K (BLUE) Alphabetical Index
A 106
443 110 358 626
441 357 413 086
062 203 038
• After You've Gone (C) Ah Marie (Cm) • Ain't Misbehavin' (C) • Ain't She Sweet (C) Airegan (Ab) AI Di La (Bb) • A1exanders Ragtime Band (F) • Alice in Wonderland (C) • All I Ask of You (Db) • All My Tomorrows (Eb) • All Of Me (C)
• All Of You (Eb) 241 • All Or Nothing At All (C) 204 • All The Things You Are (Ab) 064 • All The Way (F) 302 Alley Cat (C) 215 • Almost Like Being In Love (Bb) 112 • Alone Together (Om) 247 • Alright, Okay, You Win (Eb) 403 • Always (F) 556 • Always In My Heart (Bb) 558 • Amapola (Bb) 554 • Amor (C) 444 Anema E Core (G) 039 • Angel Eyes (Cm) 462 . • Anniversary Song (Em) 462 • Anniversary Waltz (C) 625 Anthropology (Bb) 306 • Anything Goes (C) 021 • April In Paris (C) 6U9 Armando's Rhumba (Cm) 402 • Around The World (C) 442 • Arrivederci Roma (G) 456 Artsa Alinu (Om) 003 • As Time Goes By (Eb) 659 Au Privave (F) 465 Auld Lang Syne (F) 047 • Autumn In New York (F) 105 • Autumn Leaves (Em) 361 • Avalon (F)
362 355 410
157 244 155 431 552 614
551 658 240 063
B • Baby Face (C) • Basin Street Blues (C) • Baubles, Bangles and Beads (Ab) • Beautiful Love (F) Bebop (Eb) • Because of You (Eb) • Beer Barrel Polka (C) • Begin The Beguine (C) Bemie's Tune (Om) • Besame Mucho (Om) Bessie's Blues (Eb) • Between The Devil and the (F) • Bewitched (C)
351 635 539 355 660 508 694 059 060
602 659 101
135 105 575 658
044 659 149 414 012 636 354 535 244
463 464 01 3 212 159 103 353
656
• Bill Bailey (F) Billie's Bounce (F) Bim Bam Bum (Bb) • Birth Of The Blues (C) Bittersweet (C) • Black Orpheus (Am) Blue Bossa (Cm) • Blue Gardenia (G) • Blue Hawaii (Bb) Blue In Green (Bb) Blue Monk (Bb) • Blue Moon (Eb) • Blue Room (F) • Blue Skies (F) • Blue Tango (D) Blue Trane (Cm) • Blue Velvet (Bb) Blues For Alice (F) • Blues in The Night (Bb) Bluesette (Bb) • Body And Soul (Db) Bolivia (G) Bourbon Street Parade (Ab) • Brazil (Ab) • Breeze And I, The (F) Bridal Chorus (Bb) Bunny Hop (F) • But Beautiful (G) • But Not For Me (Eb) • Button Up Your Overcoat (G) • Bye Bye Blackbird (F) • Bye Bye Blues (0 Byrdlike (F)'
C 302 512 136 132 568
• • • •
094 309
• Cast Your Fate to The Wind (F) • Cecilia (C) Ceora (Ab) • Chances Are (G) Charleston, The (Bb) • Chattanooga Choo Choo (C) • Cheek to Cheek (C) Chelsea Bridge (Db) Cherokee (Bb)
691 032
356 233 128 601
228 565 357 466 601 248 485 492
Cabaret (Eb) Call Me (Bb) Call Me Irresponsible (Ab) Canadian Sunset (Bb) Caravan (Fm)
• Cherry Pink and Apple • Chicago (F)
(Eb).
Chicken Dance (C) Child Is Bom, A (Bb) • Choo Choo Ch'Boogie (F) • Christmas Song (Eb) • Christmas Time is Here (F)
444 469
432 092 441 226 11 7 022 643 643
219 078 131
Ciao, Ciao, Bambina (C) • Cielito Lindo (Bb) Clarinet Polka (C) • Close To You (Eb) Come Back To Sorrento (Cm) • Come Fly With Me (C) • Come Rain or Come Shine (F)· Come Sunday (Bb) Con Alma (E) Confirmation (F) • Crazy Rhythm (F) • Cry Me A River (Cm) • Cute (C)
o 632 466
1 38 126 451 567
358 019
205 102 409 227 051 509 634
513 607 202 118 611 245 023 201
033 511 158 642 157 613 054
146 028
Daahoud (Eb) • Daddy's little Girl (0 • Dancing In The Dark (Eb) • Dancing On The Ceiling (F) • Danny Boy (Londonderry Air) "(C) • Dansero (F) • Darfrtown Strutters Ball (C) • Dam That Dream (G) • Day By Day (F) • Days Of Wine And Roses (F) • Dear Heart (F) • Dearly Beloved (0 • Deep Purple (F) • Desafinado (F) Dig (Ab) • Dindi (0 Django (Fm) • Do Nothing Till You Hear (F) • Do You Know What It Means {O Dolphin Dance (Eb) • Don't Be That Way (Eb) • Don't Blame Me (0 • Don't Get Around Much (0 • Don't Go to Strangers (Bb) • Don't lytisunderstand (F) • Don't Take Your Love From ME (C) Donna Lee (Ab) • Don't Worry 'Bout Me (Ab) Doxy (Bb) • Dreim (0 • Dream A Little Dream (G) E Early Autumn (0
049
• East of The Sun (G)
027 123 147
• Easy living .(F) • Easy Street (Eb) • Easy To Love (G) • Ebb TIde (0
404 673
• Edelweiss (Bb) Elsa (Eb)
005
• Embraceable You (F)
050
~---------------------
,jl', !
-- --4. • Emily (0 • End of a Love Affair. The (F) Epistrophy (CI) Equinox (Cm) • Estate 090 • Evergreen (C) 185 • Everybody Loves Somebody (F) 065 • Everything Happens to Me (Bb) 008 . • Everytime We Say Goodbye (Eb) 230 • Exactly Uke You (C) 403 076 641 658 519
F 637 409 411 220 401 098 515 305 119 352 042 107 209 053 048 031 069 690 630 566 689 246 492 692 148 504 002 306 070 614 657 501 239 327 152 025 461 516 224 025 055 415 229 553 412 691 696 635
Falling Grace (Ab) • Falling In love Again (Eb) • Falling In love With love (Bb) • FaSCinating Rhythm (F) • Fascination (C) • Feelings (Em) • FeJicidade (Cm) Fine And Dandy (F) • Fine Romance, A (C) • Five Foot Two (0 • Flamingo (F) • Fly Me To The Moon (0 • Foggy Day, A (F) • Fools Rush In (0 • For All We Know (F) • For Sentimental Reasons (F) • For You, For Me, Forevermore (F) Forest Flower (0 Four (Eb) • Frenesi (Ab) Friends (0 • From This Moment On (Ab) • Frosty the Snowman (0
G Gaviota (Cm) • Gee Baby, Ain't I Good to (Cm) • Gentle Rain (Am) • Georgia (F) • Get Me to the Church on (G) • Ghost Of A Chance (C) Giant Steps (B) Gingerbread Boy (Bb) • Girl From Ipanema (F) • Give Me The Simple Ute (Eb) Give My Regards To Broadwa) (Bb) • Glory of love, The (G) • God Bless The Child (Eb) Godfather Theme (Cm) • Going Out Of My Head (Bb) • Gone With The Wind (Eb) • Good Moming Heartache (F) • Goodnight Sweetheart (C) Gravy Waltz (C) • Green Dolphin Street (C) • Green Eyes (Eb) • Greensleeves (Om) Gregory Is Here (Bb) Groove Merchant (Bb) Groovin' High (Eb)
469 070
• Guantanamara (0) • Guess I'll Hang My Tears Out (0 H 463 Hail To The Chief (C) 633 Half Nelson (0 432 Happy Wanderer, The (Bb) 060 • Harbor Ughts (Eb) 147 Harlem Noctume (Om) 613 Haunted Ballroom (F) 455 Hava Nagilah (F) 203 • Have You Met Miss lones (F) 486 • Have Yourself a Merry Xmas (C) 461 • Hawaiian Wedding Song (C) 114 • Heart And Soul (F) 080 • Heather on The Hill, The (F) 432 Helena Polka (F) 301 • Hello Dolly (Bb) 416 • Hello Young lovers (Eb) 010 • Here's That Rainy Day (F) 138 • Hey There (Eb) 464 Hokey Pokey (Bb) 353 • Honeysuckle Rose (F) 434 • Hoop-Dee-Doo (Eb) 327 Hooray For Hollywood (F) 133 • How About You (G) 062 • How Deep Is The Ocean (F) 212 • How High The Moon (G) 506 • How Insensitive (Om) 036 • How long Has This Been (G) 676 How My Heart Sings (0 I 020 • I Can't Get Started (C) 129 • I Can't Give You Anything (Ab) 040 • I Concentrate on You (Eb) 409 • I Could Have Danced All (C) 116 • I. Could Write a Book (0 064 • I Cover The Waterfront (G) 142 • I Didn't Know What TIme It (G) 139 • I Don't Know Why (Bb) 037 • I Fall in love Too Easily (Eb) 227 • I Get A Kick Out Of You (Eb) 166 • I Get Along Without You (Bb) 537 I Go To Rio (Bb) 034 • I Got It Bad (G) 301 • I Got Rhythm (Bb) 158 • I Hadn't Anyone TIll You (F) 114 • Hear a Rhapsody (Eb) 001 • left My Heart In San (Bb) 115 • let A Song GoOut Of.My (Eb) 311 • Uke The Ukes Of You (Eb) 161 • love Paris (C) 207 • love You (F) 641 Mean You (F) 015 • Only Have Eyes For You (C) 604 Remember Clifford (F) 010 • Remember You (G) 188 • Say A Uttle Prayer For You (C) 044 • Should Care (C) 116 • Thought About You (Eb) 686 Told You So (F)
053 039 134 485 155 108 222 411 229 028 068 153 009 223 359 137 210 225 069 081 608 520
066 027 639 130 024
036 216 038 084 611 356
607 224 452 031 655 309
206 210 102
OS4 083
674 328 307 124 222 161
• I Will Wait For You (Om) • I Wish You Love (F) • I Won't Dance (C) • I'll Be Home For Christmas (C) • I'll Be Seeing You (Eb) • I'll Get By (C) • I'll Remember April (G) • I'll Take Romance (F) • I'm Beginning To See The (0 • I'm Getting Sentimental (F) • I'm Glad There Is You (F) • I'm Gonna Sit Right Down (C) • I'm In The Mood For Love (0 • I'm Old Fashioned (F) I've Found A New Baby (0) • I've Got My love to Keep Me (F) • I've Got The World on a (Eb) • I've Got You Under My Skin (Eb) • I've Grown Accustomed to (Eb) • If Ever I Would leave You (Bb) If You Could See Me Now (Eb) • If You Never Come To Me (Eb) • III Wind (Bb) • Imagination (Eb) Impressions (Om) In A Mellow Tone (Ab) In A Sentimental Mood (F) • In My Solitude (Eb) In The Mood (Ab) • In The Still of the Night (F) • In The Wee Small Hours (C) In Your Own Sweet Way (Bb) • Indiana (F) Infant Eyes (Eb) • Invitation (Cm) Irish Washerwoman (G) • Isn't It Romantic (Eb) Isotope (C) • It All Depends On You (C) • It Could Happen To You (F) • It Don't Mean a Thing (Bb) • It Had To Be You (Ab) • It Might As Well Be Spring (G) • It Never Entered My Mind (F) It's A Raggy Waltz (G) • It's Alright With Me (F) • It's Oelovely (F) • It's Only a Paper Moon (G) • It's You Or No One (F) • It's Been a long, long Time (F)
I 358
578 537
244 217 491 491
640 634
• Jada (F) • Jalousie (Bb) • Jazz Samba (Eb) Jeanine (Ab) Jersey Bounce (C) • Jingle Bells (G) • Jinglebell Rock (C) Joshua (Om) Joy Spring (F)
II
II
II
II
II
II II J J
J J J J I I
I
677 204 109 230 144 608 614
576
Ju-Ju Just Friends (G) Just In Time (Bb) Just One Of Those Things (F) Just Squeeze Me (F) K Kids Are Pretty People (F) Killer Joe (C) • Kiss Of Fire (Om)
688
• • • •
443
539 074 456
152 503 087 148
L
540
132
• L-O-V-E Love (F) 577 La Cumparsita (Cm) 577 La Paloma (C) 468 • La Vie en Rose (C) 308 • Lady Be Good (G) 633 Lady Bird (C) 209 • Lady Is A Tramp, The (C) 602 Lament (F) 066 • Last Night When We Were (G) 311 • Late, Late Show, The (F) 018 • Laura (C) 627 Lazy Bird (G) 490 • Let It Snow (F) 151 • Let's Do It (Bb) 122 • Let's Fall in Love (C) 150 • Let's Get Away From It All (Eb) 688 Liberated Brother (Gm) 433 Liechtensteiner Polka (F) 510 • like A lover (C) 111 • Like Someone In love (Bb) 160 • lil' Oarlin' (Eb) 468 • limbo Rock (F) 364 • Limehouse Blues (Ab) 505 little Boat (0 687 Little Sunflower (Om) 221 • Long Ago And Far Away (F) 511 • Look Of Love (Om) ,517 Look to the Sky 237 • Lot Of Living To Do, A (C) 235 • Love For Sale (Bb) 085 Love Story (Gm) 145 • Love Walked In (Eb) 165 • Lovely To Look At (F) 413 • Lover (C) 243 • Lover, Come Back To Me (Ab) 043 • Lover Man (Om) 687 Lucky Southem (D) 522 Lujon (Om) 118 Lullaby of Birdland (Fm) 606 • Lush life (Db) M 208 • Mac The Knife (0 452 MacNamara's Band (F) 408 Mademoiselle de Paris (D) 143 • Make Someone Happy (F) 110 • Makin' Whoopee (F) 441 Mala Femmena (Bb) 308 Mime (C) 518 Man And A Woman, A (C) 126 • Manhattan (F)
696
406 464 359
057 628 456 002 626
627 187 029 034
052 401 104
Manteca (Bb) Maria Elena (C) • Mas Que Nada • Masquerade is Over. The (Eb) Mayim Mayim (Cm) • Mean To Me (F) • Meditation (C) • Memory (C) Memphis in June (C) Menina Flor (Eb) Mercy, Mercy, Mercy (Bb) Merry Widow Waltz (F) Mexican Hat Dance (F) Midnight In Moscow (C) • Midnight Sun (0 Milestones (Old) (Bb) Misirlou (Gm) • Misty (Eb) Moanin' (Fm) Moment's Notice (Eb) • Moments To Remember (Ab) • Mona Lisa (F) • Mood Indigo (Ab) • Moon Over Miami (G) • Moon River (0 • Moonglow (G) • Moonlight Becomes You (F) • Moonlight In Vermont (Eb) Moonlight Serenade (F)
162 016 001 553
• More (G)
113 022
• More I See You, The (Eb) • More Than You Know (0
568 130
248 127 658 359 236
156 415 412 026 004 694 444
058 043 011
080 107 016
097 452 603
082 626 011 520
Moming (Bbm) Moten Swing (Ab) • Mountain Greenery (C) • Mr. lucky (G) Mr. Sims (0 Muskrat Ramble (Bb) • My Baby Just Cares For Me (C) • My Blue Heaven (Eb) • My Buddy (C) • My Favorite Things (Em) • My Foolish Heart (Bb) • My Funny Valentine (Cm) My Little Suede Shoes (Eb) My Love Forgive Me (0 My Melancholy Baby (Eb) • My Old Flame (G) • My One And.Only love (C) • My Own True love (Tara) (F) • My Romance (C) • My Ship (F) • My Way (F) My Wild Irish Rose (Bb) N Naima (Fm) • Nancy With The laughing (F) Nardis (Em) • Neamess Of You, The (F) • Never Let Me Go (Db)
567 071 304 637 133
111 211 677 638 631
082 042 145 514 655 507 443 142 052 228
• Never On Sunday (Eb) • Nevertheless (Bb) • New York, New York (F) Nica's Dream (Bbm) • Nice 'N' Easy (Eb) • Nice Work if You can Get It (G) • Night And Day (Eb) Night Dreamer (G) Night Has 1000 Eyes, The (G) Night In Tunesia, A (Eb) • Night We Called it A Day, (G) • Nightingale Sang in Berk. Sq. (Eb) • No Moon At All (Om) • No More Blues (Chega De (F) Now's The TIme (F)
o o Grande Arnor (Am) o Sole Mio (Eb)
Oh You Crazy Moon (G) Old Cape Cod (F) Old Devil Moon (F) 041 Old Folks (Eb) 625 Oleo (Bb) 104 • On A Clear Day (G) 125 • On a Slow Boat To China (Bb) 305 • On The Street Where You live (C) 303 • On The Sunny Side Of The (C) 504 • Once I Loved (F) 017 • Once In Awhile (Eb) 303 • One (Eb) 056 • One For My Baby (Eb) 056 • One More For The Road (Eb) 505 • One-Note Samba (Bb) 519 • Only Trust Your Heart 216 Opus One (G) 630 Ornithology (C) 205 • Our Day Will Come (G) 201 • Our love Is Here To Stay (F) 109 • Out Of Nowhere (G) 017 • Over The Rainbow (Eb) p
150 055 602 602 141 207 217 433 693
058 067
218 555 660
079 408 159 554 007
• • • •
• Paper Doll (F) • Party's Over, The (Eb) Passion Flower (G) Peace Bb) • Peg '0' My Heart (Bb) • Pennies From Heaven (C) Pennsylvania 6-5000 (G) Pennsylvania Polka (F) Pensativa (Gb) • Penthouse Serenade (C) • People (C) Perdido (Bb) • Perfidia (C). Perhaps (0 • Pieces of Dreams (F) Pigalle (C) • Please Don't ta;k About Me (Eb) • Poinciana (G) • Polka Dots (( Moonbeams (F)
~-----------------------------
l
041 078 035 506 310 536 628 408 503 605 186 517 685 234
061 656 627 363 130 328
603 487 467 211
522 642
536 246 487 103 414 013 353 601 051 . 215 093 129 077
007 629 625 639 501 363 213
695 489 685 677
186 695 019 488 636
075 029
• Poor Butterfly (Ab) • Portrait of jenny, A (F) • Prelude to a Kiss (C) Pretty World (G) • Puttin' On The Ritz (Fm) Q • Quando, Quando (Bb) Quasimodo (Eb) Que Sera, Sera (Eb) • Quiet Nights (Corcovado) (C) Quintessence (F) R • Raindrops (F) Recado Bossa Nova Recordame (Am) • Red Roses (for A Blue Lady) (C) • Red Sails In The Sunset (G) Relaxin' at Camarillo (Bb) Robbin's Nest (C) • Rock-A-Bye Your Baby (C) Rose Room (Ab) • Rosetta (F) Round Midnight (Ebm) • Rudolph (C) Russian Dance (G) S • SWonderful (Eb) Sabor A Mi (Eb) Salt Peanuts (F) Samba de Orfeu (C) San Francisco (C) • Santa Claus is Coming • Satin Doll (C) Scarborough Fair (Om) • Scotch &: Soda (Eb) Scrapple From The Apple (F) Search For Peace • Second Time Around, The (C) • Secret Love (Eb) • Send in the Clowns (Ab) • Sentimental journey (C) • September In The Rain (Eb) • September Song (C) Serenity (Eb) Serpent's Tooth (Bb) Seven Steps To Heaven (F) • Shadow Of Your Smile (G) • Sheik of Araby, The (Bb) • Shiny Stockings (Ab) Sidewinder (Eb) • Silver Bells (C) Silver's Serenade (Em) Simone (F) • Sing (Bb) Sister Sadie (G) • Skylark (Eb) • Sleigh Ride (G) Smatter (278) • Smile (F) • Smoke Gets In Your Eyes (Eb)
518 507 639 326
557 630
655 164 660
046 237 401 026
678 095 208 402 694 685 231
185 032 693 163 690 551 555 629
657 045 049 354 687 115
465 006 223
035 612 217
120 659 164 094
557 219 465 616 613 096 065 144
004 077 455 310 146 351 325 119
• So Many Stars (C) • So Nice (Summer Samba) (F) So What (Om) • So What's New (C) • Softly As In A Moming (Om) Solar (Cm) Solid (Bb) • Some Enchanted Evening (C) Some Other Blues (F) • Some Other Time (C) • Somebody Loves Me (G) • Someday My Prince Will (F) • Someone To Watch Over Me (Eb) Sometime Ago (F)
• Somewhere (F) • Somewhere Beyond the Sea (Eb) • Somewhere My Love (G) Song For My Father (Fm) Song For Strayhom (Eb) • Song is You, The (C) • Song Sung Blue (F) Sophisticated Lady (Ab) Soul Eyes (Eb) • Sound of Music, The (F) Spain (D) • Spanish Eyes (G) • Speak Low (F) Speak No Evil (Cm) Speedball (C) • Spring Can Really Hang You (C) • Spring Is Here (Ab) • St. louis Blues (G) St. Thomas (C) • Star Eyes (Eb) Star Spangled Banner (Bb) • Stardust (C) • Stars Fell On Alabama (C) • Stella By Starlight (Bb) Stolen Moments (Cm) Stompin' At The Savoy (F) • Stormy Weather (Ab) Straight No Chaser (F) • Stranger in Paradise (F) • Stranger on the Shore (F) Strangers In the Night (F) String Of Pearls (Eb) Stripper, The (F) Strollin' (Db) Sugar (Cm) • Summer Knows, The (F) • Summer Place, A (Bb) • Summer Wind (Eb) • Summertime (Am) • Sunday Kind Of Love (F) • Sunrise, Sunset (Gm) • Surrey With The Fringe. The (G) • Sweet and Lovely (G) • Sweet Georgia Brown (G) Sweet Gypsy Rose (C) • Sweet Lorraine (G)
131 614 242 206
442 565 113 140 003 410 655 068 121 135 015 470 327
154 540 625 214 202 242 139 020
127 075 615 037 686 238 232
187 073 638 467
128 538 325
360 021 101 088 067 361 238
433 239
362 508 072 635
605 218 088
033 071
407 456
Swinging Shepherd Blues (C) T Take Five (Cm) Take The "A" Train (C) • Tangerine (F) Tarantella (Am) • Tea For Two (Ab) • Teach Me Tonight (C) • Tender Trap, The (Ab) • Tenderly (Eb) • Tennessee Waltz (C) Tenor Madness (Bb) • Thanks For The Memory (F) • That Old Black Magic (Eb) • That Old Feeling (Eb) • That's All (Bb) • That's Amore (F) That's Entertainment (Bb) • That's Life (G) Theirs Tears Theme, The (Bb) • There Is No Greater Love (Bb) • There Will Never Be Another (Eb) • There'll Be Some Changes (Bb) • There's A Small Hotel (G) • These Foolish Things (Eb) • They Can't Take That Away (Eb) • They Sat It's Wonderful (F) Things Ain't What They Used (F) • Things We Did Last Summer, (G) Think On Me (D) • This Can't Be love (Ab) • This Could Be The Start (C) • This Guy's In Love (Eb) • This Is All I Ask (F) This Is New (Cm) • Those Were The Days (Am) • Three Little Words (C) • Tico Tico (Am) • Tie A Yellow Ribbon (Eb) Tiger Rag (Bb) • Till There Was You (Eb) • Time After Time (Bb) • Time For Love, A (Bb) • Time On My Hands (F) Tin Roof Blues (Bb) • Too Close For Comfort (C) Too Fat Polka (C) • Too Marvelous For Words (G) • Toot Toot Tootsie (C) • Triste (Bb) • Try A Little Tendemess (Eb) Tune Up (D) Tum Out The Stars Tuxedo junction (Bb) Twelfth of Never (D) • Twilight Time (G) • Two For The Road (C) • Two Hearts In 3/4 Time (C) Tzena (F)
_II II II II II
II
II
II
I
7
220 405 005 364 414
• • • •
U Undecided (0 Under Paris Skies (Fm) Unforgettable (F) Up A Lazy River (F) Up lumped Spring (Bb) V
675 673 009 407 406 656 072 442 236 675 076 502 696 502 352 089 221 008 091
137 463 631 674 018 014 085 214 061 143 ,678 415 012 089 451 11 7 024 050 304 162 521 . 407 048 612 307 486 063 122 030 676 490 629 120
Valse Hot (Ab) Very Early ( • Very Thought Of You, The (Ab) Vienna Life (Bb) • Vienna, My City Of Dreams (F) Vierd Blues (Bb) • Violets For Your Furs (F) Volare (Bb) W • Walkin' My Baby Back Home (Eb) Waltz For Debby (F) Warm Valley (Eb) • Watch What Happens (Eb) Watermelon Man (F) • Wave (D) • Way Down Yonder In New (G) • Way We Were, The (A) • Way You Look Tonight, The (Eb) • We'll Be Together Again (C) • We've Only Just Begun (F) • Weaver of Dreams, A (0 Wedding March (Om) Well You Needn't (F) West Coast Blues (Bb) • What A Difference A Day (F) • What Are You Doing the Rest (Am) • What I Did For Love (0 • What Is This Thing Called (C) • What Kind of Fool Am I (C) • What Now My Love (F) What Was (0 • What'li I Do? (Eb) • What's New (C) • When I Fall in Love (F) • When Irish Eyes Are Smiling (C) • When Lights Are Low (F) • When SUMY Gets Blue (F) • When You Wish Upon A Star (C) • When You're Smiling (Bb) • When Your Lover Has Gone (Ab) • Where Do You Start (Eb) Where Is Your Heart (Eb) • Where or When (Eb) Whisper Not (Cm) • Whispering (Eb) • White Christmas (C) • Who Can I Tum To (Eb) • Will You Still Be Mine (Ab) • Willow Weep For Me (G) Windows (Bb) • Winter Wonderland (Eb) Witch Hunt (Cm) • Witchcraft (F)
156 244 406 247 615 245 404 632 512 362 112 234 556 240 095 046 023 604 106 108 125 123 141 153 124 059 558
• With A Song In My Heart (Eb) • Without a Song (Eb) • Wonderful Copenhagen (C) Woodchopper's Ball (0 • Work Song (Fm) • Wrap Your Troubles (0 • Wunderbar (G) Y Yardbird Suite (C) • Yellow Days (F) • Yes Sir, That's My Baby (Eb) • Yesterdays (Om) • You and the Night and the (Eb) • You Belong To My Heart (Eb) • You Do Something To Me (Eb) • You Don't Know Me (0 • You Don't Know What Love Is (Fm) • You Go To My Head (0 You Know I Care (8b) • You Made Me love You (C) • You Make Me Feel So Young (Bb) • You Stepped Out of a Dream (C) • You'd Be So Nice to Come (C) • You're Getting to be a Habit (F) • You're My Thrill (Fm) • You're Nobody Till Somebody (F) • You've Changed (Eb) • Yours (D)
Z
THE GREAT GIG BOOK (BLUE) ~AlLAI2S
062 038 064 039 021 003 047 063 059 060 044 012 013 032 022 078 019 051 023 033 054 028 049 027
• • • • • •
•
• • • • • •
• • • • • • •
All My Tomorrows (Eb) All Of You (Eb) All The Way (F) Angel Eyes (Cm) April In Paris (C) As TIme Goes By (Eb) Autumn In New York (F) Bewitched (C) Blue Gardenia (G) Blue Hawaii (Bb) Blue Velvet (Bb) Body And Soul (Db) But Beautiful (G) Chances Are (G) Come Sunday (Bb) Cry Me A River (Cm) Dam That Dream (G) Deep Purple (F) Don't Blame Me (C) Don't Go to Strangers (Bb) Dream(C)
Early Autumn (C) East of The Sun (G) Easy Living (F) OSO Easy Street (Eb) 005 Embraceable You (F) 076 End of a Love Affair. The (F) 065 Everything Happens to (Bb) 008 Everytime We Say (Eb) 042 •. Flamingo (F) 053 Fools Rush In (C) 048 • For All We Know (F) 03l • For Sentimental Reasons (F) 069 • For You, For Me, (F) 002 Georgia (F) 070 • Ghost Of A Chance (C) 025 • God Bless The Child (Eb) 025 • Good Moming Heartache (F) 055 • Goodnight Sweetheart (C) 070 • Guess I'll Hang My Tears (C) 060 • Harbor Lights (Eb) 080 Heather on The Hill, The (F) 010 Here's That Rainy Day (F) 062 • How Deep Is The Ocean (F) 036 • How Long Has This Been (G) 020 I Can't Get Started (C) 040 • I Concentrate on You (Eb) 064 • I Cover The Waterfront (G) 037 I Fall in Love Too Easily (Eb) 034 • I Got It Bad (G) 001 I Left My Heart In San (Bb) 015 I Only Have Eyes For You (C) 010 I Remember You (G) 044 I Should Care (C) 053 I Will Wait For You (Om) 039 I Wish You Love (F) 028 I'm Getting Sentimental (F)
• • • • • • •
·
·
·· · · ··· ··· ·
068 009 069 081 066 027 024 036 038 031 054 083 066 018 043 074 057 002 029 034 052 016 001 022 026 004 058 043 011 080 016 082 011 071 082 042 052 041 017 056 056 017 055 058 067 079 007 041 078 035 061 013 051 077 007 019 075 029 046 026
•
I'm Glad There Is You (F) I'm In The Mood For Love (C) • I've Grown Accustomed (Eb) • If Ever I Would Leave (Bb) • III Wind (Bb) Imagination (Eb) In A Sentimental Mood (F) • In My Solitude (Eb). • In The Still of the Night (F) • Isn't It Romantic (Eb) • It Might As Well. Be (G) • It Never Entered My Mind (F) • Last Night When We (G) • Laura(C) • Lover Man (Om) • Masquerade is Over. The (Eb) • Midnight Sun (C) • Misty (Eb) • Mona Lisa (F) • Mood Indigo (Ab) • Moon Over Miami (G) • Moonlight In Vermont (Eb) Moonlight Serenade (F) • More Than You Know (C) • My Foolish Heart (Bb) • My Funny Valentine (Cm) My Melancholy Baby (Eb) • My Old Flame (G) • My One And Only Love (C) • My Own True Love (Tara) (F) • My Ship (F) • Nancy With The (F) • Neamess Of You, The (F) • Nevertheleu (Bb) • Night We Called it A (G) • Nightingale Sang in (Eb) • Old Cape Cod (F) • Old Folks (Eb) • Once In Awhile (Eb) • One For My Baby (Eb) • One More For The Road (Eb) • Over The Rainbow (Eb) • Party's Over, The (Eb) • Penthouse Serenade (C) • People (C) • Pieces of Dreams (F) • Polka Dots & Moonbeams (F) Poor Butterfly (Ab) Portrait of Jenny, A (F) • Prelude to a Kiss (C) • Red Sails In The Sunset (G) • Scotch & Soda (Eb) • Second Time Around, The (C) September In The Rain (Eb) • September Song (C) • Skylark (Eb) • Smile (F) • Smoke Gets In Your Eyes (Eb) Some Other TIme (C) • Someone To Watch Over (Eb)
•
·
··
·
·
Style Index 032 045 049 006 035 065 004 077 003 068 015 020 075 037 073 021 067 072 033 071 005 009 072 076 008 018 014 061 012 024 050 048 063 030 046 023 059
• •
·• ·• • • • •
·• • •
• • • • •
·• • • •
·• • •
• • •
• • • •
Sophisticated Lady (Ab) Spring Can Really Hang (C) Spring Is Here (Ab) Stardust (C) Stella By Starlight (Bb) Summer Place, A (Bb) Summertime (Am) Sunday Kind Of Love (F) Tenderly (Eb) Thanks For The Memory (F) That's All (Bb) These Foolish Things (Eb) They Sat It's Wonderful (F) Things We Did Last (G) This Is All I Ask (F) Till There Was You (Eb) TIme On My Hands (F) Try A Little Tendemess (Eb) Twilight Time (G) Two For The Road (C) Unforgettable (F) Very Thought Of You, ThE (Ab) VIOlets For Your Furs (F) Warm Valley (Eb) We'll Be Together Again (C) What A Difference A Day (F) What Are You Doing the (Am) What Kind of Fool Am I (C) What's New (C) When Sunny Gets Blue (F) When You Wish Upon A (C) Where or When (Eb) Who Can I Tum To (Eb) Willow Weep For Me (G) You Don't Know What (Fm) You Go To My Head (C) You've Changed (Eb)
~
NEWER ~AllADS 086 094 . 092 090 098 085 087 097 093 095 094 096 088 088 089 091 085 089 095
• • • •
• • • •
··• • • •
···
All I Ask of You (Db) Cast Your Fate to The (F) Close To You (Eb) Evergreen (C) Feelings (Em) Love Story (Gm) Memory(C) MyWay (F) Send in the Clowns (Ab) Somewhere (F) Stranger on the Shore (F) Summer Knows, The (F) TIme For Love, A (Bb) Twelfth of Never (D) Way We Were, The (A) We've Only Just Begun (F) What I Did For Love (C) When I Fall in Love (F) You Don't Know Me (C)
J
J
, _II
_I I
•II
EASY SWING 106 • After You've Gone (C) 110 • Ain't Misbehavin' (C) 112 Alone Together (Om) 105 Autumn leaves (Em) 157 Beautiful love (F) 155 Because of You (Eb) 101 Blue Moon (Eb) 135 Blue Room (F) 105 Blue Skies (F) 149 • Blues in The Night (Bb) 103 Bye Bye Blackbird (F) 136 Call Me Irresponsible (Ab) 132 • Canadian Sunset (Bb) 128 Cheek to Cheek (C) 117 Come Rain or Come (F) 131 • Cute (C) 138 Dancing In The Dark (Eb) 126 • Dancing On The Ceiling (F) 102 Days Of Wine And Roses (F) 118 Do You Know What It (C) 158 • Don't Take Your Love (C) 157 • Oon't Worry 'Bout Me (Ab) 146 • Dream A UttJe Dream (G) 123 Easy To Love (G) 147 Ebb TIde (C) 119 Fine Romance, A (C) 107 Fly Me To The Moon (C) 148 Gee Baby, Ain't I Good (Cm) 152 Glory of love, The (G) 147 Harlem Noctume (Om) 114 • Heart And Soul (F) 138 Hey There (Eb) 133 • How About You (G) 129 I Can't Give You (Ab) 116 • I Could Write a Book (C) 142 • I Didn't Know What (G) 139 • I Don't Know Why (Bb) '166 • I Get Along Without You (Bb) 158 I Hadn't Anyone TIll You (F) 114 • I Hear a Rhapsody (Eb) 115 • I let A Song Go Out Of (Eb) 161 • I Love Paris (C) 116 • I Thought About You (Eb) 134 • I Won't Dance (C) 155 • I'll Be Seeing You (Eb) 108 I'll Get By (C) 153 I'm Gonna Sit Right (C) 137 • I've Got My Love to Keep (F) 130 In A Mellow Tone (Ab) 102 It Had To Be You (Ab) 124 It's Only a Paper Moon (G) 161 It's Been a long, long (F) 109 • Just In Time (Bb) 144 • Just Squeeze Me (F) 132 • L-O-V-E Love (F) 151 Let's Do It (Bb) 122 • Let's Fall in Love (C) 150 Let's Get Away From It (Eb) 111 Like Someone In Love (Bb) 160 • Lil' Darfin' (Eb) 145 • Love Walked In (Eb) 165 Lovely To Look At (F)
··· ··· · ·· ·· · ··
··· ···
· ·
·
·· ·· ·
· ·· ·
118 143 110 126 152 148 104 162 113 130 127 156 107 133 111 145 142 104 125 109 150 141 130 103 129 164 163 115 120 164 144 146 119 131 113 140 121 135 154 139 127 128 101 137 143 117 162 122 120 156 112 106 108 125 123 141 153 124
lullaby of Birdland (Fm) Make Someone Happy (F) Makin' Whoopee (F) Manhattan (F) • Mean To Me (F) Memphis in June (C) Moonglow (G) Moonlight Becomes You (F) • More I See You, The (Eb) Moten Swing (Ab) • Mr. lucky (G) • My Blue Heaven (Eb) • My Romance (C) Nice 'N' Easy (Eb) • Nice Work if You can Get (G) No Moon At All (Om) • Oh You Crazy Moon (G) On A Clear Day (G) • On a Slow Boat To China (Bb) Out Of Nowhere (G) • Paper Doll (F) • Peg '0' My Heart (Bb) Rose Room (Ab) • Satin Doll (C) • Sentimental Joumey (C) Some Enchanted Evening (C) • Sound of Music, The (F) • Star Eyes (Eb) • Stormy Weather (Ab) • Stranger in Paradise (F) • Summer Wind (Eb) • Sweet and Lovely (G) • Sweet Lorraine (G) Swinging Shepherd Blues (C) • Teach Me Tonight (C) • Tender Trap, The (Ab) • That Old Black Magic (Eb) • That Old Feeling (Eb) • That's Life (G) • There's A Small Hotel (G) • They Can't Take That (Eb) • Three Little Words (C) • TIme After TIme (Bb) • Weaver of Dreams, A (C) • What Now My Love (F) • When Lights Are Low (F) • When Your Lover Has (Ab) • Will You Still Be Mine (Ab) • Witchcraft (F) • With A Song In My Heart (Eb) • Yesterdays .(Om) • You Made Me Love You (C) • You Make Me Feel So (Bb) • You Stepped Out of a (C) • You'd Be So Nice to (C) • You're Getting to be a (F) • You're My Thrill (Fm) • You're Nobody TIll (F)
•
·· ··
· · · ·
·
~EWEREASY 185 188 187
• • •
Everybody Loves (F) I Say A Little Prayer For (C) Moments To Remember (Ab)
··•
186 186 185 187
•
Raindrops (F) Sing (Bb) Song Sung Blue (F) This Guy's In love (Eb)
MEOIUMLUP SWING 203 241 204 215 247 240 244 212 233 228 248 226 219 205 227 202 245 201 230 220 209 246 239 224 229 203 212 227 207 222 229 223 210 225 216 224 206 210 222 217 204 230 209 221 237 235 243 208 248 236 211 228 216 205 201 207 217
• • •
All Of Me (C) All Or Nothing At All (C) All The Things You Are (Ab) Almost Like Being In (Bb) Alright, Okay, You Win (Eb) • Between The Devil and (F) • Breeze And I, The (F) But Not For Me (Eb) • Chattanooga Choo Choo (C) Cherokee (Bb) • Choo Choo Ch'Boogie (F) • Come Fly With Me (C) • Crazy Rhythm (F) • Day By Day (F) • Dearly Beloved (C) • Do Nothing TIll You (F) • Don't Be That Way (Eb) • Don't Get Around Much (0 • Exactly Like You (C) • Fascinating Rhythm (F) • Foggy Day, A (F) • From This Moment On (Ab) • Give Me The Simple U~e (Eb) • Gone With The Wind (Eb) • Green Dolphin Street (C) • Have You Met Miss Jones (F) • How High The Moon (G) • I Get A Kick Out Of You (Eb) • I Love You (F) • I'U Remember April (G) • I'm Beginning To See (C) • I'm Old Fashioned (F) • I've Got The World on a (Eb) • I've Got You Under My (Eb) In The Mood (Ab) • Invitation (Cm) • It Could Happen To You (F) • It Don't Mean a Thing (Bb) • It's You Or No One (F) Jersey Bounce (C) • lust Friends (G) • lust One Of Those Thing! (F) • Lady Is A Tramp, The (C) • Long Ago And Far Away (F) • lot Of Living To Do, A (C) • love For Sale (Bb) • Lover, Come Back To Me (Ab) • Mac The Knife (C) • Mountain Greenery (C) • My Baby lust Cares For (G) • Night And Day (Eb) Old Devil Moon (F) Opus One (G) • Our Day Will Come (G) • Our Love Is Here To Stay (F) • Pennies From Heaven (C) Pennsylvania 6-5000 (G)
·· ·
·
IF
218 234 211 246 215 213 237 208 231 223 217 219 242 206 214 202 242 238 232 238 239 218 220 236 221 214 244 247 245 234 240
·· • ·· • ·• • •
• • • •
·• • •
• • • • • •
Perdido (Bb) Red Roses (for A Blue (C) SWonderful (Eb) San Francisco (C) Secret Love (Eb) Shiny Stockings (Ab) Somebody Loves Me (G) Somewhere Beyond the (Eb) Song is You, The (C) Stars Fell On Alabama (C) Stompin' At The Savoy (F) String Of Pearls (Eb) Take The "A" Train (C) Tangerine (F) There Is No Greater Love (Bb) There Will Never Be (Eb) There'll Be Some Changes (Bb) This Can't Be Love (Ab) This Could Be The Start (C) Too Oose For Comfort (C) Too Marvelous For Words (G) Tuxedo Junction (Bb) Undecided (C) Walkin' My Baby Back (Eb) Way You Look Tonight, (Eb) What Is This Thing (C) Without a Song (Eb) Woodchopper's 8all (C) Wrap Your Troubles (C) You and the Night and (Eb) You Do Something To Me (Eb) SQCIETY lMISC,
302 306 302 309 305 306 327 301 327 301 311 309 328 307 308 311 308 304 305 303 303 310 328 326 310 325 327 325 304 307
• • • •
• •
•
• • • • •
Alley Cat (C) Anything Goes (C) Cabaret (Eb) Cecilia (C) Fine And Dandy (F) Get Me to the Church on (G) Give My Regards To (Bb) Hello Dolly (Bb) Hooray For Hollywood (F) I Got Rhythm (Bb) I Uke The Ukes Of You (Eb) It All Depends On You (C) It's Alright With Me (F) It's Delovely (F) Lady Be Good (G) Late, Late Show, The (F) Mime (C)
• • • •
·• • • •
··
New York, New York (F) On The Street Where You (C) On The Sunny Side Of (C) One (Eb) Puttin' On The Ritz (Fm) Rosetta (F) So What's New (C) Surrey With The Fringe. (G) Sweet Gypsy Rose (C) That's Entertainment (Bb) Tie A Yellow Ribbon (Eb) When You're Smiling (Bb) Whispering (Eb)
DIXIE 358 357 361 362 355 351 355 354 353 356 357 358 352 353 359 356 358 364 359 359 363 363 354 351 360 361 362 364 352 362 415
• • • •
• • •
• • •
• • •
• •
• • •
• •
·• •
Ain't She Sweet (C) A1exanders Ragtime Band (F) Avalon (F) Baby Face (C) Basin Street Blues (C) Bill Bailey (F) Birth Of The Blues (C) Bourbon Street Parade (Ab) Bye Bye Blues (C) Charleston, The (Bb) Chicago (F) Darktown Strutters Ball (C) Five Foot Two (C) Honeysuckle Rose (F) I've Found A New Baby (0) Indiana (F) Jada (F) Umehouse Blues (Ab) Midnight In Moscow (C) Muskrat Ramble (Bb) Rock-A-Bye Your Baby (C) Sheik of Araby, The (Bb) St. Louis Blues (G) Sweet Georgia Brown (G) TIger Rag (Bb) TIn Roof Blues (Bb) Toot Toot Tootsie (C) Up A Lazy River (F) Way Down Yonder In (G) Yes Sir, That's My Baby (Eb) Gravy Waltz (C)
WALTZ 413 403 402 410 414 409 404 403 409 411 401 412 416 409 411 413 408 406 401 415 412 408 408 414 401 402 410
• • •
• •
• • • • •
·• • • • •
·• ·• •
Alice in Wonderland (C) Always (F) Around The World (C) Baubles, Bangles and (Ab) Bluesette (Bb) Dear Heart (F) Edelweiss (Bb) Emily (C) Falling In Love Again (Eb) Falling In Love With (Bb) Fascination (C) Greensleeves (Om) Hello Young Lovers (Eb) I Could Have. Danced All (C) I'" Take Romance (F) Lover (C) Mademoiselle de Paris (D) Merry Widow Waltz (F) Moon River (C) My Buddy (G) My Favorite Things (Em) Pigalle (C) Que Sera, Sera (Eb) Scarborough Fair (Om) Someday My Prince Will (F) Somewhere My Love (G) Tennessee Waltz (C)
407 405 414 407 406 415 407 406 404
•
· • • • •
Two Hearts In 3/4 Time (C) Under Paris Skies (Fm) Up Jumped Spring (Bb) Vienna Ufe (Bb) Vienna, My City Of (F) What'" I Do? (Eb) Where Is Your Heart (Eb) Wonderful Copenhagen (C) Wunderbar (G) POLKAS
431 432 432 461 432 434 433 433 433
• • •
Beer Barrel Polka (C) Clarinet Polka (C) Happy Wanderer, The (Bb) Hawaiian Wedding Song (C) Helena Polka (F) Hoop-Dee-Doo (Eb) Uechtensteiner Polka (F) Pennsylvania Polka (F) Too Fat Polka (C) ITALIAN
443 441 444
442 444 441 461 441 443 444 443 442 470 442
•
•
Ah Marie (Cm) AI Di La (Bb) Anema E Core (G) Arrivederci Roma (G) Ciao, Ciao, Bambina (C) Come Back To Sorrento (Cm) Godfather TOeme (Cm) Mala Femmena (Bb) Maria Elena (C) My Love Forgive Me (C) o Sole Mio (Eb) Tarantella (Am) That's Amore (F) Volare (Bb) IRISH
451 452 452 452 451
•
•
Danny Boy (Londonderry (C) Irish Washerwoman (G) MacNamara's Band (F) My Wild Irish Rose (Bb) When Irish Eyes Are (C) IEWISH
456 455 456 456 455 456
•
Artsa Alinu (Om) Hava Nagilah (F) Mayim Mayim (Cm) Misirlou (Gm) Sunrise, Sunset (Gm) Tzena (F) MISC-SPECIAl
462 462 465 463 464 466
• •
Anniversary Song (Em) Anniversary Waltz (C) Auld Lang Syne (F) Bridal Chorus (Bb) Bunny Hop (F) Chicken Dance (C)
II
II II I I I I ~
I I I I
469 466 469 463 464 468 468 464 467 465 465 467 463
• • •
Cielito Lindo (Bb) Daddy's Little Girl (C) Guantanamara (D) Hail To The Chief (C) Hokey Pokey (Bb) • La Vie en Rose (C) • Limbo Rock (F) Mexican Hat Dance (F) Russian Dance (G) Star Spangled Banner (Bb) Stripper, The (F) • Those Were The Days (Am) Wedding March (Om)
CHRISTMAS 485 492 492 486 485 491 491 490 487 487 489 488 486 490
• • • • • • • • • • • • • •
Christmas Song (Eb) Christmas Time is Here (F) Frosty the Snowman (0 Have Yourself a Merry (C) I'll Be Home For (C) Jingle Bells (G) linglebell Rock (0 let It Snow (F) Rudolph (C) Santa Claus is Coming Silver Bells (0 Sleigh Ride (G) White Christmas (0 Winter Wonderland (Eb)
BOSSA NOVA 508 512 509
513 511
519 . 515 504
501 516 506 520 510 505 511
517 522
518 503 520 514 507 504
505 519 506 503 517 522
501 518
• • • • • • • • • • • • •
Black Orpheus (Am) Call Me (Bb) Desafinado (F) Dindi (C) Don't Misunderstand (F) Estate Felicidade (Cm) Gentle Rain (Am) Girl From Ipanema (F) Going Out Of My Head (Bb) How Insensitive (Om) If You Never Come To Me (Eb) like A lover (0 little Boat (C) • look Of love (Om) look to the Sky Lujan (Om) Man And A Woman, A (0 • Meditation (C) • Never let Me Go (Db) • No More Blues (Chega De (F) o Grande Amor (Am) • Once I loved (F) • One-Note Samba (Bb) • Only Trust Your Heart Pretty World (G) • Quiet Nights (0 Recado Bossa Nova Sabor A Mi (Eb) • Shadow Of Your Smile (G) • So Many Stars (C)
507 540 508 502 502 521 512
• • • • • •
So Nice (Summer Samba) (F) Theirs Tears Triste (Bb) Watch What Happens (Eb) Wave (D) Where Do You Start (Eb) Yellow Days (F)
SAMBA 539 535 537 537 539 540 536 536 538
•
• • • •
Bim Bam Bum (Bb) Brazil (Ab) I Go To Rio (Bb) Jazz Samba (Eb) Mas Que Nada Menina Flor (Eb) Quando, Quando (Bb) Samba de Orfeu (C) Tico Tico (Am)
607 604 608 607 608 602 606 603 602 602 605 603 601 693 605 604
•
IAZZ EASY 614
RHUMBA
611
• • • • • •
Always In My Heart (Bb) Amapola (Bb) Amor (0 Begin The Beguine (0 Besame Mucho (Om) Green Eyes (Eb)
637
•
More (G)
613
• • • • •
Perfidia (0 Poinciana (G) Softly As In A Morning (Om) Spanish Eyes (G) Speak low (F) Strangers In the Night (F) You Belong To My Heart (Eb) Yours (D)
614 615 612 615
613 556 558 554 552 551
553 553 555 554 557 551 555 557
556 558
• •
613 611
614 612 616
626 625 632
634
CHA CHA
630
565 567
566 567 565
• • • • •
Cherry Pink and Apple Dansero (F) Frenesi (Ab) Never On Sunday (Eb) Tea For Two (Ab)
TANGO
575 578
576 577 577
• • •
Blue Tango (D) Jalousie (Bb) Kiss Of Fire (Om) La Cumparsita (Cm) La Paloma (0
OTHER LATIN
568 568
602
601 601
Caravan (Fm) Morning (Bbm)
Django (Fm) I Remember Clifford (F) If You Could See Me Now (Eb) Infant Eyes (Eb) Kids Are Pretty People (F) Lament (F) lush life (Db) Naima (Fm) Passion Flower (G) Peace Bb) Quintessence (F) Round Midnight (Ebm) Search For Peace Soul Eyes (Eb) Tum Out The Stars You Know I Care (Bb)
(Eb)
635 633 639 244 640 634
633 628 626 637
631 625 630 628 627 353 625 639 639
IAZZ BALLAD
630
Blue In Green (Bb) Chelsea Bridge (Db) Child Is Born, A (Bb)
625 635 631 632
•
Bemie's Tune (Om) Dolphin Dance (Eb) Doxy (Bb) Falling Grace (Ab) Haunted Ballroom (F) In Your Own Sweet Way (Bb) Killer Joe (0 Stolen Moments (Cm) Strollin' (Db) Sugar (Cm) Take Five (Cm) Things Ain't What They (F) Whisper Not (Cm) Work Song (Fm)
Airegan (Ab) Anthropology (Bb) Daahoud (Eb) Dig (Ab) Four (Eb) Groovin' High (Eb) Half Nelson (C) Impressions (Om) Jeanine (Ab) Joshua (Om) Joy Spring (F) lady Bird (C) Milestones (Old) (Bb) Nardis (Em) Nica's Dream (Bbm) Night In Tunesia, A (Eb) Oleo (Bb) Ornithology (G) Quasimodo (Eb) Robbin's Nest (0 Scrapple From The Apple (F) Serpent's Tooth (Bb) Seven Steps To Heaven (F) So What (Om) Solar (Cm) Theme, The (Bb) Tune Up (D) Well You Needn't (F) Yardbird Suite (C)
!AZZMED/UP 244 636 643 643 642 641
614 641
627 626 627 638 642
629 636 629 638 629
Bebop (Eb) Bolivia (G) Con Alma (E) Confirmation (F) Donna Lee (Ab) Epistrophy (C#) Giant Steps (B) I Mean You (F) Lazy Bird (G) Moanin' (Fm) Moment's Notice (Eb) Night Has 1000 Eyes, The (G) Salt Peanuts (F) Serenity (Eb) Smatter (278) Speak No Evil (Cm) This Is New (Cm) Witch Hunt (Cm)
!AZZ BLUES 659 658 635 660 659 658 659 656 658 657 655 658 655 660 656. 655 660 657 659 655 656
Au Privave (F) Bessie's Blues (Eb) Billie's Bounce (F) Bittersweet (C) Blue Monk (Bb) Blue Trane (Cm) Blues For Alice (F) Byrdlike (F) Equinox (Cm) Gingerbread Boy (Bb) Isotope (C) . Mr. Sims (C) Now's The Time (F) Perhaps (C) Relaxin' at Camarillo (Bb) Solid (Bb) Some Other Blues (F) Speedball (C) Straight No Chaser (F) Tenor Madness (Bb) Vierd Blues (Bb)
!AZZ WALTZ 673 676 674 677 .677 677 678 675 673 675 674 678 676
Elsa (Eb) How My Heart Sings (C) It's A Raggy Waltz (G) Ju-ju Night Dreamer (G) Simone (F) Sometime Ago (F) Valse Hot (Ab) Very Early ( Waltz For Debby (F) West Coast Blues (Bb) What Was (C) Windows (Bb)
!AZZ LATIN
689 694 691 690 689 692 691 686 688 687 687 688 694 693 685 685 694 685 690 687 686 696 696 695 695 696
Armando's Rhumba (Cm) Blue Bossa (Cm) Ceora (Ab) Forest Flower (C) Friends (C) Gaviota (Cm) Gregory Is Here (Bb) I Told You So (F) liberated Brother (Gm) little Sunflower (Om) Lucky Southem (0) Manteca (Bb) My Uttle Suede Shoes (Eb) Pensativa (Gb) Recordame (Am) Silver's Serenade (Em) Song For My Father (Fm) Song For Strayhom (Eb) Spain (D) St. Thomas (C) Think On Me (D) Groove Merchant (Bb) Mercy, Mercy, Mercy (Bb) Sidewinder (Eb) Sister Sadie (G) Watermelon Man (F)
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lit- tIe cab-Ie cars _ _
17 F J Ji I d
fog_
G7~9
E-7~S
G-7
go-ing home to my
C-7
[§k~d7
F7'
1
I~ ~b
J )1 1J J J
in San Fran - cis - co:=-' in San Fran - cis - c o _
@i' j - * J j ~a I J' a ; J me._
bJ)
07
F/C
bly a-lone and for -got-ten in Man- hat-ten, I'm
heart there__
J I rr JJI
gay. The glo-ry that was Rome was of another
G~9
IAI B~ E~t.?l1l0-7 0~07
My love waits
I
is
C-7~5
a
ter-
I left my
~
Par- is
C7
sea._
B~
F7
-
Fie
sun will shine on
me.
MOONLIGHT SERENADE Glenn M111er 1939
F
C+
fa G-
0-
a I~ i J J r' A-7~S D7~9
I~i J
J 10
Fllle
B-7~S
F I iU
E7
r
B-7~S
I~ F r
E7
A-7~S
G- Go
WI G-
3 IF ,) J I B~
C7 C+
J
1
r-3---,
E-7 A7
r D7
r I r r r IJ
F '1 j
I
F'F=r #J J I
G-7
I
Y-YJ
C7~9
D.W'~
f
2
MISTY
Look at
Erron Garner/Johnny Burke 1954
_3-
Eb~7
MUS
-
hat
t.
Ii
2
I 1. ~ 'I,
Eb
'Eb Ab6
F-7
.--3-'
I get I get I get
un - der - stand, ic I hear, from my glove,
1.
3
A-7
r-- 3 - - ,
£]'1
[8] .F
c:J
FrFFrl
G-7
I~i E:J
Geor- gia
-
Flfle
J J I on my
~
JEW
Oth- er arms
D-7
G-7
I~i J)
•~
still
in
11 J peace
(Geor- gia on my mind)
mind
G-7
J
-
C+7
D-7 ~
•
reach
I J)
fu]
D dreams
J
:f',::: ;~
I
D see
r
D7
JI J
r r
J
F
G-7
pIr the
J JI D-7
road
smile
leads
r r I back
l
G7 §p~
F
to
G-7
C7~9
j
j
II
D.C. al2nd End Fine
you._-
II
II II
II
ten - der - ly,
D7~9
J
II
pines. mind.
the my
J it) J I P J
oth- er eyes
II
F6
C7
II
II
F
old sweet song keeps as sweet and clear old sweet song keeps
G-7
A-7
r-
F~7
2. moon - light through on 3. Geor - gia
I J)
E7
F
•F
D-7
out to me,
D-7
j
"Bb7
On my
Hoagy Carmichael/Stuart Gorrell 1930
through, just an you, comes as find, just an
I F F F F ,a
II
D-7
I J)
the whole day a song of no peace I
A-7 Ab7 G-7
D.C. al2nd End
you.
G7/B Bb-6
D-7/C
~
IF JslI
e
that's why I'm fol-Iow-ing
IJ J F' J I J.
Geor- gia,-Geor-gia._ Geor-gia.-
C7
-~~F
D-7
J_J.
I J
F"
Geor- gia, Geor- gia, Geor- gia.--
,J
A7~9
F-7 Bb7
'"'""-3--,
help-less-ly I'm lost,
E-7~5
want you to do.
G-7~5 C7~9
F7
C-7
D7
GEORGIA
I~i
love.
but it's just what I
FrI F FFr
j
Don't you no-ticehow
11.
Walk my
Eb7~9
.--3---,
You can say that you're lead-ing me on,
Ab6
I~~
Bb7~9
F-7
hand.
mis - ty just hold - ing your mis - ty the mo - ment you're mis - ty and too much in
~Bb-7
G-7 C9
elf) 1 WF r I ~F F F F=r- I ~F (1 near.
I~~b!.
C-7
-
can't
clin~ing
at9
me, I'm as helpless as a kit-ten up a tree, feel like I'm to a cloud; I thou-sand vi - 0- lins be-gin to play, or itmightbe the sound of your hel-lo. that wan-der thru this wonder-land a-lone, nev-erknowing my rightfootfrom my left, my
Walk my way, and a On my own,would I
II I
3
AS TIME GOES BY
Hennan Hupfield 1931 (Casablanca)
[8]
F-7
F-7~5
Bb7
Bb7
CAb7 G-7 C7) F-7 Flo7 Eb/G C-7
Eb
J ~ J ; J J J PI J J J J J PI r F r;
~
I'~I!I!
I'
the No
the
/
fun - da-ment- al things ap - ply as mat- ter what the fu - ture brings as world will al- ways wel- come
G-7~5
Ab
Moon-lightandlovesongs
C7~9
F FF
goes goes
by. by. _ __
And
A-7~5
F-7
by. _ _ _ __
D7~9
C-/G
Ab7/Gb
nev - er out of date, heartsfull of pass- ion, jeal-ous- y and hate; wonran needs man
Eo
Bb7
F7
time time
~rc¥ r I fJ]lrrl rEnf r IE F (J E EI
iJ Prr Ie
~j,b r
sigh is still a sigh; that you can re - Iy; case of do or die;
I
I
I8 I
* rI
.. F-7
F7
I
kiss is still a kiss, a still say "I love you", on fight for love and glory, a
must re- mem-ber this, a when two lov- ers woo, they still the same old story, a
You
rI
r rI rF j
man must have his mate, that
C7~9
P-7 Bb7 D.C.alCoda-$-G-7
j
Ir
no one can de -
}II
i
I
Eb
I .. j I F F
rF
lov- ers,
It's
ny.
F-7 Bb13
and
as
time goes
by.
TENDERLY Often played as a waltz
I'
Walter Gross/Jack Lawrence 1946
~
Eb~7
r -r F
~hj, E r r ~ The eve - ning The shore was
breeze kissed
-J J
j
i
The trem- bUng I can't for
I" F-7~5
C7
* J . p. Then Your
you
ca - res sed by sea
I
em - braced the how two hearts
trees
get
r I J.
came
~j,~ r
side,
met
G-7
F#o7
i
E
r
r
you took my
you took my
I
lost
and
Bb7
F-7
C+7
I F~ 'E E t f lips,
J I J Jr I
by,
op - ened
l love
-
ly. ly
B o7 C-7
Bb7
wan - der-ing
u::
ten breath - less
J FIl
I
i~r
f
breeze
. F-7~5
Bb7
The shore was
F9
Iy ly
Eb~7
J
I
l
II
-
ten - der ten - der
2. F-7~5
we.
I
Ab-6
l JJ J J
and
r-n
trees mist
the and
F-9
F-7
I'
r
F
Eb-7
B o7
wide
Bb7
and
Eb6
JJ ~ J I so ten- der
in a
9:
ly.
F7
r
sigh
JI were
C-7 closed 17'\
I
_9
me in -
4
MY FUNNY VALENTINE c-
C-7
C-(t,7)
I~ ~1'l.!l J J J I J. Jl My
fun- ny
D-7~5
I,
&1,1z
I~ ~\'I,
A~A7 A~/G
F-7
J J J Ir p
yet you're my
looks
are
r'
9)) I
fay - 'rite work
of
I~ jl'b
mouth
F-7
a
art. _ _
EbA7
weak, when you
0
you make me
j
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II
J. ;
F-7
J
j
I
G7
C- Bb- A7
J
J
j
D-7~5 G7~9
"
Ir J
smart?_ _
Ab~7
II
But G7~9
D-7~5
II II
II II
greek, is your
AbA7
speak, are you
e-6
j
G-7 F-7
fi - gure less than
to
JI
graph - a - hIe,
Is your
pen it
r
smile with my
I
un - pho - to -
J
•I
C-6
l JJ I J J J I
i
-
J
EbA7
j
I,J
j I
j
J J
I
Bb7~9
II
G-7 F-7
lit - tie
j
laugh - a - hIe,
A~-6
F-lEb
I
F-IE~
F-7
C-7
J. l
j I
I
•
r , lJ J I, J J J I r
EbA7
J2 j
C-(t,7)
" Your J
heart. _ __
J.
val - en - tine,
sweet com - ic
e-
I ..
j I
J J
I
val - en - tine,
G7~9
Ii
j
A~A7 A~/G
C-6
•II
Rodgers/Hart 1937
I
II
I I - I I~ ~I'b I I J J J I J. j) ,J I I SUMMERTIME I ~ P>
. C-7
C-(t.7)
I' ~I'I, J J J I J. l don't change a
C-7 B9
hair for me,
Bb-7 A7
II
j
I
J
not
J I J.
•~
if you
A~~7
J)
J I f' r F I C-
care for me,
stay
fun- ny
Bb7~9
F-7
D
F
val - en - tine
Eb
II
e
stay,
each
day
val
is
-
tine's
en
day.
G. Gershwin/DuBose Heyward 1935
A-6 B-6
r-
3
A-6
B-6
A-6 B-6
A-6
B-6
D-
F
--,
Sum-mer One of these
time mom - in's
and the liv-in' is you goin' to rise up
E~ E7
D-
and the cot- ton is and you'll take to the
A-6 B-6
A-
F7 E7
w high. _ __ sky. _ _
D7
ea - sy,_ sing - in',...-,_ _
A-6
fish are then you'll
A-6
B-6
Your dad - dy's rich But till that mom in'--
A-7
C/G
jump - in' spread your wings
D-7
D7
B-6
and your mam-my's good there's a no - thin' can
A-
~
II
look - in', harm you
so with
hush lit - tIe dad- dy and
ba - by mam - my
don't stand
-
you in'
cry. by.
Ii
EMBRACEABLE YOU B~o7
A-7
rra/~ge~Win
D7
F7 E7 A-7
J J i * J J J I J J' J J-1u -7~m~ you I
Em- brace me, I love all
my sweet ern- brace - a- ble you. _ _ __ the rna - ny charms a- bout you. _ _ __
D7 b9
A-7
1'
G6
G#-7~5
B-7/A
1* # r d\ J JJ
G-6
l'a - pa
1* F
do._
My
you. my heart grew
07
Bb7
A-7 Ab7~
~
F iF I F i J) J Jlu
j
gyp - sy in rne. _ _ E-(t.7)
Don't be
E7 b9
GID
r·
a J
A7
F#7~9
lei C6 F#-7~5 B 7~9 EI * F F F IFF J F I * J J j J J J I
a- bout you., _ __
A7
C#-7~5
E-7/D
You and you a - lone bring out the
G 71B
E-7
E-7
I J J J JI J
II
Em - brace me, a - bove all
Just one look at
B7~9
P#-7
tip - sy in m e . _ _ _ _
1*#
IBI E-
ir - re - place - a - ble you. _ _ __ want my
B-
arms
B7~6
GIB
r,
1* W F
j'
5 1930
naugh - ty ba - by,
a
1-7~S
r
sweet
F I F
'¥
brace
-
em -
l
come to pa- pa, come to
D7~9
G6
ill
e
a - ble
J *
I
you. _ __
UNFORGETTABLE
Gordon Irving 1951 (Nat Cole)
~ G G6 Gt:.7 G6 C#-7~S F#7~9 ~3---1' , I@ €J J j) J j) I j ~J J I I J !#~
II
Un-for- get- ta- ble._ that's what you Un-for- get-1§t,- in ev - 'ry
are. _ _ way.
t 7 B- C o7 A 7/C,r F-7 1* I:r *1 r FF r IrE 1
Un- for- get-ta- bIe,_ tho' near so And for e- ver- more_ that's how you'll
pt.7
w far. stay. _ _
Like a song of
D9
1*1
J aJ
Eb9 D9
Ct:.7
aJ
Ab7
all ,a 1 J J
nev-er be-fore
has
B 7~9
•
thatsorne-one
E-7
;
love that clings to me, how the thought of
you does things
,
2.
F-6
Ft:.7
F J 1 J U F F F Fir U fa r 1
some-one been more.__
A9
That's why dar-ling,
D7
D-7
I
soun-for-get - ta-ble, thinks that I am
it's in-ere - di- bIe,
G7
a a n~n a J a a J J fJ;.)J J II
to me.
I
un-for-get - ta-ble
C6 I
(A -7 D7)
J. * I
& _ _1_
too. _ __
6
STARDUST F9
C
I~I!~
r r
j
l
r r
j F
A7
D-
I~ ,<>
IJ
beart. _ __ die. _ __
~1
f'
a - part.
C
I~
r
J f'
I E
the
spend wall
in J r
I
me - lo-dy night-en- gale
G7
love
was
new,_
A-7
and
r J J Jis
I~ E r
that was long a - go,
I~ l
each
f
now
D-7
2.
kiss
my
an
grew. _ _
J
Tho'
J) II J I
r
main, _ _
A 7~9
F I £- J JJ J
my
star- dust meI-
I -
0-
ra
J J oJ]
-
song. arms.
The The
D-7~~Ab
J
)
you.
When
J II our
D-7
Eb o7
CIE
J
J
r
I
but
tion,
D-7
G7 G+
star dust of a
song_
C
E-/B A-
J J Jin myJ Iheart it
vain,
dy, _ _
J
in the
J D-7
of a in my
J J J J J J I J.
F-6
In
I
D-
G7
•I b1 • J_JJ q}) I con - so-la - tion is
dream
B 71F# F7 £7 Ebl3 D-2
J
in - spi
il
II
J I.F] J. pi
I' J J J.
C
D9
~J
i-j
dream - ing you are
J #J
F6
_J1
F
and I am once a - gain with of par- a - dise, where ros - es
A-7
I
E
r
B~7'11
A7~9
l J
re - mind- ing me that
Some- times Be
irFr J J
J
. Je,
•I
i
night bright.
D-
JJ J I
j
C+
by.
, G+
D9
al - ways
II
lone - ly stars are
rev-er fai - ry tale
l
F ;-1]
F-6
r
G7
I~ J J J
1
lit- tle stars climb. of yes - ter - day,
mus - ic of the years gone
the when
r~ .J
haunts my tells his
B7
1.
Jf J J JI J
A7~9
f
A-
C6
j J
E-7
D-7
steals a - cross the mea - dows of my Leav- ing me a song that will not
G7
J J J
J
j
won - der why I side a gar - den
I~
J
F6
I~ F r
I
J
J J
J #J J J J
•i
twi-light time, far a - way.
High up in the sky the Love is now the star-dust
I~ J J J [8]
J J
E-
F#o G7
we're
£7
IF
And now the pur - pIe dusk of You wan- dered down the lane and
E-
Hoagy Carmichael 1929
G7
j
the mem-o- ry
r
will
Be -
C/G
F I re -
C
J I~ of love's re - frain. _ _
II
SEPTEMBER SONG
[8]
J
j
C-6
r~
J J
Oh it's a the au- tumn And these few
j
D-7
Ch.7
I
*J
I
long, long time, wea - ther, pre- cious days,
" ....
tem- ber._
when you reach Sep -
[§]
au- tumn
r
(J
CA7/G
prec- ious few,__ D-7~5
. . D7sus4 D7
D.C.a/Coda
IF"
and these few
days
Sep- tem - ber,
I'~f
D-7
Fh.7
1
J J J j:
G-7
J J 3I J i1
A COUll- try dance was be - ing The mus - ic start - ed and was Now in a cot - tage built of
G-7
E-7
1£; r E21 .., "oh, beg your I have the words "ev - er
L
J1
C7
A7
I"
spend with
you.
Van Heusen/Burke 1940
A-7
J J
/J J. I 'J J J
I felt a bump and heard an I held my breath and said "may I know the mean- ing of the
held in a gar - den, I the per- plexed one, Ii - lacs and laugh - ter
D-7
F
Eb7
J J J 3 J
J.
par- don," next one?" af -' ter,"
Bb7
C6
r r
WI I'll
DbA7
POLKA DOTS AND MOONBEAMS
[8]
F-6
rr I r r to a
J J FI
1* Nov - em - ber,
for the wait - ing
Yo
days dwirt-dle down, _ _
Oh the
G7~9
. time
F-6
r rII r game.__
D-7~5
I
When the
sud- den - ly I In my fright - ened and I'll al - ways
Bb
IJ J J
j
all a- round a pug- nosed dream.
I: t~ ~
AA7
Bbo
I'
ques- tions
in the
AA7
B\,o
B-7
ques - tions
but my
heart knew all the ans- wers,
)~ IE E,II,~ -F
I
B-7
~ II ~ tiE hE
E7
J
eyes of oth- er
~
IV
E7
;J. E7
dream.
F~
J. I J IJ J JJ J jiF I as
)
Ftne
on kiss my pug- nosed
AA7
dan - cers
Ab-7
pJ I ,] * J ~J II There were a pug- nosed dream.
" spark- led when I
rD1
A -7
Pol- lea Dots and Moon - beams Pol- ka Dots and Moon - beams Po - ka Dots and Moon - beams
saw arms see
F6
L§J
rI
but the days grow one has - n't got these pre- cious 2.
....
.. ..
short_ _-
J J
1* J
from May to Dec - em - ber, turns the leaves to flame,, _ _ I'll spend with you, _ __
.---3---"
A-7.
E-7
J. Ji J
G7~9
D7
'"
Ab7
7
Kurt Weill 1938
we float - ed
A7
ov - er the
D7,
B-7
r
floor.
E7 There were
G-7
C7
r Ilr I E iE If J .Ji J. I ¥ J Ip J. ~p I r D~J * I ~ J Ir and
per-haps
a
D.C. aJ 2nd Ending
few things more
,
r 8
.. EVERYTIME WE SAY GOODBYE F-7
G-7
J; J
G-7
AbA7
J J J J
II F-7 Bb7 EbA7 Gb7 j J ~ j 3I r p rj II
C7~9
J
I J.
)y
I of
Ev 'I)' time_ we say good - bye, When you're near_ _ there's such an air
<
Cole Porter 1944
•
die spring
!j
a lit- tie, a- bout it,
ev- 'I)' time I can hear
Gb 0 7
F-7
Bb7
D F FI FEri I won-der be - gin to
we say good - bye, a lark some - where
why
a lit- tie,
Ab-7
'r
!j
must
Bb7sus4
be in the
know,
Bb7~9 2· AbA7
b9
Ob9
G+7
C-7
Ir r
P FFI
think so lit- tie
Eb/G
why the gods
a - bove me who
Gb-7 .-3----, B7
J J I ;J J J J J I
of me, they al - low you to go._
Gb o7
F-7
I'
a-bout it.
Ab-7 .-3---, Db9
~llb
J JJ ma- jor to
There's no love song
EbA7
~ I
r
mi - Dor,
C7~9
Bb-7 Eb7 AbA7
but how
strange the change from
'I)' -
Bb7sus4
Bb7~9
J J
J
J
we
say
good
F-7
J. l J ev -
fin - er,
time
Eb6
-
I' • I'
Ab7
D-7
J
~r
J..
J
No Your Some
tears,
kiss, day,
Bb-7
~~ F
what try
no your some
fears, smile, way,
is
not
J
mem- 'ries both have
are we
good -
Fisher/Laine 1945
we'll
lone- some,
Gb7' 11 don't let temp - ta - tion sur -
round
'-'
you,
rr-o
al- ways to - mor - row, er, trea- sure for - ev us, life- time be- fore
rn
J.
IlOG?,.,'
G7
J.
J
gain.
Your
be
b5 D-7 , - - 3 - - , Ab7
I
J dJ J J don't
so so for
-
be to- geth- er a -
~~ •
p .J._ J
I
times when I know you'll
F7
J
J1
07'11
A;L
Ab7
~r
I.))
part, heart, bye,
J5 I ~J
I'll a
0-7~5
~e
Times when I know you'll be
I~
J; I p r P re -mem- ber there's l
if we have to think - ing with your
part - ing
A-
AbA7
Eb7
~r
G7
e
bye
WE'LL BE TOGETHER AGAIN C6
-
e .....
f:
gain.
•
j
let the blues make you
II FIM
sad,
G 7sus4
I J
bad.
II II II
II
Bb7
'-'
sing
II
G9
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/I
Some
D.C. al2nd End (FiI)e)
II II
9
THE VERY THOUGHT OF YOU Eb7
Ab117
J J J(
j
Eb+7
Ab117
Ray Noble 1934
Eb+7
Ab
Bb-7
J J~J_j J J J I J J J I J J J J JI J J' J ;'1
The ve- ry thought of you,__ and I for- get to do__ the lit- tie or - din - ar - y dea of you,_ the long- ing here for you. _ _ You'll nev-er know how slow the Themere i -
Ab/C 3
B o7
F-9
I@~I'!.& J. Jl full G
Bb9
r'
F-7
F-7/Eb
r r I [ p [ pI F r J I r J' r' rub I
I F rr
things that ev- 'ry-one ought to do. mo - ments go 'till I'm near to you.__
G-7~5 C7
Bb-7 Eb7
I'm liv- ing in a kind of day-dream, I'm hap-pyas a I see your face in ev - 'ry flow - er, your eyes in stars a-
Eb7
I I I I I I I I I I I I
I h
JJI J king,
I@~'!'Y
and
D-7~5
ill
fool - ish tho'
Db117
bove
may seem,
C-7
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it
JI
It's just the
to
me
that's ev - 'ry -
7
thing.
J J J :I~ The mere
I
-
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j
J-iJ j J I
thought of you,
the ve- ry
J J FI thought of you,
my
IJ
I.
*
love.
I
I'M IN THE MOOD FOR LOVE Jimmy McHugh/F1elds 1935
[8J
I@t
C r-- 3---,
A-7
j
J J mood for
J
j
I'm in the Hea - ven is in If there's a cloud
0-7
you're
ffi)
is for
it an to - night
0-7 stop
F#-7~5
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#J) We've
for
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I@ J) J Why
- y
J
jl to
.
J)
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think
of
B7~9
put our hearts
G7
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me,
I'm I'm I'm
- der, it,
E-7~5 A7~9
J.
J -
er,
to
the the the
J J mood for mood mood
er,
I
un let
lit - tie
dream
07
p F p
r
we
one,
are
r-
-
me. dec. it
G7",,4fC I
e -&
love.
love.
F"tne
for for
J) J Ji J
now
near
G7~9
0-7~5
this
I
C
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11. C
G7
A-7
r - r·
- geth
Jl
in in in
I
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r-
wheth
C o7
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near won get
G7
3---,
sim - ply be- cause you're bright as stars we're the if it should rain we'll
J
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love, eyes, bove,
0-7
I@ p
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0
your a -
&07
E-7
G7
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might
fade. G7~9
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not
II
a - fraid. D.C a/ 2nd encJing(Finej
,
10
HERE'S THAT RAINY DAY Johnny Burke/Jimmy Van Heusen 1949
1*1 '.:
G
J
May- be . I Where is that
I-a
V
Here's
that
A-7
D9
1*1 r
r
U
0 I
laughed at the thought that it
1*1
might
~
•
r
F
I
love be- comes a
cold
a
I
me
#J I J -
a
I-a D7 ~
•
FI
rain - y day is
that
C#-7~5F#7
G6
1~I ~ d J J :l I" 1 re-me~ber 1 re-me~ber
G6
D-7
you're the one who you're the one who
I~I * F f J and
stars that
I
.a.
j
fell
like
I through
,£ j
GA7
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aall. _ _
J
j
and
the
C#-7~5
I
I
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G6
F then F
Fun - ny
how
here.
C-7
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rain
out of the
B-7~5
I
DA7
A-7
II
IJ
blue.
a
re - c a l l - - -
J J IJ I
B~7tn
B-7
C-6 shall
tell
to
J J J them
I
re -
i
bell,
G6
C-6
an - gels
I
dis - tant
When
w
me
E~7
* II J J J J
J J Ir r r ask
DE 1
few kiss - es ado, did - n't you
D7
A-7
E7· 9
a I
F7
B7
too
re - mem - ber
J
la
e:
J I F' P F J
j
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true, too",
F#-7
r
I
B7
CA7
made my dreams come 'said "I love you
IF
go. _ __ lcnow? _ _
F#-7
F
Johnny Mercer 1942
G7
rm:~7
I
r
I J :l J J I \~ :l J J I J. J I d
you, you,
and
I
D7. 9 G6
I REMEMBER YOU
[AI
bout,
way.
fun- ny
I j
•
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IJ j J IJ J
Ii
here's that rain-y brought my lov- er
A-7 D7. 9 1 2. C~7
E9
A-7/D
day,_
rain - y
told
a-
this
A13
J
IT
out
tum
B-7 E-7
D9/C
J I
a fa
J Jr I
Eb~7
q•I
B+7
D7· 9
JI J
fun-ny but af- ter it
r
I
they
C7 fn
r
IJj
I'
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day
rain - y
D7
Bb~7
F9
I Ir j .a
Ir
I
A-7
ov - er dreams, threw a- side,
left 1
F 7sus4
I'·C-7
day. near?
F
r I (-"'r r FI
qJ ~F
should have saved those worn out wish that
D-7G7
0=
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I.
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mem - ber
my life is
F7
r
the
~?7E F==f~
thrill
of
G6 you. _ __
them
11
MY ONE AND ONLY LOVE 0-7
A-7 ~
A 7sus4 A 7~9 0-7
I~ J
r
j 1·E-7A70-7G7 \ /
love.
4·
.. '
love. '
The
3--,C#-7~r _ 3---,
i _
F#-7~5
0-7
Fn
I~
nev-er
A~3--'
tells me that you are my
B7~9
F#-7~5
.
I
is like
E-ID#
E- ,.--3--,
hea-ven,-
E-ID ,-3-,
'
a
C#-7~5
J\ 1 LdiJ J J. J\ I J_liH J blush
D.C.aJCcda
on your cheeks when
ev
er I speak
-
07~9
0-7
..
C6
~I~!j~J~J~J·~d~r~1~It~~II
I
u
my one and on-ly my one and on-ly
-
The
07sus4 0 7
G7
fa 1 J J I
i
splen-dor_ _ ten - der,,_ _ ren-der,-_ C#-7~5,--3~
B 7~9 1
on the while you're sets my
'-0-7
I
I
known.
J JJI
07
touch_ of your hand-.
I~ r £J J r-£J] 1 J. hea - ven that I've
Ap - ril breeze hush of light kiss you give,
JJ J j
F#-7~5B7[§]E-
C6
2.
like an in the ev- 'ry
A-7
E/G#
your and you ap - pear in all I feel your lips so warm and I give my - self in sweet sur -
wings of Spring, in my arms, soul on fire.
E-
G7
FJJ
j
F~7 r - - - 3 ----,
my heart sing mis - ty charms, such de - sire,
e ve - ry thought of you makes The sha- dows fall andspread their You fill my ea - ger heart with
E-7
Wood/Mellin 1953
own.
on - ly
my one and
love.
THE NEARNESS OF YOU
~
JJJ~
I*i
It's not the It is - n't I need no D7~9
A-7
,
Q
no, _ _ no, right
[§]
G-7
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arms,
"i;
C-7
F~7
pale your soft
"1
C7 ,-.3--.,
1.
F
cites me, sa - tion, chant me,
J
C 7sus4
..
F 7sus4 C-7
FA7
1"
J J J II J. and I feel you so close
j) ~J - = I J "J> J to me,
:$- A-7~5Eb7Ul
D.C. a/Coda
e
±J j1 J I I"
true.
I need no
j
tight,
07~9
~ '-3~
2.
F6 Ep9
all
oh oh the
F
..
.. B7
J I
-
'I
It is-n't
.
J J
and ex - cites me, this sen sa - tion, grant me on - ly
thrills brings you'll
•
C7~9
J J
,J
that thaI . if
A-7 Ab9 0-7
it's just the near- ness of you. it's just the near- ness of to hold you ev- er so
Bbo7
BbA7
F7
J
moon that ex sweet con- ver lights to en
0-7 -*
§
r
J
G-7 Ob7fllC7sus4 C7
I@~
Hoagy Carmichael/Wasbington 1937
,
you.
whenyou'rein my E7~9
BbA7
J) I
r
my wild
A-7
07
·F If'" -
est
dreams
G7sus4 09 0-7 C7~9 F6 C7sus4 F6
I ron rr3 I
r
and to feel in the night
JI J J J I
«I
I ..
the near- ness of you. _ _ __
rl come
12
WHAT'S NEw?
Burke/Haggart 1939
D-7~5
What's new?_ _ __ What's new?_ _ __ A - dieu.---
I~
c-
&71B~
How is theworld treat-ing you?_ __ How did that ro-mance comethrough?--Par- don my ask - ing what's new_ _.,-07~9
Abt.7
C6
&-7
Ir F I~
C7~9
I
II
grand--
!j
~F
bor- ing
What's new?
and you were sweet to
~ ~1z11~~
1
,
t'3
J j J J E~71Db
C-7~S
h~e-
n't yl!~ tell you I glad - ly sur -
. J .
1~!ij
0-7
,
can't be-lieve it, it's
G7
F J J )1
it? mean it, ren - der
r
3--,
"
I'm all for you, Bo-dy and
0-7
.
~
C7
you
is
J
el 1
D.C..Fine
F#-7 B-7
E o7
F-7
J
1
1.
r
F
F
rl
you dear on - ly. me you're wrong-ing, just the talc - ing;
Db Bb7~9
,2.
u
DbA 7
U'
Soul.
E-7
A7
OA7
JlI P F }l Jl ;j) I }l J J! J j 1~"
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~n
DIF#
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&-
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Hetman/Sour/Eyton/John Green 1930
I sim, for for you and won- d'ring wny it's you know I'm yours for
F7~9
J~
un-der- stand.
'I' J J J
lone - ly, long - ing, mak - ing,
IJ 07~9
j J J I I,J 3 J I Db6
r
see - ing
but
of-fer your hand
r
1
I
C7~9
D-7~S
&7
&-7 D9
My heart is sad and I spend my days in My life a. wreck you're
Eb-7
I
Bb7~9
&-
Q
What's new?
3 J J
IJ
Cj
BODY AND SOUL
IA1
F
0-7~S
you.-
F-
F F Ij J I J J
p -' -
SO.
~F e ~T I
Prob - a - bly I'm
j2.G-7 ~719 _
Fine
Dbt.7
t ±r r
F- Ab7/EbDbA7
a - gain.
see you love you
r - - 3 - - - , A~7
You have-n't cHanged a We have- n't met since Of course you could- n't
- r'
ad -
gee but it's nice to I have-n't changed. I
I JJ J J #J J I
""D-7 G719
1d J J d J I J j J J_J must miL I love - l y a s e - ver,
e bit, then, know,
07~9
hard to con- ceive it, that
E-7
j )
Are you pre-lend-ing, it
1P
E~o7
D-7
you'd tum a - way ro- mance.
r p P F )11 p r
looks like the end-ing, un - less
J) L
07
C7 B7Bb7
D.C.aJFIfIII
J> I j ~j J ¥ II F P I could have one more chance prove dear, to
13
BUT BEAUTIFUL C7 U1
fun- ny tear-ful
Love is
A7
B-7~5 E7~9
B-7~5
or it's or it's
sad, gay,
A-7
or it's it's a
qui - et prob-Iem
I' I J ,J I U F ~r bad, way
1·A-7 D7
if you fall you
I"
B7~9
fall.
and
J I J. F Fr nev- er let you go,
j
that would be
j
r
I
LJ.
e:
so I need
Dry mar - ti All All
ni, is
B~7
F-7
Ilf J ] L~ Jdo
J
I '
Dave Guard 1959
Pea- pIe don't
F· be
-
j I
could
Jl J feel
'"BI.-7 Ii
the
lieve me,
high - er than a kite
could
IJ.
~
say
tQey
f~7
I
E~7
&+7
IJ
~
I
J~ I
°
and
F-7
I Sf
r
r
still
PD
gin' _ _
But
B~7
F-7
do
VO
B~-7
that. I'm just brag -
C-7
C7
I Cd"
A7
ob ob my
high
~ ~ I J> j JS
way
@7
high, oh me got me in, oh me oh
1>1
F9
J
C7
JJ
high.
I ro J> l -
C-7
G-7
ba - by do I feel Ob what a spell you've sun- shine of your eyes
feel
.
Jl
_I
~
know
EJ,6f3~ Scotch 'n'
and I'd
D7
SCOTCH AND SODA
I~
chance mine
G6
JI
beau - ti - ful
a were
all
A~7
I (J
but
E-7
A-7
A7
A-7
r
IC F
good thing or it's heart- ache eith - er
take you
to if
would- n't mind at
B~7
G6
and
E-7
I
think- ing
I'm
it's a It's a
CA7
ij J I F F J. I I
Beau - ti - ful think - ing
E-(A7)
B-7
D/C B-7
n
I'm
E-
E-7 ' F7
B7
12A - 7
And
G6
mad. play.
it's it's
or or
D7
J ,3 I
beau - ti - ful! beau - ti - ful.
but but
C#-7~5F#7~9
E7~9
E-7/B C-(A7) C#-7~5
Johnny Burkel Jimmy Van Heusen
F J j I J. p?e5t be
r'
Give me lov- ing
on
the
B~7
,
wag - o n _
A~7
I p ro ~j j ba- by
I
D.C. aJ Coda
E~
a-1e
I feel high_
14
WHAT ARE YOU DOING THE REST OF YOUR LIFE Legrande/Bergman 1969
1AI
I~ I! 'J J J
OJ)
A -/0#
A-
What are you do- ing the All the sea- sons and the Those tom-mor-rowswait - ing
rest of your times of your deep in your
I~ a J
life, days, eyes,
rn
B-7~S
I~J f :0 J
3J
J
in
'r
•I~
§r
ev-'ry kind
of
I 'r-
light,
to
hear
the
E 7sus4 e
stand be - fore
two.
FA7
I~ 13 J •I
Fall of my life.
.J
si - lent
j
T' the
for of in
fields
in
your your your
fAA'
life, days eyes,
1* a J
1& me
rI
I want to
B-7~S
E7
r !'
Ij of
hC
and
dawn
r
r 1r
for-ests of the
0~A7
I'e j F J• I ~F ' cake, on the can - dies
J ,a wish
you
J make.
F9
r r
Thru
F7 fll
-
quest rhymes sleep
and the
aI r
'1
~ I d J ~J' J Oh let me
be the
FA7
E7
I
-
D~7~9
C7~9
~J
sea-SODS
AA7
And when you
C j F J•
one
All the
me.
' r r r I ~C r F
0-7
I~
U'
A\"'7
nigbL
a
)2
AA7
I~,
re the
I * J J J J ,J
r y 'hC r r
your face
one and what's
wa-ken
I
East and and the love you
a J1 l
E7
E7
1$
see
-
r r
F
North and South and all the nick - les in a world of
J J
on- ly rea- sons
... , 11.E7sus4
that you spend it all with all be - gin and end with it may take a kiss or
B B-7~5 ( Ij
have the -a
I let
r D-7
d J
La J J
L
)
West of your dimes of your keep in your
[§]
life?_ _ days,.-,-eyes,,_ _
E-7
FA7
A -IF#
r~ I r 0
J1ij r 0
.J
A -/0
I
r CJ t
J J J .a J J Those tom - mor - rows wait - ing B-7~5
r
E7
C J• Sum- mer.
all of my life,
A-IE
B-7
E7
J JJ J a J J I a fJ J. jl a fJ J. II all I ev- er will re - call in my life. is
I
D.C. • Coda
all my
C
r
C
r
Win- ter, Spring and
A-
«,
life with .you.
I ..
II II II
•
15
I ONLY HAVE EYES FOR YOU
Are the
stars out to - night? high, moon may be I. here so am
Ct:.7 D-7D#o7 1E-7 -,--3----,· «>
I
I
I
F13
A7
..
E-7
I
for
all dis - ap - pear__
from
07
E-7 A-7
F o7
if I'm in
a
"
~
I
view _ _
and
I
or on
,.
D-7~S G7~9
,
C
F
II
you
for
Alan Brandt/Bob Haymes 1952
C-7 F7
J J J J J J'.J J,J
e
crowd-ed a - ve - nue_
f1! r r
1)-7
E-7 A-7
J J JJ,
,
a
THAT'S ALL C-7
you _ _ __
B~7
on-ly have eyes
I
cause I cause I but they
A13
for
I * r F IzJ
gar - den, _ __
P, are
BIp9
E -7
I
D-7
You
2'
C7~9 F-6
0-7
I~ t F F J I J J J J I J J_ L,e I don't know
.
dear._ _ The
you-
bright, sky. by.
care if it's clou - dy or can't see a thing in the mill- ions of pea - pIe go
I I Ep-7 Ap7
I
on - ly have eyes__ on - ly have eyes_ _
rnJ D - 7
I don't but I may - be
Warren/Dublin 1934
Bbt:.7
ro' J J J J
J J JI
I can on-Iy give you love that lasts for- ev - er, and the pt'O:mise to be near each time you on-ll give you coun-try walles in spring-time, and a Iland to hold when leaves be- gin to I can If you're won- d ring what I'm ask-ing in re - tum dear, you'll be glad to know that my de-mands are D-7
E-7~S
07
I~~I' J J J I J call; fall; small; 1C-7
all. E~t:.7
I~~II J.
toy.
and the and a say it's F7~9
iI
;
9-7
J
r'
JI J
heart I own, for on - ly love whose bum - ing light will me that you a - dOre for 2.
Bb6
.
.[§)
07alt
~
J
J
r'
Ebt:.7
C7~9
C-7
07~9
all, all,
that's that's
l ,J J that's all, that's
you and you a - lone warm the win- ter night, that's now and ev - er - more, that's
F-7
F-7
",.
. There are those, 0-7 C7
am sure, w 0 have
j
told you, they would give you the world or a 0-7 C7 F7sus4 F7 D.C.alFine
r I J P J P I J.
D7~9
Ft:.7
PI J P J P I J
All I
1)-7
have are these arms to en - fold you and a
love time can nev-er des - troy,
i J I If you're
I 16 MYSIUP I 07. 9 07 IAI F~ 07~9 09 C 7sus C7 of J J r t1 I J J J 'iJI J J r r I J J W I I 9 .. 0-9 A 1·0-7 G7 0-7 2.0-7 F6Eb7 07. I ..., • I [§] G-7/C C7 Fb.7 0-7 A-7 D-7 G-7/C C7 B\J-6 I~I F J J. P IF J J I F F J J I J itJ r iF J , Q I I I AD-7 A-7 07 07sulG9 C7sus4 C7 :t 0-7 E-7~5A 7~9 0-7 C7 J:::1 J I~~ r iF J C1 I F iF J J I .J J I I r F' "I J. ;; J. ])1 I Fb.7F#o7G-7 C7 Fb.9 B7. Bbb.9 &7sus4£b7 A-7 Ab7 Obb.7 I I~ ~ au I iFF ErE IU r r I r r I J j I I MOONLIGHT IN VERMONT I C-7 F-7 Bb7 Eb6 F-7 C-7 I I L§J A-7 07 Gb.7 E-7 A-7 Ab7. Gb.7 I'~I!I' Fia I RUJ FH I ril E (E I iF- J I II B\J-7 Eb7 Abb.7 B\J-7 A 7'11 Abb.7 I~;\ TIn IFE Ln I TIn r ~(J I r iF f"', Kurt Weill/Ira Gershwin 1941
F~
4
ship has sails that are ship's a- glow with a do not care if that
My My I
C7~9
made of silk, the decks are trimmed with gold, mil-lion pearls. and rub - ies fill each bin. day ar - rives, that dream need nev - er be,
E-7~5
7~9
C7~9
par - a - .dise in the sap-phire sky when my
My
0-7C7~9F6
I
jam and spicethere's a
a sun sits high in ship I sing does - n't
and of The if the
I-"'" I can
J
hold.
ship
comes
in.
