samvat २०६६ śrāvan kriś kriśna tritiyā tritiyā ,
Narpatijaycharya By Sri Narpati Translated by: Alok Jagawat, India ‘ NarpatiJayacharya is a text readily available in Hindi language but ignored by publishers of english astrology publications in India so far. Inspite of requesting many publishers and authors to translate it in english with good commentary since last 4 years nothing has happened in this respect. This translation might not be accompanied with an extensive commentary but it is the first step to bring it out in english. Some say that ‘It is a wonderful ancient text written by the scholar Narapati in the year AD 1232, and describes the Jaya charya i.e. 'Acts to win the wars' that should be followed by the kings. It is a text that deals with prashna, omens and swara (breath) related predictions & chakras. On forum someone wrote ‘Jaycharya means the behaviour of kings and the book shows the use of astrology by the kings for various purposes like war etc.). This is the text which says that a king should never reveal his true horoscope as his enemies can misuse the info. This text is written in peotic phrases and is mostly a shakun shastra based on swara science.
lok Jagawat is a young astrologer with A lok deep study in astrology. He is a Graphic Engineer and has done MA in Astrology.He started astrology at a very young age of nineteen and has had many credible predictions to his credit. His website is www.gems-astrology.com www.gems-astrology.com
543
Chapter 1 ātha ṣhastrasangrahādhyaya Shloka 1 to 2
अयमयय शात नतात यगना ूयम ् सवारनदःवप यदे ॄ सवरगम ्१ avyaktamavyaya ṁ śā nta ṁ nit ān ta ṁ yogin āṁ priyam sarv ān andasvar ū pa ṁ yattadvande brahma sarvagam 1
ववधववुधवाम ्भात वदमान ूचुचतुभाव दातुकाम जनेय नपतत लके यातनमाभधाःये नपतजयचयारनामक शमेतत ्२ vividhavivudhavandy ām bh ār at ī ṁ vandam ān a ḥ pracuracaturabh āv a ṁ d āt uk ām a ṁ janebhya ḥ narapatiriti loke khy āt anam āb hidh ās ye narapatijayacary ān ām aka ṁ ś astrametat 2
I pray to universally existent Brahma, the undefined, the beloved of all Yogijan, the symbol of eternal happiness. I “Narpati”, With a heartfelt devotion to Goddess “Saraswati”, who is the beloved of many Devatas and knowledgeable men, embark upon the journey of writing the Grantha” (the book) which will be a key to success of kings. With this, I start the epic work called “ ṇarpatijayacarya ṣvarodaya”
Shloka 3 to 7
ौुवाद यामलास तथा युजयाणरवम ् कमा कशल चैव यगनजालसचम ्३ ś rutv ād au y ām al ān sapta tath ā yuddhajay ār ṇ avam kaum ār ī ṁ kau ś ala ṁ caiva yogin j ī āl asa ṁ caram 3
न च मुड च ःवसह ःवाणरवम ् भवल भैव नाम पटल ःवभैवम ्४ ghna ṁ ca trimu ṇḍ a ṁ ca svarasi ṁ ha ṁ svar ār ṇ avam rak ṣo bh ū vala ṁ bhairava ṁ n ām a pa ṭ ala ṁ svarabhairavam 4
544
त णायम ्यातम ्सात जयपतम ् पुःतकेि च ढकम ्च ौदशयतशम ्तथा ५ tantra ṁ ra ṇ āh vayam khy āt am siddh ān ta ṁ jayapaddhatim pustakendra ṁ ca ḍ haukam ca ś r ī dar ś aṁ jyauti ś am tath ā 5
मयायनेकान कटयुान यान च तयु च वाय वान वडवानले ६ mantrayantr āṇ yanek ān i k ū ṭ ayuddh ān i y ān i ca tantrayukti ṁ ca vijñ āy a vijñ ān a ṁ va ḍ av ān ale 6
एतेषा सवरशााणाम ् िसाऽहमामना सााम ् भणँयाम सवरसवानुकपया ७ ete ṣ āṁ sarva śā str āṇ ām dri ṣṭ has ār o'ham āt man ā s ār oddh ār am bha ṇ iś y ām i sarvasatv ān ukampay ā 7 Before writing this grantha Sri Narpati practiced the Seven Yamalas (Yamalas are a part of Sakta Agama and hold Sakti as Supreme Goddess. Both Vama and Dakshina hold Sixty-four agamas or more. Most of them are in the form of Siva-Sakti conversation ).
