Addicted to Love Words and Music by Robert Palmer
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a ^r) t t ) <
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l.The lightsare
t
a{Ytt'.|r}
on slgns,
t^
ls a
not your dif-f'rent
a ^ /r,a'r!
sintile on repeals ^
Your You're run-nin'
Gtr. I
o' w/ bar
but you're not home. but you can't read.
u,=e
P.M._ _ _ : TAAAAAI
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Your heart Your heart
TAAA
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your bod-y in dou- ble
sweats, beats
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Gl kiss kiss
is what and you'll
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it be
F5 \ I t
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takes. mine.
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4. A
2. You can't one track
sleep, mind; 5. See Additional Lyrics (Whoa. _ )
./ you can't you can't
be
c_5 ni
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Your throat rs If there's
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An-oth-er you don't -
you can't breathe.you, left for -
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kiss mind
is if
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y o u - l i k e t o t h i n k t h a t y o u ' r e i m - m u n e - t o t h e s t u f f ' o h , y e a h . .
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all you you -
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It's clos - er
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you're ad -
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to
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AdditionalLyrics 5. The lightsareon, but you'renot home Yourwill is notyourown. Your heartsweats, your teethgrind. Anotherkissandyou'll bemine.
10
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Another One Bites the Dust Wordsand Music byJohn Eleacon
Em
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Intro ModerateRockJ = ffO N.C.(Em) Gtr. I (clean)
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(Am)
(Am)
(Em)
End RiffA
RifTA
mf ploy 2ru1time only P.M.___________
Verse Gtr. l: w/ Riff A, 2 times
(Am)
Ooh,
let's
N.C.(Em)
qnl
ly
down -
the
street,
(Am)
brim oulled wav down
no soundbut the soundof his feet.-
low. -
ma-chinegunsread-y to go.-
(G5)
(G5)
Hey! - Are you read-yfor this?- Are you hang-in'on the edgeof your seat?-
Out of the door - way the bul-lets
Chorus Gtr. I tacet
(A5)
(B5)
N.C.(Em)
to the sound of the beat,- yeah.
: :
(Am)
An - oth-er one bites the dust. -
O 1 9 8 0Q U E E NM U S I CL T D , I r ^ : s C o - i ' c e Ca n dA d mn s t e r e cd ; ' B E E C H W O OMDU S I CC O R P . : :-:: =:::-,:: -::'-a::-a C::,-:-: Se:,'s: -sa: :, 3a'- -rs:-
Are you
And
a n - o t h , e r o n e g o n e , a n d a n - o t h _ e ro n e g o n e .
Gtr. I tacet
(As)
I'm gon-na get
A n - o t h - e r o n e b i t e s t h e d u s t , _y e a h
C t r .l : w / R i f f A , 2 r i m e s
(Ff5)
you
An
too.
End RiffB
oth - er one
F#m7
bites
N.C.(Em)
the dust. _
* Gtr. 2 (disr.)
e P.\1
|4
* Tqo Btr\. !fi. for one.
Verse Gtr.2 tacer
Grr. I : w/ Riff A, 2 times
Em
f::^:,mffi-7Frl nf
2.How
-' ' -
( 4 /
Am
Gfm Am
- : : : : :
/q/qxl
out you when you're
do
gone?
you
gon
na
get
long -
Em
Am
:
/:/xl. / /xl.lrxy.//xllrl,x
You took me
for ev-'ry - thing_ that I
had
crryt Am
:
:
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and
kicked me out on my own. _
Are you
Gtrs.l&3racet
N.C.(Cs)
(Gs)
(cs)
) hap-py?
Are you sat - is
fied? - How
long can you stand the heat?
Out of the door - way
(Gs)
the bul-lets
Chorus Gtr.2 tacer
G5
the sound of the G t r .2
12
N.C.(Em)
An - oth-er one bites the dust.
rip _
ah,
An . olh. er one bnes lh€ dusl.-
And
d
oth er one gone, and e
oth er one gone.
N.C.(Fl5)
o1h-d onc biles th. dust.
IngonM ger you too.
An
otb er one bnes $e dusl.
^l[n7
orh er one biks the dusr. Het.
