Z Z ~ tA tA S T ER ER S
Sonny Rollins .
VASAS~~C~ : . ~ x ~"!."·.!·T~
~: ....
':_.
Amsco Amsco Pub Publicatio lications ns
. ._ ._ _ _ _ _ _ _
-ook publ publis ishe he
19
Amsco Amsco PUbli PUblica catio tions. ns. ""'Y. of
ve Distri Distribut butors ors >ale Corporat Corporation ion
ales ales Limi Limite te ales ales Pry. Pry. Limi Limite te lsch lschil il
Stre Street et
Rose Rosebe bery ry
AmenCit
SYdney.
~S\\" :01 e, Aw.'.alia
bv
graph oind Priming Corpor;ation "'''''''',,'''
,,
-ook publ publis ishe he
19
Amsco Amsco PUbli PUblica catio tions. ns. ""'Y. of
ve Distri Distribut butors ors >ale Corporat Corporation ion
ales ales Limi Limite te ales ales Pry. Pry. Limi Limite te lsch lschil il
Stre Street et
Rose Rosebe bery ry
AmenCit
SYdney.
~S\\" :01 e, Aw.'.alia
bv
graph oind Priming Corpor;ation "'''''''',,'''
,,
Contents
Is
"Do
-B ~IJ
40 ho
ov
on
gi ..
55
Dela Delaye ye es
65
Reso Resolu luti tion on
67
nn
Transcr-iptions
teno teno
saxo saxoph phon one. e.
SOlll1Y is
,a
ti some
.an
50011
rornhoiiist
.1..1.
Ly
which
famous.
revorded
During illiamsburg
Bridge in :\yc.
bum ,dudl
ob
Th
Br dg
an l-
Cp
it stock.
the
CHARLE
GERAR
ampico,
amaulipas
'\Iexico
Ma 1979
~-
LO"e Is (1956)
Alfie's
including
Roger Kellawav film Alfie. On Impuls
solos bv pianist writt 50105.
rg
(1966) wa
The sur-
Blessing in Disguise (1966) improvisa-
(1966)
pIece. ra ri ti
iv
Ev ry
(1972)
West
(1972) above.
David
(1962)
blues. Tr God Bles th
tion.
fo Child (1962)
rn nv calyps famous
S ym b
Te a l
gliss.
Glissando:
li ed attack ali-ti tyle vib.
Chor
T"ibra/o.
Symbol
aug. -:-;augmente
\1a:
aj
se enth
seventh half-diminishe sevent sus: suspende
orte
th
i(
individ.
ha
introduction,r--.
t#g!
on Raye
e t f 5 F ~fjII,~
sali
Af
fJm cis
Bm
p_U========-
~,ft~~Aill
C~7
iPBrfqft
Cb6 :;:8
-'
1T!f
G7-S
Gb6
1979 MeA.
I 'f tf i Db7
Ab-7
¥/ff Gb6
iJ ,...---3 ----,
@:fir By Permission
Al Rights Reserved
'--:J--'
p;]
f?
Esm
l1€_2j B~7
~· ~J ,~J~J7iJ ~ E J ~ ~~g ~ j ~ w m ~ " ~ ~. ~~"~J~J~I~~J~7~~U~~' ======---
B-
E~-
Fb7
Ah7
':::d
~Jj¥ § ( f f i V Ab7
'Esh!'JQy~~m
=======:--
mp
!~.~urmmtf22t¥
.f
===-"!f
-5
mp --=:::::=::::
.f
3r
ch
C~7
Ff F&
:.
~3icerc~Ufr~
,-;-:n=~
e f f f jf
.Ebm
JUJ];.
Jj
Theme
So ny
olli
I'
Ie ig
an
(;07
B~m/A~
Bbm
4,
fUll
F7
Bbrn
En ig Mu ic
fz
==:.
>,.-...._
G~6
>----.
F7
F7
B~ml
~UUd'1 bm
G~6
s:fz
.f Bbm
.f
A~6
B~m
-=====
fi
i~t\
A~6
B~
Bbm/F
Bbm/Ab
30
(fuU7 (;07
rTUlllz(U rp rati
se By
er
ssio
ll Rights Reserved.