Sri Narpati grasped and practiced the mention from these scriptures before he finally condensed them to “ṇarpatijayacarya ṣvarodaya”. These Yamalas are: 1. 2. 3. 4. 5. 6. 7.
Brahmayamal. Vishnuyamal. Rudrayamal. Aadiyamal. Skandayamal. Kurmayamal. Deviyamal. He also read Yuddhajayarnava, Kaumari auśal, Yogini zāl, akśoghnam
ṭrimundam, ṣvararnavam, bhuval bhairavm, ṣvarabhairav patal. He quotes that the above granthas were related to Swarashastra. Commentator :
Most of the Granthas mentioned above are not present in their exact form. It is difficult to find them.
Shloka 8 to 9
अथ ःवशाःय ूधानवम ् atha svaraśāstrasya pradhānatvam 545
पयगजभपालै सपणार यद वाहन तथाप भगमायात नृप हनःवदय ८ patya śv yadi v āh agajabh ū p āl ai ḥ samp ū r ṇā in ī tath ā pi honasvaroday ī 8 bha ṛ gam āy āt i n ṛ po
तावत ते धा दयारमाहवसागम ् यावपतत न चे ःवाःते वडवानले ९ t āv attaranti te dh ī r ā dorbhy ām āh avas āg aram y āv atpatanti no cakre svar ās te va ḍ av ān ale 9
Sri Narpati remarks that a king carrying a “Hina-Swarodaya” (Heena means weak Swara or with improper attunement to a swara ) is defeated at the behest of his enemy. Even if he owns lot of soldiers, horses, elephants and supporters, he will lose the battle owing to this “Hina Swara”. The author mentions that warriors can win the battle only to the extent till they lose all good swaras expounded by a “Swara Shastra’ expert. Commentator :
The author is giving due importance to an expert of Swara Shastrargya and his presence to win battles.
Shloka 10 to 12
कथचजय युे ःवेन वना नृप घुणवनपमम ्तु यथाघचटकह १० katha ṁc idvijay ī yuddhe svarajñena vin ā n ṛ pa ḥ ghu ṇ avarnopamam tattu yath āṁ ghaca ṭ akagraha ḥ 10
यःयैकऽप गृहे नाःत ःवशाःय पाग भाःतभपम ायम ् नतम ् तःय भपते ११ yasyaiko'pi g ṛ he n ās ti svara śā strasya p ār aga ḥ rambh ās ni śc itam tasya bh ū pate ḥ 11 tambhopama ṁ r ā jyam
ःवशाे सदायास सयवाद जतेिय तःयादेशःय य कार जयौःतम ् नृप भजेत ् १२ svara śā stre sad āb hy ās ī satyav ād ī jitendriya ḥ tasy ād ṁ bhajet 12 e ś asya ya ḥ kartt ā jaya śr ī stam n ṛ pa
A king can win a battle even without the help of a “Swara Shastra” expert, but then his triumph will be as short lived as the letters formed through floor beetle or as the blindness of a Pied Crested Cuckoo (Chataka). 546
Commentator :
Floor beetles are fast and alphabets will vanish if beetles are used for formation of words. Pied crested cuckoo has a short-lived desire for rainwater; which is referred as blindness over here.
A king, who is not assisted by a “Swara Devagya” (expert of Swara) has his kingdom standing on the poles made of stem of a Banana tree. Commentator : Stem
of a banana tree indicates weakness of the base.
The king will be bestowed the wealth of victory; if he follows the man who is righteous, who has controlled his cravings; and who is an expert of “Swarashastra”.