B-7~5E7
wait the years
till
it ap - pears,
one fine day one
spring.
. But the
pearls
and such.
they
D.C. III Coda
won't mean much if there's miss- ing just one
thing.
al- so bring my own true love
I
C7~9
11
to
F~ II
me,
If the
ship I sing doe~n't
own true
al- so bring my
love
to
me.
Suessdorf/Blackbum 1939
,..
Ii5l
I
ruTI
En
I'~I'I'
e mont.
F7
I j You
sing down the high - way and
tra - vCI each bend in the
F7~9.
Peo - pIe who meet in this
Eb
I
I
I
Moon-light in Vep. mont. snow-light in Vep. mont. Moon-light in Ver 11
Te - Ie - graph ca - bles. they
..
Ird...'
,.
en-nies in a stream.___ fall - ing leaves, a sy - ca- more, 1- cy fin- ger waves,,___ ski trails on a moun-tain- side. Ev'-ning sum-mer breeze,_ _ _ warb- ling of a mea-dow lark.
and
I
and
Bb7~9
ro - man - tic set - ling are
JJJ r
E7
C
moon - light
I'E ~E in
road.
Ver -
so hyp - no - tized
Eb6
.. mont.
by the
love - ly.
I I
OVER THE RAINBOW C-7
Eb7
G-7
F7
JI J
1
~ ~I!I!
D7
G-7
J
r
e
ov- er the rain - bow, ov- er the rain - bow, ov- er the rain - bow,
Some - where, Some - where Some - where
I8 I
Abb.7
I F Cf F F I
V
JFJ
J J J
land that I heard of dreams that you dare to ov - er the rain - bow,
once in a luI - la - by. dream real - ly do corne I? why then, oh why can't
~
F~
J
I
day I'll wish up- on a star and
A-7~5
Ebb.7
Eb6
D7~9
I~~'!,-
E~
Tag-Last X only
J
p
~~~I;tJ j; J: J j If
:J
3
Some-
F-7
I r'
Where
F-7 B!H-7
r r
r
I IT
II
D.C. III Fine
where you'll
find
me.
t:"\
Bb7
F-7
PI
j
G-7 Gb o7
trou- bles melt like le-mon drops, a - way a- bove the chim-ney tops, that's
PI
j
me _ __
I~ ~I!I, i J ] J £ J ] J I It r r 1 E E r J I
a the fly
true.
far be - hind
wake up where the clouds are
j
J
J JI r r
j
Db7
there's and birds
Fine
Rb7
£J ] J fJ ] J J J J J
F-7
:-7 B~7~t~ t~
I'E~6
F-7 B~7
C7~9
high, blue, fly,
up way are skies blue - birds
17
Harold Arlen/Harburg 1938
E&6
1 J J J J C E F ~j I"
hap-py lit-tle blue-birds fly be - yond the rain-bow, why oh why, can't
ONCE IN AWHILE
I?
Green/Edwards 1919
e
[§] I~~kb
Once in a - while Once in a - while, 1 know that I'll
will will be
F-7
F-7
Though some- one else may Mo - ments be - fore we know - ing you think of
Gb.7
E-7
J
I
IT love's
I~~kl'
C7
3
Gb.7
r
love
E-7 W still
A-7
~
9
smol - der
-
ing
em
A-7
can
MF re
-
r
one lit - tie thought to mo - ments 1 shared with yes - ter - day's mem - 0 -
me? you? ry,
1'G-7 C7 F-7 Bb7 2Eb6 Ab-7 ~6 07 near - er your a drif - ~ once 1D a
I Mr
ber,
one
D7~9
V
mem - ber,
heart.
Gb.7
07
r - r'
MF
3
flJ
be two me
you try to give you dream of the con - ten - ted with
E;-7
~J
spark
J
the
spark
iJ
may
I ~J
J re
J may
F
bum
Fine
A-7
I
-
C7~9
G13
MF
3
In
part while.
-
main.
F-7
F a
I -
II
gain.
07~9
Jif Bb7
II
D.C. al 2nd End
18
LAURA 07~9
A-7
1~l!f r
r
Lao Lao -
(C9 )
GA7
....--3---,
D. Raskin 1945
l-pA J i J a I J ;,
raL-_ ra-
is the face in the on the train that is
mis - ty pass - ing
G6
J I light, through,
foot - stepsthose eyes,-
B~7sus4
hall. _ _ __ seem. _ __
1-7~S
B~7~9) 0-7~S
I~J J
nev - er
can
Ij
quite=_ _
re
J1:R I r p r
your ver - y first
B-7
-
sum - mer night,
2.F-7
r r J~
And you see
A-7~S 07~9
1
J She
Q1.
G7sus4
I'r F rlbr titlE
kiss to you.__
E~A7
j
E719
Ir F
It'
call.
-
r---- 3 - ,
gave
(A~7 )
(A-7) (07 ) CA7 0-7 E-7
G7~9
I
qj
B~7~9
that floats on a
GA7
07
07alt
a ~F I [ P ,.J that you
The laugb-
J
,J
I
_8
C7~9
that you hear down the how fam - il - iar they
(C9 ) G-7
Lau - ra.-
that was
C6
T rrri
but she's on-ly a
I"
II
dream_ __
WHAT A DIFFERENCE A DAY MADE Grever/Adams 1934
G-7
r---- 3 - - - ,
,--3---, r--3--,
day made,_ day makes,_
C7
r r I T LJ
twen- ty-four lit-tie ho - urs,-there's a rain- bow be- fore me,--
11·F
r-r! I
Ii
I~i
j you
j
dear,_
my lone-Iy nights are 2. F7
r - - 3---,
r--- 3 :::J
C-7
x
What a diff· 'rence a
t
A-7
J F7 '1
bliss, that thrill· ing kiss.
A~o7
J
It~
since you said you were
rJ"
hea-ven
G-7
to- day I'm part of
paJ J J J I
B-7~S
j
l mine.
B~6
,J
I J aJ J JJI
when you_
find ro-mance on your
C7
F6
Ii ~ J J_ I J fJ J J J I J J I * J J J J a I .. I .. me • nu, _ _
r - - 3---,
what a diff·'rence a
day
made,
JI
I J.)lJJJJI
~
througq dear,_ _
j a I@ ~ J J J J J r J r~ I J t
G 7sus4
I J J1 J J J d I J
r JU
blue dear,_
My yes- ter- day was
0-7
...
~3--'
A 7sus4 A+7
j
j
A~7IU
brought the sun and the skies a - bove can't be
E-7
I r !j} J J J J I
flow - ers._ where there used to be rain._ stor - my_ since that mo- ment of
0-
A-7
~ J J. I J J J J J JI J :1. I J
J) J U J What a diff- 'rence a What a diff- 'renee a
G-7
FA7 B~9
C'ZmA
and the dif·'rence is
you _ _
II
._
rAl
tAl
B~7
G67
I~ II!~ J
Eb7
A-7
d- Ji I
j
Dam that dream I Dam your lips and Dam that dream and
I~I F but
r
I~
J
j
r
,Jl I J
IJ.
C#-7~S
B-7~S
C-6
J J JI
Ii
J J J J
~J I j
out of sight. par - a - dise won't come true,
C-7
dam that
F-7
Fine
dream. Bb7~9 E~6'
oh, oh oh
dam
B~7
F-7
Dam that one- track mind of mine, A-7~S D7~9 0-7 A-7 C-7
I~I ~r ~rO J I d Ji IJ ~J I J Just to change the
you don't care.
J
j
that
dream.
G-7
ro r- piE
mood I'm in,
I'd
it
can't D7
&9
E EF"T J I T
wel-come a nice
SKYLARK
I~~II~~
F-7
0-7
r r
I FcJ
==E J :It, ~bl).- ~]J J '_J52J C-7
F7
A~~7
E~671B~ E E E}I Ji J
F-7,-3--, B:7
old
E~
I~ ~IIII J
n~E
E~6
Bb+7.
E EJ
A7. 11
:n 11
A~7
I~ ~IIII P F P
r-
in the night,
I~ ~~~
G67
IF
I
night - mare.
a/2nd End (rifle)
A~la j
A
&10
i J ] JI
E~
--,
F7~9
I ] J~ ~ I [ r J ::lWOJjJ 8j 3j I J....,i;
0-7~S
I
~ A~67
Eb7
C7
r ~Eo
- F-
B~9 ~
rr
F=
A7
B~7
3
&71-.."......,.-,
r r~:; ~~ J J ~ I have-n't you heard the mUlrie
D~7
B~7 Eb+7
A~6
Jl J. I J E1 1# ~ J J I E f ~ Ir f'
won- der - ful mus - ie, 06
Ao
And in your lone - ly flight,
D7
r IF F"",J j ~J JI IJ ~J IS
sad as
D7~9
Won't you tell mewheremy where my heart can go a but my heart is rid- ing
I r'---JJ ~ JI P F P r I
rain, to a blos-somed cov-ered lane?
A~67
11•
that
Is there a mea-dow in the mist where some-one's wait-ing to be kissed? ov - er the sha- dows and the so if you see them an - y
love can be? jour - ney - ing on the wings.
12.
~
..
rFI
Hoagy Carmichael/J. Mercer 1941
Sky - lark.-_have you an - y- thing to say to me? Sky - lark, have you seen a val- ley green with spring Sky - lark, I don't know if you can find these things, ,
F#-7
un- der- stand
D.C.
&
I
hold me tight. moon - lit skies. would have you.
F I J ~ II, j Ji IJ d I F ~-r- piE I'F F I~
j
[AI
r r
11.
J J
J
F
E7~9
~------------~------------G----6----~~7~-9~j Ab7 tll A-7
Bbo 7
B-7
A~71llG6 B~7~9L§JE1>6
A-7
E-7
Van Heusen/De Lange 1939
dream each night. you say you love me and you dam your eyes, they lift me high a - bove the bless it too, with - out that dream I nev - er
when I a - wake you're I tum - ble out of it haunts me aII'b, it
Then But
~2_
Balt7
C-6
A-7
19
DARN THAT DREAM
G
faint as a will-
'0- the- wisp,
B~7DCa/eot&
era- zy
as
B~7 B~7alt
a loon, &
LJi r- Ii" ~IIJ~J71~l~r~hr~1~Ii~
a gyp - sy ser-cn - ad- ing the moon
Oh,
where, won't you
lead me
there?
20
I CAN'T GET STARTED Ira Gershwin/Vernon Duke 1935
I've flown a- round the world in a plane, I've set - tIed re - vo - lu - tions in A- round a golf course I'm un- der par, and all the mov-ies want me to In nine-teen twen - ty nine I sold short, in En-gland I'm pre-sent - cd at
..
-
D-9
A-7
CA7
..
07~9
FA7
IIooooo...J .. • I have chart - ed, but can't get start - ed with Ii5l house, a show - place, but I get no place with •
E-7 A 7
A7
E-7
DA9 013
I'
D7sus4D7~907sus4
E-7 A9
~
r
J and
what
~ ~I,.
1
f
D-7
07
J~n
just for the sight of you, dream
D.C.a1cJl}-
i;J
CA7 B~7 A+7
both day and night
G 7sus4 07~9 C6
D-9
gooddoes'itdo?In nine-teen
me down-heart-cd'cause I can't get start - ed with you.
THESE FOOLISH TIDNGS
Y
JJJ J
man - tic pIa - ces, what my heart meant, who's to ans - wer,
B~7
you. .
J
JJ
B~7
F-7
1
J J 'J.
and still my heart has wings, a fair- ground's paint - cd wings,
12. F9
B~7 ,
I'E1
EJ.
, r·· j) TIn I things re- mind me of
0-7
D7
t§J
e
you.
•
C-7
G-
C-7
JJJ J J
these fool- ish things these fool- ish
E-7~5 A-7~5
-
Strachey/Ltnck 1935
~
1 Y
JI
of you.
IroJOJ·IFErUrl"
C-
"
D-7 07
I~F~JJJJII
E~
F-7
E-7
You're so so-
I J J J lJJ J 1 " 1J J J
Iy- rics I write of. you, scheme
preme,
you.
F#-7
I' " I,J J J J 13 J I "
•
..) ~ A-round the you.
I
t§J
Spain, the North Pole star, I've got a court, but you've got
JJI
Ie- Dllnd
me of.
0-
D7
I * r J I * r §J I ~ F F F You came,
F7
0-7
you saw,
C7~9
you con-quered
B~7
F-7
J 1 r r r §J 1 A J. me,
when you did
E~9
F
r
r--3~
F
r Erl
Oh. how the ghost of you
that to me,
I
C7
knew some- how this
F9
Enl r·
clings, these fool- ish
II
D.C. aI Coda had to be.
things
~ re- mind me of
you.
I
II II II II II
II II II II II II II
II
II
II
APRIL IN PARIS D-7~5
Ab7 G13
r--- 3 - - - ,
A- pril
10
CA7
1*
G-(A7) G-7 Gb7 111
G-
aj
FI
un-der
A-7
the
trees. _ _ _ __
I
rs--f7]
J F~ I'r
no
ev - er_ __
F#-7~5
I -
re
I
I
ne - ver knew the
IJ
r F heart could sing,
E -7~5·
C6
I@~~ FF fa • J whom can
EA7
warm em -
Ii
rI
j
nev - er knew my
BA7CA7
C6
A- pril in Par- is.,-,_ __
c8
07~9
r
what have you done to _ _
my
I tum to, _ _ __
r 'r
I
'till
IFF F r F1r
.--3---,
E7~9
I fjl ,J W -
C#7 D-7~5
Eb7 111 D 13
Ir
D-7~5.
07
brace;
II
B-7~5
A-7
face
J F F I.a ga
nev - er missed a
I
met it face to
B7~9
.J J
Bb7 111 A 13
~~
nev - er
F#-7~5
A-7JG
A-
charm of spring,
II
prise
DbA7
D-7
CIE
this is a feel-ing E-7~5 A 7~?G
II
r #r r r I r r r I r #r r r r F I "
1* IT
!
can
IFF FF r1
E+7 E7
r
E7~9
r-- 3 - - ,
F F F F rj"
B7~9
one
B-7~5
F6
A- pril in Par- is. _ _ __
F#-7~5
A-7JG
1* r
i.
II
hol- i-day tab- les
EA7 FA7
.-3--,
-
FE
9'
p6
B/C C
ImJ;1
bIos - som,
in
chest - nuts
Par- is,
CA7
a-1e
J J J #J
I
21
Vernon Duke/Harburg 1932
I
I
Ii
Ii
heart?
II
II II II I
III II~
TILL THERE WAS YOU E 07
F-7
n I r' There were There were There was
,
I
bells on the hill, but I birds in the sky. but I love all a - round, but I
F-7
Bb7~9 .--3---,
all
" there was 'till
I
A 07
If j'l. J J
D I FJ
r - 3- .
1·Eb
E 07 F-7
you . _ __
Eb6
r
Ab-6
-
I
Therewere
B 7 C7
F-7
ros - es, they
I. 7·
tell me, in
Eb
ring- ing, no I wing- ing, no I sing- ing, no I
Fine
you _ _
Gbo
WEll
nev-er heard them nev- er saw them nev-er heard it
[§]
2·Eb Ap EbA7
at at at
AbA7
I
And there was
F7
r r r I Fr J IIF f ;r I r F J I J
there were won- der- ful
Db7
pi F J D I J J
nev- er heard them nev- er saw them nev- er heard it
Bb7-
Meredith Wllson 1950
Bb7
mus- ic
BIH-7
and
D.C.al2ndEnd
J J I J FI IJ. J ) I
sweet fra- grant mea-dows of
dawn and
dew. There was
22
MORE THAN YOU KNOW C-
VBlSe
A-7~5
1~l!f d
J 3
i
•
c-
B+7
JI
r
F
r
A~A7
r r
j
- I'F r I
~---
• wan-der, take you,
fad,
~ A
0+7
I~
t
J;D
More than you Wheth - er you're Oh how I'd 1.
C6
fonder
E-7 A 7~9 0-7
. 0-7
I~ r
on my
G7~9 C6
mind, more than you
F9 C6
r
".iF
ev - er ev - er
know.__ know. _ _
know_
F#;7~5 B7~9 ~ E~ ii!: J J ,3 I J Lov- ing you the
all you can give, but
I~ ~I'~ J J
JI
;J
JI
I
•
-
G7
2.
;:--3
Wheth - er you're
B~6
F9
FI-7~5
I do, there's
A7
F7 0
sky,
I
;:--3
B7~9
07sus407 0-9
Oh
J JI J J J FI love, God Al - might-y, God of
F
0+7
U
C-7
Bb6-l§b7
Fine
F7 ~
J J F JI • J I don't mind the gray skies,
E~7
I be-lieve that
07. 9 G+7
I
•
J
'cause they're
D.S. a12nd End (Fine)
how
I
Duke Ellington 1946
C-9
E~61B~ B~07
E-7
noth- ing I can do a - bout i t . -
G9
T£
GjJ I
A 7~9
E-7
I can't live with - out it.
F7
through.
B~7
so, more than you'll show, more than you'd
II
bove,
F-7
j
J #0 J J J I J J
hon-ey
E~7Ul
Lord dear Lord a
I~~b
E-7 A 7~9 0-7
COME SUNDAY F7
need.
f ~ J J 1,0 J J 3 J J I J~. I
way that
FI J
[A]
break you
pA7
C#-7~5
A 7sus4
Lov-ing may be
pause
know, man of my heart I love you so, late - ly I wrong, man of my heart I'll string a - long, you need me cry, if you got tired and said good - bye, more than I'd
3
find, you're
you.
TID I r J J
I J
know, more than you right, wheth - er you're cry, oh how I'd
0-9 A~7tn
of
C7~9
G-9
JaR
j
0-7
'U'
I'm grow-ing giveyouthe
G+7
e
c- A-7~5
A~7111 G7~9 " 2.
wheth-er you re- main or would-n't I be to
G7~9
wheth - er you are false or b'Ue, e - yen though you don't sue - ceed,
G7~9
I
A~7tn
A-7~5
E
Wheth - er you are here or yon - def, E - yen though your friends for - sake you,
B~-7 E~7
Rose/EUscu!youmans 1929
F
JI
please look down and
07
G-7
God put sun and
moon up in the
F+7
C9
I
r
J J
~
•
FI
just clouds pass- ing
bo by.
D.C. aJ Fme
I
YOU GO TO MY HEAD
[AJ
I'~~II
I!
.
EbA7
J fEE You You You
F-7~S
C-7~S
F-7~S
Bb7alt
and I find you spin- ning and the ve - ry like a sum-mer with a
and you lin- ger like as haunt-ing re- frain, of bur- gun-dy brew, like a sip with a smile that makes my tem- p'ra-lOre rise,
go to my head go to my head go to my head,
Eb-7
C-7~S
GbA7
I~U JJ U JIJ JJ Jj InudUJ ~I
r:r
I'
Db7~9
Ab-7
G-7
Bb7alt
. . EbA7
C-7
I
I, ~~II i J J J
A 07
I I@i 'I,
that you
A-7 07 ,--3--, .---3--,
migbt give a thought
B-7 .---3---,
. . EbA7
I, ~~~ J J C-7
C-7
J
,.--3~
Eb7~9
Bb-7
J----r- I r- E
Still I
me.
or'
F6 E7' U
.--3---,
C6
A7~9
I~ J ~r
Bb7
&A7
beart of mine
you go to my
tT
IF
E7' U ,--3---,
,.---3----,
G7
me see, kiss,
for when as
A7
11.0-7
help it, feel - ing, arms but
E7
G+
j
r
don't
blame
j Ie' C6 '07 me.
A-7
r J r I r r rJ "
if that dog - gone
moon a- hove
0-7~S
j
rm if and
your spell, but can't con - ceal the blame all your charms that
I
[§J F j II .a F",.
C6
I
don't . blame
II
D-7 0-7~S
r r r1 r makes me need
rI
,---- 3--'--,
J IS
some - one like
j
a
I can't help it
me.
07
I
a JI
un - der
G7
j
I
G7
.-----3-----,
J JI J J J
2.D-7
=
e bead,
Fields/McHugh 1932
C6
you, do, be,
fall - ing in love with you do the things you sweet as a kiss can
rTF I
&6
r rrrI you go to my
head,
G-7/D
has- n't a ghost of a
@A7Gb7 F-7
~3~
I r r .~r4 I
0-7~S
J J a J JI
bow can I thrill that rm melt in my
cer-tain that this
J .J I J J J a a I
Don't blame Can't you Blame your
,----3----,
Ob7
DON'T BLAME ME
E-7~S
E-7~S
Ab-6
You·
be."
Ir I r 1 J J I ~ J it J I fjl
A-7~S 07 G-7 C7 F-7
e= cbance in this cra- zy ro- mance,
I' ,J
0- ver
sec that it nev- er can
AbA7
Though rm
r J r F Fr I
I~
jU J ]1F" U l
A-7 Ab7'U G Gb+ .---3---, r-- 3--.,
bold of your- self. can't you
soul with your eyes.
t
i)
F F F F F F IFF F F F F I J J J J J J I J say to my-self "get a
[AJ
G-7 C-7
to my plea casts a spell
Bb7 .----3----,
The
You
&A7/Bb
r e r I d2 J J J U"r I r
thrill of the thought
"!
..
-
like the bub-bles in a glass of cbam- pagne. ju - lep or two. like the kick - er in a you in - tox - j - cate my
'round in my brain, men - lion of you. thou- sand Ju - Iys, Ab6
IBI
23
Gillespie/Coots 1938
4
4
Jilt; you
to
G7~9 Q C "
rIM
leD love.
24
WHEN SUNNY GETS BLUE
IAI
q-7
B~7
C7
3
Eb7
A-7
I*~
*
J J JI
B~
C7
sweet and
E-7
D-7
•I
G+7
1>
:r
,---3----,
S I see
hear her laugh,
her smile,
A-7
lost her smile, changed her style,
G~
C7a1t
Ft.7 Ft.7 1,r-3~ RePeatfor~
Err J
F
hold her near when
F L~ 11 ~.
Sun- ny gets
is
that's how she
wjJ
Jf' _
0-7
,
Ft.7
I ( Fr J FF I
D-6
G-
G-7
G~7111
name.
J J I U"$II
G~ 1,r-3~
IF UEFglJ
D7
got her
same.
hold her near when
0-7
Ot.7
some-how' she's Dot the
G-7
blue
0-(~7)
A7~9
D- G7 G-7 C7
Sun- ny gets
IN A SENTIMENTAL MOOD
[A] D-· ~ ~ 1~*F(FrJj
II
J J S J I «I
Ft.7
J J J J. p I gi) J f J J I
G-7
•I
dies
E-7
B
CA7
Since that sad af - fair, she's
j
,«I
When
I ~ ,J J J J J. Ip I '0 J to
J
1-
call.
FI-7
Peo- pIe used to love
J I,.r J
J J
j
0~7
love is gone so what can mat - ter, like some vi - 0 '" lins a - play - ing, kiss a - way each lone - ly tear, and
J
lov - er man comes to haunt - ing mel - 0
0t.7
A~7
1:'1'-'-A--7---D-.7 - - - - - - r . 2-.-E--7--A----:7~-:.-9-
j:
J
9 J 1 J JI
then the rain be - gins to like the wind that stirs the where her oth - er dream fell
A-7
Pit - ter, pat - ter, . pit - ter, pat - ter, Wind that sets the tree to sway - ing, Hur - ry new love, hur - ry here to
J J J J r-
~
~J
J
J J J
G-7
no wierd
E~7
B~7
B-7~5
a fall. trees. through.
1* i
F" I t J
Sun - ny gets blue, her eyes get gray and cloud - y, of sad- ness, Sun - ny gets blue, she breathes a sigh mem- 'ries still fade, and pret - ty dreams. will rise up,
07
G-7
Ft.7
I*~!l jJ\f J j l J)I J J j [J P When When But
Fisher/Segal 1956
Q;
But
La I
blue
Duke Ellington 1935
G-(~7)
oj
1·Ft.7
2.
Ft.7
A~7
I
*r U Dbt.7
1
~
Bb-7
I'E ~r
E~7
A~7
I Sd J
d IJ J J I bJ
E~7
Ab7
D~A7 L---3-=
G-7
r J I J ~J) d I,S J J I
C7
D.C. al2nd End (Fine)
I*
i7J ( r rJ
I
m
Higginbotham/Drake/Fisher 1945
t&
I~ ~
25
GOOD MORNING HEARTACHE C-7
F
.--3-.
1', ' i J J ~J5 J
J J ~LJ I '! j J
I). j
'! said good - bye last night.__ love went a - way. one who knew me when._
It.
G-7
-F-.. . . ..,J
t
B~6
C-7
t
F C9
I~ ~! J j J d J J 1 I _
G-7
seemed you had gone.say - ing to you.-hang - ing a- round.-C7~9
C-7
Good
I G~7
I@; ;) WJEW a WI
jJ
F7
J )~
rJ
'i
G7
G~7IU
. . G-7
D.C. sI Coda
JI I, J J 1 J
GOD BLESS THE CHILD
I~ ~!'I! I~ ~!'II
E~A7 E~7 A~A7
I J5 J p. ) I p r
It. F-7. B~7
J
door._ _
JJ j I
Ii
Herzog Jr /Billie Holiday 1941
E~7
B~7 E~7
J5
r J I n r - I -j1
got his own, Jat's got his own.
D-71!G7" C-
C-CA7f
C-6
Mon- ey,
I F
Jl
Godbless the child that's
C-
C-(A7)
r
When you're
F
rI
gone and
C-7
you got
C-7
I
F6
pa- pa may h@e, but
Yes the D-7~5 G7~9
e
B~7
r'J, - I r r r r Ire::: J
Ma-ma may have,
l
];
got shall get, them that's not shall lose, so the Bi - ble said, and it still is news. strong gets more, while the weak ones fade, em~ ty pock - ets don't ev - er make the grade. - la- uons give, crust of bread and such,youcan help your-self,but don't take too much. A~6'" G-7 C7~9 F-7 B~7 E~6
J5 J Jl J
I~ ~!,!, -
!j
U I ~r r r U I T r J I
J J • J J J J JI J J J Them that's Yes the Rich re A~A7
J~ I J.
Good mom-ing heart-ache sit down.
got those mon - day blues, straight thru sun - day blues.
E~A7 ~7 A~6
JJ
J. gJ
CA7 C7
Just leave me a - lone,...,..,"_ _ I've
can't shake you no- how'_ _
C-7
II
II
G-6 D-7
!:. A~7
F6
" 1 mom-ing J J heart-ache, d J \Jwhat'sJnew?"I _ __
but here you are with the dawn.
Stop haunt-ing me now,_
...
J JJd_J I
I turned and tossed un - til it Now ev - 'ry - day I start by Might._ as . __~ell get used to you •
J JI
A~7
A-7
3 ~ J J J31
o
JJ~
Good morn- ing heart-ache, tho' we It seemed I met you when my Good morn- ing heart-ache, you're the
Good mom-ing heart - ache you old gloom- y sight._ but you're here to stay.-Wish I'd for- get you, go a- gain.Good mom-ing heart - ache, here we
G-7
G-7
F (J spend-in' ends,
G-7
r
I F
FIne
G-7
r r r r rI
lots of friends,...,..-
C-6
I
crowd- in' 'round the
C7
r r rI
they don't come no
F-7~5
J. more.
B~7~9
D.C. III FIfIe
W JII Rich re-
26
MY FOOLISH HEART
J':
The Her
B~A7
E~A7
iJ
J
•
nightlips
is are
D7· 9
D-7
D-7
white should
a like much too
love - ly close to
G-7
Db7
the our
ev - er eag - er
1 .
B~7'9
F-7
en
r
r r E;I
r r
I~ ~I, r- -J
JJ
J
let
the fi - re
B~A7
EbA7
rr
A7
heart. heart,
How but
C-7~5
A-7~5
D7~9
F"
r
J
start.
For
Ab7
F F F rJ i
heart.
There's a
A -7~5
D7~9
A 1f'"
see on an ev- en - ing such as
F J 1
this,
G+7
for they
C-7
F7
J I J FJ f] J J I J
J
when you're lost in
the mag-ic of
a
F U
this time it
Her
kiss.
E~7
G-7
II
fool - ish
C-7
F7~9
Cfll
u a]
c; 1r
C7
both gi ve the ve - ry samesen - sa - tion
C-7/B~
my
E~A7
that's hard to
be-tween love and fas- ci - na - tion
12'c-7
A 7sus4
my fool - ish my fool- ish
C 7
care
take then
J.J I F r
~ ~I!
be - ware be - ware
1
con - stant moon, lips com - bine
G-7
1
tune, mine,
C-7/B~
J J J ) J J I l Jj J J I J J
B~A7
line
C-7
JJ J JIS r r ~ r -J J J
J
I~ ~b f"
G7
Young/Washington 1950
~
A~7
J J JJ I F r is - n't fas- ci na - tion, -
a
or
G7
J J
dream that will fade and faJl a - part,
it's
love,
this time it's
love, my fool - ish
heart_ __
SOMEONE TO WATCH OVER ME George/Ira Gershwin 1926 A-7~5
•i
E F
r r I PF
There's a some- bo - dy I'm I'm a lit - tIe lamb who's Won't you tell him please to ,
I
D
2.
E~/Bb G7/B
V
Eb
Ab
r
Eb
rI r V
man some girls think of
FI as
me.
me.
E o7
a-7/F
I pF P r turns out al- ways Oh how
Eb7
v
some- one who'll watch ov-er to one who'll watch ov-er some-one to watch ov-er
Ao7
abo
I hope that he, I know I could, fol- low my lead,
long- ing to see, lost in the wood, put on some speed,
I
I~ ~I,I, F
IDr p
r
F-7
~
E~/a
Abo
to be, be good, I need,
[§] Abo AbAboA~ I
Fine
A]- though he may not be the
me. A-7~5
C-7 IT
F
D7 G7
rI F r rIF
hand- some, to my heart
he
C9 IT
hF I
car- ries the
El:
key_
F9
Bb7~9
IJ j
II
D.C. a/2nd End (Fane)
II II II II
•
--lA]
t
;31 1- rna- gi 1- rna- gi 1- rna- gi
J
9A7
j
-
IMAGINATION E o7 F-7 B~7 9 A7 J Ij J
r
na- tiol} na- riOI} na- tion
C+7
~
:Ii~'::c"l, r then,
-$-
F-7
J
hon - ey, just as 1,_ dai - sy what to do, ~ a - round want- ing
A 7~9
!f
D-7
G-7
~
9~
C-7
'l~7 3~
G7
D~7.nC7
r I ~ iJ r J j
go a- round want- ing
1- rna- gi
G-7
D7
you-
gen- tie touch and
W--3""":'" B~7sus4
BIH-7
r r· r I #J
and yet I
-rna- gi - na-tion a - ga.iR? Gh
F-9
B~7sus4
B7· n
~
q))
I
then a kiss and
( F IFF qJ F I
fmd it's on-Iy your i
and then
think of you _ _
A-7
Have you ev- er felt a
::I II .... ~ p ~W; p~
I~ &1", J J J IJ
F-7
IF.,)7 •B; ) ? ::~ 2.=";, ~
::I H J J nUl r r qJ P I r r ;.
what. to do?·_ _ E-7~5
makes a cloud - y day sun - ny, whole per- spec- rive gets ha - zy, go a - round wil - ly - nil-- ly;
C7 ~J eST r r ~~~ = ~ ~
B~7 97 ~~A7
r n jJ.
it your you
cra - zy, sil - Iy,
rsrz¥ I J
12·9A7
r r
fun - ny,
.-F-7
makes a bee think of starts you ask - ing a for ex - am - pie, I
I~~I!I! J
isisis-
27
Van Heusen/Burke 1939
D.C.alCoda
J) ~ qJ I
!f
I - rna - gi-
well,
B~7 96
I J J [JJ I J j
j
can't i - rna- gine that you want
EASY LIVING
me
I e IJ II too _ _
Robin/Granger 1937
IAI
'I~~~
Liv - ing I'll nev - er
for you re - gret
is ea - sy liv- mg. It's the years I'm giv-ing, they're
G-7
C7
1.
ea- sy to live, ea- sy to give,
A-7 D7~9 G-7 C7~9
2. F
B~7 ~7 A~7
yOlu.... 1 _ __
For
Ftne
A 7'11
I
r
F
r-
r r~E2F1
peo- pIe say you rule me with D7~9
one
wave
of your
grand,
they
G-7
C+7
D.C. alFiM
just don't un - der - stand. Repeat 1st verse
r
28
I'M GETTING SENTIMENTAL OVER YOU
I~ ~ I1f FE ErE IEi Fir I FE
;9
~
Fm: I ;; JlJr It:, IC~9J'-J; Fr:' I:~ I
I was just a notherwho laugheditr~ mance, I said it was not for me_ Thenyoumadeyouren- trance~d rightat a glance- I knew this was
IAI
F
B-7~5 E7
r.-- 3 - - ,
1~~I"G;7 Isl
)J7
)I~,
men - tal ov - er
A-
I
-
gentle,
I
be
I -
1.
E7
D7~9
G-7
PI
~s~ I'm sen --ti
C7
Ii
II 0.5. alCoda
II -men-tal -ov - -er
you _ _
Woody Herman/Ralph Burns 1949
B~I>7 A7 A~A7 I-cr rr r ~p I !J JDd I E~E r:r J 1,)1 ilJQJ3 D-9
A~ A B~
B
Fine
G7
Cb.7/E
AIB~
• Bb
~ 1 J . I~ J OJ J qiJ •I If?· r p
II
B7
JJr-
CA7 r)9
=
you _ __
Fir'
I, J J j V r' F9
Ij
live with - out love.--,_ _
could A~
. Be
E7
p I IF F Ir If I "e
J Ir'
gentlewithme__
t
C-7
)1:
must
A~ AB~ BIAI CIQ I~ i J ,3 J ,3 A
G7
F
ov - er
EARLY AUTUMN
G7
.
et- tin' sen - tiI'm get- tin' sen - ti that you' U be sweet and
B7~9
r
I~ ~ J. ,).J. ip I L now
fG;\)CJ.~
- py, -
E7
G7
-
F#-7~5
was hap
D7
hear you call.--,·_ me through and through..---make up your mind.--
men - tal
B~
meant to b e _
3
o
you
For- I ~r
thought
(r)7. 11
1:7
3'
I~ ~ J. ) I
A-7~5
but now just thrill and just
Nev - er thoughtI'd fall.---Things you say and do.----Won't you please be kind--
Bassman 1933
CA7
iJ J J JJ I J_J JJ 0 I DA7 D~7 C9 B 719 Bb7 Ab.7A~7~9G 13
~p I
Ir
r
I
fa
j
I D.C. B1 Fine
• •, , , •
,
29
SMOKE GETS IN YOUR EYES
Johnny Mathis __
Jerome Kern/Habach 1933
IA1
96
G-7
I' ~llldl~ J
(]!,o7
F-7
J J J JI
.J
B~13
j J J JI
They asked me how I knew my true love was They said some- day you'll fmd, all who love are Now laugh- ing friends de - ride- tears- I €an- not
B~9
F-7
] Jlr
J
9
E~ A~
"
IF
true? blind, hide,
G~7
~
La.
plied,something here in - side, - can - not -be de - niea. fIre, you must re - a - lize,-smoke gets-in your say, when a lovel}flame dies, smoke gets in your
[§]
BA7
I~'IIII ;1 So
CEc f J I p
I chaffed them and
BA7
I
gay-ly laughed.
G#-7
F#7/C# C o7
aU J 3 1
J F-7
to thinktheywould
Bb7
~6
my love has
Yet to-day
flown a- way,
I
am with
my
my
i
I
love.
B~7
F-7
J
- out-
MONA LISA
1.1.
C7
I~ III" f1 C[e f J I i 1 J d.J \3 I .J
C#-7 F#7
J .J doubt
*11
Fine
eyes. eyes.
r--3~
G#-7
• J I
I of course rewhen your heart's on so I smile and
IJ
e
r ijr
[
F-7 B~7
1" 0-7 C7
3J)
Ao7
I qJ -
I
D.S. a12nd Ending ,
love.
Uvingston/Evans 1949
F
crey [JJT
Mo-na Do you
smile.
G-7.
r--3--,
smile?
I~~
F
IE F [;
rr rrI
like the la- dy withthe mys-tic this your way to hide a bro*"en
C7
r- 3---,
cr E1 a-fa J I J J J J I {J J1 tJ'*'ctt I (j' r u I ~F BE F E1 I~F r tJ Ir J C;} I E~c I
Is it on-Iy 4causeyou'relone-Iy they have blamed you, for that Mona Li-sastrange-ness
F F#o G-7 C!3 J2.B~
I' ~ J
r
Li- sa. Mo - na Li- sa men have named you, you're so Li - sa. or is smile to tempt a lov-er Mo- na
11'G-7/F C7
I~ ~ J.
J J [
Do you
F7
rJ U
heart?
B~
BI-
F
inyour
C7
Man- y dreamshavebeenbrought to your dOOf-step, they just lie there,andthey
B 07
F/C
C'2
_.
F
I F (J F EJ I FP 3J j I £ 3 JJ £3 J J I J.
die there, are you warm are you real Mo- na Li- sa. or just a cold and lone-Iy. love-ly work of art?
ill
r
30
WILLOW WEEP FOR ME Verse
D9
G13
,--- 3---,
I~'
J I ..
(j
Ob
I ;:
lmd,
Where's
be?
A7 r:--3-,
the
light I'm
09
,--3~
II
qel
1-
to
see?
G13
.----3--,
IJ
9'
J J
tree,
but
~
I~: vi)
ij; J.J ;, F PI A-7
G6
J
wil-Iow weep for me, love-ly sum-mer dream, weep in sym - pa - thy,
C 7sus4
C-9
C9
lis - ten Sad as When the
Whi~per
me.
B~7
r
!
leave my heart
J
~p
a - break-ing
,.---.3-----,
I" ~f) J
@7 A~7
r
fET
A~9
hide her star - ry light,
a - long theground
A~
r--- 3 ----,
to the wind
..
and
mak- ing
C-7
1>1 so
r
~
;t
none wilJ find
,---- 3----,
1'J
me. me.
G7
say that love has sinned,
)1 to
A~9
-;
Mur - mur to
a moan.
r
and
c-
G7
PI the night,
to
Bb7
F7
1
G-7
r- pI ~m J JILT'
P I ~J ~J J 1 J
G7
J IJ-F,
a - long the stream to weep my tears
lis - ten wil-Iow and weep for hear me wil-Iow and weep for bend oh wil-Iow and weep for
to my plea, I can be, sha- dows fall.
v(E
[
,-:::::::3
IFJ~£JJ P J
D~7:Cn •
A -7 B~o7 --Dh
bend youmrancbes green gone and left me here bend yourbrancb-es down
J_J
GA7 C9
F7
r
Ob
J G_tl J J.J~ ~
that runs to sea in - to the stream. and cov - er me.
C-7
*
o - ry.
-
to
07
IJ
.-3--,
J
*rI
,.---.3----,
.--3
D~7
GIB
B7
now you've gone and left nothing
sweet mem
a
to
Oh
G#o
a fjl_w
G-
C7
C7
Wil-Iow weep for me, Gone my lov- er's dream, weep- ing wil-Iow tree,
I~I
F6
0+7
DOth - ing
~~G
I~'
Are the sha- dows for - ~ ver
I J ijJ ~3 J J5 ~r
Ii
me,
•
long- ing
F9
C7
I,J
)
J
once we met by the old wil- low
love,
I~'f
~J
IfJJJJ~ PF PI
e
I~I
d
.---3-----,
I or] 1~J ijJ ,S )r pI
II
C+7
e
I~I
JJ iji J P ;, F pI
@9
E9
r;;; 3---,
why did you send the darkness to me?
B~9
I~I
F7
C9
,.---3-,
Ann Ronell 1932
•
J
~p
F
me sigh-ing
and
cry - ing a
-
lone.
Oh
ISN'T IT ROMANTIC B~7
Eb6 C-
B~7
F-7
E~~7
Is- n't it ro-
man- tic, man-tic,
r7
Eb6
I
I~ ~bl, J D-7~5
G7
G7 cj J I j. J> j. )1
B~7E~7
hear the bree-zes play-ing
I, C-
G-7
G~7
p F"
DI F F
r
will fall
in
love
P
heard. Is - n't it rothis? Is - n't it ro-
G-r~C7'9 f~-7
1
mag - ic lov - er's
word. kiss.
A~~7 C7
while
I$~ F I I
F
G-7
D-7
j
r J•
say-ing
all the world is
G719
JI
C-7/B~
C-
1 E r U J J 1J. l J. Ji 1
It
Sym-bols in the moon-light. do you
F-7 Bb7
A~6
Eb
me~
E~
r r rrrI r - r Ir man
Is - n't it ro-
C7
-
love you,
0-7
and you a-lone were
Watson/Best 1945
C7
meant
JI
beplease gIve your lov- ing
for me,
G9
F/A
J J ~ J IJ
J
j
lieve me,,_ __ heart to me,
Gr=L-3---, C7 I, F F F F" A I ! I@~ j j J r' I. think
II
tic?
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that
j IJ J J J J J J J J J I IF F ~ love0 you, F' for sen - ti- men - tal rea - sons, ~ F I h
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FOR SENTIMENTAL REASONS
[AI
I
F-
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F- F-7/E~ D-715
chance?
per
r II
love. Is - n't it ro - Sweet
A~6
C-6/A I
to
est a
e bove,
the trees a -
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you were meant for
r'
in
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F9
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of
you
.--3--,
I
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old like
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fO
dream that can be such a night as
l
mom-ing sha- dows write the Ev - 'ry note that's sung is
1$~I'b E F r j •
I$~I'I'
J J Br J 11.~7
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man - tic,
man - tic,
-, , I , -I
mus - ic in the night. a mere-Iy to be young on
p-7 B~7
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J J j J~ J J. I J JJ J J J I J l
Is- n't it ro-
31
Rodgers/Hart 1932
ev 7~9
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I
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dream
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of you
F
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. night.
ev - 'ry
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C7 ~F
C you're
t
in
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D.C. alFine
I
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CHANCES ARE C6
C'il
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Stillman/Allen 1957
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Chances Just be-
.
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'cause I my com
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In thema-gic of moonlight.-- when I sigh"hold me
G
Just be- heart's your val- en - tine, _ _
J Po I J J J. ill
1
chan-ces are you ~ Iieve the stars that
close dear",
G+7
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n
J J. LJ n J P3 I J 1 LJ
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churces are you think that I'm in love with you.,___ churces are you think my
D-7
II II
wear a sil-Iy grin, the mo-mentyou come in - to view, - po- sure sort of slips, the mo-ment that yourlips meet mine,
G
C6
C'il
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I' I J J J. )11 ~r' p:J Id 3d J J J iiJ ,J J J I A J 3 J. ,I fill the skies are
.
in
my eyes.
C7.n
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Guess you feel you'll aI-ways
B-9 E7
I!~ I i J JJ J I,J.! J I r r r r -;
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if you tbinkyoucould,_-
...
07sus4D7
B-7~S
are
Irr
aw-'fly good,
.
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well, chan-ces are yourcban-ces are
E7~9
I" J JF 1"-
be
the one and
GIB C6"'AlC' D7
A-
on-Iy one for me, and
G
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I!!!II
II II
I- l r J I •
e
D.C. (Coda IastX)
Chan-ces
G6
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the chan-ces are your cban-ces are
•
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aw.'f1y good
07sus4 D7
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aw.'fly good.
SOPIUSTICATED LADY
I, ~I!~~ ~J ,
I
!AI
Bi.-7
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c:r Fi
Dule EWngton/MillslPariSb 1933
A~7 G7 (31,7 F7 I 4 F IF It; Ii ,£3 N I F iF T d I ?-7 F7 E7 Ei>7
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D.C. a/2nd End (Fine)
•
33 Hea- ven-Iy shades of night are faIl-ing, Deep- en- ing sha- dows ga - thersplender, Deep in the dark your kiss willthrillme,
G7
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it's twi-light time, as day is done, like days of old,
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R* ' IBI hear you, I
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time.
my dear, at twi-light
I~
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ge - ther, at
E-
in
the
..
last at twi - light
time.
Co
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Here,
in
J J J ,ll J J J J
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the
C
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sweet and same old way,
I
Build your dreams Play with fire Make your mark
t>
r-- 3 --.
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toe stars a- bove, till your fin - gers burn. for your friends to see
1'G 7sus4 G7
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you hear a call
A-7
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been
G-7 r--- 3 - - ,
,
2.(}7sus4
to
Kent/Mason/Evans 1954
;--3-,
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F
through it
J
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dar-ling cometo me
B~9
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FA7
r---~--, J F J. jp I F J J J ~~~. fol- low your heart, you'll fol- low your heart I know
A-7
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all
J) I J J F
for
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I'm an old hand
)
~3-..,
FA7
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did then.
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E-7~S A 7~9 (siD J I J B J
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,
_. . . . . .
I
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but when you need some-one true to love, and when there's no place for you to tum. but when you need more than com- pa- ny,
E-7 A7 D-7 G7
don'tgo to strangers, dar-ling come to me
1m G-7
I~
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Ct E~ I r
F
the blue.
fall in love a - gain as I
F9
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DON'T GO TO STRANGERS
I
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keep our ren- de- VOllS be- n~
af - ter'" glow of day, we
A7
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i J I J J j 3 J. p I J J J J J j2 U I J J 13
Here,
IAI
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mark the end of day, I till you're here with me, tojust to be with you, to -
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When pur - pIe col - ored cur- tains I count the mo - ments, dar- ling, Each day I pray for ev - 'ning
it's twi - light time. the set - ting sun. with dreams un - told.
tJ
out of the mistyourvoice is call-ing, fin- gers of night will soon sur-re&der, ligh~ing thespark of lovethatfillsme,
D 7sus4
r.-3~
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jp I iL J OJ
and
I'll un- der- stand
F:rlten
, J) I I've
G 7sus4 G9
t
t.if Jyou- I go.r
D.C. aI 2nd End
r
So
II
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34
I GOT IT BAD B-7
C7 ev- er treats me My poor heart is He don't love me
J
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the way he not made of no - bo- dy
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But
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mon - day rolls a-
J JI J J FIF F round, end up like I
I
start out
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that ain't
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week - end's
the
r
bad and
r
F
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I got it
should. wood, could.
when
F7'1l E 7 ~7'1l D 7
A-7
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good.
good.
j
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sweet and gen - tie sen - ti - men- tal like I love him,
G E-7 A-7 D7 e
Duke Ellington 1941
0-
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ver
and
A-7 D7
F I F r J I frD.C... J
2nd End
just
cry-in'
my
II
out
hean
Like a lovely weeping willow,lost in the wood, I got it bad and that ain't good. And the wings I tell mu pillow, no woman should, I got it bad and that ain't good. Though folks with good intentions tell me to save my tears, I'm glad I'm mad about him, I can't live without him. Lord above me make him love me, the way he should, I got it bad and that ain't good.
MOOD INDIGO
IAI I*~~
B~117
C7
r 'r
You
FI
ain't been
F
e blue,
B~117
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No,
Duke Ell1ngton/Mills 1931
no,
You
no.
B~
B~
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C7
Fie
ain't been
blue,
E~
A~7
That feel-in' that goes steal- in' down
to my shoes,
J fa j I * F F· j I ,j r--Cl Fir FFIr.
.
'till you've had that mood
B~117
I*~~ F I
C7
'r
FI
sit and
mood in - eli - go,
I*~~ ~Err
F7
e
IF
sigh
"Go
C-7
C7
G~7
in - di- go.
B~ -
r n I"
I
e
long
G7
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blues".
B~
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get
that
C'-........,....,
In the ev - 'ning when lights are low,
.
B~....7........,...,
E~7
II¥fJJpr J!IJJJL, I 'E11~r pi
I'm so lonl>some I could cry.
blu - er than blue can be.
[§J B~117
a- y said good- bye.
F7
A~7
'r
B~ F7
F7
since my
B~
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while
'Cause there's no-bo-dy who cares a- bout me,
B~117
When I
G7 get that mood in - di - go,
C-7
I'm just a soul who's
F7
B~
35
STELLA BY STARLIGHT
~'\".,
Victor Young/Ned Washington A7~9
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mur-mur of a
brook at
I,
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great
I~ib
0-7~5
and I
heart
a -
I =4. J I
A -7~5
A7
07~9
I J J Fir Dr I r r I
by a nook where two lov-ers hide._
A~7'1l
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F ~r J Ij I J If If How
you hear a you hear a my love song
D-7
that's Stel-Ia by
star-light
G7~9
C-7~S
and not a
dream._
F7~9
gree,
she's ev- 'ry -
on eanh to
thing
r
B7~9
F/17
II
like a from my for the-
me _ _
r-'~
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a pre-lude to
F'-7
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-t •
a kiss.
F7'1l E/17
It *n J IUn noth- iog much,
~J
J I J J 1_J J I. G+7
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C#-7
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you could tum it to
my pre-lude
C#-7
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Though it's
a
0-7
to
a kiss.
F#-7~S
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,........ ~
just a sim- pIe
B7
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mel-a- dy,
my
A+7
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that was my heart ser - en - ad - ing you, my heart try - ing to com - pose, love is a pre - lude that nev - er dies,
,12.D-7
A7~9
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I J J J J .~ I J r-'-'
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flow - er cry - ing for the dew, sen - ti - men - tal woes, that was ten - der- ness, with - in your eyes,
A-7
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Duke Ellington
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J~TJ=g I bJ J
My
B~t!.7
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song in blue, song that grows gent - ly cries
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B~t!.7
PRELUDE TO A KISS 07
the
I,F Errl r r l'rr JI " IF F I
theme,
JJrl
l
II
A~7
u.. _ springs,-
of en~less
E-7~5
Ft!.7 ri~ples
that
E~6
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through years
r - 3 ---,
8
A 7~9
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ev-en-tide.-
G7tfi
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a ro- bin sings,_
song
The
C-7
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0#-7
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with
ooth-iog fan-cy,
A 7~9
0-7D#-7E-7E~7'1l
J 11 1i J lJJ J I J ~r:Jin
sym- pho- ny,
#a
Shu-bert tune with a
Gersh- win touch, Oh!
5
36
HOW LONG HAS TIDS BEEN GOING ON? George/Ira Gershwin 1927
IA1
A-9
I!f
I"
P
r
p
r
tell me now,..I re - peat, leaven's sake.....-=
lit- tIe wow.--Lis-ten sweet, what a . break.----
12. C7
EJ,7
JJJ
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on?
,F7
I feel that I could melt.--
I
knov.bow
Col
&Dr bus
}I F J
C#-7~5F#7
r
j
Bf~ing
felt.=-- -
CI:J.7
F7 l
l
IF F J1r OJ' I in-to He.ven I'm
.J
E-6
IFF Ip
•
on?
F7
CI:J.7
Oh
PI F tJF hurled.
go-ing
Jlr
B-
GI:J.7
J hpfe
~p
r
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long has this been go-ing
F I )J £jJ
97 D7
long has this been
06 07 ImO>7
D7
F9
where have you been all these years? and some thrills I can'tde - fine what a dunce I was be - fore,
11'C7
how how how
C7
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I)J J1_J_J J 3 J J J
15,J
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G7
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sal- ty tears, up my spine.--themnce more,
A-7
Bj,.,
D-7
D9
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I could cry Therovere chills,-Kiss me once,
GIB
.
D 7sus4
Gt 07
B~7
B-7
r pie
~oth
I
D.C. aJ 2nd End (FIne)
- er
world.
#2) I could cry, sal-ty tears, where have I been all these years? Listen you, tell me do, how long has this been going on? What a kick! how I buzz, Boy, you click as no one does, bear me sweet, I repeat how long has this been going on?
Dear when in your anns I creep, that divine rendevous,don't wake me if I'm asleep, let me dream that it's true. Kiss me twice, then once more, that makes thrice, let's make, it four, what a break, for heavens sake, how long has this been
IN MY SOLITUDE
I' ~'b I' ~I..
IAI Fr
In my In my In my
t
B~;su'4J
91:J.7
F-6
G-7 C-7
I F
r
sol- i - tud,"-e___ sol- i - tud"'c::...___ sol- i - tudc...'"_ _ _
you you rm
F F Fe
By
J IEJ,:7
r-J
of daysgone b y _ _ _ that nev- er die _ __ sendback my love _ _
. 91B~
I' ~I!I! t;
B~7
B~7
97
A~1:J.7
B;7r
F-7
no onecould be so sad.
rI r
IJ.
haunt taunt pray -
~~-:
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B~7sus4
2ndX)
Ii
In my
Ellington/DeLange/Mills 1934
.
me, me, iRg,
,:tr I
A 07
-
with with Dear
B~7
Fr t
re - ver- ies mem - or - ies Lord a - bove
E J. PI
h r J. pI
sit in my chair, I'm fdledwitbdes-pair,there's
EJ,IB~
G~07
F-7 B~7
pit; r J. pI Eg Err I r
rr I
With gloom ev- 'ry-wbere, I sit and I stare, I know that I'll soon go mad. Inmy D.C. aJ 2nd End (Fine)
IAJ
G
A -7
E7
J 3 J j J J. ~ I J
I~ I I'
The The The
~
""Ofh"'Stynel946 J J J J. pi; ] J J J J J ~ I D7
boat rides we woulciake, the moonlight on the lake, the way we dancedandhurnmecbur fav- 'rite mid- way and the fun, the kew- pie dollswe won, the bell you rang to prove that you were leaves be- gan to fade,like pro- mis- es wemade,how could a love that seemed so right go
B-7~5 E7~9
A-7
0 7 " B-7
E-7
11.A-7.
12. A-7
I~ I J
the
things we did last
07
G 7 G
all win- ter
mem- ber
C
0-7
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long.
The
0+7'
I~ I j
IElI
G7
JJ
C
E-7
lun- ches that we used
to
Go
07
pack,
we
07
D.C.aJCod
J J J 0 J i 1 J J , )11
looks we got when we got back.
The
J J Q J.
E-7
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J J, ,J! I J ] J J J. E7~9
G#oA-7 D7
m
summer,
re
aU win-ter
mem-her
P-7
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C-7
I~ ~I!b
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fall in love too A-7~S
07~9
F" pI
My heart should be
! ~Izi. e I:~ ~.- F fall
c-
G7~9
I C-71B~
C-IB~
J11
e
fall in love too fast.
A-7~S ,--3~
.
D7~9
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G7~9
J 3 J J JlpE J I IJ W@ F Fie
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P-7
eas- i - ly,
fall in love too
long.
C-
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0-7~~A~
II
Stync/Cahn 1972
G7~9
I
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IJJUlrrJjJJle
I FALL IN LOVE TOO EASILY
I~ ~b.
Jj I
sud- den sum- mer rain, the
nev- er could ex- plain, that
"B-7~S
,Jd
rent- cd dou - ble bike, the
A7
J J J r i llJ. ,I) I J ] J
The
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long.
0-7
ear-Iy mom - ing hike,
~
G G#oA-707
sum- mer, I'll re -mem- ber - all -win- ter
0
LiP J J I J.
07
JlJ 3 J j I J=J
\J ' l I J F F J I J J f J I J. song, strong, wrong?
37
l'lIINGS WE DID LAST SUMMER, THE
rAJ
G7
ir
ter- ri- bly .hard,
II
love to
C7
C6
J J 3 I r-
well schooled, 'causel'vebeen
e - ver
p-
Err J
, J J 3I
C! I J
fooled
Andstill I
in the past.
J J J J. eas - i - ly,
last. p_(A7)
P-7 B~7~9 r-- 3---,
Bb7
in love too
for
I
fall in love
I
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II too
e
fast.
II
38
ALL OF YOU
I'~\
J J J~: J
B
I love the
~I.I, gJ.
FI
pure
JII
r'
r'
FI
the eyes,
of you,
of you,
the mouth
of you.
I, ~I!I!
A -7~5
I'd love to
C7~9
G-7
D7~9
r e::1 tr r I
small per-cent
ev-en the bean and
IJ
&
soul
F- C7
the East, West,
I
for
gr I
of
So
you.
F-7 Bb7
love
1~~f*J1 J JUI In the still of the In the still of the
C7
u
night,-night,--
of
F
r r I r-
J. J1
fl·Ight. my th ough15 all
11.
love
r
p
I
II
you.
e' I, •
0-7
*IJ1FRI at
Bb-7 Eb7 A-7~5
I
II
G-7
I
Do_ you love me. you my life to be,
J
Bb-6
G-
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r
o
or will this dream of mine
C9fBb
dim
D7~9
I
r
fade
FIA
j on
JIJ J J I
the
rim
of the
J J
hill.
in
JI
the
F#-7~5 lOb• th· e tImes
Bb
r PI r r
say to you.
the moon in it's
J J I * fJ J II' jJ I C7
*J r
WI·th - out
l'oF pI:
II
as I love you? my dream come
~
true?_
I'~
Bb9
s1um - ber
F+7
num-ber. dar-ling when I
Cole Porter 1937
in
,
stray to you.
a
I
G-7 C7 r-1~-B-b9-E-7-- A-
Ab7
at least,
pI
Eb6
J JI J J I * asJ JI· gaze J from win - dow, my while the world is
the
J 19.
all
F
North and
rI
r pr
IN THE STILL OF THE NIGHT F
the
Ab~7
Fir Wi,) r- IF
of me. do.
you,
I F ~r
r
C7
South
of die
Eb~7 EblD G-7~IDb C7
JI J J I r
F I V'
the anns,
the sweet and ban -
Bb7
F-7
r-
J I J.
you, you,
of of
the lure con - trol
Ob o7
Eb6/G
Ab6
JI J
J I gJ.
of you, com -plete
looks gain
Bb7~9
F-7~5
JI J
Bb7~9
F-7~5
I,
Eb~7
Ab6
Cole Porter 1954
Eb7 EblDb FIC
B o7
fa I J J J J J J I.
out
of sight, like
G-7
C7
•• chill.
the
moon, grow - ing
F
I J f1 I I, still
of
the night?
I
.,
---------------------
39
I WISH YOU LOVE Trenet/Beach (Fl-ench) 1946
D7~9
[8J
G-7
LTJg I
'--3~
r:-3~
I~~ j J
1 1.
C7
1~~J*n
r - 3 ---,
F'g I
j
I
1
I wish you
B~-6
C7
3~
C-7
F
Ir *J r r I
.-I J J JI C7
I wishyou
I set you free.
G-7
07
could nev- er
I
love.
r-!--,I r row I r Pf11
JIr
D.C.aJCoda r--3----'
II
wealth. I wish you
And in Ju-
love.
hean and I a - gree. that you and
F F FI
best,
rn A~o7
A-7
F6
rll F Enl ~r fa
My ach-ing
j
rTF I j
j
B~13
FA7
J J I J J J J I .. ~ B~A7
I~~
C7
sing, and then a in the spring, to give your heart a song to blue - birds lem - 0 - nade. to cool you in some leaf - y glade, I wish you ly a fire to keepyou warm. but most of shel - ter from the storm, a co - zy
kiss, but more than this. health and more than all. when snow-flakes
07
G-7
Jrrt J
I wish you And in Ju I wish you
G-7
C7
fall
be,
r-3~
so with my best, my ve- ry
F6
I
Ii
I
Ii
I wish you love.
ANGEL EYES
Matt Dennis/Brent 1946
07
Par-don me, I
..,
Ii51
~
1
C-7
fOn-·t
that love's not a-roun:;: that old dev - il sent, but I got - ta run,
Try to think An- gel eyes
-
07~9G7~9
C-
still it's un-comy near_ _ they glow un- bear- a - bly brigh,tl.-,_ _ the fact's un-com- mon-Iy clear._._ _ 11\.
A~7 G7~9"V11. C-A~7G~ !t.C-
C-/G
.
.
.,... -.' •• ·b-~ Y0 eart am t gam - m' no ground be- cause my an-gel eyes ain't ere Need I say that my love's mis- spent, mis- ~t with an-gel eyes to- nightl--_ _ Got-ta find who's now num-ber one and why my an-gel eyes ain't here._
M* Id h
B~9 E~7~9
A~A7
C-7
I~ ~b~ Dr" !J J llJd'-.-J drink up all you peo -
GA7 G6/D
C'-7
F7~9 B~~
or- del an-y-thing you see
0-7
I!~ ;1\ "JU,-U 'f~ll is J J J SJ1±e pea- pIe,
A~A9
I ~ F E! F fJ1J.
pIe,
F#7~9
E~7~9
the drink and the laugh's on me.
07~9 D.C. aJ Coda
'-A~9
I
I
A-9
4'
So
07~9
nI
F Ilr"1§J Have
fun
07~9
you
happy
C-9
I J 'J* J ..3 fJ JJle 'seuse me while I dis- ap- pear.
40
I CONCENTRATE ON YOU
.
Wbenev- er skies Wbenfortune cries
1 1'F~7
look grey to me,_ _ "nay, nay" to me,_ _
..--3--,
* 1* J J F 'r
and trou-ble be- gins to brcwf.-,and pco-ple d~ clare ·'you're through".--
E~9
B~7
I F qJ I.J
1
C'-7 Pl7
* J ~J J
win - tcr winds
when ev - er the
Cole Porter 1939
ie
1
be-come to
I
when ev - er the
E~6
It J J J I ~J I COD-cen-
G~sus4 G~A7
D~7
F 1ir
sweet,
so
~r-
@
I t iF kF ijJ I B~7
F7· 9
I
I con-CCD-
0~sus4
J2fe you _ _ _ __
song,
*j J J
strong,
&6 trate on
B 7'11
j
IT
ten - der,
A~A7
&6
IJ
J2±:e
tratc on
~7
A~6
*
you
J JI On your
so
&A7
d I ,J my
rI
F" smile
B~7
F-7
)1 J J. when at first
my on-Iy
blues be-come
J. ,JlI
de- cline,
you
kiss
1
e
rI on
the light
cr
I
in your
when you sur - reo - der_
B~A7
B~7
e
IF'
in-tcr - twinc. _ _ __
arms
that love's young
C+7
F-9
1~~I'h IzJ ev
eyes
-
wise men can
be
II
wrong.
A~7'11
And so when
nev-ercoines
wise
r I r'
men
you.
r
to me,
&6
It J J J I ~J J J-Ie I con-cen- trale on
say
P
to prove that
truc,---
Bb7
our
0-7
* I * F F Fir
F 7sus4 F9 B7'1l
J I J J ~J. PI en
dream
E~6
and once a - gain
Ie
POOR BUTTERFLY
I~ ;I'I,~
J~
j qj
B
1C-7
C+7
fly, come
or she loved him to me bye and
F-
Eo
and as she
J
Ir
wait - ing, faith - ful,
poor I'm
The
the hours
S,7
FUr l-r J \j J I she mur- murs
smiles thru her tears,
&'
low.
The moon and
But
B~7
I~ ~I'I'~ J J J
"
just
mus'
hC1
J
j
he don't come back,
if
C-7
I
A~ Db7· 11
J J "J
bye.
then
Eb7~9
die.
Poor
sigh
,I~~I'I'~
D-7~5
JJl
G7~9 j
C-7 B-7
Fa I
Ev- 'ry-one knows him as leav-ing his spoon in his quite un- der- stand a - bout
t:.
I
P-7
;=3~
I@; 'I, ~r~
Bb7
.
I~ ~~
I~~'· fJ
'j
ra
n
J J
but - ter -
I
B~7
r--~--'
J ~
C7~9
r
-
EI.6
J J
Db7
G-7
sea-sons he'll come andhe'll go, nap - kin up un - der his chin fight for the blue or the grey?
F7
fJl just as and that For he's
P-7
-
[§] ~A71B~
BIz-7
&7
JdJ, nil u~r Ell ~F n In the
ev- 'Ding
AbA7
r::- 3--,
r;i J]
C7
J )J I i J J tJ J j J I J.
Eb7
j
Robison/Hill 1938
FH pm I l
11. C-7 . ,..---3--,
II
fly.
good as his word, that's why ev- 'ry- bo- dy loves him so. mel - low it's ripe. but so dem - 0 - era - tic,
you need-n't be a-shamed of him. we ai-ways let him have his way.
t:. I D~7111 S,A7 I@;'I, J i11 r r
like the puts his did he
I
1
cry,
or
Ii
~bA7
A7
j)
old folks, cof- fee, old folks,
EbA7 .
. ~
free as a bird and as yel-Iow cob pipe, it's so so dip-Io - rna - tic and
I
j
B~7
J_
~~6
r
I J qLJ F
I nev - er
OLD FOLKS
[8J
ut - ter sure he
-
pass in- to hours,
B~7
LJ
eJ I
E~7
B~7
B~7
F fJ J I J J j J I
A~6
I F F-
F7
so.
F-7
pass in- to years,
r
F
E21
'neath the blos- soms is know that she
fly I
Poor but - terThe moon and G7~9
IF
ElF
A~A7
E~7~9
B~-7
C7 B7' 1l B~-
D~9
41
Golden/Hubbel 1916
j
af-ter
Db9
sup-per,
C-7
AI-ways
A~A7
F I ~on \j J~
what stoi'- ies he would tell,
,..---3--,
p7
F-7 E~7
I J JJ J J I J J J J JJ j L J fiU I
how he held the speechat Get-tys-burg for lin-coIn that day,
I know that one sowell.
Don't D.C. aI 2nd End.
,
42
A NIGHTINGALE 'SANG IN BERKELEY SQUARE Sherwtn/Maschw1tz 1940
E~t.7
,
C-7
J\~: J J J ,I
That I The
Ebt.7/Bb
0-7
rr
B~7 E~7
Abt.7 3
J J J I FA C-7
F-7
B~7
I~ ill.
j>'A-7IS D719 GA7
~, A
-
-
1* ' J ~
E-7
0- ver ~don
A-7
D7
I'I i J J i J J J IPF rr pI
j
wore a frown,
D7
how could he know we two were so in love,
~
Fla Fla Fla
D-7
Ft.7
r·
t,~
0-7
D~9
.
J
is -land dy - ing lov - er
IT
0-7
:' ,F. t.7
C7
and
a
love that is
e
The winu..d_ _
Eb9
sings a song to you
0-7
C7
D.C.alCoda
il ~~~~*~~F~F~lJ$!~I~"~~If~~~*$i;I the mur-mur- ing palms.____
I~~
I~xFt.7
IT
;:t&
~
Fla
Ft.7
0-7
I"
IF
l'
JI
the whole dam world seemed up- side down. The
I I
Grouya/Anderson 1941
I lin. rFJ I I D7 0-7 C7 f F6 Bi.-6 I J *J , " I I I 0-7 C7 1",repe8tFt.7 0-7 C7 I * J pn : I - I I C 0-9 I I" I" I sky.--,_ _ hue,.--,_ _ se...,.a,_ _
I * J J J ;J-J I: :_ by. _ _ _ __ to my lov - er near
Ft.7 B 7'll Bb-7
- * J II
J
flame in the in your tro - pi - cal when the sun meets the
min - go min - go,
J
r
I * likeL1a min - go,.__
Bb7
F-7
C7
Me J
F-7
J 'I r r
FLAMINGO
,
j
poor puz-zled moon, he
E-7
j j
I C-7 I I B~07 I ~. Ol'l I
square.
B-7
town,
B-7
there were that and
e
i J n I PC n' pI j
The moon that lin- gered
D7 0t.7
Ber - k'ley
A-7
I
~t.7
F-7 Bb7
night-in- gale sang in
E-7
II', iJ J
I
A-7
EEf IrE r
J JI J J I
an - gels din - ing at the Ritz, and a me a when you turned and smiled at as we kissed and said good- night, a
!"F-7
A~6,
mag- ic a- broad in the air, per-fect-ly will-ing to swear, such a ro- man- tic af - fair,
eer - tain night, the night we met, therewas may be right I may be wrong, but I'm streets of town were paved with stars, it was
rr r
I~ ~I'I.
D-7~S3 07~9 C-
I I
as you go,
fly - ing 0 - ver the speak of pas- sion un say fare - well to my
Fla
a song
- trUe _ _ __
that I
hear be-low
..
and has-ten to
e me _ __
7~9 0~7tu
F~
43
MY OLD FLAME Gb.7
U. r
I"
F9
IT
My Old My Old My Old
A-7
I can't my new I can't
Flame, Flame Flame,
ev-enthink of his loy - ers seemso ev-en think of his
In J J J Ef I IT
~u
thoughts go flash- ing back a- gain to ni - fi - cent or el - e-gant as I dis - 00- ver what be- came of • A-7~5
n J F r I ~J.
-'A-7 D7
3 ---,
r-- 3 --, D7~9
A~7
J . J. t •
E-7
A-7
D7
D.C.alCoda-'
A-7 D+7
I~ I IT
06.
Tie
My Old
LOVERMAN' G7
to the skies,
Some who tookme up
but their at- tempts at love were on-Iy im- i - ta-tians of
.I'j' ' J J J J A I
. fun-nynowandthen,how my haven't met a gent so magnev-er be the same un- til
I'vemet so man - y who had
I~*~.~>
~
D-7
J J J J J JJ I
C 7sus4
r - 3 ---, 0+7
D7
G7
F9
til' r (, J J J J I
flame.
tJ. JhJ ~ J J top j ), U
D-7
C9
B~A7
F7
j,
flame. flame. flame.
G
I
But it's For I but I'll
1"A-7~SD7~9rC-7
myoId myoId myoId
A7
;;J
name. tame. name,
~J ~ J J G-7
D7~9
A -7~5
r-- 3 ----,
I qj~J. ))1 J. E~9 r -
Bb9
I'
B-7~5 E7~9
Coslow/Jobnston 1934
I
Flame.
Davis/Ramirez/Sherman 1941
0-7
iJ J J . J I '
j J
I don't know why, but I'm feel- ing so s a d _ I long to try some- thing I've nev- er u;baaud_ __ I'd give my soul just to call you my OWOI_ _ The night is cold and I'm so all a-lone, Some day we'll meet and you'll dry all my tear5.--then wbis-per sweet lit-tIe things in~m~y~ears~==;--
F7· 9
IzJ
B~7
L
J J J Jl J. I IzJ
Nev - er bad no kiss- in' Got a moon a- bove me, Hug-gin' and a- kiss-in',
1~b.7
Bb7
I'j"
I F
be?
I*j
A-
G-(~7)
A-7
to
ro:
I"
C7
FA7
D7
Ob.7
A-7
said that the
G-7
C7
r"t-.J
E-7~S
to
me, strange as it
seems.
Fb.7
j
JI
,
be?
B-7
be like a hea-ven-ly
thrill of ro-mance can
A7~
II
Lov-er Man oh where can you
J J I F J J rtf I F goJl bed F with a prayer that you'l1 make love I
G-7
P J. I ~i J J a J
oh, what I've been miss- in' but no one to love me, ob what I beeV miss-in',
A-(~7)
&7
no F n I F" J1 PfJ I Ir n FE I Ie
I've heard it
G-
JJJ
B~7
A-7
I
dream. A7~9
Ii
D.C. 111 FIM
I
r
44
BLUE VELVET B~
J Shc She
D-
•
e
wore wore
1
blue blue Blue_ 3
i?J
J
I' ~II
B~9
ours.
I~ ~I, J
~
1
grow,
r
like
B~A7 G7~9
p §~ I ~F ~
tight~
a lovc I held
E~7
p §~ ~
I ~F
a flame burn- ing
B~
I
f J J 1
C-7
bright-Iy,
,
J. ;PI
sighs, love
was
r
I
ly,
r rrF
JI
feel - iog the rap-tore
C-7
r··JI
~~ "
I
but when she lcft,
P7
gone was the glow of
B~6
j ry through the years. _ __
and I
still can sec blue
I~·I I
G 7sus4 E-7 A9
D-7
F I should care,
I*Ar(JIFr
e
should
P-7
B~9
J JalJ J I should go with-out but it just docs-n't
pA7
1* ..
I
two,
1r"'""2-.-B--7-~5--E-7 A -7
I, J J J I F fa some-one
as
love - Iy
Strange-I,y May - be
JI ..
I I
should should
,....11·-B---7-~5-E-7-
o-nough I I won't find
A-7
J.
sheep well,
D7
I
Tf5
~F I r-
as
but
I
G7
J I r'
should
care
r-3--,
C7
laJaaJI
sleep well,
'cept for a dream or
Q;L.
09
J JIJ
FJ
G9
r
J
~
lull you to sleep. So
C6
JJ I " and I
care, care,
G-7
fun- ny how sheep can
D-7
J I F' you,
I,.·
I a JaJ ala J. A-7
but then I count my
A7
,-3----,.
sleep-ing. gct me.
E7
tcars _ __
E-7~5
weep-iog. sct me,
CA7
TIn J J I J
B-7
8"
Cahn/Stordahl/Weston 1943
CA7
I should go a-round I should lct it up -
care,
r-- 3--.,
G;?w.43
1
vcl vct through my
I SHOULD CARE ~-7
I
B~ ,-3-.
r Jrr
I
F7
J,J
She wore
D-7 ,-3.--,
r
*
night, cycs, be,
tC-7
F7
IJ ! J J
Ij
@-7
Ours,
B~7 E~
~ r
light from the stars _ __
r
! I
3
blu- er than vel - vet was the blu- er than vcl - vct wcre her but in my heart thcre'll a1 - ways
J. )1
E~
I ~.
II
J
I
j
soft - cr than sat - in was thc warm - cr than May hcr ten - dcr pre - cious and warm, a mcm - 0
P-7
F J.
1r"'""1'--P-7- -
I
fr
F7~9
G=1-
vel-vet, vcl-vct, vcl-vet,
..
Wayne/Moms
do.
-
II
45
SPRING CAN REALLY HANG YOU UP THE MOST
Landesman/Wolf 1955
has wakes there's
1. Spring this year
Mom - ing's kiss, 2. Spring is here, Col - lege boys
l
E-7
A 7~9
J.
J
post, toast, coast, grossed,
I I my but
D-7
J
G-7/C
Cb.7
on
j~
up the
GA7
FA7
.1 ~ J J J_J. ;ill J LOve seemed sure Doc - tors once F#-7~5
I~
J I ~F·
e score song,
BbA7
A
(E
a
I J.
most.
All
D-7
Bb7
r
)l
J. ) I J.
a - lone, the
E-7
J )) J )1 J
you keep pray- ing for.
I ~ J.
CA7
par- ty's
D7
II
e most
r 10
JI ~
Spring is a bore. some - thing went wrong. .
D-7
E-7 A7~9
07
D-7 Spring can real-
Bb7
ghost, dose,
E-7 A7~9
07
J JA; u· I Dj? J J J
B-7~5
f] J
JI
Spring can rea1-ly hang you up the
A-7
D7sus4D7 .
J. I ~ J J J J J J J I r' 0
a - ver,
J Jj
1
G-7/C
t
A-7
di - lion must be chron - ie,
)l )
J J J J ..z
now it's A- pril, love is just a suI- pha and mo - las - ses was the
what be-came of you dear?, ....
D-7
Cb.7
I J J J J J J J JI J. ~ I
A-7
hang you up the most
CA7
CA7
r
,",4
CA7
07
and I've - ad - ed that full of sweet prom - ise but
Year, ie,
F - 7 ' " E-7
E-7 A7~9 D-7
won't year's
0-7
0-7/C
;7 J j JGg J J7 JI : B~AJ 7.£d
Spring can real-Iy
I~
CA7
a - round the New pro - scribed a ton
Spring ar- rived on time, on - Iy did - n't help a bit, my con
J J ~I
Spring can real - Iy hang you up the
rP J
CA7
JJ
G7
at the ceil ing, the lone - Iy hours, hear it break. - ing, Bas - ter bon - nets,
kill
, J J j ill
u most
I know sea- son of
up
just to so they shelf with last
07
0-7/C
Heard it De - fore and Spring came a - long, a
room park sing the
to
tries
bang you
J J
J_J starJ - ingJ
my the
10
I~ ~F· I J J. ) I ~p
I~
j
J J J J JI
Spring can real- Iy
J
D-7
F-7
in
rm
A-7
ing wers, ing, nets,
got me feeItrees and flo-no mis -tUlak....----=writ- ing son_ _ -
J
lie walk heart
07sus4
I~ J J j ~
1
are F#-7~5
Cb.7
A7
old man Win- tcr was a grac- ious
D-7
host,
Db7
but when
CA7
jnJ. I J J 3 J ~J J d & I",
snow to hide the cIa - ver,
Spring can real-Iy hang you
up
the
most
I
46
"YOU DON'T KNOW WHAT LOVE IS Raye/DePaull941
D~9 C7~9 FC7~9 D~A7 G-7~S 1~ ~~I!~ ''if; J La. J! I J J J. ~ 1 J 3 J J J J J J I J ,~ 1 IAI
F-7
f
You You You
don't know don't know don't know
J J
what love is, how lips hurt, how heart's bum,
un -til you've learned the mean-ing of the blues, un -til you've kissed and had to pay the cost, for love that can - not live yet nev- er dies,
C7~9
r r r
~I!b~
1,
l'
r r
C7~9
love is.
A~A7
rr is - ing,
e
r I 9r
and how
you you you
~7
A~A7
you know how a
Do
D-7
lose, lost, eyes,
r r (:1 I p
J I ~ J. J JII
don't know what
~I!I!~
rm B~7
F-6
D D
hf
e
lips that taste
of
tears
CA7
1_* • J
G 7sus4
J J
J. JI
Where bas the time all This day was just a There's so much more em -
G-7
DIP' F-6 E-7
I~ J J J J I J= things still time
we want to, un - spo - ken is rae - ing
1'CA7 07sus4 ""e
A7J
2.CA7 B~7E~7
D.C. aJ 2nd End
lose their taste for
G 7sus4
gone tole brae
to, en, ing
have too still
CA7
D-7
J
E-7
J
j
Qh Well, we'll catch up
•
E~7sus4
FA7
C~5
J. } I
J•
n't done rna - ny to be
half words done
1
some oth-er
the are
but
07sus4
G 7sus4 CA7
cJ ;1 ~7sus4
A~A7
You
Bemsteln/Comdon/Grec:n 1944
I, P ,..
kiss - ing?
-
time.
A~A7
E~7~9
e
Ftne
Just when the fun
A~A7
thought of rem - in-
IJ. l J J I J JS;PJ.) I
W-
A~A7
Eb7sus4
C7~9
~
lsi
the
D~9
G 7sus4
Oh
~
F P F' ;, I J J J. ~ I
CA7
A e ~ ..J I
C7~9
B~7
SOME OTHER TIME
~
G-7~S
...
lost heart fears
CA7
G7
D~A7
I r r>"
r
r I W
til you've loved a love you've had to til you've flipped your heart and you were til you've faced each dawn with sleep-less
I2.D~A7
A~7 11.
F-6
ununun-
AA7· 11 A~A7
is
start
-
ing
comes the
CA7 E-7 A-7 E~7 D 7sus4
I~ 'OF S_J. I 'J ~4• C J.- n I J J J r I r- ~a pan - ing,
G+7
but let's be glad
for
what we've had and
what's
to
time
for
07. 4 sus D.C. aJ FIIIB
" come.
II
47
AUTUMN IN NEW YORK Vernon Duke 1934
I~ ~
Bb6
A-7
G-7
J J J3 J I
I!
A-7
Bb6
I~I J J J J J Au-tumn in New Yorlc, Au-tumn
I~~
I
i
B~7
Glit- ter - ing crowds and Jad - ed rou - es . and
shim - mer - ing clouds gay di - vor - cees
A-7~5
C-7
)
J bh J
mak-ing tell you
me that
G-7
feel "it's
A-7
I~~ J J J 3 J I Au-tumn in New Yorlc,
'f
I~I
D-7
[ r r~
~ew
F-7
I~~ P Ij Dreamers Lov-ers
G-7
with emp- ty that bless the
A-7
I~~ J J J J
at di
home vine!"
C+7 F67
j
of-ten mingled is you'll need no cas-des
au-tumn in New York, Au-tumn in New York,
Bb-
PI with in
DbA7 ...
Ab7
F-
~a
may on
...
sigh for bench-es
;.
C7~9
Bb-6
J &J
J
it's good to it's good to
D-7~5 G7~9
C+7
A-7 D7Db7
r rI
ex - ot - ic in Ccn-tral
I.i' F
1>1
live it live it
a - gain. a - gain.
Ii
-
I
C7~9
G-7~5
I ·r
A'*7
F-
...
II
.a II
B~7/Ab
pain. Spain
I,Jl J Jl F I
hands, dark
Ij
G-7
j J P F PI F j new love, that brings the promise of May - fair, ttanrforms the slums in - to F7t9
-
It's This
J
r r I r-
P
J.
..II
-
they're will
a
J' ) ~p, J I J bJ
C+7.
C-7
iF
&-6
Au-tumn in York Au-tumn in New York,
B~7
G-7
C7
D7~9
night - ing. run down.
C67
Bb6
Au-tumn in New York
C-7
first you're
D7~9
steel, Ritz,
G7~9
J
I
j
PI F AbA7
&7
D-7
,J
A-7~5
JJ J pF
G-7
A-7
vit - ing? sun - down.
in at
C7
it spells the thrill of it lifts you up when
in New York,
G-7
P F PI F
why does it seem so the gleam-ing rooftops
Au-tumn in New York, Au-tumn in New York,
G-7
J j J
i
C+7 F67
C7
Db67
*II Gb67
d.
J I
lands, Park
it's greet
-
48
WHERE OR WHEN F6
J
B~
F117
J J J JI
I
Rodgers/Hart 1937
JI
j.
JI
j.
It seems we stood and talked like this be - fore, we The clothes you're wear- ing are the clothes you wore, the
B~/A
J J U JJ JI
W
looked at each oth - er in the smile you are smil- ing you were C7~9
1'G-7
, 2.E -7
" I
same way then, smil - ing then
when._ __ when _ __
or or
0-7
G-7
fa J I
r
Some things that
A-7~S 07~9
G-7
and
....
first
And so
-
be
seem
seems that we have
it
r
fore,
be
be
- fore,
I~~ J For For
f J. all all
G9
C7
J I J £3 I we we
Gb7 tn
where
·or
e=
when _ __
C7
a)
F
mo- ment sweet a - gain. _ _ __ rip - pIe on a stream. _ _ __ E-7~S
A 7~9 0- 0-(67)
J J;I il min - ute, I'll
.
hold
FIA
**
J
some,
to
won't say good love me to
G-7
hand and my
J
.
r r r
be - fore you we come we
e-
C7
heart wi11 be
G-7
I
PSf-re
in it
night
G-7
r FrI
F I un
G~7
*J".
- til
aal W WUWI come for all we
the last
.. B-7~5 E7~9
r
For
C7
-mor - row may nev - er
go make this go, like a
.Abo7
aWl r U UI JW
07sus4 07 mor - row was made for
We so
0-7 G7
W WI il out my
iF I
07
F117
I J * *J I J. J I F' f] I
know we may nev - er meet a - gain, know, this may on -ly be a dream,
G-7
Coots/Lewis 1934
G-7 C7
r-3--,
laughed be-
F6
r r
knows
n j J JJ
a-
B~117
and
FOR ALL WE KNOW F
J ;'1
hap- pen- ing
0-7 F7
C7
r r who
but
A7
met
G-7
I
to
F
J. a I J J I J. a I
J JJ J
I
F I V·
loved
time, _ _
G-7
fa J I ~
j
E-7~S
A-7~S 07~9
r·
*I
<
F6
*J J ;
I
J I
j) I
F
e e gain._ __
J
J.
F
hap- pened for the
C7~9
G7/D
fore,
where where
but I can't re- mem - ber but I can't re- mem - ber
0-7
j
v·
I
fJ
A7
night,
F6
- I"
"
know. _ _
~ to-
I
49
EAST OF THE SUN Brooks Bowman 1934
GA7
ED tJJ
I,ll!
A-7
I ~e
II
r rr
I
dear._
love--
41-3~
JJJJJI
1\ -7
E7
J J J J J_
A-7
r F r pI
FI-7~S
B7
r' pI
FJ
Bj,..7 ~7
r, r r
I
J\.:1.3-'
07
G
r
F Fie
J JI
east of the sun and
J
I' I'
is is
A-7~S
west
of the
Rodgers/Hart 1938
wby wby
II""'1·-0-~-A7:"
~1!1!5
why does- n't my heart go why does- o't the breeze de -
Tn J J I J F7~9
GW
Bj,..7
CJ.
is - o't the waltzen - tranG: - ing? does- o't the night io - vite me?
A~A7
No de-sire, May-be it's
I J qJ ijJ J I J J F r I
leads
me,
may - be it's be - cause no- bo- dy
loves
I
B~-7
E~7
C-7
F-7
Ii
F"
J
me,
Spriog
is
JI is is
Spring Spring
F-7
F-~
I J J J JI J J F
I' E7
F7~9
J.
A~/G
I,
I2. B -7 ~bl!~ Ie
C-7~S
dane- iog? light me?
F-6
C+7
-
mooo _ __
J J I J J.
Ii
C-7~~G~
here, here,
D7
r FFI
IJ
A~6
here, . here,
I J
u
I
keep it that way.-,- _
we'll
A~6
I'~'!'!~
F7
3-,
SPRING IS HERE
B~7
for -
J J J J FU I J J j I J J J F J I
A-7
mooD,-
Spring Spring
J I
r r r ~J-1-e
J I
A7
4~3~
I ~e
e
C7
stars we'll find, a har-mo-oyof life to a love-Iy tune, east of the sun and west of the
up a-mong the
B-7 E7
c;-7
r Ir
E-7
we'll
Just you and I,
pale moon-lighl
love will not die,_
ev - er and a day,
night,
Iiltl)
F FI FF J I
I J JJ
,I -"
J
GA7
07
3----,
E-7
near to the moon at
day,-
liv-ing on love and
way dear,
B-7
rrr
B7
J J J F F I J.
e
.t\=1.3-.
J I
j
live in a love-ly
F F FI
Near to the suo in the
E-7 A 7
F~-7~53-,
07
,-3--,
~ ~3-,
,J
we'll build a dream- house- of
west of the moon,.--
and
F7
I J J J F F1 r
J I J J J J_ I .p
East of the sun
C-7
A-7 .-3--,
E7
-7 3 - - , Br--
C7
Bj,..7
~7,
here,
F I
no am - bi - tion be - cause 00 - bo -' dy
B-7
E7
B~7
I"
he needs
me.
A~
Ie hear._ __
E~7
•
50
EASY STREET B~7
F-7
Ea- sy street.Life is sweetEa - sy street,-
for folks who live on I'm tell- in' ev- 'ry -
B~7
~)
F
B~7 ~7
A~fl7
j
worlcs on no week - Jy pay - ments if I could Jive on
ea - sy street,-one I meet--
I" EI>.6.7 J.
sit all that make your hair tum I would- n't want DO
F- B~7
F7
, J>
I j J i J J ." qJ ~
(just
day
J. I
sit and play the hors - es)
A~7
D~7
I 3': :~ = J ~l I F FF F ..J JjJIFFF F JJ j JI
I d'i.
«C::;d
grey.
When op - por - tun - i- ty comes knoclc - in' ,you just
E~fl7
I~ ,I'b
&7
B~7
J JJ ; F7~9
C-7
J H .-I!:E"£..
r·I
keep on with your rock-in', 'cause you
A~fl7
A~7
D~7
'J JJ IFF F F FJ J JIFF F F lJ JJ
UJ
and if the
know your for- tune's made'
It ,kl'l' .
1 F a - round
1'( JJ street,just
ea - sy you must meet-Ea - sy street,--
:!,!.-
B~7
"-F-7
'--'
12.~fl7
A~7
~7
I ' C F J J J. I D j J!.-,J I ,Ii F J I'd love to live on ea - sy street,-No - bo - dy
'--'
C7
Alan Jones 1941
F-7
BIH-7
makes you per- spire, there's a man that you can hire to plant
... B7
J3 i CJ:t I .
~ trees, so you can have shade
SUD
D.C. aJ Coda
on
I
~ =I
BIH-7
~ ~L! PI E Fe
I ;. J1~
JJZ F k]
D~7
l j)~ I
& e
I
I would- n't want no job to - day, so please go way.
WHEN YOU WISH UPON A STAR Harlfne/Washington 1940
C
A7
D-7
I~ J J J J I iJ J
j
When you wish up - on a star, If your hean is in your dream, Lika a bolt out of the blue,
D-7
I~ J J
G 7sus4
j
heart de- sires will on a star as on a star your
D-7
G7
J F J
I
come
diff- 'renee no re - quest is fate steps in and
G7
to
you.
dream - ers dream comes
Co
C
~ J J J I Ii 1 J. she brings to those who love,
j
makes no
1"C6 J J J.
J
Co
G7
•
fC *. •
do.
C
I iJ J
r
I F
who you. are. ex - treme, sees you thru, too
II Ftne
~o7
CIE
r
F
JI
An - y - thing your when you wish upwhen you wish up-
D-7
G7
E-7
ill
J
e
Fate
is
kind,
A7
true.
A-7
D7
*dIJ JI.f1 J'C UI the sweet ful -fill- ment of their sec- ret
D-7~S II
long
G7~9
r. * II
D.C. aJ FIfIe
- ing.
51
THE SECOND TIME AROUND
Van Heusen/ Calm 1945
CA7
F13
E~o7
E-7
D-7
G7
CA7
...
a a J. p I Fr· F r I 0--1) ,j F I a a J. f-I F r • love just as won - der - ful with - Ii - er the se- cond time a - round.-
Love is Love's more
comf' - ta- ble the
B-7~5 E7~9
D-7
both feet on the se - cond time you
se- cond time you
ground__ call.
0
A-7
se - cond say---
makes you
~ 2-FA7 E~9 I j j j j mir- a- de we
think per-haps, that
I~) a #J J oh
I
love like youth
a J Ia
those who'll bet
we
glad
j
fa
the
j
I~~ J J When the
- -
-e-
-
In
I~~
deep pur- pIe still of the
the
.
FA7
r
F
r
j
I~~
B~6
j
A-7~5
a ,a
I
stars be - gin to gone, your love lives
falls, ov - er night, once a
j
A-7
J
mem - 0 - ry, heart will beat,
~J
J
Ii
sigh._
I - J
J'
In the
C7
u_
a
F F
back
to me,
G-7
r
al - ways meet,
I
and the walls, tight, though you're
I
G-7
r ~F r I here
in my
r ir
=J #J J I thfough the and as
G-7
~J j
j
r
F o7 D71F#
CIE
sky, beams
I" A~o7
you wan - der lov - er we'll
Ft G-7 C7 t#07 I,
F
FI
flick - er in the on when moon - light
d J
De Rose/Partsh 1934
sleep - y gar - den - gain I'll hold you
D7
-e-
round
J 1 ~J J bJ I Jar F
j
-
once and yet,
G-7
F#o7
•r
I J a J
C
DEEP PURPLE F
r~
B~13
Esus4
love comes but
J a J J se - cond time a
}1 I
met
song this
to
young. Love's more
G 7sus4
D7
love
hear your us led
what
wast - ed on the
I a
J J J.
so
is
G7
are
A-7
A7
I'm
r
I F F found? There
a J a .a
I
I F ,j F j I F F
j ,j
D-7
D9
C7
G7
D7
1~ .',. I).a J I J J J. } I #J a sung,_
friend - Iy home the
G-7
J) J time you
It's that Who can
D~7 F IC A-7
1r--1 F-A-7
like a
fall,_
j
C7
bJ J I J
breath - ing my
C 7sus4 C+7
J
deep
mist long
,a
j
pur- pie
. name
I
F
If"
~F I
of a as my
C+7
,a
FI
with a
I""
dreams, _ __
II
52
OLD CAPE COD
1~ ~bll
B~7
fl. in 9
J3P J
A~
97
CE 4'EJ. A~ B~7 J JJ- J J J 1J ; ~J. * , ..-.l;o *I r r r r r FI ~
El>t.7
1
.. F7
Bi.9
BI.-7 El>7
you're sure to fall in love with old Cape Cod.