11
~ , g ~ ' i . \ ~ J J ~~ ·t7 i t J j § & 1 i 1 ~ 1 7 · ~ ( 7 ~ i j ~ ~ $ r ' s ·
~~~II
(Sax
accompaniment)
4C__,.JL
1f#-
f!:.
fL~"
:>
vib.
.II.
:>
~~~J'lr§b~-~~~~~~~~P~I~~~~~~~~~U§u~
atll E\iV. 7§~
.)
hElJ
Ilut
)J@J --====
S1I~
"V"."',~,·~
';~~40;
EtiJ @ / ? ~ I ~ W g· '¥
,,:r:--
i£§&
fiBrF
@filreJ' .f
ii.
s-
71!f
.f
'~I<\
13
~-,,---.~
.-
-~
- ,. .. .. _ - ,. .. . - ,
, ~. -- ,, ~. .- ~ - ., ,
--
LCTPS
50Th
{At
{i'¥"'
~ H q . (~t!::
14
_t<:
11.!
qJ
tB
[h¢$1: p 5 5?
$g'I&1'rlt
Ja
::=;
:-.F
;~F~e ~3f:
Lf=ii
c:l
W-J--tFp~.
ii1Q
ii_FE:
=tG
h~~
q:;;
, " " "
.
--"~--
,.-..,..._.,.._"--
14
. -."",,~,,-,".,,.-,,~~,,-. ,.-~.~, •...• ..
.. .-
185"'.1
,.,~U
cii1
1'9: 95
200
~.
(fl 1(
Errlcr
ri
vib.
, . . . . . . " , ~~.
~¥
(sol
continues
:::>
.f
.ff Bsm
E!
±3 .......
C , , · ~7Tt1..
F7
Gh6
,Jij
~Jir'
t;
~PI~: fz
230:
~77~F Q.
;;
Be
Ab6
-========
ifz
Bbrn Rollins
t7vVi
.f
sf, ~m
B~m/Ab
t1 C7
&~\r~
I'LEg F7
Bbrn/
aRt:!
fThft
BhmfF
g.
ell. BhmfF
arC!
G07
SonnyR
10
G7
Dm7
tJ G7(:~)
(:~)
G7C~)
Efl? Cmaj7
G7(~~)
'"""=
Cmaj7
Ebm7
Dm7
"!f Ensi
si
rp rati
ed
er
ssio
Al
ts
eser ed
i)
Om7
G7
Cmaj7
::'n
chorus
Om7
G7
Om7
~ G J JillJJ E~m7
b?r-~
1.:,
r----r_3_---.
~CJ'
..
65
lij~'?r'-lb r-[~I
~t I~p r s i ' = ! ; " ; J 70
Om7
G7
:7r'l
Gm7
D,7
Abm7
\:ttr F ~ ~ ! _
t ·; p . ~ 10;
C7
A7-S
iF 18
Ch7-5
Fmaj7
Abmaj7
3~
G7
f7773r
Bhmaj7
Om7
Fh7-5
G7
85 ",
:~.~~.,
.~-~
Ebm7
m7
r-=h·
Ab7
Ab7
E~m7
Ab7
Ebm7
======-Ebm7
Ab7
Dm7
G7
m7
_---
Bbmaj7
Fh 7-
JffiEE 10
CQ
A7-5
f=;i
I,Jlj Dm7
I:~"
lit' ''':Jo-''".,
:~"
""
h~,
;ait~
G7
Om7
19
E~m7
Ebm7
G7
1--1
25
tJ
Ebrn7
At>7
H66[ [tcr;d J o i D J ~ o f t 4 2 = = ) Ebm7 3~
;j
batlEtrr
lf~-=--I
-q-v
'---I
i-
r-cp-.
35
Ch7-5
C7
140
Fb7-S
3
r--.'-l--,
::>~
45
ch
,fr Om7
,~
G7
0'
150
vi b."
qrSiJ'
Dm7
jl
[JM
hITr
Ebm?
mp
Ii
Ab7
J'1f]U
uvm O~7
75
Fb7-S
G7
Fmaj7
I~~ti
B~7
I~
I#f77r-
Gm7
170
C~7-5
Om7
G7
Om7
Ebmaj7
Abmaj7-
A7
----
'1
Om7
iano solo
82
89
Om7
v--'
Cmaj7
200
Om7
C~
.I'" I~
205
r1
!f
t~
Drn7
G7
Om7
G7
210 ti_,.i:....
