1
S&M
Words and Music by MIKKEL ERIKSEN, TOR ERIK HERMANSEN, SANDY WILHELM and ESTHER DEAN
Moderate Dance groove
E5
*
A5
C5 5fr
D5
C5
na,
na,
A5
Come on.
Na,
na,
na, come on.
E5
A5
5fr
µ
Na,
D5 3fr
3fr
Come on.
C5
C5 5fr
A5
na, come on.
E5
5fr
E5
na,
Na,
Na, na, na, come on.
D5 3fr
A5 5fr
Na, na, na, come on.
mp
E5
3fr
na,
na,
na, come
on.
* Recorded a half step lower.
© 2010 EMI MUSIC PUBLISHING LTD., PEERMUSIC III, LTD., DAT DAMN DEAN MUSIC and 2412 LLC All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by EMI APRIL MUSIC INC. All Rights for DAT DAMN DEAN MUSIC and 2412 LLC Controlled and Administered by PEERMUSIC III, LTD. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
C5
D5
E5
na,
A5
C5
C5
D5
E5
na, come
A5 5fr
na,
na, come on.
na,
on.
Come on.
Em
na,
na,
na.
Em
Come on,
D
be - in’
bad.
way I’m turn - in’
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
back.
Feels so good
B/D
oh.) There’s no
na,
3fr
na,
Na,
na,
D5 3fr
5fr
Na,
E5
D5 3fr
na, come on.
C5 5fr
Na,
A5
3fr
(Uh,
oh,
uh,
oh,
C
(Uh,
oh,
uh,
oh,
oh.)
Now the pain
is
my pleas -
3
D
Em
-
ure ’cause noth - ing can meas
-
fine, (Uh, oh,
oh,
D
line. (Uh, oh,
oh.) The af - flic - tion of the
uh, oh,
G
E5
A5 5fr
feel - in’ leaves me want
- in’ more,
oh,
oh.
’Cause
C5
D5
E5
A5
3fr
per - fect - ly
good
at
Sex in
the
air,
I don’t care.
I may be bad,
but
I’m
D5 3fr
it.
C5 5fr
C
Em
Love is great, love is
oh.
oh.) out the box, out - ta
uh, oh,
B/D
Em
Em
ure,
D
G
I
love the
smell
of
it.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
E5
A5
Sticks and
C5
stones
may
D5
’Cause
E5
A5
air,
I don’t care.
D5
my
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
bones
chains
but
D5
and
love the
smell
of
A5
per - fect - ly
whips
ex
good
at
it.
A5
5fr
stones
may
break
D5
3fr
- cite
C5 5fr
and
cite
D5
Sticks and
-
3fr
it.
ex
E5
I
5fr
whips
3fr
E5
bad,
C5
I’m
may be
C5
3fr
but
5fr
C5
A5
chains
A5
I
but
bones
5fr
me.
the
E5
Sex in
E5
my
3fr
D5 3fr
break
C5
5fr
me.
Na,
na,
na, come on.
5
E5
A5
C5 5fr
Come on.
C5
it, like
like
it, come on.
A5
A5
C5
Come on.
fine, (Uh, oh,
uh, oh,
D5
3fr
I
like
it, like
To Coda Em
D5
I
like
like
it.
it, come on.
D
oh.) out the box, out - ta
Love is great,
it,
Em
Come on.
3fr
Come on.
Come on.
C5
Come on.
5fr
it, come on.
D
it,
E5
Come on.
like
5fr
E5
I
D5
like
A5 5fr
3fr
I
E5
Come on.
D5 3fr
love
is
C
line. (Uh, oh,
uh, oh,
oh.) The af - flic - tion of the
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
D
Em
G
feel - in’ leaves me want
- in’ more,
oh,
oh.
D5
E5
per - fect - ly
at
good
it.
Sex in
A5
Sticks and
C5
me.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
my
I
bones
chains
na, come on.
but
smell
of
it.
E5
A5
5fr
and
whips
ex
-
D5
cite
3fr
Come on.
C5
Come on.
love the
A5
but
D5
5fr
E5
Na, na,
D5 3fr
break
C5
may
stones
D5 3fr
I’m
I don’t care.
air,
bad,
3fr
5fr
the
C5
5fr
E5
I may be
A5
3fr
’Cause
C5
A5 5fr
E5
I
like
it,
like
it, come on.
7
E5
A5
C5 5fr
Come on.
C5
like
E5
A5
E5
M,
M.
love the
feel
- ing
you
bring
I like it,
A5
like it.
S,
D5
S,
S
&
Am7
M,
M.
Oh,
I
Am7
to
5fr
M,
Em
S,
Bm7
&
S,
E5
3fr
S
D5
C5
Come on.
3fr
5fr
Come on.
Come on.
A5
it, come on.
C5
Come on.
3fr
M,
like
5fr
I like it, like it, come on.
D5
it,
3fr
C5
A5 5fr
I
D5
E5
Come on.
D5 3fr
me.
Oh,
you
turn
me
on.
It’s ex -
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
Bm7
Em
act - ly
what
been
I’ve
Am7
G
D.S. al Coda
I
like
it, like it. ’Cause
1 C5
A5 5fr
S,
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
S,
S
bod - y
A5
S,
S,
S
&
5fr
&
strong
me
ahh,
ahh.
D5 3fr
M,
M,
M.