-,ffimffi,m
(Em)
3. Tlrr
ft
plen ly ol
ways rhatyoucshun
En
r) m,n
mffimffi{tF You can bearhrm,you cu cheaLhim, you .tu Gat him
t - - F F n =
/ /
/
/x/1t/
leavehim shenhe's
down,-
N.C.(C5)
(c5)
(c5)
ycan.-
14
way rlE bul le|s
and lnen
(o5)
/='/1
Yes,l n read.y for you
I'n
G5
Olr of the door
bad
e . pearing ro rhesoundof rhe bear,-
oh,
sbndin' on ny own tso feer
N,C,(En)
An - oth-eronebilesthedust.
olh-er one biles the dust.
oth er one bnes $€ dun.
I m 8on na 8er tor
*'mffimmnn1,fi Em
G6 r &rker
Gln Am
/
t
/
t
/
-
t t - t x/11/ / . : > /1
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(G5)
And an orh erone eone.rnd an orh erone Bone.- An
bo.
An oth er one biFs rhe dusr.
E7 ffiffiffi,ffi
(c5) (45)
(c5) (c5)
(A5) (85)
N.C.
Brass in Pocket Words and Uusic by Chrissie Hynd€and JarEs Honeyman€coti D,Cd ih'
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Modcrale Rock./ = 98 *A!dd9
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2. Got no don. 3.1 gor rhy-lhn,
rc{t.ainede no rion. I cant miss a bear
De
t.on lco, in ,
A..l,l9 E
just *ens e pleas,in'. I'n wink in' .r you.
No red son,Col sone di.gi
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D,evilInside Wordsand Musicby AndrewFanissandMichaetHutchence Em 'Efil M
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ev ry sin gle oneof us,- the de! il
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be lieve we need a
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ev 'ry sin 8l€ oneof us,
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4.well, herecomes the wom an.
.
She's raised
on
leatb er,
wnhlheiook ,n
with nesh
her
ere.
on her
nind.
ci
tshary er than knives.-
Chorus c5
o$ er balf,
dic,
'ry \ln gle oncof u\.
De! il
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c5
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rhe
ev 'ry sin 8le oneof us,-
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Every BrcathYouTake o.E @-Br @-at
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Writlen and Compo6€d by S-ting F
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EY- ry bond - you breat. E! ry Sane you play.
Ev 'ry night, tou
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3..4 Ev- ry move
Ev-'ry vo$
you -
Ev 'ry snile
breal.
ro coda+
you fake.
E\ 'r!
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.laim Jou nale.
Bridg. G
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-
Snce you'vegoie, I ve been lost_
I
30
feel e
cold
can on
md
I
ly
out-
. trace.
c t-
n I dreamar n'ghr I
*nh
I
look a round. but n s
I ll be Natchin8 you.
Evrr' sr€p.yor ule.
1 . , 5( E v ' r y 2 . , 4 . , 6 . , 3( E . v -r y : 1 . . 7( .E ! - ' r y
Ev ry nove you Ev- ry word, you Ev- ry !ow- you
nake say. breal
Ev 'ry bond to! Ev ry game you Ev-'ry smile- yon
tll break. play. fate.
Ev- ry Eu-'ry Ev 'ry
31
Eye in the Slqy Words 'id r rdc by Alan Pa.sonsad Eic Wooltson vodemrely.l = tt6 'Gs Bm(add2)
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Boros you eSon il - lu false
na fe - gieL sion be - hind.-
Bn7
t t ing
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hedd the ac - cu ' sa tion be rind an-orh'o fool like be
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nore. mot
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41
Eye of the Tiger Tlsne lrorn ROCKY|n Words rd i/lldc by Flark Sullhr'l and Jim &rik
Modenrely , = loE N.C.(C5)
'c5
Bts
Cm7
C5
Bb5 C5
Bt5
Bt/C
Cm7 Bb/C Cm7
42
Bb5 C5
Al/C
Bb/C Cm?
Cm7
G5
G5
c5
G5
c5 G5
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il
hap pens r@ fasr, sraighl ro rhe lop!
Dont loe yourgrip on lhe drear Wenrthe dis , rance, nos I'n not
you chmSe your pas sion for Clo , ry. got the glo ry. had gurs,
fi8hr
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g Codq N.C.(Cs)
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Heat of the Moment Wot(ts 'rd lft-sb by Ci€ofly€y Dow't€s dd John W€tton
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to , ry -
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get down
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get righrb6cL
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Why don t yo!