F-7
I'~bb
n f -0 J 1W i]~J I
quaint lit- tie vii - lag - es here and there, served by a win- dow with an 0 - cean view, watch- ing the moon-light on Cape Cod bay,
If you're fond of sand dunes and salt- y air, If you like the taste of a lob- ster stew, If you spend an eve - ning, you'll want to stay,
I~~II~
0~9
QJ 1 J
111 &3
Rothrock 1956
~ ~ ~
~ mind
B~7sus4
F7
J
you of the town
Wmd-ing roads that seem to
Cod.
B'*7 D.C•• Coda" F7 B~7
J I J. P IJ I where you were
I
born.
r
9
J I
old Cape
Cod.
MOON OVER MIAMI
fA)
A-7
I~'f r
FFIr F ove - r Mi
Moon Moon Moon
I~I
A-7
...
r
I~' J
J
J I J.
be- side the that may come a lit - tie
roll true kiss,
E-
r ~J
B-
IJ J
Hark to the song of the
B-
I~' J f -0
Gms4-
E-
and we be shine on as you know we're wait- ing
r
;CJ I J of the when the on Mi-
wi
-
me, gin, for
-
so we can a dream or a lit - tie
E7
J.
rme sea.
roll - ing tide comes a - mi's
i~G
*
J. in.
FI7
tI
shore.
~7 -
ijLJ hark to the throb- bing gui - tars,
G-IB~
n I J J fJ3_J
bear how the waves of- fer
-
J
JJ J J
CJ
I'0G
@7
C
Abo
G
JI
I F F F F my love on shine
smil- ing trou - ba - dours,
B-
Burke/Leslie 1935
C/G
3
07~9
Jj
n
r
- a- mi, - a- mi. - a- mi,
ov- erMi ov - er Mi
stroll two love,
B-
07
..-3---,
-
e
thun-der-ous ap-plause
rn
O/A
I
at -
3
&7
A-7 D7
~FrF I ..
ter caeh song to the
stars.
~~.~
53
I WILL WAIT FOR YOU
I~ ~
J
I!
G-7
sum - mers mem - ber sum - mers
,J
rI r
iF
A 7~9
rrI r
E-7~S
you, "til I hear you sigh know that for - ev - er- more you, and for - ev - er- more
hold- ing heart I touch-ing
B~A7
J
J
A7~9
thou- sand day rethou - sand
'r
I a J be be be
FI
'til I'm in my 'til I'm
- side me, - lieve what - side me,
I'·n- 12.n.a J • j * ~ ~ I
0
7
,;...-
arms.
here in my rn wait for shar- ing your
G-7
for a ev- 'ry for a
0-7G-7
I
J
j D7
back heart here
aJ J
F j I
W
D-7
"TIl you're in your "TIl you're
you, so, you,
D-7
J aI
A7
J .a
wait for love you wait for
will I how I will I E-7~S
G-7
E-7~5
IS a I
you, go, you,
wait for where you wait for
I will an - y I will
- ev - er wan - der. - ev - er
Fsus4 F
C7
J .J
r r Ir
J IF F I
takes for where you takes for
If it An- yIf it
G-7 C7
G-7
D7
D-7
Michel Legrand/Gimbe11965
An- y
The
you. love.
D-7
rEF r U Fir EJ F· ~ I J J J J J
clock will tick a-way the hours one by one
and then the time will come when all the wait- ing's done. The
A 7~9
E-7~5
r fJ
J JJW J OJI
W
B~7
B-7~S
J I
It
Ii
straight
time when you re - tum and find me here and nm
A 7SUJ4 A 7
JJ J J I
CA7
G7
r (r
J 1'ft I) Fools rush in_ Fools rush in_
fJ I
where an - gels fear to where wise men nev-er
CIE
trealU,d,,---
go.--
I~
A-7
09
.a.
l
J' ,J>- 1
chance
for
me_
then
-
see
F I F" D r~ life be- gin,
. G7
0-7
e
F F I don't
C/G
I felt my
E~Q1
0-7
so I come to wise men DeV - er
you, my love, fall in love,
A+7
E7
A-(~1A-7
A-
J J JI
j th~~'- - 9-
the dalrger
if there's a
~
D7
J
If it
Bloom/Mercer 1940
I J J J JI
u
though I
head,-
and but
B-7~S
0-7
my heart a - hove my so how are they to
-
I J J FJ J 31 S. Jl.~§ r
e
JI
I J fa J I
to my wait - ing arms.
FOOLS RUSH IN 0-7
e
D.C. aJ FIne
I
A7 2.B~7
J ~
e
care.
A-7
~ e ~---lcnow? _ __
0-7
0-7
A7
II
J. Jl When
G7
this fool rush
-
C
r t r E E fir p r I r r r F I ,e so op- en up your heart, and let-.
j
we met
I
in, _ __
I
54
.. IT MIGHT AS WELL BE SPRING Rodgers/Hammerste1n 1945
G·
C9
G
D-7
G7" CA7
string. sing, swing,
G
G7 e
is - n't ev-en
Spring?
1,1
fev-er, fev- er,
D7~9
A-7
1.
but I when it
know it
D-7
G7
•
~
B-7 E7~9 A -7 A~71I11
is - n't
Spring.
I
am
I
.......
I
IFF FJ I E7
C'
B~9
GIB
D7/C
say that I hadspring wbysbould I havcspring
I'd Ob
I2.A-7 D7 1,
jump- y as a pu~pet on a night-in-gale with-out a song to gid- dy as a ba- by on a
rest-less as a wiI- low in a wind-storm, I'm as star- ry eyed and vague-ly dis - con - tent - ed, like a bu- sy as a spi - der spi&ning day-dreams, I'm as
~
J Jj3jlll
JJ' J J J J J 3 J J I J J DtJI1 3J
I'm as I am I'm as
I
A-7
C
I FF E rr
FI-7~5
A-7/G
rr
I J.
ij$
D-7
J qJ J J J J I
j
somewhere else B7~9
walk - ing down a strange new
E-7
nev - er heard from a
A-7
,
G7
A7
F , J J J JJ I F F ~
bear- ing words that I have
street,
f
I keep wish-ing I were
FF r
e
A-7
rI
D7sus4 D7
B7
JJ JJI
r
on-V ,
E"
girl I've yet to
D7
meet. I'm as
E7~9
~
A7
,
.
ullrJJPl1 '--
mel-an-c
dy
way, that
it
might as well be
Spring, It
might
as
well
DREAM
rrI
e
~
Johnny Mercer 1944
B7
F#-7
J
Spring.
be
~
I
e true.-
find
you'll
D-7
r'
of
G7
J rrries there._ F IF mem 0 -
G7~9
r So
"
your
C6
I
;>
It
,---
..
II
55
THE PARTY'S OVER
Styne/Comdon 1956
! ~1'l,Il
J
I
f
E~
Ij J
J J J.
j
The par- ty's The par- ty's
0 0 -
ver,__ ver,__
E~
B~7
F-7
J I J iJ J I * J J J I
j
call it . a day, flick- er and dim.
it's time to the can - dies
E~
A~6
;1'1,)
ta - ken the moon a seemed to be right just
0-7
Eb
JJ JI
I *a
e
the mas - quer- ade,-
F-7
F-7
0-
r
pi
F-7
B
I~ J J I #J Good - night Good - night
I!
Gb
G7
Gb
it's all
ver, _ _
0-
ver_ _
IJ
J.
I IJ
sweet - heart. sweeet - heart
0-7
G7
I! r J J J-I
• I! r r' •I
0
make us for-lorn,
A-(A7) A-7 fold you,
D7
C
C
J.
#Jtill
a J J we meet tom
though
@
G
I'm
will my
ba - nish love will
CA7
not
0-7
take off your
Eb my
friendu-_
0-7
C
G7
J J I J J mOl - row, side you,
1'k
r
and
tears
0-7
good - night good - night
A-7
A-(A7)
J I r
sor - row, ~ guide you,
A-7
I -
I
Ray Noble/Rudy Vallee 1931
F/C
be
G7
j
J J J
sleep still
B
B
G
I *F F F I
end.-
Bb7
C
sweet - heart. sweet - heart
C7
e
GOODNIGHT SWEETHEART
c
paid. The par- ty's
be
I J J J I J J;. I)J j 1
F J IlJa Jla J. the Par-ty's
I JllJ
G-7~S
all dreams must
C-7
EbA7
must
Bb7
J I*r
wake - up,
Now you must
Bb7
make - up,_
the pi - per
n,
B~7
C7 F7
a a I gJ J I * J J J I ijJ ;J
r r I r·
I*r
be - ing with him.
G7
Ab
wind up
It's time to
way_
just make your mind up,
&7
r
Ab6
I*FrFIIFJ~
pret - ty bal- loon and dreamed thru the night, it
!
they've burst your you danced and
Eb7
J EJ J
I
B~7
F-7
I
A-6
r r
part - ing , 2.
G7
F may
A-
I F J J J I j. J I J J J J I J J ;JJ : f' r I but with the dawn;----
Eb o7
a
new day is bo~
E-7 A7
0-7 G7
J I J J I IJ
IF F F F I r hold you, in each one I'll
good- night
So I'll say
J FI
dreams en -
C .>
I)
sweet-heart. good - night
I~r
-
~-.
-
~-------
56 I
B~7
I
,.
2.
--
I'
Db7 UI C7. 9 Wi
make it
G~7
I"~ [Q)
I I
Bb~7
C~7
E7· 9
i!1J P F P
I"~ r'
my
D 7sus4
r rr r
A-7
»1 r
ip p J II E7~9
-EJ
JI
one
B-7
A7
r-
J
road,
that
I
I'm so
in the ma-chine anx-ious to close,
D-7
G~7
J ,J J qJ ,J I
I
D 7sus4 -$-
J
F
more
r 's
E
o 671F# F
r
for
e
the
road.
B+
sim - ply got -
r (J ta
p J 1'1 J
lis - ten to me, un
A-7
D9
G6
r
r
e
long,
long
road.
-
til
J WI
F"
-
E7
A7
»J
*
J
• • • •:1 • • • • • • •
II
You'd
A7 D7sus4 G6 07
things to
G-7
E7· 9
D-7 07
bud - dy I'm
C7
Could This
make it make it
G6
J
C7
E ;r S
F7' 11
true to your code, soon might ex - plode,
C6
C 7sus4
C7
B7
~
:J
C 7sus4
C7
III 'P *
D-7
G~7
F9
but you've got to be must be drowned or it
ba - by and
when I'm gloom - y you
B+
I -
e road.
D7
wish you'd make the mus - ic dream - y and sad._ __ hope you did - ntt mind my bend- ing your eaI:_ _ __
F II
Yr
tell you a lot.-torch that I've found--
C 7sus4
A-7~5
J IJ J qJvt, I
rI
F
nick- el drop an- oth - er Joe, I know you're get - ting
C~7
c=n
nev - er know it, but
•I"~
r r
F 'e
G~7
feel - in' so bad.thanks for the cheer,_
C 7sus4
brief ep - i - sode.-
G~7
D 7sus4
J IJ J §tJ 1)1, E IE
one for
of a
l> J P ;T1J J J J J J one for my ba - by and one more for the
D-7
B+7
enL
so
Eb~7/D
F-7 G-7 Ab6 Bb7sus4 Eb6
C7· 9
got the rou - tine,_ so that's how it goes,_ and
F 'E F
E~~7
Db9
the
to
G~7
I"f
I"~
Ab~7
~
J
[§]
Gb~7
G+7
'II
no- one in the place ex - cept you and me, got a lit-tie sto - ry you ought- a know
drink- in' my friend._
We're
--
'II
I
'II
Ab~7
Eb7sus4 Eb7
ft
'II
there's I've
quar - ter to three,_ set 'em up Joe,_
It's So,
" I
Harold Arlen/J. Mercer 1943
ONE FOR MY BABY
Eb7
say, and
D+7
hi ;r" P Well, it's talked a - way_
•
57
MIDNIGHT SUN
Burke/Hampton/Mercer 1947
~J J I,J \if F F
r F7Hl
j
~
It
r
clouds were ic mus we may
-
r d - J- ~] J
~F
like an of the see the
a bas - ter al un i - verse a in Dec mea- dow
-
;:0
(
-
snow y night - in cry stal
-
J height,
~~
1..-
(
:"
j
-
~J
J
*
each And but
gale? ine,
Abt.7
~J)
i) -
J. J - J - &3 J den sud sud - den when your
~'07 I J) J
-
A-7
star
then oh
its your my
I
J
Et.7
J
F
Dt.7
J
f
I
j
-J
J
af-ter you were gone, there was
thrill
I
l7 J
Mid - night
J J
J J
F
l'
~J
J J JI could could we
rI
see saw
B7
F#-7
j
I .J
the the the
see
,11_J
II
Sun
'--.
E-7
A7
1-J.
,U
lieve,
G7
d
ra bo-reu - lous - ly al - ways I'll re-
Dt.7
I still don' quite be -
D-7
- ro - rac -
I I and
A-7
A7
,J
Ij
tight, pale, mine,
CA
F
J) I J
J==- j
me turned to
E-7
Was there such a night? it's a
It J J Bd
G7~9
Fme
Sun.
It J ,J .J
held sky close
own au arms mi dar - ling
J J JI
&J
Db7'U
~f
J
you the were
D-7
l ==- j
Mid - night
ly Iy lips
3I
~J
ris- ing a to or was that a ic - y white and
pal - ace round me, em - ber,
J I.J J
Ab-6
a lis, found me, mem - ber
J. J J
Ab
Eb7 U1
Bb-6
&J
chal- ice, warm - er than the sum - mer night.found me, or was that a moon-light veil?_ _ em - ber, and the stars for - get to shine.-
Bbt.7
E
the The and
J J I d CQf-r ==-1
~J
Bb
Itor It
J I fJ J. J
lips were like a red and ru - by can't ex - plain the sil- ver rain that flame of it may dwin- dle to an
Your I The
C-6
Ct.7
C
J J f7J
still some star- dust on my sleeve
but
E-7 e
Eb7
D-7 Db7' 1l
I
J
D.C. III FIfHI
*
FI
The
58
E~07
3
..-3FJ
~
0-7
G7
I~ J.
J
lone.
From
I~ J as
I~
fCJ
r
F
we
view
G+
Man
;j
just you and I. wben will be in truth when 0 - ver the drive, when
-
a
G7
r
F
we
can
...
r r
thank
D.C. III Coda
J J I
B~7
C
I
I~~"I.
F-7 F<
Bb7
c.
I
;;;
blue, througb,
~.
mel - an- cbol - y have a sil - ver
C-7
*
II'·FJ J
F-7
all
your
F7
ba lin
-
a
j
fears
kiss
a- way
C7
J
tear,
or
I J J ~J J I
by, ing,
cud- dIe up and wait un - til the
Bb7
F-7 C7
j
r
don't
be
sun shines
B~7
F7
I
e
Ii
be,
may
Bb7sus4
F-7
iF I V· eacb
Bumett/Norton 1911
I r Fr r F .are fool - isb fan - cy,
I~~~II J J J J I J J J J I iii I'm in love with you._ __ you know dear that D~7
lone.
e
F-7
C
II
F-
C7
stars,
C
r
we're
j
r
luck - y
MY MELANCHOLY BABY
Come to me my, Ev - 'ry cloud must
pat - tern,
I F
our
I j
In
are.
mad
D7
then
J F IJ J F F that we're liv - ing we as
-
0-7G+
We'll see life's
F I
bat - tan,
a
J J J J I J J.
I
lone.
A-7
we're
A7~9
D-7
A7
J
0-7
G7
G7
r-:--3~
C
r Ir r -
-$-1'· CfE A~n;i. 1> J. J r I
D-7
sweet slice of bea - ven for hea - ven - ly her - mits we view of the Hud - son just
A-
J _ I "--1=3 r
on chim - neys for live in pro - pri - e - ty keep love and ro - mance for
1> J' J> I J J j
:Jj
we're
E7
C
G7
r-:--3~
stars to go by, a there on the roof, two e - ver a - live, in
D-7 r--- 3- - ,
~
we'll stay a - loof, and al - ways con - trive to
D-7
J. ) I J
W.B. Jason 1 9 3 1 1
I F F F J. J) I r r up in the sky, with bing - es
pic- ture a pent - bouse way all of so-ci - e - ty our Iit- de pent- bouse, we'll
G7
I@ J
r - - 3- - - ,
I
r r
Just From In
"!
•
PENTHOUSE SERENADE
I j F iF else
I
sball
Smile
Bb7suf
dear, while I
my bon - ey
Bb7
r
I J F J J
be
mel- an - cbol - Y
Eb
-
e too _ __
59
YOU'VE CHANGED
Fisher/Carey 1942
A -7~5
Eb67
r
Ff You've You've You've
F Ir~Frr~FFI
J.
break-ing my heart.
you're I it's
yawn, way, through,
J J J_J J
o-I
can't un- der- stand, you've changed. _ _ __
I~ ~I,~ J
Ab-7
You've for- got- ten the words "
Ab67
Bb-7
that we
shared.--
? Gb-7 F-7 I~ ~I'I, fil3 ~ ~H P] r'
love
Ab-7
You
ig - nore ev- 'ry star
Bb+7D•C. a1Coda-t B9
G-7
r
A-7
D7
Bb9
Gar Gar
all ov- er now,
CI-7~5
G67
- den.., ia, - den - ia,
now I'm a - lone with once I was near her
I~ I a a J a J: r F r
she has tossed us a - side. And like where are tear - drops to
CI-7 F#7 B67 G#-7 tell,
I~I
G67
I
j
CI·q
.a ,n I r
love bloomed
C9
like a
B-7~5
,e
. Eb6
B7
B-7 E7
J qi1 J J
I
E7~9
r P r'
I
e and I am at - so blue, af - ter the tear- drops start
0- 09
a .n I .a J.
then the pe- tals
A-7
F67
I lived for an
If I IF
flow - er,
Russell/Lee 1953
F#7
II
I j
hide?
F#7
E7~9
I can't
you've changed_ __
you, heart.
D..L3_I'·GA7 E7~9 KA-707~9 G
A-7
I
§il
J. r I F r I J a ] J J I
Blue you,
II
Db7
you,
a - bove
BLUE GARDENIA
I~ I
you",
#~JJ~J~J<»~J~f~J§ __ ~1~e_~e~
I
re- a-lize you ev- er cared._ You've
f
Db9
J JU J J J I r' J J I j J J J J £p ] 1> ~J._ J gJ J
each mem - 0- ry
I~ •
You've I
J J I j J J J<» J"is ±l d·... j
IJ
h
EbA7
*F ~
I_1
Ab67
Eb7
I
Bb7
you've chang-ea-- - - - - - - -
Bb-7
G-7
F-7
C-7
~
J
rrl.J1r
smile is just a care-less bored with me in ev - 'ry need to tell me that we're
Eb
Bb9
C+7
J I F ~F
r·
gone, your spar- Ide in your eye is you're kiss - es now are so bla - se, no not the an - gel I once knew,
changed, that changed, your changed, you're
·I' · B9 F : #J
F9
G-7~5
Db7
D+7
G
I ~:
ho- ur,
i j: i I
what more can
E-7 A7 A-7
I
II
D9
I J FI
fell.
Blue
D7sus4 Ab7
r·
G6 l!
-
F
Gar - den- ia,
J J1 J J I r F I J C1 J F I J j I thrown by a pass- ing breeze, but pressed in my book of mem ries. 0
E-
e
I
60
BLUEHAWAU
Robin/Rainger 1937
Ab
Bb7 Night and you Love - ly you Dreams come true
~
F7
and
you
and blue Ha - wa and blue Ha - wa in blue Ha - wa
~3
E~
I'~b J.
G7~9
hea-ven
are
r
P
I) ,
Come with mec-_
C-7
*
F7t&
C-7
2.
-
C-7
,F7
there
should be
while the
C-7
D.C.alCoda'"
F7
this
Bb
r J) I F'
I * tJj-
we,, _ _
*
is on the sc.,.a,_ _
moon
mag - ic
hea- ven - ly love - Ii - ness, all come true
love.,_ __
B~7
Bb
J I J J J J J I,..,J -
Ii'~~II§f~F~J~F~I~'F~ll~'~-~II and so are
ii,
BI@
F
F7'
the night is with all this and mine could
ii, ii,
me
to
Eo >
C7
,J I J. P the
I*,~IIII J J F I saw the
I watched the Now I know
B~7
•
F-7
r
F' P
lights, lights, nights.
har - bor bar - bor lone - ly
F-7
J J J I F"
f
the
same old
Good - bye
some
to
oth - er
J~
night of nights with
J
~
be - side the sil - v'ry will steal your love from
•
e
more,
F
rr
r I §,J
F
'I
J
rrI
that once brought you
to
e
Iwatchedthe
me,
1m Ab I_J J'W J I F' J) J
C-7
8 ___
sea. me.
Fine
I longed to
A~7
I a J J a I J. }) W a I r a J. you were on
the ship and
air
D~7
JJWI
hold you ncar and ' kiss you just once
F7 but
part - ing, start - ing? whis - p'ring,
Eb
E b ' El>7
I'~b'l d J J F J 1 1~~llh
@o
Bb7
ir
you.
Kennedy 1937
they on - ly told me we were how could I help if tears were for all the while my heart is
I'· Bb7J J
har - bor lights ten - der nights har - bor lights
12. Bb7
E~
I 'If F
r
night is young
HARBOR LIGHTS
fA)
..
IfF F" P I F" ~j) J I
~) J
1'C-7
C7
G+7
I was on
,
the
B~7
I
Ii
shore.
D.C••12nd End (Fme)
If J J F I Now Iknow
61
WHAT KIND OF FOOL AM I? Brtcusse/Newley 1961
E-7
-
o nev-er
fool am 1?_
A 7~9
I~
D-7
JJ
j
one that 1 have been
A-7
D7
I~J J
j
G7
tJ)
I J ~)
j
j
think- ing of._
B-7
-
fell in love,_
in
What kind of
A-7
which
an
A 7~9
Ct.7
D7
J J J I J. 11 J I J J J
E-7
cell
I'm the on - ly
A -7
CI:.7
man is this'?--=--
emp - ty
heart must
sbell,-
G7
Ij J J J I
e dwell.__
G 7sus4
D-7
I ,..--1
j
An emp- ty
G 7sus4
D7 .
,J I ,J. h a. Ji I J J ,J J I
a lone - ly
seems that
at What
kind kind
of of
CI:.7
I~ J. h J I J J J I J. J! J-.LJ - J J I J. Jl J. lips are thes~ Jat lied with ev kiss,-- tl whisemp words clown am What do 1 know of life?_ Why can't 1 cast a - way 'ry
pered
ty
I?_
B~t.7
GIB
I~ J -}l J F J I J. -
love that left me a mask of play and
I~
E~Q7
CIE
r'
lone live
p
r
l rip' F like this,_ my life?_
r
fall fall
in love? in love,
C IF
RED SAILS IN THE SUNSET G
I~ •• * F
r r=r I f
GA7,
Red sails in the He sailed at the
, -I
C' I * J
sun - set, dawn- ing,
1'-'0 0+1 I~I * J J J J: A-7
e
home safe - ly to I'm trust- ing in
me. you.
c
we
I J mar - ry
to -
C
mor-
E7
J row
e sea, blue,
.
rE1-3:---1 W j ·W
Swift wings you must
G
I~I j
way out on the all day I've been
,J
If:L3--,
J J JI G I W
A-707
oh car - ry my red sails in the
loved one sun - set,
J
j
W W I
make straight for the
D7
F P heF goes and
P sail -
G7
~3-, G
A-7
A7
'I
1<:"
I * J ~fJ I J J.
J I~
bor-row
don't
1
WUl1ams 1935
IP--,---, G''7G,07A-7 GF,
0-7 G7 CA7
I
am
I
kind of fool
rr r till
D I F F C- D I what
of the
like oth - er
G7~9
G 7sus4
then I'll know
F-7
F r I r' ~ F I f
why can't 1 Why can't I
I F F C-
and may- be
F#-7~5
A 7/G
D-7
D7
IFF F
peo - pIe can, _ _ give a damn_
A 7~9
)i I
j
l
II
ing
no
more.
e
shore,
D.C.s1Fme
II
62
ALL MY TOMORROWS (C#-7~5
3rtIX)
J' r r r A-7
1~ I
I!
To Right As
Van Heusen/Cahn 1959
GIB
C-6
F
r·
, jl 1 J
,J
)11 0
E7~9
B-7
J J J J. J) 1 p. 'J) 1
ex - cept for just a dream or we'e drift- ing and the laughs are it's you that I'll be cling- ing
day I may not have a thing at all, now it may not seem like spring at all, long as I've got arms that cling at all, F#7~9
B~o7
two, few, to,
D7~9 -$-I'·B-7. IS E7 ~J. J): j * J
A-7
J J J J J I )) J l qJ FOI l J ;;
. I've got lots of plans for to- mor- row and all my to - mor-rows be - long to I've got rain- bows planned for to-mor-row, and all my to- mor-rows be - long to all the dreams I dream, beg, or bor- row, on some bright to- mor- row they'll all come C:1
No one knows
GIB
.-
I~I
*
E-7
J
j
r
B-7~5
r'
E7~9
here at my side,
I'll soon be
tum-
E7~9
A-7
all my
bright
r
to -
PO
mor - rows
"=
r
J
* rpm; 1 how high
is the
from here
to a
B9
F-7
1~ ~j,I, t
sky? star?
Gb-7
How ma-ny ros' - "-
I 1*F
II
es,
are
J J J Ji" how much would I
cry?
Irving Berlin 1932
how deep is the 0 - cean, How far is the jour- ney, Ab7 &-7 Ab7
lie, are? Eb7
times a day,
do
I think of you?_ _ G-7~5
----
C-7
F9
TE 1 J J
How deep is the
0 -
cean,
C7~9
I
ev - er lost you,
Bb7
@
how high is the
sky?
And if
sprin-kled with dew?_
1* J
As
you.
to
F7~9
r--3~ Ab-7 Db7 £bIBb
I
F F 1 E 0-F r 1r d J J J e
How ma-t1y
B7
* J
wait
HOW DEEP IS THE OCEAN?
How much do I . love you? I'll tell you no How far would I tra - vel to be where you G-7 F-7 Bb7 r'·-E-:-b7--- Bb-7
fate.
G e
r
long
Right
e
I j
just
D7
I V
,
A-7
ing the tide,
1-7~5
be-
that's
E7
I E F r J,. =- r r F r I C F r ;
J Ir r r and
B7alt
D7
J
C#-7~5 C-(.tt.7)
E-7
bet - ter than L that love keeps pass- ing me by,
A-7
But with you
true,
1~ ~I'i.
you.
J I itS J J j J J. j I ~ S J J-J j I
you.
I~'
G
F7
but but and
F-7
I*J
:rTJ I J
*I
63
WHO CAN I TURN TO?
Brtcusse/Newley 1964
j IJ
* J IJ J J J JI; "r-"
j
P
j
heart wants to know and throw off my sor - row,
I~ ~I'I,
11A~£l7
r r
r
J I
B~7
A~£l7
G-7
I ~r
r Uf r rTr
~
DO star to guide me, _ _
G-7
E~7
rJ r J IJ
---
r
Do-one
l
J
0-7~5
J I r Uf
J
I'll
be-side me,.-,- -
II
With With
F-7
C7
r I r r y r J---I J
and
My I'll
des - ti - ny leads me _ _ my share of laugh - ter._ _
so I must go where beg, steal or bor - row,
A 07 07. 9
* J
no - bo - dy needs me find what I'm af - ter, _ _
when I'll
Who can I tum t o , - may - be to - mor - row....;...·- -
F-7
B~7
F-7
C-7
rJ
I
go on my way and 0-7~5(]1~9
r rTr * j af- ter the day the
dark-ness will find me.__
C-9
F7 Fl07
I~ ~I'I, F S F
And
E~/G
~07
rTr * Fir E:i r
you on a new day _ _
but
you I could learn to, _ _
F-7 B~7
cr I IT
who can I turn to if
you
&6 a -
BEWITCHED 0-7
I I'm I'll
0#07
way?_
E+
F6
F-6
t70 r .J71 r I 19 r r I
JI
wild a - gain, be - gulled a - gain, a child a - gain. besim - per - ing. whim - per - ing sing to him, each spring to him. and long for the day when I'll cling to him. Could - n't sleep. would - n't sleep. when love came and told me I should - n't sleep. be-
-$-1 "D-7 A7~9 D-7 G7 I~ witched, F *both£ ered J andJ 1be3.- wildJ eredj amJ I 1't:. _ _[J. _ CIE
I~
-
Rodgers/Hart 1941
CIE
F1 r
with
r r I " tum
I
E~07
D-
n
A-
J 0 IJ J
Lost my heart but what
D-7
G7
of
I
it?
E-7
n
J
He is cold
E~07
a1- though the
laugh's
on
2.G7/D C7
me.
I'll
j
e gree.__
I J
r
E-7 A7
FA7
I..-J.
J I "b
wild- ered am
0-7 G7 D.c.alCoda'" 0-7
J J-11 c:r I IT V I J ~$§~~g~~~J~1I I~ love it,
*' J
aI I a -
t
*I
L_ __
0-7
·G7
I0
J
0 I
he can laugh but I
G7
C
J leF
wild- ered am
.a.-I_ __
64
ALL THE WAY E-7~5
Ft.7
J J) I J
I~ ~ (.: J J J J J
I~~
Bjm
C7
r- r IE
I~ ~ p
Tall - er Who knows
-
FF
than the where the
tall - est road will
C7
A7
. deep-er
deep blue sea is,
than the
Ft.7
I~ ~ J J J J J
J3JJJ11
D7~9
feel,
Bb-7 Eb7 J~D- B!.-7&7
JI
=,1.
e
if it's
say,
real .
But
B-7~5 C9/Bb A-7~5D7~9G-7 C7~9 F
J JJ I J J J J jl r· I r ; I
if you let me love you, it's for
to would
r-3-,D-7/C
j
way. may.
II
that's how deep it goes
A+7
the come what all
that's how it's got on - ly a fool
per Ie:; r IFF r F I :£
I
II
A 7~9
jl
D-7
I
~-7 G7 C-7 F7 1 I J pJ J .
E-7~5
is, us,
tree
lead
way. way.
C-7 F7
Ft.7
need some- one to cheer you, all the in be- tween years,
G-7
Ii
all the all the
C7/E
r I Err F
Bbt.7
I~ ~
sure I'm gon-na love you
the
all
IF J I
II
way,
Ii
all the
way.
I COVER THE WATERFRONT
IAI
John Green/Heyman 1933
E-7
47-3
A-7
I~ I f * F J dJ I F EJ I cov- er the I cov-er the I cov-er the
I~' P
com star soon
F
ing - less - come
D7
r
F Fr
Here am 1--.
r r
P F back sky back
J
EP I J.
I*F
I'm watch- ing the in search of my I'm watch-ing the
1'.~A7
to a
B-7~5
Ir
me?
sea, will the love, and rm sea, for the
E7~9
~
A-7
J J I l ; ;)) ;tJ I
J~G •
i.
pa-tient - Iy wait- ing,_
r--r
B-7
Ct.7
Bb o7
S!
bove me
one I love cov-ered by one I love
be
a must
D 7sus4 G
I
J.
~
II
Fine
to
CFl-3--.
E7
where are you?
G
r
D7
A-7
B-7
D7~9
wat - er - front,_wat- er - front,__ wat- er - front,_
D 7sus4
I~I
G9
r Err - J J J IrE r r p J. 1- J J
Bbt.7
I~I
D-7
J J J J) p.
Dl o7
Hap - py to be near you, when you Through the good and lean years and for
[e]
A 7~9
good un-less they love you, good un-less she needs you
When some- bo- dy loves you, it's no When some- bo- dy needs you, it's no
C7
Van Heusen/Cahn 1957
I
J
a ,a
Are you
hop- ing and long- ing.-
F#7
B-7 E7 r--3---,
J) J I r F F #p
for - get - ting,
r'
do you re - mem - ber,
Oh, how
I yearn,
00. a12nd End (FlOe)
will you re - tum?
65
EVERYTHING HAPPENS TO ME
I~ ;1,
Matt Dennis/Adair 1941
I'" r r [8J
I I I've
C-7
r r r EJ
r
C-7
D-7
F7
r J J J] I
PI EF r
rr r
Er
F7
1 make a date for golf and you can bet your life it rains, I try to give a par- ty and the nev- er miss a thing, I've had the mea- sles and the mumps, and ev- 'ry time I play an ace, my te - Ie-graphed and phoned, I sent an air- mail spe-cial too, your ans- wer was good-bye, and therewas
D-7~5
G7~9
1~ ~I! i,~ J J J ~
C-7
>
--pbo7 ..
D-7
J) 1 ~ 3 d J ~ #d J J 1-:-: (J E: F
i
guess I'll go thru life just catch-in' guess I'm just a fool who nev - er fell in love just once and then it
I I I
guy up-stairs com- plains, part- ner al - ways trumps, ev - en post - age due,
J
Ab7
,<
'-'""""
colds and miss- in' trains, looks be- fore he jumps, had to be with you,
3
r.
ev- 'ry- thing hap - pens to me. _ __ C7~9
Ebl.7
r I E1 r
I·e
first my heart thought you could break this
Ebl.7
E-7
pair,
but
now
pI
i
jinx for me,
that
Bb1!9
F-7
I
can't
fool
air.
this
J
F
j
I~ ~I!
if CU.)iF
head
I've
I tJ)i F ;131
There's a sum- mer in that sum- mer of a sum-mer
•
I~~·
Bb G-7 C-7 F7
place place place
that
F"
I.
C-7
thinks
for
care,
B~IF
1~ ;1. J.
F 7sus4
J3
knows dreams,
C7
.. G-7 BblF
there are all their
F9
!:7 ?
love,
no
Eb
:i!
Bbl.,!
I
F"
C-7
J. J I
gloom - y skies when
iii J J I
___
J J. F" I ( ~;E
those" who are blessed with
I've
c; 1
Bb6 s
I.
C-7 F7
F;ttl lJJ
? :i!
~
where it may rain or stann, yet I'm safe and warm, for withyour arms reach out to me and my heart is free from all is that it's" a - ny - where when two peo - pIe share all their
Bb G-7 C-7 F7
or 1t all their
me,
Max Stdner/Discant 1959
F;13 J-,N
-rrrr"qr 1 I r· r-rr ; I r·-c r J
ho~s,
to end des-
ev- 'ry- thing hap - pens to me _ _
Bb G-7 C-7 F7sus~ Bb~
Jl
I
J j
A SUMMER PLACE Bb G-7 C-7 Fsus4
d J]
love would tum the trick
1~~Gf§-7§~~~~C~7~~~~C~-~7§F~7iD.Ci.a/J C-7 F7~9 I~ ~I! r F r F J J J J 1r ¥)i I I (E r J -EE mort- gaged all my cas-ties in the
At
Dl.7
J F F
just
\.J
E E F F
A7' 9
PI J J J
i
1
j?""""";'j
D.C.a/Coda
s~t
se - eret
BblD G-7
(J JJ
seen
C-7 Eb-6
U, l I
thru the eyes of ..th.
Bb
V
I
s'
love.
66
LAST NIGHT WHEN WE WERE YOUNG Arlen/Harburg 1937
B-7 E~3-,
Gil7 C7 111
night To - day
II
J
J I J. fJ ijJ I
a song un -sung.- Life-was so ad time grew cold, whereis that
G6 -
new, star
I~I
- rar
think
ha4
de
E
peRd- ed - on Rler& Iy-
-
splen- did
B-7
could slip a B-7~S
E7
J J3 J J I J 3j ijJ J I r <
~
now,
let's r&mi ~7 E-7~1A
,J
and r&GOI
-nisce B~o7
when
we
-Ieet
A-7
~ J ]
IT clung
~3-,
were
EJ -
lJ i J)
E7 r-- 3
Err I
07~9
I~ ~II
f
11·C-7 F7
.. good.
07~9
ill wind, blow a ill wind, go a
J2B~6 A 7~9
:J
013
J "S I good.
07
You're
e way, way,
J
E!
young
last
night
E7~9
r r i],3 J I the arms that
A~7
Arlen/Koehler 1934
0-7 G7
·C-7~S
F7~9
B~6 07~9
let me rest to - day;you're blow- in' me no gOod, no skies ~ oh so gray a - round my Reigh-bar hoed no
E-7
Q J IS Q
F o7
G 7sus4
01F#
J s I Q J IS ~ J. I
on-Iy mis-Iead-ing the
so hard to keep up with
day-.break. SO
II
F o7
SUIrshine I'm need-in', 01F# G7 0~7111
I~ ~b ~r- ~IIV I P J P P J ~ I P J S P J ~ I r n It's
JI
I ~r r r d I J r I E r d J I r' .J I
07
E-7
ir
G
J
0-7 G7 Eb-7
I r r ~J. ,pI
e Blow, Go,
I~ ~II
A-7~S
To
Eb9 09 A~7111
E7
ki~es,
the sighes and- the -
JI
j.
I ~r
F9
-r
To
A7~9
kiss.
-in one lit- tie
ILL WIND B~6
B~7~9
a look a
- way-.
..
last night?
A 7~9 B+7
E-7~S
r I'r I r IfJJ ~J 3 I fr
that some-thing so
~
U·
go
this,
B-7~S
D-7 r--3~
Gil7 A-7 B~o7 ...,
u·
Err IrrqJ]ILJJJJ I
that Spring
O-
a-ges a - go - last night a-ges a E7~9 B'*7 A9
r--3~
r tr
IT
bright, bright
so real so that seemed so
think
u·.
U·
ft·
B-7~S
I~I
young, lovewas a star, old, you flew a - way
CID ~3-,
A9 Eb7
fJ J I tAJ
J.
I
when we were the wodd is -
Last
I
J
J
j s;;""... W3
G/A
tro\lhlestheycreepup from
jl
.
Em p=irl
ain'tthat ashame1C-7~S F7~9
J ) I r ~d
out of no - where, when
j
love's to blame.
I
D.C. a11st verse
PEOPLE
67
Jule Styne/Merrill 1963
~3-, G 7sus~6.7
JIJJ. IJ~F [I [F[[FIF ["pi
-
Peo-pIe, pea-pIe who need Lov- eI'S- are ver- y spe - cia!
1~1'B---7
£7
j
A-7~5
chil- dreIl--
C-6
1*" I J 1]
j
rs:;=7
C7
¥
need- ing oth-er
Bb o7
GIB
chil- dreI1---
and yet let- ting our grown-up
A-7
D7
D-7
world_
in
- side, -act - iBg
F
With one
G7/F
more like
chil- dren than
chil- dreD _ _
G7/F
F-
pel'-SOD..--
G-7 C7
CIE
one ver- y spe- cia! per- SOll,F#-7~S
CIE
1* J J J UI J J J J I J ~ F J I '-' says you were half, now you're wliole_.J_
C
C7
F
pe<>-ple.--,_
peo- pIe who need peo- pl.c-e_
C/G
a feel- ing deep in your sou'J:::::..
A-7
D-7
No more hun- ger and thirst, but
F
F-
are the luck-i-est peo-ple
first, be a pel'-Son who needs
TIm
TIme on my ,---1'h_en if you
J
han~
.. I
En
fall,
I*sl'~~ I~r ~7 ~ ~: ..
view
true
C7
If~"r ~ I for,
F6.7
3
r-fl
one
love
0-7
J IJ J I
af - fair_
for
and
0 r Ir r
in
my
arms,---
and
I
0
twO:-
world_ _
G-7~S
FA
noth - ing but I'll see my
J I J inJ I
love:=:-dreams
r I r Dr I ~7 r r
G-7
0,±L3
IF you
J I.. I
Mo - ments to SpaTe.--
G7
in the
G-7
you in my ~ once and for all,
I). ~ I ~r3
r I •• I'll II
Vincent Youmans/Adamson 1930
E7
B-7~S
for
come
\(T care--
some - one you
C7
F6.7
I J FlU J I
TTl
-
With
¥l-3--,
G-7
'F
Ij j I
F [ ,J
love in my
I
0-7 G 7sus4 C
G7su4
TIME ON MY IlANDS F6.7
G7
nTIJ J ¥$I 3 n i J J j
1* F rITr F EF f I F (Tr * r F I ErE F Elf'
G-7
G7
I F ~ J d I Ude I) J ,fJ J J I J d;, I) J J UI J J J J I
I
I* ~t
D7~9
,3 I J J #3 I J. J I U#J 3 I #3 J. I J. ~ _
hide all the need
pride
in the in the
luck- i-est peo-pleluck- i- est peo- pIe.-
I ,3 fa. I J ,E .3 JJ I ,3 Ia. I j ~ J Fir r:l F J I
We're
AlC#
G6.7
are the they're the
A-
I' ".J) ~ world_-
peo-pIe, peo-pIe,
heart,
all
time
C7 for
on
J
han~.---
my
p6 u,-
-
II
you. _ __
II
68
I'M GLAD THERE IS YOU
Maidera/J Dorsey 1945
F-7
G-7
J I J J f J JJ I ~J J J. I J ~J Izn JJ I J J J I ---- --world of or- di- na-ry peo-ple, extra- or-di-na-ry pe(}ple.-]J
In this In this wodd
C7
I~~J J
-
I~~-r
-
play at love,-- and hard - ly an- y stay
ff}
A-
G-7
pl~ sures...---.
of ov- er-rat-ed
r F F r; I B~Js
Bb-7
97
trea- sures,
I'm glad there is you
E-7~5 A+7
FA7
I'll live to
D-7
love.-- I'll love to
G7
r F J J I J. J!J. I) J 3 J I J=J J J J I J J J J I
r
this role so
live with you be - side me, D7~9
FJ,9
I~: .('
I==-r-
you
e 'e
G-7
~/ft
;J I ~---
~
more than
new, I'll muddle
~bA7
I~
ev- er,
thru with you to
C7~9
J
r
] ~ I
G-7 C7
F6
C+7
r-lJIFJJ Thanks for the Thanks for the Thanks for the
of of of
can - dIe - light and wine,-rain - y af - ter- noonsr-sun- bums at the shorer--
Par - the - non and mo- ments on the mot - or trips and bum - ing lips and might have been a head- ache but you
I~ ~ d
B~-7 97
D-7
G7 we
.~
the and you
C 7sus4 C7
Hud- son Riv - er bum- ing toast and prunes, nev - ~r were a bore, so
A~.
D7~9
J J J I #3
~
A-7
C/G
i;)1 J A F Ul
;j
and rna-ny's the time that we fast- ed, oh, well it was swell while it
G-7
C+7
D.c.a'eo;a
I@~ J il ¥)I J J J ) I •J J J last-ed,
Rainger/Robin 1937
P I MJ J I J. * F was. it Line, how love-Iy
n ]i J ~]il 3 JJ 'p I IrA B
Ma-ny'sthe time that we feast- ed
- II
I-J
I a,;;;;;:
cas - lIes on the Rhine, swing- y Har-Iem tunes, nights in Sing - a - pore,
G-7
I~~ #3 J J J J J Ab
me.
J J
E-7~5
9 07
Ie ~
0
F6
1f)1
mem- 0- ry, mem-o-ry, mem- 0- ry,
C7
guide
you
I'm glad there is
G-7
F6
THANKS FOR THE MEMORY
~
love,----
rr rr I s-(
p-( I'rr
In this worldu.--_
you
Ab 0 7
at
FA7
of un-def-rat-ed
I~ ~
where ma- ny, rna- ny
11·F~7 Ab7 G-7 C7 F~7 Ir I-II I p r
3
I'm glad there is I'm glad there is
C7
'--"
did have fun and.
~
no hann done. And
A
I
~
I
G-7 C7
~
il
thank you
~ OJ
so
F
I
n
much.
II
6S
I'VE GROWN ACCUSTOMED TO HER FACE
Loewe/Lerner 1956
9
Ab13
I~~'b!!j 3311 E r fF I've grownac I've grownac
Ab6
£us- tomed cus- tomed
t~ t~
A 07
G-7
C-7
F-7
Bb7
tlJ ~ 'IJJ3 I r r rr t
Bb7
I) HJ J 31
she al- most makes the day t»gin.she al- most makes thedayt»gin,-
her face,....-her face.--
9IBb
C7
G 07
Ab6
1
I'vegrownacI've got- ten
F-7
r r r r r· I; r r Err ip r· IJI r
I' ~I'I.
F-7
Bb7
lil J! 'Oijli i JHII
1
cus- tomed to the rune she whis- tlesnight and noon,her smiles,her frowns, her ups, her downs are sec-ond used to hear her say. "Good moming" ev- 'ry day, her joys, her woes,her highs, her lows are sec-ond
Eb
Ab13
G-7
r I' r F tJJ ~
I' jl'l,
C-7
I'~I'I'
J J Ir
lj
na- ture to me now,--na- ture to me now,.---
Ab6
F-7
like breath- ing like breath- ing
A 07
9IBb
Bb7
F-7
Bb7
r r F j~ I) * d
I was seI'm ve- ry
out and breath- ing in,_ _ out and breath- ing inl..-,- -
B~
C+7 F-7
J31
C+7
Db9
cr cr Er C:J r r uri JJJ J is 3J J J J J J 3 J31 I
1
rene-Iy in- de-pen-dentand eonteBtt»forewemet, sure-Iy I eould al-ways be that way a-gainand yetl've grownacgrate-ful she'sawo-manand so ea-sy to for- get,rath- er likea ha-bit one can al-waysbrealandyet,l'vegrownac-
A-7~5
Ab-7
C7~9
G-7
J. J J J. Jl 1 j
1, jl'l, j
cus- tomed to her looks, ac cus- tomed to the trace, of
F-7
J J J F"
;b J. li J.
PI
- eus - tomed to her veice, a£ some - thing in the air, ac
@
Bb7sus4
~.
I
-cus- tamed to her-cus- tamed to her-
~
II
face. face.
FOR YOU, FOR ME, FOREVERMORE A-7 A~o7 G-7
F6
J I J. J I j. you for me, for yours, you're mine, and
For I'm
C-7
C7
l~jJ
~
J II it's
I
G-7
r·
ev - er - more, in our hearts~
F7
to
we
see,
I'm
r FJ I
world will be, with a
Ft.7
J
it's the
D-7
bound to
It<
'_,1
G-7
for
be
ev - er- more,
D-7
olb-er,
G7
r I [ rI J JI the
love
IJi,7",,4 IJi,7
starts,,-.,_ _
G7
F J I J. J I J J Jj
(rlrF
. B~t.7
end - ing
A-7 A~o7 G-7
F6
Bb
found 8y find- ingeach
F7
hap - py
I'·
F7~9
C-7
2.C.-7
C7
P
J IJ *J
)
r r I ~J. J I r r r J qJ :, r r I ~J. J I
plain
C+7
C7
George/Ira Gershwin 1946
we
wait - ed D7~9
Ft.7
*; J I J r r r I what a
C 7sus4
love- ly world this
C7
F6
rrri r- r , r r I r J J J I 11-1..
world of love in
store, for
you, for
me, for ev- er
more _ _
II
70
GUESS I'LL BANG MY·TEARS OUT TO DRY
m
IAJ
Jule
E~7
E-7
I' "f
D-=1
07
CA7
r r r ~(r I fo J J J Ji
When I want rain_ Friendsask me out,Some- bo- dy said--
C7~9
0-7
since love is gone, I stay at home, strange - ly e - nough,
rnl 0-7 C7 If. I ~r U F /2.C
0-7
r
I ~r
Dry lit- tie tear - drops,
E-7
07
A7
r r
diY._#'-
F6
J J J3 J J A~7
D-7
A7
C
I'
j
. CA7/B
A-7
FI-7~5B7
C/O
O~
E-7 &-7
then one day she passed me right by_
Oh
well,
I
I
J JJj
C
3 j J I. I .. dry-' -
guess I'll bang my tears out to
GHOST OF A CHANCE
I
u
schemes.
07sus4
J J J J J J J1 r' r I r ~r I fo
dreams.
07sus4p.t:aJCoda en
lJIJEJ )) J .J I J J J 3 J J J n Fly lit- tie mem - 'ries, my lit- tie mem - 'ries, re - mind her of our era - zy
..
u
a string of
bang- ing on
vtctorYoung/Washington 1931
B~7
j need your' love so thought at last I'd what's the good of
I I But
CA7
I don't stand
D-7
I'
J:
ghost of a chance with
you'd
F'-7~5
ec·
j Jl J. I just ~JD p sur - ren - der for a ten -
3
might dis - cov - er
D-7
I
!'
j
mad - ly, round you, dream - ing,
J2. C
"e"
but for
F- C A7VJ
f) -
you
Fine
CA7
I J
)
kiss
or
r
E7
that
r'
I'm the lov - er
G7
IJ ~ ~ J
B7
I' ~fl p r I lED p r you
I
you._._
0+7
J j
If
a
love you oh so oth - er loves sur lnow I must be
I
but
1"E-7 A7VJ
G+7
r piE D J
I' J J
IBI
QL3
A-7
bad - ly, found you, schem - ing,
meant
Jtwo,
I
---'
t
J
A7
D7
G7
for you, and
I'd
be true. But
#)
I
J•
B~7
FA7
my lit- tie tear - drops,
E-7
I.
I" C G;m,4 J J J : J. • ~
J JJ j
C7
U
B-7B~7'l1A7A~7'1l
0-7 07sus4
pull my- self to - geth- er, guess I'll hang my tears out to ask my-self where is she,
can't and
1944
r r f J J tLe
A -7
J 3> J, I j
J]
~e/Cahn
I'm just as blue as the sky, must get a new al - i - bi,--,_ __ I gave that treat-ment a try,-;:,====~--,
B~7"
Fro- .
FA7
J, I, r
I get sun- ny wea- ther, I tell them I'm bu - sy, just for- get a- bout her,
tJ. ,PI i
I' J J J
I'
I I
I I I I I I I
J J J I J J I
J J IJ l J JI I D.C." 2nd End (Fine>
J
71
TWO FOR THE ROAD Manctni/Bricusse 1967
F#-7~5
C7
B7~9
J J IJ Jf J Jl J I J. )
If you'refee~ing In sum- mer-time the
*J
A-7
I
I
Jl
A o7fG
~7/C#)l13
j
years, col-Iect--ing
will be our will be a
p~cious
life
the way we
please_
know that we'll be
E-
As long as
B-7
B~7
A-7
J
j
J JI J
two for the road, and
that's
E-/D
D7~9
J>.= I J
smile, I
G
r
II
e
E!
while
NEVERTHELESS F7/C
C#-7~5 C-6
love still wears a
long, long
a
and liv- ing
r )l J J I r ~ I
J IS J :J r r r r I
In summer-timethe
JyJ JIJ£]
road. we'll tra-vel down the
J2. G7/F
C~7
GIB
r
j
two for the
se -1ect-ing sou- ven - irs-
ries,
0 -
IJ
I
E-7
r r r r r I r:
C7
Ct.7 .
and an- y-placewe and ev-'ry- day that
Dt Il7~1 i J J IS lEt Jtt J J I
jJ
mem -
* ICM J JI ";:;
p
B-7
Ct.7
J 11 JJ J 3d] J J I
G~711.
ren- dez- vous.-love - ly day_
J J I Dr
D-7~5 G7~9
I
r:
J, I) J J J I
chance to be you are mine--
,J J S J I
E-/D
fan- cy free:=:- come wan-der thru the world with me,sun will shine..-- in win- ter we'll drink sum- mer wine,
D/F#
A-fG
E-7
Ruby Kalmar 1931
D-7~S
F9
J J J J.
}1 I IzJ
G 7~9
J J J J.;p I
May- be I'm right and may-be I'm wrong, and may- be I'm weak, and may- be I'm strong, but May- be I'll win, and· may-be I'll lose, and may-be I'm in· for cry- ing the blues, life of re - gret, May- be I'll live a and may-be I'll give much more than I get,
*
C-7
G7
11·C7
F7
B~ G7~9
I ~I! J J J J~Q d : J J I..
II
I
C-: F9
7 B~ __ I
:J 2.C~7
e
you.
I
II fme at the start,
then
left
with
a heart
that
~
F7 " break
e
ing,
tak
II
~
o~
D.C. a12nd End (Fane) Ii
-
ing.
I
72
VIOLETS FOR YOUR FURS <;:b3:---1
G-7
I~~
Matt Dennis/Adair 1941
B~7
Ft.7
@7
Of J D hn f1 I J iJ J 'J I r EY I bought you vi - 0- Jets for your I bought you vi - 0- Jets for your
<;:b3:-1
G-7
I~~ J A
furS:-- and it was furs, and there was
Ft.7
hJJ $1 I J
B~t.7
C7
I~ ~ . IT @
G -7
blos- soms as
on a sum- mer's day.
B~3
'J) II]
C+7
Jl
F6
J..) I
we fell in love com -plete- Jy,
lay,
the
!
C-7
&7
Ft.7
You
smiJedat me so
sweet-ly, since
thenonethoughtoc-
~?t93~
I ~I'I! P J
the day that
, ~
i~ ~I'I,
C-7
And when she's wea- ry, While she's with- out them, It's all so ea - sy,
r
I~ ~I'I,
hL1
just
sen - ti
I F
-
F-7
g
)
<
>
word
G7~9
D-7~5
V
not
•
a lit- tIe ten - der a lit - tIe ten ,der a lit - tIe ten - der
try try try
<
~ ~ that's
J
~
soft
and
IT
j
V
men - tal,
she
G-7 L5
C7 L9
r
f' gen - tIe
:f • makes
,
D+7
p
D~9
r pie
C9
wear- ing that same shah- by dress _ _ things she may nev - er pos - sess._ _ Jove is theirwhoJe hap- pi - ness _ _
~
I
ness.
r r r r
has
her
F-7
grief
J ,FJ
2.@
B!,-7 E~7
- -
ness.
C-7
it
furs.
Connally/Woods 1932
1'G7'9C7~9F-7 B~7~9 ,
B~7
F-7
rP
F FlO
wo- men do get wea - ry just an - ti - ci - pa- ting wo- men don't for- get it,
F7
Abt.7
E~
r. r I
I,
I bought you vi - o-lets for your
B~7
J J J JJ I J J J J (
She may be wea - ry, You know she's wait- ing, You won't· re- gret it,
A-7 1S
F6
'Fa 11 J £J FI,J J J J I
F-7
The
snow looked like dew on the
TRY A LITTLE TENDERNESS l:.~t.7
em - ber.
r BtN]1
JI
G-7
l J.
p (r 1 p I
fP II J J J r I J J J I J r
j
by.
F IF ~ C7
2.
J I e ' F'
that
r
11G-7
F6
and melt- ed where it
. G-7
curs,
D7
T=ia I Jl CJ J I J J J J I J r>1>7 J B~t.7
snow drift- cd down on the flow - ers
>-<
A - pril in Dec lift to the crowds pass- ing
G~7
G-7
J1 J. J
~r
r------
n J 1 IFF ~F
Ft.7
...
spring for a - whiJe, re - mem- ber? bJue in the win - try sky.
A-7
I bought you vi - o-lets for your furS:- and there was You pinned the vi - o-lets to your furs and gave a
D7~9
A-7
and
F7
r r
ea-si-er
to
It's
G-7 L5
C7 L9
J
J
care,
and
~
B~7 Ii
bear
JI a
73
TinS IS ALL I ASK Gordon Jenkins 1958 Verse
G-7
F6
r I r fJ
J II J I
As
ap- proach the
Ab o7
FA7/A
I~~ F F t Fir
I~~
Eb9
E:r D r
cede,
C7
I
fmd I have the
r ~ r'
G7~9
F6
I
if f r f J J~ J B~-7
j
and so I hap- pi - ly con C7~9
Ob9 this
ask,
all
is
I~~J ~
fll f
Beau - ti - ful Wan - der- ing
F6
need,
I
0-7
r B-7~5
I~~
sea.
~r I
r
IZE
Chil - dIen ev - 'ry
G7
-
where,
C# o7
me
C+7
~~ IJ. I~~ e-
song
31
p fAr~~ p r F 'F.
r
to
I
r'
sing
j and
I
stay
ly
i ~j J j
3 ;J
I
grown - ups sel- dom un- derE7~9
B-7~5
f
play
I E f long
as
r
as
E f there's
a
F6
C 7sus4 will
-
II
C7
G7
E II [
r r r I
bad
f
r I #3 J "r men, shoot at me,
Bb6
G-7
07t&
at
land
flown. and let the mus- ic
A-7
r
07
..
to that strange, en- chan~ ed
stand.
A-
J
r-3'--'
j j
shoot
0-7
If.lJ J J take
you
when
to
lone
A-7
J I.a J iF
iF
by
I'FA7/A
frF FE f:
A-(A7)
r
walk heart
stay a lit- tie long- er with the wish come true be- fore the night has
A-
j
I j.
G#o7
r r
[J I make my
E7~9
r r
G-7
sun - sets, sky
J #J
walk a lit- tie slow- er when you leave a bit of col- or for my
girls,
C7~9
G-7
I J JJJ J J
II
. rainbows
me. Lin - ger- ing own. Stars in the
07~9
A-7~5
FA7
-I
••.........
Chorus .
G-7 C7
07. 9
F6
I J J J J I
e
V
time of my life,
G-7
all the sim- pIe plea- sures,
0-7
Fo7
J F f I f Elf
j
F#o7
IrE r
I J J J F I I this is all
"
F' p I
G-7
07~9
A-7~5
0-7
prime of my life,
learn- ing to en - joy at my lei- sure
A13
C7
j
young - er.
J than
I)
........
spring.
I
-
Ii
II
,..
74
THE MASQUERADE IS OVER Wrubel, Magldson 1938
)31,
Verse
I~~b ~ e
)3I,A7
0-7~5
F F IF blue ho ri
r
-
My
I~~bb J my
zon
J
J
J
dreams
are
drift
~
IAI & I~ ~'I'!f J.
07
don't don't the
0-7
-
j -
meet
lips just not
rou the
mine, -
and
Your
love,
Bb7
0-7
C7~9
r 0
r
rade
I
like Pag
-
1> I
and
so
is
F I
r
is
ov - er,
,J
I
*
so
r r
is
I J * J II - I
e ...... love
B~7
C';'7 F7 _r--:-3----,
with
J JJ is
r
tears..-
-
c.
love,
B7'1l
and
B~7 D.S.a/Coda
Fr r I J t J I
Fir 0-7 C7~9
and so
love _ __
get my- self a clown's dis - guise,
07 .
liac - ci
e
F)6
F-7
and
D9
Ab
is
F-7
J IUS SJ J J I
OA7
D7~9
97
thrill
the mas- que - rade
r·
Bb7
and
guess I'll have to play Pag - liac - ci
laugh
the
IF J love,....,_ _
is
so
I~ ~IIII J J J J J J IFF
• I'~b"
I'm a - fraid
IF J J J
to
and
C7~9
I~~bll-F
learn
J
tine, same",
F-7
I~ ~bll \J IF
aI F r I
p
shine,
D7
J I
I qJ
B~7
A-7~5
Ab
F7
er..----
F-7
)31,7
J I J t
I J.
1«J J J J
s
J I
Your Your You
B~7
At,-6
r
B~7~9
way
a
C-7
r - - 3 =::J
F
and
IJ
-
i.
like they what they same,..- you're a
when your now they're no you're
AbA7
J
I""'F B~7sus4
Db9
F ing
Bb7
gray,
ing
shine-
C7
gone spired, "no,
-
tum
r
;:a
meaD...-
r-PZf77
mI
J
j
I
is
J J Fg
J
eyes words look
ov
-
r
C7~9
0-7
I~ ~bll
~r
Bb7sus4
F-7
C7
F-7
I~r
in
my
eyes.
Bb7sus4
)31,6
You
J r F I ,.and so
is
love _ __
75
THEY SAY IT'S WONDERFUL lrving Berlin 1946
A~o7
A-7
C7
G-7~5
G-7~5
JJlrAJJ IF' pa la They say that And with the
A-7
so they
E7
r t¥ ,J
r Pr
--
Ld.
0~7
A!,-7
0-7
I
I
A-7/G
on - ly know they G-7~5
known as ro-mance is
the thing that's
G-7 C7
C7~9
J I rAJ J I
"* J J
G7
F6
I F· P J IJ J J J I) J J I say_ _ _ I__
won - der-ful,
in
won - der- ful
-
II
iF I F F F F
j
G-7
and
W
me _ __
read it,
nev - er
I ~e
09
won - der- ful..won - der- ful..-
A~o7 G-7
A-7
know I
a
B9
A-7
I
grand.
tell me that love is
It's it's
F+7
tell
J J I J J J J IF
A-7 07
JI
I F- P bJ I
F7
so they
FIA
_ said it,
can't re - call who
j
:, bJ j J I J J;,
B!,-6
I§~ J J J J I J
I~ ~
2. C7~9
say_ _ _ __
B~117
I§~
d
D7~9
I <>_ _ _- e
j j
F9
won- der- ful, won- der- ful,
fall - ing in love is moon a - bove, it's
r-11--C-7-~9--- F117
I§~J
--
u_
I
II
so they
ev- 'ry way_
SMILE
Chaplin/TUrner 1954
F117
J J Smile, Light
tho' up
I
your your
J J J J I J J J heart smile is e - ven ach - ing, face
with
A~o7
A-7
when there are al - tho' a
clouds tear
J J I J J F I fA by_ in the sky, you'll get may be
e
-
ver
.
B!,-7
I§~ F F J J I r fear and sor - row, smile keep
I~;
on
try- ing,
0+7
F
smile,
G-7
r J J J I J. J
sun come shin - ing life IS still worth
-
thru while,
for if
~r
and may what's the
1'·~~~9 you
trace
07~9
G-7
I§~ J J J I j
ev - 'ry
hide
glad - ness,
J J J j it's break- ing, tho'
I
near.
so
of
sad - ness,
G-7
J J If you That's the
B9
II
F smile time
F
though your you must
F6
IF F J J I j - be to - mor - row, you'll
J. 2·C7~9,J ,J use
r
of
cry - ing,
you'll just
F see
you'll
find
J the that
F
I
I '.......
smile
I-
I'
II
76
THE END OFA LOVE AFFAIR
IAI G-7
nf
c;:!-
FA7
a lit- tie too a lit- tie too smoke a lit- tie too
M7
and I and I and I
fast. much. much.
talk
&-7
B~7
F-7
J. )!J ]11 J ~ J)I J.
walk
So I So I So I
A~7
&-7
Edward Redding 1950
S,A7
'-Tfa
I j l;0j1
drive a lit- tie too laugh a lit- tie too drink a lit- tie too
nJ,A7
_
and I'm and my and the
fast. much, much,
O ..,4g-:r-F
D-7 _
J
I'~ J J J J I,A I J J J J ~iQ I J i"O J. ~ J * /1 , reck-less it's true, but what voice is too loud when I'm tunes I re- quest are not
/2° F
I' ~ J stare.
Do they
know, do they care, that it's
CA7
l J JI J be?
And the
C-7
F7
~
l GJ
I',~
0-7
rJ
MF iF] I tr
3
tr
I OJ p]
So I
Ab o7
on - ly
A-7
smile on my face is-n't
B~A7 -I
G7
0-7
~ -1--'
~
OJ
JI
go at a mad- den- ing
G-7
that I'm
07
J Mel
r
lone-Iy and low as can
D-7 G7 G-7 C7
VI e l F l fJ I all _ __
&9
FA7
r
,
pace,
C7
J'
!j
1'~~k
F#-7
and I pre - tend that it's tak- ing her
G-7
f' r r ~~ I F~Er ~U I iF'
B7 Bb9
So I
f9 I J £ J J £0 I C7
P r
of a love
F6
'-I ''- I,,"
Eo
I
af - fair._ __
WARM VALLEY
DbA7
G7
real - ly a smile at
~ J J IJ J ) J J) IJ J place. But what else can you do at the end
Ab6
So I
J Fa I J J fa I J ;1 J Fa I
f J I J, G7
blare.
G7
m]O-7
i
end of a love af - fair? peo - pIe are apt to ones where the trumpets
else can you do at the out in a crowd, so that 81- ways the best. but the
Duke El11ngton 1943
F-7 B~7 ~3--,
~r I r r I r FFr I
.9I Qfr-
II
77
A SUNDAY KIND OF LOVE
Louis Prima/B.Belle 1946
Sun - day kind of love::::.love that's on thesquare.,..--some- one to en- fold,
I want a I want a Myannsneed
I~ ~
97
B~6
G-7
'r r t
J
J
J
J
love at first sigiit'L,-,_ _ leads me no- wherer-,have and to hol.u,..d,_ _
I'd like to know it's more than I'm on a lone - ly road that a love for all my life to
I~~ I~ ~
11·
I
-
II '-/
:;
r.a J )~:r
J
C-7
F7~9
I
£ j J.
B~6
j
1)1,7
I~I e- !t cer - tain
kind
C9
my Sun - day dreaning
day.
I'm
I If F
of lov-er.
who
f --
Q
t f
rF
me the way?_
I~~kk
F
The The Though
I~~kb
f
9 C7 e ....... rain
A~A7
I~~bl! j
whis-
G-7
rIF J
F F F
leaves of brown came sun went out just spring is here. to
I'F-7
B~7
- r J
.f~ j.
The
D~7
C-7
F' 1> I
j j-l,J
arms
J
II
J. J I j
r
To
ev - 'ry
word
F7
C-7
F7
J IJ JI J F F J I J F per, the rain- drops seemed to
r
J
I
F-7
play a sweet re
e
I -
frain
J. )1 in the
@7
J .F love
of
J
need
B7 B~7
,It£j
B~7
@7
J F
II
Warren/Dubl1n 1937
tumbling down. re - menber?_ in Sep - temherrlike a dy - ing e~ herr--- thatSepme it's Ii. still Sep - temberr--- thatSep -
B~7
a
.C.aJFIIHI
F-7!@ I»7.n
F-7
C7
~cov-er
I~ ?
My
SEPTEMBER IN THE RAIN @
and
C7
IS
:::0
~
will show
hop-ingto
G-7
Fl o7
P r-
--
!I
rn-
do
J 3 J. P J I J.
all my Sun-dayscheming ev- 'ry min-ute.ev- 'ry hour. of ev-'ry
G9
J. 3 l J )11
~
B~6
C-7 F9
r! Co f I J.
j
F7
J I J.
,J. I>FIM
I want a
C-7
I want a Sun- day kind of love_
@A9 F6
G-7 @7
F6 D7
a love to last past Sat - ur- day night, can'tseemto fmd some - bo - dy to care, to keepmewarm when MoIHiay'sare cold,
I
r
heard
J you
B~7
I r F II Though
78
PORTRAIT OF JENNIE
r--3~IAI F 0-7 0~7 C-7 J I,J J iJ~t D J
f
len-nie,...,_ _ __ Jen_ _ _ __ Jen- nie,...,_ _ __
A por- trait of The por- trait of the por- trait of
F+7
3
FifiJ
I
B~6
E)9
..
tr
.F
r
J
see,...,_ _ _ _ than
more love - ly to is etched on my I nev - er will
ni,~e
Robinson/Burdge 1948
I
a where her for there
heart, part,
0-7
mas - ter-piece, how-ev-er fa-mous it C7~9
G-7
I'~ r
E)9
F6
J. ) I u_ the
sketched from
I' I' r-
F6
~3--, F7
~
A7~9
B-7
Ah the co-lor and
beau - ty of line
0-7 A~9 09 07~9
..
A-7
0-7
n't an- y
I' ~~~6 r IAJ
d"C ~J
C-
1
J
G-7~5
C7~9
r-;- 3--,
own
de - sign. With the por- trait of
F6
C-6
C-7
F-7
heart.
my
] I J)J. J
-
ly.-,_ _
sor- 1)'.-,- -
F 7sus4 r- 3 --, F9
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r'
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07~9
'logE iJlp IIJ JJJj
B~7
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..
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-
Fine
I cried a riv-er ov- er you. 07~9
out of my head,
l!i
J J ,3 J
F F1 j
B~7sus4
B7
G
0-7 G7
9A7
G-
I qJ JJ (J. WI F
near-ly drove me A-7~5
Arthur Hamilton 1953
you cry the whole night thru.---- well you can un - true,---- well you can for be- ing so well just to prove you dOr-- come on and
loverne.--,_ _
A-7~5
-
"i)
)
II
Eil
' •.0::::;
me a riv- er,
You drove me, G,-3-.
D.C. aI Coda
....-3-;---,
J I r ~J J J d JI
Hea-ven's
por- trait of Jen- nie, ex - cept in
Ion~
Trip I
§
Ir
n-7 -r--=-s-,
Now_ you say you're Now_ you say you're Now_ you say you
q::::3--,
C 7~9
CRY ME A RIVER ,
G7
~
and the glow of her
G-7
~ Jl J. I r r r
5
is -
in
cast
all
0-7
,--3~
~ spiJ. - JJ vine,..., J IJ r I r Fir hr· __ rit di -
~-7
E7 AA7
3
r-3
fea - tureshave been
por-traitof
14 ,S hrj) I IJ. Jb J-1J
[J
start_ __
E-7
lsi The
be.
while you
51 ruT"
A-7~5 07~9
ne~ershed
0-7
atear.--,- -
G7
D.C.alr/lJe
1m i1 t1 ...~. l!i 1m l j t.' a!~. I
re- member? I re-memberall that you said; told me love was too pIe-hi-an, told me you were thru with rne and
79
PIECES OF DREAMS
Michel Legrande/Bergman 1970
F6
D-7
A-7
G-7
I~ ~ ". LitJ J J J IJ tie boy lost---
;J 1 IJ) J
!f
in search of in search of
Lit- tie boy falstc-e- - -
fJ r
I~~ J J J won- der- ing, ev - er done 1 1.
I~ ~ E E
r
j
F/A
I~ ~ FJ F
j B~ID
I~ ~
Err r
A-7
to all you
G-7~1I)I,
Ir
1
run-ning a - way_ __
I~ ~
Fa
r
in
streaml:...s_ __
0-7/F
I~ ~ J J J J lit- tie sheep roam, A-7
G-7
G-7
B-7~5
I~ j tJ r r d· r look and see, can you be
fJJ :~
real-Iy are, near-Iy are? B-7~5
A......
LA
!f
fur- ther a - stray,.-,_ _
pie - ces
j
F6
C7
r
G-7
II
those
dreams'ro,- - -
of
I
B~7 ~7
EM
c::::::::
J J iJ and as for
C-7 B 7III B~~7
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for
C7
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J J J J lilJ flJ I J J J ;
pie- ces will nev- er fIt,
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F7sus4
r
LA
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of your mind?:-_ _
I Err
FJ
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fIsh - ing
F6.7
r
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tip
F/C
could lead you
F7/C
I~~ 0
round. you?
EJ
ev- er were, nev- er
C7
II
F 7sus4
J 'erJ' I EJ r fa were,
Why are you blin.u..d_-
12'D-7
round, you,
A-7
what's on the
G-7 C7
LA
I,
1
,(CrIC; F
LA
..... fmnu.._ __
When will you
B~~7
£7
B-7 L5
D-7/C
D-7
C#o7 A7/C#
1
sturn - bl - ing, tum- bl- ing, al- ways un - rav- el- ing
wan- der- ing, tra - vel- ing,
you go a will you be
C-7 Iii i
r
rJ
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found, ttue,
Lit - tie boy lit - tie boy
r
(£J
I
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A-7
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what is the sense of it?
C7/E
C7
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Lit- tie boy blue--;-
F6.7
G-7
, J SJ I J a J
I;
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it's timecome
C-7 Ilnl far
blow your hom,
C7 L9
I
.,
from
don't let your
F6
I
8
..-
J meet
Bb6
) the
F6
1 8
home
r
mom,
II
80
TIlE HEATHER ON TIlE lULL C7
F6
I' The mist of May is in the The mom-in' dew is blink- in' That when the mist is in the
A-7 D7
G-l
11;t J
C-7
F7
LUg
fJ ] Q
and all the clouds are hold- in' still,there's la - zy mus- ic in the rilL and all the clouds are hold- in' still..-
gloam - in', yon - der, gloam - in'
=' rEI P r' J a
B~A7
J D7/A
Loewe/Lerner 1947
B o7
rEF F1F r
1
C719
F/C
'1'6 C7 . II
so take my hand and let's go roam- in' thru the hea- ther on the and all I want to do is wan- der if you're not there I won't go roam-in'
,
hill.
J'"~;P J;7J~J J It:!..E~7 r FIf~tr c~b J J hill.
There may be
as rich and rare,
oth- erdays
A~1l.7
D-7
there may be
Clo7
G7
1~; J_ JJ J J I J1 J'1: iF but they won't be thesame they'llcomeand
fair,
-$-
r
G-7~ID~ F/C
D-7
I~; J
J I ;;1 F
hill,
G-7
D-7
r----
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r
*F I I
this
I
II
D.C.BiCoda
know.
F6
J
Ihill.. ___________________ III ____
the
on
C 7sus4 C7
D-7 G7
for
C7
Ij
hea- ther._ _
the
go,
as full and
oth - er springs
IF
1
II
MY OWN TRUE LOVE (TARA'S THEME) Steiner/David 1941
G-7 . C7
F
I~ ~ f * Myj ownr' true;i1 I love, e No lips but And by your
IF/A I~ ~~ J ~
r'
J),
I
e
my own true love.
A-7( I
~ ~ * J r= i~
in search of
I* myj
yours, kiss,
G-7
G-7
C7
C7
r'
Fsus4
)1
"
own true love, no anns but yours, you've shown true love, ;
J~F G-7 C7 F ~ J ~ J. ) I ..
F
F/A
this,
Plr r
at last I've found you, will ev - er lead me I'm yours for - ev - er,
B~
I * J r= ~ I
I
I roamed the earth
A-7 1 II
r
I'J
B~
I J
r'
know you
by your leiss.
81
IF EVER I WOULD LEAVE YOU Loewe/Lerner 1960
j 3
4J
would ev - er if I'd ev - er ev - er I would
If But If
f
J leave y:'~
;
-
see
~I!
F
F
Your I've Oh
hair seen No!
F7
would- o't be could- o't be could it be
it how
But
streaked how oot
with you
sum
in in in
au spring
-
mer,
I I
oev nev be- witched
tumn
• r I r
I'm
96
a
Ius
in
au
G7/D
J
I'· EJ,6J
ter. blIDIl
I'~I' J J J J leave
you
your when
eve - oing
sum - mer,
I'~k
IT
thru
E-7
when you
F
-
red as fall' nips the
rw I
win - ter
F7~9
j at
carch tbef.
.
or
1
air.-
Bo
C-7
J J J I e J that puts gold to slwDe.
1-
-
J all
'tJ'
there.
I
could
D6
A7
'.J J Or
the
D6
A7
F7
on
PI a
D.C.alCoda
J I iJ J j J j 3 I ..~ I) 'J1 j J f r--3
C-7
lips
C-
must be
E-7
mer- ri-Iy
B
win - try
I
s flame.It
;>J J J J J ijJ I snow?!-. I'·-=___
run - oing
go, _ _ know_ so,.--,- -
would will you
er er by
F r -
F7~9
and
GA7
F
B~A7
sun - ligh~t,_ _ spar - kle:_,- spring - time,--
with you m
-
r
C-7
r
if I'd ev- er
D+
D
in sum - mer,in au - tumn,in spring - time?_
e
I'~k J'JJ3JJ , J J. J J J --
J
WI
J
r J
your face know I
JJ
J JI J
r-),. J I J r r J-" C-7
...., ~
q)
,.zz
B~A7
C-7
G-7
J
; F7
B~7 i
."
l
C-7 you leave how
ing I'd how know - ing
I' -r I'~k
J
,L
I
you, you,
leave leave
G-7
j
B~A7
F7
C-7
J I
fi - re's
B~6 0;
fiWaUl,-,_ _
F9
C9
r r r r r r' I no,
nev - er
could
BA7 e e all _ _ _ _ _ _ _ _ _ _ _ _ __
I
F leave
r' yoU-.
B~6 e
II
I
82
NANCY WITH THE LAUGHING FACE Van Heusen/Phil Silvers 1944
G-7
I*hl
r r
g~ness
*~ 'r '-'
She takes the
D-7
I*U
J I t· ~ ~ r well, she'll give you the ve ;J
ing?
D-7
r r r r
speaks you would think
E
"
t
E F was sing
it
1.
on that's my
I
D-7
I
each some she
G7
D-7
Do you
A+7
ev- er hear mis- sion bells ring-
D-7
C7
G7
J 3 J eJ
J9
s
same glow.
IY
)
n I r r r r-JJ 3 3j
Fine
J..... J.
Nan- cy with the laugb-ing faCe.'
A+7
A7~9
G-7
~-.::::
A7
A+7
,.
p
j
Gee, what a thrill sum - mer could take sor - IY for you
E-7~5
J I'lJ *
D-7
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I
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Nan- cy with the laugh- ing face.
Fb,7
1* ;
Bb-7 £1,7
J J J J J I'
A+7
j
G-7
G-7
Fb,7
J
B~ eve me I've got a case Pic- ture a tonr boy in lace, No one could ev - er re-place
2·
E iF
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D
J D -7
D7~9
j
you can't
G-7
Ab o7
I kiss her. les- sons from her. has no sis - ter.
1
C7
miss her, I it sum - mer, her, re- sist
see her each day
win - ter and makes
time
G-7
....
f F F F F Fr I J
~F
If I don't She takes the I swear to
A-7
G-7
C7
D-7
When she
G-7
G7
D7~9
C7
J I J J J J IJ . ing, just to hear her say "Hel - 10"
r
!(
r yll
(
I swear to D.C. a12nd End (Fine)
THE NIGHT WE CALLED IT A DAY Matt Dennisrrom Adair 1942
*JjJ f r
A-7~5
1
I
There was a I heard the The moon went
D7~9
bE
r r·
moon out in song of the down, stars were
space, spheres gone,
B-7 Bb7 V'
kissed me and went on your had- n't the heart left to
way, pray,
F#-7~5 B7~9 r - - 3--, r--3:=::::j
Gb,7
•
the
,3 J I
r r
FF
E-7
f4
I J.
but a cloud drift- ed ov - er its like a min - or 1a - ment in my but the sun did - n't rise with the
A-7
Ab7' 1l
, -3-.,
. . ..
~.
night we called it a
1'
face, ears, dawn,
D7~9· G b,7 ,-3--, v
•
•
•
day. I heard the
C#-7~5-$-
I
'U
day.
J I you I there
• • •
83
THE NIGHT WE CALLED IT A DAY (pg 2)
I~ I
r r r
Soft
I~'
•I~
I
B7~9
F#-7~5
r
sad
~
3---,
was- n't
A7
in
owl
e
I
sky,
the
~l~·C.aJCoda
D 7sus4
Eb7· 11
3
E-7
r
I
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say,
A-7
hb7
we
night
called it
a
. I~ ~
A-7
I~ ~
. . A-7
J J J J II I J
1
un - ea - sy in my and or - der or - ange and wish you were
. ,
G-7
I heard you say - ing I was mis - talc - en, that if you scorned me,
¥
b7~9
1"
'-'
G-7
I~~) •
I~ ~
Pb.7
C7
,
lm P6 II
A-7~5
D7~9
G-7
C7sus4
I
r
,Ab7
p r· baveto
A-7
P
j
j
--IJ
G-7
r Ir
scratch my
D7
C 7sus4
G-7
You have wha:tL--_
A-7
G-7
J I )J. P r· * and now I ev-en
C 7sus4
C7
* :~
it nev- er en- tered my mind,_ _
it nev- er en- tered my minlu..d_ _
C7
wre.
so - Ii with the sun pray'r a- gain•
that I'd be play- ing that I'd a- wak- en I'd sing the maid-en's
£1 J :' J J J J J J Jd J.
J J J i J J 1 If
G-7
Rodgers/Hart 1940
G-7
ea - sy chafr,..-juice for one.-
G7
G-7
1 2.
_
II
day.
IT NEVER ENTERED MY MIND
Once I laughed when Once you told me Once you warned me
G-7
back
'
Ft.7
J IJ I
to get in - to my hair a - gain.--
-
lack my-self.-
C 7sus4
F r> FV·
C7
,II
my - self_ __
C7sus4
j j
D.C.aJCoda
F6
r UJ. 111 PlJ J J 1J J J) I' J n J J J Jd..
there a - gain,.---
I
Gt.7
F E!F-zf Ie
I F
the
J J J The moon went
I.
than
B~7
B-7
E-6
he
was
blu - er
no
,--3---,
to
r r r r
an
of
E-7 A7
J I rJ§ J J I]
E-(A7)
a thing left
F
hoot
E-7
J J F F F
I J
r
I
the
I J F F song, tho' his
r
,--3---,
F
dark,
the
thru
9 B7· ,--3---,
A-7~5
CIE
D#o7
D-7
Ct.7
it nev - er en- tered my mind _ _
II
84
IN THE WEE SMALL HOURS David Mann/Bob H1lliard 1955
C~7
C~7
0-7
C~7
0-7
C~7
G7sus4
C7
I J J J J1 I J1 J J J J I i 1 J J J J I J. J J I When the
I'
B7· 9
E-7
E-7
F#-7~S B 7~9E-7
dusk
C~7
I', J
F~7
C7
07
F-6 B~7.n
1
mom- in~
C~7
Cl 07
1
G7 GIF
E-7~S
A7~9
-
while the
F#-7~S
lie a- wake and think a- bout the girl, C~7
In the
0-7
J J I J.
J J fJ J Jli10 heart has leamedits
you'd be
.-
C6/E B~9 A7~9
0#07 .
0-7
le~son':::-
her's
0-7
0-707
sheep.
Wbenyour
J J II
C7~9
F~7
A7/E
if on- ly she would call,
in the
1-7
) JJJIJ iJl G7~9
C6
f] J J J I j J J J J J IJ. F4' I d r I' F r E wee small ho- urs of the
0-7
mom-ing.--
07
•~
F
time
you
J J Ij miss
her
most
G7~9
that's the time you miss her most of
i.
you
E-7
1
F-6 B~7.n CA7
G7
'JlI
,3 J i- J J J J.
nev- er, ev - er think of coun.. ing
and
C7
lone - ly
I'
J JI
whole wide world is fast a - sleep, B7~9
I' J J J. )1 J J J J J. i5IIJ j
.-
G7
J i J J J f ) J J J J J f.JJJIJ
wee small ho- urs of the
.1,
A7~9
but from
J #J J J I F J #J I * J J J J J I J to dawn, as the you. clock ticks on, some- thing hap - pens to
F
0-7
af- ter- noon sky, you can al- ways find some- thing to do,
sun is high in the
all.
G 7sus4
*
t
C6
J
e-_
of
all
_e-
II
I I I I I I I I I I I I I I I I I I I
85
WHAT I DID FOR LOVE nu
t8J
I~I!
£
JJ J~
j )
Kiss to - day Look my cyes Kiss to - day
C
we did what wc It's as if wc Wish mc luck, thc
OIB" 09
to aI - ways same to
}!
F' I
ac
what I did for what I did fOf
A- A-/O FA7 II
0-7~S
love is nev-er
07
mem- bee.
0-7 G 7sus4
r
IT I for
A-
l
£ J 1 J J 5 ~i
FI-7~S
I Fl
Bsus4 B7
e F rei
IT
6'
C
A J, F' I .. what I did for
lovc. _ _
F-/A~
Il
JdJI
lovc's what wc'll
F
Won't for- get;
CIB~
I
lJ
I r l E tiJ t FEU
you. _ _
lovc,_
r
O/A A7
E-
A-/O 071F' A-71E 07
F-/Ab
E - GID
are dry
as wc tra- vcl o n . _ _
I"
I l
II
what I did for lovc, what I did for love,
11 ~
gone.
Kisstoday goodbyc
ClBb
G7
Look my cyes
A-/O
if? J J 5J
C
re - grct but I won't for- got
Ir
Ii
jJJ fJ JlI,J )J
and I can't
I,·
D.C.81Coda" A-
I~ d J I I~
Esus4 ,E7
F-
I r l J J ;F j
lovc. _ __ love. _ _
I Fl F F r rI
Gonc.__
0-7
J 111 J J J 31 FljLJ
do, knew,
OIF
0
I~ ,)' , fa
Ch~s~e
A7
the sweet- ness and thc sor - row, _ _ thc dream was ours to bor - row. _ _ and point me t'ward to - mOf- row. _ _
had
0-7~S
I~ e
I
0
LA I J J I"
1
[§]
Asus4
good - bye, are dry, good- byc,
F-
~ J uJ J
C~
CIE
can't re- gret
fa Jl r· I
what I did for
LOVE STORY
Ie-
r
(0"1 what I did
C
I~ lovc._ 1970
t
I I. I
07
I ..
D.C. a/Coda
I
0-
I
86
ALL I ASK OF YOU Phantom of the Opera 1987
[8J
I~ ~~Ih
Db
fl. J J J.!
F] 11 I J J j J J. ~ I J :
No more talk of dark-nes~ for - get those wide>eyed fears, I'm Let me be your shel- ter, let me be your light, you're
AWe
B
J
D~
words will warm and calm you. fears are far be- hind you.
I~ ~b~~~
J
J]
D A7 :
here with you be- side me, you, aJ - ways be- side me,
1~ ~"b~i
E~-7
A~7
F F
win - ter love, one
I~~"'h
D~
r r
~-
D~/F
J- J I r
tum
let
] J JI
..say you need me with you say you need me with you,
~
D my me
E~7
J
head lead
•
true,, _ __
that's that's
J I
ask
fol - low
for
is
one
you, _ _ _-..,
J J
with you
talk
A~7
be- side
J
aJ] all
I I
&-7
ask ask
A~7
you f e e l e way I
I
~
share
each
day
of of
do,
t
•
-e!iii
J
RI
Ob
--------I
u
u
D~/F
J
with
J
you._ _ _ _ _ __ you._ _ _ _ _ _ __
F F . -J I F one li Ie - ume, _ _
love,
Ob6
Db
F-7/Ab
J>
k-<
that all you say is an - y - where you go, let me go
you-
Ab7sus4
say
Jj'"
-;:~ J I F J F .now and aJ - ways,- pro-mise me here
~S < ~
sum- mer- time, sol - j - tude,
nb/F
A-
A~7sus4
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of your
from
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7 ]
Say you love me ev- 'ry say you'll share with me one
~7
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All
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day-light dry your tears, I'm world that's warm and bright,and
guard you and to guide you. hold me and to hide me. Then
to to
mom - ing, life - time,
B~~
j
1
J 3 J J. ~ 1
J
Let me be your frec..doln;-" let Al] I want is frec..dom, a
1 tn
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here,notb-ing canhannyou, my safe no- onewill find you, your
Fg 411
J J J2 J~J 1J J J. !
j
O~6
DbA7
me,
r
say
each
Ab9
•
B~7
p ~ the
word
J JJ I amd
I will
night, each mom - ing,:,""
Db
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love me, that's all I ask of you _ _ _ __
I
87
MEMORY
Webber /Nunn 1981 Cats 82
A-
rE r
rMid-night, Mem- 'ry, Day-light
r-
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e
I~ l J J1 J ) I J. -
e
Ev - 'ry street lamp of
I~ J. J. J. J )1 1 J fa - ta - list - ic stale cold smell of the
E-
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a
-
F' 'F'
soon it noth - er
Bb7
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.
D
-
so ea- sy
mem- 'ry
of my days in the
ell" ~ I:t~':: L FJ
j.
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hap - pi - ness is,
'F'
!j
f] I look!
a
to
r p
new
the
G
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I
leave
F' F r F E F Jall
me
with
the
,-2-"1
touch me you'll
Eb
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a- lone
J p F' J :b J9 If you
SUD.
c-
to beat ey days
street lamp sput- ters 0- ver, night is
F-7
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and a noth- er
eF [ F~ J I F"
it's
-
ing.
o-
rr
r-fJ J I ,s.
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mom
smok
D.C. a/ Coda .
r- 2 - ,
r
1
me.
Touch
F
DA7
Some one mut-tcrs The street lamp dies a
F' F r
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dawn - ing
I J. J. J>
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be is
will day
A7
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warn-ing. mom-ing.
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0
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Burnt out ends
G
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and the let the and a
_ ~. J l J. J. IJ~JlJ. *Jil seems a
ft'
De - glDS to moan. 'ry live a - gain. day will be - gin.
E-
I~
She is smil-ing aI was beau - ti - ful and I must-n't give
has the moon lost her mem- 'ry. I can smile at the old days, I must think of a new life
J. J
G7
D
rJ] I
lamp - light where with - ered leaves col - lect at my feet In the I knew what hap - pi - ness was the time I re - mem - ber dawn comes to - night will be a mem - 0 - ry too when the
lone. then. in
.I~ *
pave- ment moon-light, sun - rise,
J. J J J
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wind mem new
r' rE r E r1 I J.
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not a sound from the all a - lone in the I must wait for the
F
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ft'
·FIIIfI
E1 Z
UD - der - stand what
-
88
A TIME FOR LOVE B~A7
3rdX-
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e
J.
200 X-
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[§]
Ab 13/G~
~~~ time time time
for sum- mer for climb- ing goes drift - ing
C-7
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r
skies hills, by,
for for the
G-7 . C9
bold- jng hands to - geth - er,
we've
I~ ~\,
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time for spring, a
A7
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A time for
bove.
wea- ther,
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best of all
time
a
r r
for
07~9
r- pI
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I've
hove,
As
J9 J J I iJ
a time of make bo-lieve that
A-7
D.C. aJ Coda . .
JI
of.
time for fall, but
,
07~9
0':'7
D7~9
J J ~J I J r>"'( F[J I r'~" J ~J I ~
C9
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2.A -7~5
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rain - bow col-ored
_J
.....,
i •
been dream- jng
D-7/F
but -ter- flies, for win - dow sills adso do I, but
hum - ming birds and lean - ing out of wil - low bends and
lo~e:-e:- - - -
C-7 F7~9
DA7
A7
J I~ ~\, ijJ. P
a time for
r
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bar - mo- Dize with daf - fo- dils a ev - er sky a
I~~b F J J i J I J F- F F rJ I E-7~5
B~/F B~6
. u. _
ten-der words that mi - r - ing the oh my friends what
D7
G-9
D 7sus4 D7 A-7~5 D7~9
...
G-7
Johnny Mandel/Webster 1966
D7~9
A~91B~
j~[f E;
A A As
,
A-7~5
B~6 e;
known
a
e
love.
'l'WELFTH OF NEVER
fA]
D
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t1
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D.C~alFIfI(J
IF F E" piC t:r: '~II
89
THE WAY WE WERE F~7
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we we
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If we had the chance to do it
all
~
==
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then,
or has time re-writ-ten ev- 'ry
line?
J-J
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a - gain,
G7sus4
would we?
J E7",,' E7 A- A-/G FA7 E-7 FA7 I' tl J - P r ~ I" I~ r FJ I J J I~ F F~7
to
for - get -
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So it's the
D-7
Ita, P DE U I J J I h l J.;I when-ev-er we re mem- be:l-:r-_ _
D7~9
J JF J I When I fall in When I give my
G-7 1)1,7111 C 7sus4 C7~9
D7~9
G-7 C 7sus4 F II
love heart,
IJ J
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the way we
e--le
Young/Heyman 1952
F
B~9
£1,7 D7
or I'll nev - er or I'll nev - er
In a res.. less world like this, love is end - ed be-fore it's be- gun, and the E-7~5 97111 D7~9 G-7 C7
I' ~ r a a a I F I' ~
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ny moon - light kiss - es seem te cool in the warmth of the B~~7 E7~9 A-7~S D7~9 G-7 97 F D7~9
r
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feel that you
r r I r'
feel that way
too,
r·
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fall in give my
A-7~S D7~9
love:__ hean.,....,_ _
G-7
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were _ __
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I f J.W· I J J F' p I
it will be for - ev - er, it will be com - plete-Iy, -
~ II
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WHEN I FALL IN LOVE F
D.C.aJCoda
E-7
1~ ! l ;il J. I
the way we were_ _
G7
we will re - me~ ber,-
laugh- ter
e
*
could we?_ _
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we sim- ply choose
J * -
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were _ _ __
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a j ,0 J I r J, l
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sim- pIe
Can it be that it was all so
A-fG"
A-
.~ :LCA7 .
Scat- tered
D-7
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mis - ty wa - ter col- or mem'ries smiles we gave to one an - oth - er what's to pain- fuI to re - mem- ber,-
J J
were: _ _
E-
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FA7 G7
e
r r rr I 0
51
e
F~7
light the com- er of my mind...... , of the smiles we left be - hinG..--:may be beau - ti - fuI and yetL.-,- -
Mem - 'ries-pic - tures-Mem - 'ries--
.
A-7 A-fG
Hamlisch/Bergman 1973
nI J
is
too rna-
I " SUD.