Shloka 13 to 19
दशैकेन शत तै सह शतसयया ःवदयबल ाजा दशनम ्हत ललया १३ da ś aikena ś ata ṁ tai śc a sahastra ṁ ś atasa ṁ khyay ā svarodayabal ī r ā j ā da ś aghnam ha ṁ ti l īl ay ā 13
पुंपैप न ययम ्यावनःवदय ःवदयबले ूाे ययम ्शाकटभ १४ pu ṣ pairapi na yoddhavyam y āv addh īn asvarodaya ḥ svarodayabale pr ā pte yoddhavyam śā strako ṭ ibhi ḥ 14
ःव शकुन दैव मपाग केलवथा ााम ् करत पचकम ्१५ svarajña ḥ ś akunajña śc a daivajño ma ṁ trap ār aga ḥ keral īv ittath ā r ā jñ ām k īr ttita ṁ ratnapa ṁ cakam 15
ःवचाण चाण भबलान बलान च यतशम ्शकुन चैव षडगान वदायहम ्१६ svaracakr āṇ i cakr āṇ i bh ū bal ān i bal ān i ca jyauti ś am ś akuna ṁ caiva ṣ aṁ ḍ ag ān i vad ām yaham 16
यामलेषु च सवशु यायुन ःवदये वशत ःवचाण वआयेऽहम ्तान चाधुना १७ y ām ca sarve śu ale ṣu y ān yuktani svarodaye vi ṁś ati ḥ svaracakr āṇ i vak ṣ ye'ham t ān i c ād hun ā 17
माा वन हजव ाशभ पडयगक 547
ादशादम ्तथादम ्च अदाधरमृतुमासकम ्१८ m āt r ā varno grahoj īv o r āś irbha ṁ pi ṇḍ ayogakau dv ād a śā bdam tath āb dam ca abd ār dham ṛ tum ās ikam 18
पाहनारडकम ्च तथवारयगक दश तवावधान च दनफल च वदायहम ्१९ pak ṣ āh arn āḍ ikam cakra ṁ tithiv ār ark ṣ ayogaka ṁ di śi tattv āv adh ān a ṁ ca dinaphala ṁ ca vad ām yaham 19
A king with strong Swara Bala can win ten fighters with one, hundred fighters with ten and one thousand fighters with hundred fighters. One with a weak Swara Bala should avoid fighting everyone, even a flower. With proper Swarabala one can fight with the strongest man carrying heavy weapons. Sri Narpati says that a king should have Pancharatnas (Five gems) in his court. They include: 1.ṣvaragya
(A knower of Swaras)
2. ṣakunagya
(A person who has expertise in omens)
3. ḍaivagya
(A person who has expertise in astrology)
4. ṁantraśastri
(An expert of Mantras)
5. keriliya jyotirvid (An expert of Kereliya astrology)
Sri Narpati now explains the twenty chakras been defined in Shadangas. This includes Swarachakra, Chakra, Bhubala, Bala, Sahakuna and Jyotisha. They are the six parts, which carry twenty types of Chakras. 1| ṁatrasvara 2| varnaṣvara 3| ġrahasvara 4| zeevasvara 5| aśisvara 6| ṇakśatrasvara 7| pindasvara 8| yogasvara 9| ḍvadaśvarśiksvara 10| varśik svara 11| āyanasvara 12| itusvara 13| ṁasiksvara 14| pakśhsvara 15| ḍinasvara 16| ṇadisvara 548
17| ṭithi var ṣanyoga ṣvara 18| ḍiśasvara 19| ṭatkalik ṣvara 20| ḍinaphalsvara Commentator : Swara
refers to cosmic sounds or nada. A human body has different nadas inside. One can hear these cosmic sounds during the awakening of Kundalini. As the shadchakras get “bhedan” or are pierced, several nadas are produced. In super- conscious state, these nadas provide keys to the kala gyana or knowledge of time. The Swaras correlated to chakras of human body, which produce cosmic nada. They influence human psyche by different patterns. Knowledge of these swaras gives us the key to physical, psychological and transcendental state of mind. The all-pervading Maya chakras mentioned by these chakras are projections to your original six inside. Once you know what is inside; you will always know what is outside. Once you know what is outside (swara chakras), you will know what is inside. In short, these chakras are cosmic sound patterns that hold the golden key of “Kalagyana”.