2 C5
M,
M,
3fr
M,
ahh,
D5
3fr
to
C5
say
Make my
F
E5
it
my bou - doir.
Give
in
E5
CODA
for.
and meet me
yearn - in’
M,
µ
M.
M.
What’s My Name Words & Music by Mikkel S. Eriksen, Tor Erik Hermansen, Traci Hale, Ester Dean & Aubrey Graham
q = 100
F#m
Oh,
na
na.
What’s my name?
E
Oh,
na
Dmaj7
A
A
F#m
Oh,
What’s my name?
na.
na
na.
Dmaj7
What’s my name?
Oh,
E
na na.
What’s my name?
Oh, na na.
What’s my name?
What’s my name?
What’s my name?
© Copyright 2010 EMI Music Publishing Limited (50%)/peermusic (UK) Limited (50%). All Rights Reserved. International Copyright Secured.
F#m
A
(Spoken:) I heard you good with them soft lips
Yeah, you know word of mouth.
Dmaj7
The square root of sixty nine is eight somethin’.
good...
Dmaj7
white wine. Oh, I come alive in the night time.
E
A
Right? ’Cause I’ve been tryin’ to work it out.
F#m
Oh,
E
Only thing we have on is the radio.
F#m
O.K. away we go.
A
Oh, let it play.
Say you gotta leave but I know you wanna stay.
2
Dmaj7
E
You just waiting in the traffic jam to finish, girl.
The things that we could do in twenty minutes, girl.
A
F#m
Say my name, say my name, wear it out.
It’s getting hot, crack a window, air it out.
Dmaj7
I could get you through a mighty long day.
Soon as
na.
name?
Oh,
Oh,
A
na
na.
3
you go, the text that I write gon’ say…
What’s my
F#m
na
E
What’s my
name?
Oh,
Dmaj7
E
na
na.
y me
it. me.
-
thin’ der
knows how to work my and ain’t no - where that
But boy, Back
A
bod I’d
-
y, be
What’s my name? 1. Not ev - ’ry - bod 2.Ba - by you got
knows how to make than with your arms
me want a - round
E
you and
stay forth
that keeps me to ev - ’ry
up you
on rock
F#m
-
What’s my name?
Dmaj7
name?
F#m
What’s my
-
it. me,
yeah.
so word
off you
ba lance. whis - per.
4
A
You got So I
that some sur - ren -
Ba - by, you’re Ev - ’ry door
a you
chal en -
Dmaj7
E
-
lenge, ter
-
boy,
let’s I
$ F#m
ex - plore will
your
ta let
-
lent. you
I
real - ly wan - na see
if
you
can
go
boy,
real - ly wan - na
you
it
o
-
ver.
5
my
Hey,
type.
like
Look - in’ for
girl
Hey,
me.
E
Ooh, na
na
na
na.
a guy
to take
down town with a
’cause you’re just
I need a boy
with
be
I
Dmaj7
in.
A
to put
you un
-
der.
1, 3.
Oh.
A
go down town with a girl
like
me.
just
my
Hey,
boy
type.
Ooh, na
na
I
real - ly wan - na be
with
you
’cause you’re
na
na.
I need a
to take
it
boy
Dmaj7
to put you un - der.
-
ver.
o
E
To Coda Ø
A
Look - in’ for a guy
F#m
E
I real - ly wan - na see if you can
Dmaj7
Hey, boy,
Oh.
F#m
Oh.
6
Oh.
Oh,
D
2.
You’re so
E
that’s why you take me
way
E/G#
A
swear you got me los - ing my mind.
F#m
A
past the point of turn - ing me on.
A
na.
What’s my name?
na
fi - gure me out,
E
You ’bout to break me,
I
Oh,
Dmaj7
na.
What’s my name?
took the time to
E/G#
Oh,
A
D
A
E/G#
E/G#
Bm
na
you
F#m
a - ma - zing,
F#m
D
F#m
Oh.
E
7
E
F#m
Oh,
na.
na
A
What’s my name?
Oh,
na
na.
What’s my name?
na.
What’s my
name?
Ø Coda
E
D.S. al Coda
Hey,
E
name?
What’s my
A
name?
Dmaj7
F#m
Oh.
What’s my
E
na
Oh,
Dmaj7
F#m
8
1
CHEERS (Drink to That)
Words and Music by ANDREW HARR, JERMAINE JACKSON, STACY BARTHE, AVRIL LAVIGNE, LAURA PERGOLIZZI, ROBYN FENTY, SCOTT SPOCK, LAUREN CHRISTY, GRAHAM EDWARDS and COREY GIBSON
Moderate Hip-Hop groove E
Yeah,
mp
D
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
E
D
to the freak
Cheers
-
drink
let the Jam - e - son
sink
in,
I
yeah,
yeah.
A
to that,
D
Oh,
I
yeah.
A
in’ week - end,
E
drink
to that,
yeah,
yeah.
