

i

u

•

3

I•

t^*

l

'i|

^ j.

^^^^^

d 9 d TT^

m 1.^

^

^-

SI

.^ S j_iJ^^IRp i

IE?

J'J

-•4'jJT]'^!^

r

fT?r>

jWj

^^.^'JT^ij

4--^

* • m

_ ~y~*'

A.

El

i=*

i

F^^

J

S^

•

4

^

rr»rrr r'[

-^

-i

m ^ m

«

'


^

^P^^=^

a tempo.

I

j.i,j

^

i

jp>^irpcrri r,j;J^ i

I

i

r

p

I

^ m

2z:

^^^

nn-rr L M,.n^ i

[;£77rp

17550

E^ u*

i

PF^

-«L

^^#

^

^

'3

1^

I

tif;

fes

x^

re*

P==^ [xij'

r7[^ du

,vy.

1

j)j

?

i

-^

•

^'

i r" J

^P 8,^

1

—&

il^^f—

f^

r-

^

^

I

^

^

N9 48. Allegretto.

18

ii4jyjti-''yjt^\ \ijmmij1^

\

'^j

ItVkJt

ipbims^mm^^% m Fr>PftrpOr £

:}xi

* r^.t^.r

>

i

4

\

^m m

iP^trLlin-

h

m

w

f^iTj Jrj j: J ffljj sTj^^ ii

^m

N» 49. Allegro.

JJjJjjT] ^ f m^^

^3E

iJ

ii

nii J jp^ J

^ iW^

•j| J

f

[irrxrcxrcxfi^^^Lirrjij^Ji

nsso

'''

* ^ * J •

i

t|,

i

*

i

^H^'

I

I

-^

w^

nrrii;tifrr; [iyrrju'jrjr i

^'^JJ'Q

rgj

i

i

19

,^ ' 'i

j^'

iiilJJTi^Trji:?^JTjj;^2fflh?^^

^

frF^fg

J''

— :r^:JKrr[:r^^ » ^

i

^^ j i

,ij

^''>i.i.ir

i

Jrjjffl

i

'rff^fr li

r

i

i

-i

i

f^^i^njijn

ji

aJcliJi 1:^^

P

1

'i

^

i^rny *

1-

^

a

unj

f'^'^^JfLTj

i

i

i

i

i7Jr:i'rc^

rrr ir L^ ij^jiM j iijj jj

t ffi

^

'ii

^]jj]jam

jiU' rrrir^^

^

pf^f..> s

T'^rrf^,.

^ijjjiijnii^^^j

filz

^

*

iiji

^ ^^

^^

ITKiO

ff

f* ,

\

20

N9 50. Allegro.

^^w

iE w:>

fil

i

l=i=i

^^

*—f

fe ^3^

ST

#-"^

• $^* d_y .i'^

1

i-^

1

^

i

1

^

*

^teife

£rcr[rTHj''cgr

VJ

gi

f^

^^^^

iicLif-''-'^^ia

^

J a"V<

^yvJ-'TOj^ /ta

^.ss

^

fe«:

clrrinr'cltfar^ffl^c

-^^t^—:^^r-z.- 'JPd^

—

.

I

J

»

i»

i»

IB,

^^

M ^^ F^ _

:

*

17550

^ttp

^

dd

CT rmr^TrDl

==^ I

d" J

•t«

dy

1

f'

^Jl d -' _jiri>

—

—

ftrt^

7P|

mSB

M.

m.

^ ^

^Tppff

DT]

I

21

N? 51. Moderate

'^mf:±f:mf:±f:M.E±M.

17660

'#*.*:

***

tf:A*r

*A^

'^m^S:

*a*

±m.±

*

—^

1

?

? jTjP

N9 53. Andante.

-

176k

seen

1

i^^

23

N9 54.

Alleg:ro.

^TTTTriMrmf

ITUO

^

24

N9 55. Allegro.

,4

4

^

niiiiirti'PiinrnmiMim

-^ t^ t^

-^ ir

¥i

^

i^

»13

•r

^?

