271926224-Hairspray-Score.pdf

KEYBOARD 1/CONDUCTOR SCORE

• •THE BROADWA·Y MU.SICAL•

Based upon the New Line Cinema film written and directed by John Waters

Mark O'Donnell and Thomas Meehan Music by Marc Shaiman Lyrics by Scott Wittman and Marc Shaiman

Book by

NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft black lead pencil only.

NOT FOR SALE This book is rented for the period specified in your contract. lt remains the property of:

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Book Copyright © 2002 Mark O'Donnell and Thomas Meehan Music Copyright© 2000, 2001, 2002 Winding Brook Way Music Lyrics Copyright © 2000, 2001, 2002 Walli Woo Entertainment and Winding Brook Way Music

In accordance with ·the terms and conditions specified in your performance license, all music, lyrics and dialogue contained herein are the property of the Authors and are fully protected by copyright. You are not permitted to make any changes to the music, lyrics or dialogue of the Play, including the interpolation of new material and/or the exclusion of existing material. Any changes shall constitute a willful infringement of said copyright and will subject you to all the criminal penalties and civil liabilities under the United States Copyright Act. This book may not be duplicated and must be returned at the conclusion of your production. This Play is the property of its Authors. Remember, you have rented these materials and been granted a performance license. You may not duplicate any portion of these materials, disseminate them in any way, in whole or in part, including electronic or digital transmission and posting on the Internet, or use them for performances other than those specified in your license agreement. Federal Copyright Law specifically prohibits the public perforrY!ance of the enclosed material without a performance license. MTI' s delivery of the enclosed material does not authorize you or your group to perform the enclosed show(s) in any manner whatsoever.. For example, it does not matter whether your audience pays for their tickets or not; it does not matter if your group is a school or not. The law requires y.ou to obtain a license prior to perform,ing the enclosed material. For further information regarding the severity of the punishments for willful infringement of copyright, please visit www.copyright.gov.

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Since the original Broadway production of HAIRSPRAY, song keys have changed numerous times to better suit the various performers who have played these roles. In an effort to provide the most "reasonable" versions, the authors have selected the most commonly used keys for inclusion in these materials. Several alternate keys (particularly for Edna's material) are available upon request. If you are looking for a particular key, simply contact your MTI representative. If we do not have a requested key available, ask your representative about MTI's Transpositions-On-Demand service.

60's Style Harmony Ideally, when assigning vocal parts, notes should. be assigned in the register they appear on the staff. This will stay true to the style of 60's vocal harmony. To accommodate men, you may double the top note of the chord an octave lower. Do not · do this for the other.notes in the chord- they should remain in their written register.

Example: ENSEM BLE:

t ·~ i ~ j j j Good morn - ing

Bal

-

ti - more

For the example above, all women should sing as written. Men may take the top notes (A's and B's) down an octave, but all other notes should remain in the high register. The resulting v~cal assignments would sound as follows:

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Hairspray Keyboard 1/Conductor Score

Act I A. Prologue ...................................................·.......................................... 1 1. Good Morning Baltimore .................................................................... 3

2. The Nicest Kids In Town ................................................................... 21 2a . Nicest Kids Bumper Out .................................. .............................. .40 .

.

2b. Corny Collins Unders.core .............................................................. .41 3. The New Girl In Town ......................................... .-........... ;................ .43 4. Mama, I'm A Big Girl Now .................. :........................................... .45 4a. Big Girl Playoff ··:·· ........................................................................... 59 5. I Can Hear The Bells .............................................. :........................... 61 6. Miss Baltimore Crabs ........................................................................ 75 6a. Transition To Detention ................................................................... 85 7. Detention To Hop ............................................................................... 88 8. The Madison ...................................................................................... 95 9 .. The Nicest Kids Reprise .................................................................. 101 11. It Takes Two .................................................................................... 110 11a. Velma's Revenge ........................................................................... 121 12. Welcome To The 60's ......................................................................124 12a. 60's Playoff ................................................................................... 146 12b. Sc.atter Dodgeball ......................................................................... 151 12c. Hear The Bells Reprise ................................................................. 153 13. Run & Tell That ................................................. :............................ 155 13a. Dirty Boogie ·.................................................................................. 171 14. Big, Blonde & Beau.tiful ................................................................. 175