G"'7 C7~9
JFJ I J J
when I faIl in
and
love with
mo - ment I can
F6 I • .;:;;;;
I .. II
you _ __
90
EVERGREEN Barbara Streisand/paul Williams 1972
D-7/C
r " r-
I-a
D-/C
I_J Love,_
soft as an
c
ea - sy
elB
I~ J J 1 Ij.
A-
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I have
JI with
foun.ud __
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B~/C
two.
FA7
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Ev- 'ry
I~
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r FFr I
tain
a
Nichols/Williams 1970
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CID
J.
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will
B~/C
rIJ
J1 by
seen
i ] I J.
I j.
each
C7
FA7
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They warm and ex - cite
B~/C
Spir - its
FIG
I~
one.
cJ"
and
their
r--3--,
F FrFI rEF I 'cause we have the bright - est
us,
D-7
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rise
1
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firsL
night a
B 7sus4
I-
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J
seJ - dom
make
D7
Two lights that shine
I -
c:J I r'
gin - ning _ __
be -
_I
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I
and
c:J Ir J.
day
der the
FA7
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You
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that love would grow_.-
F6
I~ t1 W 1- J JJIJ love. _ _
al - ways ccr-
ev-er-~n,-,
*I r OIF
IJ-JUJI
rose_
E-7
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dance is un - re- hearsed.
CA7
was
1
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C
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Like a
,
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age-l~ and
Love,,__
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FIG
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shared by two.---
G 7sus4
you., _ _
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snow,_
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u
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FIG
ap - ril
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fresh as the
E-7
love that is
B~
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One,-,_
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chair._ _
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mom - ing air._
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r I Eu tr iJ 111
Mom - ing g)o
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ry and
the
(pg.
EVERGREEN
CIB
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mid - night
B~/C
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TIme,__
sun. _ _-
TIme _ _ __
E~
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ev -
ev - er, _ _ _ __
Eb/C ,
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sail a - bove _ _
F_(~7)
,
d
C A:
love,
one
won'tchange the mean - ing of,
Ilj
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we've learned to
r j F r I r·
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D/C
Ir J r r I FU1 IJ·
F~3:---;
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91
2)
ago-less and
C
ir-
I"
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D/C
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II
C
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WE'VE ONLY JUST BEGUN F
1~~4* 'ij J j J j We've on - ly just >
Be And
I~~
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be-
fore the ris - ing when the eve- Ding
0-7
gun sun comes
'ij
PI
to
we we
0-7
r--3--,
H)!
A-7
Bb
j
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II
live, fly, smile,
BIl7
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talk-ing it ov - er just the two
'H)
l
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prom - is - es, roads to choose, life a - head.
jF 117 B~1l7 F 117 B~Il.7
t J J-I.. I - I
andyes,we'vejustbc> gun_
watch- ing the signs
BIl7 Obi.
a-long the
BA7
C7sus4
working to-geth - er day to
day,
F - I,t B of us,
r r r I J.
... 1.....1-C-7su-s4---1r-2.-C-7.-su-S4-p--
new to us,
0-7
white lace and so ma - ny so much of
a kiss for luck and we're on our way. we start out walk - ing and learn to run, we'll find a place where there's room to grow,
Gbll7
Nichols/Williams 1970
0-7 ,--3---,
E FEE J I J. p J : -
Shar-ing hor - i- zons that are
d
~n--------
~_
C#/C
Ii
C#/C
r t ~E IT I r
way,
,J! I mJ - I to - gefb.er.
I~/t c:w~ n J "J r.:7 ij~7 *f:A7 ij~7 dir.:7 iJ~7)PI #::7 we've on-ly just be- gun., _ __
-2-
92
CLOSE TO YOU
IAI
AbA7
G7sus4
G7
Hoffman 1933
G-7
C-7
jaC: r Err rl J. Hlf HI Why do Why do That is
F-7
I, ~bb Ji
birds sud - den - ly ap - pear ev- 'ry stars fall down from the sky, ev- 'ry why all the boys in town fo~low
time you are time you walk you all a -
apr I J J ( r close to you. _ _
near? by? round,
Why do
F
rr Fr r
an - gels got to - geth - er and de - ci - ded to ere - ate a dream
AbA7
C 7sus4
C7
J"
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r
come
true,
so
they
Ab6
r rrr rrlr re err r r I sprin-kled m()On dust in your hair of .-3---,
F
rFI
gold and star-light in your eyes of
F-7
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Ii
close
Just like me,
On the day that you were born the
G-
J J J J J J IF
~IJiapr
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B~7sus4 EbA7
they want to be,
F"
Ab
to
Bb
D.C.aJCoda
E - I - J J II
blue.
That is
e
you. _ _ _ _ __
93
SEND IN THE CLOWNS
Stephen Sondheim 1973
A~
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r J r' E last on the ground, you in •
Is- n 't it Is-n't it
rich?
Are we a pair? Don't you ap -prove?
bliss?
i
E~/A~
11.
Dbt.7
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I~ il,lz~ J *.
j
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when
Just
C-
l~il'I'~ g E!F
J
C-
tv II
rEU
I~ il>l,~ I; l
Bb-7 bS
r-
C-71E~
flair.
sure of
my
Eb7sus4
Ab
I~ il>l,~ • J. * farce? rich?
r {PI My fault I Is - n't it
lines.
mak- ing my
no one
is
dear. reer.
Ab
here.
al - ly
u - su - al
E~/Ab
j.
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Don't you love Is - n't it
there.
I thought that los - ing my
fear. queer?
j
clowns? clowns?
E~7sus4
Is- n't it
Quick send in the There ought to be
2'E~9/Ab
clowns.
F
r
you'd want what I want Sor- ry my tim -ing this lat in my ca-
PJ J:1
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E~7sus4 Ab
~
;;t-
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B~71D
en - trance a- gain with my
J. *- *- Err Ig
but where are the and where are the
k-
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E~7sus4
Dbt.7
J *. * }
*.
J J J IRia J E r ; Fa J I
Eb 7sus4
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Send in the
G-
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yours.
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doors,
op - en- ing
F-7
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clowns.
it
J J J I V'
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F'
stopped
I'd
12. E~
C-
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know- ing the one that I want-ed was
C 7sus4
J
Is - n't
[§]
G 7sus4
clowns.
pasJ
*.
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the a- round, one who can't
tear- ing
E~7sus4
Send in the clowns. where are the
air. move,
(g]
E~7sus4 E~/Ab
J. ~- *-f J J ! l
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Me here at One who keeps
I
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j. clowns.
Ab
Well, may-be next year...
JJ J
don't both- er they're
Eb7sus4 Ab
94
CAST YOUR FATE TO THE 'WINJ>ince Guaraldi/Werber C
I'~ I! J5f C
E
fJ _Jot JlI
J
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set my
Sai~
wien Pe is drink the dark and WOD- der how it emp - ty
I'~
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J) U:
I~i J J
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Bb
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time has such a way
r!
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a
J
Bb
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B~
the
C
my
life through all
my
C
F
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!
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F
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G-7 C7
tears. _ _
* I - * If
a-lone.
F I
rHere watched Why
I your oh
I ~ t E -J J J go stand,-- watch-ing the bde e
ship_ _ why,_ _
G-7
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s;
There's
I"
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I~~
F' P F F tears
in my eyes
>z<
shall
waves,
all a- lone tak- ing all I just be
and my a
-
bum,
C7
of
wail - ing
G7
A-
i
tak - ing all of me _ _ strang- er on the shore?_ _
I J A -F
the
r I V-
dreams and lone - ly
G-7
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Bb
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you.
F of
D-7
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out';'-"" as it sailed out to sea, must I go on like this?_ _
just dream- ing dreams of
The sigh - ing
'1
F
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Bb
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AclterBilk
B~
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D.C. aI 3rdI4Ih verse
STRANGER ON THE SHORE F
wind.
J IJ_J J I J J ;OJ I years_ And now I'm re - ar-
JJ I
J
J: I
J f1_J J ! J . J FJJIJf]- I * J J
rang- ing_
the
blow a - way. to the wind.
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man through-out
F
to
B~
1--J J I J J
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J i) 1 J. 'J5 1
I just cast my fate I . let their wild- est dreams I Dot cast my fate
B~
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of chang-ing
Bb
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tide comes in--- and my best friend, and laugh at day, and might have been, had
sky
F
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P I hF ( F F plead
-
ing, my love,
F7
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re - tum.
the
wind,-
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D.C. a12nd End (FIJl8)
SOMEWHERE F7
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a new way of
Iiv-ing,
r,& rb p tTr 1~~ P ~b
PIdb 1~b
er
some-day,_
~b
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hold my hand and I'll take you there,
-f~blF
r Fie
some - day,-
I' I'
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You give your No youdon't You give your
J JJ F#o7
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beat - ing so, hold you tight, luck - y guy,
and
J) J. J
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F r-- 3 - - '
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FO
No, you don't
FO
pip F r J J J J I
pi r
fraid and shy, I
JJ 3 I
art
of mak- ing love, though my
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know
me.-
r r
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let my chance go by, the
but you don't
F
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*')) I For
i J) I l a~ J. "I
heart ached with love for
J) ~
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C
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know me well,
but you don't
.
C#o7
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ev - er ~n, loves you so,
C
nev- er knew the
A-
you think you that's all I've the one who
J Cf) J~J
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knowme. _ __
J J 3 I' J
a d
~2. D-7
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hard - ly speak, my heart is kiss your lips and longs to walk a - way, be - side the
0-7
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an - y - one can tell you I'm just a friend. nev - er, nev - er know
to to
c
Cindy Walker/Eddie Arnold
F
say hel - 10, and I can you at night and longs to say good-bye, I watch you
C
rJ I rJ
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e
J J J 1f J (L-I-EF.....F_J I r J
hand to me, and then you know the one, who dreams of hand to me and then you
,..-.::;:
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F
some - where _ __
C7
fi
JJU
II
some-where _ __
YOU DON'T KNOW ME
[A1
E-7
I P a._W J e
I,~~ti
(rr 1;- (r
some - how,_
some - where._
G
-l~
we'll find a way of for - giv-ing.-
1
r
J
peace and qui - et and time to - geth - er with hold my hand and we're
I@~ 0 F r F F FI Pr. "' riFF FF FFI We'll find
}1
1
c;mj~
place for us, time for us, place for us,
B~3--,Eb7 3 ::b; ;--;
3----:oaJa-3-, G-7 Fr=1« I
C
J J) j
time to care,
some - where.-
o - pen air wait for us time to spare, time to learn, half-way there,
!
rI
F
C
rpW:
I
r
Bb
F7
C7
some- where a some - day a a time and
place for us, time for us, place for us,
There's a There's a
A-7
G-7
Bb
95
Bernstein/Sondhe1m 1957
you
G7
A-
D.Co aJ 2nd End (Fme)
J tJ J I J J J J II
chance you might have loved me
!j
too.
You give your
96
THE SUMMER KNOWS
Michel Legrand/Bergman 1971
r The
sum- mer smiles, the
sum-mer smoothes the
sum- mer knows,
rest-less sky,
F
sum- mer knows,
I~~
the
so she takes
A~A7
her
E~7~9
F iJ
IJ
1'(
tt I F
twists the world 'roUnd her
E7I9 AA7
-
j
- lJ
ca - ress,
it's
e
G
Jets
r
'1)
with - in your eyes,
and
.;
I 1~A7
;;.=
:
J
!F ::
the
sun
tr\ ~ ~
to
1
I :
lin - ger,
G-7~5
you see the
won- der of it all.
B!,-6/C
F/C
r
'I
jl there's
I
c:r
,J
lit- de more
B~6/C
,.3
J. J
The
~ iJ ~ F I F iF = JIE2JH~J"JI
les- son well,
F-/C
E7~9
moon to wait and
D7
sum - mer fin - ger,
j ) J J J I I~~ if you've learned 11 your
last
sees the doubts
B!,-6/C
F/C
I~G J
she
sum - mer time, tells the
A~A7
sheds her clothes. The
'iJI J)
r i7J I ( r r c:; I IF
(r
she
F
sum - mer's wise,
B-715
un - a- shamed,
lov-ing-Jy, she warms the sand on which you lie.
r
I~~ J J B~6
and
and
'1)1
Ij
i" I for
C1 her
to
F-
I J
1.3
J
J
time
to
dress
for
et_
fall
-
CI
~r tell,
And
"J I one
97
MY WAY
Francois/1bibault/Anka 1967
IA1
1£ ~ e
}'
~
And Re I've
I~~
-
0-7
r
friend, did now
F
J
1
J J
'J J
J
W
W
the end is near, now I've had a few, grets, loved. . I've laughed and cried,
J J3 I r
C7
J JIr
j
I'll state my and saw it 1 fmd it
clear, I'll say it do, what 1 had to as tears sub- side,
'I
lived planned think
he 0
FI
I2. F6
I~ ~ J way.
j
much more than much more that oh no not
this, this, me,
r r II r
Yes, therewere For what is
'i
times,
r
chew, not.
I~~
but thru it to say the
r 'E r out. kneels,
j
all, things
D-7
r r
1 faced it the re- cord
r
all, shows
and ev - 'ry a - long the "not in a
¥
Me r
('
and 1 stood 1 took the
tall, blowsw,
PI and and oh
Re -
r I roo r
when I bit off if not him - self,
'i
r
r;J· I
j
( jJ and did it and did it
I
and spit it of one who
C7~9
F6
0
I my my
Er r I
¥
IT
up, I ate it and not the words
0-7
0I
more than 1 could then he has
A-7
C7
rr r
j
B~A7
r
" I
I've I To
high- way, by - way, shy way",
way.
my my my
when there was doubt. he tIU - ly feels,
¥
F J
e
knew, got.
j
0-7
FI
J 3I
C7
er r I r
my I and
Bb6
OJ I r
I'm sure you what has he
man?
cur - tain, men - tion, los - ing,
F
F7
0-7
¥
the fin - al too few to of
Ji I
B~6
each step say,
P-3---,
I did it 1 did it ·1 did it
1
I
,J JJlr r
r
I
each care- ful and may 1
F
r.--- 3- - ,
J
It
~1
J IJ J J J I
J
more, more, no,
,
r
0-7
A
J
J J Id
W
B~6
a life that's full, each chart- ered course, 1 did all that
FA7
a ,j
D7
of which I'm cer- tain, with - out ex - e~ tion. so a - mus- ing.
case, thru all
F7 i
I
and so I face but then a - gain, I've had my share
F1J
p
j
A-7~ID
A-IE
e
way. way.
II
98 fA)
I" "f A-7
1"
1m
I"
r
II FEELINGS II E-(Lm E-7 A7 EII E J J. 1- *J 3; 31£J-...-l 1- *J3;31 II G6 D7 r F#-7 _ B7 j2. D-7. G7 II J noth- ing more than roll- ing down on
Feel - ings.--Tear- drops.--,_
.--3--,
J
J
J
I
feel- ings feel- ings
CA7/B A-7
C
pa
~
I
my my
get get
e
D7
E7
B-
. for all my life I'll
Feel- ings,
A-
you
r
F -
A-7
~
I*
ings
feel
wo,
r
F wo,
!l
you
wo,
J) a
-
gain
feel- ings like I
A-7
~ I r" J1 J 3 nev - er
have
you
Jj e
D7
I-
-
,)
E-7
r'
*
~
a - gain
m
J I my
*
r r
F wo,
wo,
wo,
B7
-
e
II
arms.
A7
=-1
1-
= J 'mrS
WI
and feel- ings like I'll
nev - er lost you,
J J
I
F#-7
Ori J J)
.-
II
gain.
ings,
my
in
I'd nev- er
e
F
J J
J
I - * r= J ,; 5I
1
-
feel
p
E-(t.7)
Feel- ings,
r
I
t rI
E7
.--3--,
I-
~
-
E
D-7 G7
B-
D7
r
E * * pI wish !j
I
J JI
P JJ
!f
D7
r
it,
you'll nev- er come a
A-7
r
feel
!f
GA7
girl.
C/B"
C
I~
V
f
met
P
D7
I~' r ""6J
"
love. love.
of of
r- I.e J la'PEr erlr
Feel
ny-ing to forny-ing to for-
feel - ings,--,my face.,...-,_ _
G
r'
heart
D-7
I
G7
-
II
BLUE MOON Bb7 Eh cF ; J J J4~
--
(AI@
t~
F
Blue Blue Blue
c-
F-7
r
101
Rodgers/Hart 1934
F-7
Bb7
1-; j J J J a J JJ
moon~
c-
F-7
LJ J for,
[§]
F-7
If J J J J If J aa J
J J J J I j~J J J
sud- den-Iy ap-peared ~ -
Ab-7
@
Bb fore me,
Db7
one my anns will e- ver
the on-Iy
Gb
I heard some-
hold.
C-7
F-7 Bb7
F7
J J I ~J) LJ J J J I J J J J J J I
00- dy whis- per "please a -
and when I
dore me",
looked, the moon had turned to
r'
FI
gold. Blue D_C. aiFine
TIME AFTER TIME
fA]
1-
A-7
Cl17
Tune know
lov E-7~5
If J If If
I
what
J ing
-
I
A 7~9
the
J so
ev - 'Ding
luck -
r r·
say
when
F-7
that
I
r·
I'm
A 7~9
(g C/G
F I
luck - y
you
to
run
to
I V' af -
time
0-7
r
be
on - ly F#-7~5
r
A-7
Fir r F so
one
through _ _ -
F-6·
C/G
the
J
And D-7~5
to be love so
Ab7' U
is
IF"
luck - y kept my
F I J J IJ J
be
6iay
the
new
p
to
J J IJ
if
D7
y
so you've
F#-7~5 B7~9 E-
J. p I J Bb13
Fl17
A-7
me
So
F J J I
J IJ
I'm show,
years will
r
D-7
J young hear
J"
G9
J.
[WA-7 A-7/G
I_J
~F J I J J m
pass - ing
the
you _ _ _
C7
F
0-7
A-7
E7~9
(I:
G-7
E-7
know,
B-7~5
see,
1 2_
G9
J.af- terJ) I time, J. JI IJtell my4 - selfJ thatJ
j
,A-7 I J
0-7
Sammy Cahn/Jule Styne 1947
G7~9
r
lov - ing
F you'll
time,
ter
F-6
C~
I
II
you
I r-
* II
102
• •J
-- THE DAYS OF WINE AND ROSES Henry Mancini/Johnny Mercer 1962
@7
F~7
I~ ~
J
Ii
II
The My
*~~j r
I
JI
like
a
filled with
-
BJ6 ~J
G-7
1
1
1
of wine and roses, ly heart dilr - clo - ses, -
-
laugh and just a
ron a - way. pas- sing breeze,
1
child at play_- Through the mem - or - ies, of the A7~9
E-7~S
D9
J r r r r r J J J J-1 * J J. I ~7 J '¥IrAr J J. ill I Dr J J r I Gt r J J
1
days lone
D7~S
D-7
mea- dow land to - ward a el<>- siBg
G7
door,
S [QIfr
G-7
II
a
J J 1 J. J 1 J J J. ),1 e- I J J J J II r F door marked ne- ver- more, that was-n't there be- fore. _ _ The gol - den smile that E7~9 A-7 D-7 G-7 C7 F6 , D-7 D-7/C JJ J r ~~~~~~r~' ~F~I~r~J~J~J~I~J§;~J~J~II~,~I~ii~lI, I~~ 7
1
B-7~S II
1
in - tro- duced me
to,_ _ _ the
days of wine and
ros- es and
IT HAD TO BE YOU
Rne you. _ _ __
Isham Jones/Kahn 1924
It Some I i c"I,L ~
:
p :: p
B~7
~s
F-7
r' r r r r
I
)2
Bb7 -l\
F" • ~
and fi- nal-Iy found or try to be boss,-
1~ ~I'b~
Eb7
C7
E F E FE
rI
*
1 ~I'!.~
II
r
9r
1 1.
B~7
r r " rr 1
some - bo - dy who,_ __ but they would-n't do, _ __
F-7 C+7
could make me be blue,
I~ ~bll~
F-7
F-7
could make me be true.-,_ _
Bb7
Eb7 E7
I J J j JJ 3_1 -p JJ J 34p F rr r I 'd and ev-eil be glad,-
just to be sad,
tbink- ing of you_
{7 J ~7 J J J f ~~71 FF (f sft J jJ 11 ~~-6 cr F Fl Some oth- ersI've seen
AbA7
C7
r Er F r I I love you stilL
do._ For no-b<>-dy else- gave me a thrill.-- withallyowfaults
F-7
Eb7
Bb-
J J JJ J J_ I J J JJ l iJ It had to be you,
won- der- ful you,
A~
@7
r:F r-1 f
II
I" II
had to be you. _ __
J
, -J , ,
J J
-J
103
SATIN DOLL
EDington/Strayhorn/Mercer 1953
Cig - a - rene hold - er, Ba- by shall we go Tel- Ie - phone num - bers,
which wigs me, out skip - pin', well, you know,
0~9
A~-7
07
I' ~
cat - tin', Lat - in, that - 'n
out speaks and
G-7
C7
E F -}
give
it a whirl,
that that my
sat - in sat - in sat - in
~n
play - in'
07
A-7
If [
so 'rm
fool.
no - bo - dy's
Ij
Fir
IfF ;0 J 1
I
but
der, go, bas
1-
nI
0-7
Caleh _ ing me.
Pack
up
all my
G-7 C7
(Switch-a-roony) D.C. aI Fine
C7~9
G-7 Bye,
E~7tl1
Ifi & stand
and
woes.
I
II
Bye,
07
I"
me,
F
II
I
here
0-7 C7
J I
'I
Black - bird.
oh
•
G-(~7)
G-
F what ,J
light the light,
0-7
r r Ir
for me.
Bye,
luck
J J IJ J J
sug;. ar's
sweet,
I J
F one
No
here
love
can
they
all
to- night,
I J
«, hand
0-7
j
j
r r r r
J J J I
07
F7
I
0-7~S
sto - ries
late
is she,
so
C-7
I J J J I J IJ rll ar-rive
Bye,
C9
F7
r r Ir
hard
I &
II
low,
sing - ing
A~o7
PIA
0-7
A-7~S
Ifi J J J J I F J Malee my bed and
some- bo- dy
J IJ
go
IF waits
r r rr
F6
B~7
F
0-(~7)
When
Hend~/.Dbnn1926
J J IJ J J
A-7 E7~9. 0-
If~ J JJ& Black - bird.
Ifi &
cares
C7
I J
A7~9
G7
.---3--,
r r Ir ~ r r r I r * I i
EF
0-7
r
pI
j
it cool as can be.
EEl
,J
F
She's
i J J J M, PjJdJlu, 07
J
)
*
Fins
doll. doll. doll.
BYE BYE BLACKBIRD
If~ J J J J .I
A7~9
F6
ain't for no girl
P
she digs me, you're flip- pin', with u - no,
(B~7
1.. &
C7
A -7
n r I[
c3
F J
~r
0-7
0 - ver her shoul care-ful a - mi do - in' my rbum -
C7 r~
Black- bird,
J
un-dec-
and
C7~9
I
II
e me.
F
J I" Ir Bye. Bye.
104
ON A CLEAR DAY
JJ-:
1,11l
Gb.7
J WI J
A-7
B-7
W J J J IJ J
j 1;1
1
clear day,.-- rise and look a- round you,-
On a
E7~9
Gb.7
C7 fll
fa
J I.l
j
Lerner/Lane 1965
and you'll see who...-
F7' 1l
B-7
1
you
:±l
are.
Bb o7
I' I J J J II r r- IT J J 3J I r r- I-r J J I J d J I J J * J I
*r *
On a
clear day,---
A- A-(A7) A-7 D9
I
how it will as -tound
D-7
G7
lat the
shinese~ 'ry
star. You feel
A7
e~ 'ry
part o f _
G7
r-J 1
can
ILast~_7
see
·for
GIB
r *
J
~d
F t F
ev - er
-
Cb.7
F IJ F t
-
-
clear day,
,-
a
more
07
G
I"
a
1
on that
G
II
er
A-7
F
J J I J J r I r Fd clear day,--
I
ev
B-7
07
a
1
and
GIB
C
on a
11·A-7
GIB
C
out-
r j raJ I F J aJI
Jda J J J I
nev - er heard be- fore_
GIB you
be-ing
Gb.7
J I J IJ J J
near, a world you've
of your
moun-tain, sea and shore_ You can hear, from far and
07
I i FJ J
glow
D-7
Fr I j F r I r Jd j Fric F rJ
I
1,1
YOB,-
MOONGLOW
II
La
Ie
Hudson/DeLange/N.Hlls1934
,
IA1
C
C-
1,lf * in l
J
jJ>
1
It must have been I still hear you And And now whenthere's
D7
I,
i
F E7
1*1
e
air,
blue, fast" , blue,
~ G7
J3J :~
EO
that led me straight to you. Fme Wel;;.--__ "oh lord, please let this last." -(Tag 3Xs) that moon- glow gave me you.
B-7 E7 I=>a
way up in the "dear one, hold me way ~ in the
A- Bbo GIBG7
I' J. J J I J J
moon- glow, pray - ing, mem - ber,
1~!f)fJ
I t !f
moon - glow, say - ing moon- glow,
Bb o7
GIB
r
r
A7 1
r rr
A-7
A7
G
E-7 r~rp
hea- ven-Iy songs
A7
IF
,3
it must have been and I start in I al- ways re-
F#7
IF IT F'e
F7
e IE eI
seemed to float right tbru the
:g,7
D7
J 3 )1 r·
seemed to come from
JI
ev
~r -
'ry-
D7 Db7
I I, where.
II D.C. afFine
105
AUTUMN LEAVES
Joseph Kosma/Johnny Mercer 1947
~
,£' e
J J J
«J
The faII- ing I see your
A-7 "
~
E-
Fl #J
1, I J J 181 of
red
F#-7~5
r
leaves.__ lips.
B7
1 1.
,
07
by my the sum- mer
drift
r r 'T J J J'
win- dow. _ _ kiss - es,-,- -
the the
II
au - tumn sun - burned
~
leaves hands
1~ J J J
I..
and
, J J J
F#-7~5
Ct:.7
Gt:.7
gold_
I
,
E-
B7~9
I used to • hold.__
see your
07
A-7
you
Since
Gt:.7
I' I J J J I J J J J 1• U J J Jill I j J F r , e= , 'F ~ #J FI lei
went a-way,_ F#-7~S
B7~9
rr
I"
and soon I'll
the days grow long_
J J 1 d.
miss you most of
all,
E- A7
0-7 G7
B7~9
Ct:.7
But I
old win-ter's song._
E-
F I J. J I J J J I.. U -
r 1r r- I l' my
hear._
dar.-liog,--
au - nunn leaves stan to
when
faIl _ _
Irving Berlin 1927
[AI
,I'~f
Blue Blue Blue
[§)
j
blues blue blue
,j
j
j
F
I"
0-(A7)
0-
-
J 3 J
skies birds days.
smi - liog sing - ing all of
D-7
G-7
~ skies
I_a
birds skies
F
I'I~ J J J J r
Nev- er saw the sun No - ti - clng the days
at
a them
C+7
IJ
Ii
me,.-,_ _ _ __ song.-._ _ _ __ gone,.-._ _ __
J~J
J•
J
DOth - ing DOth - ing DOth - iog
but but but
II
-
C7
-----------
I all day from now
see. long.
do
B\J-
J ) F
F
J J
, PC
B\J-
0-6
D-7
00.
o.
F
Bt,..
by,
when you're
F
C7
F
I J 3 J J If ] J J r F so bright, nev - er saw things go- iog so right.
shin-ing hur- ry- ing
in
love,
my how they fly.
D.C. alF",.
~
106
YOU l\IADE ME LOVE YOU C
I' I!~
•
CIE rj, 0 7
0-7
G7
0-7
J.V.Monaco 1913
G7
0-7
G7
a F J I J ,J. )1 J J J J Jl J iii I J J J J 31 J. I, r You made me You made me
1'.0-7 G7
love you, I sigh for, I
did-n't want to do it, I did-n't wan-na tell you, I
Eb o7
0-7
C
did-n't want to do it. did-n't want to tell you.
CIE
.:
F Fl.
You made me I wantsome
.;
A7
I~ J r I'JIm J IJJ )I 'ila S jJ i 3 J) I d. d d"Q4j- J iii J. I • want you,
and all the time I knewit,
I guessyou al-waysknew it.
07
I' 1 J. J ~fl1u you made me 'glad,
12.0-7 B7
If J
but there were times
E7 F7 E7, E7
r I,a
~7
E7
n J n I,J
true, yes I do, 'deed I
love that's
U· I"F F
I'J.,J
07
You made me hap
n
D-7 me feel
A7 G- A7, G- A7
J J J J I J ~F J r I
do, you know I do.
F-6
Ft:.7
Gim- me, gim-me
A-7
C
•
G70+7
I J F Jl kJ JEte
dear, you made
E7
- py sometimes,
so bad.
T£)1 J iii I
)1
I cry
what
D7
t.
G7
for, you
• •
C
I' J J IS J ( r ri I ~ E ~, r- I' r F 0 J J F"sp J. I I" II • II
know you got the brand of kis~es
that I'd die
for,
you know you made
me
AFTER YOU'VE GONE
1_
F-6
Ft:.7
r
E
r
r-V I, F
M - ter you've gone-There'llcome a time..--
Dr I you'll feel blue,--.
;2.
0 -7 A7
I~ F
Some day,
and left me cry-in'. nowdon'tfor-get it,
J)
IF
r
af - ter you've gone.-there'llcome a time..--
C6
.. you'll miss the dear-est pal you've
C6
.
rEF I 41r E
w en you grow lone - ly,
E7
r ir
you've
J
ev- er had_
07
A-7
fir F; I
J.J
•
J Lr J I
C6
r I' J J J
gone.--,_
C7
your heart wiIJ break like mine and you'll want me on - Iy,
G7
I' FEr
there's no de-ny-ing, when you ~gret it.
I, J J J J ] J JlpaotJt.
r F-6
A7
J J..,. Id JJ p J·I •
Ct:.7
you'll feel sad.--
C6 af - ter
.
J J
F DF" I
• • •
Creamer/Layton 1918
E-7
Ct:.7
G7
0-7
r If
r
love you.
af - tef
you've
-
F E I E J F' gone
a -
wfly--,,--_~-=--
__
II
107
MY ROMANCE Rodgers/Hart 1935
D-7
CtJ.7
I~ I!
j
J ~ J.
My ro My ro
~oes-
n't n't
~oes-
F#-7~5 B7~9E-7
B-7~5
II
I~
-, II
CtJ.7 Ealt7
r r JI
gui tars. - My fO
E7~9
A-7' Bb7 fll
G7
E-7 ro
-
A-7
twink-ling
FtJ.7
D-7
(r
- mance
~oes-ft't
Fly me to the mOOD-- and let me Fill my heart with song- and let me B-7~5
A7'9
G7
A-7
19
Ok
ju - pi - ter and mars _ _ wor - ship and a - dore..-._ _
like on all I
A7
D-7
LJ.
Jin IJJ oth- er
han,u,.d,_ _ _ __
A7
•I~
A7
IVtrue
F in
Q oth
-
D#o7
oth- er wordl:)..S_ __
- er words,
-$-
r FI hold my please be
CtJ.7
j dar
I J. -
ling
kiss
me _ __
E7
- II
eyou
G7
£2J_ 1 B-7~5
C6
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Ij
1_
let me see what spring You are all I long
D-7
In
words.-:_ __
J JEJ
II
J. l J f 1
I
J~ J I j ,J "oth) J er wocu;:,ds"--_ _ In IJ
D-7
II
I"
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tJle
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D-7
D-7 D-7/C
Bart Howard 1954
IJ. fa I J)J ffi_J1J J J true.--,_ __ in other words. I love E-7
no
need a thing but you.
a - mong the stars.--._ __ sing for - ev - er more _ __
E7
E-7
a
C6
pla~
~_~ J J J I.J Jl J J 1 1.
to
stars,
IFrJJI"
J
for,
J J
dge~n~
Wide-a - wake, - I can makemy most fan-
frain.
IF"
(r my
no
2·CtJ.7 C7
soft
flO
FIr-
May,
CtJ.7
is
A-(t:..7)
J J JI J.
FLY ME TO THE MOON
1
A-
moon in the sky. My ro mance ris - ing in Spain, nor a dance
month of
D7 D-7
tas- tic dreams come true.
-II I
No
by.
A-7
II
II-
have to have a need a cas- tie
G7
-
a -way;
Err
D-7
D-7 G7
need a blue la -goon -5tand-ing con - stant - ly sur -pris --ing Fe
hide
A-7
J I JJrrl
j
- maBce - maBce
A7~9
A-7
E-7
D.C. a1Coda Last X
C6
F I
F love
II
you
I"
II
108
YOU MAKE ME FEEL SO YOUNG Bb
Gordon/Myrow 1946
B07
F-7/C
I Ii J ~3 J j J I YoumaIce me feel so young~,_ _ The mo- ment that you speAAak...... , _ __ You make me feel so young,-,_ _
1~ ~I'
Bb
Bb7
JJ \3 ]
9
and ev- 'ry-time I I wan- na go and
I~ ~I'
12'0-7
G-7
C7
a toy
I J.
bal-loon
E07
07~9
fOr
I
F-7 Bb7
t
I
and
in - di-vid - u - al.
Bb7
E 07
rIFU
are
II
G-7
J
J J I,Jq
just like a cou- pIe of tots.--
B~
E 0 7 F7G- F7/Ao.c.BlCods
I
~dow.--
run-ning a-cross a
..
C-7 0-7 96
Bb7
EbA7
Eb-6
0-7
pick - ing up lots
G7~9 C-7
of
geH~not5:_-
for
F7
G7~9
0-7
e
1
bells to berung,and a
C-7
F7
won-defofulflingto be flung
Eb6
G7~9
07
I~ ~II ,J J J J J J •~ I F F I F' I'mgon-nafeel the way I
do
to
-
And ev-en whenl'm old and
FI
daYr
EbA7 F7
C-70-7
r F rI r
'cause you makeme feel
;J
1_ SJ J j-LJ I'll get by,..,_ Pov - er - ty _ _
0-7 and
j as may
I
j
young
so
long as come to
D7~9
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E7
r Ir
17._ _
E7~9
F Say,
me,
r I'll
A-
u:
IF
G+
j
j
IJ
not com- plain.----
E-7
A+7
by_ _
j as
I
C
I
Cl 0 7 D-7
t I
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_
see it tbrough _ __
0-7
j
r
there be rain-
Though but
r IJJ
I'll
A-7
J I JJ
I_A
you true..--
G7
I r j r- I">r I'll get
I
have that's
..
A7~9 1'0-7
F6
r
J F I ='F 1._ _
I
Turk/Ahlert 1928
E7~9
B-7
C
I r F rr I'r dark - ness too'.--,_ B-7~5
what care
G7
I-
e
I'LL GET BY C
gray',.-,_
Bb
I
C
G7~9
J j IJ
long as 1__
• • •
pm r J I OF ' nrr FJ PF PI J fl J H ~ ~II rTf r u I En rFl I I!U JJ J J J J I " I
I~~!.
F-7 Bb7
•
n J \3 d ~ •
IJ
a hap - py a
J I ~J
You
A-7~5
; r JJ
I'm such just like
[§J Bb7 t I F"
F7
rJJ Jn
110-7 G-7 C7 F7
J J..J 0
see you grin, bounce the moon,
0 J
i
I,j
..
you make me feel like spring has sprung,--I wan- na go play bide and seek._ _ you make me feel there's songs to be sung,,-,_ _
C-7
F F1 F
F7
•
r
have
I
II
I" II
you_-
•
109
JUST IN TIME
Comden/Green/Styne 1956
*
B~~7
A -7~5
I ~I, Il J {.l J I*{.l J 1 I J ,1
1* ~I,
Just . in time,
G-7
I found you
j ! ~ {.1
I was lost,
Ab~7
1* ~I, ~ #J
just in time,
J FI go
II
A-7~5 07~9
I
II
G-
F
" Now
my brid- ges
07/F#
J
was run- ning
I~ {.1 J 3 I J ,3
j
dice were tossed,
r I* J
F
J
and now I
you're here,
B~6
C7/E
came, my time
£I,~7
J 1 I J ,1
the los- ing
no- where to
* 1* ~I, *
be- fore you
I*{.l J J I
j
B~7
I J {.1
I_0
u: low
G7
I ~ #1 J 1 I J {.l
j
F7
C7
A~9
07
A~7
J I
all were crossed,
G-7/F
I F F F FI know just where I'm
G7
C9
I ~b E r F F I J ,3 J I *#3 J F I.. I* J 3 J I J .1 go- ing, no more
F7
doubt
or fear,
Bb6
I've found my
G-7
{.1 J J 1J #J J I *,J you found me
just in time,
way_
For love came
*
C7
B-7
J F I F IF F Fir r 1"- I'"
and changed my
1 I JJ J J J[
II
from out of naback to your no -
E7
I
II
lone - ly life, that
love- ly
I if qJ J J -
A-7
1*1 r r no -
sweet as
C-6
I
FO
-wher&;
;D,J I
a flow- er, for
you took my heart-.. leav- iog me with-
I'· E7 A-7 . J qJ j J l Fir ~ won - der- ful schemes from
me
for your
B-7
Bb o7
hop- ing you'll
J J 11-J bring your love
rJ=g
day_ __
19
Won- der- ful dreams, I'll al- ways wait
made ev-' ry hour,
II
Green/Heyman 1931
- where,,.-,_-_ _ and - where, and
A-7
and found it free a me- mo- ry
in time,
C-7 F7 B~6
C7
OUT OF NOWHERE
You came a - Ions-If. you should g o -
just
I
j
Ie- tum
A-7 D7
ro
G6
!
to me
1
;8:
no-where..--
out of
Yo
1;9
II
110
I'~
(AJ An - oth- cr lot of A He's wash-ing
•~
J J -
get
in' folks,
J
an- oth- er a lot of and ba- by
that that's
he's what
F
-
II
P
D7~9
A-7~5
- I P IIF P
cling,
C7 ., for male -m
IB A-7~5
IIF
r
pic - tore the same sweet
IF
J
IJ
r'
~F
(L
C7
nest,
)
* , JJ 3 :J C7~9
~F
p
PFF1
where the ros- es
down
C7~9
Ip
an- oth - er It's real- ly but don't for-
G-7~5
love
G-7~5
r'
D~7
whoop - ee, whoop - ee whoop - ee.
F
a lit- tie
A-7 D7
G-7 C7 D.C.•/FIIIe
j J I j J J II F F bring. He's P a year will wash - ing
think what
love-nest,
D-
G-7
r
PF
G-7
F
I' J F
to make for male - in' D7~9
Pic - tore
j
D~7
r fl
EE
ny hon- ey ;noon; he ans-wers twice. sews, he- ev --en
sun an - oth- er the groom is nervous, he's so am 9itious-
June, rice, clothes,
rea - son will - in' get folks
so
B~67 B~-6
F7
~ J )1 r -J J J ] I r
J J I ,j J J #J 3 J
J
J
F~7
I'~
bride, shoes, dishes
Kahn/Donaldson 1928
F~7
C7
r?"SJ
A~-7
B~6
F
12,
Jj J JI
an - oth - er
sea - son, kill
rJ
D-7
A-7
G-7
Fl o7
F
J J 3f
B
I'~
I'~
MAKIN' WHOOPEE
.'
Another year, or maybe less, what's this I bear, or can't you guess. She feels neglected and he's suspected of makin' whoopee. She sits alone most every night, He doesn't phone her, he doesn't write, He says be's busy, but she says "is he?" He's makin' whoopee. He doesn't malee much money, only five thousand per. Some judge who thinks he's funny, says "you11 pay six to her." He says "now judge, suppose I fail?" the judge says "budge right into jail", you'd better keep her, I think it's cheaper than makin' whoo
AIN'T MISBEHAVIN' E o7
J
F-7
3 P F' I, J J J
No one to talk with, I know for cer- tain, I don't stay out late,
IBI
C-
I'~bl' * r d Like
D
I'm
Hor - ner
B o7
C-7
A~7
in
D
F7
kiss - es
are
worth
wait - ing
for,
be
I J -
12. E~ A~ E~ G7
IJ - I
B::
;;:
C7
D
go
lieve
r
me.-
r'
no - where,
F-7 B~7
V
I
•I
you.
don't
B~7 C7
J
you.
you.
r' I * E J
the cor - ner,
r r ~--m :J
Lo
B::
F7
F F IF. F F Fir your
P
say - in' my love for say - in' my. love for say - in' my love for
r' I * lJ
Jack
r
A~6
I'm bap- py on the shelf. just you I'm think - in' of, me and my ra - di - 0,
__ !'G-7C7 F-7 B~7
B~7
I'm I'm
F D F PI [
No one to walk with, but I'm tbru with flirt - in', it's I'm home a - bout eight, just
J 3 P F' I, J J J p Ain't mis - be - hay - in' ain't mis - be - hay - in' mis- be- hay - in' ain't
A~
G7
r I, E r
alI by my-self. the one I love, don't care to go,
F-7
C7
E~
Fl o7
Fats Waller/Razaf 1929
D.C. a/Coda
II
1* 9( what
•I
"
J D F' do
I care
E~
I
II
you. _ __
II
III
--NICE WORK IF YOU CAN GET IT
Ira/George Gershwin 1937
lAJ B7~9
I'·!. F
E9
F F F at
•I I I I I I I I I
I' I I I I
hands with one
Hold - ing Stroll- ing Lov - ing
IBI nice
r·
if you can
work
-
G9
A V
and you can
Just
i-rna - gine
get
E-7
some -
on~e_ _
E-7
A9
rget
it,
E9
A-9
r
F
J.
1)
let
F
I' ~II'~
J J JI J Late-Iy Late-Iy
I I
~ ~111o
r
like
11. Co67
~ ~IIII J
~ ~I,II J J limp as
rI I F
r
most-Iy
F7
J I qJ a
glove,
Ft
G-7
A~7'1l
gaz - ing though I
B~7
&7
a
I
D.C. alCoda
more?
II
FI at had
Van Heuson/Burke 1949
C7~9
G-7 stars, wings,
D-7
F 9r I
Some- times Each time
I.
the I
rI
B~7
~6
JI I J F FI F r F and feel-ing in love. like some- one II
guito
G7
F 9r F I
things I look at
do asyou I'm
~
I ~a
"
when -ev- er you?re a- -round
F-7
-
B~7
F-7
F IFr F
r
I
r
hear- ing bump in
A~o67
II F
F-7
I J j
e
F7
C7
C7 U1
try?
J J
I
love. love.
in in
C-7
me,
Co67
1
some- one
l_ La
1
12 .
9 067
FI F r like some- one
tars, things,
tound
J F my- self out
r
0+7 ~a
a
me
F7/A
find seem to walk as
B~7(A-7 D7)
1
C-71B~
C-7
G7/D
door,..---_
an - y - thing
LIKE SOMEONE IN LOVE &067
I,
G6
J J
r you
~
A13
(J
for
ask
D 7sus4
won't
1stX
(C#-7~5F#7)
G
try _ _
A-7 who could
- come- one,-
II
sky, sigh, vow
wait - ing at the cot - tage
J I J ok J i J IFF two hearts be
if you
it
aJ]
I;
l J
~F·
F J I
I
'neath a star ry af - ter sigh - ing sigh and the tak - ing that (C6, 9ta: B~o, A-1) A -7 U"/sus4
night girl, you,
C7
j
A 13 B~o7
3-:----l
, J J I J) F· J J J, IJ. .* , J
j
get it.
<;9
J J J I.J J
E-7
l_J J J .J I J) F·
F
1
J
A-7
E-
I' I
D9
mid one loves
the who
E-7
A9
me.
"
J
112
ALONE TOGETHER
Dietz/Schwartz 1932
E-7
J. )11 A A -
lone_ lone_
A -7~5
D7~9
to - geth - er.-,_ __ to - geth - er.-,_ __
G-6
world, _ __ night, _ __
we're not too we're not in
B7' 1l
F~7
J
strong what
r
IJ'I} Jpl
..
"
as is
long there
A-7~5
J
;J
as
1m r
love: _ _ __
as a
D-6
I~~ J ¥il J.;I
lov·c;..e_ _
I r"
A 7~9
j)
I 1 J"
}!
can
be: _ _
And
we-
knOWDl,.-,_ __
J
I
lone~_
if we're a -
ter was
-
J
days, mine,
yes truth
I~~
F13
days, I,
I
r
days for
FI -
se for -
r
ques sooth,
E-7~S
D-
B-7~5
sweet life,
C9 e
A7~9
e
D-7/C
hap - py, flam - ing
J~J--1
];
weath - er_ _
-
E-7~5
I~' .J J !F
A 7~9
II
D-
-
love
B~7'1l
can
t
8'
Our
I J J. )
to - geth- er_ __
YESTERDAYS
Yes youth
J I
B-7~S
D-
"
E~7tl1
E-7
the great un-
I~~f J
J
G-7~5
G-6
sea.. _ _ _ _ _ __
as the
)
Our
G-7
G-(A7)
G-
E-7~5
is as great
J. J IJ.
'I
we're and
fDA? "J
A7~9
F Fie
deep
- geth- er.- geth - er.-
to to
geth - er_ _ _ __ geth - er~_ _ __
-
.---&---,
is as
cling__
to
E~9
Pip r" r" p I
F"
D~7
to to
fear~
to
r
a - hove the the star - less
B~-7
for
J5 I I)
we're:_ _ . __
D7~9
II
proud,__ vain,__
E 7~9
B-7
;'1
IJ ')j J.
crowd.... , _ __ rain, _ __
PI
~F"
A7~9
E-7~5
J hI
C7sus4
D-6
I'
be-yond the the blind- ing
G-7
A7
J -
ter .was
-
!F tered was
days. mine.
Bb~9
J I of to
-
r
·A7~9
-
days, mine,.
A+7
r-
II
Old Sad
mad day I'm
dream - iog
II
love. of
J J I
joy - ous,
J en am
D9
1
J J -
as and
J I
I F"
days, I,
Then yes
knew free
G13
II
A7'9
E-7'5
J J F ro - mance and
D-/C#
D-
I J J days I
e
E7~9 II
Jerome Kern/ Otto Harbach 1933
gay ter
gold - en gladl":'\ am
~
DII
days.
Did you say I've got a .
I~
E-7~5
*
lot to learn.-C of i t . - clear my love.---
A?
well don't think I'm try - ing right down to the X, Y, should the teach- er stand so
D-7
~U j
G7
J J J I J J J. I J
11.
JI
j
since this is the per- feet spot to learn, Teachme to help me solve the mys- ter - y - of - it, grad- u - a - tion's al- most here my love,
12·CA7B~9 CA7
I'
&
Roe
E-
0#-
~-7
G7
CA7 0-7
1*
e
night.
Can
j.
Ji
~
t
more I you im -
just grows
I~ i~l,
G7
0-7
I* J J J I J J J. Ji I J J ;0 I J J
J The
J 3JJ ,
Stan-ing with the A, B,
THE MORE I SEE YOU
! I I®~ 'I,
~
G7
n
C# o7
CA7
not to learn, Z of it, near my love,
BA7
~
j
F-7
J= 1_J J
see you, a - giDe -
and
A!,-7
C7~9
G-7
r
9;1
the more I how much I
1J
j
r
Wben- ev-er you're gone
E"- E"-JDb C-7
so lost with -out -you..=.!-
F7
:I!~'llzl,:::± : ~ :J r"
pI
II
and so
~7
r-12·-G----B...,......Irl--- B!,-7
I
rr
J
J--.J.
j. ) I j
want you__ Some- how this feel - ing love you.-The more I see you,
.it
FF F I be
4:::l ;
€ome -more- mad- a-
J J J.
Ii
goes
Can you
AbA7 OJ
I f~
F"
B~7sus4
F-7
jJ 1 I J pJ. Jl I J l IJ J J. ~I bout you,
£I, F-7
Bb7
FFU F
grows _ _
BIH-7
r'
Warren/Gordon 1945
F-7
~
r'
~
J) I
im-
A!,-6
II r F OJ'F J
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me can
my heart won't
try_ __
JJI on-Iy
114
I HEAR A RHAPSODY
(8) C-7
IF ~ f p
I'
And when I And when your My dar - ling F-7~S
F-7
Jj
F·
jl'l,
ir-
~
call at star - lit star - ry
B~7~9
Eb6
'~I'1. J ~ -
so are
I
hear
[§] 0-
1
II
A-7~S
~ J J71[J • My
r - -3---,
days
map -
a
J.
are so
blue
My heart looks for
you,
0+7
I':J
J_
FIne
so - dy
D7~9
0-
J when
W-
F
D-7
G-7
r·
Mp
so
won't
you
C7
when
your
F7
___._.0
a - way D.C.aJF1ne
qJ
a
r- I -F stay?
My
dar
iF
-
"
ling
Hoagy Carmichael/Loesser 1938
D-7
F
j
i) ~ I G+7
J
iF
C-7
you're
HEART AND SOUL
[A]
a qJ And
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J J JI J
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,
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soft - Iy to me, _ _ I don't hear a smil- ing at me,_ then soft thru the whis-per to mc._ Then soft thru a
and
I1
EbID 0-7~ID~ C 7~9
EbA7
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hear you call, spar- kling eyes hold me tight
all, _ __ skies _ __ night'-_ __
12A_7~5 D7~9
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Fragos/Baker 1940
0-7
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I'j~ J J J I JJ J 0 J J a I J J J l£Ja) a1 ,
Heart and soul.__ I fell in love with you, Heart and soul.- the way a fool would do, I begged to be a - dored, lost con - trol._ and tum-bled ov - er - board, Heart and soul,_ Now I see._ what one small kiss can do, look at meo-- it's got me lov - ing you,
F
I'~ r
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J IrJJJalJ JJ J J : F fJ J
mad - Iy,_ glad - Iy,__ mad - Iy,_
be-cause you held me tight that mag - ic night we kissed be- cause the kiss you
~ B~ A7 D7 G7 C7 I'~ 'IUS J. ))I,J J I J Oh but your lips were thril1 - ing,
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strange - Iy
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will- ing. But
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much
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too
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stole
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thrill - ing.
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kiss in the night. there in the
and stoIc a there in the
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Ne~r
bo-fore were mine
C7
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held all my heart and soul _ _-
so
115
I LET A SONG GO OUT OF MY HEART
D. Ellington/Mills 1938
IAI
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I know I please come back I won't know
~
I Jr
lat
r ir
1Hl
I~~I!. E;r d J I i e be morethan just friends,
C- C-/B C-lBb C-/A
r rI r r
J.
I
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m
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,
Star Eyes, Star Eyes, Star Eyes,
-II I I
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skies are, heart lies, lips glow?
lm
P
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I
eyes are, hopes rise, lips know
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II
'f
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PI ~E lie r
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their prom- ise of a thrill. that loy - li - ness of yours. your eyes still hold my wish-ing
tell mesome day you'll ful- fill let me prove that it a- dores Makes no di.t: f'rence where you are,
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hate I >[" b'p£hJ) I r"
r"
All my life I've felt
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soft as stars in Ap - ril let me show you where my if it's me for whomthose
AbA7
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that to me is what your flash - ing eyes in which my when, if e- ver will my G-7~5
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Bb7sus4 EJ,6
Gene De Paul/Raye 1943
9 A7
1
to
til you re - turn some day.
STAR EYES F
r
E
we were meant
9/Bb
D.C.alCoda"
just friends.
Bb7
Am I too
Fine
You know that
F-7
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I pr"
0"
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'cause you were the song I know I was wrong.
-
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it was the swee~est mel- o-dy, life doe!rn'tmean a thing tome, be - lieveme dar-ling when I say
-mend5?
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FB
DI
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to make a
Aj,..7Db7 Gb7
1
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lost hea - yen sweet mus - ic,sweet mu - sic
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go out of myheart, have drifted a- part go out of myheart,
G~
F-/Ab G- F-
)I
C-7
f J J J T D1UJ
I let a song Sinceyou and I I let a song
I'~I'I'
EJ,
e
con- tent
Bb7
D.C. alCoda
I dd I
star-dust in your eyes.
to star- gaze at the skies,
-$-
G-7~5
I e oh
now
I on-ly want to melt
Db7 C7 F-7
Bb7sus4
I J J I ~ J Erei I star eyes,
how love-ly you are.
pi the
96 II
II
116
I THOUGHT ABOUT YOU
.
I'~bb
J J I J
and then
A-7~S
F
07~9
07~9
parked un - der and looked at
A-7~S
I' ~bll F [ E IF §J lEE ·'2·EbA.7
F-7
I
moon shin- ing down
Err j cr I r
one go-ing back
the stars,-the track--
to
a the
@7
F-7
I~
I J J Js;;?J sameold~
96
B~7
J J J J J2±&
I COULD WRITE A BOOK
J mer I
H they
asked sim - pie
And the
whis - per love you
GID met, "
I~
and a
A-7
rr
cov-ers
the
A-6 as
I could write a sec - ret of the
r
book
nev-er
FA.7 B~7
I
j ends,
for
0-7 e
- get, -
CA.7 E+7
II
Rodgers/Hart 1940
G7
C
CA.7
I JJJJI J J JJI
e
a- bout the is just to
book~,_ _ _
write
I J E~ IJ I
j
G-7 C7 my
07
D-9
plot,
I could then the..
A-7
world would
F I ~r
CA.7 A-7
J J JI
j
B~o7
GIB
J IJ I j so
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look____ lot,
07/C
j
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I thought a- bout you _ _ _ __
and what did I do?_
CA.7 A7
I
A~A.7
G-7
F-7
and with each beaml,-,-
@7
)11
wind- ing strea.&llm_,_ _ __
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F IFF En
you,
Ij
r fe
r ;,",pj I J D' T
A-7~S A~71n G-7
C-7
r
some lit - tIe town
on
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thought a - bout you _ _ _ _ __ real - ly felt blue
I I
J I r r--r'r
Two or three cars peeked through the crack
,'~IIII
B~7
B7
A~-7
T F I:i~ &1'~::1, E
*
J J I J I,J J Jc::>Ji£J2J.
I passeda ~had- ow - y lan~e_ _ ButwhenI pulled down theshade,.-,_
A~A.7
J 3 J_J-1J.
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thoughta - bout you thoughta - bout you
I I
and oh
0-7~S
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@13
F9
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J. · on a traJn"---_ I took a tnp At e¥- 'ry stop that we made,.-,_
Van Heusen!Mercer 1939
a
way you walkand tell them that I
pre - face
on
G7
I J JJ * And the
F6
G7
how
~"A-
we
A-(A7)
: r r world
I
dis-
CA.7
J J I J J I J r FI I" lov-ers how to of friends make two II
II
117
COME RAIN OR COME SHINE
Mercer/Arlen 1946
I ..
,J no- bo-dy's loved you, come rain or come shine: _ _ _ __ no- bo-dy's loved me,
I'm gOIrna love you like You're gOIrna love me like
I
High as a moUIr tain or deepas a riv-er, come rain or comeshine:____
B~-7
F-6
B~-7/A~
I! ~ F J J J I r fiJ F I met me,
it was
1-7~5
just
one
D7~9
of those
I!~ br FrO I J J A13
!
I ~ If J won't it
n
I!~ F j J I J mon-ey,
don't ev- er
B7~9 un
B~71n
A9
I'm with you rain
A~71n
G7
sun-ny, we're in or we're out of
or
D-6
ip r I F E:; tr FI
but I'm with you cUvays,
and
wlrr r PF
Days may be cloudy
G7
E7~9
-hap-py to-.getiref',
A-7 A~7.n
r r r Pr
I
'cause I'm
U P F PI IF U P F p I
Dl3
II
bet me,
B-7~5
r
(
or
r J-
L
the
(G-7 C7 )
-r
~ II
FE"
shine _ _ _ _ _ __
WHEN LIGHTS ARE LOW
fA)
Benny Carter/Spence Williams 1936
·I! ~f
FI:.7
G-7
r
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Sweet
.J) I A-7 .Jl J J) G-7J) J.
.
mus- ic meet-ing
soft close soft
C7
97· n
Dear, we're so Lips
I!~
J-'·F#-7~5
1-7~5
Ell F r
Hap-py to- getirer,
be fine _ _ __
D-7
but
J IF
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I
things,
let me.
J] J I
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II
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gon- na be true if you
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guess when you
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f' J1J F·
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life's
so ap - peal
-
lBg
-
are low.
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p'F
Wr
mus - ic hath
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witk in- spi
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- ing;
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the lights
r;:,
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on Fme
~
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'pro
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Two hearts re- veal -
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when
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low cel - - 10, the weath - er, sur - ren - der?
jJPI
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sooth - ing and slow, I loveyou so, love's all a - glow,
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low, er, der,
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strains of a mel why talk. a - bout why shouldl't we 1 2.
mel to - geth and ten -
and
B~1:.7
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- ra-lion
BI:.7
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charm.
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pr I --r
- yoU!' arms.
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D.C. s/ FIf/6
118
DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS 1946 Alter/De Lange
[AJ
C
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J J~J 3 J LrplJ Jj J J. p IJ J 3 J Do you Miss the Do you
know what it means moss cov-ered vines, know what it means
to
the to
F6
,
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t>
day?
sing, heart?
Miss the
to spring.
A~6
A-7
that fills
A-7
dI J r I the
air;
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I
1'D-7
The
moon - light on
D7
dream,
"
-
bay-ou,
the
J I J is J J- J J J
a - bout mag
D.C.8ICoda
-DO -
lias in June,
D-7
..
more than I miss
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Fine
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IrE he F 81 I '1 F ~F
--
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Eltt
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rm
~n
Ii
leans.
George Shearing 1952
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FI
New Or -
Fj
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and
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LULLABY OF BIRDLAND G7~9
acre-ole
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~I~~r~r ~r ~r r~tJJ~7 ~I-Er ~J~J~II wish - ing that I was there. Do you
.
..-
a-way.
long - er I stay
feel- ing's get- ting strong- er the laz - y Mis- sis - sip - pi a miss the one I care for
F -J J ,J
D-7 G7
...
and to your
I"
hur - ry- ing in
J tune
,..
the the I
wrong, and rd like to see And there's some-thing more:
and miss it each night where mock - ing birds used when that's where you left
A7
C/G
kn~w \~ n~t
I
miss New Or-leans, tall sug- ar pines miss New Or-leans,
rI
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D.C. aJ 2nd End (Fine)
A FINE ROMANCE
I~ I:
a A A
f
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Ir friend.won't----
~
IJ J
e fme fme
G7/D
I
T~
should be like a
09
I,n
cou-ple of hot to
J
-ma-~oes ..... ,-_
but you're
asc~ldas
a
bridge with myoId maid
might as well play
riJ a r I" 07~9
0-7
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Ie I have- 'nt got
a I J sa J FI
J. U
: F FF
A
- ta - -toes-=--
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0-7 G7
J I J J~.J
yes - teT- days mashed po
ro-mance, you
fine
D-7
r a I: r Fr r I Bfl J oJ I J
this is. We wres-tIe, I
a
nes-tIe,
A719
CfE
A-7
I F J FI e IF V a I kiss-es, a fine..-ro-mance, my
with no mance, you won't--
F7
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U
T~mance,
!,"C6
41-3
I~ J
A-7
C6
119
Kern/Fields 193(;
I
C6
II
mance~'--=-_ _
this is a fine. ro
chance,---
-
A fine romance, my good fellow, you take romance, I'll take jello! You 'recalmerthan the seals in the Artic ocean, at least they flap their fins to express emotion. A fme romance, with no quarrels, with no insults, and no morals! I've never mussed the crease in your blue serge pants, I never get the chance, This is a fine romance!
SWEET LORRAINE 0b.7 F7 E7
I~ I ,J , F F I've A Each
E7
I~ I oW
r-
A-7
IF n
D7 0#07
EJ
r r 41•
just foundjoy,.- I'm as haJ>py as pair of eyes thatue blu-er than the night I pray.-- that no- bo-dystea1sher
T J J Jaa i J J J A7
I'·
A-7
:
Mitchell Partsh/CUffBurwdll928
C7
E-7" G7/D
B7
I a a l LJ; J f 3 j J
ba- by boy__ with an - oth - er brandnew summerskies.-- when you see them you will heart a- way.-- just can't wait un - til that
te· uJ, -
!-7 E7 A-7 D7
11 iI choochoo toy.-- when I'm with my Sweet Lor - raine re - a - lire why I love my Sweet Lor hap- py day.-- when I rnar-ry SweetLor
Ir
.
0117
D-7 07
· I
raine; _ _
A
Fln8
i.
Cb.7
E7/B
A-7
Fb.7
C7/0
Err! FE IF r r When it's rain - ing I don't miss the sun,
"I (
r r 0-
for it's in
F7
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A-7
DF
my sweetie's
I~~rr
r
P111
0
I
smile _ __
~7
E7
C7/0
IJ
07
oJ I
120
WITCHCRAFT
Leigh/Coleman 1957 Sinatra
j\~o7
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J 2I l J J2 j I J. J 2 I ) J JE J I J. J j
Those fur gers in my hair, It's such an mrcient pitch,
that sly come hith- er stare but one I woul~n't switch,
B"-
I d J J I J n £l J I d. J J I J I,B on d I
I~ ~ l ;Jl_ J"'"'---""I u
witch-craft._ _ __
for it
what goodwould common sense
Bb13
F/j\
When you a -rouse- the -need - in me,
&/G
(i-7
J J><%J 2I
j
1* ~IIII~ iU
Don't know Life is Can't go I
f
C7
lei
ge- th er, ge-ther, go-ther,
Db
witch-craft'_
it's strict-ly ta
j
r· r ir I ir
Wick - ed
B-7~5
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Fa
W
(i-
£J !p J I
"yes, in - deed"
...
II
-boo'--'-=----=-_ __ D7~9
D9
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I-a
W
it's
C7
in me,
j
r· r
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"pro - ceed with
F6
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I ..
Ii
II
nicer witch than you: _ _ _ _ _ __
STORMY WEATHER
Harold Arlen/Koehler 1933
j\~ j\~7 DbA7 Db-6 r EiU I Er [ ¥ ~F iU I P LJ I FEE F r ~ I A 07
&7~9
Bb-7
why, there's no sun up in the sky, Stormy Wea-ther, bare, gloomand mis-'ry ev-'ry-where,stonn-y wea-ther on, ev - ' ry thing I -had is gone, storm- y wea- ther,
j\b/C F7~9 Bb-7 .
kBow
my heart says
whatyou'relead - in'me to."_ _ __
1AJ j\~
'Cause
j\-7
£J 1p J I
for it,
kJ
A2 r 1 pJ. J J r I
al -though I-
and
r·
:.[J J II
I J.
,-3...-,
r'
Jd J I
j
too in- tense
FA9
do?_ _-
FA9
witch-craft.--
j\-
the heat is
C7
I~ ~ ~ J. J 2 I J 1,f3 J) J I e
r kJ 1* I~ ~ ., r r ir I ir
for it,
And I've got no de-fense
(i7~~
F-/j\b
I~~
that strips my consciencebare it's 'cause there's no
C-7 B 7111 Bb6
F6
:J)J
21
j
Eb-7
"
j\b
.
F-7 n·Bb-7 &7. ,n7
'
2· C - 7
F7~9 Bb-7
• ram-m . . , all·1 th!'"e tIme__, . ......., '1', Lif-~' . keeps e IS tIme. I'm wear- y all time__ ~epeat last 2 bars keeps rai.rrin' all the time_ r - 3 ----,D o 7
Db
j\~tEb j\b7
since my galand I ain'ttojustcan'tgetmypoorself tosince my gal and I ain'tto-
J~7
..
so weaF-y all
I
j\b j\b7
r
the time_
j\~tEb j\~7
r - 3 ---,D o 7
I~ ~IIII~ i J J JJ J3 3 J I Lob PJ. I n J JJ JJ 3 J I J ~) f II When shewent a-way the blues walked in and met me. If she stays a-wayold rock-in' chairwillgetme.
I~ ~'b~
Db
r - 3--,
A J JU All I do is pray
D o7
n n the lord a
j\btEb
I J J'l
j\b7
P
r·
- hove- will let me
C-7~5
lEO
F7~9
j
Bb7 F)7
JI
walk in the sun once
r
II
IJr I
more. Can't go
THAT OLD BLACK MAGIC
I~ ~I!~ Il J
&
&6
f J.
That The
B~7
I~~II~ Ft !I
Dr
rj~7F
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J I J. kJJIJ ~ r j I
IJ J2tJ.
that old black mag - ictba~ou and then that el - e-va-tor
B~7
B~7
F-7
J.
IIJ. M n J J J I J. ;P J J IJ se
well
&
in its spell. feel in - side,
F-7
J
I~~~II J. M JJ J. weave so
l ~ 5I J.
otJJWJ
old black mag - ic -has me same old tin - gle-that J.
11°F-7
&6
&b.7
121
Arlen/Mercer 1943
i -
cy
fm
- gers up
r F IG7 D~7rlr~
i
d
down my
same old witch - craft when your eyes meet mine_
The
A~b.7
F-7
A~-6
G-7
@o7
spine,
tt
B;
FI the .
J!J JdJ
starts its
ride,
JII and
A~-6
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I! ~ 'I, F" P-F F' I FJ J I J. JJ J J I J J J I J. 1J J1J J J J J I I go,
down and down
'round and
G-7
I go,
'round--
C-7
like
r--3~
a
that's caught in the
leaf
A~7'1l
IJ J F I r r £lJ J J J r I elF" p F" p I tide _ __
I~ ~bll
D-7
I should
stay
G7
name~
e13
G-7
FF" l
e
but what can I
a- way
__
qJ.
and I'm
'I a
F-
IJ J I -flame;_qii
r r
you're the
B~7
I~ ~IIII ~r ~"F at -
eel
r I ~F"
J'" loy
-
er,- I have
wait - eel
99
A~b.7
r 11
the
r I E' ~ r r I r r
for
A~b.7
for..--. _ _
And
ti~
ev _., ry
A~6
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°
j@jJJ PI
B~(A7)
pRF FITF ~FF
mare that
r J
your lips meet
@o7
I~~'I'IJ
down and
down
F-7~S
I go,
'round and
A~6
I
l
h
mine,--,- -
F-7
'round-- I go,
B~7sus4
Tn I J. 1J JlJ Tn I J. kJ UJ J J
lo~ingthe
spin I'm
3
in,
u&derthat
old black mag - icGalled-
rI
had me cre-
fate
J J I r" p-r r~ I'r J J I J. Jt J J I J J J I J. AU dar-ling
'
r-3~
B~
;
I hear your
do,--._ _ _
in
a
JJ spin,
9
I..
[J - II
love _ __
122
when this fam - i - - liar -world is when love has lost its se - eret when lov - ers heed no call to
nue, darlc, larms,
B-7
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1' . AgA7
I~ ~~I'; nJ ~J I ~J ~J : ii IBI
~ ~I.I';
I
0:
you
still
r F r Ir F
J J I ~J
r ~7 IBj7~7 y.•
on the Bud -. son's BOt re
I~~~I';
young man's
~. 2.A~7sus4
F7 BI.-7 EJ,7
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fan - cy.
When moon- light
1* ,J1 F J I F J F J I
- man- cy,..::.,- _ _ _
Coda
I* J F iF I
A~I:.~ne?
r I"
and spring no
will you
r Let's Let's Let's
E-7
0-7
07
J J IJ fall close fall
in our in
still
r
r
J J I
If'
.- II
07
0-7
j
J
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fall in love? Our hearts are made par - a - dise, lit - tle we knGW fall in love? Now is the time
lB-7~S
E7
of it. _ __
of it, let'stake a chance~ why be a-fraid-- of it?_ _ __ to make a go .. of it, still we can try
I~ "
A-(1:.7) A-7
I
w,.~__
CIl7
FFr
D.C.alCoda-$-
I'~~J~~F~I~J$F~II hearts dis
-
J J J I.,) r< I-r
might have been meant for each
et o7 0-7 07 co~ -
er.-
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09
E-7
j
oth - er,
nJ
fn
to
0-7
A-7
I
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I r r3 J J1 I
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be
07
.
J
or not to be, let our
C6
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for it, while we are young, let's fall in love _ _ __
II ..
1~~~n~J~J~J~J~J~I~j~J~J~j~J~~~J.~J~jJ~ __~le~~J~J~.J~DJ_~I~e~11 A-7
!III
Koehler/Arlen 1933
JB~7IUA7 A~71U 09
07
•
mine?
be
A7~9
C6
love, why should- n't we eyes and make opur own love, why should- n't we
D-7
A-7
r
long-er turns a
II II
~~d~75J~J~IB~:9§1EJ,~.:~~(~JA~7~*~-§~=~II II II
LET'S FALL IN LOVE A7~9
,
A~7
,_
~~
be
through, spark__ , _ __ arms,.-,_ __
II
..
II II II
II
•
12:3
YOU'D BE SO NICE TO COME HOME TO
Cole Porter 1942
B-7~5
F E7 A-
J FI F
nice
so_
D-7
A-
I F~P J ,m I
(I
You'dbe
E7~9
D-/C
j
to come
G-7
aJa
#J J I ..
home to,_
B-7~5
you'd be B-7~5
E7
E7~9
I~ ~~_IJ J J I J ,J I J_l ,J PI [" fIre,
while the
F#-7~5
breeze
B7~9
I~ r-
A-
could
luI
F
la
-
un- der an
E-7
Au - gust moon
P r '0 I -
F
burn
-
I ra - dise
E7~9
B-7~5
Jt
t~
come
oth - ers
I~ • I~ I
a
home
and
to_
be be
so so
II
~v~
-
a> \J J J
kee~v
- 'ryhome fIreburn
B-7
J J I J I,J
fu - ture with
e So
B-7
au r
ea- sy grand
at
A-7
does seem a D7~9 DWC
II
you'd be
love_
so so
Gb,7
worth
the
me, 'cause you'd be
Cb,7.
~~
A-7
:
r so
FI ["
r-
that
D7 1
J F ~F I ea - sy to
fi
soswell to
A-7
E7
shame,
oh,
B-7 B~7
yearning for,
E7
J UI J
ea - sy to i - d~ lize, all care - free to - getlt - er ~at it
J IFF Fe I >F * - I * F J.
j.
A-7
Cb,7
to love, the game,
ingfor.-
Bb o7
Gb,7
JI J ,lUi J.J JUI
I J J j I J *-
**
II
)1 J
D7
I
1-
II
Cole Porter 1936
D7
J I J J.
'·E719
Gb,7
A-7
J.
e
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Ci
EASY TO LOVE
1
the
C
nice, you'dbe pa -
You'd We'd
by
F6
F6
1
E7~9
- bove..--,--=----
ing a
be
-you'd
chilled
stars
IJ jJ pl[" so_
by,-
I r~ --p J Il I
'I
J J J I J F ,J I 1 ,) J J I
win - ter·,--,_
by the
A-/G
B-7~5
C7
G-7
A-
A-
J F I Un - der
IT
- sire:.:----=-~
de
.-3--'
a_ La
I~ j
sang a
E7~9
F pi...
I
that
high
B-7~5
r Il
all
on
nice
sOv-_
you
C-6
-J I F can't
see
JI your
G6 e-
love.
Le
II
124
IT'S ONLY A PAPER MOON A-7
0#07
G
I~II!~ q
Say it's on-Iy Yes it's on-Iy It's a Bamum
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out
it's
,fJ
r'
love,
your
it's
a
--.
;J
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mus-lim tree, can be,
bo-Iieved
-
bonk
D13
B-7~S
~ I
I ~. P par &de,
-
tonk
Y
G7
G
P F"
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JI *With-
in me.
A-7
F'
.~~G J
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G 1' · Fine
if you
a
a as
If"1. J ;J I J 5-'~F
£3
(J
love,
your
G
hang- iog ov-er just as pboney
E+7
OA7/D
C'07
~
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J) P r pi F J_J a card-board sea, sail - iog ov-er
A-
be make be-lieve
,A
j
pa- per moon, can-vas sky, Bai-Iey world,
a a and
'p I r EJ
ct 07
out
;fJ
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it wouldl't
but
r
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)
,J
A-7
D7
Harold Arlen
with-
A-7
E7
D+7
r F F F ,11 I r r r r
I
D.C, til FIne
mel-o- dy
in
played
a
pen- ny
ar - cade.
YOU'RE NOBODY TILL SOMEBODY LOVES YOU Morgan/Stock/cave 1944
,
J ~ You're The
11'A -7
I~I F :£1
E7
B7
G6
r
no world
J I J J F some - bo bo tiD dy still
is
D7
the
same,
you11
06
r 1r
J
.~
dy never
loves change
j
JJ
lie,
-
Yo
J I J OJ.) 1J B J. )1
Ij.
some- bo· dycares____
A-7
D9
world and all its
gold.
You
may be king,
A7
you
may
A-7
I~I J J lJ I J. J I r EJTt)1 r ttl) I J J 2.A-7
gold won't bring
GID F7'1l
I
r'
you,
I
A-7
J I so
D7
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find
your -
'F self
POSHSS
no -
i:J1J.
you're grow-ing old._ _
some'- bo-
- dy till
06
J IJ J I F love some - bo - dy to &:
the
La
1
J,
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C6 You're
stars shine a-bove
E7
hap-pi-ness . when
, A-7 E7/B C6
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sure as the
I~I x..
but
you're as
B~07
B-7
no - bo- dy tiD
~
r- IT'
you. it,
~
125
YOU STEPPED OUT OF A DREAM
You-- stepped out of a You-- stepped out of a
Ab6
11AbA7
3
won - der - fuI- to be what you take you a- way.- a- way from the
you are too I want to
dream; clouu,-d;-
G-7
3
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FA7
Ir * r r r II r J J~J f r f I V J J- I 0-7 G7 A-7 0'7 FA7 .---3---, @-7 I ij8 } I~j p--3p-] I r J J-LJ J J J I ;8 I~
I
I
II
there
Could
seem
eyes
be
could
yours...--
like
there
lips
be
yours,
like
A~7
there be
could
12·~7
If
D-7~S
Ir r r r II r A=1-
rr-J
In
out
of
you
have
And
crowd
hon - est
yours~
F7
II
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like
smiles
to
0-7
G7
e
IJ
j
-
self.
3
q±7
I
a--
safe
in
.
lOBe
D-7
rr
t
iUld - a - part, -
CA7
I
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dream,
a
-
Fm
CA7
I J.
my
.Jy?
tru
G7~9
;r I.J
all
and
2
my
I
2
heart
ON A SLOW BOAT TO CIDNA .
Frank Loesser 1948
07
r I J ;, rI'd love to Out on the
get you bri - ny
8
lone stone-::'====::::
rr leave
Get
you and
C13
I J) J.
all your
C-7
j
IJ
lov - ers.-
all to my - self. - a - melt- ing your heart of
Chi - na. sbi - ny.
slow boat to moon big and
I'I EJ) J r
G7 C-7
I
on a with a
B~IF
E o7 \,
J) ~Jt:;:;) j )1 j
I
in my
keep you
ali7 J J 3 J J1,3 •
on a
slow boat to
G7
p F pe I F+7
weeI>' ing on the far a- way shore _ _
Chi- n.e&,-8,_
all
8
ll8
C7
get you
A~7
arms ev- er- more,
F7
F7
Ir
I
C-7
IS J
I'd love to
F7
Ir r I
to my - self - a -
B~ ee
lene--=-____
II
---------------~
He danc- es I I
love my
1'2. G-7 ~. J.
D7~9 II
sightL,-,_ _ love,-,_ _
I~ ~
J q FI ..
• I~~ r
it's Dot
I .
r
he's
to dis-cov-er
I
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r
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r
he D7~9
IJ
II
G-7
still there.
~
C7~9
go- in' through-. gent-Iy glid- -
D-7
A7
the ing
13 J
J a Ia a
A - 7 D7~9 G-7 C7
D-7
it's love - ly sweet push- carts
A~o7
C7
G-7
on old De-lan-cy
G7
G-7
pto7
G-7 C7
breeces blow
to and fro.
F
D-7
IJ J J J I J J r FF hr a J I Jar I aJ r
street you know,---
the
su~way
charms us s o , -
when bal-my
~
D7
I
r j .a
by,-,_ __
JI Fn
I F j
he
j
J
r
G-7
r
I
cit- y's a wond- 'rous
A~o7
A-7
B~6
G-7
the great big
G7
boy,-,_ _
La J J J I
it's ver-y fan-cy
ZOO',-,_ _ __
A~o7
is - land too,.-,_ in Ju - ly,,_ _
F
1'
G7
A-7
F~7
the Bronx and Sta - ten com - pares .with Mott street
D-7
I~~ J J l
I~~ ..
,
II
•
toy
C7
F F I' J 3 J
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Rodg~/Hart192511
C7
F F 1'3
G-7
II D.C.sJCoda
love
We'll have Man - hat - tan, And tell me what street
G-7
C7~9
G-7
r I"
MANHATTAN A~o7
I
F
my
F
I
J J JI •
A-7 D7
grato-ful
my my
"go a - way my lov -
a J 3JJalj~r
but I'm so
for
I whis - per
B"-
C7
just
a
the nightl..-- - a - bove _ __
fair",
r
is
in there's
~~6 J J J ttJ
I~aaal
G-7
it
Ii
B~6
F7
er,
since
F
j
near my bed. coun- ter- pane, danc- ing floor
the ceil- ing
un - der- neath my
C7
through up
F
on
ov - er - head, hide in vain, ceil- ing more,
to
try
j j
a I J aJ a J I just
made for a girl and
F
i"
I
II
II
J
J J J
J J J
J I
127
THEY CAN'T TAKE THAT AWAY FROM ME
~6
(AI
Bb7sus4
Ira/George Gershwin
F-7
G-7
(}l,07
F-7
..
1~~~~lt§Iz(§!~7~j~J~J~j~E~J~_*f~_~e~~I~i~j~J~J~j~jg:~l__ ~I~u~~1 The way you wearyour hat\.r-,_ _ _ _ The way yowsmile just beams.,....,_ _ _ The way you hold your knife.,..-,_ _ _
the wayyou sip yourte 1.C<3:1,-,- - - the way you sing off key,...-,- - the way we danced till three..-,- - - -
BI.-7
Bb7sus4
I~ ~I'b
No, No, they can't take that a-wayfromme. No, No,they
the mem- 'ry of all thcu..at- - the way you haunt my dreams.,....,- - - -
f; The way your smile just beams
C7
G-7
A7
07sus4
07
I' J J J J E 1 I
of -
G-7
Jg I F J
Ab~7
F-7
C- Ob9
ai-ways,
We may
C7
nev-er, ne.... er G-7~t:7
G-7
frlr] r rl ~ways
!J Bb-7
keepthe mem-'ry
I 'J J J J FE"
!fhe way you hold YoUf-knife
C7
j g I r Jf rI
r iJ-LJ.
meet a-gainon the bump-y road to love. Still I'll F7 B7 1ll Bb7sus4 D.C.sJCoda" Bb7sus4 II
A-7~5D7~9
can't take that a- way from me _ _
I~ ~llh F J r B I J J J S I J I~ ~IIII
lmG-7
~6
F-7 Bb7
G-7
G-7 F___7
I * r r r [r rJ r fJ
J J J
1
l'A~A7
&7
E) 7sus4 E)7
I
the way you've changed my life,-,_
rr r r I No,No,they
@/Bb G-7/Bb F-7/Bb Bb7 @6
I~ ~bll E r Cj' F i11J')! F J I J J J FI J J I .. can't take that a-way from me
No. they can'ttake that a
- way - from-
me':-_ __
MR. LUCKY
I~ I J J
07
r f Ir
Thy call us A luck- Y
Henry ManCini 1959
G7
F' I r F J I .. IJ J ~J I
luck- y . - you and rai&bow_ lights the
A-7
11.
0-7
07
B-7
I~ I j WJ I J J J Ji,l JI
II
I, 9lcy,
E-7'
fiey
B>A7
C-7.
F7
Ij ijS ~J I
ex girl, kiss.,--
luck - y when we
A-7 07 0-7
Bb6.7
--l
guy._
sigh_
G7
I J J J JI ijJ JW J I J J I dJ JJ r }
A-7 D7
B-7
B~7
I SJ ~J J IIJ J F r I ... 11 say I'm luck-y,
C-7
luck - y when we
Whenyou take my band or touch my cheek- I know I'm on a
1?~A7 I~ I: *+=l
II
mis-terluck-y
guy
lif~time
luck- y streak_ A luck-y
A-7
rI r
D7..,' D7
G6
J I J J I e I - II
and you'rethe
rea- son
why_
128
CHEEK TO CHEEK
'If
I'
A 7~9 0-7
C
J LJ
G7~9
I'm in I'm in
A7
D7
-
F
II
I@
speak.--week,
A7
IBI
I to
D:7
J)
whenwe're
J
0-7
van - ish
like
G7
C
0-7
J
to
E7
J J
F
e
hap - pi - nes I gam - bier's luck - y
a
seek,streak,
A7~9r-0-7 G7~9J2. C
C
._-&I
J) J) J J)- I J) J ~ J ~? ing cheek
F JI rFF rl
G7
07
out to-geth - er dane -
Ja
CIE
heartbeats so that I can hard-Iy cares that hung a - round me -thru lbe
I F F F J seem to find the
r
Eb o7
0-7
CIl7
and my and the
hea-ven.-hea-ven.--
G7
and seem
It~ - J J I
G7~9
I - a J I J LJ I • a J I
Hea-ven,Hea-ven,--
B~7
A 7~9 0-7
C
Irving Berlin 1934
I - : - ¥ J;}I
1)
Fine
Oh I
cheek
G7
C
G7
1_ J a F F J 18 r d ~ll J a p F PJ r d ~ll J a F FI love to climb a moun - ta.in.- -and -to love to go out fish -ing,-- - in -a
reach the hig&est pea_k_,riv - er or a cree..,.,...k,_
does- n't tbrill me don't eo- joy it
but it but
rkw
(QJChalf as much-- as half as much..- as
C-IB,L3-,
I~ r
rr
t:
danc- ing cheek to cheek_ danc- ing cheek to cheek_ _
9
r I:r ~Ji a aJ) ~r I
I wantmy
arms a- bout you,-- the
I
Oh
Dance with me,
B-7~5 E7 A-7
0-7
r
p
F"
II
D7
D-7 G7
r Jd JJ J Fir- Ji J
charm a- bout you-- will
1 I J JI
car- ry me through.--
to
D.C. aiFine
THREE LITTLE WORDS
[AI
1_
C
0-7 E-7
raJ ada
to and
hear what
FIl7
those I
oh what I'd that's all I eight lit - tIe
mlc7
•
feel in
can tell it
that the which
G-7
my heart
A~7
I, J J J LiJ a J a I .J \d I r no oth- er words
give for live for let - tefS
half so
they
t
cleaF:.
won- der- ful phrase _ _ rest of my days,-,_
C7
~F F I tell sin -
.. D-7
G7
I Coda
G7
J I a a J LLU
_ r J ~F ap I J J B~7 A 7
F6
.. D-7
I a a J a I ~F r
Three lit- tie words..-,_ _ _ Three lit- tie words Three lit - tie words:
*.2. D-7 &9 D9:£>1,9 I~J J I d r
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Kalmar/Ruby 1930
G-7
C7
e
cere
I -
e
ly,
G7~9 C6
J J J FTr (' I sUn- ply mean, I
love
(i
you.
II II II
II II II II II II
129
I CAN'T GIVE YOU ANYTHING BUT LOVE
Jimmy McHugh/Dorothy Fields 1928
e-7
J JI F7~9
J
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an - y - thing but see you look - ing
£1,7
Bb-7
..
thing I've plen- ty
I
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Xe
cr ~r'
F-7
B r"
r
FI F
0 07
It
AbJEb F7 well
r
F
F
II
I
al - ways pined for.
ObA7
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I
sell
A-
F
Bb9
I can'tgive you
J J J JI
I
Till that luck- y
ba- by.
Bb-7
ba-by,
we're sure to find..-
B~7
~'I!~ F J J J I" I J J. I \J J t F IFF .day, you know darned
r ri
IFF
scheme lrwhile,
DbA7
WooI- worth does- n't
Dia- mond brace-lets,
DbA7
t21t r-
I
all those things you've
F F
That's the on - ly
Ab7
£1,7
Ab7
r
by. by.
£1,-7
!F" IFF
£1,-7
ba ba -
love swell
Dream lr while,
and I guess,
hap - pi - ness,
tY r'
I
e
J3fJ r'
I
Bb7
I (F
£1,7
Ab7
ba - by.
of,
Db6 e 7 B7Bb7
It~'I'~
J J J -I
j
I can't give you Gee, I'd like to
e-7
B~7
B o7
£I,7~9
r rI
an- y- thing but
Ab6
I
II
II
II
love· _ _
SENTIMENTAL JOURNEY Green/Brown 1944
I-
e
,j
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l
sen - ti - men- tal jour- ney, got my re- ser- va- tion, heart coUld be so year- ny,
F7
j
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j) I ~J
gon- na make a Like a child in Gon- na take a
F-6
3 J J l J.
F
r
j
r
P
A-7 hea - ven,..-,_
set my heart at ease, dime I could af- ford. why did I de- cide to roam?
A7
e
I 1 J J J5 J. I J ~W J J_d to re- new old long to hear that sen - ti - men- tal
sev- en,
G7
Fr
count - in' ev - 'ry mile
-07
mem - 0 - ries _ _ rifle "all a - board."_ jour - ney home_ _
r· I .i J>.J.
that's the time we leave at
ie
gon - na
e
F#07
I
G7
s~nt each
e
sen - ti - men- tal jour- ney, wild an - ti - ci - pa- tion, , sen - ti - men- tal jour- ney,
It SevUeun__F" _ I F
0-7
J j WJl;.I' J J l J) I J ~£l_j
)1
Gon- na take a I Got my bag, Nev- er thought my
A-
p of
I'll be wait- in' up for
E-/G
FIG
j
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JL: J J) I J J J
rail- road track--
that
D.C.aJFine
cJ
takes me back_
II
130
IN A MELLOW TONE / ROSE ROOM Duke Ellington 1943? Hickman 1917
, ,
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..>
E~7
..
..,
, ..,
~
I
D~6,...
.
,
.,...."
"L."J
MOTEN SwING
Benny Moten
(B~-7 D~7
A~7
E~7
nu
JJJJI~pr
...---:-----
E~7
•
'1
.p I,U 1
11.
I J.
JEW
Ftne
C
A-7
A~
C
D-7
A-7
G7
l-
B~7
G7
liB * * r IJ * J D-7
F7)
_JI E~7
ItEUB-~
r J {31B.J.
G7
C-7
C
IU*. F IJ * J iJ!1J_J
C
A7
ilJJfJJ.
E~ 7 ~3-,
I * Er hF
D.C. a12nd End. Fme ,.---3-r-t
r F~F
FI
13]
LIL' DARLIN'
Neal Hefti/Howard 1959
D9 .
I~ Uf 1 r C
I~
r
G7sus4
E-7
F IF J F U J
C7
F6
A7
G 7sus4
D9 .
Ir - I ' r r F I F J F U 1
II
F-6 I
C
C7
F6
F-6
E-7 ".-"..
I- * 1 10 I F nt r 'F fir I d;"J YIp I F dr cr FF I F
II
D9 .
I~ ; r
G 7sus4
Yo.
11.
r F IF J U rElF"
E-7
.
,10 I
1*'
~ 2·0-7 G7
A7·
E-7 A7
I~ , J. J
Mind if I mean
D-7
G9
way
you're
D-7 G9
I I
C
·A7
C6
0-7
-
E-7 A7
, J. J J I In
say you're cute! like your style,
G-7
- II
Neal Heft1/StyIle 1958
I J J. iLl)'. -
j
I
,-
crW ~ ,r J rr U I - I
CUTE D-7
A7
ev - 'ry sly in-
that
G-7 C7
E-7 0-7
Fb.7
F-6
li~69~J~J~·~A~I~;~k~t~-~~~-~II~,~J~·~r~(~r~lsF~t~-~1 trigu - ing
C
I~
cute! smile.
Those
F7 E7
u!
J. J
l
big blue eyes, ev - 'ry mood,
Your
,....11.-F#---7~S--- B7
A7
F ~ - I'
that turned up nose, your at - ti - tude
J J I
BU. .that
cool
and
Eb.7
r
IJ. pip
care - free
~
l
-
pose.
,
E-7~SA 7~9
-
I~
j;
D-7
E-7
J J I
J. just
A+
add
up
0-7
r
to
pI P, ~ F' you're cute! C6
G7
-
-
II
SWINGIN' SHEPHERD BLUES
PI "F7
Iz
_.
Iz.
I~ r e [ r F 0 I S r ~7
I~ T
r
G7
J j
j J I 1'( t
I
r r rJ I £j J J C
,-3--,
C C7
r JJ J I P~F·
D-7
F
j
E -7
,11 I J
A~7·
J!i.J.
G7
A7
(r f1 I
C6
I fJ J E
132
Kaempert 1964
L-O-V-E Abo
F
G-7
J a I a J IJ J I J a I Love
is is
for the way you all that I can
look give
G-7
C7 at to
F
I J. J I J J I J. J I ~J "0" is for the n-IY one I
a
me, you.
Love
I'" B~
F7
C7
more than just a
is
G7
D-7
G7
game for
G-7
I J. a I a J a J J. J I J J J J I J a I J J J J I d J a J I
u
see. two.
"V" is Two in
ve- ry, ve- ry love can make it,
~2. B~
C7
~r-di-na-ry.
ex - tra
"E"
is
F
Bo7
e-venmorethan
a-ny-onethat
C7
F
I~~ J J J J Cd a J JI J a J alJ. JI a Jaal .. I you a-dore can.
take my heart and please don't break it,
love was made for me and
CANADIAN SUNSET
fA)
I~~f
r-r=a I ..
F
Once, I was a Cold,.--,_ _ cold was the Down..----- down came the
I" lone,-,_ __
wind _ _ sun _ _
you.
r-f2J I ..
F6
3
II
so,__
lone - ly and wann were your fast beat my
Wa.rm.---
Fast,
II
Heywood/Gimbel 1956
F
F6
3
II
(I
I ..
I
then..-,_ _ lips.--, -_ heart _
.G-7 C7 /2. F ~ Ir d J J I_a , .. I.. r--3--,
~
youcame-. out there-I knew,--
out of on the as the
I
thrills_ Fine part-
nowhere..- like the SUD-- up fromthe hills _ _ ski trail- wheTe¥our kiss-- filled me with sun set-- from that day_ we'd nev- er
G-7
I~~f ~ J
week-end in Ca- na - da.--And then I dis
a change of scene, and in your
A
F6
I~ ~"
J D -7 E7 AJ J IF I r"
• B-7~5 E7~9' A-
2·
I"
--Bass line for first 8 bars of tune
eyes
I
found
was the most
JI
ir" .J I J
a
love
that
I
I bar- gained for_
~
J ID
could- n't
ig
G-7
C7
e D.C. aI 2nd End (Rne)
- nore:
-
"
133
NICE 'N' EASY Spence/Bergman 1960
EI*
F)
F)6
@7
.. F-7
I~ ~I'ld. d i 3 J I fJ J )~J J I d.J J I ,3 J ZU J I d. J it's gon - na be so ea - sy Re-lax and don't you wor - ry, to sirn- ply hold your hor- ses,
Let's take it nice and ea - sy, Hey, ba- by, what's your hur - ry? The prob-Iem now, of course, is
-
r
in love-.-
9/G
that's safe
A~
..
G7 .
C7
b F r I ~r 0 1 Fqm)
but let's make
to say.--
A-7~5 A~7
C-7
9/G
a-long
C-7
I~
'f
C9
mIll lo.",:L the way'_-
B~7
F-7
'cause nice On' ea - sy
Bj,o
GIB
@
A -7
I
does it ev- 'ry time: _ _
Lane, Freed 1941
D7
J J 3 I J J J I J 'b J F1 •
I like New York in June, I'm mad a - bout goo6 booIES,
,
'B-7~5
I~ I qJ.
E7~9
jJ
r' I'II
3
I
I~ I 3 J.
j
J.
r I
C o7
B
how "a- bout you?:_ _ can't get my fiw,.I1,_-
A 7/CI
how a - bout you?
C-6
J
j
I2.D-7
G7
I
like a
'GIB
Gersb-win tune,
A-7
G6
F#7~9
J J I J F J IJ9JJJ]e love a
C#-7
I like po- ta- to chips,
I~'
F-7 B~7
F7
HOW ABOUT YOU G
~mance,
r I F tr FFI J J'Jj JI .--L.