^-^

^

t3

^

i^ *F '^ ^^ "^ *

^>

-

1 %—^

i

i

^

frlTTl'm

j^^iM iT

4 ij ty
#-

.0

o

O

—

i» —

o

I

3

m^

o

m

t ^-^

ir

'

0*

-ML^

1

W

W

4*3

3

a

«

ffi

^r^Lg,

w

w

a3

3a

gi8

iF

^^^^^^^:t^

W

J^-^^J^

#^^#

yjuvi «

fe — »

s

U/JiJiC^L^ i

n^ mf%

l^mJi-

^i

If

%sf^

}\

^

S»F -^ m,^i

i^

if^Jj: i"/aJ]]jtfm^iJ^s**^ * ?)

3tt 17&&0

^7 7

M ^ ^

25 N
17550

56. Andante.

2®

N9 57. Moderate

assai.

^ ^ 1

m 4

3

mh^ ^ 8

1

W

10^ 3ZX

d*^

^ ^^^^^^^ « 8

\

^ JBra J

X

i'r

ffl

i

nut-

1

3

• #^^ r =:it

^

1

\

\0

:_^- P^«-#-

1

s

|t±Fi

ftrrfrtr

i

3'^!

te*

i

3

^^

3

iE~T~

rri 'i-

mi A N ij

kl>^ rrrr n

P^

m

i

rrnfrg

rrrrcfr/icij^

^

*:='

i^.f;rttfrimf%

^^TOy ^^

^^

^4 *i^ 'J

N9 58. Andante.

-

j

i

^f f r 1

^

ill

<>-

^

«

r^:r.;iC:rc:r^iJ_J7^

1=?

^ ^^^ '

I'. 175SO

^injjjhjjTTTr

i

' I

j

i

.^j jjj j

^

I

27

N? 59.Moderato assai.

|H^^^^

j^ f

£££;£££

^^S

i

w

y -——

.

'•

f

^

-»t:

^Mt^^

--^^^*'

~i,.^

»^'^g

"""^

--^^*'

i

^

f

3

lFi ^"^

W mmmm

f^imm^Lmmm^, -~.^

^-^

/^- i

^.

1

t

n^. n "Vi "y*

n

•

_i,

u y

t"

*"•

.-^i

28

N9 60. Allegro con

fuoco.

n

3

r

Uvur^^ B^ 3 1

s

I ^.i::

f^

i

^/km Frosrhe. At the nut.

i

i^

f f

r r r

^,

2

1

fi ff

O^S

4

\0

i

1

#

i

7

IS

4 E

!>^rT

#

^

^«

4

Ie

rx—AjpAAJ:

*:

iy

7

?

«:zJi^:

bt

te f f

^

f

1

I:

m

f

{T^-.

^

k>JL

ttrf

1

'

i l

fcj'

• •

[^p ^

^

3

ti^n?

^tt

i

:|^

i:

^

==p=p^i=fe«=;=

-f-r

-

5=«

fc

i

^m 1

1»

—m— •— 9^0

i'r^UfV^ ^

^

^ e

**

a

lZTE

? V T-^a

»— »

w—* i

^^

1

9—ir-0-

•

fr^

1

m

^

9—9 ^ m

-^^ ^L

S

W—•"

4

^

^

3

'

I

lj

l J ^J

ir

-0

VTft'if^bfflbiii^ 17550

——

IBIZE

S '^

0-

^e":

13

29 3

4

tfc=£

3

^

t-^TTi

I . .

t

X

^ ^

C .L,-T7T»

1

;

» .

»-X^^^O# S

•

f

:g=:

*<

#

Lj"^ t^»

tJ

S

*:

>

»^ r E

eS

*—9

* !£

*—•

#

*

i?^^ Ie4

t:

— P •""# » S

w

m m

» • •

te

*

t

9-

h

1

m

tzt

#)t

^

iit ^

m.

»— r

1

1

1

f

.s

I

f P P

-1

4 Z^

^^

1

-JJ

T9^ f f r— »

•

#

ie-

4

^i

• F P

s

1

#-3-»^

*

C-

^;

—

^

^ «

USBO

—

Jfc

^ M

\>

f

s

tir

3

»^?-»

lES If

1

#-^^ 1 1

tt

*

i

g

t ^^ 1 i

m^^±^

#

«-=

4-

J'

^

^

•

^^

^

II

-7

'«9

7

ScH RMER's Library I

of Musical Classics METHODS, STUDIES AND EXERCISES

t

FOR VIOLIN SOLO SERIES

TWO

The Library Volume Number

MAZAS,

Y Y Y y Y Y Y

Y

Op. 36. 40 Selected Studies (Franko). Bk. I [1258]; Bk. II [1259]

Op. 28. 30 Elementary Studies. 2d and 3d Positions [449]

X

1.00

In the 1st, .75

1

25

32.