Shloka 20 to 32
पवरम ु े षु शाेषु मया ातन यान च चतुशतचाण तेषाम ्नामान वयहम ्२० p ūr vamukte ṣu śā stre ṣ u may ā jñ āt ani y ān i ca catura śī ticakr āṇ i te ṣ ām n ām ān i vacmyaham 20
एकाशतपद च शतपद नवाशकम ् छ सहासन च कम पञचवध वदम ् २१ ek āśī tipada ṁ cakra ṁ ś atapada ṁ nav āṁ ś akam chatra ṁ si ṁh ās ana ṁ cakra ṁ k ū rma ṁ pañcavidha ṁ tvidam 21
भदेशनगेम ् गृहकम च पञचमम ् पच फणशाय ाह ु कालानल मतम ् २२ bh ū de ś anagarak ṣ etram g ṛ hak ū rma ṁ ca pañcamam padmacakra ṁ pha ṇ o śā khya ṁ r āh uk āl ān ala ṁ matam 22
सयक र ालानल च चिकालानल तथा घकालानल च शलकालानल मतम ् २३ s ūr yak āl ān ala ṁ cakra ṁ candrak āl ān ala ṁ tath ā ghorak āl ān ala ṁ cakra ṁ ś oolak āl ān ala ṁ matam 23
शशसयस र मायगे च कालानल मतम ् सघट सम ेय सकालानलान च २४ i s ūr yasam āy ś aś oge cakra ṁ k āl ān ala ṁ matam 549
sa ṁg ha ṭṭ aṁ saptama ṁ jñeya ṁ saptak āl ān al ān i ca 24
तथवारम ् च नम ् धा चेव कुलाकुलम ् कुभचम ् धा ू ाशनसभवम ् २५ tithirv ār am ca nak ṣ atram tridh ā ceva kul āk ulam kumbhacakram dvidh ā prokta ṁ r āś inak ṣ atrasambhavam 25
वगरूःतावेध च धा तु बु मेव च भच खेच पाथ नाडचम ् धा मतम ् २६ vargaprast ār avedha ṁ ca tridh ā tu ṁb urumeva ca bh ū cara ṁ khecara ṁ p ān tha ṁ n āḍ ī cakram dvidh ā matam 26
कालच फण सयारय चिज तथा कवच धा ू ःथानःवायृपवक र म ् २७ k āl acakra ṁ pha ṇ idva ṁ dva ṁ s ū ry āk hya ṁ candraja ṁ tath ā kavicakra ṁ dvidh ā prokta ṁ sth ān asv ām y ṛ k ṣ ap ū rvakam 27
खलकाय धा ू काःथानभादकम ् कटचाक ू चतुादभेदत २८ khalak āk hya ṁ dvidh ā prokta ṁ krittik ās th ān abh ād ikam ko ṭ acakr āṣ ṭ aka ṁ prokta ṁ caturastr ād ibhedata ḥ 28
ु धनु गजमम ् थ यह कुत खग छ स सेवा न डभ पवगारयवषरणम ् २९ gajama śv am ratha ṁ vy ū ha ṁ kunta ṁ kha ṅ ga ṁ churi ṁ dhanu ḥ sauri ṁ sev āṁ ha ṁ pak ṣ ivarg āy am 29 nara ṁ ḍ i ṁb avar ṣ aṇ
सेखवम ् च पञचेखद ुभ ाःकम ् वध मातृकाच वेयम ् ँयेनतणे ३० saptarekhodbhavam cakra ṁ pañcarekhe ṁd ubh ās karam trividha ṁ m āt ṛ k āc akra ṁ vijñeyam ś yenatora ṇ e 30
अहलागलबजोषाय सनाडकम ् च सावसःथान मास च दनायम ् ३१ ahil āṁ alab joptivri ṣ āk g ī hya ṁ saptan āḍ ikam cakra ṁ s āṁ atsarasth ān v a ṁ m ās a ṁ cakra ṁ din āh vayam 31
एतान सवरचाण ावा यु समाचेत ् जयेदह न सदेह शतुय च भपतम ् ३२ et ān i sarvacakr āṇ i jñ āt v ā yuddha ṁ sam āc aret jayediha na sa ṁ deha ḥ ś akratulya ṁ ca bh ū patim 32
Sri Narpati now explains the few chakras from eighty-four different chakras that have been defined in shastras. This includes:
550