I~~IIII 'r·IF F Ilnr ~T"Tr ~ to rush would be a crime,
the stops
all
road to
We're on the
G-7~5
D7
r·
roE
for us to fall we're gon-na fall
~
I
in love_
A~A7
nr
fi - re- side
F#7
J J. 3 J. moon-light and
IDO-
when a stann is
B
j
due~i--
A-7
D7~9
J I 'F - 0 F F J •
tor trips,
CA7·
G'o7
how
a- bout
F7
I
_
you?_ _
G
GIB
r ·r r I F r r IF' PF t I) r
F I F J.j J. j J I
r71B~
A-7
and Frank-lin
Roose- velt's looks, give me a thrill,
I~ I ~ J. j J.
A-7 A-fG FI-7~S B
j
hold - ing
E-7
hands in the mov- ie show,
D7
G
J I * r FFir· J I J J J I J r J I.
when aII'the lights are low
may not be
new, but
I like it,
how a- bout
I. II
you?:_ _
134
I WON'T DANCE
I' Ilf
(AI C~7
B-7
,ib ; 1 You 1
0-7 don't You're Why
won't dance, know what? won't dance,
J
won't oh, won't
dance what dance,
do mer - ci
wave leads
/2.C7
J,
things bumped way
to
I' butJ
~
G7~9
&J J I to. lally when you iJ
-
j) us,
r
feel - ing
B7
rest
&J
do
the
F#-7
U ithis
j.
~J
gen
I J.
J ~ ==
-
~7
I'm
1
hold
r
not
J I J. as
-
bes
0-7
J J F
F
you
in
my
arms,
*
~
IJ J J J
--
B-7 ~7
FI:.7
if
C7
*'0-7
~
I J.
--
t1
-
-
*
- de,
I J i J ,0 IJ I J. l J n't ly is pure men - tal,
J- I J J
C7
so
-
J J Q - I gj. nen - tal,
B7
A7
•J J J J I J
-
-
A~7
~J.
and' you're
G 7ms4
IJ
~7
J I
an
that
Bj,-7 g,7
C6 ., ......
stumped
[
won't
J I eJon theJ floor
J ~J
heart like know
-
shore, mance,
-
J
• /'DJ-7
Aj,-7
B-7
I'
Jdo:-- I e-....
0-7~5
F6
B7
I'
C6
D~~7
l-
-
collp,
should the ro
on
ab -
I'
my I'm 1
me,
J
J they
If1;; J II; 1 J 1 1 feel so so - lute - ly lm A~ I ' ~r II~ ~J •~ r J When you dance you're charm - ing ,
yon,
-
J
~
G7~9
J
do that's the
you're love - ly, How could I?
I J. l
e ......
with to beau
ma - dame
0-7~S
o - cean mu - sic
I'
J
J
you
F
G7ms4
C7
J
I*
0-7
what, so and 1 won't dance,
love - ly, should I?
0-7
J
I';let myJ feetJ
B-7
CI:.7
J J I II J J J I * J J J I don't ask me, ask me, 1 won't dance,
J I* J
B-7 1 but 1
G7ms4
Jerome Kern/Hammerstefn 1935
• • • • • • J• • • • • • • • • •II
~
for
hea - yen
G7
-
) -
J...
IJ J ~
and
tos,
G7ms4
r r 1
won't
J
•~
that's
why,
I
II
C ~
Ii
dance
1'......
II
II
•
135
THAT OLD FEELING
Fain/Brown 1937
E~
E~A7
1*~k!. ef J
J)
F
J J F got htat I
1
*
of love
C7
I felt a
07~9
still
I~ ~III!
r
feel- ing, yeam-ing,
old old
*
I r r r *
I
J
J'
and when you
J J J J I J the
that
mo - ment
there'll be no
F-7~5
old
r
new
r'
Bb7
F F F I
I~
my heart stood
for me,
£0- mance
is
J.
my
in
be with as
C7
G-7
We
F keep
I~~ J J J J I~~
cause your blue
our
~
thrive
C7
.-
r r with
mis
on,
~ ;;;;j
-
fer
F
a - live
on,
07
r r
V
mis
-
sus
-
noth
0-7
I~ ~ on
F7
J
r r r
a ev - 'ry - day's I can smoke my not so far from C7~9
fF
II
ing
--.
lit
~
-
I
07~9
A-7 but
r
kiss
-
J J
tie
blue
r
es,
C7
G-7
G7 > <
FIIIfI
knee. stairs.
--lJb7 just
I
F
me. my up
F F I ~ F F Ed• F
Eb7 and
J
J J J 3 r~-7
you're mar - ried to wee • head up - on room a - way far
C7
r
r
G7
J
*
heart.
C7
room, where hall room, where is eru - soc
-
to
Rodgers/Hart 1926
G-7
small room, a Rob in - son
0-7
still.
E~
J J
still
J JI J room, for two
J new
lj-F f J I J
hoI - i-day pipe a - way, world - ly cares
G-7
I
ball- room, a trous - seau, and
Eb7
0-7
A-7
C7
II
it's fool - ish
Bb7~9
I* J f
feel - ing,
G-7
Not like a I'll wear my
will
by
U=J?J J I ~ r F-7~5
IJ
e
that
0-7
r
danced
F-7
F7
'I~ ~~ J j J I J J J We'll have a blue room. a I~~
;[j
r
J J
you
BLUE ROOM
BbA7
r
when you came in sight, I knew the spark and
caught my eye
C7
C-7
for
F
\
G7
F F
I * ~F F F I ~F
J J
start,
r
I
F-(lm
W-
F7
G-7~5
Ob7
IT'
I
C-7
bum - ing,
A~7
J
feel- ing.
thrill,
IF
II
~e
F-
C-
I F
old
~I!I, ~ J J Ji"
I*~'~
Bb7
C7
was
G-7~5
f 2. A -7~5
to feel that
1"F-7~5 1,1,
F-7
G-7~5
JJ J FI and got that
J) I F
I saw you last night Once a - gain I seemed
1* ~!.I!)
E~
E~6
e chairs.
If D.C. aJ FIIIfI
136
CALL ME IRRESPONSmLE B~ 7
A 07
B 07
I ijJ nA]~JI J J I ~J ir- re- span- si- ble,
Call me Call me
DtEb
B\'-7
r r
I
too _ _ __
F-7
I~ ~I'I.~
.t
j
B~7
not too clev- er,
~9
D7
I'~I\~ iF EF Eqr kr I ir- re-spon - si- ble, C-7~S F7~9
I' ~I!I!~
l
II
tnle...-,_ __
JI
just
I
c:r
I qli
e
you?_
a
-
j
J
do~
you. -
B~9
D7
rr
ir - re- spon - si - bly
r'
mad
G
un- de- ni
J J J , r· You've got to You've got to You've got to
J5 J; J. I
give a lit-tie, laugh a lit- tie, win a lit- tie,
r·
;'J) J. I'
take a lit- tie cry a lit- tie, lose a lit-tie
-
a- bly
A~
J I "£ for
II
I. . "
you _ __
Billy Hill 1936
G7
G
D7
»9
I iF C1 F 9r I'F
un- re-li - a - ble, but it's B~7~S @7~9
Fir iF ~CftlF I
Call me
sue___
THE GLORY OF LOVE
IAI
F7~9
i - bis
-
I iF C('C! I'm I
I'm B~9
un- de- pend- a- ble I'm in-clined to pur-
C-7~S
F 9r ~F I·
F7~9
r r
I'm
J J I JJ1 ;Qd I
@7
j,
C-7~S
yes
C7~9
~9
. fool - ish al
B\'-7
rI 'J;/'§l "iii I ~ I
Well, I'm
I MF
my
Do
A~/C
call me UD- re - li - a-ble, throw in tell me, I'm im- prac- ti-cal, rain - bows
un- pre- dict - a - ble,
e
n lJ J I
Van Heusen/Calm 1963
C
F F F F F and let your poor heart be- fore the clouds roll and al- ways have the
I
r plJ.1
break a lit- tie, by a lit- tie, blues a lit- tie,
CC-G
IJ~ l that's the sto- ry of,
1m I~ •
C
r
long
I~ •
'i p
as there's
C-
r
when
r
'p
r
the world
that's the glo- ry of
love
You'vegotto
;.
'i
p I ( Eif the
two of us,
'!
G
As
G
Go
'iF j IFF whe got the
love
r IF
world and all
C-7/Bb A 7
thru with us,
we've got each oth - cr's
G7
I F P'I J I
its
A -7~5
q I kG EJ ,- lYE E F r J I J is
JI
arms.
charms.
And
D 7 D.C. at 2nd End (F
'J JJ I You've got to
IAI
J
j snow can't heart's
The I My
is re on
r r
I~; ,2 ijr
G-7
snow - ing mem - ber fi - re,
-
F I've
what do what do what do
#r
got
my
Off
I
with
W
I
need
1-
F" }
You're a wea-ver of You're a wea-ver of
e
'OF AI,. G-7 C7
--
r
ID
-r
r
D G-7
07
J.
I
I'm
A-7
dreams, dreams.
off ...
,p
G-7 e
I ~F
dreams. seems. 1"
EJ F CJ and your come hith - er
you thrill- ing.
en - chant - ing me
E-7
I ~r'
weak as a babe in
smile,_ too.·
1
II
pI J I'm
r
rI
A-7
,.-3--,
r'
, J JJI
B~7IU
d
poor Iit- tie babe in
you're a wea- ver of
arms,
r r rI
speak can leave me there's no cure, I'm
G9
F [J J F
arms.
sure. 'cause
F
help- less be- fore your
Ii
channs.
G9
F" D F r I F F dreams and I'm in
-II
you're a wea-ver of just like mag- ic it
just to hear you in -your spell and
"
J J J JI for
F J love. My
0-9
,.--3--,
lost
i
D.C.aJFine
Victor YOWlg/EUiot 1951
na-tion, ten-der.
F67
A9
I' r: U F r
J.
J J J J JI J J -
glove,
C7
E7~9
C7
with my
bum - ing with
you and your strange fas - ci you and your lips warm and
,)2 1
Ir P J
,
o-ver- coat,
my
J
~
Fme
o-ver- coat,
F
J
much it might stonn? i - ci - cles fonn? much it may stonn?
I
B-7~5
J J WI
J
r
I iF
A WEAVE:ti OF DREAMS ,.-3--,
I can watch those I will
but just so
F#o7
how if how
to
J. I } J IJ[JJ no
J J
I F F J J J _Ie I,J warm.,_ _ _ _ _ -_ love keep me
A-7
r
blow - ing, em - ber high - er,
C7
A-(lm
I J J
G-
care care care
I I I
G-7
B-7~5 E7~9IBIA-
1_"
-
G-7
07~9
r' r
Ii
is Dec goes
E+7
wea - ther the storm. _ _ _ __ i - ci - des form. _ _ _ __ wea - ther the storm, _ _ __
e
J Id J J
wind worse flame
the a the
F67
-I r r r F I V r
Ie
C9
C7
J d 31 j
.---It-?:,5
E7
Irving Berlin 1937
A~o7
F
J-
C67
137
I'VE GOT MY LOVE TO KEEP ME WARM
I'll
love with you.,_ _ __
138
HEY THERE
Adler/Ross 1954
B~7
J. Hey there,_ get her,_
you with the stars in your her with her nose in the
you used to be so break it and she won't
G E -7
wise. _ _
J\::l- 3------, tho'
D7
a
r
P
I
G-7~S C7~9
F-,1-3----,
* f JIJ it
all
C7
r
F-7
J I FJ J i >
think some-day she'll
come to you.-
Ao7
r r r·
p IFF
take this ad - vice,
I
hand
r
you like
j
not see- ing things too
j
go - ing
clear,
Bb7sus4 llb7
j in
a
are you
3~
j
I
too much in love to
DIE~ Eb
J J J I J J~ I_a
Fir one
pI
~3----,
Ab-6
J I J J J J. "I J pm I J J J J
or are you
is
you
F;-7 3~
C7
broth- er?
hear,
FIF
Won't
r-r I r F j
r
J J.
fool of you, on a string,
on that high - fly - ing
~3--,
•
care.
you
J I EJ
crumb to you, you
I~r G-7~S
E-7
G-7
Eb7
EblBb G-71Bb
G
G7
she won't throw
bet- ter for -
love nev - er made a she has you dane- ing
Hey there,-
I~ ~ 'I. .. I J if F ,J. PI !EJ cloud,
}1 I ~J
eyes, air,
IJ. ~II" J.J ......
J I
C7
ear
and
out
the
oth - er?_ __
DANCING IN THE DARK
Schwartz/Dietz 1931 F-7~S
u"
dark.-
Dane-ing in the Look-ing for the
J Jl
I
it ends, we're you, love, and
I~~bb
B7
J
>
1< j ~J
by, we're here_
tune ends, we're new love to
dane- ing in the bright-en up the
~ P r p I~7 'r f 1'~t P waltz-ing 1D the we can face the
E7tIl
hF' ~p
till the of a
light--
and
Bb9
I
won-der mus - ic
~~~ ~a
. II
gone.
geth
of to
Bb7
darknight.-
er,
and soon I have
C: (t f 19
f
why we're here,
JI
time hur - ries
E~
Gb
F7
E~7
I ije I r- F I r F I -
I
dane - ing
in
the
-I
Eb
I,
dark
"
I DON'T KNOW WHY @7
Bb
All day longyou'reask-ing me,
I~ ~I,
ct Err ~7 r I B~ I have noth- ing to ex -
what I see in you,
I;
plain,
G-7
r IfE
J fJJI JJWJ
C7
r
e rfE er l
all day long I'm an-sweFing but
r ie
E err I
whatgooddoes it do?
C07 r ~F J IGt J
J
139
Ahlert/Turk 1931
I just love you, love you,
and I"
J ~7 I
57
tell you once a- gain,
D-7
I I
I don't know why
F7
F7m f
I~ ~b
Bb
Ab7
you
G7
C7 F7
r Ie [ r p r ip I r r'
nev - er seem to want my
ro
Bb
Bb
J! I J J J J P r pI on-Iy time you hold me is
-manc-ing, the
D-7
,--3--,
G7
C-7
I~ ~b J J J J~3.)1 J J J n) IrE I don't know why
I
you just
C7
love you like I do,
e
I~'f
D-7
r
win -
r
GA7 C7
J I
small ho - tel bri- dal suite, stee-ple bell
G6
I~ I gethJ ter I~I
G6
J I J
j
There's a There's a When the
l'OA7
GA7
GA7
F dow
J
you
can
E7
I~I J .a peo - pIe,
2.
I
F see
J J a
D-7
I qJ who
J wants
G7
~ I
I r'
er
when we're danc- ing,
F7
L~tr
Bb
r Ie'
I just
do.
Rodgers/Hart 1936
J
I J
dis - tant
stee
;J j peo - pIe?
CA7
r
F J.
LOok - ing
)i
thm
the
W-
J)
sign
of
A~7
E7
A-7~5
A-7
*
GA7
CA7
qJ.
J JdI
wish - ing well, bright and neat, com -plete-for as te share tonight, sleep well", we'll thank the small ho - tel to-
geth -
G7
You
Bb o7
J Jr. r
~
U.
#p I
J I J J J
j
with a one room says "good-
G6
i
F7
r
I don't know why,
B-7
Bb
do.
C-7
THERE'S A SMALL HOTEL GA7 G6
do.
Bb
(""'EJ J I J.
I don't know why,
thrill me like you do,
I just
F7~9
C-7
Fr] r I r r r
J J). )1 U I don't know why
I don't know why,
love you like I do,
C-7
J J J
D7
.a pIe,
I F J not a
* .GA7
D.C.aJCoda
* "
I
r r
geth - er.
Ie
II
140
TIlE TENDER TRAP Van Heusen/Cahn 1955
A~6
&-71B~
Ao7
J 3 J J J) a ~JtI J. You You're And
Z
and and the
see a pair of laughing eyeS-hand in handl»neaththe trees-all at once it seems so nice,--
J
I ~a
t; ;
J J
sud- den - ly you'resigb-ing sighs, soottbere's mus - ic in thebreeze, folks are throw- ing shoesand rice,
rr those eyes, those sighs, they'repan thosetrees, that breeze, they'repan you won - der how it all
hF
Some star - ry
Abo
r
E
night,
when
I
G-7~S
You're
C7~9
G-7~S
r
I, J
of the ten- dertrap!of the ten- der trap_
F-7
rIrr kiss- es
her
C7~9
J a Ir make
I' ~IIII~ J r r IF IrE Fir F J J I J. f r she'll hod you
tight
and you'll
hate your- self for
J? came
a - bout,
late
it's too
@7
IF in
love
and
love
now,
• 9r F is
the
'r (
be - ing
F7~9
J" I"r hE J
there's no
a J£ 1<"
ten - der
trap.
B~7
I
J.
r)70 .C• a1Coda
lEa. ." I
sin - gle.
And
r [ til
get - ting out,
A~6
I'D
tin - gle,
you
B~7
F-7
J221
you
fell
-
II
141
YOU'RE GETTING TO BE A HABIT WITH ME
Warren, Dubin 1932
B~
-
-
G-7
A-7
FIl7
C7
G-7
,--3--,
.... In - J W_ ~ J r)GJE)J P) . .PIJJJRJJJ JI ~ 1•
F/A
I'~ J '-'
B~
F7
Let me
.
A7
I'~~
A-7
Po I J e
07~9
G-7
1
(r F
.
ge~ting
J J J
JI
C7
to be a halrit with me.
A~o7
A-7
G-7
Csus4
J )1 J. fi I J. J1 J J I
)i
some- thing that I
A-7
could
0-7
but now I could- n't do with - out my sup - ply,
JEIGt A7D7 G-7
C 7sus4 C7
-- t J. J I'i rJ )
I'i
G-7
~3~
or leave a-
take
G7sus4
G7
I '( r F J J J J I )i J fi J J I 1i J.
lone..--
G-7
FIl7
L
die-ted to your channs, you're
C7
G-7
u
own.
~
I used to think your love was
Fl o7
C7
to be a hair it with me.
min J J J_J. Jl I J Ll n iJ J ~J
J
G-7
ge~ting
you're
,--3---,
stay in your anns, I'm
I
L
'-"
kiss, ev-' ry hug seems to act just like a drug,
Ev- 'ry 1 .
.-3--"1
Oh
I
I
you've
AJ,0 7
need you
J hp-r
can't break free,
got me in your clut-ches and I
G-7
for my
07
A7
E E E r 1 ~p
i J3J
F ~7 07
C7
I
;}l J.
Cl
J) you're
F
eCrU i?J J I J J JJj )11 [Fe u ok J J 3£..
II
get-ting to be a hab- it with me, can't break it, you're get-ting to be a bab- it with me,.-,_ __
PEG '0' MY HEART
Fisher/Bzyan 1913
C7
G-7
C7
I * JI loveJ you,J I don't iji letJ us) part..-, J=_r_ I * your glan - ces
F7
1' .
C-7
make my beart say,
F JI
I love you. bow's· chan- ces?,
B~ID Jjo7
Bkz
F7·
•
r
J ~ j J J. J J I Jr--J""""'J-) J J J it
would be
it's your I-risb beart'm af-ter,
J J j
since I beard your lilt-ing laugh- tcr,
YOlu,..l,_ _
J2C·7
F7
J
tn F I
come, make your bome
3,.
in my
B~ e
beart
-
II
142
I..DIDN'T KNOW WHAT TIME IT WAS E-7
F#-7
1*' HE F
I_ I_ 1_ _
did - n't did - n't did - n't
...,
<
J' a
Ohwarm_ 1__
F3 J
•I
j
know know know
what what what
E-
A-7
j
A7
time day year
a
be
-live, to be
G
Grand- to see· your
A-7
r
GID
F
F
I'm
B7
mad,
to
wise
I
I••I
yours
A7
When When There
they they they
way they tried to fell in
voice
what
time
say I'm all your
it
is
J
•
G#-7~5
J .a Once you
pro - mised
J J ••J should
be
1,
•
•
a -
F
show
I just think
that
fun,
smart, C#-7~5
Fine
done. _ __ heart. _ __
t£lr it
F#7
J *-
II
E7
F
e
J
would nev - er e n d _ - - -
A-7
A9
your
o thru,
was in you're
B-7
r
shamed to
a
IJ.
-
F#7~9
me, you know. B-7~5 E7;1~
I
that was you
do? _ _ __
iF (; --= r p I
F#-7~5
A-
•I
what did you look what you've you broke my .
C#-7~5
r
#J
saw it guess
E7~9
B-7
,
E7
.
cra- zy moon.__ cra- zy moon,__ cra- zy moon,__
B-
J
own.
Van Heusen/Burke 1939
C9
J
r
smiled, I say that Jove, I
3
II
e now. _ _ _ __
G~7
07~9
A-7
l' J f 1___-J
oh, you oh, you oh, you
you
the they they
Bb7
A7
_.I
met, kissed are.
e
D.C.sJCoda
07~9
F F
A-7 07
J PJ J J
L
J'
Jone.
G
know
A-7
07
e
a -
OH YOU CRAZY MOON A-7
II
e
E-7 G7
J
J
and
J
A-7 D7
grand.
B7
be
2.
too.
E-7
Pm
prize,
J :"
•I
J pj .....
I
you. hand,
.!'A-7 J
C6
PJ
met my no
D7
F#-7~5
to be
J
Ii
I held was
B-7
face, feel your touch, hear your
A-7~5
eyes,
young,
Pm
J
then-you _ _ life-
A7
E-7
how sub - lime it was and I'll say it was shin - ing out of your
it was, it was, it was
J Q--
to
PJ
a J J
B7 Grand-
F
C
J1 J
love - ly time month of May love and here
B7
was, was, was,
E-71D
a
what a like the want- ed
it it it
F#-7
Rodgers/Hart 1939
J9
A
J
J
fun - ny
face
my
friend.
07
*
II
D.C. sJFtne
--------------
143
MAKE SOMEONE HAPPY
Styne/Comden 1960
F6
I C-(t.7)
I"~,") J d J J I
C-7
F9
e
I,
sing_ cling-
a
E2J lights when it 12 .
I"~ J
is
once A-7
I'~ I
found her,
B~A7
j
j
B~-7
J aI
A-7
D7
r r -
J you're
ev
'ry
D7~9
r
i
r FI r r
P
,,, ~ * r r r IT r F 1 F j I
J
F
FOun~
r
J ~r F
G-7
C7
Ii
II
G-7
hel', C9
~
to._-
C9
I-r
e
I
rI
one face that some-one to
-thing-...:
E~
:J
F FI
some- one hap- py, F6
make
I F EJJ
and you-
hap- py
make justone where's the real
smile that cheers you, is the ans - wer,
build your world a D7~9 G-7
some- one
some- one hap- py. in a min- ute.
-r lJ
I
one Love
FA7
A-9
r r
make just one
a J I * a a aj
B~6
Bb+
e=
II
one girl
B~7111
J you've
B~
to,_ to?,-
nears you, the ans - wer,
FA7
C-
F6
make just onecomes and goes-
some- one hap- py, if you win it,
Fame ....._ _
love
F+
F
J f) a J I * J J J 1 J £ J
Makc::e __
heart the heart you stuff in life to
F+
a. I
j
will be hap-py
Ii
I" II
too, _ __
Becaud/S1gman 1962
G-7
C7
LJfJJJI live thru a-nother hopes-- in- to bits of world.- closing in on where..-.. theseasllouldle. last good -
F II
ciay -Fine clay bye·D-7
r
. my nateh- mg
U7
G-7
r--- 3 - - - ,
~
J J Fir" now I am 1'd be a
Eb7
numb, fool
AbA7
1.once I could see,-2.What now my love,--C7 F
JJ
I
r- F I
1've be - come to go on DbA7
1H1 -
and
r - 3- - ,
II
& I once I could lee&,now that you're gone.-F7 B~7
I F J J ~F
rea]. on
I walk No one
G-7~5
C7sus4
-the would
~e=
t
night.--
care.....--
r--- 3 - - - ,
J J j II I" V J J FIEF I-r !"J I I"~ r with-out d j F goal,....,_ _ strip-perl of my heart-r-,_ _ my soul _ _ _ What now my a eo
A
no one would
cry__
if
I shoUld
live
or
die _ __
144
SUMMER .WIND C7~9
Eb
.
The
sum - mer windpaint - ed kites_ au - tumn wind._
Like
The F-7
r p=r
EblBb
!j
I my
J).
we
r
his
--
sum - mer wind.--
Bb7sus4
-- '
pr song_
p
'J'I
to
friend,
»-
J
j5
the the the
and
FA7
Treat me sweet and gen I get sen - ti - men When I get this feel
0-7
C7
but
I'~ I'~
please
J J33
don't
J1-< J
D7~9
I"r· p~r·
E£J"
Just . Just so
0-7
p;o squeeze
I"r·
p-r me,-.
[§] J;:1-3~
.-
)JJ,J 0
EiFrl
Miss - ing you since you went a - way,
Bb
3
feB
FIllS
me._
(J (
r
r I crt
sing- ing the blues a- way each day,
G7
To modulate up 1 step
D. Ellington/Gaines 1946
A-7
0-7
0-7 C7 It.
tease
II
use C7 to
--
sum - mer
when you say good - night, when you hold me tight, I'm in ec - sta - 9'.
FA7
I'~ r· r r r·
sand. you. end,
) _J_ J wind
the
J J J
tic..e_ _ tal _ _ ing_
'l'
r-
FA7
fr
-
Ii
~6
sum - mer wind.-
I, ~ • J J Jl F p' Il
Ab-6
-
J
1.£-_ wind wind_ wind_
sum - mer sum - mer sum - mer
&pl J) J
A-7
0-7
all then, and
strolled the gold - en day it called to nights that nev - er
and one through
JUST SQUEEZE ME
lA1
and
J J. )1
r
.. ~
Bb7
7J.
the
it the
-
J Ab
Ab9
J
J 1-
and walk with me.-um - brei - la sky.go on and on.--
a pIp - er man_ lui - la - bies-
s~g
a
sweet - hearts lost you fic - kle·
two
Eb6
1> I §;J~
J
r
J
l
J
" J
sum - mer long_ soft - er than_ guess who sighs_
~!'Iz
Pm
Eb
to touch your hair_ be - neath a blue_ the lone - Iy days_
Eb9
Bbg
cross the sea.-fly - ing by._ come and gone.-
a -
went have
Bb9
lin - gereel there_ world was new_ still the days.-
I'
blow- ing in_ days and nights_ win - ter winds-
came the the
h J
§P
F-7
J1J,) I J
4
Bb-7
Mayer/Mercer 1965
E
count- ing the nights and wait-ing for you. _ _ _ __
FFur I -Err'} Fr (1 r I
I'm in the mood
to
let you know,
I nev - er knew I loved you so,
G-7
C7
I ,
F please say
you
C+7
r p-~
I
145
LOVE WALKED IN
George/Ira Gershwin 1938
E~
J J r I qJ J J J J I J a drove the sha- dows walked right in and
e
Love-e- One:_ _
look
I
and
for
- got
r r
J JJF
brought my sun - ni - est found my fu - ture at
walked right in and look and I had 11·AbA7
G-7 C7 F-7
I~ ~I'I! F F r J F I
I*
D~9
F-7
E~
I J JF
Ii
worldcom-plete-Iy
C7~9
F-7 B~7
F7
I ~ J J r I iF r J J ~ word was spa- ken.
though not a
E~
B~7~9
F-7
new, when
rI
mag - ic mo- ment look and I had
E~
I C7~9
lov'e-e_ _ on,~e-
E~7
day.,_ _ last_ _
Db9
n
way,__ past,
r rJI J J IF J J J I
F a
II
that love said "hel- 10,"_
know,_
found
rI
[jr
e
Bb-7
Bb7 e
E~
e
the
the gloom of
F-7
F7
C-7
B~7
F-7
F7
C-7
Ie
EP
~----
love walked in with
you_ _ __
NO MOON AT ALL Evans/Marm 1947
D7~1C
D-
1~5f J J J
j
j it's so dark.up a-bove.-
B~7
D-
D-7
A7
J :b J J J J I J :3 j J- J J JU..... I stars have dis from sight E'd there's no moon at what just
a to
J. Should
ap - peared per - feet chance think we fell
,}l
J J)
we want
C7
-
.....0
:~
park, love.
..... I J ,J 1 > - mos - phere
, r ~ J p'!'r OJ FJ I one kiss will make-
A7
all
to in
-
at
p--a - J
ev - en light- niDg bugs have dimmed their light,ev - en Fi - do is a fraid to bark.this is noth - ing like they told us of.-
what a nigbt,-
E-7~m~
"f
JJj I J
I 'I J ,) J
><
No moon at all._ Don't make a sound._ No moon at all,_
1~5
G7/B
<
J
07
, J. hp
)1 J htJj-r
in - spi - ra
for
- tion
dear.--
A7~9
F6
J JJ J J
F
j
J JI
it clear, that to- night is right and bright moon-light might
'I
trJ'J· 'II in- ter- fere._
146
•
- DREAM A LITTLE DREAM OF ME Kahn Andre 1931
G
I~I e~: J
J J J J
-
Stars shin - ing bright a Say "night- ie night" and Sweet dreams till sun- beams
A-7
I~I
j J
J
j
bove kiss find
you, me, you,
-
J J J J J I .a night breez - es seem to just hold me tight and sweet dreams that leave all
dream a lit- tie dream of
Bb7
j ~J
~e
IT
kiss,
I'm
Fme
r---- 3----,
r
F-7
r-- 3- ,
F-7
,---3---,
r I ~r
F
long - ing
to
r
j
lin - ger till
Bb7
J dawn.
r
C7
r·
F
Sweet Skies Sweet
and a and
~
Ab
J.
r r r r
love bove love
ly, me ly.
sweet- er than the nev - er were as sweet- er than the
-
Bbl:.7
Eb7
J
r
r
J
sweet and and
and she she
love loves loves
-
Bb7
just
1j
I~ d IIJ J ~J J IIJ In
my heart
a song
II
this;
Tobias Arnheim 1931
Ebt:.7
J J I J izJ
of love is
r r
E If ros - es blue as
-
ros
J J
J
e
in May, her eyes. es in May,
C6
.J
J
F-7
ten- der-ly,
D~7
r
e
r
J J--I ..
hea - ven must have sent her my way_ _ __ who would want a sweet - er sur- prise. _ _ __ there .. is noth...; ing' more I can say
ly, me, me.
CI:.7
When she ne£- ties in my arms so
D7
D.C. aJ 2nd End
say - ing
G7
CI:.7
I!~ J J J J J J 1 j J J)
A~-7
A-7
C7
F
F7
]
still crav- iog your
G-7
F
F-7 1
-
C-7
Eb
IT ~F
dear,
me.
,---3---,
Eb
J
~
e
FI
B~7
SWEET AND LOVELY G-7
A-7 D7
I lin- ger on, dear,
Stars fad- ing, but
C-7
Eb
,---3----,
taunt- iog
I
j
whis - per I love you, tell me you miss me, wor- ries be - hind you,
a lit- tle dream of
dream
C-7
Eb
me.
trees. be be,
r a ijJ
A7
J I" G_ J ]3)
3-,
B~7
G
E7 ,---3---,
G
the in sy - ca - more lone and blue as can dreams what - ev - er thay
E~7D7
2.0
~
J JI
birds sing - ing a while I'm but in your
I"
D7
F7
j
F-7
Eb7
Bb7
Fine
Ct:.7
jkJ JD J JJJI
e
there's a thrill that words can- not ex- press.
a-r'
me._ _
E~7
Ab7
I d iJ
~r·
me] -
0
-
dy,
D-7
J)
G7 D.C. a/Fine ..,.
rr
hauot- iog me._ _
II
147
EBB TIDE Maxwell, Sigmond 1953
C67
1~1l
A-7
D-7
J If J. n 9i I J. F]1 First the So I
0-7/Bb
tidC!'-" rush- es rush to your
If J. J La sea thought.
D-7
sea
A-7
1* r-
is ve- ry
B-7~5 E7~9
face,
D-7
kiss on -
. G719
on the coming
and as we
still once more. So I
G7~9
thru an em - brace,
C6
love, you are
real, real- ly
C67
A-7
fa
in the
rain,
D-7
at its
ebB;---:'" I'm at
I can
tell,
in the
I can
* ill
.I ~ ,
1
E
E!( f
G-7 _ •
0-(1.7) -.~
D-(1.7)
<,t
B~ 7fllA 7 1.
r- 3-,
__
I-N D-6
in the
web
B~13
At
darlc,
in
the
of your
G7~9
J J )11 sun, like the
C6 e
Earl Hagen 1940
JB J ;1,1 ,S.J.. - - -I cr rJ r f!.rl
/-,...;,-,
•
-
,
2.
D-6
D-D~7~ .h.
,
F-7
I*~ fuT-r 1
2
'A9
G9
I*~ Err
D-
j
I
~:
II
arms _ _
G-6
Last time Vamp out
Fil'lfl'
wide?
feel, you are
r- ~fD I
HARLEM NOCTURNE
lAI
•
Ab+
D-7~5
G7sus4 G7
peace
A7a1.
I J l,p I
o-pen
1* J. ~ I J. .fa '1 I J:.-J.a I J. J JIB tide-
out to burning
El I P- 0 I f'" E r I
A-7
mine
rolls one
C/G
Ire: SI ( tQ I ( «g I
EJ
shore, then tide with
arms
D-7~1A~
kiss
J. J I l_J iJ I
] J ;tj , J.
A-7
C67
J2. E -71?A_
~
Tn I r· en I F"
r·
If J. J d JI last we're face to
D-7 IS
: J_ J JJ J I J.
and the will your
,-3--,
in:-- plants a side like the
I1. A719
.p
(--,lm I
1
G7~9
D.C. aJ 1st End.
148
I' ~ I!
MEMPHIS IN JUNE E9
(Jb9 F9
r' f'
(
Cb.7 r- 3 --, 0-7
1
r- 3 --,
r 0'-'
I' (
0-7
E-7
r - 3- ,
3
B+7
E-7
E-
B+7
. E-7
1.1 J,I)
911
G+7
Cb.7 1
-
Fb.7/G
r-3-,
_
1
E-
r(
0+7
3
ill ill ~lJ I' fl3 H JJ 3j 1fj n iJJ J
Ab9
Cb.7
3-fb.7/G
~
A9
D
E-7, .-:- 3-fb.~G
3--,
I' (tiD a_a J Cb.7
B~9
f)9
H. Carmichael
B7
Cb.7
~ fiJ) JUg J~J
-
II
A13
A13
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013
I' JiJ JJ J J J J 1J j J J iJJ 1r
t1t
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~
GEE BABY, AIN'T I GOOD FOR YOU Don Redman 1929
I ,;
C7 ~3---,
I'P't r- Tj ]
I'
A~7
G7
lia
11 .
96
that I that's so
way girl
G7
There's ,..----3
1 elil. . Ii IJ1. • J -3
:1 ~ ":~
a dia - mond ring,
you.
1
.
"If J)
Fine
~a
,--3---,
I If P ~J a
A 07
J J J
Cad - iI - lac
In ! FJ~-tJ. j 3
r-- 3--,
ain't I good
car,
A.
1
to
07
~3~
J ~J J J ~J ~j .... il I
Bought you
Ab
Bb9
Gee ba- by,
do, true,
Ab
~I'h J ' J. you.
JJ J ,J a
JlI
Love makes me treat you the DOth - in' too good for a
"F7~9
C7
3
r=::: ---,
a fur coat for christ - mas, 0-7~5
I Ii J)
G7
r--- 3 ----,
D.C. aI Fine
J J 1 j
---
I
an ev - ' ry - thing.
"
.
(Y.
~
149
BLUES IN THE NIGHT
IAI
I
Bp
Harold Arlen/Johnny Mercer 1941 r-3-o
r-3--,
I~'~ I! ill I f~J
n F' ;p I f3] RQF' )1 fJ]
I
Bp7
A-r I JJ..~
My rna- rna done tor me, when I was in knee pants, my rna- rna done tor me, From Nat- chez to Mo- bile, from Mem-phis to St. Joe, where - ev-er the four winds
B~7
Eb7
I
r - 3--,
aJ U I' Li.J J J J ,3 JJ)J. )\1
r-- 3 ----,
I~ I' J 31 J tJ.)1 J J wom-an- 'U sweet talk been in some big towns
C7
ltd] u''r" ill I ~FEr IBI
I~ ~b F" p J. j
Now the rain's a-fall- in',
~7
lon~some wbis-tle
F7
whoo- eo. 01'
E)9
'1 ~ ~I,t
~
r'
breeze - 'U Take my
I
blow-in' cross the tres- e.
F7
I,J.
,
J.
)5
when he
you knows
get things
the are
2·G - 7LS
C7
wrong
Bb
I'~I' J. night.
Bb
I'G-:~
r
blues
F7
ob
---,
in the night.
nr
ma-ma done tol' me)_ _
?
FF F F the
n
3
in the night The eve-Din' C7 L9
light, song,
moon- '11 bide its sad - dest kind of
C-7LS F7
ISc.-
I>r
!f
night
Ab-6' F7/t.-,
C7
r-"3
F7
O.S.BlCoda
From
-,
,3-,
C7 F7
Iz~. ,w~ ~r-r J) I " - - My
1111 Hum
Bb7
~
-
and she's right ..--3---'
F' ;P I
ma-ma done tor me}- a
F7
5
Q
F' I,Jl F' )11 ~e
C7
in
3
I
I A(ml J d jJ I
j
trees to cry- in' and the mock- ing - bird - '11 sing the
start the word, the
bl::-
)\1 f3 ]
whoa- ee- (my
p I F" ~p (': F";
r'
Ar-m I ..
1_ 3 --,
clido&ty clack's. eo-ho-ing bock the blues C-7 LS F7L9 1»7
G7L9
.
r Ip (" r Bb
C7
r;q whoo-
I~ ~II
F7
whoo- ee,- (my
a
..
I Ip (F" ill I f J ]
fr-'..,.4: r rl ;PI ~Ei sl,m J.
I~~I' &.
Jj
p J. j j. j I F' P E, F'
Hear dat
Bb
L1 a=[J J. j I
hear the train a call-in',
C-7LS
II, ~F"
F7
I ~F" P J. j
J. j
but when the sweet talk-in's done,-but there is one thing I know,_ _
;;-ri-somethingWhO'lllea~~ou to sing the
w;r an ' s a two-face.- a
I,
-
and give you the big eye, an' heard me some big talk,
F7
I~~II
son,- A blow,.- I
C7
~r--3--,
F7.sus4
,-3-,
r r r L1 £1lJJ I
rna- rna was right, there blucs- in the
Bb 'U
night.
II
===---:-:----===-----
150
LET'S GET AWAY FROM IT ALL
fA]
I~ ~III!
Matt Dennis/Tom Adair 1941
Bb7~9
96
Let'stake a boat Let'stake a trip Let's go a-gain
F-7
Ab6
-$-Db9
B~9
Qumcy or Ny - ack. BoHon for Chow - der,
I~ ~~b J J JJJ J DiUB~
FJ,6
I~ ~I!I! J.
,)51
C-7
Db9
I~ ~bl! i J J J"PF out of our rut
dear,
I
G-7
---
C7
I~; J J J I iJ n I'm goin' to
F
E
r r r-c r r rTF"
G7
A7
I~; J J J J J ~ J I J. i J J P J. flir- ty, flir- ty guys with their
G-7
flir - ty, flir - ty
C7
ey~,
I
Johnny Black 1915
F G~ G-7
J 13 JJJ
1)1 I i J will
J qJ J I J 'J JJ I
doll thatoth-erfellows cannot steal, andthenthe
G7
Fl o7
Fh.7
D.C. alCoda
* II
C7
Er U I J J J.)I C/G
ev - 'ry
from it all _ __
buy a pa-perdollthat-lcan callmyown, a
F/A F-IAb
vis-it
then all the for- ty - eightL--_ _
too-
a- way
well
'I
&6
FJ,7 D7~9
B~7
F-7
PAPER DOLL F
~
II
BIH-7
F-7
let's get
dO I
I ~E r; Pr pte
J F F r I pC fr
C9
B~7
F-7
B~7
F9
A - las- ka and Ha - wa- ii
state.-
to Saint Paul, back at all at the "Fall"
We'll tra-vel'roundfrom town to town,
B o7
a
rr r r I Dr p-r r I ))r la,s I
JI
let's get a-way from it all
F
let's get a-way from it all _ __
1m AI><; A-7~SD7
Ei>6 Ei>7
r
I'PJ9 J J J ~ •~
C9
J1r J11 J J IJ J- )5J.
let's take a kay - ale to Let's take a pow - der to let's leave our hut dear, get
I2. P9
let's take a plane no need to come this time we11look
...
G-7~5 C7~9
F#o7
IrE E r-rr
da, er, gra,
-
to Ni- a
...
>""<
-
to Bef-mu in a trail
Bb7
J J JJ
..
g,7
J J HjJJ J 113)
"
I~ ~I!I!
96
J j ~J
have to flirt with
G-7
C7
i ] J d I rdo~ lies
who are
C7
rI
real. When
A7
I~ ~ ( IE ~F 1 J IJ 3 .3 I ,p ('r riPE tr J IJJ ,3 I J J I I come home at night she will be
Bb
I~ ; J
B o7
wai~ing,
F/C
she'll
be the
D7
tru-est doll
G7
in all this
C7
world. I'd
F
,3 J J J j J J I J Err E r I J J J J J J I ~-
ratb - er have a pap- er doll to
call my own, than have a
fic- kle mind- ed real live
girl.
t II
LET'S DO IT
151 Cole Porter 1928
B~6
F7/C
f nJ J J JIJj
JJ J
J
C7
f)
lit-tIe blue-bird, who has lit-tIe blue- bell, in the
When the When the
['C-7 F!
B~/D
F7/C
2.
B~7
EI> EI>- B~ID
Whenthe
n IJ
nev- er said a word starts to bot- tom of the dell, start to
n I Er rr
I;~I' - ~ if) ,- ~ Q I U r F Whenthe
B~6
liHleblueclerk,in the
r r
~
I
sing "Spring, Spring." ring "Ding, ding."
B~ID
F7
J DI F
middle of his work,starts a
B o7
a J J)I
tune to themoonup a-
C-7
F+7
I~ a a J I bove,
IA1 1;,I'f
it is
na-ture, that's all, sim-ply
B~6
J
C-7
~f]
Chinks best
B~6
.
~£ ]
Japs sets
C-7
B~6
F7
JI J
do it, up - per
tell-ing us to fall in
do do
1; ,I, J ~£3 J 1 J 1>£3 J
I
*
D7
G7~9
J P J J J !3 I
C9
1* J J J
r
I;
1>1,
A~7
J JJa I folks
'-"
J
~f)
J I J
B~6
means
r EJJ -- r
let's
do
it,
J_a
I
0+7
I * F F FI
love.
The dutch in
J I
of Si - a- mese
think
F7
Bb
G-7
peo - pie say in Bos- ton, ev- en
r let's
F7~9 ;:
E J• faU
in
...
r
Bb6 e love.
Finns,
C-7
F+7
J
a J a
twins.
Some Ar - gen -
m;u 1 i,J J J F r F r I do it,
I, ..
to men - tion the
I* J
C-7~S
G-7
Letts
F-7
not
. do it,
C-7
tines, with- out
I;~I'
J
am
in Si
it,
it, it,
do do
-
I)I,A7
~J
B~6 1>1,
do
dam
9A7
(g
I;
Am - ster
==
I * J ta J
...
!E &E-F
Laps
B~A7
C-7 old
r
.~ ~Be~6
In Spain, the
love.
I
F+7
A~7
96
up in Lap-land, lit - tie Lith- u - an - i - ans and
it, it,
1 1.
F7
"-"
J
And that's why In Spain, the
love.
I
97
~r
beans
do
e
it,
II
152
MEAN TO ME
You're
FA7
pt 0 7
F6
t
J J 3~J I
07
G-7
-
IF
l' ~ I~~
..-
,'i
B~A7
F7~9
r r * Your treat me
cold
ly
*
me
J
....
J J you
-
J
F reF kr
r
G9 L
I
I* F
C9
e
year,
dy
to
mean
"~I J
J
You've got You've got You've got
G
J f F· lJJ.
to to to
give a lit-tie, laugh a lit-tie, win a lit-tie,
D7
I F"
take cry lose
l
J1Jl J. a lit-tie a lit-tie, a lit- tie
J I
C+7
IJ near,
is
II
D.C. III Coda
dear.
F6
I-..
me
II
THE GLORY OF'LOVE
IAJ
r
you ai-ways
J I J Jt
I F"
J
D7
pE] J
-
~
I don't know why_
Eb9
J1'-"J
some - bo
G-9 what you
see
~+7 j i··r
B~6
each day_ in the
07
1 J
1'(rJ
F7~9
when- ev - er
0-7
r'
I
mean to me?_ Gee, hon - ey, it say you'll phone.-- you don't and I'm mean to met- you should - n't for
cty - ing, sigh- ing,
I * F F J I J.
J
FA7 can't
me and
C-9
I
J J J
J IFJA7 0-7 . ;l. . .,
r"'r
G-7
Eb9
scold
r
r-r
II
G-9
,J
you be when you to be
C9
r
C-7 F7 B~A7
F6
r· fiJ ,3 J I r
you love to see sing- ing the blues
seems to melIIC:--left a-Ione~-
C- 9
C9
mean to me, why must I stay home-- each night It must be great fun
J J J CJ 12·
G-7
Ahlerttrurk 1929
G
B1lly Hill 1936
G7
I' r F r r r I
C
r P1> J. I
and let your poor heart break a lit-tie, be- fore the clouds roll by a lit-tie, and al- way's have the blues a lit-tie,
CC-G
I J**JI As
when the world
is
thru with us,
we've got each otb-er's
arms.
You've got to
•
153
I'M GONNA SIT RIGHT DOWN
Ahlert/Young 1935
C~7
C
G+7
C6
E7
C~7
J J J J I J J J J I r r 1 r· r I I'm gOD-na I'm gOD- na
sit right down and write my- self a let- ter,smileand say,"1 hope you're fee~ing bet- ter,"_
F A 7IEI1.D-7
I~
II,
l
;)
you do _ _
D-7
G 7sus4 G 7
D7
G7
I~ J J J 13 I J J. I F r C/GB~7
A7
a
and
let - ter_ _
D7
E
I'mgon-na
C7~9
FFJ I J J I came from
I~ ~I'!.~_
r- J
e
I
You're my You're my Wbere's my
thrill, thrill, thrill?
I F you
J I
#J
fo some - thing how my pulse in Why this strange de
-
j
I
tbru me, pie - ces bigb- er?
B~7
and I IOl:)k at you, 'cause when I look at you, 'cause When I look at you I
F7
B~7
~9
F9
else could D.C. aJ Coda
I~ ~bl,~ EFEr I sil-ver pIal-ter.
-
II
D~9
IFF you send
chills right go just to that keeps mount- ing
I
..
,J
you're my thrill. you're my thrill. can't sit still 'cause
~
C-7
F7 II
II
. D-7
I~ ~~I,~ E F \J J I E F" noth - ing
I
F
C-7~5
r r-
J J
sit right down and
Washington/Lane 1934
to me, creas- es, si - re
F-7
F~7
you _ __
C7~9
G-7~5
A lot of
C D- C
YOU'RE MY THRILL G-7~5
'in ~ I
J J I FF J r I
D-7 G7
make be-lieve it
feet.
F
2·
got 'em, I'm gOD:-na
camcttom way you
C71B~ A 7
C6
sweet, they're gon- na knock me off my
I~ F Fir iF I r J I J. EI write my - self
and make be-lieve it and close"withl.ove"the
J D-7 J F IFF !J JJ J J 'I;
I'll be glad I
bot- tom,
F#o7
F6
F F F1r. J I
r r r I F J J J I d 'r Fr I F J J J I J
I'm gon- na write words,oh so
kiss-es on the
r
e
mat - ter,
Mmmm,
..
G7
~lt~~IzI~'~~~~~~~~ ~ " you're--
my__
thrill. _ _ __
154
THAT'S LIFE
[AI
G
~. r *- I
I~I e
That's That's
E
r r r r'
)1
A7
I~I ~
01'
07
r
you're rid- ing high in Apsome peo- pIe get their kicks,
-
when I'm 'cause this
G
J ] 91
P F go- ing world keeps
J
r
' ;J
a - round.
r"A9 F r r' p I J
)
J
tune, down,
~3-,
shot down in May, but I step- pin' on dreams,but I
A-7
J
back on top
in
June.
I've been
a
I've been
up and down and ov-er and out and
A7
IA1G
r~ -
I
B7
I~I U
-
J ; J
B~7
J~ ,
I know one thing,
E-7 I can't de~ny it,
En
di~n'tthinlc
pick my-self up and get
~
"PCJpJ'Ii'l J J ;
life
G
P
That's
07
each time I [md my-self
I~I
If
pup- pet, a pau- per, a pi- rate, a po- et, a
J. a J J 9 £ a I J
F#-7~5
r
it was worth
I thought of quit- ting
B7. E-7
)1 a
raj
try.-
A7~9
r-3~
,in but my
back in the race_That's
A7
r - - 3---,
I F
r r
C-
; J f!1
heart just won't buy it If I
07
G
J I ~j J 3 Jr:r, JJ I JJ J I e II I'd
i.
roll my-self up in a big ball and
• •
07
IBI G7--,--. ~'--' 0=-'--, ='-, J •JI J J 9 F J J J J 9 J J 9I r-- 3 - - ,
pawn. and a king_
J ,
~ i' ~
W-
E-7
B7
know I'm gon- na change that me don't let it get 12.
,; J J z J p I 'r r r J) ru,
j I
P
c-
A7
~
fun-ny as it seems,
C ll7
B~7
E-7
r-3~
r rr that's whatpeo-ple say,
i'
Life, life,
G
I~'
B7
Kelly Gordon!Dean Kay 1964
_I I
die _ _ __
155
I'LL BE SEEING YOU
Sammy Fain/Irving Kahal1938
G+7
F-7
I!
be
Bb7 &1'1,
~ ~ ~
J
I! &1'1, Pr
BI)7sus4
if F r I r wa,
the
~~-"-'---
Il * I i
of
that
96
that this heart of ev - 'ry-thing that's
the
rI a-
parle
4J r I #J)J
fmd you in the
JJ
the wish- ing weil'::_
D-7~5
F-7JEi,
F-
you that way I'll
small ca - fe,
the chest-nut trees,
chi - dren's carous - aI,
r Mp r r I r Bb+7
rip #J J~J rip J C7
aI- ways think
~ J I J. i J ) I
rip
In
Bb+7
C7
F-7
C7
all day thro. I
F-7
the old fa - mil - iar pIa- ces ev - 'ry love - ly sum- mer's day, in
1'·~~ ~.y
mine em- brac- es light and gay, I'll
C7
all
m in
seeing you seeing you
be
F-7
JlJ ~ I J. 1 J ))1 J. \1
J I J1j I'll I'll
C7
G7~9
C-7
mom- ing sun, and
when the night is
IF; ) 1~~7~9 J I ~••~ ~1!~~lzl§z~l~~~~~I~~~J~J~J~t~:<~R~=~.~:~~r~~~:~-~-~~F~"~~IL F 7sus4
F-7
I'll be
new,
but I'll be see-ing
look-ing at the moon,
you _ _ __
BECAUSE OF YOU F-7B~7
. WUkinson/Hammerstein
B~7
@6
F-7 B~7
J. bJ' I J J. pie IJ J J. J> I F J. bJ' I J J. PI Because of
I~ il'l.
96
IJ r r pI
e
song in my
you there's a
G-7~5
~r
B~cause of
start
and
nev- er
to
.
it's par - a - dise to be
J J. ill I
on - ly
j ~J F9
I J J J J I F
now worth - while, and
I
can
r J.
live
for
smile,
mine, for-
F-7 B~7
bJ1 I J your
J.
love
and
A~1l7
F-7
near you like
C-7
stars will say you're
B~7
C7~9 ~
IJ F r· pit r·;1 J IS
shine, the moon and
L4
part
I-
life
F-7
B~7
F-7
G-7~5
r r J
you, my ro - mancehad its
P F· J) I J. l J. PI F" P J. ) I J J I
I~ il'l. J J J I d J J I "_ ev - er
B~causeof
C7~9
you, the sun will
F7~9·
F9
heart-
PI your
D7
I .r r'r- r I r r I r r I this___
F-7 B~7
Be - cause of
you my
@6
rIr
Fl')
be - cause
of
I
II
you _ _ __
II
156
WITH A SONG IN MY HEART
r
fJ
I
t
i 13 J L] I
t
just can
!
!
I
I ~ 'I,
a I
When the But I
!
I
A-7~5
I@;'I,'"'r
A-7~5
t
I ~bll
I=-r
A-7~5
r Q r FI
A~6 9/G
neaI.--,- - -
F-7 Bb7~9
abo7
n tr F E3 I r r
IF
would live life through..... , __
with a song in my
heart
B~7sus4
I*~bll J C1 F When whip- poor - wills A tum to the Just Mol- lie and
~6
t
I
rr
It"
cal.J-l_ _ rigbt, me,
Bb13 my_ __
9/0
F-7
F-7
e blu,,....e_ _
G-7
hea - ven. ~
:J Fine
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rI~
smil- ing
F-7
face
B~7
a
fi - re - place,
F-7
B~7
It~bl' P r p r F I P J SEW F lit - tIe nest nes- tied where that's the F"<
light three,
A . tum to the
D IF a
co -
D7 Db7
1F
C7
¥ FJ J]
hur- ry to will lead you to we're hap- py in
nigp1b.--,_ _
J elF F-
II
you _ _ __
for
I'B~7....4
IS J.'
Ii
Donaldson/Whitlng 1927
and ev- 'Ding is a lit - tie white and ba - by makes
96
-
e
I.
9 A7
n
J
I
Ii
D.C.BlCoda anu.-d_ _ _ _
MY BLUE HEAVEN ,
handl,....,_ __
I ing
T
c.
F-7
F F -
II
-
r r F F touch - ing your
stand
;j
C-7/G
.---3--,
C7~9
rr
G7~9
hymn to our grace. ours came to be?
r---3----,
EJ,/Bb I
.. Ab7
mus - ic al - wa~s
it tells that you're
..
but it soon is a that a song such as
S J I ..-
j
j
I J LjJ J iJ I J J \J
e
C-7/B~
D-7~5
C-7
song at the start,.....,- - - help but re - joice,
C-
J j
G7~9
I F Fa
I be- hold your a - do - ra- ble face, hea- ven 0 - pens its por-tals to me,
heart..... , -___ voice,..,_ _ _ _
D-7~5
C-7
B~7
F-7
n
e
With a song in my At the sound of your
I ~bl.
B~7
F-7
Rodgers/Hart 1929
J2.B1.-7
'J
C7~9
F
pJ.7
r r
You'll see
a
F-7
@o7
I"'V'
F
zy room.,....,_ __
a
F-7
IJ ros - es bloom, _ _
Just Mol-lie and
I
157
DON'T WORRY 'BOUT ME
Rube Bloom/Koehler 1939
B~7
F-7
Ab
I r' p r? I'f" J I Don't
wor- ry 'bout me,--
Ab6
Ab/C
...
IJ J
Ii
B~7
B 07
r - 3--,
~ j I
J
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for - get a- bout me,
be hap- py my
@9
Eb7sus4 .-3==1
-I
I F rA F
r
ov- er and so
the
our lit - tie show is
Let's say that
love_-
get a - long..--
I'll
Eb7~9
Irq)
J-1
sto - ry ends,
Eb7
-
l J I J. call it a day the
why not
Bb-7
Eb7~9
.
rrr
I~ ,bl,; I~ ,1'1,;
0+7
Fir r
I~ ~I'I,~ rr
the rule..--
be
Obt.7
F
still
a fool.--
F7
JJ.
dming,
r r give your
heart and your love to whom-
r - - 3- - - ,
.-3----,
used to be?_ _
why should you clingto
r7Tr
r r [J I h~
E-7~S
I~ , J.
E-7
~
0-
ll
souI
0-7
G-7
I, J. J ~ IF' love, search- ing for love, beau - ti - ful
G-7
r PC J I r·
H JI
Bb7 II
I was con - ten- ted till you came a - long, Reaclring for hea-ven, de-pend-ing on you,' E-7~S
B7111
A7..
I d. IF Ir I
J Da
have you done to me? re- a-lize
1 1•
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love, you're all a mys- ter - y, love, I've roamed your pa- ra- dise,
dreams to J
o-
A7~9
Ft.7
]I
Young/King/GOlspie 1931
J I J. J J J JJ..
C7
A7~9
2·0- B7111
Bb7 A7
0-
\,.
I~:
•
With your
song.
.. '
Beau- ti- ful
II
til
don't wor- ry 'bout me _ _ __
you can for- get,
H
some fad-ing tbingthat
Ab6
BEAUTIFUL LOVE
Beau- ti - ful Beau- ti- ful
ob-6
Eb7~9
Bb-7
r - 3--,
J IFr r
]I J
f J.
"Look
I J. ~ J, LA J J I J F J ~ Fir r F r r I
0+7 @7
I~ ~ , J. JJ
be friends _ _
F-7
IF' P (lOr
should
ev- er you love. Don't be
Ab
Ab
rar r
out for your- self'_
Ab7
sen - si - ble way, and
II
14:.. •
"
love 'Will my dreams come true?
F
what my
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1'j.JJI thrill- ing my beau-ti-ful
158
DON'T TAKE YOUR LOVE FROM ME Henry Nemo 1941
0-7
J A7
0-7
G7
pe - tal from a ros~e_ _ take the 0 - cean's roar_ _
and
I' J Li ~F·
b)J
please keep the spark
Bb7
I' I' ~ J
j
J break,
my
J2. C6
J:J, J F (rr-
a - wake.
Would you
G-7
0-7
beg of you,
D-7
C9
F6 G-7/F F6
f Vi wiw
J till
an - y - one-save my love-.
I
G7~9
C6
-
-&
love from
"G-7 1
I
used to
lie
a- wake and
A7~9 0-7
j r
wo~ der
And thru my
07
I was a lone - ly one-. I nev- er gave my love.-.
C7
J I Jon J>
Ray Noble 1938
G13 IT
I ..... 1
till till
you_ you_
I
you you,
for
A-7
if
B-7~5
I J in Jj J.
II
-&
me
lU,U J J J_iO J1J
u_
F
this your heart won't
J IJ J
don't take your
so
r r
Fir
I HADN'T ANYONE TILL YOU
I had to
a-
J
make,
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All
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1* F J
CO>
Jj I had- n't
J1
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0-7
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just a sigh?
E-7~5 A7~9
A7~9
life is yours to
1 J.
G-7
I
\,
Ir J J J I J
G+7
this is what I
CIE
0#07
0-7
'D-7
j J l.fJ J I iF J 1* IF F F
let you do,
A7~9
0-7
A7
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tear a would you
Take your heart
mine will sure - ly
~3~ ~7
sky feels bluer-,_ _ they can't fly,, _ _
Ir--'·-C---- 0-7
)'IF J J J
I' wayF from F mine
19,
LA.
and leave
0-7
F-7
and the so that
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.FO: rose J F r 1e l F F F and the weeps too _ _ __
I' J J ;!l J JiJ} EJ, 0 7
0-7
1
star from out the star take the wings from birds
0-7
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J J J J t
;JJ
J Ji J
Tear a Would you
EJ, 0 7
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Ab.7
pt-7
J I J IJ JMr I
c>
there could be
a
some- one in the
;.
I'~ ~F7 r E;;9 1J~J§JDj 1J~nCQ J J _1~J~n a.n 1~jh J. wide world just
made
A -7~5 I
F/C
!... I@ ~ r EJ
for me,
07~9
now
I see. I had to
G-7
C7~9
r Ef I ltJ r 'j J J I J--JJ j ---I j
cu - pid took
a
hand in it,
I had- n't an - y- one--._
lone - ly heart de - mand- ing it,
F6
j till
I
1.__
you
0~7
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II
PLEASE DON'T TALK ABOUT ME
[AJ
£1,6
G7
I'~I!Id. F J p E pIT rJ ip
r
Sidney Clare 1930
G-7~5 C7
C7
tr F J
D' 1',,---
159
-$-
F9
J1
j I j j
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fr
Please don't talk a - bouL-me when I'm gone:,....-,_ _ _ oh hon- ey, though our friend-ship cea.sIf you can't say an-'" y - thing real nice, it's bet- ter not to talk at all Makes no dif- f'rence how---I car - ry on, re- menr ber,
es from now o n _ _ _
is my ad - vice.
And lis-ten,
We're part- ing, C-7~5
F9
F7
I P r p=rJ I P r
Here's a kiss, I hope that this brings
you go your way, I'11 go mine, it's best that I do_
~o7
Bb7
-$-
F-7 Bb7
F-7 Bb7~9
F7
Ii*~~ll§ll~r~r~9~J~r~1e~~D.C.~Blr I'~I!I! F r roP I FE lots of luck to
you.
96
r r I "I"
E7
G
r 9r I r
But- ton up your Eat an ap - pIe Keep a-way from
C/O
I,- j 13 j
IS ~
care of your-seIt,-'
EJ- r I ~ J .a J -$-I,oG
r
.p :
you
cross - ing streets,
07
G
r~lr
C/O D7
E-7 A-7
D7
to
~:J
J J I J.
a pain and ru
.
Gt.7
r r Ir r
8;0 -
r
r #r II
in your tum- tum.
r
C/O
07
I J. J) J • I
II
take goOa'
free, three, spree,
G
0-7
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J J IJ J J
E-7
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J J J G
1,- r
long
out sweets,
C7
IF
J~ I
00- 00,
G
J Ie to
rI
car~ful
Be
cut
-$-
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long to me.
I
00- 00,
A-7 0~o7D.C. alCoda
Gt.7
I
when the wind is get to bed by when you're on a
don't eat meats,
00- 00,
~>
you'll get
MJ
be - long to me
C
1,- r r f' IV 1,- J) J J J
r
Henderson/DeSylvia
E-7
A7
ov - er - COal-ev - 'ry - day,boot - leg hootch,--
D7
II
please don't talk a-bout me when I'm gone _ _
BUTTON UP YOUR OVERCOAT
r i!f
p-r r I
me.
II
160
LIL' DARLIN' Neal Hefti/Howard 1959
B~7sus4
G-7
J J' J may va - ca -
You Tho' No
J J , J J_ I >J -
J
£I, f~ -
I
£1,7
,
Ab6
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*when when you're you're
I
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I~ ~llb ati J JJ j: I::: I ~'pr~ IBI
I~ ~I!b
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-
'1
,
'I
an- y-bod- y but me!
F-7
aJJ J
J_ U
ca - fe on the
Rhine.--,_ _
B~7
.12. F-7
,a
-
tid JJJI
0
place
I~~\ r aU d
n I· F J
vis - it a night club in
I~ ~I!h
F9 j
r·
J J
I
I~ ~1.1.
-
C7~9
-
the
sing- er keeps
~ fiS I re -
£l,
Bb7 j
32±e me'
C7~9
I
e
key,
sing- in' off
las
Wbenyou
G-7
C7~9
G-7~5
J J IJ J • 3J an-y-bod-y but of
Don't dream
I'll for-
r 'r· c:J I
C1 I raJ d J a I and
I
£1,7
~3---,~3----,
£1,7
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r'
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heart in dan-ger if his face re-sembles mine_
J J J J J ~'~ ~. mind if sud - den-Iy he
F9
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Bb-7
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won't ev- en
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Fris - co
J JI
a - long the line,.-,_ _
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an -, y -
£I,
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F-7 give you when a straIrger puts your
I
don't dream of
an - y - bod - y but me!
F9
4L3
~J
F9
or fan - Ding your - self by the Wi4,-,-or hum- min 'The Isle of Cap- ri",--,_ _ what - ev - er the ho - ur may be,-,_
B~7sus4
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or go to or try some no mat - ter
J J ~J J
::r
11.
r·
'1
Ab-6
G-7
ing".--low.----
,
scan - Ding the snow cov- ered moun whis- tlin' 'The Camp- bell's are Comwhen - ev - er your head hits that pi!-
Switz - er .;. land to ski,..-,- - isle near Nap - 0 - li,,_ __ what you choose to see.--,_ __
tains-:=::'"
F9
tion in Ha - wa - ii,, _ __ fly to Scot - tish High - lands,..-,- where you care to tra - vel,..-,_ __
you may mat - ter
J
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you
r
of
t-~ D.C. j
II
-
II
2nd End
me_
I LOVE PARIS
IJaJ. )1 love
I
I; ~I'b I; ~bl, J I; r v?*
Par- is in
I
u
CJ I
fall,,---
CJ love
G7
D-7~5
----
1 J J J )1 J J Par - is
in
J
i
win- ter
the
love
Par - is in
}
when
Cthe
Par- is in
love
D-7
CIE
J
1
it
sum- mer
ev - 'ry
r r r·
mo - ment of
A7
C/G
I
siz- zles.
:eo7
E-7
C6 D-7
mo - mentL,.-.- -
when it
D-7
J) I
CIE D-7
love
Par- is ev - 'ry
F
year..-._ _
11.D-7
Par- is, 12
·D-7
why
G7
oh why do
I
G7
I love Par- is?
be-cause my
E-7 A 7 D-7
I~ * J a J I be- cause my
love
C
e:
IJ J a J I
love,......._
be- cause my
e
love
near-
is
G7
C
I F"
,.r
r
lov'c:...e_ _
is
I
IS ;- I e.
F
I; ~ Jl I J J J j Just
I; ~
FA~?_~.....-_
F6
,-3-,
near
J)I J
G-7 C7
die
kiss me once, then kiss me twice, then kiss me once a- gain, it's been a long, long
G-
G-(A7~
. G-7
en J JI J I,j
,--3--,
1 J J J,J = J d I A J J
C7
G-7
Have-n'tfeltlikethismydear,sincecan'tre-mem-be.. when, it's been a A-7~5
I@~ F f
D7~9
I
A-7~S
r f 'E F F ; I
D7~9'
r r'
i
FA?
A-7
~ j J J J J J J ] I fJ
J) IFF
long, long C7~9 ~
G-7
j
C+7
time.
FA7
I J , i J i~ I time. You'llnev-er
Db7
.
r~r F r r I r r
or just how e~ ty they all seemedwith- out you,
know how rna- ny dreams I dreamed a - bout you,
R
Styne/Cahn 1945
FIA Ab7
FA7
JJ J Jim J J tJJ
D?
~
G-7 C7
JJJ i J 3j I r 3
'-"
kiss me once and kiss me twice,then kiss me once a- gain,
it's been a
II
'II
IT'S BEEN A LONG, LONG TIME
1;
pI
J F * 1 J. I; J. ; I J J J J ; * J J J I J. J I _ I J * -
1;
!
r r F·
1
IJ * - IJ J
e:
the
CJ
G7
l
the
driz- zles,
C6 D-7
I-r * - I r r I
F#o7
I
1a J J J) I a J ¥ a J) I J J * "g9 9 r v
j
C6 D-7
I; ; I J a J. } I
spring- time,--,_ _
G7~9
D-7~5
I
the
161
Cole Porter 1953
¥
\
J) I so
F6
J I"
long, long
C7
time.
II
162
WHEN YOUR LOVER HAS GONE
When you're a - lone, What lone - ly hours,
F-7 Bb7
t
I: ~ .~IzI,~ p .-
who cares for the ev- 'Ding
@9
1)1,-6
r' ;;1:1
F F hF
:I
lone, hours,
sky - lit skies? sba- dows bring,
r
hF ~F
I
the mag - ic with mem- 'ries
Ab6
C7
*r r
I
moon-light dies, lin - ger - ing,
Blr-7 ~7
F7
12.
F-7
sun - rise,
Ab7
when your
Gb7
F7
I~ ~I'I,~ J ~ I ~ E E 'E I'E F flowers,
life can't mean
lov- er has
B7 Blr-7
gone
E9 ElH-7 Ab6
when your
I
lov-er has
0-7
G-7
I~ ~f J J ,4 I 3
C7
F
r Jr.
MOOIr light be - comes you, it MooIrlight be - comes you, I'm If sly I love you, I
G -..,tr:: 'Ir ~
I
C7'- 1'A7 I
right things man - tic moon-light.
I~~
C-7
to to al
dreaming,
<;il3
now
D7~9
G7
C-7
I
goes with your thrilled at the want you to
C7~9
gone _ __
r-2-
- ~ FF
I~ ~ J DJ J I J ~ I mind if I tag a - long?
J
me that I'm
D.C.aJCoda
wrong,
C- 7
F
.
what
a
I
all dressed up to go
A 7'.9
J IFF
07~9 <;iL
F~'~3--, 4 I
You're
E-7~5
and
F .J J
cer - tain - ly know the roI could get so not just be- cause theres
- - - C 7 F7
Bb~7
r
IF
hair, you sight, and know, it's
--
07
. - - - 3----,
f"r
-
...
A-7
~
night_ __
J J 43--,
G-7 C7
Van Heusen/Burke 1942
P6 ,
F7~9
don't tell
G-7 C7
J J I
wear_ __
F 7sus4
r r r
D-7
II.
En
u,-
MOONLIGHT BECOMES YOU F6
~
t.J.
e .....
r I - J r I hr J r
an- y- thing,
dawn,
Ab6 Ao7 Bb-7 &+7
J J IJ J J I there is no
F
at break of like fad - ed
fa
night to go
0-7
I F J. d.ream- ing,
G-7 C7~9 F6
I I I II I
II
II
II
'1~~~~~I~J~3~~J~J~I~,~~LII~11 I though
moon-light be- comes you so. _ __
I
~----
--------
163
THE SOUND OF MUSIC Rodgers/Hammerstein 1959
F6
F e7
r~: F 0 J The I
hills go
1* fO a J with the sound of when my heart is
are a - live to the hills
F6
I~~ a
J J
songs know
hills
F
I~~ J
D J fill my heart
Bb
a1r
J J a
J
with the sound
of
I~
I
C7
IF
*r
II
The
Er
J
Bbo7
F6
that
laugh
like a brook when it
D-
A-1
I~~ d J J I j.
night
from the
to
lake
G-7
,J
........
mus - ie
I,. j
tress.
the
that
flies
from the
church
Bb
J J J J JI j
1
trips
and
fall
ov - er
D-7
a J IJ like a
lalk
My
A-7
J F Ie I'll and sing
a a I
rJ
its
(r
r
will be blessed
C7
1
*
I
J I
~
to
~
J I
way.
G-7
A-7
I F t9 heart
F6
who is learn - ing to
F7
breeze,
Bbo7
G7
J) iF
, ]
a
on
on
stones
My
C7
a a
F6
fore___
J IJ *J I
'j . a
F6
OJ a a J
the
rise
F6
Bbo7
J . F Fa I ]
Bbo7
my
heart wants to
G7
chime
a
*
J J a ~J II my
Bb
Jaa aJIJ heart wants to sigh like a
ie,
hears,
J J J J
birds
-
1*
..
F6
Ja J aJIJ
thru
1
it
song
like the wings of the
-
I]
......
F6
Ij.
ev- 'ry
]
]
1
mus
C7
Bbo7
sing
* with
F e7
heart wants to sing
beat
-
JI
ie. ly.
years
F6
I~~ F
L]
I' ~-7
for a thou - sand what I've heard be-
they have sung I will hear
-
mus lone
J
a J a
j
]
I]
to
C7
r * r pray.
I
f1 r
with the sound
r
of
F6
Ie
1 ..-
once
more
L..
II
II
164
STRANGER IN PARADISE Forrest/Wright 1953
rJ~7 Cl F JJ
rn r'
I *F J fo] I
Gt J JjTJ J 9 ~ II
Takemy band, I'm a strang-er in pa-ra-dise, all lost in a won-def-land, Star- ry eyed, that's a dan- gerin parra-dise for mOf-tals who stand be- side fer-vent prayer, of a strang-er in pa-ra-dise? Don'tsend me in dark des-pair
J
A-7 0-7
I*WJJ:
I* J J J I
II
IT I stand
pa-ra-dise.
It
......
I see your
you.
fac~e
I~ com - mon-place.--- in- to the rare.
GA7
I~ ~
r iF pe~ed,
AI>-7
G-7
IUF FFie un-til I
1*-7 J
bun- ger for.
But
07~9
IF UFO I
pen your
G-7
an - gel's
0719
1*
II
C7~9
ICtB~E r
ann~s_
IF~F ~F ~F I II I hang sus-
space,
there's a chance that you care.
F
0+7
F FI ~e FA7
°fJd IGt J 0 -
OA7
Some- where in
C7
know
~ ~ ;6 J J.
I J J ~W Ij I d F • __ and I as - cend - ed- PI A7
~F
F
n rB
I _,
Won't you ans-werthe
~
11 in r
II
to the strang- er in
F6
him that
tell
be need be_ _
pa-ra-dise
•
Jerome Kern/Fields 1935
a strang- er no more, _ _ __
SOME ENCHANTED EVENING Rodgers/Hammerstdn 1949
I~
t
C
j
.
I~ ~r
rr rI a-cross a a-cross a a-cross a
J
J J J F1 F'
you may~ee a stran- ger, some- one may be lauglring,_ when you fmd your true love.--
F
C~3:---1
]i j
crowd-ed room. crowd-ed room., crowd-ed room,
!III
II II
II
C
,3 J J J J IJ *I j ,3
Some en-chan~ eve-nin~ Some en-chan~ eve-ning.--,_ Some en-chan~ eve-Dingo---
E+
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out of the
a strang-er in an an - gellike from all that I
ob7
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II
I *} J ; J I .,
Ans some-how you and night af - ter then fly to her
*I j E7
-
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know,---night..-side-
rl •
you may see a stran- ger you maybearherlaugh-ing, when you feel her call you
0-7 u
,] J J J ...
A-
C7
. - - - 3 -:----l
W
J JI
you know ev - en as strange as it and make her your
seems,--
I
......
•
~
-
-------------------------
~
165
SOME ENCHANTED EVENING (pg. 2)
EFA I ~-7 r
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that some- where you'll the sound of her
G7
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see her laug~ ter
G7
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dreams--;---
a - gain and a - gain will sing in your
C
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G7 D.C.aJCoda
It J J J J J I J J J J J I J J J J J I J J J J I.. I.. I Who can ex,.plainit?
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nO
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life you
C
wise men nev-er
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C·
Fools give you rea-sons,
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Who can tell you why?
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r
dream
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all
a
J J J J J I J JJJ; I J J J J J I Once you have found her,
nev-er let her go,
once you have found her,
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nev- er
r-3-,
is quite my
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let her
II
go.
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a com- bi - 08- tion like this
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most im- pos- si-ble scbemecomettue.1m - a - gine find-ing a dream like you, You're
F6
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lone
,Jerome Kern/Flelds 1935
to look at, de - ligh~ ful to know and hea- ven to kiss..-
F6
love-Iy
II
J )5)5 J;1I p r ;Jl F' ~ I p r p j IJ J J EI ~ F P j I
Lov~ Iy
Jd
FV· C
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LOVELY TO LOOK AT F6
C .> 't
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-
try. _ _
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to look at,
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it's
tbrill-ing
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r
to bold
P Ir you
r iF r
09
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FIT'
r
ter - ri - bly tight,
for
G-7
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we're to- geth- er, the moon is new, and
~3----, A7e
-I..
ob, it's love-Iy to look at you to - nightL-_ __ -2-
II
I
166
G~
I
ALONG WITHOUT YOU VERY WELL Hoagy Carmichael 1938
IAJ B~ I~ ~~ J J J J J
I!f
I I've I
C-7
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get for get
B o7
out you out
..
J
ex - cept ex - cept
I~ ~~ J
leaves, then laugh
J
J J that
nev - er
I is think
of
-
per
anns,..-,_ _ __
call
scune.
"_
La ==========:..-.
e,6
my
LA J J I; J ; J but I get a - long with -
1 ..-
do,
J B~IF
J what
r Ir
break- ing heart-
a
could
fool
r I
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the
J to
Bb7
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stick
to
r
my
J
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moon..-,- - - -
r
what's in
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once
F more?_ __ F7
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--
I
a
tJ
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fool
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should
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that
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best
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J Jill
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shel- tered in your you just like I break my heart in
What
guyy':,
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of be - ing for - got - ten that would sure - Iy
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thrill I've
I
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Spring,
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course
from some - one's I should
or but
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of
name
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fall
your in
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IF
haps
rains
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spring
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hear
to
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of course I of course I of course I
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well, should, well,
ve - ry like I ve - ry
"_
have.--,_ __ do.-,_ _ __
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you just you
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a - long with - got - ten a - long with
C-7
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til tune _ _ _ _ _ _ __
J no
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iy's
D.C. aJ 2nd End (Fine) II
185
SONG SUNG BLUE
It~
j
Bf
blue, ev - 'ry- bo- dy blue(blue)weep-in' like a
Song song Song(song)sung(sung)
F
J
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blue, ev - 'ry gar- den bJue(bJue) sleep-in' on my
to sing
I
knows one, wil- low,
JJ J1;r
.I~~f
- "D J I
r
me and Fun- ny
you thing
- ~ FJlfJJ. sing them sim - ply
out got
sing them out a- gain
a - gain. no choice.
j
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some- thing in your kiss just some- thing in my heart keeps your love made it well worth
! I ~
!
C-7/G
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Tj
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r
told me say - ing wait - ing
my .. my for
some - time some - place some - one
B~'
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Lane/Taylor 1948
IJ· r· F,:7
it in my
D-
D-(A7) D-7
r=:3--,
ut.(1! ] J then
pow-er,_ I'd
is is like
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ev-' ry min - ute, ev-' ry
___
ho - ur,-
ev-'ry
r
II
you._ Ftne
B~ e charms,....,_ _
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J JJJ JJ J
~,
here _ _
now._
ar -range for ev- 'ry girl to have your
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J J J J J J I J) J:..
If I had
J I C7
J
ev - 'ry - bo - dy falls in love somo- how,_ there's no tell- ing where love may ap- pear,and at- though my dream was 0 - ver - due.-
Ev-'ry- bo-dy loves some- bo-dy some- time;_ Ev-'ry- bo-dy finds some- bo- dy some-place,_ _ Ev- 'ry- bo-dy loves some- bo- dy some- time,_
It;
J J 3I
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but when you take the blues and make a and be- fore you know it start to feel - in'
C
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are sub- ject but you can
EVERYBODY LOVES SOMEBODY
It;
IZD
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song sung song( song)sung( sung)
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you you
good,
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song,
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....
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blues now and then, cry in your voice,
the a
r'
grows one, pil - low.
F In
with
it
r-
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Neil Diamond 1972
G-7 C7
I
e
I
D.C. al2nd End (Fine)
boy would find what I found in your arms _ _
186 RAINDROPS IAI F FA7 F7 Bb J A fJ 3 J1 J ~ ~ 1,1 r B E r FJ 1 J F J J 1 I~j '. Raindrops are on my bead and just like the guy whose feet are too big for his B.J.Thomas
f~in'
did me some~in' to the Raindrops keep faU·in' on my
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bead,
but
I said I did - n't like the thatdoes-n'tmean my eyeswill
r l2! r r r r I r lJ
1
fit, these job, these me, 'cause
rain-cirops are fall- in' on my rain-cirops are fall- in' on my I'm nev - er gon-na stop the
r fJ ~ fJ 17~7 n
So I just Butthere'sone be-causeI'm
thing
it
me,
I know.---
r pr sr
J) 1
'1
till
.. F
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P
they send
r pF5r i
bap- pi- ness
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tomeeL-
I~~bf J. Sing, Sing,
*
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J 1 J ;1&2) Ji to greet
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noth-in's
wor- ry-ing
1, ~~ ~ J J 1 J sing of
r
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song,
sing out maKe it
Bb 07
bad,
r r1
sim-ple to
last your whole life
0-7
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long
B~
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e
sing of
hap- py not
Eb
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loud,
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1973
1- J J 1 J.
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good times not
me_
me-_ _
11·B~
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9
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smg a
I
mewon'tde.feat
SING B o7
r·
head, they keep fall- in' bead, they keep fall- in' rain by com-plain-in'
steps up_
0-7
free
B~
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theblueS-
09
won't be long-
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way he got things soon be tum-ing
0-7
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and
A-707
noth- ing seems to sleep- in' on the cry- in's not for
bed,
done, red,
SWl
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sad.
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sing,
sing a s o n g . .
f
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wor-ry that it's not
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good e-nough for
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1, ~k U r FJ1 J- 1 H 1- Jr1 F~ - 1 - J;1JilJ;p1 J;1J,pJJlI JJrug 1J * ~ a-ny-one else to bear
-.; .
•
187
Tms GUYS IN LOVE Bacharach, David
A~t.7
D~t.7
a±J '* I$~I'b J.
D-7
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II , ;.5 I j j \J who and
r
way I do,make you miner--
when you smile....tell me how..---
j
r IS]
]
ve - ry last to
S I
well, know,
can hands
I need
sayyou're
in
in
love,
I want
your love,.....-
B~ B~t.7
II
u-=: if not,I'll just die _ _
guy,--,_
IA1
Abt.7
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J J J. J) I J j J. J I r New Year's eve we did the town, the day
The The When
qui - et oth - er
Abt.7
walks, the nights and
1'"81.-7
FJ, 7
I$~I!I!~ * j J \0 J : we will have these
j
£1,-7 Ab7
I-
JlI.7
J
J Tho'
fun, days
J J. ;ill
lmDb II
r
Abt.7
Ab6
noi - sy oth - er
mo- ments to
the may
Allen/St11lman 1955
r r'
the
laugh- ter we were
B~7
._----
pI J J
we tore the ball room prize we find us. gone our
t
,J
I
goal post down, al- most won, sep'-rate ways,
BI.-7 JlI.7 A!- BI.-7 JlI.7 j j 1- *'t) :JW J Jrl
re" - mem- ber.-
The
roo- ments to re-
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Ab
J J r I r a c:J1 r J J r I A~
F-
win - ter
and the
Bb7
F J J Fir J J. P I F IS J pears,
Db
AiH-7
A~07
sum - mer turns to
Db
to my
A~t.7
MOMENTS TO REMEMBER •
glad let
Ebt.7
your love.--
love with this
Ab6
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a1 a - IJUJ_]] ala-
j
r §J I a D qJ. I
I$~bl! * j J) §J I
Sir
show you, I'm shale - ing, don't
I are
A~t.7
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I can tell we is it so, don't
F-9
r
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how my
J J J ~ * j J)
know you, 'cause heart keep bre~ing, 'cause
Ebt.7
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C-7
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Bb7sus4
I$~bb F
B~7
A~-6
know each oth - er me be the let
-e7sus4 FJ,7
C-7
IF I p F P~F: I ~p .F D~r
looks at you the what I'd do to
p
yes,I'm in love .... this guy's in love-
this guy's in love with yOlu,..l,they say you think I'm finer--
You see this guYr-I've heard some tallc.-
A~t.7
* I *] a][Jd
S J~J
r J JI
,:J) I
-et.7
glad to share will
pre- sent dis- ap -
B~7 FJ,7
r I r'
e - cho thru the
years.
D.C.alFin,
'J) I When
•
188
I SAY A LITTLE PRAYER Bacharach/David 1967
[8]
A-7
D-7
1~1l~: * J JJ1 J I J The mo - ment I I run for the
1~1l J JJ J say say
you. you.
and wond - 'ring what and all thru my
lli1 F G I~ p r p Q F
E-
J-EJ Ierr
stay in my heart
and
I~ I!
F F P
Bb C
F
live
with- out
how I'll love you,
C
you
to -
time
would
r
on - ly
For-
G
P F ~ I P F P PF PI
G
r p P F Q I~
P mean
E-
F F E: J-t; I bow it must be,
E
G
p IP
F
geth-er, to-geth-er that's
F
r
take
I will love you, for - cv - cr, for - ev - er, we
I~ ~ Er (;iijCtf III F F P F Pip Bb
Bb C
Q IJ F F E
ob,
just
say a lit-tIe prayer for you _ _ say a lit-tIe prayer for you _ _
I I
C
C
I
Ii ==-r ,J? Ie J J J J
r:>
dres's to wear now, _ _ cof - fee break time,_
E-
C
work
B7
JJ F
ev- er, for- ev- er, you'll
nev-cr will part,
D-7
At
C
C/G
1 I
I * J J 11 J I J V· hair now While com'l;-: ing my
e
F P
l' I
'i
on my make - up.-think of us, dear,_
A-7
E7
E
J1
rI
be - fore I put while rid - ing I
wake up, bus, dear,
a lit- tIe prayer for a lit- tIe prayer for
I~ * OnE!
I * [J>""'EJ F I J J F (" Ii "r
f"
,
B7
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C/G
p
r
P
heart - break
I-r
I ••
for
~
me
to
II II
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[Q] A-7
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F
I~ * J J 11 J I J F' I * 0>""« F r I F rr My dar- : ling be -
lieve inc,
CA7
pie love me
Please
CA7 e
"
prayer.
J
,J.
too. _ _
say
1 l2J you love
I
r r
no- onec-_
but
CA7
" you.
CA7
fC F' r J in love
I'm
CA7
F
there is
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I
for me
"
I ~ me
- f-
f:
too.
I P ans- wcr my
with you, .........
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, I
201
OUR LOVE IS HERE TO STAY
GershWin 1952
G-7
C7
F
Bb9
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I~
I}) J ) J J I.. clear_ _ dear,_
It's ve - ry But oh my C7~9
C7sus4
I~ ~ J! J Jl J J I for- ev- er and a go- ing a long, long
/1. F
B-7~5
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A-7
r
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day._ way._
E-7~5
Bb
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J J Fin more than a to - geth - er
stay,-stay,_ _
our love is here to our love is here to
07
07
year, we're
G-7
C7
r rI
rplEJf
The ra - di - 0 and the te - Ie - phone and In time the Rock- ies may crum- ble, Gi - bral- ter may tum - ble,
A 7~9
0-7
G7
0
G-7
I~ ~ J J F r I J J J J I J J J J I' J Jl1J J I e mov-ies that we
I~~
12.
j
Eb7
Jcn()w may just be
G-7
07
~
,J1 F F I j they're on-Iy of clay. J1
made
07
A-7
G#o7
I~
r
F F J I love is
our
but.
go._ _
and in time may
pass- ing fan- cies
G-7 C7
r
here
But oh my
F6
j
I,
to
stay
In
DON'T GET AROUND MUCH ANYMORE Duke Ellington 1942
p Missed the sat- ur- day dance•._ __ Thought r d vis-it the club,,-,_ __ Been in- vi- ted on dates._ __
fJ
~9 f 7B7B~7A7 0 A7 !l J
E- J. J
JI 1
I
heard they crowd-ed the floor, got as far as the door, might have gone but what for.
F
Ii
I~
F you._
I
Dar - ling
I~ r p J -
er
the
E-
guessl>-_ __ F#-7~5
F
nev
F-6
p J p
or
~ore.
don' t get a-roundmuch an-y-
P
less.
1
"
B7~9
r
r
my
mind's
E-
Jl
could- n't bear it with-out they'd have asked me a- bout aw - f'ly diff-rent with- out
1) I'· G7 lsi
f J J19 pa
ThoughtI'd vis-it the
0-7
C7
J l I_l more
Eb o7 0 -
1>1'1 ries.
F
but
r--,
G7
I' F F F P J why stir up mem -
ease.-,_ _
at
D.C. 11/ F",.
F P~ J I Been
in - vi - ted
on
202
DO NOTHING 'TILL YOU HEAR FROM ME m Duke Ellington 1943 aA. G~7 D-7 _ G7 C~7
r r r~
r
Do noth- in' 'till youhearfrom Do noth- in' 'till youhearfrom Some kiss may cloud my me- mo -
C-6
I~ I ,J J
me. me.
EL
r rI
Pay no at- ten-tion to what's At least COD- si- der our roand oth - er armsmay hold a
ry,
u
G
EL r
i3
1·,fJP
e
A-7
E+7
rIJ J J
e said. mance. thrill,
D7
JJ
I HJ J
head.
chance. will.
seen G~7
r"
J JI mean
with some-one new,. but does that
B-7
E7
that I'm un- true.
D 7sus4
A7
J J J j J. Ji I J
J J [IE
,)
re - veal how I feel
words in my heart
When we're a - part,-
the
D.C.BlFine
i3 r r [ r I
E ; I' J J
a- bout you.
-
Some kiss
may cloud my me- mo
THERE WILL NEVER BE ANOTHER YOU
Warren/Gordon 1942
Eb~7
D-7~5
I~ ~llb J ~ J J J J I J r J J I There There
will be rna - ny will be oth - er
oth- er nights like may lips that I
B~7
r· C-7
JJI
r
but
there
oth- er spring
I~ ~llb
12 .
F13
There Yes
F7
I~ ~1.11 J J J
r
r
true.
If
J. I J J J F I
!j
this, kiss,
I'll be stand- ing they won't thrill me
when but
A~6
Eb~7
there
oth - er songs to sing, an - oth - er fall anI • may dream a . mill- ion dreams but how can they come
will be
C-7
F7
F F qJ I J J J J will nev - er be an - oth - er
Eb~7
I F
C-7
I r- F I F r F J I J J J JIF JJ Wi
pi"
here with some- one new_ _ like yours used to do _ _ 11 .
IJ
II
A~~7
E)7
G7~9
Ab7 111
F F will
G-7
r
nev - er
C7~9
F-7
you
J -
J
J
There Bb7~9
F-7
J F J Ij ev - er be an oth
IF
IBr
II
er
Eh
I
e
you.
II
• •
203
ALL OF ME
Simons/Marks 1931
[AI
c ]J J
I,"@ r'
,--3---,
E7
why not take left me with
all eyes
0-7
I'm no good with - oU.tL-_ _ go on dear with - outL-_ _
09
J.
you._ you. _ _
take
F-6
E-7
I' partr
rIr
that
myarms, _ _
J 'J I was my
~:b
so
r FI ..
why
A-7
I want to
I G7~9
not take
You
I"
I"
me_._ _ __
of
HAVE YOU MET MISS JONES 0-7 Have you met miss lones._ __ Then I said miss lones,_ __
A-7
0-7
J l' J
F"
J
J.
)
J;j" J )11 J some - one said as we a
Ie
:8
t'Ii
me.
r
}l
p
shook hands. der - stands,
girl who un
';Ai.-7Di>7 G-7 C7 1
She was just miss rm a man who
Rogers/Hart 1937
C7
you're
F' FFII
If
free_
~J I I lost my breath,
A!,..7 0~7
OA7
I, ~ J)J.
AJ
J I ~r
I owned the
r
C7
J l
}1
all at
once
0~A7 ~ 0-7 C7
pi" I
e
earth and sky
G-7
1
and
J }1 1 )
and we'll keep on meet
-
r'
~ared
And
A-7 A~o7 0-7
pF DI"
ing 'till we die.
aU
at
A7
J. llJ1'J death and
all at once
t8J .FA7 E+7 ~7 I J. -J! ~ J 1 I ... Now rve
B~7
to
r
F7
C-7
E-7
once
took the
C6
r
all
rrI
a
them _ _
use:_ _
'I
lo,:>e:.se_ _
G7
Jlr l,JrlF
heart,
you see can I,
Tiff Is
my lips,
0-7U
r'
Can;t How
E7
U
l
0-7
I'll nev-er
A7
once
I i )J~
B-7~5
Take
Q2-3~
A-7
I r ~p J I J J
them,__
A 7sus4
of m e ? - - - that cry._ _ __
I" E7
I .,
II
E7
r F Fir' 1m J La
I_J
All of me, Your good- bye
I'
B-7~5
07
met miss Sones,
C7
I Dr J f ) I
FA7 II
I •• II
miss lones and 1_ _ __
204
• •
ALL THE THINGS YOU ARE Jerome Kem/Hammerstein 1939
I' I'
trem- bles on the
he-
B~7
F-7
~I!I,~
the dear - est
Some
I
things
my
day
C-7
EA7
know are i t you
A~A7
hap - py
know that mo- ment di - vine
hold
will
all the things you
0~7
IV F day
Ab
~
Fir
j
I
Klemmer ILewis 1931
GA7
F7
F
Just Two
BI.-7
friends, friends_
Jov - ers no drif - ting a -
j
I'· A-7
El>7
I'
. Just
more,_ _ part,--
r - - 3- - - ,
Ij j
friends,_ friends
two
F#-7~5
07
I
mine _ _
JUST FRIENDS
IJ
rn
(G-7~5C7~9 )
I ..
are are
I ..
are _ _
some
&7
J I JJ when
and
..
jill
Ie
J I ..
you
B~7
B o7
I:t~'41.~.- J J J J J I ;.~
arms
a
C+7
D~A7
r
IJ J J J IJ
j
lights
I \J J:;:::j J I...