Copyright © 2010 UNIVERSAL MUSIC CORP., TRAC N FIELD ENTERTAINMENT LLC, NOTTING DALE SONGS, INC., ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, WARNER-TAMERLANE PUBLISHING CORP., MR. SPOCK MUSIC, RAINBOW FISH PUBLISHING, WB MUSIC CORP., PRIMARY WAVE PERGOLIZZI, QUARTER INCH OF LOVESONGS, EMI BLACKWOOD MUSIC INC., ANNARHI MUSIC LLC and SONY/ATV MUSIC PUBLISHING LLC All Rights for TRAC N FIELD ENTERTAINMENT LLC and NOTTING DALE SONGS, INC. Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP. All Rights for ANNARHI MUSIC LLC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for SONY/ATV MUSIC PUBLISHING LLC Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
E
D
Don’t let
the bas
-
tards get
you down,
E
There’s a par - ty
at the bar;
yeah,
yeah,
yeah, yeah,
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
yeah,
round.
up.
And I
drink to
that.
A
yeah, yeah,
I
drink yeah,
yeah, yeah,
to that. yeah.
D/E
Yeah, yeah,
with an - oth - er
A
E
a - round
D
Yeah, yeah,
turn it
ev -’ry - bod - y, put your glass - es
E
D
A
yeah,
yeah, yeah,
yeah, yeah,
yeah, yeah,
yeah,
yeah. ’Bout to
3
E
D
Life’s too short hop on the bar,
to be put it
A
E
drink “coy -
D
on my mind and my mind o - te ug - ly” up in here,
E
Look - in’ so bomb, gon - na find up from here, no down
-
me a ward
hon - ey. spi - ral.
Got a It’s get - tin’
A
yeah.
It’s on - ly
D
yeah.
on my mon - ey, no Ty - ra.
peo - ple gon’ talk wheth - er you do - in’ bad or good, mad in the morn - in’ but you know we’re go - in’ hard to - night.
A
And Might be
D
sit - tin’ ’round mis - ’ra - ble. all on my card to - night.
E
A
Got my
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
E
D
Ray - Bans
on
and I’m feel - in’ hell - a cool
D
Ev -’ry - bod - y’s vib - in’, so don’t no - bod - y start
a
Cheers
to the freak
-
Oh,
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
let the Jam - e - son
sink
in,
yeah,
yeah.
A
I
to that,
drink
D
A
E
I
yeah.
in’ week - end,
fight,
D
A
E
yeah.
E
to - night,
A
drink
to that,
yeah,
yeah.
5
E
D
Don’t let
the bas
-
tards get
E
yeah,
And I
drink to
that.
yeah,
yeah, yeah,
yeah, yeah,
A
I
drink yeah,
yeah, yeah,
yeah,
up.
to that. yeah.
D/E
Yeah, yeah,
ev -’ry - bod - y, put your glass - es
E
round.
A
D
Yeah, yeah,
at the bar;
with an - oth - er
a - round
There’s a par - ty
turn it
D
you down,
E
A
yeah,
yeah, yeah,
yeah, yeah,
And
yeah, yeah,
I
drink yeah,
to that. yeah.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
E
D
Yeah, yeah,
yeah,
yeah, yeah,
yeah, yeah,
drink yeah,
to that. yeah.
1 D/E
Yeah, yeah,
yeah, yeah,
E
I
yeah,
A
yeah,
yeah,
yeah, yeah,
yeah, yeah,
yeah, yeah,
yeah, yeah.
2 D/E
yeah, yeah,
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
And yeah, yeah,
I
drink yeah,
D
E
to that. yeah. (Vocal 1st time only)
Optional Ending E
A
Repeat and Fade
Only Girl (In The World) Words & Music by Crystal Johnson, Mikkel S. Eriksen, Tor Erik Hermansen & Sandy Wilhelm
q = 124 F#m
1.
La, la, la, la. La, la, la, la.
2.
$µ
1. I want you to love me (2.) take it
Keep think - in’ of me, Hold me like a pil - low,
do - in’ what you like. make me feel right.
like I’m a hot ride. like a thief in the night.
© Copyright 2010 Cstyle Ink Music Publishing/Slide That Music/Ultra Tunes/EMI April Music Incorporated, USA/Fralter International Sàrl, Switzerland. EMI Music Publishing Limited (83.05%)/Truelove Music (16.95%). All Rights Reserved. International Copyright Secured.
So boy, for - get a - bout the world ’cause it’s gon’ be me and you to - night. Ba - by, I’ll tell you all my se - crets that I’m keep - ing; you can come in - side.
I wan - na make you beg for it and then I’ll make you swal - low your pride. for And when you en - ter you ain’t leav - in’, be my pri - son - er the night.
$$G
Oh. Want you to make me feel like I’m the on - ly girl in the world.
Bm
G
Like I’m the
on - ly one that you’ll ev - er love.
Like I’m the
on - ly one who knows your heart.
Bm
G
On
-
ly
girl in
the
world.
on - ly one that’s in
’Cause I’m the
on - ly one who un
der - stands
To Coda II Ø
-
G
com - mand.
Like I’m the
Bm
how to make you feel 2º like I’m the on - ly one who
like knows
Em
F#m
To Coda I Ø G
a man. your heart.
Yeah. On -
G
Want you to
make
me
feel
like
I’m the on - ly girl in
the
world.
Bm
G
Like I’m the
on - ly
one that you’ll ev - er
Em
on - ly one who knows
love.
Like I’m the
F#m
G
your heart.
On
-
ly
Ø Coda I
G
D
-
ly
Take
one.
D
A
Bm
ba - by
take
me
high,
high.
A
me
for
a
A
D
Let
D.S. al Coda I
heart. 2.Want you to
Bm
me make you
ride,
ride.