1| Padatmaka 2| ṣatpadchakra 3| ṇavmanśa chakra 4| chatra chakra 5| ṣinghasan chakra 6| kurma chakra 7| bhu 8| ḍeś 9| ṇagarchetra chakra 10|ġrahkoorma chakra 11|Pakśa chakra 12| ahukalanal carka 13| ṣuryakalanal chakra 14| chandrakalanal chakra 15| ġhorkalanal chakra 16| ġoodhkalanal chakra 17| chandrasuryajanitkalanal chakra 18| ṣanghat chakra 19| Kulakul charka 20| umbha chakra 21| Varna prastar chakra| 22| ṭumburuchakra 23| bhucarchakra 24| hecar chakra 25| ṇadichakra 26| Kaālchakra 27| Phani chakra 28| ṣthanchakra 29| halakchakra 30| Kotachakra 31| ġajchakra 32| āśva chakra 33| atha chakra 34| vieuchakra 35| Kuntachakra 36| angachakra 37| chuhrichakra 38| ḍhanuchakra 39| ṣanichakra 40| ṣevachakra 41| ṇarachakra 42| ḍimbhachakra 43| Pakśichakra 44| vargachakra 45| āāychakra 46| vriśtichakra 47| ṣaptaśalakhachakra 48| panchaśalakha chakra 49| ṣyenchakra 50| ṭoranchakra 51| āhibalchakra 551
52| ḻangalchakra 53| bijotpattichakra 54| vriśchakra 55| ḍinphalchakra 56| Matrikachakram 57| Saptanadicharam 55| Sawantasar chakram 55| Sthanchakram 55| Maaschakram
According to Narpati, a king can win over a battle with “Indra”, if he starts his combat after a thorough knowledge of all these chakras. Sri Narpati has mentioned about eighty-four chakras in the starting of the sloka and actual mention of names is far less. Either some slokas of this part are missing, or Sri Narpati himself avoided the same. Reader’s discretion is adviced. Commentator :
Shloka 33 to 45
अथात सूवआयाम भबलायभधानत कवे तथा द ुग चतुगे महाहवे ३३ ath āt a ḥ sampravak ṣ y ām i bh ūb al ān yabhidh ān ata ḥ kavidvandve tath ā durge catura ṅ ge mah āh ave 33
ःवदयै चै शुयर समऽधक त युे बल देय भबलैवरजयाथरनाम ् ३४ svarodayai śc a cakrai śc a ś atruryatra samo'dhika ḥ tatra yuddhe bala ṁ deya ṁ bh ū balairvijay ār thin ām 34
तेषा नामायह वआये याता ये ॄयामले चतुशतसयाना यलेन जय णे ३५ te ṣ āṁ n ām ān yaha ṁ vak ṣ ye khy āt ā ye brahmay ām ale catura śī tisa ṁ khy ān āṁ yadvalena jay ī ra ṇ e 35
औजालध पणार कामा कलैकवका शलीा महामा ेपाल च वशजा ३६ au ḍ r j ā k ām ī āl a ṁ dhar ī p ū rṇ ā kolaikav ī rik ā ś il ī ndhr āś ca mah ām ār ī k ṣ etrap āl ī ca va ṁ ś aj ā 36
िकालानल ूा कालेखा नामया जयलआममरहलआमजरया वजयभैव ३७ rudrak āl ān al ī prokt ā k āl arekh ā nir ām ay ā jayalak ṣ mī rmahalak ṣm ī rjay ā vijayabhairav ī 37
बाला यगे चड माया भु भुककर 552
शाद र ल सहल तव महामाया महे ३८ b āl ā yoge śv hukakarttar ī ar ī ca ṁḍ ī m āy ā bhu ṁb śā rd ū lī si ṁ hil ī tanv ī mah ām āy ā mahe śv ar ī 38
देवकट शव शधरॆा माला वाटका मुडा मस धमारमृत शा याया ३९ devako ṭ iḥ ś iva ḥ ś aktirdh ū mr ā m āl ā var āṭ ik ā trimu ṇḍ ā matsar ī dharm ām ṛ ta ś iṣ ṭ ā k ṣ ay āk ṣ ay ā 39
द र ूवा ग काल नाह बला ुमत खेच भच गुा ादश वृकेवला ४० durmat ī pravar ā gaur ī k āl ī n ār ahar ī bal ā khecar ī bh ūc ar ī guhy ā dv ād a śī v ṛṣṭ ikeval ā 40