\J
&7
IF"
II
glow that
B7
I-F ijJ J iF I iF
star,- -
You are the
-"'I
F#-7~5
GA7
~I'b~
S~g:--.
of a love-Iy
brink
B 7~9
J
JI
j
but not like bebut one bro - ken
E-7
I" fore. ~¢ _ I_J. J I J. ]) J. ]) I J. J I J. )) J. ;)1 J J J F I To We
heart._
*
I
I
A7
41-3~
.E-7
F#-7~5
it B7~9
is - n't the
we've
~been
and
not
to kiss
a - gain seems like pre-
D7 Ob7
A-7
IT F- I'F J J J J I F
tend - ing
1*'
think of what
j
Ij
end - ing._
E-7
r
j I
Two
loved we
A7
J Jl J fi I J J F r I rsud - den - ly love died, the sto ends ry
J I and
laughed
we
A-7 07
G6
r r
e
we're
just
friends.
cried
and
-
205
DAY BY DAY
Sammy Cahn/Stordahl/Weston 1945
.
G-7
Bbfl7 A-7
I~~ I!~ J.
L1J
)l
Day by day,_ day by day_
D-(1.7)
J
I J.
j I
find
love
by
far,
A.. _-7~S
D7~9
D 7sus4
I J.
;J
D 7~9
day by day come what may
E7
A7
1
an - y
end
to
I'm
0-7
J. 1> F we go as
J IJ J I r
than
J. through
,
B~7
Jl
yours
J
J
my
de -
years
day
-
t
r
ceaD.
J J J
a - lone
and
I'm
Ffl7
J J J I
the
#3
e,7
1*
C7~9
1
a
an - y
I..
r·
I'F I
J-1
)
G-7
0-7
I r-
1
stay,
to
dear
deep - cr
lcnow'_ __
that
Ffl7 e,9
I~' J
1J
r ,-=
F
and so
09
J I J J J J ). 2.
you, tIlle.
j.
1
JJ J J
is - n't
D-7
it's
D7
There
Ffl7
J J
I
G-7/F
3 II; J
grow. _ _
D-7
vo - tion,
I~~ l'
G-7
La·
to to
J)
more in love with all my dreams come
Abo7
seems you
love want
A-7
fall - ing ma}( - ing
I'm you're
J
J my I
J J I J J J.
j
3
i
0-7 C7
G-7
in
-
I'
day
by
OUR DAY WILL COME Hillard/Garson 1963
Bb7
3 J day will day
I~I
A-7
1 qel
1*
come come
will
1*
joy
us,
j 1
J J
I~I F" )l l al ..: ways
stay
Jl J
r·
)l
i· iJ
C-7
Jl in
1
iF· love
J5 a this
way,
1
J
,--3--,
B-7
J
I..
~F
0
E-7
j
F-
day
No
IF tell
tears
j
A-7
Ir
r
_.
F
for
;
I..
me that tm too mag - ic be - cause we'll
and you love
Our
J 3 J I We'll share the
1*
r
one can Our dreams ore
love you so,
0
<;lL-3---,
j
* Nor
II
I..
Jl
ev - 'ry - thing. wait a - while.
just
C-7'
I
f·
I
D-7
I..
J I ,.0
lcnow,,_ _
\2. Cfl7
D7
we
love can bring. wear a smile.
fall - ing in think love and
~ young to
J J J and we'll have if
A-7
ij.i
D7
B~7
A-7 D7
IJ. ~
IDe _______
D7
J will
G
1
Q;
come
Le
j
J
206
TANGERINE Schertzinger/Mercer 1942
G-7
0+7
r Ff
* 1* ~ J.
G-7
I) E F I
flame _ _
B-7
Tan- ger
C7
A7
all they claim....-
with her
tan-ger-ine,--
raised in
r
I)
'L
• ine,.....,·_
E7
ca - bal- le- ros
E-7~5 A7~9
C7
G-7
sigh__
eyes of nightand lips as bright as ev- 'I)' bar a- cross the AI· gen-
dan-ces by,
J2~~
D+7 And I've
.--3~
D-7
•
AA7
ptI-7
J I J J t I ) J J·I J. i) J. ;1
when she
D7
C7
J. Jd J 1 -
$11
B-7~5 E7~9
FA7
J 1 ", I) F F
iJ')§r
G-7
U r J 1 J J tL
0+7
'L
A~o7
F6
ine, she is seen,-- toasts for
Tan- ger-
11FA7
C7
II,
And I've
I ~
J J
.
sen-or D7~9
i -
tas stare asd
G-7
j ,....
F r II F F
yes she
tine,
U 3--,
r FI
has them all on the
G7
G-7
C7
F6
one, her
fieart be-Iongs to
tan - go -
rine_
-il*~~~;§J.~J~.J~I~j~J~J§J§J§I~JE.~JEI~.J~J~J~F~Ir~J~I~iI~~-II" run,
but her
heart be-Iongs just to
IT COULD HAPPEN TO YOU A-7~5
D7~9
J I ;J J Hide
Keep
your an
heart from sight, eye on Spring, A7~9
BbA7
I*~ r r
hap- pen hap- pen
J
I
to to
your when
run D7~9
sturn - ble,--,_ _ __
I*~ J J J J I how your arms could
D-7
..
I ill. J
II
·P A7
I
night, church bells ring,
J
A-7~5 II
be
some D7~9
one
G-7
I
J Jit and
stars
drops a sigh and
C 7sus4
J F h3,J}pened
J J F or you may
did was won - der
G-7 A-7
IJ JJ JI
could could
Bb-6
G-7
G7
r r
it it
dreams at
Don't count All I
A 7~9
..
A-7
qr
I J J
"
you you
,....
J J
J
J lock
A-7~5
1'---
E-7~5
12
I
,J
Van Heuson/Burke 1944 E7~9
B-7~5
G-7
..
BbA7 C7
J J I J J down you
C7~9
JI to
F6 II
me.
tum- ble.
-
I
207
I LOVE YOU
G-7~5
C7~9
f r &3
F~7
I~;
Ij
-
u hills.
~
.-'"
F
f
.
B 7 ,J-
J JI
C7
3D
,--3-,
J I J J J ~J I A~7 ..I.
""-
I ('
- dils.
daf - fo
F~7
,--3-,
C7
;J
r rI
r
more she sees
once
as
ijr'
G-7
B-7 E7
AtJ.7
E7
"I
G-7
1 '
J F ,pI ,J. ) J~ ;) * J I
F "I "I
_1
F~7
Cole Porter 1943
~ -7~5
*
rI It's
07~9
r p rTF r IT F r I r p en * r F I =[ p r I 1" ~ r n I
I~ ~
spring a-gain,
I~~
-
and birds on the
G7
C7
e
J
D.C. a/Coda
~
A-7~5 07~9
I
FI
,J
start to
sing a-gain
the old me-Io-
G-7 C7
G7
F I 'F' P F J I F it all be-longs to you
and
1
dy.
wings a- gain,
j
j
E-7
E~07
D=l-3----,
and me.
Ev - 'ry time it Trade them for a
0 -
vcr
~F I F
You'll find your
07
A-7
I *,3 J r I
town,
12.907 CIE I~ things F F r you love, E-7
E7 E~7
G-7
*J J
pen- nics from hea- yen.
I~ * J J,J I" all
I
be sure that
D7
G7
r r Fr I j
lour um- brel-la.
E~07
I~FFE~EU!F" don't run un- der a tree,__
l)=l.3~ .-3--,
E1r
there'll be
I
C+7
r
F ~F I
for- tune fall - ing
0-7 G+7
FP J I " 'I
is up - side
down. _ _
F6.
D-7 you must have sho- wers._ _ __
rI
Don't you know each If you want the
C7
e
0-7
IFF F
pen -'nies from hea- ven._ __ sun-shine and flow-ers _ _ __
rains, it rains, pack-age of
J J] F6
CtJ.7
G7
G7 cloud con- tains
BUrke/Johnson 1936
I J J J J J1 e
r Frl F F r
-
"
PENNIES FROM HEAVEN 0-7
F6
F-6
brl I ~ J J F IrFr . So when you hear it thun - der,
J JJr J r I
D-7 G7~9
IT
V I
pen-nies in hea- yen for you and
C6
,F me _ _ _ __
I MACK THE KNIFE I 0-7 C# 7 0-7 C6 J J I J J. J5 I J J J. J~ I j j I £1,07 0-7 C6 CIE I • J) J. P I r r Ir r· J I r dear-:::I dear,..-
208
BU~~rwdllI928
Sinatra
0
Oh
the
shark has,shark bite,...... s-_
teeth dear,.-,_ _ teeth dear..---
pret - ty with his
and he scar - let
shows them bil - lows
Ii
white _ _ spread _ _
pear - ly start to
0-7
J)
J. and so
G9
r
p
I
of of
out
a
has wears
MacMac-
Heath Heath
C6
r·
I~W
Wit
keeps . not
he there's
jack - knifec.-_ gloves though.--
Just a Fan - cy
trace
I ,J
" sight red
J.
j)
When
the
I ~ I
3. On the sidewalk. Sunday moming, lies a body just oozing life; someone's sneaking around the comer, could that someone be mac~ 4. From a tugboat by the rivera cement bag's dropping down; the cement is just for weight, dear, bet you Mackie's back in town.
•
5. Louie Miller disappeared,dear after drawing out his cash; and MacHeathspends like a sailor. did our boy do somethingrash ?
I
6. Sukey Tawdry, Jenny Diver,Polly Peachum,Lucy Brown; Oh the line forms on the right dear, now that Mackie's back in town
SOMEWHERE BEYOND THE SEA
fA)
F6 0-7
G-7 ,cI3---,
F6
0-7
1947 Trenet/Lawrence
~3---,
G-7
I
FA7 A7
1~@~~~J~_~:5,~,~IJ~J~J~J~I~;~J.~J~~J~J~J~J~I~'~I~~ I Some Some We'll
where,:-where,:-meetL.,-,- -
-
FA7
I@ ~..
ing.
'rV
C7
G7
near
3---1
hfSr
be - yond
CI17
FI a
r
J}7
3
doubt,
A-7
my
J
I
Fine
0-7
I
A
J I
be - yond
r
F6
ing
iJ is
hr
it's
sands,....,_high.-,_ _ sea4--_
I
the
G-7
r JJI
!F F
&'
sail
B-7
J I
star,
I@~
Some
F#-7
A6
0-7
tGe-7
I J *J ,
sail
I~~
))1
stands on gold - en fly like birds on be be - yond the
r-11'-G-7-- C7
sea, sea,
B~A7 D7/A
D-7
J.
my lov - er if I could bap- py we'll
me,,.-,_ _ some - where wait -.mg for me,.-,_ _ she's there watch- ing for kiss shore, we'll just as be - fore;_--"'-
be- yond the be - yond the be- yond the
and watch - es the then straight to her and nev - er a-
1ft) J I
A6
far
AA7
A6
heart will lead me there
ships arms gain
WI
that go I'd go I'll go
F#-7 be- yond
G7
I_J
e moon _ _ __
r hp pJ173
J
j
II
It's
G7
B~117
0-7
*
G-7 .t
soon _ __
A-7
C6
J I
a
II
know_ _
I
C7
Ir D.C. a12nd End (Fme)
I I I
• • •
209
THE LADY IS A TRAMP
Roders/Hart 1937
[8J I~
E~-7
C/).7
A~7
p I ~F
ef * r F'
I J J1 J Fffe I * F F' PI ~F r F I F for din. - ner at eight,--she likes the thea-ter but
r
She gets too hun - gry She don't like crapgames with
07
J' E-7 A 7~9
0-7
that's why the
la-dy is a
E-7
r'
A-7
/iJ J t
Q
wind in her hair,
E~7
life
Ab7 0-7
r I J.
I~ ~rr
for- nia, it's
A-7
r- I-e
Jd
I
Je
care,__
E7
II
peo - pie she hates,.-,_ _ rest of the girls.-_ _
with the
[§]FA7
E-7
A7
0-7
'
07
C/).7
Hate Cal- i-
it's oke.--
e A7
07 07
pI r FE r I"
IF * -
tramp'_ __
that'swhy the la-dy is a
cold and it's damp_ __
fresh
G7
J Jt j I 'f J p---r I ~ F F' PI
'f
she's broke..--
r'
Iq
in
B~7
F-7
-. ..
07
wi~out
HaJ.:.lem
-----~tramp'__ She like the free
••
I J ) J 11
II
to
J I J ) J JJ
lC/).7
tramp., _ __
0-7
won't go
C7 FA7
she nev - er both- ers won't dish the dirt with
lC/).7 A 7~9 0-7 G7
....
..,
I~
G7~9
G-7
I * F J. ]) I J j
nev - er comes late, _ __ er - mine and pearls,--I
Bar - ons andEarls.---
CA7
F' I~e
j
E~7 Ab7
C/).7
G7
D-7
A FOGGY DAY George/Ira Gershwin 1937
.
FA7
A-7~S
I~ ~. * J J J I d· fog - gy How long I
I~~
-
A-7
07
had
I, town,
this thing
last?
C7 11•. FA7
e
I~
F/).7/C 0-7/C
f
I view the
07 lost
C-7
r r r IFF
down, passed,
C7
n r I J.
se- urn
I~~
me n't
J IJ J Lon - don
0-7
JI had had
C7
in could
day wondered
A
0-7
07~9
its
FA7/C 0-7/C
town the sun was
with
mom- ing
•
A-7 0-7
FI I
C7
F IJ
J
ev -
@7
Bb6
0-7
shin - ing
and c1es
the Bri- tish mu-
a - larm,
F7
For sud - den - ly
r J J rI J J J rIj
fog - gy Lon - don
had me low But the age of mira -
: F F Fir
charm.
J I I,t
I~ j
F7
C -7 .
u
0-7~S
F6
'ry -
r r
saw
you
I,J there,
F6 II
I.,
where'-_ _ __
J
FI
andthru
210
I'VE GOT THE WORLD ON A STRING
• • • J ,- 'jJO, • Arlen/Koehler 1 9 3 2 J
I've got the fve got a
world on song that
a string,_ I sing,_
sit-tin' on a rain-bow, I can make the rain go,
B~7 E o7
F-7
I'· G+7 C7· 'e
B~9
F-7
IJJJ JjJJJ. JJ What a world, what a Luc - ky me, can't you
ger. ger.
got the string a-round my finan - y - time I move my fin-
love _ _ love _ _
life,
I'm in see, . I'm in
G9 , If
love.
I
~ ~b.
If
Fine
n~ .
I'd be a
~
Life is
a beau-ti-ful thing, _ _ __ F9
--
r 9rj
ilY so and
I
gil
I If
C9
J J J J J J gJ I
Ii
as long as I hold the string _ _-
~ ~ J J J 'J J~ if I should ev-er let
50,__
B~7
F-7
9
I
Repeat 1st verse D.C.a/2ndEnd
I
F-9
Bp9
I~
e
If
go'_____
J J ~ II
I've got the
IT DON'T MEAN A THING (IF IT AIN'T GOT THAT SWING)
[A1 I~~I!
F It It
~
G-
J don't don't
G-lFt
a
mean
thing,
all
G-7
D7
J F , r J F I ~r p F it ain't got that mean a thing if is
A
I
got
I'·
F 7sus4
B~6
doo wah, doo wah, doo
wah.
to
do
G7
...e
swing, sing,
you
G~7'1l
C7
97
G-/E
G-IF
Duke Ellington/Mills 1932
1
D+7
I~~I' ~ ct=u F I P F P F u- I-a r P r PI r ~ ~ F , doo wah,
I~ ~1.
doo wah,
doo wah, doo wah, doo wah,
a
F P F PI
doo wah, doo wah, doo
I~~b J.
[§] F~
B~6
12. F 7sus4
G-7
r·
wah.
F
Fbt
II
B~7
F F P F P1F it'sF sweet P orF·
makes no diff - 'renee if
F7
C7
I F F P r' I F F P F give that rhy - thm just ev - 'ry _ thing
r·
you
Ii
gOL-
It
E~6
'8<
hol,-
J
-------------
-
--'--~-
211
NIGHT AND DAY
fA) B 1:.7
Bb7 .-- 3 -----, EJ,1:.7
r U-, -w IT J I~ ~I!I!
Bb7
PH
J j iJ I.., iJ
;1
j.
B 1:.7 On - l~ you That this long -
one so?--
A -7~5
EJ,1:.7 EJ,6
,--3--,
EJ,6
jJ I.., U r u- I-r F r r I
j
you ~ ~e It why IS
Night and day, Day and night
Cole Porter 1932
Ab-7
j j j
G-7
J I &LlJ ;1 J J J j I it's no mat- ter dar-ling in the si-lence of my
moon and un- der the SUD_ Wheth- er near to me or far, fol- lows where- ev - er I go_ In the roar- ing traf- fic's boom,
Gb o7
F-7
Bb7
1~~I!b J IJ ~LJ J I J 1';713 I J IBI
where you are,.lone - ly room,
G~1:.7
day,
Day and night
nightand day_ __
~1:.7
un-der the hide of me,
EJ,1:.7
there's an
A ...7~5
C-7
r a-F- IT
J. ;1 And its
(Ji,07 -
\J ~AS2F ~r
j
-
r a ifw i-r r u f~ cr r r
~1:.7
side of me
I~ ~I!.
think of yon
~1:.7 11. EJ,6
rYE I r u-r IT f' ~ I ~Q r H EJ
I~~bb~"- I-E
I~ ~bl.
I
life male - ing love
j
tor- ment won't be
to you,
G-7
"til you
through
r~r- I'r
j
EJ,6
Iii
E S Sf"
day and night,
JI
j
let me spend my
Bb7
F
p-f1iJ I
oh, such a hun-gry yearn - ing; bum - ing in-
J J I ~l -; J ; I j
F-7
II
Night and
H~F
Ab-7
j
r Ir
be- neath the ing for you
II
day _ _
night and
George/Ira Gershwin 1927
'8 WONDERFUL
to
D7 see
I~ ~I,,,
B-7
t lei
I~ ~I'I,
gl~-
nv
f'
E7~9
p
r
A-7 D7 G9
I-e
!
you can't blame
(Ji,07
'S mar- vel-ous,
II
me for feel- ing F-7 C7~9
F9
am -
I r J J r-I
r r
my
r r Ir r r r Ir p r
J. I-e I [ P r I
'S won- ~r-ful,
made
Cl3
I* r
or- ous,-- - -
You've
life
so
Bb13 E7
r
!h
I
OT- OUS.-,- -
F-7Bb7~9
-r
that you should care-
EJ,
J I '" I.e II for
IDe--
-------------~----
212
HOW !UGH THE MOON Lewis/Hamilton 1940
G-7
G117
C7
J J A_a F- trw J J I ~e Some-where there's mus - ie, Some- times there's mus - i c . -
*
I
I AJ
mOOD. _ _ far. _ _
A-7~5
Eb117
There is no The dark - est
D7~9
it. comes true, _ _
B-7
moon a - bove when night would shine if
un- til you
B-7 Bb7
Bb7
D7
A-7
will, how still my
*
F-7
'J
Bb7~9
songs fool
Eb117
of love to fall
Eb7
but not for and get that
I~ J
me. _ _ day. _ _
C-7
I
2. E bo 7
I, ~I!I, \~
of
Eb117
. C-7
&
moon _ _ _ __
her kiss,
I guess she's
I
J rl*r F-7
J I
to
e
notL-_ _
• • • - • • • •
Ira/George Gershwin 1930
G-7
C7
F9
A lue- ky star's Heigh- ho, a - las
Ab o7 Ab117
Mr lead can't
F-7
Rus - sian play
C+7
r r I* r r
love
AI - though
G o7/F
than an - y
me._ _ way,-,_
J r I
With
Some times there's
I~ J J J I J J J I
Eb7
Bb-7
r rl*JJJIJ of gray,
Ab7
Eb
J JJJ J J J I e
I ~~" J J J J I e but not for so lack - a -
F-7 Bb7~9
Eb117 C-7
J J•
G117
J J JI
heart, bow high the
a- way
see me
D7~9
A-7
BUT NOT FOR ME
They're writ-ing I was a
JJ J I
love is far you would come
that you love me as I love you.
Ir J r rl r r r r I r
I'~I!I' * J J J
D7
rrJ r rlrrrrlp'J
Ie
j
A-7
soon,
A-7
A-7
G117
I r· 11 JJ
too, _ __
some-where there's hea - ven, some-where there's hea - ven,
I J J ;J qJ I J J J J I J J J
ijJ J I I...
how high the how near SO
I r J ~J J I J J
how faint the tune,-,_ _ it's where you are,,_ _
Bb7
F-7
F117
a- bove and
Ab-6
al-
F r I* J J J I
the way, dis - miss
I've found more the mem - 'ry
B7' U
Bb7~9
r J I"
1*
could guar- an - tee _ _
J J J ij~ • I was a
Bb7~9
I .. for _ _
me _ _ _ __
- ================::::-
213
SIUNY STOCKINGS Frank Foster
B~7
ir· ~ r I I'm
walked hip
got girl
r sn r· r r r·
J
r
low ly
lots would
of make
DID
some - thing as half
mel love -
Eb7
Bb-7
we love
Eb7
r
I J
P
G6
1-
r
ijJ I
j
she's a
with my ba - by and I know in noth - ing flat. and I'm luc - ky to have some- one so well en - dowed,
Db7
r
B~7
Eb7
*p
IE. Fitzgerald 1956
Ab6/C
I
J J
P J
fel - lows lots of
whis - tie fel - lows
D~7
C-7
I but
one's
all
B-7
B 07
1-
When I
at.
proud.
.------1.
soon as we're real - ly a
ijJ. "
¥
F7
with no
out. ball
--------,
~
F7~9
r
D of
she's
doubt
B~7
I I
r r
love
those
p
lots
got
&7
r
stock
shi - ny
-
ings
Ab6
P
r
J1
most
of
all.
p I, J.
of
proud
""
-
I -
SHOUT CHORUS Eb7
~~
\
f
I II'I!~
r
If~kk~
C-7
B~7
FJJ
I J JJ F7
I'·
0<-7
"
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ptp!' * - I r r "
)111' , Db7
Ab6
Eb7
. G7
:>
Eb7
nJ.iJ ~ AC6
!PIn * * r :r §J J &;1£4 *lJ §JJ I
" *F
-
J
I _ THERE IS NO GREATER LOVE I [8J B~A7 07 I j j I,j J. J I I I I ijJ ~J J J J r r r J J) I F7 C-7 F7 ~2. C7 I It j F r ,J J r r I F. r I J J F ~r I I [§] D7 D7 0I j J I IS Ir= t II J ,S r rr I Isham Jones/Symes 1936
I'~I'
(~
t
great- er love than great - er thrill than great- er love in
There is no There is no There is no 11.
C7
I'~I'..
what what all
A~7
I you the
feel bring world,
u: you me, true
for to it's
No great - er no swee - ter No great - er
II
love, _ _
B~
1,;1,
E~7
no heart
true.
so
no
There is
song love
what you what I
than than
A-7~S
e-
sing feel
to for
A-7~S
e
FInfI
me. you. _ _
You're
A-7~S
0-
the
D7
thing
sweet - est
0-
I
C7
ev - er
have
F7
D.C. II 2nd End.
I II r F - • I I WHAT IS TmS TIDNG CALLED LOVE? ... D-7~S I FF F I". l- t Id I 1,J1 J JEl l I I 07~9 CA7 ·CA7 ~ 1I- t tr I J ~J , J. • I~J fJ I I B~A7 A~7 I :a r r r I 1- tr Ir I.J J Ijr r ~f41 I I'~~
I J ,S J
e
known,
and
to
IF J J J you are mine a
r
that
think
It
..
lone.
j
There
no
is
Cole Porter 1929
...
What Just
is this tbing_ who can solveask the Lord--
called love? it's mys - ter y? in heaven a - bove,
11.
fun - ny thing should it make--
This Why What
.. G719
e love?
a
Just
of
fool
I
me?
r-- 3 - - ,
r--- 3
e
saw you there- one won- der-ful
I'
D-7 e way
07
D.C.aJCoda
It ;r That's
F F why I
II
day.
You
-$- D~7.
took
0+7
I I,j J J I_J ~
is
this
thing_
my hearL-.
Ir called
and threw
it
a-
C6
I
II
love?
Ir -
I I
SECRET LOVE
215
Webster/Fain 1953
C7~9
F FI
j had a sec - ret told a friend-Iy
I I
Once So
B~7
F-7
II
I" me,...-,_ _ Ii
do,__
I~ ~bbB~r J J B~7~91
a
all just
too how
~
I~ ~IIII
hills,
I:4,
love,...-,_ _ are,-,' - -
£1,7
-
Ob13 e:
door,
ven
C9
I
r'
r
I V-
told the gold- en
daf
F-7
1~ ~b
F
EbA7
rfr
What a ' There's a
Bb
11.
rI I
I~ ~II ~..- fF~ love_ love
Fr
There's a
I~ ~II F J ~ F I ring - ing
C-7
for
9'
rI r
- fo -
dils, at Bb7~9 9
I~ ~b F J J I F J
last
nb o7
All the
r;:q
my
II
e
Lerner/Loewe 1947
C-7
F7sus4
J J I J J J I ~ F J J I FJ J I
mJA-7
07
GA7
mus- ic of life seems to
al- most like be- ing in al- most like be-ing in
1..-
G-7
I-F ~ J J I rF JFI
be,---
like a
bell that is
i.
&. EbA7
.
F7
Db o7
D-7
I'r r r r I r F J I j J Fir J J I J J J I
me__ And from the
C# o7
a II r' J I
a I gr'
'F *Fr I r J iF I r 9r r I
A-7~5 07~9
C-7
9A7 F-7
e.
F JI J J ~2.
it from the
Ob7
Bb7
0-7
im-
F
I J f:J ~ r I F J J I I J J and my sec- ret love's no sec-ret an- y- more
F7
I
I'm
F shout
day this has been, what a rare mood I'm in, why it's smile on my face for the whole hum- an race,why it's
B~
came why
be -
and
ALMOST LIKE BEING IN LOVE
[AJ
J a
I
F7
AbA7
J J
J
11 ___
Now
rIr
F-7
Bb7
7
e
heart's an o-pen
with in the heart of that dream- ers of - ten
U- ~~7~9 j ;G7~9 *~r
I ;r
J JJ aI
I
soon my sec - ret won - der - fu1 you
B!,-7
F I .. AbA7
J J a J
I
lived way
F-7
free:___ you_ _
Bb6
G-7
that the
Bb7
J
pat- ient to be so in love with
high - est
love, star,
n
BblD
way that I
feel, when the bell starts to
Db o7
C-7
peal. I would
F7
Bb
I r J j I F J Fir F Fir r r I
swear I was fall- ing, I could swear I was fall-ing, It's
aI- mostlike
be-ing in
8'
I,e II
love: _ _
216
IN TIlE MOOD
cr (1) t
I~ ~blh: I' ~I'II~
Bb7
PI H PE:B tr I (iF U I~ r JJ I _
cr fil r CJ I
E~7.sus4
B"-7
FE rr 0 U I iJj tJi r- I FE U 0 U I iJJ Lop 0
~ Ab
I' ~bl,~
Joe Garland 1939 (Glenn Miller)
fil jJ ] jJ]J I JJJtJJ H
!II
J
I jJ J JjJ J I Jj J t), * I
D~
A~
E~7
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I, ~bl,~ J P J JJ jJ I J jJ tJJ , * I JjJ ]J J]J I Jj J tJl; * I I'~bl'~
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9 7sus4
~.J
jJ Jj j a J JI Jj jJ PJ J31) J JJ JJ JJ I ) J
d
1'~b~VJ ll'~ i~jp~7ro 110 )~J'~ i~£J1~7r 11u iJ/~ I ErE IF~E& 41 *_: ~ r PI ~r ifF * I I'~blz~ B~PI;mr pIrr r rE I' ~1z1,~ ~~ r P"r ip I EIWn I, ~ rIrEiCCbWI r J1J I.. I l
'I
'I
--
OPUS ONE G
Sy Oliver 1945
C9
A9
Jl f iH J. ,pI JJJ 3J. ,pI nJ J. ,pI JaJ3J. ,pI n ,pI 1"~TJJJ)7 JlI';uJn7J (TaB)7 Jl~TJniJj31Jo perU"
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I \)
~r
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Jo
o
o
r-
D.C. aJ 2nd End (Fine)
_
JERSEY BOUNCE
Plater/Bradshaw 1941
~--~----------~~--~--07 0-7 G7 2. C Ab9
9
J J J ,J
IJ
J~j
JEJ
'I J &J &F !,IJidJ
J
!j
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IJ j J J>gJ G+7
D.C. a/Fine
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PENNSYLV~65000
IA1
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ere ric ;gr-D (" fHl IPr Pr OtU ,.a. liP IF r r r'E r Er I~ r Jl J "I -
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Penns}4 van- la
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six
IV
~
ou - sand!
E-7
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07 EJ,7 07
D.C.a/Fine
I
218
PERDIDO Juan TIzoI 1942
TUXEDO JUNCTION
If
~p ~p
Bb
r' IFF J Bb 0-7 r I F" hp,?SF'
Hawkins 1939
F-7
t IC-7
P I[
Bb7 !J
kQ
r
F7
P!i}1 J I
I I
219 CRAZY RHYTHM Caesar/Meyer/Kahn 1928
Ff17
G-7
A-7
'If ' J J) J J I J J J
I~ ~
G-7
B~7
Ff17
W J~liJlW WI a au W J~I
Cra-zy rhy- thm, here'sthe door - way. Here is where we have a show - down,
I'll go my way, you'll go your I'mtoo high-hat, you'retoo low -
F
~-----,--
I~ ~
G-7
C7
I"
'!
J J) J J I J J J Jl J
j
cra-zy rhy-thm, from now on cra-zy rhy-thm, here's good-bye
C-7
I~ ~ ,
we're to
F
though. you.
when a high-brow meets a low - brow,
A+7
D9
C9
*
I ~
ain't it ashame,
A~7
G7
and you're to blame.
C 7sus4
G7
J ;P J J I,J TLJ J * I
1
You pro-ducethe
they say that
B~6
B~6
Ii F pJ JI
e
Ff17
soon the high- brow,
0-7
'!
samecon-di - tion,
A-7
D~9
pro-hi-bi -
C7
r r I iF C1
cra-zy rhy--thm
D-7
J J I J D J J ~ I.
Wbat'sthe use of
C7
FP
J)
D-
I J J J FI
walk-ing a-Iong Broad- way,
G+7
way, down,
G-7 A-7
you.
I~ ~ J n ;P F' I p J P j I ;P J ;P J I ' J he has no - brow,
F
I J * - '"
II
I ~ F PF J I
r
F F I J A_p
E~9
Ab7 G9 (Ji.9
B~f17
F7
r~
A~o7
A-7
tion?
F
PJ. I
I've gonecra - zy
II
I
II
too.
STRING OF PEARLS Gray/DeLange 1941
1* ~'II
E~
J:
*
I ~IIII t3: ~
*
I ~I!II
A~
~:
1~~bH':
I6j
~jUI d:
2J F7
., ~
~,~
Iii =:
~ ~: t= ~ ~ -11~
-
B~7
I'd- lJd: $nS
&
f!
.IS:
l8 ~~
Bb&7
I,' j:
d 12: 8 d I~O: A~
~~ I ~:
J) ~,
===
f~
ij
b
I'
J
FIIIB
~
J~
~
JJ
~
))J1R
,
I
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t1 F
13th: .
q; I J)
!
D.C.B1Fme
J
jJ
n
Solo on Blues
J
II
220
UNDECIDED C6
CA7
Shavers! Robin 1939
F7' 1l
C6
rrJpl cJ J)JICFrrJplcJ J)JI First you say you do and then you don't, Now you want to play and then it's no, lf you've got a heartand if you're kind.
I' r F F
k' G7· £.C6 J. P I F F r F ~
r
un - de - ci - ded now, so
0-7
wbat.are you
C9
0-7
" r r rtf F U si~ting
on
::t.~":
g
==
FIIt8
CIE
r rU
F
Fo
C+7
r EJ r c:J I P r' r c:J I
07/F#
07sus4
--~--~J guess I'll nev-er learn, and I
don't I reaI-Iy bum, well I
C7
0-7
aJ J D
' ) 1J
Fas-ci-nat-ing rby-thm you've once it did-n't mat-ter but
0-7 qui - vcr. bap - py,
C7
F7
f1j -
E~
I' ~ f J J "3 (SWl
,'~
snap - py.
0-
A 7~9
0-7
C7
all a-
09
wby I'm some- wbere
rs want to know run a - long
to
B~
07~~1·0-7
C7
F6
* J r r 1r Ei tJ rill Eacb mom - ing Ob ho~ I
•
0-7
to find at
I'm so un-
F7
07
I
get up
mgbt no work
0-7
C7
bas been done.·
0-7
with the
sun,
A-7~5 D7~9
C7
J J 0 1* J J r 1.F c;J~lt r I"
a- bop-plUg, nov-cr stop-pmg)
12. 0-7
F
~
Ira/George Gershwin 1926
-7
F7
C-7
and make it
1 *F r ~ ~
I used to
be,
= •
II
fas-ci-na~ing
I
07 C7~9 F6
e
the man
• • • •I
I kDow tlm
rJ (J E1 *FPr 1 1 j aJj u'~ .£ J J J--(! J I" 1
long to be
I
nc.~
J J J P ,A 1 {J J J ! rfa J1
I'~ , - ways e sbakr;ing 'I justEkrlike ra 1 r vcr.J. II a - way off,
show it.
0-7
What a mess you're mak- ing, won't you take the day off?
F7
far
. G+7
got me on the go, fas - ci - nat-lDgmy-thm now you're do-ing wrong, wben you start to pat- ter,
C-7
C7
C-7
Then you
07
FASCINATING RHYTHM
I'~~ j
E~7'1l
F6
U 1Er FJ p J piE r r~ r 11 I P LJ
pro-mise to re-tum, when you
0-7
I V ~ [J I
-=
I've been
F6
P F piE
You're
0-7 0#07 CIE
gon - na do?·___
C9
Err
1
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AI
a fence, and it does-n't make mucb sense, 'cause you keep me insus-penseaud you know it.
D7
I'
then you say you will and then you won't. wben you sayyou'U stay, that's wben you go. don'tlceep us a - part,make up your mind.
D-7
D7
IBI
and and then
rby-thm ob won't you stop pick- ing on me.
I I
221
THE WAY YOU LOOK TONIGHT
Jerome Kern 1936
B~7
F-7
IJ a Jal ..
rI glow just think- ing for me but to range it 'cause I
qJ
II
Bt
you you, you,
and the way you just the way you ~t the way you
~
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I»7
@A7
I~ jl'l, J pJ J [ d~J I " I r- ~ I ~r .
tear-ing my fear.
a
9-79-1D~ C-7~SF7~9F-70-7 A~A7B~7
word your
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ten - der- ness grows...-,- -
A~7
r I ~r r I ~F lauglrhat
touches my fool- ish heart,_ _
0-7
I~~ J.
now
dream
FA7
C7
C7
fap. up and down
a - way my spine,
D7,
0-7 C7
gG and-
run
A-7
;1 J a J ,J I that dream is here be I dreamedwas not de
07
now the clouds have passed,
F7
I~~ rl'FrJI look and then I
j
-
- side - IDe.- nied - me.i..
B~A7 e
knew
j
I J.'
you're here
~7
rI at
longed
F6
J J J I dayJ
the
skies were
0-
ver - cast, -
C7
IW
*
0-7 C7
t :
C7 W-
Just
and the
J
1
But
r
1
one
F6
JI JJjJln for,
mine,
FJI ~J7 r ~7 J I t7
lasL-t_ _ __
F6/AA~o7
I~FJjIJ that all I
"
D.C. aI F"",.
C7
dreamed a dream one - lad - diB's lamp is
0-7
I" I" I
Jerome Kern/Gershwin 1944
I A
Long
no~se_ _
-night.
I
r.t
J
CA7
I~~ J ir J j I J.
r
j
j
I
e
B~9 B~7~9~6
0-7
J.
F-7~S B~7~9
F-I
just the way you are to
J I J J J. ;1 a -
F IT
wrinkles your
LONG' AGO AND FAR AWAY
Long Chills
A~/@
I ~ JJ I J J F J I r
D.C. aJ Fine
0-7
I»7
Ai.-7
~-7 B~7 F-7
I~ ~bb J r d I j ~J I'" I ~e I
D-7
night\..-- - - night\..-_ __ night
I r r I F ~F iF J I ..
and that
part,
Fine
to to to -
o
With each
A~7
look look look
G7
lA57D~7Ilh:;t.A7 J ~ ::;1- J I r r
Oh but you're
B~7
I will feel a there is no~ ing won't you please ar-
B~-7
of love love
EJ.A7C-7~ IF-7 I~ jl'i, ~ J - J 1
cold, soft, charm,
when the world is and your cheek so keep that breath-less
when I'm aw- fly low, with yoursmileso warm, nev - er, nev- er change,
long a - go was you.
I
II
II
222
•
I'LL REMEMBER APRIL De Paul/Raye 1941
1~.
o~
r r Fir r
~
I!
This love-Iy The fire will
04
day willlengtb-en dwin-dle in - to
in - to glow- ing
La. J I J. J) AI
F r F r I r F ,J I
mem-ber A-pril mem-her A-pril
D7
0+7
0 117
I
glad. smile.
'
-F7
C-7
but
I
06
eF
and be and I'll
B-7~S
C-7
r *FI
1,1 F
lips were warm
0117
r
p1 J
F"
Au- tumn and her
B~117
F7
I'll
you loved me
be cmrtent
B~117
06
r I T Fr for I'll
r B7
F'-7
* I'F
II
F F If
EI17 A-pril and
re - mem-ber
Now and for
D7
It~ F" hr I still
FIl7
J
the
0-7 &
C7
I ...
one. _ _
A~7
-
me.- I'm sure of plea._ 'cause if you
r
e - ver -} 2.
and
A-7IS
G-7
D719
I
II
I
D~7
A-7
FI ~
world with - out you,
&;
FI17
11.
IUS Jrl" I kiss_
each time we then I'm all
I ~J. S I J J J FI done, you'll
find that you are
E~7
B~7
r r I r J JI -
bout
0-7
C7
F6
r rrI r J it's you or
D.C•• Fine
you.
There's this a
D7
I
=>8
A-7
r
~
of
D7
C7
do.-._ _
when for - e- ver's
rI
Styne. Cahn 1948
thi:5-S_ _
r Fd
F I ~r
through _ _
r r r IlzF jr r
world's an emp- ty
A~117
J "
fraid
pI F r' 1 - . 1 " I
J .. IJ J J J I
.r:7
B~7
r
But I'm not a -
0-7
no- one for no to my
in
A-7
I'F F F r FI
Spring were new.
C7
It's you or Please don't say
once
r - 3- - ,
IT'S YOU OR NO ONE
r rIr J
rI r rI
J. 1> J_ I J J ~F
FIne
and love and
sor- row,
I'll re-
lone-Iy,
won't be
I~I ~r J ijJ I J. , l I J J T r I F F A- pril, your
E7~9
I J J F rl F r ISF Frl I'll rewe have walked to getb - er,
j
lone, where won't for - get,
D7
A-7
J J ijJ I
we'll sigh good - bye to all we've for flames and love live such a
ev-'ning, ash - es,
D7
A-7
ev- er had. lit-tIe while.
* J T r I ~r
J J I J J I J .J. I
no - one
JI for
II
me.
you,
I..
my
I
223
I'M OLD FASmONED
Jerome Kern/Mercer 1942
[8]
I~ ~
F6
0-7
I'm
C7
old
I
the
fash - ioned,
love
J I J.
things . - - , - - - - -
The
sound
A-7 B~6 G7/B
G-7
rr r
0-7
-
F6
ing
0-7
I~; J
but
fan - cies,
11 J J
JI
rJ.
old
fash - ioned,
but
I
0-7
B-7~S
B~6
r r r JI
J
I'm
A-7
long as you a -
JI
of
up rDl0n the win-dow
rain
C7
I
F6
I
IT"
0-7
G-7
don't
0-7
stay
old
fash- ioned
F7
with
G+
,J J J 3 I J J We
I My
lived our lit - tie can't for - get the heart beat like a
A7
IBI
Gi
0-7
fell on AI- a - ba- ma
D-7
G7
J I
r
11•
C
last nighL
as
Perkins/Parish 1934
r I
'F F r
.
be,
me.
0-7
.
e
JI
-
dra - ma gla - moor ham - mer,
IJ J J J I J J J I stars
CA7
I
E~7111
J
Ii
STARS FELL ON ALABAMA 07
B~A7
F6
JI
j
C7
un- der- stands.
r Fr J I
C7
are
rJ r
I
how I want to
that's
G-7
JI J
G-7
Fl o7
C-7
JI
C7
fan- cies
these my heart
C7
mind it,
G-7
years
E7
hold - mg hands,
the
J I J J JI
I,J J J
J .I 1 j
A-7
to
07
pane,
D-7
This
I J III ,,1
J I F'
gree
t§.J
II
CI-7
sighs,
FA7
C7
G-7
old fash - ioned
JI JdJ JIJ.
ill
S1gh- ing
the
JIJ.
B-7
J I J J J I iJ J
love
0-7
sings . _ _ _ __
E7 AA7
r·· dill J d I A~7'1l
II
A - pril
B-7
I
FA7
G9
C 7sus4
d I J,J
star- ry song that
moon - light,
G9
0-7
I J.
I~~ J. Icl pass
B~IF
C7
G-7
JI J J JI
A7
FA7
0-7
II I rJ.
E-7~5
I~~
FA7
II I J J
J
I!
G-7
..
E-7
E~o7
r
~r
I
and
JJ I I nev- er
nighL
E~o7
E-7
I~ J. Jl P2 J J I F Fe r r planned in
my i - ma- gi
0-7
G7
I~ J.
l
J1
- na - tion
E 7/GI
JJ J J
land where no one else could
A-7
I
a
sit - u
a- tion
A-/G
r rr r en - ter
-
and
so hea- Veil
F#-7
F in
cen-ter
ly,
B7
r I r reeF IF the
-
a fair- y
EA7 G7
If r I IJ IJ
just you and
I
tReC.a1~~(Fene)
224
INVITATION
fA)
1952
Kaper /Washington
1'~I'b I~
J F7 Bb7 Er-7 3I'~bl' J J I ... 1-8 II J ~J F r I r tJt PrJ I j J I J II Ab7 Db7~9 [§] C#-7 F#7 F#7a1t B-7 I I'~bl' J I j. J I IT \J I .Ef1i 1r IT I[J hElD IIF F: I I You and your smile- hold astrangein-vi - ta:Jion,How long must I stay_ in a world of il - lu-sion,_
it seems we'vesharedour be whereyou are, so near yet so
som~how
3----,
dreams, but where?
far
blue sud-deIrly
I'~bb
TlIIle af - ter time- in Hop - ing y'ou'll say_ with
a - part.
:nr I
you are
there_
Wher- ev - er
E7
,fir-iF IF
I F ,0
glan- clng my way,__
I'~I'I' "r
a room full of a wann in- vi
stran-gers.-- out of the
Irrr I
in the gray
of the
smilethatstrange iIrvi -
ta-tion,_
Y.
B 7.n
Ie'
l=r ijJ I ijJ
dawn
And
Dall7
rfJ I
tr Ip
Jar:ling come i n . -
Gone with the now all is
A-7
wind, gone,
D~3~
I"G-
.01:..7
I-e,
blown
a - way. fined my heart.
Gone with the Gone with the
Flo?
,--3---,
06
...
J ,S. 9;1
1
just like a leaf that has gone is the rap- ture that
_
Madigson 1937
A-7 D7
cr
F
1
)
come in- to my heart."_ _ __
F-7
r pie
II
af I ..
tJ
GONE WITH THE WIND
I, ~hl" r
I
II
E~(t.7)-
Bb7 alt
J J I J bf e j r"1
Ebl:..7
Galt7
thenyouare gone,_ wbereohwberebaveyou gone?
ta- tion_ "wherebave you been?__
,
~"
fj
t.I -
al- ways your eyes-
3
IJ0
I"
F7 alt
;) J I J J J
A,.=1-
A-7
E-7~S Eb7
G-7
j
F-7 Bb7
-
I g o . - you're the glow of temp - ta-tion,-
Eall7
\n ~Fm I \d J J rTF I Dall7
D7
In
..
e'
B-7 II
3
~££J wind, wind,
F.:7-3---,
II
-
• _
•
'~;IZI§z~~J~J~,~J~J§§?§I~r~'~p~F§I~~- ~r~F~F~I§F§r~>~F~I~r~F~r§F~~r -
il
my TO- mance has the glad - ness that
flown
0-7~5
Ebl:..7
*rrri r I had a
F-7
a - way.
Bb7
..
kiss-es
Yes- ter- day's
are
filled my heart.
C7~9
(~F
Bb7
r--- 3-"1
r rl *Jrr J1
life- time of hea- yen
0-7~5C7
F-7 .
at ny
fi~ger
F-7
J
still on my lips
12. F-
c-
r,r r-pl"
- tips. But
Just like a flame,
Bb9
Ebl:..7 3
love burned bright-Iy thren be- carne an
emp-ty smoke dream that as
gone, gone with the
wind.
•
225
-- I'VE GOT YOU UNDER MY SKIN
Cole Porter 1936
I'
I've
I V V J hi
rr
II
got you_
Eb67
un - der my
~bl! J. I) J. LJ. J I J so
heart of me,--
F-7
.1:,== fill,) .- ~ got
~~
J~
you_
in,.--,_ _ _
1)-7
3-......"
I
to
n:
·I'~bb
slcin__
I
I, ~ 'I.
give
to
&67 Eb6
J U Jg
I)
so well"
but
A-7 A-7/G F-7
L1J J I J J I come what might, for the
Ab-6W-
&67
@7. 11
rr nll P'r pEl Ju rUI Tn fnl FH PHI
F-7
G7~9 C~3:::::;·
r>=<~ ~ ear.
w~ing voieethat
C-7/Bb Ab
know lit-tie fool.---
Bb-7
I, ~llb F F Pr ~ I F" ~ r IT to
stop,
you Rev-er can
Eb7
t
re - al - i- ty".
~~
I)
be - fore
Ir
3
I)
I
be - gin,
F-7
) '!se I've
Ir
e-
win,_
Ab
But each
time
(J
I do, just the
in my
pr~ ~
use your men - tal - i-ty.
Db9
I F" P F thought of you makes me
Bb7~9
YO,u..:_ _
Ir'
~r~ At,.. 6
IJ J U got
~peats
G-7 C-7/G Gbo7 F-7 ~35
(j I r· ~ r
Db7. 11 C7~9
Eb67
r
Bb7/Ab "':3'--,
EbA7
wake up
comes in the night and re - peats and
IrE! r Ir r r Fr I
"Don't you
Bb7
I'~bb
go
C67/B
J ,I) I ,J. ,I)
Ab6~
&7
sake of ha¥-ing you near, in spite of a
!
iF ~~ J 1)113.
sac - ri - fiee an - y - thing,
I'd
not
D
B/C
I)
P J ) I
so
tried
my- self "this af - fair will nev- er
I'~bb \J . J J J J J I \J J
&67
Bb7
Bb7~9
G7
r - 3--,
un - der my
I
* I'veJ I
of me.-,_
* r I r r IF
I =4 slcin.__
-Pn Fm I
said
part
a
p-7
F-7~5
I J t FI
G-7 Gbo7
'J ,I J. J J- IJ
Eb6
n:
un - der my
Eb6
e
I
J $
deep in the
Eb67
IJ J
Eb67
Ij ~
)
j
IV P JJI
got you-
I've
slcin _ __
Bb7
r
Ir F *
deep in my heart,- you're real-ly
Bb7
Eb67
I'~bll
fl
F-7
LJ
B::
Bb7
F-7
C-7
C7~9
Eb67
Bb7
F-7
&67
I)
J
I)
un - der my
I..
La
skin-n_ _
J
226
COME FLY WITH ME
J
James Van Heusen/Sammy Calm 1958
fA]
I~I!
J C: p
CA7
C6
1
fly
a- way! _ _ __ let's to Pc -lU., _ _ _ __ down love ly day_ _ _ __ a
let's fly, let's float it's such C7
FA9
J J[J; J .111 J !$! r
G7E+7
09
--
B~9
r r-
J
1
get you
1
A~
@7
B!,-7
07~9
2.
G9
I
&
B-7
G6
I~ r
-
I~ jJ f
ing
0-7
I~Rr
I
r
Once
get you
07sus4 07
-
~7SUS4
J eyJ hon---
E ;j- ;J
-
G7~9
they
-
fiedl,-, _ __
-
-
way!
r w,
--
we'll just glide,-
A~6
AIH-
07~9
r
I' F p there,-,_ _
~F
,
I'll be hold - ing
G 7sus4
r'
G7
A~7 G7sus4G7~9
p I t1 jr
an - gels cher, 'cause E-7~5
say,
C I.
;::0
F a
moon,
G
I F ~F
J ,. J
j
up
I ~r
we're
~
ir
I
to- geth - er. D.C.aJCoda
B~9 ;.
E-7~5
1 fly
I
F JIu
G7/F
G 7sus4
let's
j -
A~
you may hear_ _
so near.
F9
E~7sus4
A-7
E7
F J Iu
you
rae -
where the air is
ry - eyea:---'
•JI
the blue---a - way!_ __
J J I J J ~J ~J I.J "F' p-r
,.J
_
0-7
take off in'-" let's fly
B~7
F-7
A-7"
bar in old Bom - bay. Come fly with ~ let's fly, toot his flute for you.. Come fly with me, let's fly, A - ca- pul- co Bay. It's per-feet for a fly
-
up there:,..,_ _
Just
JI J i7J J ;OJ II
~ A~ AIHB~7 * J J J J I F' pE"
If In
CA7
C
star -
.
)1
J J
IT F (
~
a- way._ _ _ _ __
let's fly""'"
I~
G-7
r C:4
some ex - ot - ic booze there's a there's a oneman band and I'll and we'll beat the birds down to
G 7sus4
I~
r
r,
I~ P J ~} youcan use La-ma land say the words
> <
p
fly with me, fly with me, Weath - er - wise,
Come Come
J
E~o7
CA7
1-"
A7.~9
j come
07sus4
II
F ~
fly
with
;
;:t
me,
09
,J
tJJ r ;
let's
fly,
JI
•JI
227
I GET A KICK OUT OF YOU
Cole Porter 1934
Bb7~9
I~I rl J,JI
• get
I no Some get a I get no
I 1~1'E-b-3athrill me at
Bb7~9
I'~~I, 'F
kick from cham - pagne, kick from co - caine, kick in a plane
tell me why
so
out of
you?
IJ
&
I~ ~I'I.
Err I ~F"
Eb7sus4
I
I@~ 'Iz ..
get
a
,J
Ff]
gal in the
I
I
r'
LJ I
-l
clear
out
of
sky is my
Bb7
-l OJ
n~thing
i - dea of
0-7
Dear - ly be - lov- eel. how No- thing could save me, fate
clear-Iy I gave me a
G7
D-7
C6
A-7
I~ " 1 J J r I " I f~C6
I
m
An - gel eyes
J
~
So
I
A-7
r
say
*Jj JI
G-7~S
C7
Fir' Fie I there
fore F-7~5
be -
P9
II
€>
me. Bb7~9
I f%S!f1
I J. J I J r J Ie: ~ ~
you
Ab7 G7
I~ J J. )1 J J ~ I' J J.)I
me. shine.
rif - ic - 'Iy
ob- vious -ly don't a-
dore
me.
rn I Fi] I rff I .. I J *JI In I rr FI .. I" P-7.
G7
11.
lefn1
bore me
Eb9
stand - ing
me,
pta I
I
I get a
C9
do,
to
F-7
yet
'i
j
G7
I
J J. J5 I J ~ J
G7
CA7
A-7
1 I -e I ~ F r I I
knew you, _ _
an- gel voi
-
0-7
r
mere - ly,
I~e
0-7
G7
r I r J.
some- where in hea- ven you were I know' that I'll be yours come
see, sign~
09
I j
Eb6
Jerome Kem/J.Mercer 1942
0-7
41
Bb7
I get a kick out of you _ _
DEARLY BELOVED D-7
Bb7
you
r I rr*
I
OJ to
I get a kick
that
JI ~ IJ - I
you're C7~9
see
J J F§!
j
Eb F-7 F#07Eb!G t.l2mb-7
Bb-7
*
Db7 tll
kick tho' it's
Eb G-/D C-7
I~ ~bl!
Db!Ab Ab
r - 3 ;::::::::J
* J J ~J I I
get a kick-
I
F-7
F-7
sniff it would
rJ
F- I
r I ~r
- time D-7~S
F-
E o7
Bb7~9
Db!Ab Ab
kick ev - 'ry
i
I
yet
too,
true,
be
ev- en one
F-7
J JI J JJ
C9
nill I nil I •
JI ~ IJ - ,
j
0-7 G7 G-7~5 C7~9
I~ ~I'~
should it
..
hoi does - n't if I had high with some
ED I.. I J * J I
AbA7 G-7 C7~912EbA7
Eb
37J5J
1'm sure that Fly - ing too
B~3~7 G7
JI a J J I
all,
I * mere j J ~ I a1 - co -
0=
G-7 C7~9 Frf-3---'
ph I l
I~n
Bb7~9
EbA7 G-7 C7~9 F-7
r-- 3 - - o
I
Eb-7
;r r F I ~r ces led me
J J. hi J J J lov- ed ly
dear -
be
-
fash- ioned for show - er or
be
Ab7
d I" ~
to you _ _
C6
G7
pI
e
mine.
-
I 228
OLD DEVIL MOON Eb6 1,_ _ You've~_
Eb~7
F6
I ~J J J J J J I
I, ~ r r r r F F I
F~7
C-7
Ir ~
II
soon be- gins be-witch-ing m e . _ _ _ full of but - ter - flies in - side.___
on
a
r r I r r FJ
- It's that Wan - na
old
dev-il moon_ dev-il moon_
Ii
can - dIe
Eb6
I ,--3--, old dev- il
[§)
1'~1.
I'~h
han - dIe._
D7~9 3
0-7
1M
J I
Bb7
8
18
1'~-7 IJ j G7~9
fr J think
C7~9 s:::::::: 3:E3
blaz-ing their light-
1~6
free as
I'mllJ.__
I
8
Ij J I ,
&
1#& B-7
love~_ __
Bb~7
0
.e-
t~C-7
F7
•
'8
I
Ir
G-7
G~7
j
I J,U J-1J
j
C7
I J UJ-1J
Ij
O"
j
Bb
I
0
FE 'F IlrldiJ IJ 'F Ilr diJ IJ ijr I ~Q
E7
D-7
I
19
D7
a dove,.
I ..
F#7
B~7
I
F6
Ab7
F+7
JJ ~
d
Ray Noble 1938
Eb~7
C-7
II
D-7
~f71 J JiJOI"
I ..
J
You and your glance Just when I think
C#-7
M9'
JJ
J J IJ J J J @~ ~
moon, deep in your eyes, blinds me with
F-7
C7
A-7
that you stole wan-'na laugh
~J
=
Stars in the night-
your raz-zl,e daz- zle.
dcJ
CHEROKEE
lAI b~7
I'~I'
A-7~S
r rrl r
I,]
8
to
1
in your eyes.__ in your eyes.
r 1~7F ~; J J j J
can't hold a
I'~~t
hot to
see,.-,_ _ riuc;de_ _
Eb6
F6
fJ
too
IJ
dev - il mOODwan-na croon,_
cry,
07 make this ro-mance_
in your eyes I mag - ic car-pet
Bb~7
F7
d hJ 1 old old
Jrlll
J J
som~thing
C7 from the skies,_ it's that like a loon,it'sthat
F~7
J
I
C)
look at you and sud-den - ly, got me fly-ing high and wide
Eb~7
Lane/Harburg 1946
I
_U'
TI'
II Fine
A~7
I
;;8
C-7
F+7
J I&
I 1&
I II
D.C. al2nd End (Fine)
229
GREEN DOLPHIN STREET
[8J
1*1l~ I~
Kaper /Washington
Latin
Cb.7
r I r pslSJ
V
Lov - er, Through these _ _
I_a
a-
B~7
F-7
1
set - ting for
I~
nights'
r pr
found
be - yond
I
for -
B7~9
F#-7~S
A-7 A-/G
Love came__ mem - 'ries
plan - ning in live
d
~F
=
the
j sup
-
plies
I
setting,
G7 ~z0-7S~~O-/C B-7~5 I-r Mr .!f J. J J I J a .a F I
~9
getting__
E-7
the
kiss
E7~9
When I
and
0-7
A7
ground
I_a
9:::
re - call the
G7
Green
OD-
I
love
Cb.7
I; J i J F I J JEW I, J. J a I
on_
to my
Cb.7
street
E~b.7
;r
I~ 'I ~F J J I,J ~F I'r
,J
G7
Dol - phin
Green
I j
day, part,
J J I J
I' J.
stay. heart.
I-a
Swing
7
07/C
I ~e=
one love - Iy mo - ments a -
1'.0-
CA7
C-7
Dol-phin
La
a-
street.
I'M BEGINNING TO SEE THE LIGHT
1
H. James/Ellington 1944
~ .~ f; J 1
I I I
Fr6
FlY J .p
nev - er cared much for moon-lit skies, nev - er went in for af - tee glow, nev - er made love by lan- tem smne,
F#-7~5
C B~
F-6
~7 .clil °u J ~9 F I ~~,J I or I
A7
light.
:r
Used to ram-ble
J)
r
J I fiJ' J p>
you came and
caused a
IB~lE ~p
r
in the park,,--
07
~
then
~;F ~
p r F1
I'm be - gin- ning to
..
spark,
see the
sha - dow box-ing
, in
I
four
%1 the
G7
7
a
but but but
light._ _ rtne
E F 1~71rJ
t: P r r r that's
1
G9
1* cJ J r F 1D r rr c; 1 c; J p F now that the stars are in your eyes, now when you tum the lamp down low, now that your lips are bum- ing mine,
fi - re - flies, mis- tie - toe, in my wine,
nev - er wink back at can- die light on the nev - er saw rain- bows
09
~
AJ.
D
r
a-Iarm fire
f now.
I -r'
1_
r dark,
D.C.aJrme
i
,ib I I
230 I~~
JUST ONE OF THOSE THINGS
Cole Porter 1935
I! It was It was
of those things, one_ of those nights,
just just
ODe-
F-6/A~ -.
F/A -~~---, -.>
just just
G-7 -r-- 3 - , .
C7
..,..,
E~
E 07
F-7
I~~ J JaW,J J I r thought a bit--
C6
of the
just
B~7
rr I Fir
end of it--
FI-7~5
A-7
of those of those
been a- ware-that our
&,
D-
I~ ~
~r I J
when we
F-
A7B-7C 7A7/CIC-7
bye
and A -
dear,
A-7
I~ ~ E ~ great
I J *I J ~
II
men,
here's
Fl07
D7
start- ed paint - ing the
r II J PJ I r fun,_
but
it was
hot
ODC-- .
.......
~
If we'd
&07
r Fj
we'd have
town,
G-7/D C7 E-7~5 A 7~9
I
I r r JI
II
nOl-- to cool down.
or r C7~9
of those
So good-
B~A7
F13
~ r- I F J J I
just
B~7
hID J ,2 I .. iJ J .JiI
B~6
r I J fJ J Ii I J ,J J I
hop - ing we
G-7
F-7
a
) G7 A-7 B~07 G7/B
E-7
love af-fair_ was too
~ J j JSJ J I
~~
2.
of those things__ It was ( D-7 G7
E~
0
j
1'E-7~5 A 7~9
-
-I~'"
one
I~ ~ J J J I J fJ J lEE H r kr r I r *fI I?'I
era - zy flings,fa - bu - lous flights.---
G- C7
F6
one of those bells that now and then rings, trip to the moon OD gos- sa- mer wings.
~
one one
meet now and then.-
F7/A B~
F
BOF/C C7 F
I"
II
it was
I - I -
tbings.-_ _
EXACTLY LIKE YOU Fields/McHugh 1930
[AJ
C6
C117
D9
G7
I~t Err J I F r I Err J I" I r I know why I've wait-ed; Why should we spend moo- ey Now I know why moth-er
l"C
A7
I~ r J J
D-7G7 12.C
know why I've been blue, on a show or two, taught me to be true,
F7
C • C7
ill - JF J J ill J
act-Iy like you.
~
J JI
act-Iy like you._ You make me
J J J I J J JI
prayed each night for some- one exno one does those love scenes ex she meant me for some- one ex -
Ft.7
r Fr
feel so grand,
F-6
I T ~F
r IF
F117
1* r Fr I FJ F r IFF
F-6
E-7
A7
D-7
rTF E r FU IrE p r' I r
world to you._ You seem to un- der- stand
E; I
I want to hand the
Fine
C117
Yo
G,!D.C.p1Fine F ;J1 ~ I
each fool - ish lit- tIe scheme I'm schern-ing, dream, I'm dream-ing.
231
THE SONG IS YOU
Kern/Hammerstein 1932
~
*
C~
I I!~: F F
~~
rr IFF r
I hear mus- ic I hearmus-ic
D -7
FI
1 1.
,--3---,
down deep down deep
in my in my
Bb7 the melt a -
start,---
A7
Eb.7
.
A#-7~5
I
Fine
I feel it
A7
E-7
2.
.
J JJ aI
I
e
heart,
I hear it F#-7~5
C6
-
II
B 7~9
-
I
I
day?_ _ _ _ _ __
F#-7
have heard this
J
G7
J JJJI
I
play.--,_ __
Bb13
1* J r r- I-r r r r I r J a-Ione_
D-7
I
is this the
C#-7
I hear it
heart.---
IJJJ JI"
G7
IJJJJle
C6
say, _ _ __
D-7
e e way. _ _ _ __
G7
I
a beau - ti - ful theme of ev-'ry dream I ev - er a beau - ti - ful mel- 0- dy from some en-chant-ed
E-7
E-7 A7
IJ1JJ l
A7
Cb.7
r-- 3 - - ,
IJJJdJI J JJJI J JJJI
II
IJ J 3 ,3 UI ..
knew,___ land,
[§]
G7
when I look at you, _ __ when Itouchyour hand, _ _
G7
1* ..
D~
Eb.7
B7
a 'F r
I
I'
j
C#-7
love-Iy strain, _ _ __
I
I-F 'F F F I
a-Ione-
have heard this
D#7
1* If IF r I" re- frain.-_ __
glad
*
Must it be,
B 13
F#13
I ,3 ,3 let
*..
D-7
• •II ~-
I
it go,_ why can't I
G7
r-
side of me,-,_
Eb o7
Cb,7
Wby can't I
G-7
Cb,7
C7
let you know the
A7
I-aa J al.1) sweet, _ _
thewordsare
rbap-so-dy of
D-7
Bb9
r-- 3 - - ,
I
r J J ,3
love and youth and spring.-,_ _
the mus - ic
G7
C6
IJUJUI"
true, _ _
rI
song my heart would
Fb,7
I r J J I,J UI UJ J U! U J J UI"
sing? _ _ _ The beau - ti - ful
why can't I
I-F F r FI F F. F Fir r r
. let you know?
r-+--,
[QJ
G7
I J,3 3 3 I aU F
j
for - ev - er in -
Fine
the song is
Bb13
C6
I"
I
you._ _ __
-
JI is
232
TinS COULD BE THE START OF SOMETIUNG BIG Steve Allen 1956
F-7
C-7
J
J J I J J J J JI J
You're walk-ing aYou're lunch-ing at You're up in an
D-7~5
F-7 F-lEb
r
G7~9
C-7 B+
J 1 I J ~J J J1
you sud - den-ly ac - cept - ing a a - lone on the
lone and thenChar- lot Russe,_ Ma - li - bu.-
D7
A-7~5
G-7
r F r-r b r I F ryou sud it's sud and right
rI
den-Iy den - Jy a - way
*
dig, _ _ fig, _ _ sand,_-
re - a - lize gal and guy,__ you can tell__
or else you're ade> clin - ing a or ly - ing at
Eb7
AbA7
Cd r II r r r I
F
you're look- ing in when out of the you sud - den - ly
F-7
some-one's eyes, clear blue sky, hear a bell
that and that
Bb7
this could be the this could be the this could be the
Bb-71Eb
G-7 Gb7 e
I
start of somo-thing big. start of somo-thing start of somo-thing grand
Eb7
Bb-71Eb
Frll~r r FJIJJFrl~r F FM
* J
You're lunch - ing at
big.
There's no
Bb-7/Eb
co~
trol-ling the un -roll-ing of your
who know's what
Bb-7/Eb
writ - ten in the
Ab
F-7
J J J Fir J
j
C7
r Fr Ir
This could be the
I
*J J
book?
C-7
in-vile her
F-7
J J ~J I. r.
start of some- thing,
in with-out a
F" rrJJI
But when a
F7
Bb7
this could be the
D.C. aI Coda (Last Xl
J AJ I
e
se-cond look.
r rrIr J
lov - er you dis-
F-7
I J J J r I r r iF r I F r I
cov - er at the gate my friend,_
G-7
mag - ic
e
fate my friend,
AbA7
Eb7 E9 Bb-71Eb Eb7
F r I ~r r F J I r r I
1*•~I'I! r
sa r I
IT
-$-'1. JI J J J J I J J J J I
C7~9
~~ I r·
F-7
Bb-7
Ii
r
par- ty.-,_ _ di-et. _ _ Sar-di's,--
or you're at a and watch- ing your or din - ing at
long the street"Twen- ty One"ae - ro-plane_
Bb7
You're up in a
Eb
J J
start of some - thing
fine! _ __
You're doing your income tax, or buyin' a toothbrush, or hurrying home because the hour is late, the suddenly there you go, the very next thing you know, is this could be the start of something big. You're havin' a snowball fight or pickin' up daisies, you're singing a happy tune or knockin' on wood, When all of a sudden you look up and there's someone new, oh this could be the start of something good. Your destined lover you'll discover in fright'Ding flash, so keep your heart awake both night and day because the meeting may be fleeting as a light'Ding flash and you don't want it to slip away. You're watching the sun corne up or counting your money, or else in a dim cafe you're ordering wine, Then suddenly there she is, you want to be where she is, and this must be the start of something- (TO CODA)
233
CHATTANOOGACHOOCHOO
Warren/Gordon 1941
[8]
C
I'llf
J J J J J J JD
J
1
r r II
J J J J J J can just used
you a to
F/A
J J PJ J J JI f J J
.-
in not
>
I,j
1
Bal - ti - more, _ _ far, ve - ry
J J J
j
F F
I' I,"r
G7
C CIB
C
e
Car -
noth - in' got - ta
C7 l
A~7
C/G
F I
(
Ilr
J Jl i' J. =2
..un - til
F
r
r'
Chat - ta- noo- ga choo choo,
there
C
rr
j
•
3J J
--
you
choo
,.
.::: ::::-
r 1
roanl--
C
,.
;:>
F
choo me
II
D.C•• Coda
are-
nev - er
G7~9
you
fin - er,
1011- in'
I 1> J p
I tell her that I'll
J.
~p
F G7
F/A
r r e II
won't
be it
keep
r~7 J J
na.
-07
A-7
~D
could
C71B~
gon - na cry
r
j
C7
...
Ii
JI
07
di - ner, in,
coal
-
JJ
mag - a - zine and than you're is
r r
COP
She's
read a
i ~J
then you know that Tenn - e - see
r
F D
0
J J
C7/G
F/C
J J IS J J I J J J J
e-
J
four,-baro-
din - ner in the sho - vel all the
than to have your ham and eggs in woo woo Chat - ta - noo - ga
D-7
F
C7/G
B o7
'· 0~7 I J J)" ~jl
G7~9
>
B~
F7
J J 3
3
quar- ter to eight to the
penn- syl- van- ia sta- tion 'bout a When you hear the whis- tie blow-ing
leave the
You
gim- me a tri - fie to call fun - ny
C7/G
I' ,I'
track twen- ty nine. I've got my fare, sat - in and lace,
C
boy and I
J
'--'
choo choo._ __ choo choo, _ _ sta - tion,,-,_ _
j
p
A7
J J J J J J) J. J IJ~J J J31
G7
F/A
E-7
C
Gsus4
home.
I::::"
I 234
YOU AND THE NIGHT AND THE MUSI~wartz/Dietz C7~9 0-7 G7 c,.-3---, ,..-3-:---1 J) J I :: J J IJ J J J I J J
D~3---'
G7~9
,..-3---,
J J ~J J J J
A~9
r--3---,
CA.7
J
I
my be - ing com the night and the
set - ting at - ter
with but the
plete- ]y mus- ic
flam - ing de will we be mo - ment is
1;0-7_ G7 A2.!
J
fire. done?
on are
:
sire, one, through,
A-7
J~
J I ~e:
j
07~9
r--3--,
fil1 me thrill me, love till
mu - sic, mu - sic, mo-ment,
-,.1
~-.
r
You and the night and the You and the night and the If we must live for the
1934J
rI
qJ
Un - til the D-7~S
G7
..-3---,
r r r r r r I r r r I r r 'r
G7~9
e tars,
r r
die
I
will
"
have
you?
RED ROSES FOR A BLUE LADY
I' I' I'
J
~J
J
I want some Wrap up some
•
ros - es for ros - es for
sweet- est
A-7 "II
gal in
E-7
A7
r'
J
I
e
please.- town,
D7
A-7
a a
a J aJ ~had
We and
D7
trick, I'll
hur- ry back to
pick., your
blues
0#07
r
best white
r
F FF
Mis - ter flor- ist send them to the
E-7
a j J IJ aF r quar- reI the oth - er day, ;0
D-7
flow - ers chase her
2.
I
It G7
a siJ - ly they do the
if
r'
]a - dy, la - dy,
D-7
I
j F- C B~7 A7 D-7 I! l J I J J J r I r' J I r
Ir
blue blue
I F J ,S J I F J F Fir hope these pret - ty
E+7
a a I ~e
I Fr
e red red
A7
.a a I F F take my or- der
Tepper 1948
B7
C
G7
J J I J J ~J J Wrap up
a - way.
CIE
p J I
r
or - chid
for
G7
J J JI her wed- ding
some
C
«;gown,
1=<11
I I I
• •
C-
r
•
,
235
LOVE FOR SALE
[8]
2ndX-EbA7 1SIX.
I~ ~I,
BbA7 Bb-7
3rdX-Eb9
Ilf.. I r·
JI
Love _ _ Who,_Love _ _
for will for
BbA7 Bb-7
2nd X. 3rd
X-EbA7 E~
[,1.
-
r r rIr r r
that's fresh and pre - pared to you want to
po- ets
DbA7
BA7
nbA7 type of love,
,
Eb-6
J J
.-3--,
I~ ~I, * J J J d I r I've been thru the
rr
Ob7. ll
mill of love,
JI
Itl.
&3
way,
ev- 'ry
Bb7
B7
j I. d J I J 3 I * iJ If you want the thrill of love,
they.
I ~r
-
Bb7
e
bet - ter far than
* ~
I J.
F-7
in their child- ish
pipe of love,
I * J &3
E7' ll
sale: sale
for for
I~ ~b * iF) ~J J I J J J I * J &3 J J I Let the
love that's on - ly for a trip to
"0"
lov'c:-e- - _
Ab7
I * ~O F F I
Bb-7
love:_ _ __
ly soiled, ra - dise?
top notes 2nd X
IJ
-
I)
Eb-7
still un - spoiled, pay the price buy my wares,
F7~9
C-7~5
slight pa -
young love for sam - pIe my supyoung love for
-$- nb9
Ab7
Who's If
f rJJI
ap - pe - tiz- ing Who would like to ap - pe - tiz- ing
buy? _ _ sale,._ _
* II * lover
sale,--ply? _ _ sale,--
top notes 2nd X
* I * r r r rl
I_A. sale,, _ __ "_
Eb9
i I
Cole Porter 1930
C7~9
0-7~5
r
I ~r
old love,
r
F#-7
B7
Bb7
r r I hF ¥ I
I *iO
ev- 'ry love but
new love,
F-7~5
true love.
D.C.aJCoda
_ _..L F7{fi
C-7,-~5
, fol- low me and
climb
the
stairs.
~
I-r
lovc:-e_ __
love:______________
for
~F for
Bbe: sale
Last xtake Tag
Ir
sale . _ _ _ _ _ __
*,
236
MY BABY JUST CARES FOR ME Donaldson/Kahn 1930
I.
I~I I~II
F#7
G
J JJ J
J J J
My ba- by don't My ba- by don't
care for shows, care for nngs,
~
B-7 Bb o7
1·G
J J J J
j
J
my ba- by just
cares
for
~ E-7
B7/E E-7
J J§J
F7
she's sen- si- ble
'B-7
E7
e
Ii
knowS--.
E7~9
-
A-7
I
I""''
i.
-
F#-7~S
A-7/G
don't
I
high- ton~edl---_
PF
I'"'.,
c.
r r 'E
I~
d
Gee, it's great, We go 'long Af- ter I
J
my ba- by just
II
I
F-7
G-7
af - ter bar - mo kind - a
C7~9
E -
B7 for
A7
D7
G
r
r
e
cares
for
care
who
I
e
me
E:J,~7
F-7
F#7~9
- I F 'r
My ba - by don't
be
r (J
p-rClI
care
C#-7~S
C~7
;;
A-7
F-7
-
plac - es
WALKIN' MY BABY BACK HOME E:J,~7
I
r tJ r I r j A-7 D7 I F· P-- F I r' tJ }
~
care for
A-7
can
it,--
~
care for clothes, pen- sive- things,
My ba - by
my ba - by don't
I~
J J J
I
D7~9
~J
as
J
j
my ba- by don't or oth- er ex
me
E7
I~ I *ijJ J J J I d I
j
• •
A7
lac - e s , -
12·B-7~S E7~9
I~I
J
J l' J I ~ J J .J J I #] J
I
furs ancL...-
P#7
I~
~
A-7
I
G
Ahlert/TUrk 1930
C-7
P7
iF V I F r F rF
be - ing out late, ni - zin! a -5ong, straight- en my tie,
F-7
e
home, poem, comb,
~ A-7~SD7~9
F-=1. FIne
arm in arm, ov - er mea- dow and farm, owls go by and they give me the eye, one kiss, then, I con tin - ue- a - gain, -
walk- in' my ba- by back horne.
home.
C-71B~
A-7 D7/A
j J J_l1 J I J stop for a - while,
!
G-7
D+7
® f rr f r I
I ~ liz
10
...
start in to pet,
she
gives me
a smile,
G-7
that's when
snug- gles her head
C-7
pI J J and
and
I~ I get,
F7
Ef-c:r
We
to my
chest.
P-7
'1
PI We
B~7
r I f r F J'" E
her tal - cum all
ov - er my vest.
I
D.C.B1
237
A LOT OF LIVIN' TO DO
Strouse/Adams 1960
I~!l
r-
J
r J aI
0-7
to kiss me a all shi - ny and just wait- in' for
I- J a I
0
oh, those got - ta you're a -
few, new, you,
I~C;
got a
I~
mean Cadillacs, all
EJ
F I
what they're is a on and
r 4J miss- in', wast- in', show it.
-
B~7 A7 Ai>7 G7 to
liv- in'
lot of
e
E-7
don't know 'cause time so come
girls move, Ii-ve,-
* r I r J J r : p J._ j J I I've
.......
I
and I and there's and it's
kiss - in', tast - in', . know it.
0#07
Ii
1~'G7
0-7
J J
J i J. iiJ 1-
just ripe for some all read - y for if on - Iy you
F6
,--3---,
I~ ~ j
I * U- fJ
girls wine ball,
There are And there's Life's a
C7
Cb.7
C6
Use for 1st 8 bars
I- a J
e
liv- in'
And there's
do.
to
C II
Fine
IThere's
do.
@b.7
I~_J.
J J
I ~r J5-....- J
~
-
ev
0-7
Bb7
F-7
-
'ry
peo - pie to see,
plac- es to go,
mus - ic to play,
G7
IF ~
e an~
thing -for -you -
Bb o7
a
Gershwin/MacDonald 1924
A-7 07 Gb.7
aJI J J IIFF
j
loves me, loves me,
Some- bo- dy Some- bo- dy
A-7 07~9 Gb.7 Bb o7
I~ I J.
J I
a Life's
me.
SOMEBODY LOVES ME G6
D.C. aI 2nd End (Fine)
*I
j
I won- der I won- der
I won- der
who, who,
who she can be _ _
C#-7~SF#7~9 B-7 G#-7~S
A.-7 07 Gb.7 E-7
C#7
F#7~9
J J I J J I * f f J I .. I * r r fir p 'F pj
Some- bo- dy
B-7~S
A-
E7
I Wish I
loves me,
knew;
A-7 'B-7~1E
who she can
be wor - ries me_
A- A-(A7 '>A-7 A-6 E-7
A7
l~rrFlir J FJlrJ F Ji" I" IF a J a I For ev- 'ry
E-7
A7
lov - ing
ba-
I
e
D.C.alCoda
hy.
may -
~-7~SE7~9 A-7
09
A-7
I~I f J J a I " be my
me I shout, hey,
girl who pass-es
I
I
I
e
may
-
be,
-
07~9
J J be
~t's
you were meant to
G6 e
-
you _ __
II
I
238
TOO CLOSE FOR COMFORT Boch/Holofcener 1956
Be Be Be
be be be
wise, soft, finn
11'CA7
smart. be - have sweet, but be fair, be sure,
J2. C
D-7 G7
I' J 4) 1- ~ J so close_
D-7~1Ab
G7
..
close
G-7 C7
r J ro J
I~ J * such
j temp
for
com - fort.
C7/G
*I J -
tion,
I pI'F P r F I ~ F brrun for co- ver,
she's much
r
~F bJ
Fir
thing leads
an- oth - er,
to
pJ to
c-
close for
com- fort
J love be- cause I love, I get DO love be-cause I
IT
too late
I pI'E P F F 1·1""
too
Be
~A7
G7~9
P
1-"
feel so well,---diz - zy spell..--feel so well,--
II •
DOW_ _ __
•II
Rodgers/Hart 1938
r
1
no my but
Ab
F-7
--
*JJIJJ,J I
sobs,
DO sor -
rows, no-
t
C7
I ~I'I,~ J .r '-"
JUst
-$- Db9
I~ ~I'I,~ F J but
r r hear
it
is DOL-.
bl
skies_"_
e
F7~9
C7' 9
.F-7
I
My heart does
I,
beat,---
C-7
r *
love
this
is
F-7 '>
1--
100L-.
J
to_
D.C. a1Coda
I
e
PI
I
love_
be_
Eb7~9
Bb-7
J J to
sweet-
too
still",-- •
EJ,7~9
Bb9
I ..
If
ot stand
II
II II
G-7 head
'.
J J. J I •
J
when to say "when"_
1.
sighs _ _
•
::::j D.C.8J Coda
pip I'F P r F I * r
one
-
Too close, too close for com- fort, ~6 Ab7 D-7~5 n7~9
THIS CAN'T BE LOVE
This can't be This can't be This can't be
cart hen she's beat,she's too care while there's
F-7
F-7
F7
D-7~S
Ab7
F7
close to know just
r*I*F
*
- ta
C7/G
F-7
too close, too
A-
A-
I * F I'F" PTpI'F P
e
CA7/B
C/B
F7
please not a - gain..-,_ _
.. C
my heart. don't up - set- YOlK sis - creet, dOB't ge . off your be - ware, OB your guard, take
J ~ J ~ I J ~ F ~ I ~ F II PTpII P F Fl'
:J
Be
CA7
r
A 7~9
J ~ J. J I J J I ~r J 1,2 J J 11.d. J I J J J I .
It I!
It
E-7~mb
B+7
C6
•
r r
in
your
it....,
L:y
eyes _ __
II
I
-
-------
.---
239
TOO MARVELOUS FOR WORDS
Whiting/Mercer 1937
-II • • • • •I
J
-II I I I
~
09
J
J
just
too so
all
I
A-7
09
G6
r J I J r J J I r J I J fJ_)
CJ
mar- ve-Ious, too won-der- fuI, I'll
words, like words, that
mar- ve-Ious for nev- er fmd the
gIo- ri - ous, say e - nough,
I~I Y£]~J ;11'; J ~7 J I bO;07 J ~~:aA7 J ~-7,tl Bbr r r I glam-or- ous, tell e- nough,
and that old stand- by, arn-or-ous. It's I
I~I F"
J
I~I
I
too
much
E-7
0-7
G 7sus4
D-7
r
~
f
You're It's
1
t
A-7
rr much, and
r J JJ
I
JJ J
Web- ster's dic- tion - ar --yo B-7~5 E7~9
I~I F"
birds,
to
C-7
J IF
#F 9F
rIF tell
J
you
that you're
I
I'm
so
I
F7
!r
9r
J IJ
r"
J
E1 r bar - row - ing
-
er
F7
G
J J J
I
love
a
song
J
mar- ve- lous for
1~~"l>f
Bb7
Ep ~
D
Eb6.7
pIPE ~
j
C7
)l
F-7
Bloom/Ruby 1945
G+7
J po I
* II
words.
GIVE ME THE SIMPLE LIFE F-7
r
from the
G
J I F J
rIJ
in
be
D7~9
A-7
mar - ve - lous, too
F7
ev
to
09
J
I
-And-
A-7
ve - ry,
A-7
07
J
IF r
just too ve - ry,
A-7
A7
C6.7
G 7sus4
J
I F F F
mean they just aren't swell e-nough. You're
B~-7
C-7
J J 2-1J3) J
)l
JlJ
I don't t» lieve in fret - tin' and gRev - in', wby mess a- round with strife.--I nevSome find it plea- sant din - ing -on phea- sant, those things roll off my knife,--just serve Some like the high road, I like the low road, free from. the care and strife.-- sounds corn-
A-7~5 ~Ilil _ 1) J
Ab-7
G-7
J . J > I '" I:"t .- - ~ - -jJ )) j p p er was cut out to me to - rna - toes and y and seed - y, but 2.
F-7
Bb7
0-7~5
I~ ~Irl, r" J I J J
Eb
F-7
wide,
a
J
V
Bb7
cot-tage s~~~m
G7~9
j
.
J)
~. F-7 ~ ~ II!
pC
step and strut out, give mashed po - u - toes, yes in - deed - y,
me the sim-ple lif~ Fine A
Eb
r l
C-7
. C7
F-7 Bb7 J . I 3 :3 ~ ~
Pp ~
Eb
F-7
af-ter, not
one that's spa-cious and
C-7
F9
Bb7
F-7
Bb7
J j J I J J P ,0 I J J J J I ;Ll
house that rings with joy and
J
J!.l,dc;;i V
me the sim- pIe life _ _ __
lauglr ter and the
ones you love in
PI
- side:_ D.C. aJ 2nd End (Fine)
240 BETWEEN THE DEVIL AND THE DEEP BLUE SEA Harold Arlen/Koehler 1931
D-7
F
e' *
I'~
,J
J
I I I
G-7
C7
j
r
want give hate
don't for should
D-7
F
I
you, you, you,
*
J
J .J I'd I I
but 'cause but
G-7
hate can't guess
J
I
J
to for
C7
V' you, you, you,
lose get love
-
I
t
E7~9
II
II
in be- tween
you've got me
,~
Ab.7
1
;
FI-7
B-7
;
A-7
~~
AICI
off
J gJ
but when you come knock - ing
my list,
D-7
C o7
J J
I
1
rr
L
E7
,J Jl ,J )lJ
,~,J 12 J
I oUght to cross you
C
dev- il and the deep blue sea.
the
~7
G7
heart a twist,
r F
i.J I
I come run- ning back
and
my door,
G7
riP F fr P I 'i E E
fate seems to give my
at
1,
~I.I,
~ ~I'I,
1
I'
D7
e You
u do
F-7
B~9
fies
J
D.C.alFme
for
more.
J I ..
me.
Tell
~bl. J
j qJ F I "
pow'r
I'
~I'b iF" do
do
I
that
E~
~1'1. J
I
some - thing
me?
F" )~J J
voo - doo
G-7
,J
r' * •I
J IJ to me
I
C7
r
that
Let
J you
that
I
I Mr
live
me
do
so
I
F-7
r-
no - bo
j dy
'neath
your
B~9
J
F7
CIE
l
<
au
mys - ti-
J Flu I F' oJ1
Ii
I j else
Eb
j
J
well,
for
B~7
J I could
r
I J J J you have the
e
B~71F
G~o7
j
F7
be,
it
should
e
F7'7ft
J I
r
G-7
B~ID
,JU ,J
J
j
sim - ply
C7
G-7~S
why
B~9
that
some - thing
I
e
J IJ
j
F-7
me,
hyp - no - tize
to
J
me,
to
I
C-7
e
C7~9
F-7
BIE~
1,
J J I
F-7
Cole Porter 1929
~6
Ebo
some - thing
J
I
e
E~
I
e
YOU DO SOMETHING TO ME E~
C7
II
e you
Eb6 e
-
do.
I
•I • •
241
ALL OR NOTHING AT ALL A-(t.7)
fell
1*
be - gin, you
rath - er ra- ther
have have
a
AIM-
please, don't bring your
* r- r* .~ * .* ~I'I,~
D
smile
1
~I'I,~
AIMI'll
or
B~7
1
~I'I,~
1
!9\!
be
j
J
heart
may
II
No,
J.
J1
j
yield might
to have
me, been,
B-7~5
E7~9
to
be
yond
j
A-
e
No,
all
J
r
F-7
E)7
Bb-7
d I
~
~
But
Bb-7
97
I-r-
a don't
re
I
e
-
saIl
-
B~7
·C7
C
Bb9
I""'r r or
r
I
noth -
3
r ing
J C7~9
G-7~S
Eb7
Ir
e
weak, B-7~S
fall
J.
The
I~
e
F-7
A-/G
I'd I'd
no,
Eb7
hand, makes me
and
J
F then
cheek,
F77f7J I
J I
zy
I .)
1< J
s
: a
-
97
G7~9 ~
D-7 D-6
.i
my
Ab
-
-
E7~9
Ab
* I
IJ
D-(t.7)
15
close
B~7
diz
me
- tween, - tow,
1'8J-7 -
r f- ~
D-7~S
grow
I
so
lost
J IJ
j ........
~
r§
F- P I F3~ eyes, the touch of your
F-7
D-7
I
Eb7
kiss in your
D
DblAb
D
to be der
D-
~3
lips
J)
all all
Ab6
1*~I'I,~ r r r r I r1
• J
!!
at at
no - thing no - thing
Ab
3
-
pealed in un
Cl:.7
a Ia j
~ Ab
ap no the
. heart nev - #er could cry for some - thing that say, to see, 1've got
Db7#ll
a j
Bb9
I
then
D-7
1*
G-6 I
G-7
G-(t.7)
J. J) J.If Jl your why so,
nev - er there is caught in
love love be
-
IW
all, all, call,
J J I J. -
a
A-6
9;::
at your
,--3----,
I j
a it's would
G-
1*
A-7
j
W half if I
noth no - thing of spell
or or the
under
A _(t.7)
A-
J J at ing
a a
AlI _ _ _ __ AlI_ _ _ __
A-7
3
I
Altman/Lawrence 1940
E7~9
[
r
F
and my
D.C_sJCoda
Jif q4 I
C
r
at
:::=
Ii
all'
I""''
II
THERE'LL BE SOME CHANGES MADE
242
Billy Higgons 1921
D-7
D-7
G7
J J
J JJ(JJJJI J
change in the wea - ther, tliere's a cahnge my way of liv - in', if
For mere's a I'm goin' to
G-7
I' ;1,
!
I, ~I, J tallc
II
r
F F F
G7
!
C7
'A-7
gFI
_D7
or
no- bo-dy wants
B~
r r
t r r -- I p r
Jl
J Jj J and
I
be
some
p'
JJ~
I'm goin' to
~7
C7
I' E r; ; J 1 B~
F7
there'll
D7
there'll be some chan- ges
, r r r r
to -
the sea, e - nough,
be the same.
gray,
C7
r
<
D-7/F
G7
old
Js J
p-r p - FEE F P r ;ill
D:7
I
you when you're
G7
F P P day, made
ain't
noth - in' a - bout me is goin; Jto
and my name,
r
in
that
11.A-7
C7
J_ J I FEE F
change
C7
r
p
G-7
Jj
I,~' E E E
I'~I'
F
G-7
G7
p
chan - ges
-
r
made.
BiDy Strayhorn 1941
D-7
D7·ll
I N' J r I @t J.
I ..
Fb.7
~ Ul
D-7
I ~J. J r I Crt
·1 D G7
J.
G7~9
I_A ,,,1
I
D.C.a/Coda
J
,..... >
til
II
243
LOVER, COME BACK TO ME
Romburg/Hammerstein 1928
G-7~5
C7~9
I* J
I*J J Jle The sky was You came at The sky is
Bb9
Able C-7
B o7
I'~'I'~ l J J J I "
F-7
this eag- er This aclr ing
41
new, past, new,
Bb9
Bb-7 Eb9
r r r I ..
I* J J J I J
and so was love, you've gone a - way.
rI
J
the moon was that day is the moon is
and high a - bove love had it's day, the night is cold,
blue, last, blue,
•I
F-7
heart of mine was heart of mine is
Ie
I
ing, ing,
sing sing
2'Ab6 "I
I
, "lov- er, here "lov- er, come
can back
be?"
you to
me."
Bb-6
F-6
G-7
Ii
II
do.
I'm
I F F 9r F I
re- mem- her
ev - 'ry lit - tIe
thing you used
Ab-7
G-7
Db7
so
-
lone -
Bb-6
F
r 9r F I ..
I
you,
I'~I'I'~
but love is
I"
1*
old,
Ab6
I sing -
ing,
j
I J JJ r I won-der I am
..
r r r Ir r
and while I'm
Ab7
J ,J
"lov - er, come
F 9r F
walk
a - long I've
B~7
Bb9 "
Bb-7
*r r r
r Ir
ev - 'ry road I
no
F7~9
F-
IJ JJ
ly,
F-7
walked a - long with
C7
Ie
II
to
When
Db6
I ,J back
to
Ie C-7
F
II
ly.
lone
F-7
r Ir r r
wait- ing here, this
J
heart of mine is
Ab6
Eb 7sus4
J
Eb7
Ii
I
,t_ me."
I ..
II
244
WITHOUT A SONG
97 With- out a
Abll7
J "a a r ,
day would nev- er end, nev - er see a plow, what makes the rain to fall,
Abll7
Eb
Ob9
a a 'ad;',a a a, the road would nev-er bend, would be de - sen-ed now, what makes the grassso tall,
when things go a man is I on - ly
Eb
I»9
r a ,aa
the " would F
song, com know
That field of I'll nev-er
Vincent Youmans/Rose 1929
with- out a
that field of I'll nev-er
G-7~5 C7~9
e.
song, com, know
F-7
"a a JIJJgl
e wrong, born, know
man ain't
a
got a friend, good, no- how, love at all
but be's no there ain't no
with-out a
tro~ble
I got my
and woe, but sure as 1 know the Jor-dan will roll,
A-7~5
0-7
07~9
G-7
B~7
C7sus4 F-7
I F §iJ J Fir Q r F I F EJ r I. F I'll
get
a-Iong as long
as
a song is strong
in my soul. I'll
THE BREEZE AND I ,
I~ ~., J
The The
f 1 TI J breeze and breeze and
1 1
rI
JJ
I
are are
J JdJ
D.C. BI FIfIB
nev - er
Lecuona/S~1928
~:9 I 37:~jJ I
j
say- ing with a sigh--. that whis- per-ing good- bye- to
yon dreams--.
no long- er we used to
I~~ : I'j. j r;-7~11 T7J FI ~71 FI r7C E r F I fj cart
0#
The
Ours was a
I&; ~ t.>
A=1~
rFr
pan - ed
WI'th -
p.:1~
tune _ __
JJJI J J I J out me and
we
won
3
And all
F
C7 -
j der
F
rTF I rCr I f
I 0-7
JJJI
,;. love song that· seemed con-stant as themoon,end-ing in a G~
strange, m~ -
FI
F,
I
a - bout me, they
0-7 0_
why,
0-7 C7
'_J J J. J I
~3~
L ELI
know you have de-
F 11_
[J *- II
the breeze and 1 . - - -
245
WRAP YOUR TROUBLES IN DREAMS
Hany Barris/Koehler/Moll 1931
C
07
f J
j j
I~
D9
A-
r r 0 rI
1
J. J
J
G7
IJ J
A-7
A7
J
1
A7 1
No use to grum- ble, just smile as they fall.-
~6
life's real
~
":::
I
heart ,
F-7
were-n't you king _ for
E7
C
a
G+7
r
1
f).C. afFine
t
day?
