:È
op"3 40 Variations/ Variationen for
CtrLLO arr. Feuillard
BOS\MORTTI
4A Variationen
40 Variations
40 Variations
0,$evéikop.e
op.s de0.$evôik
von0.$evcikop.a
transcribed for Violoncello by
transmites pour YioloncellePar
fiir Violoncelloiibertragen von
L .R .F E U I L L I R D .
L .R .F E U I L L A R I l .
L .R .F E U I L L A R D .
40 BffiIlifi.
40 variaci
t{xt. op.3 0.0.llJeBr{ cocr.
op.g od0.$evcika
[;rr nio.roIIqo.iIEtreperorrsrb
pro violoncello uPiavil
t . R .F E U I L L A R D .
L . RF. E U I L L A R D . ASKURZUIIGEII UTDZEICHEII: G. H. u.H. o.H. Fr. M. Sp. R V
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GanzerBogen. Ilalber Bogen. Untere Hâlfte. Obere Hâlfte. Am Frosch des Bogens. Ilitte des Bogens. Spitze des Bogens. Hcrunterstrich. Hinaufstrich. B r e i t s t o s s e -n Ahgestossenoder gehâmmert. Geworfen(spiccato)oder springend. Bogen heben.
IATIOI{S AÎIDSIGIIS: ABBREY
ETTS SIGIIES: ABREYIATIO G. Tout lbrchet. H. u.H. o.H. Fr. M. Sp. n V
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G. Whole bow-length. H. flalf bow-length. u.H. Lower half bow-length. o . H . L I p p e rh a l f b o w - l e n c t h . Fr. Fiôg (nut, or heel) oîthe bow. M . B o w- m i d d l e . Sp. Tip of the bow. n Down-stroke. V Up -stroke. Broatl (detached)staccato. . Hammeredstaccato(martellato). t Jerkediricochet) or hopping - st&ccato. Raise ,h" lo* ) _-
Noitté d'archet. I[oitié infériere. Moitié supériere. Talon de l'archet. llle'lieu de l'archet. Pointe de l'archet. Tirez. Pousses, Détaché large. Staccato ou martelé. Jeté (spiccatot ou sautillé . Leaer l'arcltet.
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vloLtN L IT T L ES EV C IK El , ementaryTutor S E V C I KS C A L E S& A R P E G G I O S H OW T O P R A C TIS E S E V C IK ' SMA S TE R W OR K S I N T R O D U C T I OTN O S E V C I KV I O L I NS T U D I E S fromOp. 1 (by K. W. Rokos)
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O P . 1 . S C H O O LO F V I O L I NT E C H N I O U E . P a r t 1 . E x e r c i s e si n t h e 1 s t P o s i t i o n . P a r t 2 . E x e r c i s e si n t h e 2 n d - 7 t h P o s i t i o n s . P a r t 3 . E x e r c i s e si n C h a n g e o f P o s i t i o n . P a r t 4 . E x e r c i s e si n D o u b l e - S t o p p i n gT, r i p l e S t o p p i n g ,O u a d r u p l e - S t o p p i n g( 3 & 4 p a r t c h o r d s ) . P i z z i c a t o ,F l a g e o l e tT o n e s , Harmonics.
Sovolopmcntofi the .tot, l/""/ O P . 6 . V I O L I NM E T H O DF O RB E G I N N E R S . P a r t s1 - 5 . l s t P o s i t i o n . P a r t6 . S t u d i e sP r e p a r a t o rtyo t h e v a r i o u s Part 7 .
Positions. 5 t h P o s i t i o na n d c o m b i n i n g t h e v a r i o u s Positions.
O P . 6 . C o m p l e t e ,b o u n d i n C l o t h .
OP. 1. Completeb , ound in Cloth.
T"z fligAtly €lvanccl, Fupîlt
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OP.7. STUDIES PREPARATOR TY O T H E S H A K E& DEVELOPMEN I NT D O U B L E - S T O P P I N G . P a r t1 . E x e r c i s e isn t h e 1 s t P o s i t i o n . P a r t2 . E x e r c i s e isn t h e 2 n d , 3 r d , 4 t h , S r h & 6 t h positions.
O P . 2 . S C H O O LO F B O W I N GT E C H N I O U E . ( 4 , 0 0 0E x e r c i s eisn B o w i n g ) P a r t s1 - 6 ExercisT e h e m e st o O p . 2 . O P .3 . 4 0 V A R I A T I O N S P i a n oA c c o m p a n i m e n( ot p t i o n a l ) O P S .2 & 3 , C o m p l e t eb, o u n di n C l o t h .
O P .B . C H A N G E S OFPOSITION & P R E P A R A T O RSYC A L E STUDIES. l n T h i r d s ,S i x t h s ,O c t a v e s&, T e n t h s . YU D I E S O P .9 . P R E P A R A T O R ST IN DOUBLE.STOPPING. I n T h i r d s ,S i x t h s ,O c t a v e s& T e n t h s . O P S .7 , I & 9 . C o m p l e t eb, o u n di n C l o t t r .
VIOLA A r r a n g e d b y L i o n e lT e r t i s O P .1 . S C H O O LO F T E C H N I O U E . P a r t 1 . E x e r c i s e si n t h e 1 s t P o s i t i o n . P a r t 2 . E x e r c i s e si n t h e 2 n d - 7 t hP o s i t i o n s . Parl3/4. Exerclsesin Changes of Position & in D o u b l e ,T r i p l e& O u a d r u p l eS t o p p i n g ,e t c . O P . 2 .S C H O O LO F B O W I N GT E C H N I O U E . P a r t s1, 2 & 3 . OP.3. FORTYVARIATIONS(arr. Margaret Major) P i a n oA c c o m p a n i m e n (t o p t i o n a l ) O P . 7 .P R E P A R A T O RSYT U D I E ST O T H E T R I L L P a r t 1 . a r r .A l a n A r n o l d ; 1 s t P o s i t i o n P a r t 2 . 2 n d - 6 t hP o s i t i o n .
O P . 8 .C H A N G E SO F P O S I T I O N& P R E P A R A T O RSYC A L E STUDIES. O P .9 . P R E P A R A T O RSYT U D I E SI N D O U B L E - S T O P P I N G ( a r r .A l a n A r n o l d )
CELLO O P .1 .T H U M BP L A C I N E GX E R C I S E S . P art1. 1stP osi ti on(arr.W . S chul tz) L FB O W I N G O P . 2S . C H O OO TECHNIOUE. (4,000E xerci ses arr.Feui l l ard) P arts1-6. OP 3. . FOR ryV A R IA TION(arr. S Feui l l ard) (opti onal ) P i anoA ccompani ment OP .8.C H A N GEOF S P OS ITION & P R E P A R A TORY SCALE STUDIES. In Thi rds,S i xths,Octaves & Tenths(arr.H . Boyd)
BOSWORTH 8 / 9 F r i t h S t r e e t ,L o n d o nW 1 V 5 T Z Exclusivd ei s t r i b u t o r s : M u s i cs a l e sL i m i t e d ,N e w m a r k e tR o a d ,B u r y s t . E d m u n d s s, u f f o l k l p 3 3 3 y B Augustinusstr. 9b, 50226 Frechen,Germany
L a F l û t ed e P a n4 9
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