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n my lip nick
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you'd bet terMke
sur youput me in ny
E
Hn
A
c
l
m
be wnh your besl
B
Hit
2.
t.,2. c{m B
E
55
Hold lVleNow Words rtd itulic by To.r &rt€t, Atrtn*
D5
ffi
B5
Olrrt€, rd Jo€ Le€tr
Csus2 An(add2)
m ffi
Mode.ately SlowRck.l - ll2 D5 ,o".{-l
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or
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ing
Look at
our
i ri nob is ried6.omRby Fi[ l
with
love-
'l d mt is riedtiom Rhy.Fin l.
b{t
you
know -
that rhee's no
D
in
slan, _
Oh.
hold
cr z:rr Rhy.Fig.2.rn 7 m.s.,siniL D
' rd nooisied fnn Rhy.Firr1
B'
6t
D
3. You
6t
if
I
loveyou.
Phar can I
say?
s)dhbasar.folgtr.
{ L$nor is riedFoh Rbr. Fill I
Nk )our lor gtre - nessrhoughI
donl koo* jus
what I m ask
crs 2 & r: "ii Rhr'.Figs.I & 2A.sin e D
(Hold Cs!s2
Slat Oh,
vill
tou
nay
witb
ne?
)
rcr. l *irRhy.Fis. r. rsift$. cB. 2 & r: *i Rhy. Figi 2 & ?A, sinile
D
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shn. _
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hold -
me now. (Hold 1L(nor isftd ron Rhy.ti[ L
ITT--I
so!
64
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me)
oh, )
Jessie's Girl Wods and tiuric by Rbk Spdngfldd
G5
+']]+
Modedte Rek, D5 A5
(D5)
A5
85
++
= l3.l 85
C5
D5
A5
Yeah, I Th4d@s
ly
B5
ffi"
son€ thin's cha.ged,- it ain't y when they so din
hard darr -
tc, de ralk-in
85
G5
D5
koow he's beena good- f.icnd of n\ seed lo be
fin€. cnre._
Jcs sie s got I san na rell
C o p y r g hgt 1 9 8 1S o n g sO r P oy c r a m n t e r n a t ' o n an.c
[email protected] Clpy.Sht Selred A RgnE Reerye
I
I-'l
A5
And shes warh in' 'Cause shes Farh in'
85
hrm vnh rhosc ctes. him vilh $osc eres.
",w) D )Yo! knos,
I
wish that
Brusi
Jes- sies
gnl -
i Crod lnbol* rn('
.onbii.d ronalny
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B$s4i
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A5
D
N.C. D
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N.C.A
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N.C.(C)
N.C.(C)
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-t
Bridge G
D/C
And
I m
look ln
,AJG
N.C.(C)
tron d rin whar ,he don I
in
N.C.(C)
A/C
I Le
been fun nr. I !e
)ee
N.C.(C)
been
F{s 85
Ai. t thar lhe
way lole's sup - posed
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a
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c5
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Gts. I & 2: ry/ Rhy,Figt 2 & 2A. I r/2 tims
A5
D N.C.D
N.C.
D
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Bm
ssusi
B$si
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N.C
N.C. A
gnl. girl?
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r Siig hlmony 2ndrimonly,ri
5msi
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N.C- A
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l, Stdd in'in
-ri
cr( | & 2:*/ Rhy.Fis.r,4rifts N.C. E5
with hisbead hnng
Hedd lhe md
fllsd
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low.
of the crcwd.
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he could pic
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and like a dis - tanr screan,
End Rhy, Ffl r
Rhy,rk, z
EId Double-TimeFel
Hes*
st s
in his eyes,
EndRhy,FI3,2
andlhe ver- y nert day.
Rhy.Fi&3
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c h . r , 2 & : r :P r R h yF. i s sr. & L A . l r i f t s
D/E
ctr.4x
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E
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noE.
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DE
E5
$,r
one
gui - tr
N.C.E5
Jusl one gui- ur -
wa d one-ua,
on l!
ricl el,
one
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a'n r nev er gon na $op. (Rmk
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h
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uk in', Rock in'.
in .
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sat ro 80.
sone day )
gon na
c6(nolrd)
D5]E
=
=
=
E
In
a rotrn "iln ou! a
E
in
a heav y down pour,
thoughthe castbis own
D/E
E5
N.C.D5
whenthal one gui llr
Like a lrip lhrcughthc p6t
N.C.E5
N.C.D5
B5
A5/B
--
Now he neds to keep a - rmknn . {Rock in'.-
madchis *hole lite change
B5
A5/B
F
n
B5
N
A5/B
^ f
rock i. , (Rdk- ii .
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rhar boy
to
nry on
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he Jusl can l )
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he'll comc a
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liv.,-
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c o m a l i v e @ n i 8 h r_.