II
Say!
Benny Goodman/Parish 1935
&_-----
J
,J
IJ
way_ _ _ __
FJ,/G
r
you'll
JDe,
I- J
F
:~
The
as
Ir
we
I
J
see
e 1
r r I'll
it
BIH-7
F9
have
Bb+7
G7
I F IE EI"
r r
are
F-7
Fine
C7
r
the in Don't break my
way_~_ __
[§J D7 long
As
Clouds in tears
Bb+7
F-7 F#o7
1
I
e way_ _
Iy fun - ny that's
J J ,J J_I) qJ
sky_ _ _ _ should nev - er make you feel that . ___ vam,-, so hon- ey please don'\, be that heart...... , ___ oh hon - ey please don't be that
I~ ~Irll
qJ
G7
rJ
, ( rJ 1 2. FJ,6
E7
C
oh hon- ey please don't be that way_ _ __ will bring the vi - 0 - lets of May.--,_ __ to-mor-row is an-oth-er day _ __
cry, rain
C-7
C
F-7
I, ( -
rain..--
G7
J fJ Jul)
DON'T BE THAT WAY
Don't The Sweet
day.-- so do,_
G7
D7
I~ Err IF Pr P I F r [ ifF
C-7
-J
Un - dreamyourtrou-bles a - way. Your
D7
all,-
fate, af- ter
E7
B7
J2'D-7
C6 0+7
I~ f r r IF PF P IFf [ if~r cas - tlesmaytum- ble,that's
o r I r·
r r a r I IF/) :J r r JJ J I r r
E7
B7
A-7
on - Iy gray for a on - Iy one thing to al- ways fol- lows the
wrap yourtr01rbles in dreams, and dream your troll-bles a - way.
A-7
E7
C6
gray..-- they're thru, there's e sun - shin....
-0- 7
1
j
J
j I
When skies are cloud - y and Un - til that sun- shine peeps Just re- mem- ber that
D9
G7
C6
have
J .
D.C. afFine 1
j
Iyou.
through,
F Sweet
II -
246
I'
FROM Tms MOMENT ON
~bb~ Of ~ J
r
G-7
r I'
J
qJ I j
>
F1 F r F I
I
II
mo- ment on _ __
j got
A~7
e
"
you no you
for more and
I
from this from this
J J I
I
got the love--
Qb7 fn F7sus4 love
B~7
F-7
to
dear,
songs, babe,
C+7
IJ*:~
J Js I?j -
j
need so much...-,_
touch..--,_
E o7
r
F
got
the arms
I
A~7
@7
me,
@7
~/Bb
F7
J JeD· J I W J JaW I
II
blue I
0~7
J Js I
j
For you've
the skin
I
ma- ment on---- ~---
0~f.7
I_J ~
I' ~bbl
9-7
.)
.1'·nI..l.7 G-7 ~I*r J:J J JI ..
r
Ab7
Ab6
F-
e
Abf.7
dear, songs,
on - ly_ two for tea on - ly_ whoop- dee - doo we'll be- rid - in'
~
'""'v-
D~6
D~(~7)
D~IF
C7
c.?
mo-ment on, hap- py day, mo-ment on,
From this From this From this D~f.7
I, ~bll~
A~7
F-6
Cole Porter 1950
r I r·
JI to
Db7
C7 t9
~bh~ r r r F • I * J J I J. ]i) J J J J JJj · I
1,
1
1
hold me tight,
got the
___ e___
F ; high
ev- 'ry
babe,
sweet lips
care is gone,
d from
to
c.
kiss me good - night _ _
r r·
this mo
II
F ",= ..,"
- ment on _ _
SAN FRANCISCO F
.
1'k
.. C
1936
E-
D-7
G7
I J F r rTr r j J J J Jr.
1~7
G7
C
I~ r J j I "_
1m EF#-7~5 B7 E-7 I)· I J JIJ J I J F JIJ I r r C
G7 J D-7 I r r r i r r Ie ~
A-7
F7
-$-c
07
D.C. ., Coda
I
A-7
F6
A7 1 e
D7
G7
C
IJJrrlrrr IFrr I"
II
247
ALRIGHT, OKAY, YOU WIN
[AI
I' ~'I.I!
-
9
Bin-
9
~ 97
9
Bin-
a ,.cs i
'J ) tEa H~Ol) nd ga I ah:M I Well, al- right.--
O-kay,--
you win,--
*0
0- kay,---
I'm in love with you.
'] Jj
ell, aI-right,
9
A~
I, ~I.I.) ~ ~ J aJ) r
Watts/Wyche 1955
I
A ~ '1 a ,) I a J J J J ilB 1
you win,
Ba - by,
what can I doY
I'll
I'~~~ ~S ffi)9n·tt~ ~ '1]\1 ~ n:tJ al~ ~ '1 Jl fl i~ ~ -I do an-y-thing you say..--
1m
it's just gOHa be that way_
)3!,'
I'~bl. 'IF PiJ] :
All that
Well, aI- right.
A~7
.
llJP * - I ,DiJJ J ai-a ~ - I 'F fJO
I am ask: - in' ,
all I want from you.-
Eb
aI
just love . me like
IAJ
Bb7
BIri-
)3!,
I'~'" 'P p-J] J JI d a J a tLJ ~ 'Jd"WJU ~ ~ ,.cag I love
you and it
won't be hard to do
Well al- right,
Eb
-tAb7
I F*
j
Ab7
r Dlr r r ±r J J ]J
Sweet Ba -
by take me by the hand
you win!-'_ _
o-kay_
well. al-righL--
0 - kay,-
WOODCHOPPER'S BALL Woody Herman/Joey Bishop 1934
C
.
F7
(t ~F r r ~ I r ' ~ * r' I
I, C
I~?r
r r ~ Ir p 't
1)-7
(I
r r ~ I r 'P-
c I
* r:=
1
pt
r3
248
I'
CHOO CHOO CR' BOOGIE
Horton. Darling. Gabler 1945
F7
~ II 11i~: J J J J J J J ) I ; J J J,=
heaGin' for the sta- tionwithmy gOD- na set-tie down be- side the
I'm I'm
B~7
J J_)
![
I,)' I I,J I So
back of a back_ beat- en down sback_
I'm and
love to hear the rby - thm of the when I hear a whis - tie I can
JJJj
] I i J J l) ,iP I J J
hear the lone-some whi~ tie see the watch the train a - roll- in' when it's
J
,
!:I
3
;
<=>
F !f
fel- lows named "Mac"__ clicl - e - ty clack-
I~ ~ l,iP J iP
ji
smoke from the stack.ball - in' the jack.-
and for
B~7
F
..
.---3---,
choochooch!.boo-gie,
pal a - round with dem - 0 - crat- ic I just love the rby- thm of the
B~7
~
so
take me right back to the
track,
F
B~7
F7
J. I J J J.
I,J
.
woo - woo,--_
Js ,(J
choo - choor-,_ _
boo - gie woo - gie,
I'frr Cfrr I ~7 ~ r "Ii JfFF pn I [6 ~ ~ ~ II takemerightbackto the traCk, Jack! I'm
D-7
rI r
Coo- choo,.-,_
Jack!
takemerightbackto the
MOUNTAIN GREENERY
II'
J J J J J JI
F
,..--3-,
and and
2
IIiP J iP) J. C6 A-7
Ril-ey in a
I J J J J J J I J • J • I' Iz~,_),
J)
choo - choo ch' - boo - gie,
0'
click - e - ty clack.peep thru the crack.--
C7
J JJ
I'~
live the life
J J J J J J J I i J J I,J~J dl I
F7
J
tired of trans-port- a- tion in the
G7
C6 A-7
D-7
f])JJI J J I J
G7
track, Jack!
Rodgers/Hart 1926
C6 A-7" 07
FO £lrlF r I r a~E1rl
In a moun- tain green- ~r- y where God paints the scen- er- y, just two cra- zy peo - pIe toWhile you love your lov - er, let blue skies be your cov - er, when it rains, we'll laugh at the Beans could get no keen - er, re - cep- tion in a bean - er- y, bless our
G7
J J
geth- er_ __ wea- ther_ _
J2· C7 J J rp r
-
J) I'
u
And if you're good,
E-7 A-7 07
D-7
14\-_ _'_3 r p r while I
F6
J~u
stand look
to
C7
F6
-I 3 r
prJ'- I
~---- I'll search for wood,
G7
.. 0-7
e
I' r
ing.
u
F-6
I 3r
~----
G7
a FJ FI
p rIP'
'--" so youcancooL
C6
Ir
1<" II
moun- tain green - er- y home_-
301
HELLO DOLLY
Jerry Herman 1963
*~i>
J~
e
I
G-
Bb
3 J 3J
I.
Hel -
J
r rr
back where you
*
C-7
F7
"
~
J J JI
j
Dol-Iy, you're still
r r
glow - in', you're still
C-7
e
1
swell
crow-in' you're still
Ebt.7
old fav- 'rite
to have you
Ab/C
JJJJ Dol- Iy, we can
I,ll
1
tell
r1F r
F
I*~' r r r r 1 r r r r 1 your
r J rl
nice
F7
Bb7
1 2.
J IJ II
You're look - ing
long.
be -
C-7
I ~I!
001- Iy, it's so play - in' one of
C-
~J
Bbt.7/D
13 J3 J1J
e
1
Dol - Iy, well hel - 10, band's sway- in', for the
10 room
Db o7
I*~I!
11 .
songs from way back
D7
when.
D-
0-
1"
e
strong. We feel the
go - in'
~
So So
JI
r
take her gol - ly
J.
)
rJ wrap
gee,
fel- las, fel- las,
* U r r I J J. I r r r r I r r r r I .. I e I I*~b r r F* I Err r r I r r r * I r r r r I r r r r I.. I-e 0-
I ~.
D-
Jl
j
find her an emp- ty find her a va - cant
..
C-7
F7
C7
.. F7
Bb B o7
C-7 F7
F
lap, fel-Ias, knee fel- las
. C7
Ool-ly-'U nev-er
F7
go a-way a -
C7
gain _ __
F7
Bb
F
go a-way,
Ool-ly-'ll nev-er
DoI-Iy-'ll nev-er
go a-way,
I GOT RHYTHM
IAI Bb
0-7
1*~'!fni'J.1 I
I I
got got got
C-7
n
F7 D-7 Dba
r I *nr l
rby-thm, dai- sies star-light,
I in I
C-7
J.
F7
Bb Bb7
go a-way a - gain _ _
George/Ira Gershwin 1930
Eb. Eb-6
.. Bb F7
AJ I ~JJlJ·ln p E plrrUrl
got
mus- ie, green pas- tures, got sweet dreams,
I
got
my man who could ask for a-ny-thing
* !, e I * r pr I r \p E I ~ r pr I r it] ~ I ~ r I* ~ F r I ~ r Pr' I I I r r Ef EI r lJ I r Ef 11.
BbF7
I ~II F"
more?
I
I
~2. B~D7 more?
Old man
F7
P
fmd him
. 07
D.C.aJFIfHI II
'round my
door.
trou- ble, ..
Bb
.
I
Ab7
don't
O?
C7
mind him,
You
C7
F
F7
p r' I won't
Bb
Fie I
ask for a- ny-thing more, who could ask for a-ny-thing more?
. --m
CABARET 302 lA1 ~6 B~9 ~6 B'*7 ~6 B~13 97 I'~I'I. J J J I J FiF I r r J F I I r r J I r r I " IJ f I KandorIEbb 1966
Ii
-a
Wbatgood is sit-ting a -lone-in yourroom? Put down the knit-ting, the book and the broom,
I~~'b ~~ r r (t r I Gt r TI life is
ca - ba -
a
come to
ret old- chum,
Come taste the
I~ ~I'I,
@6
wine,
come hear the band,
B~7
JI J J JI J
hom, start
I~ ~bl, I~ ~I'I,
wipe ev - 'ry is - n't that
smile a long a
F-7
B~7sus4
r iF I r
the
i
e F
A~
97
~6
D.C.aJCoda
I
II
II
I ~ rtF I!
ca - ba -
Fe I
era - die to tomb,
I
•
:r hF I r ef
C7
IFF
J_ 1;;;8 I
r r rI
ret old- chum__ , _
so
on- ly
B~7sus4
r
I: Pt=
come t o _
the
I
Ii
ca -
:I
Ii
ha -
I
Ii
G7
I~ J ,; -0 Ii C
I~ F f ata
I" I
ret,_-_ _ 1962
IAJ C6
l ,oP Jj ~
a
~6
ALLEY CAT
I' -
a
A~A7
0-7
F-7
C7
ret old- ChUuuffll..-,_ _
ret old chum.-,_
C7(Jl,-7
to it
proph- et of doom
ca - ba -
a
ca - ba- ret
G-7
F J Fe I F' iF I
A-7~S D7 .G-7
life is last X
B'*7
r r r I r r I Fr r I
I
a
way....... , - __ stay.-,_ _
r r rI r rrI
A-7~SD7
rl , :I ~'::1
I~'" I
r r JI r r
come to 7
B~7
0-7
'
cel- e- bra-ling
~6
Start by
~6
ret, _ _
r r I rr r r I
JI
oj
No use per -mit- ling some ad -mit- ling frem
ta-bles wait-ing.
day.--,_ _
C- C-(lm C-7 F9
come blow the
B~9
96
r s r r I r'F J
right this way your
ca - ba
the
I' ~bl' a If J J. iii I i a I ~ J J. iJil a I f J ret.
play.--,_
mus-ic hol- i
17 r J I Bt J II'~ I Bt f j
a
[§) A~6
12.96
Come hear the time for a
G7
D-7
r FJI,J I J,n ,) 'I fJ,J hP I f 1,J 1J ~ I r FJI,J I
D-7
G7
C6
I ; J.J J U I ~
!
,d1
Fine
D7
IFF uta
*1 f
WlF ~ Fr
I
UTa
D-7 E- F DIF# G7
r-3~
I U r F J I hiJ Q Jin I
303 II
for the girl is sec- ond best...-- to
I~ ,1'1.
F J F J I do
m
I~
I~
t
~ G-7 ~ G-7
C7
C7
t
r k rI
p
ooh, sigh,
son,
qr'
real- ly have to m.en- tion
I
F9
B~7
II
e
I
I
9
Use Intro as End
- II
II
one!
.
B-7~5
McHugb/F1e1ds 1930
E7
F
G7 0#07 A-7
D7
In I
J J J I F [T I r r J JI J J I J J J r I r·
coat and get your hat, hear a pit- ter pat? nev-er have a cent,
leave your WOF-ry on the door-step, just dif.ect your feet and the hap-py ttme is your step, life canbe so sweet I'll be rich as Rock- e - fel--Ier, - gold dustat my feet
r11 nJ rf f a f ~~ r r;11 ~7 of the
street.
Can't you
rIM
F
I~ blues r
~
the
she's
D 7
sun- ny- side
give heryour at- ten-tion,
ON THE SUNNYSIDE OF THE STREET
aAI C i -0 @ J Grab your Can't you If I
none,
JttJ. on par - ade;,--,_
D7
rI r
but
I'm
street.
I used to
A-7
walle
D7 G7
~)J
to the
on the on the
mr ~7 FI
in the shade-
with those
D-7 G7
.Jtl J. J I F r * J I J J * JTii not a - frailu-d _ _ rov-er crossed o-ver. If I Jj J
lM
this
304
NEW YORK, NEW YORK
Kander!Ebb 1977 (NYNY)
Inlro-Last " bars
G-/C
I~ ~ I: *J
news, shoes blues
Start spread-in' the
These
va - ga- bond lit - tie town
My
I~ ~
F6
11.
*.;
G-7
C7
I~~
1 3.
i
F6
rJ r
I"
in old New
I~¥I'
'F7
I can
If
I
I
•
you're
F
make
0-7
g3~
top of the
wake up in the
C7
heap.
D.S. aJ 31d ending
My lit- tie town
F/C
r Ir F
it there,
J J
I IT
rd make it
WHEN YOU'RE sMiLING
07
1-, J J I J J I j J I J J I J
F smil- ing,_
when you're
J J
smil- ing,_
the
whole world
when you're
'augh-ing_
J J
I.
smiles with
I J ~J But
C7
J I so stop
your
r r-
when
I~r
sigh - ing_
you're
. cry - ing,_ _
I [ r~ ,-[ F you're smil - ing_
sun comes
V
I
you
r F J Fd on the rain,_
bring
Bb
F7
r
I F
be
r
hap - py
iF
I the
r Ir
a- gain._
C-7
G7
'cause when
the
Eb
J ; I I,d J I j
J
I J j
IT J
Bb7
thru.__
shin - ing
F
r~
laugh-ing_
when you're
Bb
I
j
F7
r r Ir
II
F~ t
a - ny - where,
C-7 you, _ _
r
D+7
F1sher/Goodwin/Shay 1928
Bb~7
Bb
I • When
I want to
Bb-6
r FJ I r
York.
,
king of the hill,
Bb
Ii
I*J F FI F F J ; I
II
New York, New York.
D7
of it, of it of it
FrlFFrF IF~la 1* J TUm I
to find rm
C-7
FI
j
be a part round the heart brand new start
Bb~7
F7
A-7 ~3~
J
sleep,
F~7
'* r
These va-ga-bond
1* ci-ty that does-n't
!
flu
J ; I" I* J
New York, New York.
I want to and step arll make a
I'm leav- ing to - day, are long-ing to stray are melt-ing a- way,
r r
whole world
J JI
Keep on
t
smil - ingr----
Bb
F7
I [
r
r
smiles with
I
EF
t- a
you _ __
II
305
-ON THE 'STREET WHERE YOU LIVE
Lerner/Loewe 1956 (My Fair Lady)
G7
C
C
JI;llJ-.lll'll J I; F F FI
ti
I have Are there Peo-ple
&07
1, F
of- ten walked Ii - lac trees stopand stare,
down this streetbe-fore,--in the heart oftown?they don't both-er me.--
0-7
r
r 1 J J J,
F
stayed be- neath my an - y oth - er earth that I would
A-7
G7
0-7
know- ing no it's can be
1 1. G9
I' I' .
0-7
C
I'm 'on the just on the here on the
0#07
r~
I
CIE
rI
~
I I _ __ live
F~
r ;;;-;l I
know._ some- bow you are
B 7SU54
, I'
r ,J
I"f
~
1·C-7
·c-7
12
I,!
A~07
That
r r r r I F ,J
JUj" F9
F7~9
r J HEr
IJ J JjJ J B~9 C-7
B~~7
c
ver- pow- er - isg
0-7
G7
J J I.. IT - pear:.... --_
-
~9
J I r ; FTF
0-7 G7
r
D.C. aJ 2nd Ending
~ J JI Peo- pie
Kay Swift 1930
A~o7
0-7
la J SiU J J IJ
C#07B~1D ~7SU54
F F J fa I
0-
sud - den- It ap
F~7
C7
,-3-,
IF
A7
se - cond you may
just to
A~7 C/G F#-7~5
IF *~ FII"
0-7
street where you
feel- ing.-,_
FINE AND DANDY F
'r r rl
F
CIB CIB~ CIA
E~7
that an - y
~ 2. G7
ther
Are
that tow - er- ing
II
I J .J J J I
feel- ing;_ _
r
I
nem:~___
B7
sev- 'ral stor- ies high out of ev - 'ry door? I won't care if I
IJ'll J
live:_ __
I
G 07
F#..7
II
C
r ~ F EI r r r
C#07 0-7 G7sus4
Flu
ob,
And
F-6
C
street where you
1m E7
CIE
all at once am I._ _ Does en - ch3Btment po1lr.:""'-Let the time go by~,-
r ~ E Fir Fr I r r
I'
F-6
IJ ~ J J I J E r I
feet be- fore, part of town ?__ rath-er be
07
but the pave-ment ai-ways Can you hear a lark in for there's no-whereelse on
~9
0-7
JIJJJJIJJ
A~~7
C7~9
C7
Uri"
I
G-7C7~9
F6
I"
I"
II
306 lA1
GET ME TO THE CHURCH IN TIME Lerner/Loewe 1956 (My Fair Lady)
I~II~J I'm I
Pull out the Girls,come and Kick up a
chime prime chime
stop- per, let's have a whop- per, kiss me, show how you'll miss me, rum- pus, but
I~IB~ :J'AI ~ t;-7.D7 j2J /Y rifle
church on Ume_
!. ~7
D.C.a1Fine
I~
Ii
*J I
throw me out the door'
C
church,
*
-$-G
Ir
For
JJ J
r·
E-7
IF F F F IJ , PI F F IF get me to the church,
-I
for Pete's sake
B-
A-7
rJJI
PIFF F F I
'I
com-pass,
A7
and get me to the
D7
G
I ..
e
get me to the church
IrJ I
If I am wbis~ling,
r*
pI I~
don't lose the
E-7 A7 OlD B-
G
I~' J
I: U
JJ JJ
If I am danc- ing.-- roll up the floor..--
D7)
I@ J 'l J J I
Ek J I
but get me to the but
IJ
time.
on
•
*
II
ANYTHING GOES Cole Porter 1934
C
I~
C6
J JJ JI
In Good So
OJ
J J 13 J I :b J J J
old - en days a glimpse of stock - ing was auth - ors too who once knew bet - ter words though I'm not a great ro - man - cer, I
I~.A& r Yr I Po!
l~t;5Etr I ;,
ing, now hea- ven knows.....-,_ ter words,writ- ing prose, wer when I pro -pose-;:-,--=-_
IBI
C~7
looked on as some- thing shock now on - ly use four letknow that you're bound to ans-
i'rJ ~7 J i~-7~_C:;; rll
an - y - thing goes
B 71F#
E
i=.
t~day.
and good's bad
E-7/G
~
E-7
~
t~day,
and black's white
I@P j gbffi ~d I F J J-=>if3 J I J J guys
t~day.
that w~men
prize to- day.
are just
B 71F#
r I Ip 'u-'u r I
to-day, and day's night
ct o7
A9
has gone
The world
1~1 ! Ucr r lip! Ucr riP' u-u mad
e::J
sil- ly
to-day, when most
D-7
G7
D.C.a1Fme
,J J J IJ
*J
gi - go - 10s_
So
I
307
IT'S DELOVELY F
!
F6
r I J J J J J I #kyJ J J J
I@~ e
mgh t
The
I~;
F+
0
F
th e
young,
IS 0
'-"
F#o7
s
r J!.iPr )11 r' ;Jg)1r)11
lightful.
it's de
-li-cious,
G-7
I
G-7 C7
! I@~ -
C-7 I
r
1
~r p J
J
~J51
what
a
l
~9
jJ I
hear dearMotlrer
C# o7
~_. chick-a-dee, and
~_. when I kiss you just
It.
say to me,
D7~9 ob7' ! ~7tn -1 I@~ r EJ- J)r J) I r EJ=iP FJ) I P 4 P-E! 1l
L
lec~a-ble,
j
\,
It.
it's de -lir- i-eus. - it's di
~emma., it's
L
It.
It.
0
tJJ
EJ I l r j
~~limit,
V
Whis- per- ing Whis- per- ing
Db7 II
can grieve J
J
G-
while you cud- dIe why you'll nev- er
C7
I
e hear
F7
I ~ J JI
ih true there's
II
me,
near leave
r
rI
J J J J JI
Sa L
pleasebe sweet
FIE
r r' j
oJloP J) I
C7
p r pI
I..
you. Ydu're
;it;)
-it's de-
r Pr I
- -
II
e
-
I ~ IJ Fir F §J F I
me, F~
J j I
j
Bb7 tine but
r J) I It.
\"
F6
2.
"Bi>
I"
e
to lieve -
F-7
cheer me,
J
whis- per- ing
that
1
:
~
J
me,
-
Bb7sus4
~
I
you.
i
no
It.
my
~A7 .
0
F-7
you can
Rose/Shonberger 1920
me, each lit - de - whis - per -seems whis - per and say that you be -
me,
ab o7
I
F r Fie
r Fir
Pr p I
rer mance,
it's d~luxe,it's de -love-ly.
D7~9
A-7
=-
"it's de -light.ful, - it's de -li-cious,
C7sus4
-
DbA7
WlUSPERING ~
-love-~y.
I
F
F
-1
r p-r
Pr p I
is for
"let your - self go."-
you're
FIA
C7
to J J') I J to 10 J I } ~ oJl} r J) I r'
I~ ~ bJ
L
rea-son why,
~
this
swell night
loW-
FA7
~J J J). jf? I
BblD
~J1 F 1t n J I J J r p' I'p r fr F6
~/G
~}~) ~J I iF:;
J.
G-7
Na- ture mur - mur-ing
0
-= -li- cieus, -it's de
-light-ful, - it's de
\"
_11~ d w4l.ll:"mg ear.OIt' s de-
the
r PPr p I r Mp BbA7 C-7
tell . at a glance
Bb-7
F+
:i
p II'E P~ 4 I j
You can
I~ ~
it's de
Lit.
G#o7
F7
~
-1
wrderstand
G-
so am I,
to go
"LiP r it' I
.P ~
OJ )11
*FII J J
-
I~~ ijJ J thJ J I PF PPr PI sen- ti-men - tal, 'cause
you want
1
"-1
G-
I-
G-7
G-6
an d
C7
r pr
-it's de -love-ly.
JOf J w,-,m J I
);1
'-' IS c1ear. 0
Cole Porter 1936
FA7
love
j
I know
I
308
Jerry Herman 1966
C#o ~
J J I J J Jc:=>£ is J I
.
You coax the You make the
0-7
blues right out cot - ton ea
-
CA7
E7
G7
11.
I~ J J J J J J I of the lep a
husk right off old mint ju -
E-
I~
J J IS
OJ
pluck- in' out
J
is I
a nme to beat
the
A-6
E-
I~ r U EJ r I OJ
*
A9
I t J J J I J FJ
band,
IJ
I
I * r r r I r Ef""ip
kick;
-
A9
D-
I*J
e
you've made us feel a-live
D-7 south
G7
Oh,
I I'm
07
I~'J r to
1'~
G
(' pi -
sweet am just
Ir F and love -
r
ly aw - fly lone- some
so a
1"0 E-7 A-7 D7~9 IJ -
e..
me
Fine
I
E(3 J.
good, la - dy, be Mis - un - der - stood, babe in the wood,
f~
C
me
E-7
A7
I
George.Ira Gershwin 1924 E7~9
r
IJ
. D-7 G7
-
II
a- gain, Mame_--
I& vive
oh so so
.
IJ
a- gain,
F?'SEJ F I " I
B-7
C7
G
you make that
Mame.----
LADY BE GOOD
I~·. r r
miB' sinoe
I t r r rI
e
to make the
C7
-
A-
r I * F F FIFF
a-gain,
JI
- ta - lion hum
the whole plan
D13 D+7
G
charm the give my
D-7
J J,3 J J §J ,3 I
us the drive
you you
ban- joes strum - min' and
you got the
D-
e
A9 and giv-en
J J JI
A-7
old mag - no - lia tree bIos- sam at the men- tion of your name,
E-
D-(A7)
t
Mame,.--,_ Mame,.-,_ _
hom, pick,
A-
you brought Dix - ie back to Dix - ie - land.
A-7
I
D-7 G7
J qJ
J 13 j
tiJ
II
Mame.--,~
com,
ct·
of the sy to
D-
G7
I P..J, IltrrrlrEJEJrl
e
J 3 qJ
C
I~ j
D-7
A-7
r-3~
IF r -
la - dy be la- dy - be la - dy, be
C# o7
C
I
IF F F F I
II
Oh,
please
A-7
07
r- I-r - It F F F I F F J J Ir ty, I'm all a - lOBe in this big ci
,J
-
ty.
have
some D.C. III Fine
I. F r 'r I I tell you,
309
IT ALL DEPENDS ON YOU
Ray Henderson/DeSylva/Brown 1926
CA7
n JJ J I
. I~ I!
G7sus4
G 7sus4
CA7
I can be sad,
D-7
G7
I J. *" J1 J J J 1 oJ" J D-7
G9
r FI J
I~
all
G+7 CA7 A7~90-7 G7
I~
G7sus4
G+7
I can save mon- ey,
to blame,ho~ey,
for what I
B~9
CA7/B
Fa J d I
t JJ J
I
I can be
can be king,
I can be hum- ble,
F or spend it,
CA7
0-7 . G7
Cl a7
I" I )
hJ UI
n J J JI
do _ _
I know that
I can be beg- gar,
A7
07
an- y old thing, it
0-7
all
0-7 G7
de - pends on
J1°B7/C
+
I
e
I
steal
rl- I r r
I
C
D-
EJ.. aU
CJE
you
and
I
should
j
F CJE
-
lia? lia?
I" time,
I
G7 ~ci
- lia,
r r
SOD1&- thing
D7
Ir ~ • I r lia.
0-7 say
G+7
j)
r
Why do
J.
G7
r J) I
0-7G7
I,J
r
I
tells me
FI-7~S B7
Ir d we
two
C6
l I c~
that you'n be
1925
I'm a- bout to nev- er miss Ce-
G7
rB-7~S E7~9 A-7 ci
you_-
Jl I J. Ji
G7'
1 J. )J. ))1 J. oh,
r'
J J ,J Fie
to - getb - er.
I'" II
II'
0-7
Does she know that Just a kiss you'n
0-7
J I J J~' J ,I" get
G7
1* in your eyes,
EJ.. GID
E-7 A7 0-7 leep on wast- ing
rI
when I
Oh, my,
you?
I~ J S
Eb o7
CIE.
C6
D-7
I h - I J. Jl
know you're out, Ce. - ci lit - tie kiss, Ce - ci
C6
Dreyer/Ru~
G9
1_ J. ) J. ) I J. ) J. ) I e
liv-ing
00
CA7
n J r J IrE I d r I
JI
a1 - most
C6
Does your mo~er How a - bout a
F6
go right
CECILIA C
G7
I can be proud. it
C7
07
CA7
0-7
1 ;10 J J J I f1 J J J I
I~ ~ EEI.e I (J r rEI ~ r r ,S I You're
~ I dr I
all de - peods on
0-(~7)
G-7
you
00
r
IT"
~a7
J. ~ I U r r FI ~ r r FIE r r r r I
r I..
FA7 E7 Eb7 07sus4 , or end it.
E-7
can be bad, it
0-
out in a crowd,
I can be looe-ly
de - pends
I
I can be good or
0-(~7)
D-
yO\u.,..I,_ _
G+7
FJ J din J J J I FJ J J J I
I can be hap- py,
G7
G+7
mine.
II
I
310
THE SURREY WITH THE FRINGE ON TOP Rodgers/Hammerstein 1943
G1l71F#
G
IJ J J J IJ •9)J when I take you out in the surrey,
Chicks and ducks and Watch that fringe and Two bright side- lights
GIl7
when I drive them high- ste~ pin' strut- ters. ain't no fin - er rig I'm a- think-in',
E-7
B-7
CA7
when I take you Nos - ey pokes- '11 you can keep your
in le sur- rey with the fringe thru their shu~ ters and their eyes if you'rethinkin' 'at I'd
I~'
G7
•=F~
r r
J J IU
J
F
1>1
B-7
is - in-glass eup.tains ya' can roll
-$- C E7/B A-7
I~' J
keer
F9
on will
G
C
J J JJ J IJ J
in
A7
n
J) I J
down,
J
leath - er,
A-7
case there's a change in the
G#o7
A-7
D7
aUla
to
fer that
on the
lit - tie sur- rey with the
fringe
0~A7
F-7JEi,
r i '2£;'1 r
J J
F-/C
F-
J JI J
r
D7
I
wea - tiler.
II
top _ __
PU'M'IN' ON TIlE RITZ F-
with
G
rJIJJJJJJJJ IF shin- y
J
B I r o.c.i:
r 1r swap
The
pop.
G7
E-7
'r r
right
top.
the dash- board's gen-u- ine
wheels are yel-Ier, the up- hol- ster-y's brown,
FI
u
0-7
C
D7
A-
J JiJdJ IJ.
out peek rig
7D7 i~A-7 r :r r
-$-A7
I~I J J J J I J 0-7
E-7
Irving Berlin 1929
F-7JEi,
D~A7
J J Jl I
F-/C
r J ~J
JI
If you're blue and you don't know where to go to, why don't you go wherefash-ion Dif - f'rent types who wear a day coat, pants with stripes and cut - a - way coats, per-feet breI- las in their Come let's mix where Rock - e - fell- ors, walk with sticks or um -
G-7~S C7~9
1r
e
mittsr-.- -
r
F- F-7!EP~"'7 F-jmJ B!.-7
i J i J 1 'e
97
A~6
I - IJ P r troup - er,.-,_ 'f
1_"
~ F
97
r r F IFF r r I
try- ing bard to
like like Gar- y
r F E 1rEF r I
A~6
J !j JEd Coop - er,.---
sup- er dup - er.
•
311
THE LATE LATE SHOW
Berlin/Alfred 1956
Db9
C9
~J fd J J I r it's co - zy in the the cra- zy mus- ic we am- ble back to
Gee.
Hear Then
I~ i
r
E7
tJ * I r
P
hold me tightr--in the trees.-kiss some more,....-
'-"
* .
C-7 F7
stars a - bove old man moon guess you know
I~~
late, late show.
they seem be- gins I like
D7 -$-G9 to know,to grow,you so,_
Bo7
we're he's it
Birds that should be
F6 start in chirp-ing a song,
dream- ing,
Flo7
F6
G-7 C7
I J oJ) J J I )) l'woJ 'p I F * F * IItt;
G7
J
F"
we
J J ,3 I J
late,
kissed.
kissed
all
r CJ * I night long.
F6
C9
start-ed at the
it
gleam- ing,
put- tin' on the join-ing in the start-ed at the
J I J) I.J - I F F E FF rD
Bo7
while fi - re- flies are
i
you cud - dIe up and the flow- ers danc- ing good- night and then we
EJf -r ~t£r 1 r U=J I' J. J j J J I
Bb6
-
I ~hr
when see say
97
I~ J'~9 f f~J J'Y rJ~J ~BJ6 J J lat, late show.
JJ
bJ
Ii
park to - nightr-oin the tress,.-my front door.--
F7
C9
*
*
~
F
I
e=
II
show
late
Vernon Duke/Harburg 1933
IA1
I~ il'I"
9
C-7
rr I I I
I
J F
Bb7
j.
e J) I J
like !e likes of you, I like your eyes of blue, I like the likes of you, your
F7/A
I~ i"l, J
F-7
r
Bb7
JJI
like the likes of like your eyes of like the likes of
the
J. things
think they're blue looks are pure
h I
you don't de
-
II
do, you? luxe,
E)
I J
C-7
r'
I mean I mean looks like
hi I I I
96 e you. blue. you.
96 mean,
like
r
F-7 Bb7
C-7
Oh
dear,
if I could on - ly say what I
F-7 Bb7~9 F9 E7 111
F9 I mean if I could mean what I
say, that is I
mean to say that
312
MARGIE C7
Mar
B~A7
I'll tell the
I~ ~
gie,
B~~7
*J aJ I
world I
I Ir
I
have
C-7
I~~ F
bought a
love you.
r
;J
C7
G-7
F B~6
F
C7
prom- ise
II
Mar
F6
I ..
I J F iF FI
gie, C7~9
-
A7 are
A-7
nev - er
07
reaJ..ly on-Iy
one,
M-ter C7~9
C7sus4
0-7
F IF
Mar- gie,
oh
you'vebeen my F6 B~6
Ld J d Fir
blue.
r Ir
to me,
C 7sus4
F6
ev- 'ry-thing, for
J r I r F r r I F"
done, there is
07
get your
F I J J I ......
days
o gie,
Mar
r I r r J ItlJ.
IIF
Don't for -
home and ring and
r J a Ij
r
E7 &7'
B~6
F7
B~6
F7
think-ing of you,
r I r r F a I r r IF jr I
in - spi - ra - tion,
I~~
F6
a sa I
G-7 IT
I'm aI-ways
&7
F J
G7
j
C-7
I J FiF Fir F J J I ..
I ..
II
My lit- tie
I~ ~
F6
F6
I~ h! r r r I
Conrad/Benny 1920
JI
j
Mar-gie, it's
r Fr
I
is said and
all
F6
£..
It_
II
you.
BOW CAN YOU DO ME LIKE YOU DO? AustinlBergere 1924
C
.I ~ , (
C B~7 A7
F
07
r J r r r r I a ,a :U
I" (
How come you do me like you do, do, do,
C
F
I~ , ( r J FEr C7
I~ ~
r
fEE
E
C B~7 A7
feel
07
l!j
D-7G7
Er If j I r'
r r r ( rr I I ain't done noth-ing to
so blue?
r I ~ r fro
r;]
C
~
how come you do me like you do?
r I a ,a ])
Why do you try to make .me
07
G7
you.
A~7
F6
r ·r t r r r :I 1,,.E
p·1 U
I
e
I!
~
~
F
Do me right or else just let me be, 'cause I can beat you do- in' what you're doin' to me. If you rave III have to get you told, for I can change your tem- p'ra- ture from hot to cold,
I~
C l
F
E
C Bb7 A 7
r i- r. Err I a I a 1)
How come you do me like you
do, do, do,
D7
G7
C
IY ( EJ [ r 'f =f I r * - II how come you do me like you do?
,.....,."",==~-~
- -- ---- --
__
TIE A YELLOW RIBBON
Eb
Ebl17
1973
F-7
325
Bb7
d
1* ~I!II Ilf q JFir cFtr J 1*JJFir cFt.~J 1 *JJJ1 FJOiQJ 1 *J JJ1 u JJ
* *
E~
1 ~I,I. f * J 1
]i j
Z
I've done my time, look for me,_
F-
C7
~1111.3 j Jl
1*;"1
P1 F F F J lJ) - 1- !j]i Fir U - F F ~ §
I'm com- ing home, Bus dri - ver, please
I) - I -
JZ
F
OJ
if I'm
JJ
r
*r* me, free,
you re- ceived my still in
Ir r ;r r I
A~6
FIT,' I I
wrote wrote
what to do-rib - bon's alL-
then you know just a sim - pIe yel - low
r I ;r and and
rib - bon
round ~
the
IT
r
her her
please, please,
told told
old
~ -
I -IIF" p D J.
~
* Jl * * J, J.
tree, I'll
~II. P
don't
I
J 1 ]i J
I
r
~J
r r r
I
years,
three long
see
on the bus,
B~7
F-7
1
rib- bon round the
J. J 1 ]i F' old·
E~
c-
j
I
you
07
r
oak:-_
E~
C7
J. )) p
r' r
put- the blame on
for - get a- bout us,
A~
do
J I J. a J I J J P a rib - bon round the old oak
1c J ']i 1 J J J
F J 1 p J. ]i J.
I don't see a
F
&+-
Eb
stay
F-
1
If
want me?_
r
yel-Iow
B~·
A~
F-
c-
a
TIe
r
~
you still want set me
Eb
it's been
oak tree,-
;2 I) still
if
I need to
B~7
J a IJ F" P Ir
~I.~
let - ter, tell - ing you pri - son and my love A~6
real- ly
G-
1
J I P J ) J Jtj
CJ"TIT -
B~7
what is to see
A~
r
J
got to know could-n't bear
F7 I'll soon be free;she holds the key,_
1 ~IIII
now I've 'cause I
r' I r
i
and is - n't mine,what I might see,_ _
C-
B~
G-
1
me,
FI if
E~
1
Jl ()J) tree: _ __
*0
~
Now the
F-
C7
aJI J. lr r IF" Fir J p JI
*
1
~II.
whole darn bus is
A~
P
cheer- in'
and
F-7
I
can't he-lieve I
ol.u..d_ _
oak
a
hun - dred yel- low
Eb
B~7
J. J J 1 fJ JJ- Jl 1 J JjJ p r'
rib - bons round the
see,
1
Ji J, - I F ~ - I tree_
326
SO WHAT'S NEW?
So So 1 1.
I~ i
G7
C C#o
a Jl
good
D-7
F
F-
. E7
light went on,
all
E-7 A-7
C
2.
D7
ver my
face,
you lit
E-7.
I.
F FI
J)
up the
place, and you've been
A7
D-7 D#o7
I a J l J. I *r r I J a )l J. I .J I~ I
So
world is spin - nin',
now I
know I'm win- nin', you stay
D-7 D#o7 E-7 A7 D-7
I~ a F J I J IJ I a r J I J fJ I J ev - er
-
CJ F I " I * r r CJ Fir'
0 -
D-7 D#o7 E-7 A-7
home now, don't
C7
J seel youJ babe '~'" I) F F F I _ __
A-7
-
Gee, it's gee, it's Hey, my
to
... 07
I~ P r prJ I - i, ,)111 long now.
J G7 good
G7
too
you
G7
Ii F 'F r I F 'F r I * U You walked in,
how's the scene with you"_ how you'll nev - er know, glad to see me too?_
n J. ,a
J l I.. I
see you babe.
to
gone just
and
tell me babe what's new?_ Yeah I need you s o , tell me babe what's new,_
1966
roam now, and
I'll say
oJ
07 C
I ~ F Pr F I *J J * I
babe, it's'
so good
to
see you!
SWEET GYPSY ROSE C
D-7
07
D-7
I~ a a JIJ I a EFa I * Jj J a I d. C7
F
I~ a JJ a I * J.a
t1 IF r
I~ ~ FF
J
I~
;fr
D7
r
..
;j
I IJ. j
C7
fr
I~
C
A-
07
I' DO J 07
C
D7
07
I Jfa J,J I pJ r a I
l
*F I ~7 sa IsJ a I~- J r J, I<~
aT Pr IIJ. ..
F
D7
07
* I JtI 3 a I J F r J I l a aIJ I
J I a J r r'il
I~ F F r ~r lit J. a tJ] r r G7
1973
C
G
I;
A-
I;
F
r'
I
G
IJ ~
D.C.aJCoda
I
D7
J I a J r (Il D7
E7
'I
07
* I J.a J ,J I C
raj r aI * mM I piA PF aI 'I,m &ilIA ptr EEFI Et1(r'
I
B~
THAT'S ENTERTAINMENT BIr+ C-7 F7 B~ B o7
n'
IjJ UIJJHIH 31..
--
m
tAl
JE
Shwartz/Dietz 1953
C-7
D7
IJJ JIJJdJtJr JII
G-7
I
"'!.l1"i51
I
.. ~ 9
EIr+
I
I
I
96
F-7
Bb7
I~ ~II J JJ I J JJ I au J rtF' F
F+
I~~II - d I J ..
327
Bb
C7
F6
au
G7
Bb
96
C7
F
rr I J
C-7 F7 Bb
96
FJI Jr J I
G7
C7
C-7
F7.
Bb 9
I"
Ie
HOORAY FOR HOLLYWOOD F
A7
I~ ~ I Fr Jf r J Hex 11·Bb
Bb-
F+
D-
A
E-7
E7
Cl o7
I~~ J dRJJ J I J J ala J. 'l2Bb
n
Bb-
B~6
D-7
G7
D7
I~~ r JriFF r J I r JFJ"
1e
IJ
F
C7
97
D7
G-7
C7
C-7
.
Ff
F
I F7
J I· J J J J I J J I..
I,J. F7
J Ij Fir J JJ Ir J IJ r I"
Ir'
JIr r
I
r
iF
C-7 F7 I
Bb
r r r r I r·
C7 G-7 C7 F7
r
IFF
n
George Cohen 1978
Bb
G-7
F7
rr JI
IJ
F
C- G7
F
1- fJ I
I aJJ a I JJ J Ir r JId r r J _
GIVE MY REGARDS TO BROADWAY F7·
Abj
C7
Iff FF I r r JJt,
C-7
II
IAll JJ I JJ Jr I
A
F
F
H
A7
I~ ~ J d rr r I J ar±r F JI J J J4j aJ I e G-7
Bb
1-
I~ ~ J Jr±r r J I J J JJ J j J I; J I ail aln" C
F7
Whiting/Mercer 1937
I.JJ JJ I JjJ r I j JIIJ~tt
F
I
Tn JJ Idrar
D-7
1~ ~b r r r fIt IF Ir r 3I J. JIr r 3I JJJ r I" C7
C7
3I J JJ I J JJ I JJ Jr i"
I J rTF
j
1
~
.-6_-6.
Eb+
Eb
*I I _~
Bb6 Ie
- II
328
IT'S ALRIGHT WITH ME 0-(t.7)
0-
j I.-J s J
,J
$
JI
j I.-J >
,J
G-7
J JI
wrong face,--it's not wrong smile,--- it's not wrong lips.....-- they're not
her face her smile her lips,
J'G-
A7 19
E-7 15
G7
J I e--1J J J with
G7~9
JJ
am that we
I
iF
met,
rm
try- ing
..
i
I@ ~
G7
so
r r I IT"
hF I
hard to for - get,- don!t
FA7
J I e-iJ J J I ,J r> I'r
d.
are
free,
dear, it's
all right.---
P
BbA7
E-7~5
-get
G7
*'r I r r
SOIl» one
G-7
-.
it's
I, ~
Ro You Ro -
0
A-
C7
I J J
#
F6
2
C7
J"
-
dream...-,_ __
r
I
F6
with me _ _ _ _ __
Woode Hines 1935
G7
C7
Wi in my heart dear, there's no one but nev - er leave me for some- bo - dy please say I'm just the one, dear, for
B-715 E719
D-7~5 G7~9
r' I);>
JJI
Icd
An I_A F FI J J J I J j
sel- ta.....:.--- my Ro - set - ta, told me that you loved me, - sel- ta, my Ro - set - ta. -:-
G-7
D.C. aJ Coda
I r Fie I e I elF l - I
all right
-
1'1'-- A--7- O- 7
!
---
07
r r?" ISf F t.I
A7~9
t001_ __
ROSETTA E7
some- one rm
r p I F r r I u"
you want to for
C-7 F7
There's
G-7/F
r
r r FI
I
yOlu.1, _ _
t~
I
A-7~5
F I .."
strange-Iy at - tract-eG-
r rI
hap- py
FA7
r F r I ~F r
all right all right some night
FIT
can't know how
JB
,J
[7
r r
You
G-7
C7
-I
me _ _
C7~9
G7
r I "r
C-7
J I I~J. J I
with
0-7"
r> I=
~F
F6
7 C7
G-7~5
r I IT'
r
07~9
but such a chann- ing face,- that it's but such a love - ly smile,.....-- that it's but they're such tempt- ing lips-that if
It's the
me
I$~ IF F
J J£J J J JI
rJ
A-7~5
C7
I ~ F F I fir Fir IT TFJ ,J J I
r I~ ~ .}
0-7
0-
G7
wrong time- and the wrong place,-- though your face is charm -ing it's dIe wrong song- in the wrong style,.....- though your smile is love - ly- it's the wrong gaIIle-- with the wrong chips,.....- though your lips are tempt -mg, they're-the
It's the It's the It's the
G-
0-7
•
Cole Porter 1953
pray you'll
~-
I
j
B-7~5
J
0-7 G7
r
make
J J it come
•I
hr
my
whole
G-7
" true _ _
E7~9
F
£e a
C 7 D.C. a12nd End (Finl
-
l
J
Ro
II
351
SWEET GEORGIA BROWN
Bernie/Pinkard/Casey 1925
B~7
Ad. Jl I
J1 I J l I ) J No gal made has
got
a shade
on
Sweet Geor - gia Brown _ _
Two left feet
but
E~7
11.
I~ ~bllj ~ J i~-r p I F i~ r f Il *II ]; J iJ ];1 p J Pro p I oh so neat.
I~ ~llllj
has
Sweet Geor- gia Brown,--
A~6
r
p J ))JJ J J JJ J I
i
I'll tell
Sweet Geor - gia Brown.
G-7
1~;I"j
C7
'B~7 C7
you just
B~7
why,_
Fel - lers
much!
0-7~S
C7
A~7
Gear- gia
she ain't met
she
07
I~ ~""~ P J Pr ~ I ]; J
Re -
C7
J)
can't
@7
lie,
not
F-
get
claim~
her,
B~7 ~7
F7
Gear- gia named
her,
fel - lers
are
r
Jl ro I 0 9r p~p ro I
F
J j Won't you mem - her
JI J
,a J r I J
0
I whole day
C7
long.,_ _ __
C+7
I~~ J J JI r
r
I know I've done you
OIB
F/C
j
blame, well
I
rr
ain't it
J
Iii I
;1; J She moans the with noth - in' but a
C7
O~
G-7
r r IJ J
the cook- in' Hon- ey. I'll pay
JI e the
rent,
B~
F
I FJ
JI S J J I
wrong.--__
07
F I J. a
It.!
Hughie Cannon 1902
J J JI r J
I'll do
r
A~6
Sweet Gear- gia Brown _ _
come home Bill Bai- ley, won't you come home. that rain - Y eve that I drove you out.
C7
I~i J
J I r·
I don't·
BILL BAILEY
~
A~6
JJ
you know
for
* J r - I F' P r * I pap r r I r· p r *
r
1
wan- na die
E~7
Ir J J
II
G-7~S
F-
and
They all sigh
shame,
07
fine tooth
comb _ __
0-7 C7
J I J a ,S J I r
j
Bill Bai - ley won't you please come
I
know I'm
to
F II
I ••
home_ _ __
I
352
WAY DOWN YONDER IN NEW ORLEANS Creamer/Layton 1922
0-7
r PEJ r I ;i'l
P
Way down yon - der in Cre - ole ba - bies with
I'· F
I'~ *
C7
F~7
J Jt j I * i3 i 3 J I l J lJ
New Or-leans..--
in the land of soft - ly whis- per with
flash- ing eyes.--
0-7
C7
.-
J
J J
p
J
oj
gar- den
there's a
r'E -
I
of
r
P den,
Bb6
Oh won't you give your la - dy
* that's what
F+7
Ii
I'~ P
r P Elf r I
with those beau - ti - ful wear- ing lit - tie blue
P
I queens,..-jeans,...-
I a * i (ie) I
e
r
·0-7
r
PElJI
way down yon - der in
E7
C
I~
Five
foot two, up nose, she love,
Turned
Could
I' ~7 J F
eyes
C7
llr J
a- ny-~dy
I' r r r I' r E7
run m - to
seen
'iJ5I~ a
II
J I" I ..
New
Or-
1eans.:--_
Henderson/Lewis 1925
blue,
she
feet can do, one of those could she coo,
oh what those five yes a flap - per, could . she could she
woo,
t
* ~ .seenJ myJ Ig~!
IJ
r r *Ir
rlVe foot two,
J
F.
I J F
J ] ..
D.C. aI CodIi
r
life
ED a J JI - Now lifyOU
D7
co- vered with furs,...-, _ __
07
has has
C
G7
A7
J those things, J *youIcanf bet F your
all
of
gal?_ _
my
F6
J Ii;1 J J J J I J F J~a J I
turned down hose,
could
I
A7
a* I a fa
a
a
You bet your
D-
FIVE FOOT TWO
[AI
Stop!
There is hea - ven right here on earth.-Thev've got an - gels right here on earth.--
Fl o7
F
F
A7 Ab7 07
P r P Elf rip r pESr
I
while,
a lit- tie
life you'll lin- ger there,
-
mean
F·
C7
PI
J) I "
I
Bb
F# o7
F
a lit- tie smile _ _
fair,
C 7sus4
ten - der sighsr---
C+7
J l J AI ~J_J JJ JI Stop!
dream- y scenes,...--
F p F
I
1
Jit l)lis - n'tJ her ~l 3#3 I
dia- mond rings,
-$-0 7
I
J ,J
seen my
I
C " gal?
I
II
II
353
HONEYSUCKLE ROSE
Waller /R;u.af 1929
IAI
G-7
G-7
C7
I~~ Bf J J J J J G-7
by, sips
C7
I~~ j
J J J JIJ J J I
~ F7
I~~ J
J
Don'
buy
G7
I~~
FIA
F
me, I don't blame them, why, you're much sweet - er, drips, you're con - fee - tion,
J
j
you're
my
I
sug
-
I
you
ar,
*
ar,
it's
have
to
when
Rose _ __
my
cup,
D.C. afFine
I'm
you
---r
EJ :J
touch
F
I ..
II
~F
I
r
(J
sweet
j
F
J J J 31
F F J•
(
J J
when they see you out with and I know the rea - son seems the hon - ey fair - ly
Hon - ey- suc- Ide
just
C7
C7
j
c:J * C7
I -
J J
I
Bb
Ir sug
B~
good- ness knowsr---
j
J
j
J J
fills with jeal- ous - ly, flow - ers droop and sigh, lips, from your fast - Y
bee,
Ev - 'ry hon- ey When you're pass-in' When I'm tak- in'
J J
I
G-7
C7
FJ it
stir
r
•
up.
II
Charlie Parker
II 07
G7
D.C.afFme 2nd Ending
C7
, , "1 ,,, , >I ' >>'1 " >'I >> >I >>"1 >>-, I > I
I
I
BYE, BYE, . BLUES
I~ I~
Ab7
C II
Ie
Bye, Just
bye, we
G7
I,
birds don't
I I".
Ie sing, cry,
I
I
II
blues, two,
I'CF SUD
bye, smil ~o7
r Ir
is
II
0-7
,J
shin- ing,
I
r r
no more
Ie bye, iBg
I
Ij
J
pin - ing.
'II
07
I
Ii
I
II
blues, - through,
G7
,
Hanun/Bennett1930
A7
C
I
f~ Bye,
II
I"
bells don't
Ab7
I 1", bye,
ring, sigh,
C
I
II
blues
I II
II
355
BASIN STREET BLUES
[8]
1~1l J J~ W Won't- cha come band's
The
C
0·-7
C
C7/Bb
0#07 CIE
CIE
Yo
F/A
I~ ii r ii r J JI r
1'·~ C/G
C
I~~ ii J ii_J Iii J ii_J Bas- in Street,--
I
1J 1 J G7
New Or-leans. Ba - sin Street
ii I ii r l J I p r
1
where
the e- lite
al- ways meet,
New Or-leans,
in
CIE
C
WIIlW!]
, ___ WW Icc r land of dreams,_ you'll
-
A7
is the street,_
G+
nev-er know how nice it seems or just how much it rea1-ly means.
A
E7
I
~r-J j J J JI EWd
[ r-r • r
E7
Yo
(8_
We'll take a boat to the land of dreams,_ steam down the riv - er down to ffil where all the light and the dark folks me.et,-- Hea - ven on earth, they call it
~
Spencer WIlliams
to the Mis - sis - sip - pi? old friends to greet us,
with me, meet us,
F-6/Ab
0-7G9
;r-J l' J
IG
J ii' J. a - long there to
E[,..6
Bb7
A7
07
Glad to be,
G7
C
I~ p pla J IJ r PJ I jlJ hJJ IlF J)J Iq JJ J 3£. I... } my Bas-in Street
dear to me where I can lose
yes sir- ree, where wel-come'sfree._
blues _ _
BIRTH OF THE BLUES DeSyIvia/Brown/Henderson 1926
the news
out
FA7
Fto7
I~ J P and and that
G7
r
they thay the
0-7
made played South__
that tlw
land--
B+
E
From
F C IC I r a
whip - per-
E7
I~xr
C I.
r - - - - - - - [§] E7
I~;C
G7
A7
E
rC
IC
pushed
it thru
a
I
the
start
as
.part
gave
birth
F7
E c
will
B~7
out
on
r IE r r J
hom
a
F7
E
c
hill,__
they
took
A7
IJ
'til it was wom__
Eb7
W
&J
J
from
a
E7
I~r
r;
A o 7 B o7
blues. _ _ And blues._ _ blues._ _
of the of th~ to the
E7
C
r -- I-r j
a
in - to a bluc-
F7
t
r~
note.--
G7G A o7 Bo
07
're [J g J
new_
J IJ J note.
And
i
&J 05
01
then they
I
356
THE CHARLESTON Mack/J. Johnson 1923
Il
0-
E-7~5
D7
A-7~5
0-
A7
D7
•
0-
I'~b J'! a La J I PF n a I Err F P J 12 I.e E-7~5
•
U a itJ J
F7
Bb
•
I, ~I,"PF PF J I'i F J PijiJ JCLl) U I r r tr E Iv r p=r F C
F7
•
IJ'r Dr I
-
INDIANA
I"~ ~7J J ~ ~FII I~~
&7
Back bome a The new mown
gain bay_
F7
Bb
F
MacDonald/Hanley 1917
see
the gleam - ing
0-7
C7
in In - di - a - na, sends all its fra - grance
and it from the
F
emrdle- light
still
Eb7
j
D7
shin - ing bright
E-7~5
me._ A7~9
The new mown fields
D-
I~ ~ a J a a I J, moon-light on the
D-7/C G7/B
.till
Wa - bash,,_
I
G7
used
F
to
thru the
D-
C7
FLtJ
D-7
When I
0-7
can
syc- a - mores-
A+7
roam.
I
aI
07
I J J f I if
·E-7~5 A 7~9 0-7
l2·0-7
seems that
I'~J J I.. I 'i J J J ,~, J I J J I" I - J J I J for
IJ~
7 r J IT OiLLD J J 1' y J 1 r ,D7
I'd. J ~JII J to--,- IT J I J i 1
II
II
.a J J I
dream a- bout the
F
~ J J I J J J I r a f J I" I J ~ - I then I
long for my
In - di - a - na
bome.,_
358 I~
AIN'T SHE SWEET
Ilf
C
CJl,71D~ D-7
Ain't Ain't I
I~
I
A oj she she re -
j
See her Look her peat - dOB't YGU
I~
C
C7
r J.
U
ec - tion,
G7
r
Oh
G7
r
me
oh
,J r
sweet?
C7
p
Now I
r
p 11" I ey~e- - -
C
Ir
pi" my,
C#o
r r r Ir ain't
that
l
A7
rrr r • • •I I
in her dir-
D-7
U JJdj I
- fee - tion-=--_ _
per
DARKTOWN STRUTTER'S BALL C
E7
ask you ve- ry
F7
nice? Just cast an
F7
C
J WI F F F F IJI
!j
street. twice. neat?
~2. C
J -
ain't she
p
com - ing down the 0 - ver once or think that's kind of
C
11.
JIJ J
con- fi- den - .tial-Iy,
D-7
J ) I J J I,J J I J
'i
D7
aJ,71D~
C
sweet? nice?
A7
Jan
G7
-JI
Yellen/Ager 1927
Shelton Brooks 1917
~
D7
I~ il~ J J J wHir J );)1 HI] ~ J.JJJI p F MtJrll • I'll be Re -
down to get you in a ta- xi hon-ey, you bet-ter be read - y a-bout halfpasseight, mem- ~r when we get therehon-ey, the two steps goin' to have'em all, goin' to
11G7
C
Ebo7
D-7
~2. F
G7
An J JI r J r J I r r )!;)' F r Pr pH I~'::n n I ~/GU Ei;J FlY n; IIr u pr pI ~7 F ,p J pI: I I I~ i J J FI p F now dearie
don't be late,
I want to
be there when the band starts play-ing.
dance out both my shoes,
II
whetthey play that jel - lyroll blues.
to mor-rew night aHhe darlE-town struHer's b a l l _ - -
JADA D7
G7
U
EJ Ja-da,
Ja-da,
.FIA
C7
Ja- da Ja- da Jing, Jing.
A~o7
r Pr r r r I
£ JJ
Jing. .
I
- F"
A~o7
That's a fun- ny
C7
F
~7
Ln J I eJ r·
it's so sooth- ing and ap peaJ.ing to IRe,
-it gees
Ja- da,
D7
I EJ J.
Ja-da,
lit- tie bit of
D7
Ja-da,
G:7
* I E EE r iF EEr I
Jing.
G:1
-
Eb7
F
C7
F
Ja-da Ja-da Jing, Jing,
I~ ~ J JJ J J I,J I J.
I~ ~
C7
J I J JJ J F J I j
G7
FIA
1918
£n COl * I
mel -
G7
I ij A. I JJ JJ Ja-da,
C7
0- dy,
C7
r
F
JI " I
Ja-da Ja-da, Jing, Jing, Jing.
•
MUSKRAT RAMBLE
--.
I
~
I
[C]
.
'*
I
.
G7
I
- I
4-
..
'*
• •
I
.
'*
.....
......
..
..
..E~7
q.
B~7 B~7 A~ It~'~~~)ijJ ;d. ;PI FlJ J liEF d J~.gl~ ~
L .1
I I
F7
.. .....
.
I
I
'I"
10
.
..
'*
~
A~
Eb7
B~7
E~7
A~
-
D.C.aJCoda
..
A~
,n iIJ
. I' ~
C7
J2. F )lnS J, 11A7
F
1'~*e:iEjal,,_ D-
It~)JJ ;pJ I"
D-
D-7~5G7
1'~bl!
r ill
G7
A7
HlcrlrlullrfJJSI C7
A7
D.C. al2nd End (Fine)
InJj FIn I J !3J f;J I ~J ;ha,a 1;j'l, In n J I
.
c-
G7/D
E~6 C-7.
F-
I Hd 10 J I afl.l Ir~
A
I*'CfCtf I J J J
E~
Sedot/Matusovosky
A~ G-7
Eb
D-7 G7
1, ~~I!~: j aaJ I J JJ I J J. J1J - I J J rr Ir FJ I J. c-
E~7 A~
G7
MIDNIGHT IN MOSCOW . c-
)J J. JlI
Palmer/Williams
D7
* I*In JJ J I"
J • J. )JJ,
'*
13 I Jj Jidd' uIE ijV J I
I'VE FOUND A NEW BABY A7
1
1J I' F ~Fh JiI
Id ;b ha I)J IJ
I' ~I!I!~ r lJ JIU tPF ~ JJ dJO - I D-
i.J,..J-I
A~
...
•
G G~ F7
1t ~~I.~ J ~ IJ * I a * r pI F n J B~7
..
.
'*
.~~7 E~7 niH I aq' ~I
I
I'~~'~~· J J 1d3% j Ji~J ~J i~;u~JJ] I~a B~7
c-
A~
...
359
KidOry
c-
r JIJ
c-
G7
J JI JJ J131 J r
*I Id iF I D-7 G7
*I IJ IF I
-...-._-_
~
~ ........
360 IAI B~ I'~I! ,,' r r r U±H
TIGER RAG F7
pkl D I Er r FE
iJ1 J J IN
B~
I r FFgd
1. B~
F7 _ 1\
B~
F7 -
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1'511"'1
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F
C7
F
07
C7
F
I'~I! r ~ ~ r I J ~ ~ J I F ~ ~ F I J * 1 i JI; I r ~ * F I J ~ ~ J I C7
F
F.2
I,~~ F ~ ~ J I J IC::rFJ B~.
B~
F7
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B~
n I F F F U~ F Jl J J I iJlF
IFF F u1l F
F7 -
iJ1 J J I Np
JIJuurlr*-
1-
B~7
Jj
IJ.
Bb
F7 -
DI
Pfj Bb7
n I Fdawn J 11~~b JIJuurl
~
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-
B~7
I r Uri r EJ r 9
I' ~~I! r Uri r EJ uri r * I' ~~I! ~ En I r Ej Fr [QJ A~
I' ~~I!~ ~ J. J. I J. D-
1~7
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rr
I r CJ r
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Bb7
- I r EJ r I r U F ~7 IB~~r rr JtJ 3J I~ Jj7 J II~I\~
I ~ J. J. I J. P- I ~ J. J. I J. p-
97
I'~IzI!~ l J. J. I J. P- U J. J. I J. P- I * J. J. I J. P- I~ J. J. I A~
I,~~~~ J r ~ I J J JqJ I ; \J J J U .J. J. I J. P- I~ J. J. I J. p~7
~
I'~~b~ * J. J. I J. P- I * F' J. I F' h A~
F7
B~7
97
1;)111 r Fp ipfr
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J
j
Ab
I'~I!I!~ r r pr 1:; JJ 3J. Jll r J\JiJ iptC Fig J'l;r iPt "
I"
II
AVALON
I~ ~
C7
J I
!!
j
J I r ~ IF J 1 IJ J I
found my
I
love in
A - va-Ion_
I~~ J d left
I~~
r
j
J
j
love
in
I
so
I
A- va-Ion,-
IF riFF her
F
j
J J J-1J j
I
and
I
II
j
saiI'u.-d_
I j
and
IJ j I
j
A - va- lon_
from
D7
r
I
think I'll
rr
V
I
j a
I
e
TIN ROOF BLUES B~
I
Fo
fF
e=-
j
dawn,
I
and
F
I
--
I
I.
II
"
-
Ion
~3~
B~
,in I 1,11
I J jj d JJ f.l J I j.
I '*
G-
II
New Orleans Rhythm Kings
B~
F7
j
-
way
I
C7 ., -va
A-
I
I ,J
II
-
j
Id J I
II
bay_
I
to
G-
to
tra- vel onI -
LJ
dusk_-
r
IV
the
D7
a
F
IJ J I
G-
dream of
I~~ J
I
C7
II
F
my
D7
F
sidlC--e_
be
C7
36]
Rose/DeSylva 1920
B~
D- Dba
1~IJ1J J I -
C-7
I~ ~II J.
F7
Jt:J
C-7
I!
B~)3i,
F7
J P J JJ3~hn flU
B~
~7
I,~~ J J I,; 3 J \J ~; 3 I F
If~"T I'~II
12. C9 ,
F+7
~ra j jl ~J
EO PF
F7
B~
EJ I r
1
JJ \3 I
B~7
If~"f J IS d 3 J \3 ~n I J J"1J
b'·C7
B~ID C-7
I J IhJ3 J 13 ~J"3 I J
lU
B~
G7
D-J . I J \3 ~J 3 J \3 ~J 3 I J flU
su. ffi
II IEl ill J
B~
Ji I J
F7
P ill dJ I J JJ J
-
r"3~ B'
,19
t7\
B~9
m11 J JJ ~r F Ef I £J ; a d Ei>7
BL
~ II
362
BABY FACE 0-7
CrE
J 11 J * - I * r Ba - by face,_ Ba - by face,_
G7
G7
I~ J a a d I J J J I
,a
'cause
- ed some-thin'.
'fJ
my poor heart
J IJ r I
in your
love~_
P
I r r F 'F I r
II
07
I did - n't
pret - ty
07
1_: * F J
ba- by
face _ __
C
Toot- sie good - bye, Toot- sie and then, Toot- sie don't cry,
CI17
C,07 0-7 G7
If *::j J J I J J I e I
T:t
choo choo train that
l2. p7
jit ~
I
II
II
Kahn/Erdman 1922
G7
C6
CI17
I F ~ r I.. I.. I* a J I a J J I: 1% I
Toot Toot Kiss me Toot Toot
1 1.
0-7
need a shove,
C A~7 C
TOOT TOOT TOOTSIE C
r rEi
G7
I J IJ I F r I
your
is jump- in',
C7
fond em - brace,-
a fa with
there's not an-
r Fir r r
J
I
.e
A-
J Ir FJ IJ fell' in
1
07
ba - by face.-
A7
C/G just
I
A7
2.
I~ F r IF flY F J kJ I~"F J
0-7
G7
J J J Sj S* - I * r r J I
E-7~5
IJ J J
II
1 E7
G7
Flo
C
take your place.--
you sure have start
~-7
you got the cut- est lit - tie ba - by face.I'm up in hea-ven when I'm
0-7
oth - er one could
r r Ir J
C~ J
Akst1926
r F~F JJ..
J
takes
~
rr ~F J#
Toot Toot do it Toot Toot
D-7
Toot- sie don't cry'_ _ ov - er a - gain _ _ Toot- sie good - bye.
G7
C
D-7
@o
Fit»
G7
1* J J J I j J I J J F~a I J a J F) a- way from you, no
C
J ..
words can tell how
I a~a J J I ha J
sad it makes me.
G7
a I J d J J1J -
D.C. aJ Fine
I
Watch for the mail,_ I'll nev-er fail,_ if you don't get a let-ter then you'll knowI'm in jail_
YES SIR, THAT'S MY BABY
Donaldson/Kahn 1925
J I~ ~llk f r r I F r r Fir r· DI F or r Fir r I F raJ I U·e , Eb
Eo
P-7
Bb7 .
F-7
~Bb7
Bb7
Yes sir, that's my ba- by, no sir, I don't mean may-be, yes sir, that's my ba-by now_ _ Yes ma'am,we've de-ci- ded, no ma'am, we won't hide it, yes, ma'am, you're in-vi- ted now_ _ 1 2.
Bb7
Eb7sus4 Eb7
I~ ~IIII J *.J J I cia By the
way,__
Ab
G Gb
F7
Bb7
Hr FI I J * a ~J I J J I r r r I I-r l' l' l' I II
by the
way,_
w
when we reach the preacler I'll say, _ _
363
ROCK-A-BYE YOUR BABY
Schwartz/Lewis/Young 1918
9
C
I~ Of
0-7
G7
a a J ,3 I J E f r r I r F P 3, Rock - a - bye your Weep no more my
11. D:7.
I~
7
0
G7
ba- by with la- dy, sing
C
a that
lA-7
07
dy, me, and
-
when you croon, old black Joe,
G9
0-7
G7
a P- F I ;P a ;il) F I J IJJ ijJJ II,
Jl
croon a tune,
0-7
from the heart
of
C
G7
Dix
E-7
-
F p r
rip
I J,
dix - ie mel- 0 song a- gain for
G7
0-7
I
J J ) J.
. J:t hang your cra- dIe,
ie.
A7
GID
A-7
D7
I~ Jl J, JgJ I' J J ,3 J F' I p J f r I t a J F I P r PF J I mam- my mine,
right on that Mas- on
Dix- on line,
and swing it
J
G7
I~ ! r1 J 1 3 J J ,3 I J J J2) 3' to Ten-nes-see with all the
love that's in
yer.
l
E7
J P- r IF I r~E f F ~ I
}l
just as though
A7
I~ J.
G7
_7
2°0
from VIr- gin - ia
you
me on your
had
D7
I ~ j J J a J J Jill J J1J J I' J J J J J J 3 I
knee.
A mil-lion ba- by kiss- es
C
C/G
the min- ute that you sing that
I'll de-liv - er,
CIE E)7
07
C
G7
I~ p J PF J I a a J ,J I £ J J l.F r r IF I EF PE'I" Swa- nee riv - er,
rock- a- bye your
rock- a- bye ba - by with
a
THE SHEIK OF ARABY 1~~lj
B~6
J I'm The
1~~lj
is f the
J I J.
Sheik stars
of Ar that. shine
I r'
e
B~6
F7
tent
UI I'll
e
J II At
r'
night
C-7
I j.
-
-
JI when
F7
U
land
rI e
with
me,
~'
1 you're
J~~
way
JI
Ir
J I j. the
sheik
C-7
J I J.
C-7
F9
e
IJ.
a - sleep,
be - longs our
J I r'
in - to
J I J. of
Ar
JI your
G7
e I 'Fto love F7
to
C-7
97. n 07
C-7
dye
-
Snyder/Smith/Wheeler 1921
your love will light
1)l,0 7
C7 W-
I J.
e by, a a - bove,
The
creep
F9
JI
B~ID
me
I~~b
J.
B~6
I~~b J
C-7
B07
Dix- ie mel- 0
II
FI You'll
r rI
rule
this
B~6
Fie a - by_ _ __
II
364
LIMEHOUSE BLUES
Philip Braham/Furber 1922
B911'B~9
J J I"JJJ JIJJ JI Oh, liIn&house kid,-oh, lime-house blues..--
I~ ~I!I'~ J
--
oh, oh, I've the
G7~9
Ab
Db7
C7
r
J J J-l-.. I J J J J> I
rest of them did.-,- -
haunt- ing and taunt-:
I~ ~I'I,~ J F off
r
I
those
sad
r
Chi - na
Js I::,"
no - bo - dy's child,
sam and
D7
just kind
of wild_ Oh, oh
Ab
J I".." blues
that is the sto
-
can't seem to shake
~
G
F7
F~F
r
hF
r
Rings
on
your
>-
Bb-7~5 Eb7 I F r F rTF tears for your crown,.--,_ _
F-
~F
r hF
that the
I F qJ ,,J J J J ~J J
ing, you're
J j
iF I
Eb7
r
-
go- ing the way
oh, liIn&house kid.,-,- real lime-house blues _ _
F I DJ~
r
= : -
of
ry
r r
fin- -
gers
and
Aj/C tJ~ I~ •• ~ -~ : ~--
!1
I II
old Chin - a- toWD _ _
UP A LAZY RIVER Hoagy Carmichael 1931
I~ ~f
J
D7
j IJ J I,;
Up Up
JJ
J J I r iF
a la - zy riv- er 'bY the a la - zyriv- er where the
.
G7
J
~r )1
J J J
v
I
noon-daY sun, loaf a - long,
i'*.. •
lin- ger in the shade of a
I
dream
G7
with
me.
blue
C7
I~~ E [[J P j J up
a la- zy riv- er,
Bo?
F hr
J J,-J
how
F
I
skies
E7
J J 3 J hap - py
~w :-Jay
kind old tree,
,.
F
•
C7
F
I
t>
J~ I
old mill run, the la - zy, ha - zy riv - er #m the rob- in's song, a - wakes a bright new mom- ing, we can
1C7 J
J J
you can
r
d
IE
a - bove,
up
D7
1M be,
FIC
)u- bles,
r r
r PJ
. 1 m:am .;;
D7
~r
r
in
C9
Er[ up
~
ev - 'ry - one's
G9
I
~~
y our
love,
F
))
a la- zy riv- er with
I
" me.
II
401
MOON RIVER
Johnny Mercer/Henry Mancini 1960
*
C
A-
I I~ J. I r Moon Two
F
r
I r- F J ) I J J
riv - er, drif- ters,
wid - er than a off to see the
E C7 F B~9 IN I j j. )1 I J. I j dream
mak-er, you
*
F7
F
C
heart
C
r·
I
mile, I'm world, there's
C
B7
style some - day. world to see.
break-er, where - ev- er you're
F
C
F
n
g
_
C
Old We're
A7 0-7G~-
E-
-Ii I J j J I r r ; I r J. ib I .J.
j.
E7
F J J I J J I j~J J I
cross- ing you in such a lot of
A-
B-7
A- 0-7
I
J JI
af - ter the
G7
C
I r- I IT r I 1 U J J 3 JI 1 UTI R 3J I J. J. I J jlj JI JJJ- I 1
same rain-bows end:
waitin"roundthe bend,
my huo-kle-ber-ry friend, moon riy.er
and me.
SOMEDAY MY PRINCE WILL COME
I*~~
B~A7
A+7
F
J. Some He'll
J #J - day my
07 come, you"
prince will "I love
* -I* ~ r r I IT r I iJ- ;p i A~o7
11. A-7
r is
J JI J IJ
I
whis - per
G-(A7)
G-
G-7
some and
C7
-
day steal
A-7
Moray/Churchill 1937
G-7
I
I'll a
C7
rI
JI J J
j find kiss
my or
and how love, two, though be's
A~o7
G-7
dreamscomes to
me.,_ _
C7
I ~ r r r 1 FEE I r- I r J r I r r r IrE E1r' I r * * ~ thrill - ing the
12. F far
mo- ment will
A+7
a -
be.-
G-
way I'll
when the
prince of my
A~o7
.
:J I
find my love, some -
r
A-7
07
G-7 C7
r I r r r I r r I r- I r-
day, some - day when my
dreams come
FASCINATION
*
C
F7' U
F
C
II
true _ _
Marchetti/Manning 1904
CIE
Ebo
0-7
1 I *J J j:J ~ r- I F r I r I* J J J J I r F r I F J. PI J 1 It was fas-ci - na - tion I, know, and it might have end right there start. It was fas-ci -
na
G7
-
11.
tion
1
know,
0-
sec.- ing you
0-7
'
ed at the a -. lone with the moon - light a - bove,
I. * i J J J I r I-ri J J11 r- I*I- J J ] I r lust a pass - ing glance, then 1 touched your 2.
D-7~U7
rr I J J J I J ~ 1
jJst a brief ro mance,and 1 might have gone on my wayemp-ty- beart-ed:-
D-
hand, and next
0-7 mo- ment I
G7
D-
-
kissed you,
as - ci - ca- tion turned
G7
C
402
SOMEWHERE MY LOVE
J.
Some - where my Some - where a You'll come to Till then my
A-7
love, me sweet-
D7 -$- A-7
J
there will blos-soms out of think of
biJJ,
D7
songs to sing, green and gold, long a - go, now and then,
be
in the
me
G
C
D7
I
thougltbe there are . as theGod - speedmy al -
and wann
cov- ers the all that your soft as the
wind,
hope of heart can kiss of
springs__ hold _ _ snow
I
CIB C/AC/G
I J. I J J 11 I J Fir Ir ~ J. I oJ. U. I J J ~
snow. dreams.---
-J
1965 Dr. Zbivago
Some - day,
1 •
we'llmeet a - •
love~_
1*1
C
et o7
W-
I W-
I
gain
my
D/A
D7
B~/A
B~
GID love,
-
some
-$-A-7
B~IF .
I j IS I a S
I_J II J I qJ.
ct.
I r· F' throughu.--_
B~/G
day,
D7~9
spring
a
-
round the world I might have been in
* *J. ];
1
D-7
G7
j
JI J J1
D-7
ren- dez - vous. I
-
Young/Adamson 1956
J
1
see, the smile you're
1* r· I
•
J) go
.a ) I
D-7
J
1
.
j
G7
J 1 J. ]; ;: J 1 J. ]; f J
j
me, and I would
D-
J 1 J J '~F' J1.J 1 1 r Fir J 1 r
smil- ing
C
r aI
all a - round the
now.
It
ree,
or
A7
J. #J) a .J I world
for
I
1
'
~ 2·.A7
G7
gone to keep a -
D-7
know some - where, some - time, some - how, you'd look at
C
J
G7
breaks
gain ___________
on, when hope was York. in gay Par
you. I t:ra:- veIled Down, or in New
r J1r
G+7
1
search for Coun- ty
I ~r·
LJ. I
AROUND TIlE WORLD
A It
B~
G
J. I J:
a J &J I J.
I I D.C. ale.-...
a I J.
when - ev - er the
D7
D/A
F/C
have
ev- en
D-7 rJ
Lon- don
town, no
G7
JI
found my
more will
C
r a I F' I r-
world in
F 1
you
I
403
EMILY Johnny Mandel 1964
I~~
Cll.7
A -7
E- mi-Iy,
All.7
Cll.7
A-7
I~
0-7
and the
G7
A-7
B7
E-7
A7
out of sight.--
B7~9
E-7
a
A -7
07
0-7
G+7
laugh-ter of
chil-dren at
play,
say,
Fll.7
E 7sus4
J I J~J J I
of
May_
C7
mar- vel- ous
i-
in the
0-7 they see
J J J IJ I'll be lov - ing Days may not be
F
IF
Q
J
I
PJ
F'
I
E-mi-Iy
r'
I
too_
C7
with
J IJ
a love that's
A
F
I
J J
planned,
B-7
need
a help- ing
hand.
I
will
I
ai-ways,
true
J I J I J. .J J @I 'r' I J..J ,3 @I When the things you've
I
Irving Berlin 1925
I J I J. i j
F6
As my
C6
G7
d.ream- i-Iy,
aI- way:sr-s,_ _ ai- ways,,.-,_ _
you fair
two
fire - light-
11'G-7
j
I
J I J J. ~) I J J 1 U J r I
~ges--
J JI
r·
A-7
ALWAYS C 7sus4
All
view,
C
G7
n
A7
fam- i-Iy,-
G-7
fade to a
0-7
see-ing
r r J I J #J I 11 r- I -r eyes vis-ual - ize
sound
Bb7
J J I j. M I [ P r I J. I
r r J I J #J I J1 r- I -r J J I
F#-7~5
mur-mur-ing
Cll.7
and we
E-mi-Iy,-
E- mi-Iy,
lov-eis a - lone and
I~
car- ou- sels,-
P J I P J I P 1 IJ
E- mi-Iy,
G-7 C7~9 F ll.7
J~J J J I J J J I r F J I J I #J I
q JIq JIq cor- al shells,
has the
E 7sus4 E7
B-7
Cll.7
IJ J. ~I J. ;d I ,)
E- mi-Iy,-
F#-7
sil- ver bells,
I~
G7
PJ I PJ I Pl
E- mi-Iy,
I~
0-7
E7 IT"
I
un - der - stand,
C7
I al - ways
Bb-7
I~~ p'
hour,
J J ,aIways,
F
G7
IJ J not
that's
when
I'll be
there
G-7
aI - ways,.-._
C7
not for just an
F
J J I J I J. J 3 J I J J I J J
for just a
day,
not
for just a
year
but
aI- ways
IJ
II
404
EDELWEISS Rodgers/Hammerstein 1959
B~ID
F7/A
J I V· Ed - el -
weiss,
B~
I'jb
small
I
and
Bb BIos - sam of
B~
Il~ d, :
~
I
:3~
E - del -
IF
F
Eb-/Gb
J
:3~. I
E - del -
weiss,
r·
JI I
weiss,
bloom and
F7
ill
J I J J my
meet
J ;Jl
I' I
il
G
Wun- der.Wun- der Wun- der -
r'
B-#
A-7
we're a there's one
07
J F I F' I r J J I
cloud bright
G
I
C-7
* ~r· p I
why it's why, it's
&6
A- D7 D.C. a/Coda J J) II
A-7
grow for - ev
-
er,
II
home - land for -
ev
-
er.
Cole Porter 1948
GA7
G6
lone and fav- 'rite
band in glove.star a - bove.--
B-
j
E7
C-7
E-
F' I T F" PI J
JdJ
A-7
Won - dr - bar._ Wun - der - bar_ _
more than
G6
.
I"
G6
not
what
07
a a
Y
J I J J I l J J. Jl ~ Bb7~9
F-7
I
D7~9
die dear,_
A-7 IS 07
tru - ly
for you
A-7
r.
IJ. I
Wun - der -
Eb
~ I mad J 1D J. )1 ~r r- I T ~r p I J ~ * I - ly,_ and long dear_ for your kiss.
r I 1 ~r'
dear.-
I would
J. Wun - der
are, far,
Bb7~9 .
F-7
I" J OhJ. Jill care ~r
1"
Wun-der - bar.Won-der -bar,--
here you near and shin - ing
am,
1 2.
GA7
F7
I] Wun-der r ~ -I bar,r" IT Wt J\a I per-J feetJ InightJ forJ I love_ l I J Here r' ~I I
bar.bar,_ bar,-
B-7IS
A-7
I!!
~1
D7
I
me.
F
WUNDERBAR D7
I r·
rlr rid.
BblF bless
r·
CIE
I J
grow,
to
II
me,
B~
hap - py
~
BblD
bloom and
Eb/G
F-6/Ab
3.
I'
snow may you
look
I J.
greet
you
J IJ J J I
you
F7
J.
I
F7
I j
bright,
J JI j
mom - ing
BblF
J I J.
clean
white,
and
r
JI J J J
ev -'ry
Eb
C-7
G-7
Ij
weiss,
BblD
r·
J I
J I J.
E - del -
F7/A
ill
r
I
BblF
Eb
for you
glad-Iy,_
D7
.
CI-7~5'
F" pI you're di -
A-7
r
FI7
B- E7
F5PF J. ;; I
vine dear,-
and your
D7~9
,J
mine dear.
G6
I r- I I F J I J J I J J I J. star,_ bar like our love it's Wun - der -
JJ
LJ.
405
UNDER PARIS SKIES
Giraud/Cannon 1953
Bb-7
Fir F J I J J J I Stran- ger be - ware, there's love in the Love be- comes king, the mo- ment it's Just look and see what hap-pened to
I~ ~1!I!i
air. un-der Spring, un-der me un-der
-
Par Par Par
-
B~-
I~ ~I!~~ J J J I J. ,I J Pa - ri - sian
love
can
A~6
bloom,
high in
a
sky
Bb-6 fe,
where
- lit
J JJ
r I r r F I F'
hun - dreds of
poe- pie can
~
or
room
C7
C
Fir F ca -
A~A7
J. IW JWI J IS. 1,1.
1
~
I':.
street of de - sire: _ _ __ you _ _ __ hap - pen to
E~7
B~-7
12.
FFine
meet some - where on the do, the same thing can
~I
skies, skies, skies,
is is is
I F J WI J. I J. I J. r your heart catch on fire _ _ __
JI J J I F ~W F J try to be smart and don't let
lone - ly hearts watch what you
Bb-7
r Ir
I r- I
j, F-
C7
gay
Bb-6
a
in
C7
F-
IF' I V' I
r
• I
see_ _ _ _ _ __
B~
Bb-6
Bb-7
I~ f~I,i J J J 1 J Fir F J 1 J J J 1 J. 1r' I Fe IT." I was- n't
smart and
I lost my
C7
J ~J J I J J IF· F
don't
a
be
ev- er
rn1 FA7 IJ I~f l.. love. _ _ __
heart un- der
strang - er like
r
yes
skies.--,_ _
me: _ __
Tacit
r I r qJ Oh
feel in
Il.
iJr
r
Ij
fool.--, _ - ' - -_ __
a
was
I
JI
F7
C-7
J J I
I
.
I~ •
J I qJ. I J.
qJ
Tacit
t
- is
F
r I .F
heart brok- en
Par
for
B~
Tacit
I_J • F. I F J. J I &l la. so . beau - ti - faly cruel _ _ _ __ be'-_ __ la~
Par - is
can
F
Tacit
A7
D-7
I~f J d ~3 1J J 1iJ J 1 j Par - is
is
G-7
1'1
F
just
a
gay
Flo
F I F'
Stran- ger be
- ware,
I F'
I
wants Tacit
r•r
there's
D-
C7
F
3 1 J J 1 J J 1 J J I.J !
co - queue, who
F
J
A7 to
love and
C
then
C7
I F F J I r- I V' I love in the air
for - get.
C7
F-
r-
I
F
II
D.C. aI FJne 1st End
-&
406
WONDERFUL COPENHAGEN C
I' ~~ J.
F
IJ!
J I J.
Won - der- ful, won - der- ful,
D-
won - der- ful, won - der- fu}
A-
friend - ly old sal - ty old
E-
11'
mer - ry night,
E-
A-
pen - hag - en,
let us
sea.
D-
G7
r
J ·1
r
1
f J,
down._
To
C
P FIr- 1r *
Co - pen - hag - en for
won - der- ful
G7
iLJ.o
f JI J J I and drink one
"'Neath her Once I
town.
E-
D7
J) J I J. Jl J I
won - der- fu},
girl of a queen of the
A-
clink
E+
r·
JIJ JI -
Co - pen - hag - en, Co - pen - hag - en,
C
on this
E-7~m~ A7
CIB
J If J 0 I J Ii J I f J fir
;11
ta - vern light
Co
C
J I r J I J J I J. ,Jl J I J. #Jl J I l U J JI
1;11
G7
I' J.
G7
•
Frank Loesser 1950
II
me._ _
VIENNA, MY CITY OF DREAMSS1eczynsk1! Caesar 1937 C7
C+7
r J I r fa
IJ when me
Hold 1 1•
Vi - en - na dreams, and it will seem,
A~o7
F/A
G-7
as o'er the nighHime is
F 1J
Da- nube the end - less and
G-6
C7
F6
J 1J J
moon - light gleams. love su - preme.
C7
Psus4
---'1
-P-6
I';Waltz 0 J Vi0 - Iend - na'sJ ImelJ - J Idies,J. IJ J J I; J f IF J 14 to
1 2.
0
P
-
I~; J i¥. J IJ J J 10 J f
stay
in
Vi - en - na's
old
MERRY WIDOW WALTZ
I'~ C7J J I J I'~ J J I j
F I;
C7
F
I'~
I'~
Bb IT
G-7
F
Ir C7
J J Ij
,
B~
F+7
F
I
~
F
I;
1
r·
P
J IV
J IJ J Ij D-
I J. D-
J IJ
~
C7
I r· F
•
r'
Franz Lebar
C7
F
I ~.
I J.
. C7
F
r' F G-7 Ir F r G-7 C7 1-
c::
I J.
1
E-7~5
1
I •
I J.
I W-
cttCaml-_
A
F
1
J.
I_W-
II
IJ
II
IJ
II
F
IJ
IJ
II
407
TWO HEARTS IN 3/4 TIME
StolzlYoung 1930
Co C
Co
C
C
Eb o7
CIE
GID
G7
J I i d J I * ,J ;iiI F r I F r I r r I J r I J
I! i
Two hearts beat
Do
D-7
I! ,3 hearts
with a
Do
JI
D-7
D-7
a
love
*.J ; I
beat
with
G-7
joy com - plete, oh
C7
what a
G7
night for
you
D-7
Gsus4
walt - zing
dream - i
r r- I -r and me._
G7
JI Two
CA7
r r I r r I ~ r I r r I r' I r I so
sweet, while
F6
A-7
D7
-
ly. _ _
D-7
G7G+
I! r J J I J Fr 1r J J j J 1 E J J I J r r I r Fr I r J I I'll share your charms 'till the break of dawn,_ locked in your arms 'till the new day is
Co
C
Co
E-7~5
C
I! i d J I * #J ) I hearts beat
with
a
IT
A7~9
D7
G7
born. Two
C
LIE rEI J EI r r r I r' I r'
joy com
- plete, walt- zing
to
a
new pa- ra - dise:_
VIENNA LIFE
~[AJB~ I! ~I, U FFir' I E1 r r Ir \J r l"f J. PI r' I* J. p1J Bb
I' ~~
F7
7 1* ,J. )11 r-[§] ILIf" ~ 1r-
12. F7
Bb
.I! ~~ J J ;1 QJ. I ~ C7
• •
C7 .
jlf
1* F' lie;, J. .
F
pi rl ll;
nI d {J I 1* \J J1 ~
Bb F C7
F
n Fn Ir nr 1J J. ;1 F r I J J. Ji IFF I J J JlI F
G7
C7
F
D.Cal2ndEnd·F"me
I,~ r JI n r n Ir nFI J J. tljf r IIF f" PIF J 1n J r I j. 1J J PII I, ~I,.
WHERE IS' YOUR HEART (Mouljn Rouge) & GC-7 F7 F-7 Bb7 F-7
J ~ J.
Ji J 1F
J 'Il
Jl J IJ J J I J.
) J
J D-7~5
•
G7
c-
1'~I'b i~ i] iJ 13
D7~9
]11 j
G-7
n lUi J
C-7
F7
B~
J I iJ ]1lj I J
D.C. aJ Fme
J
II
408
H'
I'~I'q J F-7
QUE SERA SERA
-- r)
E0 7
I J r 'I r r I
r J I r J I r·
Bb7
F-7
Bb7
F-7
I' ~I'. rEF I EIT I r rEI IT Ab
F-7
I, ~'I' r J I ( ILpt-'Y
I, ~I'I, JJJ I
Bb7
;j
@
F-7
Bb7
JI t
I _,
1'·F-7
Ij.
r ~~ I
Ab £I,
B.7
I JJ J ~
:..
@
Bb7
OJ
I
I J l \J I r r J I
@
F-7
Ij.
@7
£\,07
I FJ J I J J I t Eb
I_J
r)
Bb7
14r r I FEr I r J I J
Bb7
Bb7
rr JI (
I J r r I r J I J:..
A 07
I, ~I'k F J I (
F-7
Eb
Ab
I JJ J I r Fir IT 1-5"
• II
II
PIGALLE C
CA7
C6
CA7
C
G7
0-7
G7
0-7
" G7
C6
G-7
I' J J J I J J J I J J J I J J J I F * J I J J I J. G-7
C7
F
I' r J J I ~r J J I J. 07
0-7
I' FFE I r
G7
FA7
F6
IJ
It
D-7
I r'
IJ
G7
Ir
-
A-7
I). ~
I
0-7
_
C7
_
I JJJI ~
Iii J J J I J J J I J J J I J J J I J J J I r l J I J J_ I). G7
r J J I ~F J J I
I
07
'-
A-7
I r J Fir FJ I r J r I • .. G 7
C
I FH I F( I l
II. '-'
MADEMOISELLE DE PARIS
o
I,
II
f d.
F#-
I d.
B-
G-
D
F#-
I JJJ I JJ J I it. I J
II
B-
A7
E-
I JJJ I JJ J I J
E-(t.7)
I I
IJ.