Bm
Oh,
burst,
burst.
Oh,
D
1.
A
make
it
last
all
Ø Coda II
Em
2.
Bm
Bm
night,
night.
F#m
-
ly
girl in the world.
-
ly
girl in the world.
G
On
Girl in the world.
Want you to
Bm
G
night.
On
D.S.S. al Coda II
Em
Girl in the world.
F#m G
California King Bed Words & Music by Jermaine Jackson, Priscilla Hamilton, Andrew Harr & Alexander Delicata
q = 86 G/B
Csus2
G/B
Con pedale
Csus2
8vb til * 1. Chest to chest. 2. Eye to eye.
D/F#
D/F#
al - ways just that close. sleep - in’ next to me.
Palm Side
G/B
to wrist. in arm.
to palm. by side.
Csus2
Csus2
to nose. to cheek.
Wrist Arm
G/B
Nose Cheek
Csus2
G/B
3fr
G5
G/B
G5
C'9
R.H.
G/B
G/B
3fr
Csus2
We were You were
Csus2
Toe Dusk
to toe. to dawn.
With the
© Copyright 2011 POWER Pen Biz Publishing, USA/Annarhi Music, LLC, USA/Trac N Field Entertainment, LLC, USA/Priscilla Renea Productions, USA Copyright Control (50%)/EMI Music Publishing Limited (5%)/Warner/Chappell North America Limited (45%). All Rights Reserved. International Copyright Secured.
G/B
Csus2
felt drawn
just
C
fing
-
D
us?
C
*
In this
Ca - li
-
D/F#
G
I’ve
been
Ca
C
we’re
ten
thou -sand
D/F#
-
li
-
2
a - part.
on
stars,
wish
miles
for - nia
Em
bed
it feels like more than dis - tance be - tween 2º seems
for - nia king
ers
G
So
Em
G/B
of a rose. on those sheets.
Em
in - side last night
C
how come when I reach out my
like the and a lit - tle
D/F# 3fr
Lips that cur - tains
Em
G5
-
ing
these
1. Em
Csus2
for your heart
for
My
Ca - li - for - nia King.
G
C
Em
D/F#
G
C
Em
D/F#
me.
2.
Gsus2
3
G
D/F#
8vb till * Just when I
felt
like
giv - in’ up
on
us
you turn a - round
G/B
C
That made
and give me one
ev - ’ry - thing feel
bet - ter.
D
And e - ven then
my
touch.
Em7
last
eyes
got
wet - ter.
C'9
* So con - fused, wan - na ask
you
if you love
me
but
D/F#
G
May
-
Am7
be
I’ve
Ca
been
I don’t wan - na seem
G/B
-
li
for
-
nia dream
4
weak.
C
-
so
-
ing.
Yeah.
G
µ
In
Em
thou - sand
miles
a - part.
on
stars,
ing
these
2.
- li - for - nia 2° Instrumental ad lib.
bed
king
C
we’re
ten
G
I’ve
been
Ca
-
li
-
for - nia
C
for your heart
for me.
In
this
wish -
1.
My
Csus2
Ca - li - for - nia King
3.
C
Em
Ca
D/F#
-
this
D/F#
G
My
5
Ca - li - for - nia King.
1
MAN DOWN
Words and Music by SHONTELLE LAYNE, THERON THOMAS, TIMOTHY THOMAS, SHAMA JOSEPH and ROBYN FENTY
Moderate Reggae feel Cm
Bb
mp
3fr
Bb 3fr
Ab
Bb 3fr
Cm
Cm
Bb 4fr
Copyright © 2010 IRVING MUSIC, INC., MEROKEE MUSIC JR., SHOLAY MUSIC LLC, UNIVERSAL MUSIC CORP., T.N.T. EXPLOSIVE PUBLISHING, VERSE AND SHAM MUSIC PUBLISHING, EMI BLACKWOOD MUSIC INC. and ANNARHI MUSIC LLC All Rights for MEROKEE MUSIC JR. and SHOLAY MUSIC LLC Controlled and Administered by IRVING MUSIC, INC. All Rights for T.N.T. EXPLOSIVE PUBLISHING Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for ANNARHI MUSIC LLC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved Used by Permission Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
Cm
3fr
I
did - n’t
mean to
end his
life,
I know it
Bb
I
can’t
was - n’t right,
Cm
3fr
e - ven sleep at night, can’t get
it
off my mind.
I
need
to
get out
of sight ’fore
I
end
Bb
up
be - hind
bars.
Cm
What
start - ed
Bb
3fr
out
as
a
sim - ple
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
al - ter - ca - tion,
turned
in
-
to
a
real
stick - y
sit - u -
3
Ab
a
4fr
-
tion.
Me
just
think - ing
on
the
time
that
I’m
fac
- ing
makes
me
Cm
want
to
3fr
cry.
’Cause
Bb
I
Bb
did - n’t
mean
to
hurt
him,
could have been
Cm
some - bod
-
y’s
son.
Bb 3fr
And
I
took
his
heart
when
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
Cm
I
pulled out
3fr
that
gun.
Rum
ba
ba
bom
ba
bom
rum
Ab
4fr
ba
ba
bom.
ba
rum
Bb
Man
down.
Rum
ba
ba
bom
Bb
rum
ba
ba
bom
rum
ba
ba
bom.