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at,'
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cr 4:wrRhy.Fi85. ls r ms. E5
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box
he ro. (Gor slas
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N.c.(D)
G6(no3rd)
c6(no3d) |\
in his
eyes.
c6(!o3d)
(Em)
N.c.(D)
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E5
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sr&s-
in
his cyes,
Love Stinks Wods and fitrsic by Se$ Juslnan and Herwof F
H#H q+ IDt.o Mode.arelySlotr Rak.l
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C
c5
c5
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80
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day hean
you qill
G
I vr had Lhe blu.\, rhr I don'l caB what an - y EndRh'.nnlRhy.n&3
r
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a2
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I !e been rhrough dia nonds,
I ve beenrhrcughil all.
and I ve ben $rcugh minll.
r
r
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c
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F
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t slinls.
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r
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o
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f
I
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F
;
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r
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t stints.
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DtCt
Eal hdd
vorld tme Bon - place
ctadde cb3
no one of
They
all say she s cn
cli Et
lne -
beal
of
Chdg ing h could
move - ment cone
in
c,:lii,,
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al
ways
if
be comes stays-
lhe
dance.tbe dight.
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Money For Nothing Wordsand Muslcby MarkKnopflerandSring Pr€lude Fre€Time *Cm?
fade in
I sanr my, rchord symbolsd.rivcdnod K.)bo'd pd
M,
T.
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M.
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ModerateRmk.l = 135 {c5
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lchod symbohrned impll.d ronaliry
c5
90
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c5
tor nob In .andiour.hicks
for hee -
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de
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at5
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de fag 8ot with tbe
ear-ring a.d thc nare
Yeahbud dt,
ural's his opn
Tlut lit tle fag got,he's a
\\e gor ra in
qall
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c5
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94
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Et5 I
cus ron kiah e.
li!
er
ies.
W€ 8ot We got ra nove
theseihese
e liig er a 1oBre ftig er - a-to6,
Look al ya
look here.
c5
10 play lhc gur- td,-
96
ro plrt rhem drum\.
Lool al thar
G5
He\ bangin' on the bon gos like a chim - po
lhal's lhe way you-do it, (Thats the say you do
Et5
ni-crc
wave
ov ens,
lbr norh ,n . get your chicts for ftce. noln-io', get your chicks forfte.)
ze.
Oh, rhar
*e gor ra moar l\\e eol l! nore
G5
98
c5
you playlhcgui, ta
on
the M,
Mon ct (Mon-ey
cn
t:
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Fk,:.,
fbr nolh rn. for norhin,)
2.
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)
)
andtour(hicls for free
Lookarrha! l@k arrhar.
*r Lad ve. dlib,lnd
& 3rdtifts
G5
Bt5
andyour chicks (t 1.,2.
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M.
G5
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dtl rour (hi.k\ I
102
fur liee.- ) M,
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103
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Rhy.Fif.2. sihile
F5
GJ
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-l t^t fe. -
Owner of a Lonely Heaft Wordsand Musicby TrevorHorn,Jon Anderson,TrevorRabinand ChrisSquire
Intro 45
B5/Fl Cs/G
B5/Fl C5/C
B5/Fl C5/G
85 C5
cr .A5
85
D5
N.C.
A5
C5
D5
D5
85 C5
G5
3 !r RilfA.7 12lim$ 85
C5
D5
you al - wats live your life,
nev er tbinl ing of
lhe tu
ichod symbohaied mpliedronaliry
106
CopyightO1983by Carln l\,lusic Corp.,Unforgeltable SongsandAtfimaliveMuslc A Fightslor Cann Musc Corp.in ihe U.S.andCanadaAdministered by CarbenMuslcInc. A F ghislor Atlirmative Mls c Admnisteredby Warner-Tamedane Publishing Corp. nlernational Copy ghl Secur€d All RiqhlsResetoed
you @
85 C5
|rE move you m.{e.
D5
los
B5 c5
you @
B5
Tateyou..brnc es, win or
the slePs yo! lalc.
You and !ou. ed rh.fs th€ on - ly way
c5
85
you E ev
C5
D5
.y nove you ma&e,
X chorus A5
OM
P.M.
q
of
85 C5
D5
a lone
ly
85 C5
IEan. -
rernng
T o C o d at g
ro coda2I
108
clr 3:*i RiffA.s rimes
As
B5 C5
2,Sat you do. t sot
85 C5
Bs c5
you'lebeenhun
to
85 C5
D5
how he de-cin' one
,45
A5
B5 C5
85 C5
There'sno rcal rca son
D.S, al Codo
c r . 2 a / R h yF. l g l . 2 r i m e s 85 C5 D5 45
G5
give your hee will
g codaI
a choce,
X ft Brids€ 85 C5
D5A
t@
rocoda3g
a
fT'r-r
t
rFr ) l * 4 ! 1 ) ) ' t h 4 l
quesronyourwill ar all.'