ैलयवजया स काल वडवापा ि च शशुमातग चाभेा दहन जता ४१ trailokyavijay ā saur ī kar āl ī va ḍ av ā par ā raudr ī ca ś iś u m āt a ṅ g ī c āb hedy ā dahan ī jit ā 41
बह ु ला वगरभम कपाल चानलानला चिाकर बबभम हाशवलनगा ४२ bahul ā vargabh ū mi śc a kap āl ī c ān il ān al ā candr ār kabimbabh ū mi śc a grahar āś ivilagnag ā 42
ाह ु कालानल भम ःवभमरधा मता िमासकैव ाह ु ावधःतथा ४३ r āh uk āl ān al ī bh ū mi ḥ svarabh ū mirdvidh ā mat ā rudrastrim ās ika śc aiva r āh u śc āṣ ṭ avidhastath ā 43
चि सदावध सुय र तुधार यगन धा कालच भेद च तथनवाजम ् ४४ candra ḥ sad āv idha ḥ surya śc aturdh ā yogin ī tridh ā k āl acakra ṁ tribheda ṁ ca tithinak ṣ atrav ār ajam 44
इमान भबलाय ावा य ूवशेिणे अयःतःय नँयत मेघा वातहता यथा ४५ im ān i bh ūb al ān yatra jñ āt v ā ya ḥ pravi śe dra ṇ e arayastasya na ś yanti megh ā v āt ahat ā yath ā 45 Sri Narpati is praising Bhubala which is usable in great wars, in these shlokas. He says that a king who is adorned with Swara strength of Matradi Twelve kala swaras in a battle; can only be defeated in a war, if the opponent king is given the power through Bhubala. Sri Narpati has not explained Bhubala as yet. It seems that this is an important Swara strength which renders extreme power to an individual.
Shlokas 36 to 49 carries the names of the different types of Bhubalas. 553
श समाधके नान ःवैै भबलै ःथानसैयाधके श बलवानसयत ु े ४६ ś atro ḥ sam ād hike n ām ni svarai śc akrai śc a bh ū balai ḥ
sth ān asainy ād hike ś atrau balavijñ ān asa ṁ yute 46
अभागे चायभेदे च असाये द ुजरये प जयपायमह वआये मयादक बलम ् ४७ abh āṅ ca as ād ge c ā pyabhede hye durjaye ripau jayop āy amaha ṁ vak ṣ ye mantrayantr ād ika ṁ balam 47
णाभशेचन दा णाचार णकङणम ् वपटम ् णे पटम ् जयपटःय बधनम ् ४८ ra ṇ āb am ṁ hi śe cana ṁ d īk ṣā ra ṇ ār c ā ra ṇ aka ṅ aṇ v īr apa ṭṭ am ra ṇ e pa ṭṭ am jayapa ṭṭ asya ba ṁd hanam 48
मेखलाकवचयास मुिा ा च कञचुकम ् औषधम ् तलक तजा घुटका कपदरका ४९ mekhal āk avacany ās a ṁ mudr ā rak ṣ ā ca kañcukam au ṣ adham tilaka ṁ tajj ā ghu ṭ ik āś ca kapardik ā 49
यगे घटतशाण शा च मटनम ् शलेपा ववधा बाणाना पछबधनम ् ५० yoge gha ṭ ita ś astr āṇ i ś astrarak ṣ āṁ ca mo ṭ anam ś astralep āś ca vividh ā b āṇ ān āṁ picchabandhanam 50
ासक काहला ढका मुज भःमसाधनम ् माणम ् महन ःतभ वेषचाटन वशम ् ५१ tr ās aka ṁ k āh al ā ḍ hakk ā muraja ṁ bhasmas ād hanam m ār a ṇ am mohana ṁ stambha ṁ vidve ṣo cc āṭ ana ṁ va ś am 51
पताका पछक य पवावनाशनम ् शातक नजसैयःय करय जयकाभ ५२ pat āk ā picchaka ṁ yantra ṁ paravidy āv in āś anam ijasainyasya karttavya ṁ jayak āṁ ṣ ibhi ḥ 52 śā ntika ṁn k
बलायेतान य ाव साम कुते न असायःतःय नैवाःत शतुयऽप भपत ५३ bal ān yet ān i yo jñ āt va sa ṅ gr ām a ṁ kurute nara ḥ as ād ḥ 53 hyastasya naiv ās ti ś akratulyo'pi bh ū pati
554