Man
Cm
down. Oh,
Bb 3fr
Ma - ma,
Ma - ma,
Ma - ma,
I
just
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
shot
a
man
down
5
Cm
3fr
3
in
Cen 3
-
tral
Sta
-
tion.
Bb
In
front
3
of
a
big
3
old
Cm
crowd.
Oh,
Bb
why?
3fr
Oh,
why?
Ab
4fr
Oh,
Ma - ma,
Ma - ma,
Ma - ma,
I
just
To Coda
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6
Bb
shot
a
man
in
3
down
Cen
-
tral
3
Cm
3fr
It’s Sta
a -
ty
two,
I
call
her
twen tion.
Peg - gy
Sue.
When
she
fits
Bb
right
down
in
my
shoes, what
d’you
ex
-
pect
me
to
Cm
do?
If
you’re
play -
Bb
3fr
ing
me
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
for
a
fool,
I
will
lose my cool
and reach for
my
fi - re - arm.
7
Cm
3fr
I
did
-
n’t
mean
to
lay
him
down
Bb
but
it’s
too
late
to
turn
back
3
3
now.
Don’t
Ab
4fr
know
what
I
was
think
-
ing,
now
he’s
no
long - er
liv - ing
so
Bb
I’m
’bout
to
leave
town.
D.S. al Coda
Yeah.
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8
Bb
CODA
shot
a
man
down
Cm
Will you
hear
me
now?
in
3
Cen - tral Look, I
Bb
3fr
- tion. Sta nev - er thought I'd
do
it,
nev - er thought I’d
do
it,
nev - er thought I’d
Cm
Bb
hap - pened to
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
What - ev - er
oh gosh.
ev - er
3fr
hap - pened to
me,
do
it,
ev - er
hap - pened to
me,
Cm
3fr
me?
Why
did
I
pull the trig - ger, pull the trig - ger,
9
Bb
pull the trig - ger?
Boom. And
end
a
nig - ger, end
a
nig - ger’s
life
so
Ab
soon. When I
Bb
4fr
pull the trig - ger, pull the trig - ger,
it
on you,
pull
some - bod - y
tell me what I’m gon - na,
Cm
what I’m gon - na
do,
3fr
hey.
Rum
ba
ba
bom
rum
ba
bom,
bom
Bb
ba
rum
ba
ba
Cm
me
say
one
man
down,
oh,
3fr
me
say.
Rum
ba
ba
bom
rum
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10
Bb
ba
ba
bom
rum
ba
ba
bom,
when me went
down
town.
’Cause now
I
am
a
Cm
Bb
3fr
crim - i - nal,
crim - i - nal,
crim - i - nal.
Oh, Lord,
have
mer - cy,
now
I
am
a
Ab
4fr
crim - i - nal.
Man
down,
tell
the judge,
please
give me
Bb
town,
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min - i - mal,
run
3
out
of
3
Cm
none
of
them
can
see
me
now,
see
me
now. Oh,
3fr
Ma - ma,
Ma - ma,
11
Bb
Ma - ma,
I
just
a
shot
man
Cm
Sta
Cen - tral 3
in
3
down
Bb 3fr
-
tion.
Cm
front
of
a
big
old
3
In
3
crowd.
3fr
Bb
Oh,
why?
Oh,
why?
Ab 4fr
Oh,
Ma - ma,
Ma - ma,
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12
Bb
Ma - ma,
I
just
shot
a
man
Cm
in
3
down
Cen - tral 3
Bb 3fr
Sta - tion. (Sing 1st time only)
Cm 3fr
Repeat and Fade Bb
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Optional Ending Bb
1
RAINING MEN
Words and Music by THERON THOMAS, TIMOTHY THOMAS, ONIKA MARAJ, MELVIN HOUGH II and RIVELINO WOUTER
Moderate Hip-Hop groove
µ
Een - ie,
meen - ie,
min - ie,
mo.
mp
If
ya
let him
go,
want ta
Catch a
by the
toe.
play - a
lad - ies don’t wor - ry ’cause they got
plen - ty more. Men be
Gm
3fr
fall - in’ like the rain
so
we ain’t run - nin’ out.
Fall - in’ like the rain
so
we ain’t run - nin’ out.
Copyright © 2010 UNIVERSAL MUSIC CORP., T.N.T. EXPLOSIVE PUBLISHING, SONGS OF UNIVERSAL, INC., MONEY MACK MUSIC, HARAJUKU BARBIE MUSIC, MAMA BONNIE PUBLISHING and MELVIN HOUGH II All Rights for T.N.T. EXPLOSIVE PUBLISHING Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for MONEY MACK MUSIC and HARAJUKU BARBIE MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
Fall - in’ like the rain
so
we ain’t run - nin’ out.
Oh, it’s rain - in’ men
girl, what you wor - ried ’bout?
µ
Who you think you get - tin’ with that, “Hi,
let me freak ya”? You got me mis - tak - en think - in’ you gon’ get it eas - y.
First of all you need to know that I’m not the one.
Think you get - tin’ some - thin’ ba - by, you ain’t get - tin’ none.
Gm
3fr
All you need to know that I’m a two times
five.
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Load it, cock it, aim it
ba - by, boom, bye,
bye.
3
Set your stan - dards low - er boy, you aim - in’ too high.