My love said, lone ly hean.
\
enoyou ve gor lo go.
Own
cr
G*13
of
a lone,It
E t 3F t 3 F l l 3 C l 3 c l l 3
-r-,-r--t:
dohl you hcs i
Guilrr Solo A5 85
llte _
Ah, ai, ah,
D5
B 5 c5
c5
D5
!r.^^n....^...6
iser ro hamoniz one €arv. lo*ft {d r fihh above
110
ah, ab,
85
C5
D5
B5 C5 D5
4 I
A5
B5 C5
G5 Fl5 C5
^-*
*w*r...r.....
D5
45
85 C5
D5
a--:\
C5
Bs c5 D5
OwD€r of rhe lone- ly
Orns
of tnelon€ ly hea4.
85 Cs D5
Own
D.S.S- oI Coda 3 85 C5 D5A
Own er or
r.rm3-
112
a bro
ken hea'1.
Own-er of lhe lone-ly
trnng --------:
$ Coda3
crs 1& 1: i A
Rhy.Figs.2& 2A.4riDes C/A G/A
lat
e. erh con,clu-sio. will de - cide rhe lone ly hean. Ow. er of a lone ly
c/A
I sill
de light, er
Et/c
c t s l I & 4 : r / R h y . F i g3 s&3A.rillfade F/C
ceire your free will
of
a
lone Iy
Bt/c
d rib Bkgdvoc..riltfade
Et/C
BtC
Dotr t
de
ceive tour
fr€e
$ill
'tt3
Should I Stay or Should I Go Wordsand Musicby Jo€Strummerand MickJon€6 D G D iimno .16."
x
v iiiD',
n
C ilrT'
x
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A
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Nlode.ately J = r r,r D
114
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fr v"-"
cr D
go? should I nat or should I Youle hap pt whenI'm od my knes.
r r * R h y F i l Lr . 4 r hl i m e
you say $at you ae If Oneday is nne and nert n's
3..4. SeeAdditionalLrri.s
Ct.l: v/ Rhy Fill2,4rh rime
cf. l: u/ Rhy Fill3.4rhrinc
so. well,
yonve go1 to ler ne core on and lel me
2- h's
Chorus Double-Ttm€FeGl D O /
(Ten '
h / r-^/ /
al
vays 1e6e.
D
D
/
-] /
mtr)
h
G
.,)1"n
I
go fri'o
D
n^n rnn rn"n rr"ffi mffi1 I
Bo. rlEr
will
be
@u-ble, Sift
voy -
vaaer
p€ li
ed gro,
ro coda$
n^m tt6
D
n^tr)
ffi
D.S. al Coda
End Double-Time fel
fmffin 3.Tnis ,h -
ci sion'sbug-gin'
I Coda D
D^ffiffi7n
mffiffiffiffiffimffi should I
cool
,r
or thould I
Outro-Cho.us ch
l & 2: */Rby. Fig.l, simite
D
)rD"n
G
n^n ffiffi
c
I Si ne
voy,
va !
sr
say, n
will
be
pe li
D
M e n
Addhioml Ltn.s
3 , Tl'is indecnio.'s buggin' nc. (/ad?.tsinn ne nol.sta. ) Ifyo! donl Bmt ne, sstlme ftce.lsi na ne qui.restibrun..) Exactlywbo I ns'poserob.,{Dieon qret neuse..) Don't you know whicb clodes etn frt m.l ls.bes que ropa ne qu.da?) Comeo.ddlerne know:/M€ ti.ncsquedecn.) SbouldI cml ir or shouldI blo*T lMe debon u queda.de? ) Inerunental l||t vd. ad lib, )
117
Time After Time Wods atd ftxtc
by C),rdi Lalper and Aob HyrEn
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ch r: *r Rhy.Fis.r, sinilc F G
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fall deep
be in
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rh; d^-
ond
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say-
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;;
win
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We Built This City Words s|d Muric by Bemb Taupln, I\ibnin Paqe,Dennis t anbst sd PlEr Woff Mde.at€ Rck.l *F
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lt-
= l4E BI
N.C.(As)(G5)
F
B
'
C/E
12.
l Say
you don'l know one ar,waysplay
E'5/F
you donl carc *ho c4s, tbey'rcal , says
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F
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Kn e we-
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deep in the hoop la, just wa.l to dance here
E'/F
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124
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B b sN . c .
