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8-Tonic
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8-Tonic
DIMINISHED TWO FIVE ONE HARMONIC IMPROVISATION STUDYFull description...
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Vibraphone
4 Tonic Demonstration ii V I in C D -7
G7
C Maj7
Mario Sandoval F -7
B 7
C Maj7
B -7
E7
C Maj7
A -7
D 7
C Maj7
F -7
E7
C Maj7
B -7
D 7
C Maj7
A -7
B 7
C Maj7
B -7
B 7
C Maj7
A -7
E7
C Maj7
F -7
D 7
C Maj7
9
17
25
33
D -7
F -7
A -7
B -7
C Maj7
D -7
G7
A -7
D 7
C Maj7
F -7
B 7
B -7
E7
C Maj7
G7
B 7
E7
D 7
C Maj7
C Maj7
E7
41
49
B 7
D 7
57
©Tadao Valdez Valdez 2014
A -7
C Maj7
4 Tonic Demonstration
2 B -7
B 7
C Maj7
F -7
A -7
C Maj7
B -7
A -7
C Maj7
D -7
B -7
C Maj7
65
73
C
D
Eb
F
F#
B/C
Half-step:
D/Eb
C/D
Whole-Step:
Eb/F
C/F#
Tri-Tone:
G#
A
B
F/F#
G#/A
F#/G#
D/G#
A/B
Eb/A
F/B
A-7 D7 C-7 F7 D#-7 G#7 Major Triads: C D Eb F F# G# _____________________________________ C#
D#
E
F#
C/C#
Half-step: Whole-Step:
A
Eb/E
Bb
C
F#/G A/Bb
C#/Eb E/F# C#/G
Tri-Tone:
G
G/A
Eb/A
Bb/C
E/Bb F#/C
Bb-7 Eb7 C#-7 F#7 E-7 A7 Major Triads: C# Eb E F# G A _____________________________________ D
E
F
G
Ab
Bb
B
G/Ab
C#/D
E/F
Whole-Step:
D/E
F/G Ab/Bb B/C#
Tri-Tone:
D/Ab
E/Bb F/B D-7 G7
G-7 Bb
C#
Half-step:
B-7 E7
F#-7 B7 A B
Bb/B
G/C# F-7 Bb
Ab-7 C#7
D E F G Ab Bb B C# _______________________________________ Major Triads:
C7 C
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