Mat - ter of
µ Een - ie,
If
ya
min - ie,
meen - ie,
want ta
fact, your friend looks bet - ter so
mo.
Catch
a
play - a
go,
lad - ies don’t
wor - ry ’cause they got
by
the
toe.
let him
good - bye.
plen - ty more. Men be
Gm
3fr
fall - in’ like the rain
so
we ain’t
run - nin’ out.
Fall - in’ like the rain
so
we ain’t run - nin’ out.
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4
Fall - in’ like the rain
so
we ain’t run - nin’ out.
Oh, it’s rain - in’ men
Fsus
Gb
Oh
yeah,
Fsus
yeah,
oh.
Gb
Oh yeah, yeah,
oh.
µ
Oh
Oh
yeah,
yeah,
oh.
Gb
yeah,
Gb
Fsus To Coda
girl, what you wor - ried ’bout?
Fsus
yeah,
yeah,
oh,
oh,
oh,
oh.
Rap: (See additional lyrics.)
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5
D.S. al Coda
Men be
CODA
Fsus
yeah,
yeah,
oh,
oh,
oh,
oh.
µ
out - ta my
way.”
With my la -
I said, “Hey,
Gb
yeah,
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6
dy,
rid - in’ big,
liv - in’ good,
do - in’ big
things.
Danc - in’ don’t
pay.
Play - a keep the
Fsus
mon - ey, I can buy my own drinks
see
Hey,
me.
com - in’, dime a doz - en so
and I ain’t ev - en wor - ried ’bout you
be - cause there’s
Fsus
plen - ty more
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fish
in
the
µ
hey.
Een - ie,
meen - ie,
min - ie,
mo.
sea,
it
Gb
me
Fsus
don’t mean noth - in’ to
Hey,
Gb
up in the club.
7
Catch
a
play - a
by
the
toe.
If
ya
want
ta
let
him
go,
Gm
3fr
lad - ies don’t wor - ry ’cause they got plen - ty more. Men be
Fall - in’ like the rain
so
so
Fall - in’ like the rain
so
we ain’t run - nin’ out.
Fsus
Oh, it’s rain - in’ men
girl,
what you wor - ried ’bout?
we ain’t run - nin’ out.
we ain’t run - nin’ out.
fall - in’ like the rain
Gb
Oh
yeah, yeah,
oh.
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8
Fsus
Oh
Gb
yeah, yeah,
Oh
yeah, yeah,
Gb
oh.
yeah,
yeah,
oh,
oh,
oh,
oh.
µ
Oh
Additional Lyrics
Excuse me but who are you fixin’ to be. Let them muthafuckas know it’s plenty fish in the sea. And he sweatin’ me just ’cause I got the tightest hole. But I couldn’t find that th-thing wit a microscope. Give me dome, dome, d-d-d-d-d dome, dome, dome. I ain’t trippin on yo honey, money long, long, long. Want my own TV production company. So tell Harpo to hit me Celie. Anyway RiRi what rhymes wit yo name freely. Money got you vacationing in Chile. Do you want to sit on the bike while I wheelie, really, really? Nah, for real, really? Laid out on the beach they be feedin me my catfishes. ’Cause it’s raining men fat bitches.
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Gb
oh.
Fsus
yeah,
Fsus
1
COMPLICATED
Words and Music by ESTHER DEAN and CHRISTOPHER STEWART
Moderate Electro-Ballad C
You’re not
ea - sy to love.
You’re not
ea - sy to love,
no.
mp
Am
You’re
not
you’re
not
ea - sy to
love,
ea - sy to
love,
no.
Why
is
C
ev -’ry - thing
with you
so
com - pli - cat
-
ed?
Why
Copyright © 2010 by Peermusic III, Ltd., Dat Damn Dean Music, 2412 LLC and RZE Music Publishing All Rights for Dat Damn Dean Music and 2412 LLC Administered by Peermusic III, Ltd. All Rights for RZE Music Publishing Controlled and Administered by Universal Music Corp. International Copyright Secured All Rights Reserved Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
Am
do you make it
hard
to
love
you, oh,
I
hate
it.
’Cause
C
if you real - ly want
to be
a - lone
I
will throw my hands
up ’cause ba - by I
tried.
Am
Ev -’ry - thing
with you
is so
com - pli - cat
-
ed.
Oh,
why?
C
Some - times
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
I
get
you,
some - times
I
don’t un - der - stand.
3
Am
Some - times
I
love
you,
some - times
it’s you
I
can’t
C
stand.
Some - times I want to hug
you,
some - times I want to push you
a - way.
Am
Most times I want to kiss
you,
oth - er times
put you in your place. ’Cause ev - ’ry
C
min - ute
you
start switch -ing
up
andyou
say things
like
you don’t
give a
fuck.
Then I
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
Am
say I’m
F
take my
heart from you and you come run -ning af - ter me and ba - by I’m back with you.
through with you,
C
You’re
not
ea - sy to love.
You’re
not
you’re
not
ea - sy to
ev -’ry - thing
not
ea - sy to love,
no.
love,
ea - sy to
love,
no.
Why
is
C
You’re
F
Am
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
with you
so
com - pli
-
cat
-
ed?
Why
5
Am
F
do you make it
hard
to love
you, oh,
I
hate
it.