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Bt5 N.C.
Bb5
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Sun - day
B '5/F
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F/B'
Bt5 N.C.
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t Buill
lhis
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built
lnh
cit
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What I Like About You Wordsand Musicby MichaelSkill,WallyPalamarchuk andJamesMarinos
Intilh".u,"ry r"",.l =r;o Esus4 E
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Chorus cts. r & ?:t Rhy.Fi3.lA. ? rin.s.imire
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lhaasebat I whar
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you Fal Iy k.ow hoe you keep me wm ar
to
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np - rowh junp a-rouro, Ner er *an na let you go.
think a boul know you hake tu feel
cd. r & 2: */Rhy. FiB lA, t rimcs, simil. E A D/Fl
Keep on
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al
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whisper in'
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Your Love Wods r|d r/llsrc by To.nmy Roccogld B€cky Fostor
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139
B.idgc
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ny
I canl hide the
. cr. r:wiRhyFig.2,ril h&, sinitr
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Guitar Notation Legend D A E G L i r a r M u s c c a n b e n o r a r e d l h r e e d f l e r e . r w a y s : o n a m u s i c a l s t a f r , i n t a b l a t u r e , a r d ^ t h t t h n s l a s h e s.;. FHYIHM SIASHES ee sr [en above rhe nan srrumchordsnlh€dtlhmndcared ioundarrheropoi Ur thechorddiao€ms h€ nretpag€ol lhelmnsdpli0nlorlh€ approprate chord!o c n0s Round ooleheads ndcales f0e ioles THtMUSICAL STAFF shourplchesand rrryrmsands divided bybd nesnlo m€asures Pl.h* d€ nam€d anate ict
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qnphcay rcpresents TABLAT0nE lhe horzontane 0ularI n0*boed.Each repr€senls a str0qandeerr0umbei 131& 2 n ds l r n qos p e n .o p e n 0 c h o d 8^tF.STEP BtND:Slrlelhenoleand bend
WUoIE.STEP BEilD: Slik lh€iol€aid bend!p oie sbp
SLIGHT 3EN0:Slrl€ tl " oRACENoTEBEilD:Slrik€heiot€andbfnduoas iMlCRoToNEl ndmledlh€l6r noled@smr ble upanytme nore andbendup1r4srep.
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vlSnaTo: Thesrri0 s ! bdkd byd0 d y bendinq ad chd n0lhenolewilhlhe
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IECATo SLIoE: St le lheftsi nokmd theis deihesame ld.haodI n0* uoor dolntDIhescoid noreThes{oidnore
WIDE VIBBATo: Thep I.h 5 varedlo a greatr wlh thetexinghand d€qree byv bGIinq
SHIFISLI0E:Same * eqalo s de er.e:'
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ATURAT HAFM0NIC: Stle thenol€eh e TnlLt:Verynpidlyalle.nale betleen lh€ T PPlNGrHamnef(rap ) rherrerLnd'.ared hammediq w i l ht h ep i c th a n dn d € r o r m i d d e l n q t r a n dtheJd haid q y louches theslnnq noks ndcared byconlnuo!$y pul dtllo iheiolelrelted bylhelrelhand d reclyovdrh!ter ndicared
PINCN NAnM0NIC: Thenotes tened i o m a y a n d ah a m o n cs p r c d u ebdy i i r . lheedoeoi lhe$!mb orthsllpoi thend+ rno!rorrhepckhand lo lhenomalpcl an::
picks Ih! edoeorthe PIC(SCFAPt: tubbed d0wi(oruprtheslrnq producmg
MUFfLE0 sTBlNGs: Apdc6swsoudd s prcducd byaynqlhelrcthande{$lhe depressnq aidslnkngthem stmq(slerihoul
PALM MUTlllG:lhe iole s paniary muled bylhepi.khandqhlylouchnglh! srrnqls)iusl berore $e brd0€.
frAl(E;0rao lhepcka0o$ Ihesl,ros indicaled wtha s nql€molon
dok s p cked TiEltloL0PlcxlNGiThe mpdy andconlhuouny asp03sib e
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l[e barrusl vlBBAT0 3An6C00P:0epre$ b e l ms l r k i nf0t ei o b $ e i q u c k y
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144
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