I.::'
~& I: ~/:~~I ~ t J ~ t·J~·l J ~ k L P ~ J J~~ ·· ~ C ~ ; ; J ~ r :
Ebm7
E~m7
b7
220tJ
mf
22
cadenza - - - -
- -
- -
,(Far-:,
- -
- - -
- -
. -
i:l
t,}iF 4 - -
~!
- -
&;
&#~
- -
1 I g9 ~ !" j _ _ _ _ _
ifQ)
_ _ _ _ _ _ _
_ _
- -
att
- - - -
_ _ _ _ _
,U~1
Zf--J=[W
- -
_ _
in
Moderato
is
is
So
Ro
to It~-=
with
Emb~s--------------------------------------------
t1
in
&~~~
===-
- - - - - - -
l'ib.
- -
- -
- -
(3)
(2)
- -
(4)
~~
- -
- - - - - - -
- -
(6)
(5)
;f
25
20
07
l'ib.
~eTf 07
vib.
vib.
~~
daW'
A7
mpc::::::
07
A7
A7
gr-r'
A7
By Permissi n.
Al
ig ts Reserved
23
r1i1 (rAI
07
07
Ai
~~I--~====~==
mf
C"tu-n-l--~
-)
60·
:;:>-
t ~
vib.
'1#1
simile
.f
D7
A7
~###
vib.
rib.
vib.
"!f
E in b
D7
If
Ii
Zj). :;:>-
rubato
in
s - - - - - - - - - - - - - - - -
- -
- -
- - - -
- -
::>
- - -
- -
slight p a u s e _ s
--======
(2)
(3)
A7
D7
If
88
85
3.
A7
! -
;r~.
.f
D7
p-r.
90
A7
I g f O~.= ! ~ E -====
=====--
D7
D7
GMraro
I '
- -
".,..';"",
_",,,,",.~~.,,,".-"-.--.,~.,
~,,.,.~
07
A7
A7
IT!!
meno in
osso
- - - - - - - - - -
- -
ruba:«
- - - - - - - - - - - - - - - - - - .
~~·.··.I
""-" ,.,.
tempo
07
simile
;.. (3)
(4)
140
35
A7
07
A7
07
A7
(6)
(5)
mp
A7
07
A7
07
ppp
07
159
:;:~.'·.·':.=.~··
t
d
.;f#~~
F ? r c C i . ¥ tf;! Ul ::
tr rl
II).
!!I\"'~' _...
Ii
~#rr~Tr
- - -
- - _ _ - _ _ _
n b
_ -
3.13~
(1
.J
mf
;§
(4)
(3)
simile
75
170
A7
mp
- -
--===
mf
.1
_ -
A7
(oCttfLGtTI
~ ,
D7_
.:.J
1 1 m i f i 3 p @ # J & ij(t31
mf.:>
.f
200
b....
i#fJJjbJ
t±G=f·,t
II
er?r?(f1"b
~f(
~~#rtss
RjLjl~CLirL!'r
1(':
:>:>
210·
so
inues) contmues
Ainbass
II'rI7}lg
-~
- -
pJJ:1
mp
'~#j
---======
225
A7
I!fe[
- -
fJ'u~ lyG1
i-II
D7
7'
- -
- -
Broadway
n b s - -
Sonn
- - - - - - -
- - - - - - - - - -
- - - - - - - - - - - - - - - - - - ~ ,
Rollin
- - - -
ff'f ---------------------------------------------------
E7
E7
j~
B7
B7
FP
C~-7
F1lfi§F
}J
~3-J
'~I'
J ) J ) J .,___.
.
30
E7
&ti#l# 19
..
35 heod re (S ny
Rollins.
se
er is io
ll
ig ts
eser ed
29
E7 ,~
ti{$~
....
41
~~~~~~~~~~~~~~I ~~~~~~~~~~~II E7
E7
(it?;~ ~~
5·
..;:0;
-,
55
.,
]?
it
IIJ
tFfir ittl&Cfr:
E7
JJ) 70
C~-7
Err-
:::=- PI'
nr
-.
er l£ er
lyps
S on n
Rol
:::>
.... _ . " , . , •.
~:En
mp
G7
A7
'r
G7
-7
--===== -7
A7
,)
25
77!f A7 ~~
G7
vib.