8. Shifting and Preparatory Studies (Mittell) [848]

Op.

Tenths

32.

Bk. Bk.

P.

12 Caprices (Lichtenberg) [759]

A A A

The School ercises for

.

.

.75

.

of Violin-Playing [108]

.75

.

A

A

4th and 5th

20 Etudes with Change of Position ea.

.75

Appendix to Schi adieck's Scale1.00

The Art of Bowing.

75

[364]

of Violin Technics. Bk. I E.\promoting Dexterity in the Various :

50 Variations on a Gavotte, 75

Corelli (Lichtenberg) [922]

B.

The Violin. A Complete Method

(Butera). 1.50

sp. e. [1457]

WICHTL, 75 75

Op.

10.

G. The Young Violinist. With

ment including

a supplePlevel's Duets, Op. 8 (Smith),

sp. e. [1392]

J. 75

'.

75

[517]

WIENIAWSKI, H.

SCHUBERT,

L.

Violin Op. 50. Bk. II [397]

8 Etudes-Caprices. With a 2d Violin in 18. Bk. I [184]; Bk. II [185] score (Lichtenberg).

Op.

Method.

Bk.

I

[396]; ea. 1.25

ea.

WOHLFAHRT, SEVdiK, O. Op.

1.

Part Part

A A A A A t

in the 1st Position [871] in the 2d, 3d,

Studies (Mittell) [1084]

TOURS, 60

(Sveednski) [1397]

Positions [515] Bk. II: Exercises in Double-Stops [516] Bk. Ill: Exercises in the Different Modes of

Bowing

:

TARTINI, G.

The A-B-C

Scale-Studies

Etudes. 20 Etudes II 20 Etudes I:

Scale-Studies.

Chord Studies

A A

75

75

[873]

A A

A

75

Scale-

(Mittell) [849]

Bk. Ill:

SCHRADIECK, H.

A

Technic

Positions [872]

by

A

Bowing

[1182]; Part II [1183] ea.

Preparatory Trill Studies (Svedenski). Op. Part I: Exercises in the 1st Position sp. f. e. [1413]; Part II: Exercises in the 2nd, 3d, 4th, ea. 1.50 5th, 6th Positions [1414]

75

[1433]

SCHOEN, M. Op.

of I

7.

Op.

In the 24 Major and Minoi Keys

Etudes (Lichtenberg)

3, 5.

School

(Mittell). sp. e. Part

SITT, H.

(Berkley) [231]

Op.

The

2.

Op.

-Continued

Op. Preparatory Exercises in DoubleStopping in Thirds, Sixths, Octaves and

P.

24 Caprices. 12

O

[487]

9.

ROVELLI,

i

ea.

RIES, H.

RODE,

given brackets:

SEVCIK,

F.

Op. 36. 75 Melodious and Progressive Studies (Hermann). Bk. I: 3a Special Studies [487] 1.00 1 .00 Bk. II: 27 Brilliant Studies [488] ea. 1.25 Bk. Ill: 18 Artists' Studies [489]

Y

Is

ft

II:

F.

For Easiest Elementary Method Op. Beginners (Smith), sp. e. [1404] Op. 45. 60 Studies (Blay). Bk. I: 1st Position ea. [838]; Bk. II: 3d Position [839]

.60

Op.

54.

40 Elementary Studies [926]

75

Op.

74.

Bk. I: 50 Easy Melodious Studies. Bk. II: 3d Position [928]. ea.

38.

School of Violin Technics I:

.75

(Mittell).

Exercises in the 1st Position [844]. 1.25 Exercises in the 2d to 7th Position [845]

Part III:

Shifting

Part IV:

Exercises in Double-Stops [847]..

(Changing the Position) [846]

Any

1.25

Schirmer Library volume

may

.75 1.25

1st Position [927];

be obtained in cloth binding.

.75

.75

Prices will be quoted on request.

Prices Subject to Change Without Notice.

G. A-IOIS

SCHIRMER, INC.

mV^t^V^^V^V^^^t^i>-^W

NEW YORK

i>^>>^y-.f-
ACalCN COPVnlGHT,

193».

BY G. SCHIflMER. INC.