’Cause
C
if you real -ly want
to be
a -lone
I
tried.
will throw my hands
Am
F
Ev -’ry - thing
up ’cause ba - by I
with you
To Coda
is so
com - pli
-
cat
-
ed.
Oh,
why?
C
Some - times
I
catch
you,
some - times
you
get a - way.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
Am
F
Some - times
I
read
you,
oth - er times
I’m like, where
are
you on this page?
C
Some - times
I
feel
like
3
will be
to -geth - er
for -
3
Am
F
ev
-
we
D.S. al Coda
er,
but you’re so
CODA
F
cat
com -pli - cat - ed, my
heart knows bet - ter Why is
C
-
ed.
Oh,
why?
I’m a stick a - round
with you a lit - tle
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
Am
long
-
just
er,
make
sure
1
to
that you’re real - ly
sure
2 F
G
you like sleep - ing
F
G
a - lone.
you like sleep - ing
Why
is
a - lone.
cat
-
C
ev -’ry - thing
with you
so
com - pli
-
Am
hard
to love
you, oh,
I
ed?
Why
F
do you make it
hate
it.
’Cause
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8
C
if you real -ly want
to be
a -lone
I
will throw my hands
tried.
F
Ev -’ry - thing
up ’cause ba - by I
Am
with you
is so
com - pli
cat
-
-
ed.
Oh,
why?
C
You’re
not
you’re
not
ea - sy to love.
You’re
not
ea - sy to love,
no.
Am
You’re
not
ea - sy to
love,
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
ea - sy to
love,
no.
1
SKIN
Words and Music by KENNETH COBY, ROBYN FENTY and URSULA YANCEY
Moderate groove
µ
mp
-
Ha, Ha,
you got me moan - in’ now. want you to feel it now.
T - V on blast, turn it down, turn it down. Don’t Soft - er than a moth - a boy, I know you wan - na touch. Breath -
want it to clash with my bod - y scream - in’ out. in’ down my neck, I could tell you wan - na.
so you al - read - y so ba - by don’t
know what’s next, uh, huh, uh. stop what you’re do - in’, uh, huh, uh.
The mood is set, ha, ha, Al - most there, ha, ha,
Now, Now,
I know you hear - in’ me. and now you want it like.
I
got
a
sec - ret that
I wan - na show
you, ooh.
Copyright © 2010 Sony/ATV Music Publishing LLC, Milwaukee Villain Music, EMI Blackwood Music Inc., Annarhi Music LLC, EMI April Music Inc., Urs Verse Music and LA Reid Songs All Rights on behalf of Sony/ATV Music Publishing LLC and Milwaukee Villain Music Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 All Rights on behalf of Annarhi Music LLC Controlled and Administered by EMI Blackwood Music Inc. All Rights on behalf of Urs Verse Music and LA Reid Songs Controlled and Administered by EMI April Music Inc. International Copyright Secured All Rights Reserved Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
Eb
I
got a sec - ret so m’a drop ’em to the floor, uh.
3
3
And no
teas
-
in’, you wait - ed long e - nough.
3fr
3
3
Gm
Go
deep,
I’m a throw it
at
ya, can’t catch it.
Don’t
Bb
3fr
hold
3
3
back, you know I
like
it rough.
3
3
Eb
3fr
Oh, I’m feel - ing you, huh.
Know you lik - in’ it, huh.
So why you stand - in’ ov - er there with your clothes
Cm
Ba - by, strip down for me. Go on, take ’em off.
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on?
Dm 3fr
Don’t wor - ry ba - by, I’m a meet you half way’cause
3
1
2 Eb
F
Eb 3fr
3
3
I
know you wan - na
see
me.
3
Cm 3fr
heels,
no
shirt,
no
skirt.
Gm
is
Gm
Eb
skin. Oh,
oh.
Gm
3fr
Wan - na feel
your
Eb 3fr
skin.
3fr
Come here ba - by, all I wan - na see you in is just
Eb 3fr
oh.
Gm 3fr
Cm
3fr
Just
skin. Oh,
Cm
skin. Oh,
3fr
Cm
3fr
Your
jeans, take ’em off.
3fr
like that
No
Eb
Gm 3fr
Eb 3fr
No
Cm
skin.
You a beast, oh. You know that I
3fr
just
3fr
3fr
Cm 3fr
me.
Gm
All I’m in
Cm
see
3
3fr
know you wan - na
3fr
skin.
3
Eb 3fr
3
3
I
Gm
3
F
3fr
Eb 3fr
3fr
I’m lov - in’ your oh.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
Gm
Cm 3fr
skin,
Eb 3fr
oh,
oh.
G5 3fr
3fr
All
in
ba - by, don’t
hold
noth - in’
back.
Wan - na take
con - trol,
ain’t noth - in’ wrong with that.
Say you lik - in’ how I’m feel - in’, got - ta tell me that.
Eb
3fr
µ
Just
put
your
skin,
ba - by, on
my No
skin. heels,
no
shirt,
no
skirt.
is
just
All I’m
in
Gm
3fr
skin.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
No jeans, take ’em off. Wan - na feel your
skin.
You a beast, oh. You know that
I
like your
5
Bb
F
Eb 3fr
skin.
Come here, ba - by, all
I
wan - na see you in
is just
skin.
1 Gm
skin.
Oh,
just
2
skin.
Oh,
Oh,
oh,
in your
skin.