Igr~'rfll
mf By
G7
2lfj'rt
A7
.iJJUIOpf G7
i§;V
===A7
G7
:f
A7
Gill 60
:/1J
#ffi
'1 D&DI£j~P <:
65
A7
0-
rd
..._
Dll
¥}S~
G7
IfUPUl1
1¥j)DJ
:>~:>
G7
J~
Ii
till
.--===r::=:.
J)
J~
80
a!'J
G7
r~j
85
mf
A7
G7
4£jjJ
"1J5JJIJJ)jJ
:>'--
G7
-7
)Jfj
&"'>
'i
vir'
>,._
]if]
y---.
t::l
tilt 105
~Hg
.f
I';"
33
D-7
G7
120
G7
mf
:>
mf
130
A7
-7
G7
1~
,trur
:>
dErtl
G7
(Dr
~p~pel?
140
pi
ol
begins)
45
Sonn Sonn
Rock
mp
ff1J
Roll Rollin in
::>
tr
====G7
G6
G6
C7
G7
By Perm Permis is io
Al
ight ight
eser eser ed
C7
35
G7
C7
G7
G7
C7
G7
G7
C7
G7
.f G7
G7
C7
G7
C7
G7
.f
36
G7
G7
G7
G7
60
C7
~.ftQ
C7
~ @ Q 1 : 7) El
G6
G6
~IUTJ.
G7
1&~J7D
va;. =it, C7
s)
37
'~ ".
'''''';''''~ ~ . " _ "
h,,~-.-j~·k~.~t-'·~"":~~""'~·-'''"-'
K~ep Hold
of I''''ourself
Sonn
ROllin
-::j_
W~h¢C C-~
~:s
======--
::>
.II..
::>
"!
.L'~
11-:
6f
=--
j'
' . , '
rt ~f$F·
'-...._../
,,~·hP25t-
rm
38
rv
I,
l.e~b7I 1=:-9
c-~ ..
tl
$~&J
II
:>
::>
~tr tl
~J ~,~;
Ell
lio~" ''''.'''''-
C-~
:1&~b;Jr
(fall
c-~
D7+9
a~--=-I?O
"'.,110:.
?FqT
60
Ja 39
of
l'Iany
cornpositions-v'St.
Thomas."
"Iroxv." and
come
el
to
idea
freely
,} i~a:' comfort-
Chordal
Improvisation: Arpeggios
1. chord.
ie ;\Iajor This
7.
i-
Eb·7
in
is 07
vl The
...---.._B
E7 Down"
ttFcF "The Everywhere Calypso"
'I
rSl?
E7
C{FrIVF~U
Th
Ev ry here
The
oe
Calypso"
measure.
rJ
sf, el
arpeggio is
arpeggio. Is"
B~
&WW#
"On Impulse"
with "O
Impulse" -7
""___3
"Blessing in Disguise"
itV"
'Iinor
cEjEfE~rl
"O
Impulse"
6.
.-
"Blessing in Disguise"
'~'i "The Everywhere
.-
Calypso"
Om
Om
~!
Mino Sevent This GI'
7. Is"
7. It
the
'I
Om7~
43
mpulse
Dm7
Is"
el
G 7C : mpulse
~ P J ~ ~ ( ~ : r~~r§(~_~;· ~ i 7 ~ ~ EJ~"'~I J~v~gF~' II 2 ~5C~2f~1
~b
om na lessin
ve in Disguise
D7
ry
re
ly so
er
al
A7
er
so
Diminished Sevent dim examples. he
er
7(
here Caly so
A7
ry here
ly
o"
A7
Miscellaneous This
7(+ Is"
....~~,b
Is"
F,7
mmor,
bm
An "Keep
Yourself"
G7
li
).
,_,-=cala
mpro isatio
tion.
1, Whole-tUlle 51'aleLa.5edonB:' (1 minor).
(Y) on
preceding E:, minor
Is" Bb
(lIm 7) to "O
(\'7).
Impulse"
Epm7
to C 7
"Playin'
in the Yard"
I·~·~V~"'~i i§-~l ~:J~C~J"'~;
'~'
-g
G7
~--,. C7
J) J)
C;
~~'
" ' I b g ~ . ~lel
C7
G7
~~
G7
i~€J~: V g " ' ~ V ~ 1
C7
J;tgp
!J
E34
Yourself?"
m· F-9
"1
D7+9
circled.)