Hairspray Keyboard 1/Conductor Score

Act 11 14a. Entr'acte ....................................................................................... 194 15.· The Big Doll House ..................................................... ~ .................. 197 15a. Doll House Playoff ............................. ..... ............. .,. ...................... 210 16. Baltimore Reprise ............ :······························································213 17. You're Timeless To Me :........................................................ , ......... 217 17a. Timeless Reprise ............. .............................................................. 229 18. Without Love ................... .'........................ :..................................... 235 18a. Without Love Playoff .......... ........................................................... 262 19. I Know Where I've Been ................................................................ 265 20. (It's) Hairspray ........................_. ...................................................... 277 20a. Corny Coli ins Bumper .............................. ................................... 289 21. Cooties ............................................................................................. 291 22. You Can't Stop The Beat-Partl ................................................... 297 23. You Can't Stop The Beat-Part 2 ................................................... 313 24. Bows ............................................................................................... 329 25. Exit Music ......... :.... :........................................................................ 340

Keyboard !/Conductor

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PROLOGUE Music by Marc Shaiman Orch. by Harold Wheeler

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fl

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just wan - na give it a try - ay

I

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-77

you al-ways taught me what was right from wrong And now I 1\

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ALL3GIRLS:

74

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I don't need a Bar-bie doll to show me how __ I

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ma I've been in the nest for

r

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long-

81

-

I

82

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watch me_ fly-ay

please give a push and Ma-ma

I

I

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Some day I will meet a man you won't con-demnENS.+ MOTHERS:

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91

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take that vow _ _

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I CAN HEAR THE BELLS cue # I: Link bumps into Tracy cue #2: "I hope I didn't dent your do."

j = 112

A

QJ Rubato

K2(Stgs) ,OrchBells

.

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...

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2. I CAN HEAR THE BELLS

Moderate 4 tempo

j = 112 10

I

...

...

touched me Vlns,Vcl,K2

he

t.!

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3

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my

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un-pre-pared when he

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tapped .me·

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my head is spin-ning

hear the

bells

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bear the bells

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ev- 'ry - bo-dy says that a

girl who looks like me

r

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can't win his love, well, just ......----._ .---j - - ,

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32

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wait and see 'cause

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just hear them chim-ing

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temp -ra -ture's climb-ing I

3

.

can- hear the

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hear the bells my

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36

3

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35

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34

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Hairspray

40 I CAN HEAR THE BELLS

Kbd.l/Condo

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bells ~0

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I can hear the

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fin-'ly_ found the boy I've been

-

-

.,

.------ 3 ---, 39

3

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can't con - tain my joy 'cause I

I

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4.,

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43

42

44

»

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ask me_ on a date and then

round two

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won't be late be-cause

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MISS BALTIMORE CRABS

GJ


Cue: "Right after I have a heart attack"

Rhumba ·

J= 138

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Cue: CC: "Let's do do some dancing."

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(CC:) "It's the hottest dance around and it was born right here in Baltimore. What's it called, kids? 2

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CC: "And where'd you see it first?"

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Under Dialogue S:"l don't know. There's them and there's us. That's ju·st the way it is ."

LI:"How come we always have to dance in the back?"

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CC:"Hey Amber, who's your friend? She's like a breath of fresh mountain air " 34

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CC:"Now, when I say hit it, let's make like "Jackie Gleason" - hommina, hommina, hornmina ... " Tb so 51 + n. I

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- 173-

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-192-

-193-


AI 14

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Music by M . Shaiman Orch. by H. Wheeler

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Segue as one

-196-


Hairspray

THE BIG DOLL HOUSE Music by M. Shaiman Orch. by H. Wheeler

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-199-

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LIL'INEZ:

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Cue: "I suddenly feel so old."

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17

18

20

19

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#

r

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and

there's no

cure

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33

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.

31

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-

39

38

Ca-stro's in-vad-ing

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5. YOU'RE TlMELESS TO ME

Kbd. 1/Conductor 1.. 42

-

are high-er

mine

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feels like

barbed wire-

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47

46

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a

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-=::::::::::::

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Kbd. 1/Conductor


51

Hairspray

52

~

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we

can

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.,

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toast

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fact

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ain't

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Kbd. 1/Cooductor

Hairspray


57

58

I

59

60

......---....

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you'll wear

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while

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-

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hey!

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71

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Stgs,K2 +Cl solo (Glenn Miller type)

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81

82

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fat and old, but ba-by,

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26

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Hairspray

8. I·KNOW WHERE I'VE BEEN

(ad lib) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .- - - - - - - - - - - - - - - - - - - - - - - - - . . 40

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that we must makeI

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the rich - es- will be

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46

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Applause segue

-276-


Hairspray ~

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(IT'S) HAIRSPRAY


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11

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-278-

Kbd. 1/Conductor 24

23 -I\

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3. HAIRSPRAY

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• IFINE I "Go home!"

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