Sri Narpati is praising Tantra, Mantras and Yantras over here. He says that if the enemy is more powerful because of Bhubala in swarachakras, and if his strength and power is impenetrable; then the opponent should employ the strength of mantras. He mentions the different types of mantras and tantric instruments which can be devised for victory: 1. Ranabhisechan 2. Deekasham 3. Ranarcha’ 4. Ranakankan 5. Veerpata 6. Ranapata 7. Jayapata 8. Mekhla 9. Kavach Nyas 10.Mudra Raksha 11.Kanchuki 12. Tilak 13.Ghutika Kapdirka 14.Weapons made during auspicious Muhurtas 15.Weapons smeared with different types of chemicals. 16.Bandhan of arrows 17.Kahla 18.Dahhaka 19.Muraj 20.Bhasma Sadhan’ 21.Maran-Mohan 22.Stambhan 23.Videshan-Ucchatan 24.Vashikaran 25.Pataka 26.Pichhak 27.Yantras that destroy Parkrityas 28.Shanti Upayas for your own army Sri Narpati claims that a person who understands and uses all these strengths can even defeat the king who is as powerful as Indra*. Everything will be possible for that person. Please Commentator:
note that several strengths mentioned in these shlokas are very sacred and powerful. It takes time to fully comprehend these powers. Moreover these powers are shared only through Guru shishya parampara. These techniques are not shared with anybody. A teacher will only impart this knowledge when he acknowledges that his student is humble and will not misuse this power. *Indra is mentioned in many classics and puranas. Indra is referred as King of Devatas. Indra is a word which refers to Indriya or sensory organs. Indra enjoys heavenly pleasures and it actually means our happiness and joy derived from maya. You can conquer Indra means; you can conquer all your desires, and become an Indrajit or Yogi.
Shloka 54 to 70
अथ यतषागम ् atha jyauti ṣ āṅ gam 555
ग़णत यवहा च हाान पःफुटम ् ःकध यतष वआये जयचयारःवदये ५४ ita ṁ vyavah ār a ṁ ca hor ā jñ ġ aṇ ān a ṁ parisphu ṭ am triskandha ṁ jyauti ṣ aṁ vak ṣ ye jayacary ās varodaye 54
हतयाानयनमुदयाःत च शग शुमसमा खेटा ाँयधशा बलाबलम ् ५५ grahatithy ād y ān ayanamuday ās tau ca ś ighragau ś atrumitrasam āḥ khe ṭ ā r āś yadh īśā bal āb alam 55
उचनचा मयःथा ःथानान यायप गच च तथा वेध दशाःवतदरशा पुन ५६ uccan ī c āś ca madhyasth ā d ṛ iṣ ṭ isth ān ān i y ān yapi gocara ṁ ca tath ā vedha ṁ da śā svantarda śā puna ḥ 56
वगरफल तथा सधलरावेधमुपहम ् शुभाशुभफल वआये तथधंयगुणागुणम ् ५७ vargaphala ṁ tath ā sandhirlatt āv edhamupagraham ś ubh āś ubhaphala ṁ vak ṣ ye tithidhi ṣṇ yagu ṇ āg u ṇ am 57
चितााबल ेय िभा चैव पुंकम ् यमघट यमदम ् च चैवागरल तथा ५८ candrat ār āb aram ala ṁ jñeya ṁ bhadr āṁ caiva tripu ṣk yamagha ṇṭ aṁ yamada ṁṣṭ ram cakra ṁ caiv ār gala ṁ tath ā 58