Repeat and Fade Optional Ending F Gm 3fr
(Ad lib. vocals and guitar solo)
3fr
oh.
Eb
Oh,
Bb 3fr
Oh, all I wan - na see you in is just No
F
Gm
your
F
skin.
Bb
skin.
oh, I’m lov - in your
Gm
oh,
3fr
Oh,
Bb
oh,
3fr
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
LOVE THE WAY YOU LIE (Part II)
Words and Music by ALEXANDER GRANT, MARSHALL MATHERS III and HOLLY HAFERMANN
Moderate Pop Ballad Gm
On the first
Eb 3fr
-
ry,
the fu
I’m
still
3fr
out
so
sur - prised.
seems
so
bright.
Eb
ture
turned
e
-
vil,
I don’t know why
F
3fr
And this thing
-
Bb
Gm
sto
mp
of our
F
day
Bb 3fr
Gm
3fr
E - ven an
-
have
gels
their wick -
Copyright © 2010 SONGS OF UNIVERSAL, INC., SHROOM SHADY MUSIC, UNIVERSAL MUSIC - Z SONGS, HOTEL BRAVO MUSIC and M SHOP PUBLISHING All Rights for SHROOM SHADY MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for HOTEL BRAVO MUSIC and M SHOP PUBLISHING Controlled and Administered by UNIVERSAL MUSIC - Z SONGS All Rights Reserved Used by Permission Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
Eb
Bb
3fr
-
ed
schemes
F
and
you take
that
Gm
my
be
he
-
ro
e - ven
Just
Eb
gon - na
Bb 3fr
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
well that’s
al
-
-
tremes.
But you’ll
you’ve lost
your
mind.
Gm
3fr
stand
there
and
watch
be - cause
I
right
though
F
ex
Bb 3fr
al - ways
new
Eb 3fr
to
like
me
burn,
the
way
it
hurts.
3
F
Gm
Eb
3fr
Just
stand
Bb
-
right
Eb
way
love
hear
the
love
the
lie.
you
lie,
Oh,
way
Gm
you
cry,
I
To Coda
way
me
be - cause
you
the
3fr
love
and
3fr
there
F
al
gon - na
well that’s
3fr
Bb
lie.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
F
Gm
Eb 3fr
Now there’s grav - el
- tered
Bb
from
the
fight.
win,
e
Gm
me
fa
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
-
ven
bles from
your
-
glass is shat -
3fr
In this
tug of
I’m
right.
war
you’ll al -
’Cause you feed
Bb
Gm
es,
hand
µ
when
3fr
voic
Eb 3fr
-
our
- ways
Bb
3fr
in
F
Eb
3fr
with
vio - lent
words
and emp -
5
F
Gm
-
ty
Eb
threats.
tles
CODA
Cm7
are
what
keeps
Bb
me
all
F
sat - is
-
fied.
these
bat -
D.S. al Coda
Just gon - na
Ebmaj7
Oh.
I
Ebmaj7
try
run
but
to
may - be
I’m
3fr
So
mas - o - chist,
that
3fr
sick
F
3fr
Bb
And it’s
3fr
-
3fr
a
F
I
don’t want
to ev - er leave
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6
Ebmaj7
Cm7
3fr
are
Gm 3fr
in
smoke with all
Eb
go - ing up
F
3fr
’til the walls
Ebmaj7
3fr
our
mem - o - ries.
Bb
F
Gm
3fr
3fr
Rap: (See additional lyrics)
3fr
Gm
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
F
Bb 3fr
Eb 3fr
F
Bb
Eb
7
Gm
Eb 3fr
F
Bb
3fr
stand
there and watch
Eb
Gm
Just gon - na
3fr
F
Eb 3fr
Gm
Bb 3fr
me
burn,
Bb 3fr
well that’s
al
-
be - cause
I
right
like
the
way
it
hurts.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
F
Gm
Eb
3fr
Just
gon - na
al
-
right
Eb
love
the
way
Love
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
there
and
hear
the
way
cry,
I
love
the
Gm
lie.
you
me
be - cause
lie.
you
lie,
way
Bb
you
3fr
3fr
I
F
Bb
well that’s
stand
3fr
9
F
Gm
Bb
you lie.
Love the way
Eb 3fr
3fr
F
µ
Love the way
you lie.
Additional Lyrics Rap: This morning, you wake, a sun ray hits your face; smeared makeup As we lay in the wake of destruction. Hush, baby, speak softly, tell me you’re awfully sorry that you pushed me Into the coffee table last night so I can push you off me. Try and touch me so I can scream at you not to touch me, Run out the room and I’ll follow you like a lost puppy. Baby, without you I’m nothing, I’m so lost, hug me, Then tell me how ugly I am, but that you’ll always love me. Then after that, shove me, in the aftermath of the destructive path we’re on, Two psychopaths, but we know that no matter how many knives we put In each other’s backs, that we’ll have each other’s backs ’cause we’re that lucky. Together, we move mountains, let’s not make mountains out of molehills. You hit me twice, yeah, but who’s counting? I may have hit you three times, I’m starting to lose count, but together, We’ll live forever, we found the youth fountain. Our love is crazy, we’re nuts, but I refused counseling. This house is too huge, if you move out I’ll burn all two thousand Square feet of it to the ground, ain’t shit you can do about it. With you in my fucking mind, without you I’m out of it.
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