"O
Impulse" G7
D-7
Q,''' mpulse
major scale
- - - - -
- -
- -
- - - - - - -
- - -
Sequences
Type are real sequences, Type
Type
to al sequences, rea sequence or
those
tona sequence, Lut
Is"
i'~~i~~p~e3~~~~~~q~~~~~~~~~·~~~1
Is" At _'1
··Alfie·s
heme"
At
'I~
type
.1
"On Impulse"
.,..._
------------
....
type
"O
t)
Impulse"
type
'3
"On Impulse" --,
type
: "
c::u-
"On Impulse"
~1 l i W ~ ~ 2 ~ " " ~~1 E ~ I ~ ~ ~ V ~ E ~ j ~ ~ I ~ q D ~ ~ ~ I ~ ~ ~ ~ ~ J~ i.
type
r 3 .
48
type
.,..
;;oJ t)
type
Playing
Changes
1.
2.
la
1.
given changes
OlzlJ
substitute
No.2.
changes:
u-r.r
D7
ftrtt
bb-7
··~--~· Is
in
_I
t-
"Alfie's Th me Bl
B~
,Wb\
,.c.
L;;;
:\0.
: t ' *
t~Jr :'010
....r§.·
on
ij
Thelllatic Improvisation
YOH"f'If." of
IctLfE]EiIF
II
51
Var.2
Var.3
Var.4
Var.5
Var.6
gJ..
~C~i~j~;f~: b i J ~ ' ~~t1~:--~F~~~~~V~' i ' ~ ~ ] f ~ b ; ~ F ~ r ~ F ~ ' _ ~r~fJ~r---~1 -.j_
1:1:
i i ~ W i f ~ ' ~ ~ ~ 3 ~ ; ~v~I ~I ~fb ~J ~r 9~§ VE ~~3Cr ~m Q~0 ~3 )3 ~ k ~ ( ~ J ~ I ~ 5 t r
1n
II
0[1
Ii
J7C£f
s li gh t p au se s
I!
't
)r
It
I) slight paus
1f
~[r-rl
,~~"J
.,..
Var.3
tempo"
at
sh
al
at ns
"Blessing in Disguise"
Var.
[J
'I
Var,
Var.6
_..--......
extensio
isth occa iona length ning or
id ning ou
of
ph as
53
t: on
...,
!i
Var. ~r
--------
~j
:.
r---..
54
--------
.1
f : - - -- - -- - -- .- .- - -- . _ - . - - - -- - .- - -
(2 and
II ::>
in
a· z>
::>
::
::>
::
::>
:>
I~~~~~~~~~~~ . ::>
sounds like:
::
Ii i? Is" roo-
Alfie'
heme"
Alfie'
heme"
55
mpulse
"Blessin
in Disguise
~~~~~~~~~~~~~l. &#rr
,.-...
...---.....
,.-...
-----..
II
"Blessin in Disguise r.
Jl
;t ~i
"East
~\
Broadway
"East Broadway
he
he
ry
verywher
al
Calypso"
q)
'<
.$,.
.-------...._ '7
Is."
re-
F~
layed.
Bb
rn
PiEAkh4p.
~\t; on
7.
Bb
bm
~I
Ab-7
G7-5
:~¥.
:a~J
E~
~7
E~
B~7
Ebrn
;qj]
el rb
!J,.J)sfi
"O
58
II
D§J)
Impulse"
j(j)" r1 "O
!4_i-
Impulse"
=ffJ
;Jj
~i ui
fr
r?t-
~1~"
:-----..
Phrase Repetitioll
Type Type beats
beats
beats
IS 4'
Type Type Type
Is"
1].
59
[1
g~iE
b~C~·q
f~ .~
Phrase Repetitioll mind.
Type Type 1~
beats
,6
Type Type Type
Is"
type
beats
.---
----.'-.-.- ..... ..
: ~iF
type
el
type
Alfie'
.1
heme"
~~~~~~~~~~~~~~~·~o~~~~*~~~~~~§_~. type
Impulse
iiI!
3~i§~~;~
~~y~pe
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Th se ar al multiphoni s, most likely played by overblowing th note by aja Here ollins lets th uppe octave soun oc asionally.