देवनृणाम ् भान पावारधमुखान च बाल कुमा तण वृमृयुःवाःतथा ५९ devarak ṣ on ṛ u ṇ ām bh ān i p ār śv ordhv ād homukh ān i ca b āl a ṁ kum ār a ṁ taru ṇ aṁ v ṛ ddham ṛ tyusvar ās tath ā 59
कालवेला तथा हा यामाध कु लक तथा वआये वेध च स च श ूाणापहाणम ् ६० k āl avel āṁ tath ā hor āṁ y ām ār dha ṁ kulika ṁ tath ā vak ṣ ye vedha ṁ ca siddhi ṁ ca śī ghra ṁ pr āṇ ā pah ār i ṇ ī m 60
पघ शलधंय च वायग च यगनम ् दिभा कालपाश च ाहःत च भागरवम ् ६१ parigha ṁ śū ladhi ṣṇ ya ṁ ca v ār ayoga ṁ ca yogin īm digbhadr ā k āl ap āś aṁ ca r āh orasta ṁ ca bh ār gavam 61
छायपम ् धा वआये षु मये दनागाम ् दनमान दने भु छायदयूमाणकम ् ६२ ch āy madhye din āṣ ṭ ag ām otpattim tridh ā vak ṣ ye tri ṣu dinam ān a ṁ dine bhukti ṁ ch āy odayapram āṇ akam 62 556
सछायाषम ् च द ुभा सवशतम ् लनदय ःवदेशय यत लनसाधनम ् ६३ siddhacch āy āt ri ṣ aṣ ṭ im ca du ṣṭ abh ā saptavi ṁ ś atim lagnodaya ṁ svade śī ya ṁ ya ṁ trato lagnas ād hanam 63
लनमान तथा हा ाशकनवाशकम ् ादशाश च शाशमुदयाःताशसाधनम ् ६४ lagnam ān a ṁ tath ā hor ā r āś iddakkanav āṁ śa kam dv ād ca tri ṁ śā ṁ ś amuday ās a śā ṁ ś aṁ t āṁ ś as ād hanam 64
ु भाशुभ वआये यााहादनणरयम ् लनाछ देवताना ूताम ् च दाम ् याूवेशनम ् ६५ lagn āc chubh āś ubha ṁ vak ṣ ye y āt rodv āh ād inir ṇ ayam devat ān āṁ prati ṣṭ h ām ca d īk ṣ ām yatr ā prave ś anam 65
वाःतुदपाधरवयास कालवशपकःतथा जलयगऽधरकाड वषरमासाहनणरय ६६ v ās tud p ī ār dhaviny ās o k āl avi ṁ śo pakastath ā jalayogo'rdhak āṁ ḍ a śc a var ṣ am ās āh anir ṇ aya ḥ 66
तयाद खेचािःतकालदयज ःफुटम ् अवःथानेमु च लकभेद वदायहम ् ६७ tithy ād i ḥ khecar āś candrastatk āl odayaja ḥ sphu ṭ am avasth ān ca l ūk e ṣṭ amu ṣṭ iṁ abheda ṁ vad ām yaham 67
अङगःपदान सवारण कालचान यान च द ुाायह वआये तथा तेषा च शातकम ् ६८ a ṅ agaspand ān i sarv āṇ i k āl acihn ān i y ān i ca du ṣṭ ār i ṣṭ ān yaha ṁ vak ṣ ye tath ā te ṣ āṁ ca śā ntikam 68
यतषागमद सव ये जानत मनषण दपव वजानयामहाधकानाशनम ् ६९ jyauti ṣ āṅ aḥ gamida ṁ sarva ṁ ye j ān anti man ī ṣ iṇ d pavatta ṁ vij ān ī ī y ān moh ān dhak ār an āś anam 69
पतक पगला काक य शवा मेण च पञचमद वआये षागे शाकुने मते ७० potak ī pi ṅ gal ā k āk ś iv ā krame ṇ a ca o yak ṣ aḥ pañcaratnamida ṁ vak ṣ ye ṣ aṣ ṭ h āṅ ge śā kune mate 70 Sri Narpati mentions that a king can also use the power of astrology to conquer his opponents. He mentions the names of different methodologies employed in astrology like the uccha neecha, drishti bal, gochara, vedha sthanam, grahas vastha, yamardha etc. He also mentions that one should use Vastu Pad vinyasa as well. This increases the strength. He is also mentioning the
557
different names of methods used in omens. He is claiming that one should seek the help of astrology, vastu and omens to get power.
To Be Continued………….
558