I
409
I COULD HAVE DANCED ALL NIGHT C
E-
J J J I F r I r' j J J I F J I
1'1
I could have
danced all
G7
D-
f
I').
J1 I r
I could have
night, I could have
spread my
. E
E-7 A 7 D-7
D-7
D-6
G7sus4
G7
CA7
;1 I r r I F J I J aI J J I J, I
Ji
wings and done a
thou- sand things I've
FI-7 B7 E
G
nev - er
done be - fore .
A-7D7 G7
F CIED-
r'll nev-er know what made it so ex - cit - ing, why all at once my heart took fligbL
mI F r I r' f J
C
F
I, P F I F'
~
D-7
rI r
I F'
"J
G7
C
all
night
FALLING IN LOVE AGAIN &7 A~A7
A~6
I on - Iy
Irq I (I
he bc>gan to dance with me, I could have danced, dancecL danced.
E~
more.
r' a ,J PI J rI .J. III 1mI F aI J. r' I F' J F'U r I
I'J. 3tH) I know when
G-7 C7~9 F-7
Fred Hollander 1930
B~7~9
E~6
G7
I' jkl• aIF r I
C-9
F7
and if their wings bum, I
flame,
know rm not 10
DEARBEART FA7
B~ Bo
F7'
J. I r- I .
heart, I'll
r r·
seems like a I want you 10
wish you were 'here 10 kiss you hel - 10 at
III
•
10J»some
G-7C7 D.C.alCoda ... F
j town
J I J. I J .a I all
rigbL_
Mandn1/Uvlngston 1964
G9
warm our
G-7
this front
F7·
C7
F
FA7
But
nighL_ door.-
My· dear and dear
·B~
B~6
F
sin-gle
room, a
la-.ble for
heart, heart
A 7 D-7
,W JI r JI ~r JI r J.)I j n I
year since you've been out of my sighL_ know I'll
G9
blame.
;1 I J J I J. I J. I J. I J ,a I J. I r-
I~ ~ r r,,pl J J I J J I JJ.)I I, ~ J J I
F
B~ Bo ... F A~ G- C7· F
F7
~~7
F-7
r rr I g: r rip' I J\J r I r r r I (r FFI ;-'1
Men clus- ter round me like moth .round a
Dear Soon
Fine
what am I 10 do, can't help iL I was made that way, can't help iL
Fall- ing in love a- gain, nev-er want-ed to, Love's al-ways been my game, play it how I may,
n'
F-7 B~7
I'~I'I.~ F F FlU J I J1 a J I J, I J) J J I J J I J J-ia
F
tJ
J JI J J I J J I
danced all night, and still have begged for
D-(A7)
Ir I Ir'
Lerner ILoewe 1956
C D-
D-7
A
G-7
C7
F
B~
one, it's a
F
I J. I J. I J, I J J J I (J), I -' I -' I leave
your
arms
nev-er - mol'C._
•
I
410
G7
J) old
J
1
I
friend
J
hap - pened
I~ J J J I I~
r
CJ
1=; .me _ _ __
friend - stolebeau - ti -
E7
r
II
[
the
night
now I
I~ ~I!I!~ J
99
r
IJ
Ball-bles,
know just how
much I have
I~ ~I.,,~
r' beads:
I
B~7
F-7
hear how they
jing, jing- a-ling - a,
i.-
II
lost___
I J t ;b IJ j J J d I J
ban-gles,
the
J J I J J J I J._
A~~7
r
and
I
D.C: a12nd End (Fine)
G7
BAUBLES, BANGLES AND BEADS B~-7
r r
D I IT
I re - mem - ber
,
my ful
Fme
m r
waltz,
-
(me
waltz
FJI J
Ten- nes- see
to
J-_:_ _
sweet - heart from Ten - nes - see
e
JIn - troJ
see _ __
e
G7
F
J
1
r
Yes
I
Forest/Wright 1953
99
A~~7
ban-gles
bright shin- y
D-7
G9
I I I
I J r I J r';b I ~
bau-bles,
I I \J iF I \J iF I iF IF" ;b I F IE E E ~F I \J If I \J iF I ' Spar-Ides, span- gles, my heart will sing, sing- a-ling - a, wear- ing ball-bles, I D-7
e~7
G9
F~-7
eJ:.7
I~ ~'I!~ iF Ie-
)i
ban - gles
and
I IE"
r: I'veheard
so
J
that
that'swhere it
1
r
1
I
wear-ing
J
r
and
A7
B~7 I
J
r
bau-bles,
IJ
gleam
A~J:.7
I J
he may
F7~9
r' r r r
leads,
.99
some- day
A~J:.7
J)
glit - ter
B~7
I J ~J I
EJ:.7
I E F E I if
I'll
beads.
dream
B7
r
I B-7
some- bo- dy
A-7
r
I
make
so,
F7
r: ) I r r r r r I
buy me
a
99 1
I
ring, ring- a-ling- a,
A~J:.7
J r= j) J J ! ! I
ban-gles and
1
beads_-
II
1
411
FALLING IN LOVE WITH LOVE
Rodgers/Hart 1938
B~b.7
I~ ~!, ~f
j
Bb6
Bbb.7
Bb6
C-7
C-7
love with love with
love is love one
fall - ing for night whn the
make be - lieve _ _ __ moon was full _ _ __
F7
C-7
F7
Bbb.7
Fall- ing in love with I was un - wise with
love is play- ing the eyes un - a - ble to
Bbb.7
Bb6
r
F FI F FI much is love with
such a love, with
G-
G..'(A7)
G-7
fan ju - ve- nile love ev - er -
G-6
07
trust
G7sus4
is
last - ing _ _
III
I~: I ~;: I ~7 ~ ~
I
-
cy_ _ _ __
F7
IJ
l
school _ _ _ __
C-7
G7~9
C-7
F7
But
love
fell
out
with
* ~
BbA7
r- I r I r- I r I r7lTSEr7J1 * * I me _ _ _ __
Oakland/Hammersteln 1937
F6
0-7
G-7
C7
I~ ~f J I J J I l I.J J I'll I'll fIrst
I~;
I
I'LL TAKE ROMANCE
lAI A
l
r J I :Ll:t.JJ2
F
G7
I' ;b J I J< I J * I r I
Bb6
C-7
chil- dren in
just for
Bbb.7
fool _ _ _ _ _ __ see
7
r rrI r rI r rI
,
F7
I TIT I ~F ~
Bt F I B~ r r 1'"Ai
Car- ing too I fell in
Learn- ing to
Bb6
r
I' ;!, J J J I J J I J J I J J J I
A-7
C-7
J J I J J I J J I J J J I d J I 1 I J. IJ ~ ~ I
Fall- ing in I fell in
12 .
F7
C/Bb· A-7
Ab7
ObA7
r I r rI r rI
takero - mance,-- while my take ro - mance..-- while my real ro - mance, while my
heart is
arms are heart is
Dr r I Gj7 I VJ J rJ~
young and strong and young and
I At I
abA7
F ~F
r I r' I r r r I
ea - ger to ea - ger for ea - ger and
Gt
G-7
fly, you, gay,
I'll ~ve my I'll ~ve my I'll give my
C-9
I::
I J. mance _ _
So my
• •
D6
I,
i
r'
Ding,
C#-7
lov- er when you
F#7
Bb.7
want
Eb.7
me,
call
A-7
me
in the
hush of the
07
G-7
C7
I ,d. IIF:" I .J. I ,a. I * J J I J when
you
call
me,
in the
rrI
hush of the
J J JIJ eve-Ding, I'll
eve D.C.BlF"1IHI
rJI
rush to -my
412 lAl
MY FAVORITE TIDNGS E-7
1,_ •
F#-7
A-7
I
Ch.7
J F FIJJJIJJJIJJ*IJ FFIJ JJ1J JJIJJ~II Rairrdrops on ros-es and whiskers on Cream col- ored ponies and crisp al>"ple
1,
J
r
07
Gh.7
Ch.7
J1 J J J 1 J J J 1
brown pa - per
pack - ag - es
brightc0l>"per ket- ties and warmwool-en mi~tens, doof-bellsand sleigt:bellsand shnit- zel with noodles,
kiHens, strudels,
tied up with
j. string,
&.
Ch.7
these are a
few of my
dress- es with
A-7 -
lei
blue sa- tin
07
Gh.7
sil-ver white
win-ters that
-
*F
F1 F J
When the
dog
B7~9
1
bites,
when the
A7
Ch.7
sim-ply re - mem- her my
G6
,"
G6
Ch.7
J.
fav- or- ite
JIF and
*J J
then
r r things.
CA.7
tw J I
feel - ing
sad,
I
D7
07sus4
r F I F' I don't
I
1
J J 1 J.
1
when I'm
I
r-
feel
so B7~9)
(FI-7~5
Ch.7
..
IJ
B7~9
fay - or-ite
E-7/D
Gh.7
Ch.7
IJ
I J.
things
few of my
Gh.7/D
I"~ J J J I J J J " J J J I.J
1 nose and eye - las~es,
FI-7~5
E-7 ,3 1 stings,
bee
1
stay on my
Cl17
these are a
* J J J
1
J J J J J J J J *I
1
J J J 1 J J J 1 J IJ
1
Spring,
F#-7~5
E-7 1,
melt in-to
r r
Gl17
j.
things.
Ah.7
snow- flakes that
Ch.7
J r J 1 J J J 1 J JJ1
fay - or- ite
Ah.7
sa-shes,
B7
J J J 1 J J J 1 J r J 1 ,J
1,- J F r 1 J J J 1 J J J 1 J J * 1 J Girls in white
F#-7~5
Gh.7 1
Ii51 wild geese that . fly with the moon on their wings, Eh.7 Eh.7
1,
Richard Rodgers 1959
..
I
..
I··
II
GREENSLEEVES 0-7
I
have
loy
-
ed
you
F
I';
Green
sleeves,
F
V Green
so
long,
C
-
all
C
r- I r
B~
C
sleeves
M~ I :J my
heart
my
de -.light - ing
A-
D-
joy,
Green
Bb
A-
JIJ of gold,
~~
~
and
A7
'in
your
com - pa - ny.
A7
-
sleeves was
my
D-
A7
I .J f j I #J who nut my la
#J
dy
I
J -I J I
Green
sleeves.
LOVER C
F#-7
r * ( I'r r·
in my ear you own en - trane - ing I sur - ren - der
E~7
F o7
F#-7
I~ ,; J ; 1J ,; J 1r fu - ture is
G#07
GI:.7
I~ r r r prom- ise
I
C
I~ J F F
I
my
to
r:-
speak my name, in my eyes, fears de - part,
rr IV 1~~71~il
J a I J ,a J I F' ev- 'ry plan I de sign
I .a Your
A-7
07
,
1-
I
A When A
D-7
-
to
Ebo7
0-7
I
I
G7
I
W-
W-
r
lice clouds lice
1~:~;~7
r
see
Fine
r
G7~9
J.
I
I
W-
F I J.
IFF
-
E-7
0-7
or un der - land, be - yond . the eye or here or there?
07
IF II
r
I
Where can
~7 it
or that
..
to and to
11.
G7
the just be - hind not can peo - pIe . won - der I
-
Ir
..Ii
tree
G7
IFFF I~
I r-
do stai"sgo? Where
Where
be?
G7_ r" I
E;1 A2 D-7
0-7
A-7
E-7
F I J.
won - der- land? leave the sky, won - der - land,
r I [' r IW
IT
E)7
A-7
r Ir r Ir
how do you get they roll a - way where is the path
won - der - land, by, roll ing won - der - land,
Fain/Hillard 1951
E7~9
B-7~5
F~7.
F Ir in go in
A-7 ~5
II
II
I~ r F r I r r I r - r (f r I hill land hill
r·
mine.
be
1-V·=
C~7
G7
0- ver the where is the 0- ver the
I
heart.
G7
W-
B7
F#-7
ALICE IN WONDERLAND 0-7
A7
&p I d;, I,J I
F o7
E~7
ue
E-7
dies.
you.
tin
* rT r J
flame.
B7
con
Bb7
hear you glane - ing ten - der,
r r -I r -* r I r 'r r
F
-$-G7
breathe a mus - ic
* r 1r
in
al- ways
you'll
and I keep on when you're
near you, dane - ing ten - der,
soft - ly 'till love's loy - er
All of my
p I &r
r * r 1 r #J
pI
when I'm when we're please be
Lov - er Lov - er, Lov - er,
F-7
B7
413
Rodgers/Hart 1933
rI is
D-7 A 7 0-7 A 7 D-7 Ab7D.g~2nd End· FIT
the
cres- cent
moon?
They
must be some
-
1r
r 1rEI r r 1F"
where in
the
sun - ny
af - ter
II -
414 IAI
BLUESETTE Jean 1beUemans
,'~I' 2'
B~t.7
'r
I, ~b r J I J.
r I kr
;:A7 I,J
G-7
C7
B~7
F-7
r r I
b
Bt.7
Ilk
D7
r J I IA. I E J I ijJ I r J I J I 9-7 Ab7 nbt.7 Db-7 Gb7 JtJ Sir r lEE I kJ r I r ~r I I,J ~r I r ~F I
JJJ
@t.7
A-7~5
~rA-;~5 I
C-7
F7
E
-$-D-7
Db7
!7 1
r G-~ I J.
C~ J. F-~
rr
1* uul
rr
I'~k * UUIU I * UUI
C-7
F7
J I
~~7 ~
I *0'0'1 F~j I
I'~k ~A~,J \J I r r r I t\E F I #7r EI ~A7F r I ~FIF EI ~tF'F 11\r~r I Bt.7 C-7 F7 D-7 Db7 C-7 F7 I' ~k E ~r I T ~F DI Fl E~ I r * £ll J J J I I,J J ) I J. I 1T 1
..
,'~k
r
1
G7~9
D-7
tlrTr
C-7 r
F7
I r r I efFIE r I r
r- I TIT l-r
F' )11:
UP JUMPED SPRING
I,,~I'
IAI
Pf D-7
I' ~I, J I I, ~b
G+7
F7
E)t.71'B-7~5 E7~9
D-7
rIJ
G-7
G-IF
nI
C-7~5 F7~9
IF': J. I.J.J I ~J. I
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n
·C7
D7
Ft.7
F I r UI
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pi f' •
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#
Ab7
I'F
:11
31
Freddie Hubbard
P E!r I ~ rIF I P Ef I prJ I r pO I ~
E)t.7
Bbt.7
r
Bbt.7
B~7
Bbt.7 Abt.7 Bbt.7 Abt.7
r
E-7~5 A7~9 r I J. I J JI
;2'C-7
F7
~ J * 'i;ill r r J I
G7alt
C-7
F7
I "j ~tr I bJ d I J I J
PII
D.C aJ 2nd End. Rne
SCARBOROUGH FAIR C
D-
J J J J J. :P J J I
I
1
F I
D-
j
C
J
1
j
J J J J 1
I
i1Jl
J
I
riC!
r
D-
G
j
G
A7
P I J iF
J Ij J
C
I
D-
J J J IJ J J 13. I I
__
WHAT'LL I DO?
fA) ~.6.7
I
I; ~ q J n ,-3---1
A\'-6
f r- d
~
~/G
F-7~5
lIving Berlin 1924
E,b.6.7
Bb7sus4 Bb7
n I r- U I J~R I J_n I J ~
I 1'(
~
415
r - 3 --,
JJ J
Whar.'ll I do_ when you-- are fara - way_ and 1_ am blue, whar.'ll I Whar.'ll I do_ when 1_ am won....:. 'dring who..--who's lov_- ing you, whar.'ll I When I'm a - lone.- with OIl- - Iy dreaIIlS-- of you- that won't-.come true, whar.'ll I
FJ.6
rB~7"~3~ §J J J J
do?
Fine
I; ~bb J:,
WJm.'1l
Db9
@.6.7
I~ ~I.I! r~u I r graph...-
to
,it ED-
J2-:7 3-- -' I§k=~
Ob7
C7
0
teU-
do_
with
F7
bies
trOll---
just--
Bb7sus4
~fJ I t
I (
my
~L J I IT-ij I
I [:
What'll I
I
F-7
r
Nights
F are
Miss
your
r
long voice
A-7
Bb o7
F
F· since
you touch
the
07
I~II J 1'A7
quite
A-7
F went of
F a your
G7/F
a I J. so
bud- dy, bud- dy,
fA7 : F
0+7
I F"
I~
F6
C
n1J 1J I J J r I r-
D.C. aI Fine
I'm
E7
A-7
p r 'I
r
I
a-
-
G
J I
r
.1
way, hand,
j
J I a -
think just
to
A-7
E7
IF~ FI Fr
my my
bud- dy, bud- dy,
no - bo- dy your bud- dy
07~9
G
r
W-
I j
you
GRAVY WALTZ C
to-
r
miss - es
true
Bb7
D7
G
all the day, my you un- der - stand, my
phO-..:
Kahn/Donaldson 1922
I~I J J I J J J I J J I J j I a ~ J I fa bout you know that
a
When
to. _ __
A-7
Ab o7
r-e I
U *J J j
MY BUDDY G
A~6
*
I
Steve Allen 1963
F#-7~5
F-6
E-7~5
A7~9
I * C:; 0 I frnU1 fJ I
416
HELLO YOUNG LOVERS /~
lA1
I'~IH
F Hel Be Don't
EbA7
Eb6
Eb
f- r 10
J
are, star, do,
lov - ers who - ev - er you lov - ers and fol - low your lov - ers what - ev - er you
young young young
brave cry
p F I r" p J I J
I r"
F
Eb
Eb6
J
I
I
hope brave cry
be
don't
B~7sus4 B~71; ~6 I ~I'~&'I'~IJ~J.~J~)lsJ~J~~~t_~~J§~~~~~~~1I1 F-7
L
in in
I've been I've been
I'
love love
1m
like like
you _ _ __
B~7
~I!II
J I know how
it
I
B~:"7
Ab6
J
JJ I F J J I j have wings on your heels,
j feels
street
in
a
trance _ _ _ __
C-7
chance that you'll
I'
meet,
( FI and you
~I!j,
ir own
down
C7~9
meet
not
street
rea1- Iy
by
a
love of
own _ _ _ __
my
C+7
r
like
I ro yours,
on
B~7
F-7
J IJ J J I
~
a
( F D.C.aJCoda
LA
rJ.
-
a
F Don't
chance
A~6
~I!I! J J J I J J J I've had
r
fly
B~7
F-7
D~7111 1,
r
I hr
You
F-7
I ~
r
I
G7~9
D-7~5
tr
I
down the
fly
and to
to
r r r I've had
a
of
Bb7~9
F-7
I
I've had
I J F hF my love
a
I~F F iF love of
my
Pr own _ _ __
~
*
II
I I I I I I I
• •
431
BEER BARREL POLKA
Brown/Timm 1939
C
G+7
D-7
C
ro J r Ip r Ip IFF * J I a,a J Fir 2·
1* F J * fJ I J a *
lm
J G7
G7
0-7
G7
1_ J *Ia J£J J:lJ I "-
C
I'D-7
"r I r
Roll Zing!
C7
, I* ~"
out Boom!
I* ~
out
the
F
r JI
good song of
C7
F
all
here
e
e
11.
FIT· F
e
I j J IJ J I
j
we'll have ring out
a a
r §r
F
bar-reI
of
C7
I
I
e
e
II
fun _ _
F
r
1-"
bar-rel,
F
Fir F SF 1'('" I~"
F:
we've got
B~
1 2·F7
I
the bar-reI, Ta - ra- reI,
I r IF I F
Roll
r r Ir F
r
I
IzJ
F
I-F IF Fr I ~ V'
I aFE rII
'!
G7 C
F J
I r FFFir'
90
C/E
JiJ I aJiHla :lJ J I
L,l
a,a I
B~6
I" I
cheer,...---_
j
the
blues on
B o7
J F r I F'
now's the time to
0-
roll
the
barreI,--
A7
G7
I
ElF ( the
run _ _
07
F/C
I
0-
for the
gang's
C
I*~ .. I "iF Jj I J, lJ, II jjJQJ I J, pJ II Jj tJ I J ;d· )JI
I* ~
Fine
G7
.
CGC
C7
nnJ I J JlJ $1 JJ J IT I r'
C7/E F
IF I r'
.
.
C7/G F/A CIB~ Bo C7
JI a J a JI J i - _ Back to C Chorus
I
432
THE HAPPY WANDERER B~
J
I j ,J 1 J
I~ ~I, J J I J. I~ ~b
JI
Eb
IJ J. ;/1
Bb
I~ ii, "_
LA J. ,pI
F7
___
I) *J.
Bb
L
Bb F7
HELENA POLKA· F
;t FFrrl FErri rJJJI J.
I~j
Bb
1
Bb
Bb _u
I IJJJJ I e
---
;1 JJJJi J
~J JJJ 1 9 1
F7
*rJJ I ..
I *r JJ 1 ,J J 1 F r
CLARINET POLKA
i].
I I I
11.
C7
Bb
F7
I~il' J J I JJ~JII ..
111 •
I
rr
I r J I J J I J J 1"0"_
e
I_a j I ,
I r J.;Ii E JI r J JJ I -
,f
Eb
Bb
F7
Bb F7
J I J J I J J 1"0"_
I r J. Jl
e
1j j I ~
JI j j
a j I ill.
J I r J I J.
I
F7
Bb
F7
,,_
B~
F7
1
9
r[
I~ • * j ] n EHi IFF F Ei I F E1 E bil u J J I 1* £J JJ cF aI r r t tr I r t; rr E:il'~ ; ~ I ~7 FA JJ jJ I _ I~ HjJ r I Frr rr rr r I J @ liJJ JI Jp1 JJ j3 I HjJ r 1_ G
I~ I~
D7
rr Er r rr r I J D7
G
~2.
G
C7
j
D7
C7
F ~
J iF F F F f I f b
b-
r:r [j cF [J I ie EffF r I r £Hll F
G
IT
Erl I r·
@ IF
r I F[pair] I rr r *11-
433
LIECHTENSTEINER POLKA C7
/ F
F
11 .
"
.
., ,
12-
.,
I
F
I
I
1m B~
F7
O-A+
F
C+7
C7
I
I
I
C7
F
07
I~ ~ J FI iF' r I [pr r I
G
F
C
G7
C G
0- G7
07
G
G7
C7
ore I rFir JI Jn JI JJJ JI J. JI J,JJir I "
I
, PENNSYVANIA POLKA
I~~
~
F
C7
Fr * r I J J * J IJ J J J I.. 1* J J J IF r I r J. I I I~ ~ r r * r Ir r * r I J r J J I 1* J J ztpr I r J. I J. J I I~~ ; F * r I J j * J I J J J J I.. 1* J J J 1FT I ~ F" I I I~ ! FIf F" I W r I r F' I r J J J I J J * J I r J I J~. I" I e
C7
,
C+
F
C7
e
e
B~
C7
F
Fo
C7
F
TOO FAT POLKA G7
ct
C
G7
0-7
G7
C
I~ F f rrrr IrrFJI JJJJI I JJJJ I I JJJJ I I rrrrIrr r J I e
F
C
07 .
C 07
e
II
11.C
C
F
0-7
I~ JJJJI e I JJh I rr r *1 rr rrTf r I j JJ J FJI J tiJ JJI J JJ
I~J7JJIJ J IJ~j~ G-
w; JJljYr I~ I~r -IF C7
F
j
IJ7Ia. *11
F.
C+
F
1~5 j lllJrE I" IB - I r F IJ J I" IF -Ill uJIJJ F 1"- r "(!.7
0-
0-
Yo
F
rr
07
07 C7
F
I~ 5Xc - IT fFfj' r JI ..- IT - I J Jrtr r c I J t r FJ I e I e I" ]
Yo II
I
434
J
HOOP-DEE-DOO
De1ugg/Loesser 1950
I If ~bb i r \J I I ~ J ,3 I I* FqJ Fir F J J I J J ~J J I I I E~ If ~~" i J cl I" I ~ J ~J I" I ~ J J J IFF r IJ I r ~ ~J fia I I Eb
Bb7
a
a
Hoop- dee - doo,
Hoo~dee-
n
Hoop- dee- doo,
doo,
I bear a
Hoop- dee- doo,
pol-lea and my
this kind of
trou-bles are through_
mus-ic is like
bea- yen
me _ _
to
f ~"1. ~ F \J I a I* J #3 I a I* F \J F I ~7 F\J F I~: I" I II If ~bb J J J J IFF r I cl J J J IFF r I * r iF I F IF FFI J I
Hoop - dee - doo,
Hoop - dee- doo,
it's got me
E~
Hand me down my
If ~I!I,
E~
soup and fish,
bigh- er than a
C7
I am gon- na
F-7
kite.
.. Bb7
Hoop - dee - doo - in' it to -
get my wish
A~
.
A~
I FJ J J II ~I'I,~ J J I J J IF! lid J I J J J ijJ I ..
" night.
When Jere's a
E~71B~
Bo
E~7
al- ways
will_
rah - ta dah-dab - dab. I get
B~7
If ~I,,,~ J J J 3 I ~ I j I
play- in'
tronrbone
-
thrill,_
B~7
~7
J
J I J J I J J IF! /) J J I
-
wien thi,s a
con - cer
E~
Bk
E~7
a
1I
ti - na
-
stretch - in'
~
out a
J
~
f Y~I J J J ijJ I J J J J I I 'I f ~\~ J J J J IF! /) J J I a I F Jl J J I J J F F I.. t If ~bl,~ Ka I F 0bJ J I J J IF' /) J J I J ijJ J ~J I i J ~J I I ~bl,~ J - a J I .. I J J J J I mile,
ways
smile,
'cause that's my
II
style.
When there's
A~7
.
a
fid- dIe in the
D~
.
D~/C
y
mid-dIe and he
oplays
the tune so
sweet,
D~lBb~1A~ D~
play
the tune so
A~
sweet that I could
die.
B~7
F7
Y
Lead
Eb7
me to the
floor and
Ab
B~7
.
me yell for
bear
E~
If ~I'I,~ J ,J J J I.. I j F' Ej!11 r doo - in' kind of
.. I Bb7 I, ~ 'I, F
guy.
• .
E~ D
D~
C7
IF F IF I F \J I,J
do - in'
it
with
~
all
of
my
might,
C7
gon - na
.
l I_a
stop me from
F-7
D.C. aJ Coda
I:t*
A~
.
snow
may
IT come.
E~
IF I r IF r F I" doo - in'
it
JI
q
I J J J J IFF
hoop - dee - 2·
hoop - dee-
.
B~7
r-
a
J I J J I iJ ~ J
rain may fall and
F-7
I, ~bl, J J J J IFF r I ~ noth - ings
r Ir
more 'cause I'm
to -
night.
I"
1
--~-
-
441
COME BACK TO SORRENTO C-
1~;bH
·•
n jJ JJI JJ.
F-
C-
It iJ iJ J) Ir r-
Emesto De Curtis 1935
A~
C-
HEC;; I; J. G7 C C F G7 C I~ ;I'b 'J Ii JJ JJ I. I i~\ , Ei j JJ JI J J. I t iJ jJ JJI J ADG7 • C C F I~ J. ;dJ jJ I J J. ltD JJ jJ I e · I r ~ JJ JJI J ~. E7 ACG7 C I~r prrFrlr F IU T rEErl; J. I' iHd HI .. C DG C FCG CI~ aF J Irr- I'tG r· .pI JJ. IJI,J r liT' Pr IIF r ~ I IF"
A~
7
II
7
II
II
442
,I
I
!.
I@
ARRIVEDERCA ROMA G
C-
f r'
Il
G
G
Fir
AI - ri AI - ri -
ve - der - ci ve - der - ci
Ro-rna, Ro-rna.-.--
B7
C
good - bye, good - bye to it's time for us to
D7
J.
Rascal/Sigman 1954
A7
mil-lion mootrlit pla- ces, ci - ty of a bells for my re - tum-ing, keep my lov-er's
one of all the flame of love keeps
fa- ces far from
Rome_ part,
Ci- ty of a savethewedling
D7
J JI J J J J J JI
FE ~ J AI
home.
)2.
07
-
bum- ing in her
heart.
C-7
F7" 1B~ 3-,
II
1958
G- G-(A7) 3
m1"- Ir *
F7
G-
II
Fl.
II
B~ G-
I
J J J r J I.. I - I •
G7~9 C-7 G7~9 C-7 F7~9 B~ r _ r J, U E I I r r I F J I J C-7 F7 3
_
G
VOLARE
I' ~k
·1
mil-lion warm em - bra - ces, where I found the arms out- stretched and yearn- ing, please be sure t h e -
J J I J J r FIe'
;J1
J)
G B~7 A-7 07
1"0 7 C- 07
I~ I J.
l
J J I J J J J J J I J.
II'
E7/B A-
FI J We IJ. J I r J I ;J. J lOki J J ~ ~ ~ I I
J l
I I
G-7 G-63
nA+7 ~3-, r;-3--,
I D-7
A-7~5
Q1
A-7~5
Q1
G-
@-
B~7
~
A~7
D~
1'~1r J nlraFrJ~lrYrr;Jlw IT n11~lJml~lJpnlli I • F7 G7~9 , 2.B~ G7~9 .. B~ G-' C-7 F7 B~ GC-7 F7 B~ I I
O.C. 1.2. aJ Coda
IF * * FIJ.
plfrlr H r I;' p¥rl"
I I
TARANTELLA
IA1 A DAE7 A~ I~~ f P r ~f PIE !IE DIF HEFIE IF ~IE PC ~Ir H pi •
f
E7
A-
~ A-
1A-
D-
A-
D-
. D-
,
A-.
D-
A-
E7
-~
A-
I
A-
l,rvEfFlf ~wlELfFlrrlr H'Fr lfuCJ:;l'r
c
,mft:-
A
-II :
443
AHMARIE
f;,- D7 07 CFCF-6 1~ ~1'Id~1' lEU I rJ r 1r ~ 1r- 1F rJ [j I Q 1 U ~ I J. I
go
.
07
C-
Ab7
~ 2. C
I1. C-
07
F-
I~~'" J I;J n 1fJ LIJ ~ ILJ.J !p n :j~ * j). C
1* r F I
07
.1~ 1\1 F' Ir J F I J. U a J I J J F 1F F a I d. I~· I r I r r 1 C
0-
1~ Fj 1J J J IFF Fir Fr I J l U r FI r- Ir J r Ii 13 Fr 1 A7
D-
nr
I~ En I EFE I Fe- IT
F-6
C
D7
C
07
Ir FIr- IF J r Il U FE I t;r Jr ~ I
MARIA ELENA D-7
C
G7
I~ 'P Et li h all PErri J. G+
&07
C
I~~P ailE" pijlF" $inlr ~ 2.E7
.
.1 ~ bp rr FJ , r a I.J C6
1~ C- b
D7
n 1J.
a IF:" G7
11.
G7
G+
C
I tF'H ElF I r J I J. p10 IJ. D-7
J IJ
G7
F
F-
F-
C
I r'
Ir
JI
C
IP Fir pu I r DE 'F IF' C
1
C
a IF' p[jlr pElr
.,p 6 1r' '- tJ I r.
~ ~~.
A-
Barce1ata/Russell 1933
I r-
r
I
OSOLEMIO
Btr ~ fj uJ.,pa aIB;7 j ii J aJ'1 J, 10 1J J aJI: J itr Ja~ " I~ B~7 EI>. B~7 EI> F- B~7!§1E1> B~7 I~VI' d Jj I r' '-J J I J. J I JJ, IH FE I r r I-r nr 4.. Iq rr I
1
•
•
I!
I~~I'~ 7J1J'u JJ IE~ 11' r I~~ 1+ J E,.I~
1* JJ JIBtrffr JJ JI~ I - I
, 444
ANEMA E CORE
I~ l!l
A-7
09
F, F' J1JJ I J J'B I J (1) B~07 A-7 07
G6
1* I
B-7 B~07
GI:J.7
Salve D'Esposlto 1950
1J.
e_
A7
A7~9
GI:J.7
FI F' )JJ3 1J
A-7
01:J.7
iE 1 ~
JA -7 07
07
11'0 7
A-7
r I r' 0#07
]i);: ..-3-,
J~ I) JJJ I
B-7~5
E7
e
IT"
•
J ~T.J 1•
E-7
,-3-,
•
JH 1
,j
B-7~5
II
Tn I I r I r n p1 I~' Et rTf I At ( I ~r,7 F7r I GF~7 Ji~7J I ~71jJ 110;. 1 II :
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MY LOVE FORGIVE ME
•
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451
DANNY BOY
Fred Weatherly 1913
C
C7
F
F-
CIE
A -7
I~ I! :f- J 0I J. J3 J J J JI J ) J {-J J J I J. JJ J J Oh Dan- ny But when ye
call - ing~ from glen to dy - ing, if I am
boy, the pipes the pipes are come, and all the flow'rs are
0-7
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C
side, be,
the sum-mer's ye'll come and
.
C7
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07
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glen, and down the moun- laindead, as dead I well may
F-
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• • • • • • •• "• -• ••
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C
I~ J
II
But come ye And I shall
A-
A-/G
r'
p
when though
CIE
,.G7
J J 3 j I J_J J J
val - ley's grave will
hushed and white with warm - er, sweet - er
C/G . A-
F-IAb
it's here I'll for you will
C/G
A-7
or and
F
r r
F" p be bend
in and
0-7
sun - shine tell me
G7
when all
or in that you
C so.
to
me.
oh and
boy, sleep
Dan - ny I shall
I you
Dan - ny boy, peace un - til
oh, in
love come
WHEN IRISH EYES ARE SHINING C
J When When
In
I~j
I - rish I - rish
the when
eyes are hearts are
smil- ing hap - py,__
C
F
r
lilt
"I
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I - rish
of - rish
fA' r I r-
J . F
eyes
sure it's all the
;,.
are
smil
laugh - ter
A7
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j ing,
iU sure
j I they
you
can
07
j bear
J I Jr 1 Spring. gay,
G7
I J J I J~ J sing_ the an - gels
07
G7
J
r I heartr F your
steal
C
mom in bright and
A+
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BaD/Oleot 1912
r
J
like a world seems
F I J J I ,J J I C
When
F
f J J I J J I J L I] J J I J
I~J F9 and
C7
FI
r
you
dow, me,
the my
F#o7
I~ f J J_J J 3 J I J J J J J J J J sha love
JI
J J_J J J -
C7
3I
snow, be,
C
dow, me,
mea in the sum - mer's soft you tread a - bove
07
CIE
you must go and I must say an Av - e there for
It'syou, It s and kneel and
p J J J JI f
r'
back hear,
F
fall- mg, ly - ing,
F
C
J J J
!J'
bide. me.
I~
gone and all the ros-es find the place where I am
C
r -I F' I r * II a
way
I. . . . . . . . . . . . . .----------~------~-------------~
452
I' I'
MY WILD BUSH ROSE &-
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Is this the
lit- tle girl I get to be a lit- tle boy a ring a- round her
When did she
Now is the Place the gold
car beau bride fin
11.
FI FJ
I don't re - mem - ber grow - ing Was - n't it yes - ter - day when Un - der the ca - no - py I soon the full cir - cle will have
C-
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they come
were
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sun- set. sun- set.
B~d7
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when
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side
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11.
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blos- som- ing la - den with
r- I'r'
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days,-,_ years._ _
r I r-
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c-
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~2.
D7~9
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0 - vcr night to fol-Iow - ing an-
G-
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gaze,-
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sun- rise.sun- rise.-
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G-
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D7
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lit - tle boy at play?_ _ grow to be so tall?_ _ lit - tle girl a bride?_ _ wine and break the glass,_
@
A-7~5
swift -' ly_ swift - Iy_
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~~~~~
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see
small. _ _ _ __ pass._ _ _ __
to
A-7~5
r
old
D+
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c-
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Mr
D7~9
- ried? Is this the - ty? When did he - groom? Now is the - ger, share the sweet
G7
12.
455
SUNRISE SUNSET
hap - pi- ness and
II
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HAVA NAGILAH D7
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461
HAWAII.AN WEDDING SONG 1926
C G7
I~ n j
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G7
is the
G7
mo-ment
C
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Co
f'
ring- ing.
I've wait- ed
D7
JIr
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This
is the
I~ J J I J J J J C
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IT
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Now that we
I~
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are
II
J JI J J
wed - ding
C A7
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Here and
G7
IT
I j J r~ I all my love I
now dear,
C
IJ J J J
nev-er,
J J ,J I ]1 J I
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I will love you long- er than for - ev- er.
G7
clouds won't hide the
SUD.
D9
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our
J J J J JI
I will love you long- er than for-
G9
I J. r r r r I r¥
this
nev-er.
J
C
D7
A7
I J IJ J Fir' J. I F 'F J I F r F J I
one,
G7
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soon bells will be
Co
r I IT r I J J
j
D7
F
sing-ing,
C
J i J I pl J ~ I Co
D7
J I J J I J J f]3 I
j
hear my heart
C
pro- mise me that you will leave me
C7
I can
A-7
of sweet A - 10 - ha.
mo- ment,
IJ J JJ J J
vow dear,
I~ J
I IT
C E7
JIJ
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for,
pronrise me that you will leave me
r
G7
G7
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ev-er,
C
J IJ J I J J J Ij
j
This
C C7
day.
do
I J. J you love
Blue
of Ha - wai - i smile on
skies
A7
D7
J I with
G7
C
r r
all
I'
my
II
heart
GODFATHER (SPEAK SOFTLY LOVE)
I~ ~I!I'
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462
ANNIVERSARY SONG F#-7
- J. J.
1
F#-7~5
A-7 ;;:z
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F#-7
J IE
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for the she a that our
A-7
J
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Glo
r r r I r r r I r F' Ip I held you so
FI-7~5
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in your lin - gered tercd by
D7
eyes_ on_ time_
beat-ing were
sing-ing a
B7
Tell me
I
D-7
I~ J
mur-mur-ing
low "my
E-
darl- ing I
j
may
J J
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this
G-7
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is
real
C7
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this be the
May
J F
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dance
1
P1
an-them to
fJ J
Ruben 1941
D
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an - ni- ver- sa- ry
mance, an
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dream come
E-7
mil-lions of
years, to
A+7
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lis - ten
FI
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the
D7
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An - ni - ver- sa- ry
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true _ _
D7
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a
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G7
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you _ _
~r J. Ji 1 J J 1 J J. Ji 1 J J. Ji 1 J r· our fu - ture
G7
J I J. I
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Waltz with
D-7
r1 r
ro -
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D.C•• Fine
so."
D-7
An - ni - ver- sa- ry
the
F6
A-7
•
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love you
C6
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G7
Tell me
I'
J
FI
charms, two
hymn to your
FI-7~5
C6
Cb.7
•
Could
r I F r r I r rIII I r
an- gels were
~
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THE ANNIVERSARY WALTZ
J J1J
we. ex the we'd
J I J J. J' I J Fir J J I J J I J. I J t I
j .
hearts gcnt-ly
F' IFF
E-
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wed, skies.dawn.lime,-
B7
were thel'Cdancethe unal- -
A-7
arms,
close in my
B7
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E7~9
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nighL...-..- we were starsin the bos- - som- ing mo- - ment sub -
F'-7~5
that but is
few new Jove
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D7
Dear as I
C9
J I r' I F J J I J I J J J I J~J J F though a wordwas - n't saidour true love
1
vowed cept sun find
on the there were in - to that sweet
C#-7~5
E-7
F7
Chaplin/Jolson 1946
E-7
tLJ IE J 1 J.
1
Oh-:-:-- how we danced world was in bloom,night- seemed to fade webut re - live-
The The Could
1,-
B7
• •
Waltz with
;::
f"
tears.
I
you _ _
• • • •I
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WEDDING MARCH (Recessional)
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BAIL TO THE CIDEF C
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THE MEXICAN HAT DANCE
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CmCKEN DANCE
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I
Gerlach/Burke 1949
B~
I~~!. I \J J I You're the
r (lp I r
D7
r JlI r
end of the rain-bow, my
JIr J I
pot
0'
B~
@
gold, you're
C9
I~ ~~ J J II J J I r J I j J I J r I r hold. A
,
I~~!.
prc-cious
gem is
B~
r rIp I r
spi-rit of
F'
Chris~mas,
a
I~ ~II J J J I sug- ar, you're
r r J I,A
JlI my
star on
B~
Bbo
r
the
tree, you're the
J IJJ J I
spice, you're
ev- 'ry- thing
jl
dad-dy's
Bas- ter
fJ I r J I J ,J I • Ii~tle
F7
JI J
bright and
G- D 7 G-
#J JI r J I
D7
D7
r'
r Ir
what you are, you're mom-my's
D7
G-
girl to
have and
I
rIr
\J JII
I
shin-ing
star. You're the
D7
r r J I J J ,J I J
bun-ny to
mom-my and
G-
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nice, and you're
dad-dy's
Ii t - tie
r ( r Ir ~
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J Ir
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me, you're
B~
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girl.
I I I
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467
THOSE WERE THE DAYS Gene Raskin
IAJ
A-6
A-
1'"
A-7
A-6
0- 0-6
A
r F J E Er J I P J. *';til J J J
(
Once up- on a time there was a tav - em, Then the bu - sy years went rush- ing by us, Just to-night I stood be- fore the ta- vern, Through the door there came fam - i-liar laugh- ter,
I
[§] Ij
we'd for
0-
F FJ> I
nev-er end,
we'd sing and
a
day,
we'd live the
E7
r r
for we
were
young
and
life we
-
chose,
J I"J 3 J .3
we'd
F7
to
have
,J
la la lao
those were the
E7·
days,
oh
"E
way.
our
U
IF [5(T
and
neV - er lose,
A-
J J J 3 J I J- ,ll
la la la
fight
>
sure
dance for-
A-
It J J J J I J I' J J J I J J J I j J J eve- er and
3 J I J. '-I
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do. say me? same,
G
I J J J-LJ J
we thought they'd
days, my friend,
Those were the
G7
smile at one- an - oth - er and we'd was that lone - Iy fel- low real- ly in our hearts the dreams are til] the
A-
rr
re-
B
J.,!f)1 J I' mem-ber Er howF Jwe laughed Err J I P and dreamed of the great things that we would a - way the hOQrs, if by chance I'd see you in the ta - vern, in the glass I saw a strange re - flcc- tion, oh my friends we're old- er but no wis - er,
*' ;)1
j
where we used to raise a glass or two, lost our star - ry no- tions on the way, be, noth- ing seemed the way it used to saw your face and heard you call my name,
we
A-6
A-7
D-
J J JI
SJ
yes, those were
r; IF fJJ
La la la
la
la lao
A-
.3 Ie J the
-
-
days.
RUSSIAN DANCE
07
G
I iN 0 I bE Cj J
.m C
tJ 07
C
t I G r hr r r 07
I UU I r hr d
C F~
d
r~
468
LA VIE EN ROSE C
I~ Il ro ~ i
J J
CA7
JI
0-7
r
I~
pJJj JI
C6
J J J I J.
J
ro ;}l
fast, the mag - ic spell you bras, il me par - Ie tout
Hold me close and hold me Quand il me prend dans ses
G7
r
J JI
J! J J
When you kiss me hea- ven sighs, and tho' I close my D me dit des mots d'a - mour, des mots de tous les
When you press me to your D est en - tIe dans mon
F6
is La Vie En bas. Je vois La Vie en
cast. this
0-7
Vie en ca m'fait quel-que
A7~9
CIE
J j JI
J
l
A-7
D9
G7
~ I •
;J
world a - part, a world where 105- es de bon - heur dont je con - nais la
coeur u - ne part
F-6
C
Rose. cho - se.
see
C7
I
Rose. Rose.
J. ;;t; J @J J I
eyes I jours. D
~ I•
;J
G7
J ] IJ
a
heart, I'm in
0-7 G7
J JJJ I
;;t;
C
3J
j
Louiguy!DaVid1950
I I
F II
bloom,
cause. G7~9
D-7
I~ ~ F P ~ F piP FpJ IPEp P Fpl PEp F F sing from a- bove, lui, dans Ia vie.
and when you speak, an - gels C' est lue pour moe, moe pour
C
I~ r-
p
~
JJI
3
;J
Give your heart and soul to Et des que je l'a
-
CA7
r·
I..
Jl
ev- 'ry day words seem to tum in - to love songs. D me l'a dit, I's ju - re pour Ia vie - e.
C6
J
J
J
0-7
]
G7
J l
me and life will al - ways a - lors je sens en
cois
J
C6
,.
r
be La Vie En moi mon coeur qui
II
Rose. bat
LIMBO ROCK F
J J
II
Ev - 'ry First you Get your
I~~
r
E1 EJ
Lim - bo boy and girl, spread your lim - bo feet, - self a lim - bo girl,
r Ef EJ r 1do the lim - bo rock, an- kle, lim - bo knee, lim- bo moon a - bove
I~~ -
C7
J JI J
r r IF U Er ~derlim
J JI J
flu
J
,-
Pu
J 1- J J I J
nU
J gon - na lim - bo there's a
B~
F
C7
- bo stick,
F
all a- round the lim - bo world, then you move to lim - bo beat, give that chick a lim - bo whirl,
J I - F F IFF F?5tr F I
all a - round the lim - bo clock. bend back like the lim - bo tree. you will fall in lim - bo love
F
Jack go
r 1-
C7
Jackbe
fun.bo, Jack
F
B~
be quick,
F
J 1- J J I J .ttn J I
all a - round the lim - boclock,
I I
hey,let's do the lim - bo rock.
• • • • •
I'~~ I
J
469
CIELITO LINDO
,
Bb
Eo
J F F nev - er for
I'll I
thought to
Bo
F7
Bb
F7 1
re
Eo
J J Jil J F F - get her the night that I
- sist her but
Bb
F7
J J ;
1
F7
J WI J J IJ.II J J J 1 J J IJ J
,J
tars were play - ing:----heart say sur - ren - der.
and stars then with
a a
bove were sigh so
J J JI love·s in the we said good-
say - ing. ten - der.
Bb
F7
Ii air bye
and my a to
I'~b~
head was
B'*
Bb
r
r
I
F I
Ay. Ay.
Ay. Ay.
Bb
Ay. Ay.
c-
J.
J.
I
brought tho'
such we've
I'~'! J
fr
* II
was was
hea - yen, hea - yen,
F7
II
When is
C-7
I ;j -
J
J I J J J I and but
bliss part.
my life some - day
was I
Bb
F7
a - gain _ __
r
F I F
night night
hea - yen - Iy a drift-ed
I -J
,1....... - plete
r
r-
r rr
F7
r
splen - der_ _
Bb
That That
J
of
P7
Ay. Ay.
J
IloP7
F I F j•
know
we· II
meet
I r·
r
a - gain
GUANTANAMARA
[8]
I'"
Eb
night
C-7
one still
com
1
I
sway - ing. _ __
Bo
J J J I J
so
I
thou - sand guiI heard my
met her a kissed her when
fin - a1 - ly
F F J
1
E-7
A7
D
G
A7
F U U* 1- aU I J J)B~I
I!
Guan- ta-na-me- ra
~
A7
1"1 J
1
D
gua-ji-ra
D
G
I' I, J fJ
G
fj JI J
ra
aJ ~
gua- ji-ra
0
nJ
Guan-ta-na-me
~ G
I
J !!J J JI J
-
ra
Yo soy un
G
I - 1 J J JI J
cre- ce la pal-rna
Yo soy un
P.-3
A7
I' " J J ~ 'j J J3 I J E pal- rna
Guan- ta-na- me- fa.
A7
A7
Yan- tes de
-
nn~ 'I
mo- rir- me quie
-
ro
D !
A7
I - q JJ I
£)
De don-de
J J J It} a)11 de don- de
A7
j
r
G
nn~I-
1
J J1
1
hom-bre sin-ce-ro
A7
r
G
Guan- ta-na- me -
hom-bre sin-ce-ro
G
D
ere
G
-
ce la
A7
JI J J J J I J - I
E- char- mis
ver- 50S del al
-
rna
470·
THAT'S AMORE
I
Wanen/Brooks 1953
I~~
~
F-
F-
rI [;t + tr li 1~Cr1
I!
In
Na-po - li,
II: F
When the When the
moon stars
hits make
C7
0-7
rJ
I J.
I J.
mo - re, mo- reo
C7
r r
r
F
r
bad cloud
too at
I~
F
I" F
mu~h
wine,
0-
C7
Cod 1 v-a
when boy meets
king,
where love is
F
C7
I~~
B~
girl,
I,n
I! (" I)'" I sing..._
here's what they
I F
F F C7
r
big piz- za
eye like a drool just like
your you
F I
wben When
C7
r
F world dance
the you
pas- ta
seems down
pie, zool,
fa -
that's that's
O-
C7
F
F
r
shine street
like with
to the
aa-
o-
F you've a
F
F F I F j ..., IJ>
It
S""
-
a
that's
your
mo - re
Bo
F
r
j
r
Bells
will
I
Fl o7
C7
J I I I I I I
I 0C7 I 0-7 C7 C7 I~~l I t J r I F OOlrOOu Jrlrrri l
e:::t• e:::t• I . Fe:::t· D • .I
F
ring, ting - a- ling - a - ling, ting - a- ling - a -
hearts will
play,
tip - py tip - py
F
rf I. F
j
ling, and you'll
sing vee - ta
bel-IA,-a,_ __
tay, like a .:....----
tay, tip - py tip - py
............
~7
F
PI. F p? 17P? T - r.-f- -
r r ij:I F
gay ta- ran -
A7
I r I E~7'1l D7 0I~~ J I.). I * r r I F r r F F I I F F F I F . Bo Bo C7 r F IF r F I r r F I r~ 17,.. I Bo C7 Or F IF r F IF r YI f r ( 1=' II I I I~~
r
I -'
1*-
j
I*
tel - 1a
>w<
feet,
you
When
I Js
F
you're
J
love_
in
5
walk
in
dream
a
but
you
lcnow
you're
not
B~-6
dream - ing
see,
back
in
sig
-
old
no
Na - po
re,, _ __
- Ii,
that's
scuz - za
a
-
mo
-
me,
re: _ _ _ __
but
you
485
CHRISTMAS SONG
Mel Torme 1946
I':
I'~I!II
e,A7
F-7
A~A7
G-7
r rEF 1 I J J J,pl
J
B~-7
9 A7
r
:l
A~A7 D-7~507~9"
97
3 J I J.
J J
nose. bright, two.
Chest- nuts roast- ing on an op- en fIre, Jack Frost nip- ping at your help to make the sea- son knows a tur- key and some mis- tie toe so, I'm of - fer- ing this sim-ple phrase to kids from one to nine- ty
A~6
C-7
..-3-,
41
A~-7
A-7~5D7~91·GA7
@A7
I
I
I
0~7
I
G~A7
._
Al-
-
B~7
\..
I
,
Yule- tide car- oIs be- ing _sung by a choir and folks dressed up as es- ki - mos. Ey.'ry- bo-dy ti - ny tots, - with their - 'eyes all a- -glow, will
t,
1'~lltt7J fJ Ft B;I fmd
it hard to sleep
B~7
to - night.
@7
I, ~IIII ~F r r r E FE J I
They know that
A~A7
F 7sus4
I
I,
J J JJ J
PI.
rein - deer
@A7
r
EJ I F J Chri§.mas.
times. ma-ny ways. "Mefory
..
l I
rI J
I'll be bome Christ - mas eve
E:; I F J
Mer-ry Christ- mas.
Mefory Christ- mas
'J.
D-7
I
Please
D-7~5
• \
,~
II
C
:l I J. andJImisJ. bave snow F
I2.D-7
If
07
IJ
gleams,...,_ _
-
- I r rl r I'll
J I ~r·
you
o 75US4
J I r-
FIFF
tie - toe.
amd pre- sents
F-6
be bome
E-7~S
A7
-
mas,
JI to
e
II
you."
Kent/Gannon/Ram 1943
J:
rI
u:
07
0-7
on
the tree_
D-7
IJ JIF for Christ
siad ma- ny
can COWlt on me: _ _ __ the love - light
where
A-7
to see if
E-7~S A7 1' . D-7
I J.
will find me:...._ __
spy,
B~7sus4 @6
96
(j I F J
for Cbrist- mas... , _ _ __
hH JI
A~-6
C-7
though it's been
B~7sus4
c
j
I J r. - g J J JI
@6
07
@A7
is gon - na
I'LL BE HOME FOR CHRISTMAS D-7
he's load-ed
IF .£1 J ~J I
And
B~75US4
96
way,
D~7
D.C.B1CodB
'1
fly.
real-Iy know how to
J C1
ta's on his
moth- er's child
B~7
F-7 s::ra ~~ I J
D7
-
r"',J j JJ I i()
F7 ,-3---,
San
A~7
lots of toys and good-ies on his sleigh, and ey.'ry
Jl J JI
~~7 ;; F3' I A;~7
J J JI
r
if on- ly
07
-
G 7sus4 G7
C
Iv F I in my
II I" dreams _ __ it
• •
486 HAVE YOURSELF A MERRY LITTLE CHRISTMAS Marten/Blane 1944
A-7
C
1~llf J J J
D-7
r I is 3J
Have your- self a Have your- self a Through the years we
11.
I'
B-7~S
0-7
r
trou - bles will
FIl7
I~
r
Here we
are
A7
rI
J JI J J J 12·B-7~S
D-7 07
_r
I
e e sightl.-_ __
D-7 07
C
FJ- I
s,07
A-7
D-7
ri"
r
r
I
II
I
CIl7
I
of
B7~9
e yore,
0-7
G7
r r r
faith - fuI friends who are
star up- on the high- est bougpIhr-._ _
and have
yo~self
a
mer-ry lit-de Christ-mas now_ _
WlDTE CHRISTMAS F/C
rID-rID..0-7
CA7
D-7
B/C CA7
I J J #J J I dream- ing dream- ing
G 7sus4
of of
C CIl7
a
0-7
I IJ J. I
n
white white
a
A~7 G7
Chris~mas,
FA7
G7
where the may your
0-7
glis- ten and mer-ry and
F-6
B~7
07
snow_ _
chil- dren
I
r
brightL,-._ _
CIl7
G+7
ones I used to Christ-mas card I
CIl7
lis - ten
C# o7 D-7
to
hear
A7
all your
sleigh bens
G7
Christ- mas- es be
'" 1 mowr--writ~e._
D7
1 J J JJ I in the
C
J JIJ J 1 J, )44 1 and may
CIl7
r rI F r r J I
j
just like the with ev- 'ry
Christ-mas, 11.F -
C7
Irv1ng Berlin 1942
1~ J J J 1 J J 1 J J J: J' J 1 J 'J J 1e
I~
G-7
Osus4 G7
;F1 I E2J
r
C1
from now on, our from now on, our hang a shin-ing
E7
E r -i .J
r rI
J J
I
e
A-7".
trou - bIes will be far a - way_ __
E-7
F-6
F#-7~S
I~
A7
E7
be out of
F F
C
mer- ry lit- de Christ- mas, let your heart be light, mer-ry lit-de christ-mas, make the yul~tide gay, all will be to - geth - er, if the fates al - low,
r -i J J 1
E
07sus4
e_.._-&
white.
II
487
RUDOLPH THE RED-NOSED REINDEER
Johnny Marks 1949
C
1~llf JI J
Ru - dolph the red - nosed All of the oth - er Then how the rein - deer
G7
D-7
0-7
I~
C7
OlD
I~ J J
one
r r
nose
bright,
guide my
won't you
sleigh
e say,
r:r1'~" -
J , j
r
C#o7
C
0-7
07
F F
F
so
G7
San - ta came to
eve,
A-7
G#o7
G
your
with
0-7
Christ - mas
fog - gy
join in an - y reindeer you'llgo down in his- to-
, J J J J ,
j
J
Ru - dolph
o
glows.
C
Then
games. ry.
JUJJ,
you would ev-en say it
J
II
nose, names, glee,
C
. G+7
j J
F
Ii
had a ve - ry shi - ny used to laugh and call him as they shout - ed out with
11'0- 7
G7
saw it, Ru- dolph rein- deer,
and if you ev - er they nev - er let poor Ru- dolph the red-nosed
J.
rein - deer, rain - deer loved him
r , J J.
I~ f J J) J C
J
J5 J F
to
'-"
night
SANTA CLAUS IS COMING TO TOWN Coots/Gillespie 1934
I~
Jf
JJ
You He's
C
C7
C
A-7
•
I~
Claus
0-7
A-7
II
0-7
is
C
G7
C
J J J com - in' FA7
J
r
you're
r F IF F I~ knows you've
been
j
sleep - ing.
,
GA7
town
;.
F6
G-7
r
F
G#o7
F F F bad or good,
C1
so be
knows
,
bet-ter not pout I'm gon-na find out who's
G7
I'-J
e
he
F
C7
F-
, J1 a a a I PJJ
bet - ter not cry, check- ing it twice,
to
07
if
I
,
C7
F F F sees you when
F-
a J.l, Sr r
bet- ter watch out, you mak- ing a list and
I~ J a J J San - ta
F
He's
C7
r
when
A-7
F
*
F F you're a
07
r
good for
I
tell- in' you why, naugb-ty and nice,
Jj
,)
j
~
F II
He
F
J.
0-7
J I j F good- ness sake.
F
wake,
he
G7
* Oh,J.
D.C.BlFine
J) I you
489
Sleigh Ride (page 2)
If I
Gt.7
J J pass
.
I
fI
G#o
J J J J
I
per - feet the the a - round
be
I
J
J
A -7
GIB
A#o
J J J J J I J J J. Ji 1 J sing- ing the songs we near-Iy be like a
C#-7
fI
r IF
Bl17
Rr
B7
rF
11.
watch the chest - nuts
a
I~I F F J J J I;
feet kin
~y,
a
... J we'll J
be
BIF# I
J J i J J. Ji 1 fi - re- place while we
A7
J JJ fa JiJ I
J Ives,
~~~
J 01; "J F J ; 1 J F r r I
things are the things we re - mem- ber all thru our
lives.
SILVER BELLS C
II
it - 'II
pie,
at the
Pop! Pop! Pop! There's a
D~~
J.
E-7
F J J
pop,
these won- der- ful
stop,
J
07sus4
r *-
1
E-
J:J
love to sing with - out a sin- gle pic- ture print by Cur - ri - er and
F#7
J
- *- *-
per pump
a the
of and
end - ing cof - fee
F
C7
Uvingston 1950
F
07
G7
ofW WEjI; W r;lrJJlaOlr Cit - y Strings of
side- walks, bu- sy ev-en
side- walks, dressed in stop lights, blink a
stree~lights,
C
C
l2J
J. J) I J J£±J feel - ing of home with their
I~
F
r
Christ - mas. trea - sures.
Chi - dren
j
smile af - ter San - ta's big
and and
on a
-
laugh - ing, peo- pIe snow crunch, see the
-
ev 'ry bove • all
F
L
U
Sil - ver bells, Ring - a - ling,
I
•
street this
cor - ner . bus - tie
-
bells, ring
ver them
G7
the
cit - y.
r you you
I
C
G7
r-
1-·
I
hear. hear.
07
F it's
F Christ
soon
it
-
r
mas will
C
121 I r J_ LJ. in
pass - ing, meet- ing kids· bunch, this is
G7
J
f
sil hear
C
time
J
·G7
C
I~ W J
J
r ] • I F J ;J I J J
smile, scene,
air there's a shop- pers rush
C7
I J
Hear the
07
J J
hoI - i-day style, in the bright red and green, as the
_2 _
be
Christ -
I r' F day. mas
I
r
f
II
490
WINTER WONDERLAND Bernard/Sm1th 1934
Eo7
E±! I J Sleigh bells Gone a La - ter
B~7
F-7
I: t~ d'l, P::
I! F
ring, way on
I! F
J
I!;PO«
~
PI
r·
r
~ IS
--$
cr
r--,
C
Ll I J
lane, snow is stay is the sit by the
B~7
F9
I ;d. ;3:::j :1'1 ; . ; J.
4
?J
we're hap- py to-night, as we go a - long, the plans that we made,
beau- ti - ful sight, sings a love song face un - a - fraid
r·
EiJI
you list- 'nin'? in the the blue- bird, here to we'll con - spi - re, as we
0-7
B~7
F-7
J.
~ I•
'I
glist- 'nin', new bird, fi - re, 11.
-
j
r
j
.
a he to
•
J I EiJ :
Eb B~7.
=IW·
4
sus
walk-in' in a win-ter wo&der - land. Gone a Fme
I
I t~~IZI,@)~.~zg~l~t~~~~§t~=I~~~~t~~~~1~t~1 ~ ~ ~ J. 3 'EiJ ~J. ~ E2l 'r J. J. 3 'EiJ ij~' j E1 ,8 : can a man, prepar-son I .9 D7
12
p.-
0
D7
0
0
D7
G
-
In the meadow we
B~
I~~!.k J. J
r::
build
B~
F7
snow-
C7
r r I r:
J. a [II F
tend that he is
then
F-7
F7
J. j [J J. QI
man, but you can do the job when you're in
he'll say""areyoumaI'l'-ied," we'll say ""no
brown,
town."
LET IT SNOW
B~7
atM.
Lat- er
~e/Calm
I
1954
I Jl I~~ - *J J f Ed r J J I. J J J I J. J) J. -\1 J J JI I Oh, the out - side frightbut the lightso It does- n't show signs of stop- ping, and I brought some com for pop- ping, The fi-re slow-Iy we're still good- bye- ing, dy - ing, and my I 0-7 D-7 07 D7 0-7 OF J J J I J. J e ~ ~ J. J I I~~ r J (jJ -r r r and since we've no place to go, let it snow! let it snow! let it snow! the lights are way down low, I but long you love so, F
C7
A-7
F
is
weath-er
A~o7
C7/0
is
de -
fire
ful,
is
C7
ful,
dear,
i
C7~9
turned as
as
12·F
me
I~~ J J J I J ) J J It
I~~
i.C# o7
C
When we
r
fin- al-ly kiss good
J. -
.~~
~
night, how I
C7 B7B~7A7 D7
J FJ J F I you"ll real- ly
hold
me
8
tight,
IC all
·D":7
07
J J J J I J. J J I stonn, but if hate go- ing out in the
I J J
07
Y the
C
J way
r
home
J9 I I'll
be
0-7
Vwarm.
5T 1
The
JINGLE BELL ROCK
m aAI
C
1~l!f 0
r
07
C6
U
Fin
lin- gle bell, jin- gle bell, lin- gle bell, jin- gle bell,
D-7
j
I~~~B ~7 J I~·
air. What a
I~ 0
07
In r r I ~ 0
jin-gl-in' beat,
be- gun.
has
pI ~GF
right- time
it's the
cJ I r
to
is a
rock the night a-
C
to go glid- in' on a
B~7
C6
pick up your feet,
G7'" C
jin- gle a- round the
... 07
A7
07
r rrrri
IJ
mix and min- gle in a
clock;
G7
one- horse sleigh.
F
Ii
I ~ 0 i] J I ~
i] J I "II
G7
C
0 uri"
snow, ring,
I~I r rr J I ;
J
laugb-ing all the way.
I~ I
.
r rJ.;il1 r· jill-gle all the way,
JI
j
one- horse 0- pen mat - ing spi- rits
J1 r
HI
ride and sing a
C
t
in a
II
that's the jin-gle bell. that's the jin-gle bell rock.
JINGLE BELLS
; '6 JF J J I j ~ n I J F
~ II
J
swell time
that's thejin-gle bell rock.'
Dasb-ing thru the Bells on bob- tails
J JI
pdr
Fin J J I n J J J I
Gid- dy- up, jin-gIe horse,
I~
the jin- gle hop
l ~07 r fl
r p-r U
bright-- time,
C6
rU
F-6
now
j
07
be11- time
CIl7
jin- gle bells ring, jin- gle bell time,
G7
0 I~;
I~ J. EJ I p r p"r C
G7
J J JI~ J J
jin- gle bell swing and jin- gle bells chime in
bush- els of fun, lin gle bell square,
A-7
jin- gle
n
i
snow- in' and blow- in' up dane - in' and pranc- in' in
way,
jin- gle bell rock, jin- gle bell rock,
0-7
I~ J1 J J1 l
lei
J I
j
Db
ct
C6
'· 0-7 G+7 I II f J J J • ~ J .3 f J J I J #3
G7
in the fros- ty
C
491
Booth/Seal 1957
J.S. Pierpont
J.
t
sleigh. bright,
Tr r
j
I
I
o'er the fields we fun it is to
J.
~(; F riFF r I
J
oh what fun it is to ride in a one- horse 0- pen sleigh.
go,
lin-gle bells, jin-gle bells,
J~7
11.07
Fj JFI
*I
what
sleigh-ing song to- night.
IFF F'P I rFF COr
j- F F j I,{
rj
F
rr J I
one- horse
0- pen
G a
sleigh.
II
492
CHRISTMAS TIME IS HERE Vince Guaraldi/Lee Mendelson 1966
A~b.7/C
Fb.7/C
J J
A~b.7/C
Fb.7/C
I L tr IT I ( tr IT I EJ r I!q ~~~~~~~~~~~~~~II EJ r ~7fll Fb.7 ~7·n IAI Fb.7 B~-7 II .. .. I EJ r' J1 I J I r J J. E ;j• r' J1 I J ~~~~~~~~~~~~~~~OOll I!~f B-7~5
Christ - mas - time Snow - flakes in Christ - mas time
is the is
here, air, here,
hap - pi - ness and cheer, car - ols ev - 'ry - where, fam- 'lies draw - ing near,
time for all that old - en times and oh that we could
-$-I'FA9 . ~"A9: oJ,A7 Ql.7' '1~~~~i~J~J~.~~l~il~i1~J§J~:~J~ij~J~JjJ~J§.§~~[j~-~J~p~lr~~'§ A-7
Aj,..7 G-7
C 7sus4
ll
chil- dIen call their fa"" 'rite time of year. an- cient rhymes of love and dreams to al- ways see such spi- rit thru the year.
I!~
D~b.7
E8 beau - ty
A V
Gb7. n
Fb.7
rio
J pI I
Eb7 D9
in
a
J
6
I
I
6
I
I _
II
II JJ.,,£LJ II
G+
G-7
J pI (f J ~ I
the air,
C9
r'
yule - tide light, a fi- re- side and joy- ful mem- 'ries
ev - 'ry - where, I
Sleigh bells
share.
II
there.
17\
I I!~ r tIE'II
Ap/Dp
Fs
Ap/Bp
~:~
F9
II
Nelson/Rollins 1950
o
o
1
Fros - ty Fros - ty Fros - ty
the Snowman, was a jol-Iy, hap- py soul, the snowman is a fair-y tale they say, the snowman was a - live as he could be,
with a he was and the
com- cob pipe and a made of snow, but the chil- dren say he could
_1-
but-ton nose and two eyes madeout of coal. chil- dren know how he laugh and play just
iI
came to life one day. There must have beensome same as you and me. E7~9
mag- ic in that old silk hat they found, for when they placed it on his head he be- gan to dance a - round.
0
Thum-pe-ty, thump, thump, thumpe-ty thump,thump, look at
Fro~ty
go,
ov-erthe hills of snow.
«
501
THE GIRL FROM IPANEMA 07
Ft:..7
I*~ Of J J J J
)1 J J 03 fa I J J J fa 1 n J (B ;1J
Tall and tan and young
and love - ly, the girl a sam- ba,that swings and love - ly, the girl
When she walks,she's like Tall and tan and young
*
.--3--,
1 ~ ,,~
1"FA7
J J-LJ J J- n J :
n
she pass - es, each one she pass - es, each one she pass - es, I smile,
~t:..7
B7
,.---3--,
*
1
her?
.--3--;
J\.:Z.-,
~) ~
it
but each
1 day as she walks to the
I) IJ I,J ~J J J 1 I tell her I EJ, 7
can
r---- 3---,
1-F
I would give my heart
glad - ly.--,- -
7 ' - ' ,---,~
0719
J £n
r rj 1
~'a
.--3:---1
I) F J J J J I J. 1:J
Yes,--,- - - - -
'--1-'
r--- 3 - ,
How.____
1* ~ J. lJ&tJJ. ' J! 1 <'L love
~-7
~j\;)-.lJ. ,. ~Jr I ""..~ 0-7
FA7
J I e FmeI "ahh~
e
l
07
'* 2.
see _ _
sad-Iy_ __
but I watch her so
J
0107
* "ahhL'l'l~ J;
she pass - es goes she pass - es goes but she does - n't
IJ ~J J ~J J J 1~J.
Oh..--,_
from I - pa - ne - rna goes walk- ing, and when so cool and sways so gen-tIe, that when from 1- pa - ne - rna goes walk- ing, and when
0~7
G-7
I!' ~ ~J' J J)-
Jobim/De Moreas 1963
d. qJ
1
she
sea,
~
C719
J J J 1 ~e
j
looks straight a-head not at
II O.C.BlFme
me.
THE SHADOW OF YOUR SMILE
[AI
F#-7
,1*' ,. 3d J J J ~ P The sha - dow of your lit - tie
smile star
Our wist - ful
A-7
11.
1*'
07
dreams
*. _ E-7
1
e
.- *·-r I
and
light
the
IJ JJ j
so did
E7~9
J 3J
C'-7~S
I will be
}'OU
far
Ct:..7
Ir J
Look
Now when I
EJ,7
Ie -
1
0_
member spring.-
07~9
07sus4
J. ,J t U
re - mem - ber - ing!;-_ _
my
F#-7
1
A7
in - to
Fl7~9
J J. J L[4, J
I.
PI
e dawn
E-7/D
lips and
E7sus4
Ot:..7
J 1 ;J. J I
J.
when was
j)
eyes
love
and
~
B7
IJ' J\ J J J J , all the joy that
love can bring,-
06
J J J
the sha - dow
my
JI
of you
e
smile.
-
II
502
WAVE
~ IAI
I," I!~
D -7
G7
D-7
~
...... Z Z
-
..q7
m
~7
or
I' II 4 r
1
FF
2. D-7 G7
I, "
'L
;L
for don't the
A7
[BJ
11'D-7 G7 D-7
U. * I
I-
You can't de -
A-7
I
saw you
first,
nine
the
9A7/G
it
was e -
half
time was
~A7
I' ~"I·t J. ;b J. U Let some - one-One some- one__ Let some - one.-
"
I
B~7 r - - 3--.
3
r J J il 1
start be-liev- ing
S,A7 EA7
'FA7 EA7
him touch you and see what let him find you and watch what and what mag - ic you'll
I 0-7 ~ C7 ~ 'Iz §;
I@ ?Sr'
heart
.. &A7
G-7 S7
FA7
r- br 9~ J I J.
is cold__
E6
D.S.BlRtIe
ter - ni - ty_ __
By
now
we
I I I I
Legrand/Gimbel 1964
F-7
185 J J J 1 e let him hold out his and see in - to your m.,e that deep love to
~ 2FA7@A716JGA7
OA7
hand, heart, you.
0.6.
'I.
't
!
F9
e you, eyes, give,
in
who can look in your with a deep love to
..
r:-- ----.
~3
past three.--
A+7
WATCH WHAT HAPPENS ~6
rm ~ •I ~
.J 3 I IJ
~A7
May- be
D6
just
~A7
I
A I J J ~r r I IF" P r . I Eiff I ~r' p r ITt IFOI.
F IF
your eyes net
J 13 L,u
C91B~ r . - - 3-----,
G-7/C r--3
B~9/A~
~lAJ
I
l-
B7
two can dream a dream to-getb-er.
when-ev-er
When
,
I.
r: P r LTL (i~a r ~re I 'I Er * P r n I
:;--r F rF I i r IF :f I.J
when
A=7
th'it's a love-Iy way to be,-,_ _ try to fight the ris- ing sea, wave is on its way to be_,_ _
Pl7
g~7
D-7
~
.
I E ~r F i P r f I ' 9
)i
0-6
E7
Ii-ness goes 1
n=r ~
B~o7
DA7
your heart a-lone- was meant to see, the fun- da-men~allonethe stars a-hove,-- anddon't fightme, don't be a- fraicLof lov - ing me.~,;:===---_
a- ware of things don't fight the moon, just catch the wave,
B-7
Jobim 1967
SO close your eyes, You can't de - ny, By now we know,
.
I~"
I I
haP-Pins,
~
F~6
§J) j
,/
hap-~ns.
Cold--
F~3-'
..--3-,
I ~ J J §J J J
a - fraid,---
E6
;0 I can't believeyour 1
F-7 IZII
to be bro- ken a - gain__
D6
~A7 B~7
I' ~~I, see,J. letJ Isome\J J ~ J ~ilJ. ! 1\J J Jl J ~1il.e one give his heart.-- some - one who cares like me
~
:111 • D.S. BI Coda
" II
D.S. BI Coda
MEDITATION F#-7~5
C6
B 7~9
lone - Ii- ness,___ far a- way,___ wait for y o u - - -
&07
E-7
CIE
A7
need your are back else can
E-7
of you hold - ing me sad - ness that miss - ing you
B~7
FA7
,
.. I rYes,,_-
J J J JJ
gone and I'm all on - Iy to close sun falls from out
by my- self my eyes of the sky,
B~7"
F-7
J
j near brings,
lone - Ii - ness soon gone and this heart
makes my soon is
~-73
dis - ap - pear. of mine sings
&07 3
~~ ~
love you So
and
A 7~9
and the and the me-di-
just think of yOIu.-1J- just close myeyes,.-.- will wait for yOIu-1J- -
I I I
0-7
~ ~
r I gF Fr I r- r I FE r r r 1 aE r r r I "
... B~7
JA
A7~9
~=t--,
I
J
n " I j. JI ~TJ J I J Yll
ca-ress,___ to stay,___ I do?___
NT] I
J I~ though
when you're I have 'til the
0-7
I~ J f1-., J ;£11 J1 r ~ J I ~. and I and you for what
0-7
I J
IfOpJIJgJ'3 In__ my Though- you're 1__ will
503
Jobtm/Mendonca 1962
that for me
A~7
all
is
I need
G7~9
G7
I
Ii
I
D.C.aJCoda
know_ _
to
C6
I~ J J 3 J JJJJLJ J J J_J JJJ~IA #.11 ta- ting how sweet
life will be
when you come
bade to me._ __
QUIET NIGHTS (CORCOVADO) Abo -
09/A
'I~ 'J
l I~.)lence J Ai' J ill· J5JJJ. that sur- rounds us. er of
A+7
09
I~ J J J. I ! J ji Ji J streams~
floasi~ on the siun-til the fin- al flick-
to me,
I' J]1JlJ Ji]
Qui - etthoughts and qui - et dreams,
qui-etwalks by qui-
E-7
A~
0-7
ill J ltl;J J I } J Jl J J I Jl J ji~J1 J ~
and a win-dow look
B~9
::
'
gui - tar,
r,7 ji Ji J a~J kJ
ber._ __
life's em -
1
qui - et chords from my hire with you so close
'I'bis is where I want to be. G~7.n FA7
et
G-7
J! Ji J Ji-1to stars, J. I'J)J>J
Qui - et nights of qui - et
.J z.F-7
Jobbn 1963
- ing on
tile moun -
E-7
taiDS and the sea,
A-7
how love - ly.
'0-7
It' F~rJ ~ J J I J. AJ I HpJ J J ) I J. E l l d fJ ,
I who
was lost and
G7~9
•
lone-ly.---
E-7
I~ )J ::r,~J ill.. I jc*e.hive
10ilnt with;O:
A+7
j -
~liev-ing
life was
0-7
on - ly
G9
I H.p fJ
3J I
a bit- tel' tra- gic
G7~9
3J I JJ ~li-'* a
the mean-ing of ex - ist-encc,
,
J)~I
my love.
C B~C
I I
~
l
504
ONCE I LOVED C+7
FA7
I-P r Jl Once, _ __ Then _ _
I&~
A -7
*1
world to me. _ __ love a-gain .._ __
&~
J
",,8
I
JI
~ )) ,3
(J7
~
\
~
I lJ
it'd
let you go_
Ab7 111
Ii
ill
be-cause
ot;J1j
I will hold
tj ~
love is the
J J J=J JiJ
be-cause
love is the
A 7~9
1* J.
We I
J I ;.
both are fell your
lost tears
~
thing
when
it
IJ.
Don't Come
rain. _ __
15
0-7~5
B-7'
I~ I,d.
j be
your
will
be
F6
a - fraid, one, lit - tle
E~
J ~J I've
--_· B A-6 ,
you've
r-
I
I
~ 1.
e
I
7
j.
for a - while. _ __ will be
C7
F6
1
a got
1J
m.~e_ _ wann
~r'
IF- J
hand me
for your in the
~2.A-7
*,
(J-7
07
e
E-7~5
B7~9
be
1
cheek, they are
on my
fall
J. £1. love sweet,
A-7
D7
J
goes a- way_ _
I I
Luis Bonfa 1967
E7
fJl J
rain. _ __
will love
a-
as they
II
1
J. J J I J. J J lone in the world, walk with
FI-7~5
F6
1& ~u
and
II
I
it
J) J ~J~ J. Jl j.J.u
j
I
sad- dest
B-7~5
J
you clOS:
0-6
GENTLE RAIN A-6
I
)1--
thing- when
sad- dest
(J-7
r - 3- , r-3~
I
•
f}1 I~
(J 7
Ei3~
goes a-way, _ _
,
l
¥]3-]
I_J
you stay,
I
OA7
A -
1
at the though I was fool-ish and that no mat - ter what ev - er be-
B~A7
:;;;;;;p
J.)1 l
Fro rTF
U rull
I cried.--Iknow, _ __
07~9
love, it was the came and brought me
E-7~5
PF l 1 ..
good - bye. _ _ __
I J l J ;J I
A -6
i~
say
F7
make
!
n
10
gave so much love to this in - fi - nite sad-ness you
EbA7
Once_Now _ _
r;a· J.
CA7
I&~
r
~---=-----
proud and let you falls, I'll nev - er
and I from my
B~7
II
11.OA7
(Jt o7
!f'~ ' §'~ I Fer r-'_[I I A I re- 'e- -ee
Ii
P-7
fP J 1 J.
1
I
Joblm/Gtlbert 1965
(J-7
I loved.-,_ _ _ one day"____
A-7/(J
A 7~9
Fl o7
C7
JJ~
)1 •
in the gen- tIe like the gen - tIe
.
I
A 7~9
~d!:11
world,
(J-7
and our
C7
IJ j J J 3
I
1 -
e sad,
like the gen - tie
E-7
A-
I
E7
~1&~A~§IJ~j~J~J~J~I~u~I§J~E~r~r~r~'~i~1~1§11 rain, _ __
like
the
gen - tIe
rain.-,_ __
like
the
gen - tle
rain.-,_ _-
I
m
I'~I'
t.8J
¥
Il
505
ONE NOTE SAMBA
Jobim/Mendonca 1961
D~7
D-7
B7'n
C-7
J ;il~ J J JJ)J ill Ji J. q JlI J J J N
This is So I
just a lit - tle sam my fIrst come back to
ba, note.
D~7
in
Oth- er I will
built up - on a sin - gle note. as I must come back to you.
B7 tn
C-7
J) J J)];P J. ¥J ;PIJ JS)J J)IJ 1'~lr
P-7
,
low note
to fol that one
notes are bound pour in - to
-
se - quence show
I, ~b J J J Jl J )1J J1 J [eJ E~7
I,
jl'
(
of the Re, Mi.
D~7
D-7
bound
to
be
C ~E
the
un
-
D~7
I have used up all thescaIes I
!j!fJ })
n,
Do
B~6
B7' 1l
J J J I J J J oil J P
jl
-
a - ble
con - se - quence
D~A7 J I j. Jl
talk and talk and talk and just say
of
- I
you.
'fiJ J I J Jl ~
no-thing
or near-ly
no-thing.
C-7~S B7. 11
BA7
know and
1)1.6
so I
BA7
C7
I'~' r " p I r Up r p?q r P r fInd him- self
with no
LITT~E
I
rm
as
been through.
C-7
a - void
A~7
one we've just Fa, Sol, La,
G~7
He will
A~7
-$-
fEE r §" I ~1:U 3 ~J i J J
There's so ma-ny peo-ple who can
tA~7
Now this A - ny
p- 1-, r F 'IF plF EJ>
the con the whole
F PI
!j
that note. for you.
root is still love I feel
E~A7
B~7
u'"),
new one is one who wants
but the all the
q ;ill
r~
I'r
show, bet- ter play
-
tJ-p r the note
you
know.
BOAT (0 BARQUlNHO) Menescal/Kaye 1962
A~A7
D-7
lJ)d J)~r UldHr JoJ IJJJJJJjJJ
,07
E-7
I .- I') 'F p I J.
.>
A~
}1
D~
J J J J I ~r r-p r p I J.
G~
J)
J J J J I la.
I
-
506 I~~
HOW INSENSATIVE 0-
Il
I J n JJF;'I
II
Ob o 7
C-6
I J n}F ;. I J }.J }I PIF ~lJ J] •
II
How_ in- sen - sa-tive-e_ _ Now_ she's gone a-way _ _
B-7~5
Job1m 1963
I must have seemed,,_ _ when she told me that sheloved and I'm a - lone with the mem-'ry of her last :@A7 E-7~5
BbA7
I; ~ J. Ii l U.J. III .. U f LiM ibl.. U a Ii J II me. look.
How___ un-moved and coldu-__ Vague and drawn and sad,__
A 7~9
I I
j
I
'lIS )1 •
I must have seemed I see it still,
when she all her
B-7~S
I Ii ~ P IzJl;J1 J II j. Jt,J I J. J) II" I J fJ ) J J) I I BbA7 C-9 0-7 G+7 I I;~ J i).p J }I J. J I J 11_)) J J)j J j J. obi I F7 B-7 A7 0I;~ JfJ.pJ ~I.. IJ J 1M J£j iJi to I )d JiJiJ ifj. Jjjlj - I I PRETTY WORLD (SA MARINA) I 'lAJ G G7C , / / 07/C / / / B/ / 07 I~'f' fJ -0 iJ J J I J J:3 fJ S I J J J J-0 Lio I C / /07sus _~02.. ~ G C ,,2.G7 G I A-7 E7 G I J I J) J Jl J. pip F 'r InJJjiJ II I 11D7 0-7 07 G7 - I I I] I" ~) J Ii J fJ I !
0-
~
L
Ob7. 11
C-7
F7
L
II
told me so heart-break in
sin- cere that last
Why _ __
- ly_ __ look.,_ _
she must she must
How_ __
have have
ask,~ed.--, ask,~ed.--,
__ __
A7~9
E-7~5
II
did I could I
just just
and and
turllturIl-
stare in i stare in i
E7~9
was I was I
to say, to do,
what can what can
cy si cy si
lence? lence
Wbcu..at _ _ t __ WhiCU-a
E-7~S
you say,_ when this love one do,_ when a love
-
II
-
4
af-fair af- fair
/
is ov is ov
-
er?_ _ er? _ _
1.
P
D.C.aJCoda
""",-",,,it:
..
G
E-7
A-7
07
G
E-7
A-7
07
G
I" J. in )IF iJijJJ4f j) J. hi F fJ J 3J Jle
C
I
I
507
SO NICE (SUMMER SAMBA)
Valle/Gimbel 1965
F
B~
I~; e~ sr.-- J J a ~J J I J one to hold me tight, Some- one to cling to me,
-
ry
would be ve nice. some lit - tIe sam - ba song. t
E-7~5 A 7~9
0-7
some- one to love some- one to sing
Bb6
Some - one to un - der- stand Some - one to take my heart
each lit - tIe dream then give her heart
of me, to me, 1 1•
m a I * F 3D IIF COJ I
to be a team give love a start
G 13
G-7 II
life would be so nice.-
So nice,_ Oh yes..-
with me. with me.
JI
me right, to me
D7~9
A-7
I~~ ~i1 j fE J I ~i J H som&one to take me hand, som&one who's read - y to
nice, or wrong,
Bba7
Eb7
Bb-7
ry
tliat would be ve stay with me right
E7
rJJJd
J La d J I
j
that would be so
G-7
Ob7
C9
I' ; J EiF ;U lOki J J "J J ~J I J J J J FJ J Qb11 a - ~ if one day I'd
/2. G-7
I';
II
I
fina..d_ _ some-one who would
C7~9
F
Ii
j
nice,_ __
should
B~9
;J J ; J
I't J..
A~07
) IJ
I
ga
it be you and me,
o A-
G-7
;J
a I
ga
could see it" would
,J..;
Jl
1
j ..
)
F
I 1>J
ltJJ llJ ,fUn I
• •
I~ *'M 1J. j\JlJ i..
I J.
B~
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J E-7~S
A7~9
2.
I'JJJJLlJ J. nil j\JjjjJ11 J LJ. F
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C
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CIE
nice_
, J 3U 1J. J) J: 1:4 J3JJI
~
...
- II
II
B-7~5
G7
, J;3 J II J. 0#07
be
I
Jobim 1958
C7
J) I J FJ_J J
Bb
F6
GRANDE AMOR
" 0-7
0-7
with me.
take my hand and sanrba thru life
B-7~5
Im:_"___ u E7
A-
I J. ]J fa fJ 4
II
E7
I ..
-
-----
I 508
TRISTE Bb
Bbb.7
Jobim
B7
@b.7
Bb
Bbb.7
II
I~~III! r ln J ~I J 41Jd pi " I" I r 'n J ~ I J ibJ J8 • is to
Sad
~tude,
live in sol -
G7~9
C-7
C-7/Bb
A-7
07
Bb
Bbb.7
97
Bb-7
Bb
I~~b H rip J pi J ibJ JlI " I" I; pep j pI Ij
~ty
Your
F-7
I~ ~II .. I
Bb7
is an ae - ro-plane,
so highmy
Ab7
9b.7 _
I
II
1
C7
C-7
It~ ;1, ~&
I; A-
/
'i
heartcan'1bear
G-7
/
on
-
Bb-7 ~7
F7
lJ
Iy to cause me pain,
Yo
Yo
_u
Yo
_'0:
BLACK ORPHEUS (A DAY IN THE LIFE) B-7~SE7~9 A- B-7~SE7~9 A0-7 G7 Cb.7
day
thestrain,
~J J Jj) I J FJ_J) J J2 I b II LA en _v sad is to live in sol - i - t u d e _ _ _ _ _ _ _ _
f F n I J. In I..
0-7
il_tP J JU
j
0-7
pass by,
in the life
G7
I J r JI r
of a
fooL-,
Cb.7
Fb.7
a
n I j.
sad and a
long
B-7~S
nI
lon~ ly
I
Bbb.7
Ej j Jl J 12 I ; ijJ ~kJ J I J fJ ~ J a heart that stops when you-
A
G~71F
G-7
I" I r ,J5)1 J Jl I ~ J JlJ J iO d j J j11 J P I
Ij
(~ J
tran-quil at - ti-tude,
far fromyour
I I
I _
Luis Bonfa 1959
e
I EJ 1) iJll I
day
I walk the
E7~9
Cl o7
A-
A7~9
B-7~5E7
1LlJ· JII I I~J·JlJJJ 'JlJ JIJ.Ji.llj 1JiJ I J.JlJ I; ';);3 a - ve- nue.--- and hope I ron.in - to_ the weI-come sight of com- ing my way_ I AAA 0-7 I I~ r· n I J. in I ... I J r J. I ~r· r JI J. JJ I" I J * J I yo~
B-7~SE7~9
B-7~S E7~9
stop just a - cross from your
0-7 0-7/C eJ
B-7~~7~9
door,
E-7~S
but
A- A-7/G
7~9
you're nev- er B-7~S
Fb.7
there
E7~9
.
back
to my
room.
~LastX A-
IM J * n
·till you
0-7
and there in the
A-7
lirE J F
n
gloom
come back to me, that's the
0-7
I
cry,
A-7
tears
0-7
of good - bye _ _
E-7
A-
I r U F fJ I r EJ F n I" } .. I way it will be, ev- 'ry - day in the life of a fool_-
I I
509
DESAFINADO
Jobim 1959
G7'"
J. J1
nev - er end - ing a raised me to mine the way it
Love is like a Once your kiss - es Tune your heart to
• A-7~5
C7
r'
J. Jj ,3. J ,
light- iog of
the
, !j
I~~
you have changed
B-7
* e. I
I_J
8:
swing.
e
AA7
I~ 5 !l;
I~~ r ;r
•
-...-\
of tune_
E7 AA7 liltc
used to sing,.-._ _
to har - mon - izc.
the bos-sa no
- va ove should
two
B-7
difJ.reot Ld the
E7
Cl o7
CA.7
..J
and so what
D7~9
r "r Iir ir
a song
words don't ev-en rbyme,-
of
lov - ing.
'cause you for-got the
good's a heart that
slight-Iy out of
t J I We're
r "r
bound
G7
to
~r J
I
get in
J I J J J J J J I' J
)
r
tune
tune?
A-7
J J J I J. J a- gain, be - fore
J J I J J J J F rd
your heart be -
longs
C7
to me com - pletc - ly.
F6
1~5l fa I J J J J J J J I J ' l .3 J I J. :P then you
won't be slight- Iy out of tune,_
too
B!,-7
Yo
when
me-Io- dy our
B!,-6
G-7
loog There'll be no De - sa - fi - na - do E~7 G7
\
B-7~S
out
.;1\,; J IIF J ::l J I J .3 JJ LlJ * J I ; J J J I ; J ; J I
A-7~S
I~~ J.
by the
.J Ii J )JJ J
used
hearts would al- ways croon.
siog A~o7
- ted
JI
B~o7
F#-7
oow the soog is
..
love is slight-Iy
A-7
AA7
j
J) #3
J 3 I ,'w, l J J I J. ~J1 J-1J -
,j J>
the tune we
[§]
E7
~
J ~ 'T'
)J
A sym - pho - ny con - duc
but our soog of
moon.
A7~9
~~
B!,-6
~ly
Po - ets have comnow the or - che::.us~ed~to~~be=.===-_~Join with me in
" G;:Z I1.'lf J J JJe
G~
I~ ~ ,£ 1 J J I ~a
I qq Ii J J I
D7~9
;J)
D7~9
~il.~o J I
mel - 0 - d y _ _ fev - er pitch.__
sym - pho - ny._ _ seem so rich. _ _
pared it to a stra - tioo does - o't . har- mo - ny and
D7
Fl J I J.
G-7
youll
sing a -
long with
j
I
II
m~e_ _
I LIKE A LOVER 510 I I IAI Cb.7 G7sus4 Cb.7 D/C I~ ~ J J il J ill J i J~J I ~ J J ." J ." I IJ J J f -oj I ·1 B-7 E-7 I I~ vA ~ J ~ I I Cb.7 G7sus4 GIF r Jl J LD J J 1>; 1>1 J PJ_JJU I Caymmi/Motta 1967 Sergio Mendes
'!f
Like a lov-er the Like a lov- er the Like a lov-er the
mom-ing sun,_ riv - er wind.vel- vet moon-
slow - Iy ris - es and sighs and rip-pies its shares your pil-Iow and
kiss - es you a - wake. fin - gers through your hair. watch - es while you sleep.
up - on your face, a sweet - er place, in its em - brace,
smile is soft and drow - sy you let it play - on yourcbeek it lin - gelS, DeV - er bav-ing known light ar- rives on tip - toe, gent-Iy tak~ing you
Your Up Its
1
Ob, Ob, Ob.
I~
Cb.7
how how how
G 7sus4
-
v9
;~A7
let it be me.
I~~
let
l2J" it
A-7
be
~F"
I~F
me,
days
nights
J )1
jl en
-
vy
a
cup that knows
B7~9 ~
J and
I.
)1
J J
I
E-7
your
be
..
1~J.
bring
love.--
G 7sus4
.J J with out -
an
I.
)1 end
G7
J 1
:;u
you.
F] J I
)
I J JI I
feels your fin- ger- tips.
that
fJ P F ! LJ J ,3 me
your
E-7
J~ F a tab - Ie
to you. to you. to you.
I Cb.7 J J J J- J J li,,-ill PS. I
F-/C
B+7
D71F#
and
mom-ing sun riv - er wind vel - vet moon
might be like the might be like the might be like the
B-7
let
A-/G
I
J i~ my love.
I~ J J J_J J J. end - less
J 0
Yo
B13
n
_
How
I~ J IJ J f J ~ 3 ~. F#-7~S
I I I
dream dream dream
FII'HI
, D/C
v
I I I
I
to
-
I
the
D.C.aJFiM
II
I I I
~
rl
511
THE LOOK OF LOVE
Bacharach/David 1965
A-7
A7
of love of love,
is in it's on
D-
D7
Be mine
F7
Bbil.7
I~' J - H jJ lJ
Bb-
Bbil.7
of love, to - night,
it's say-ing so let this be
Bb6
your smile that time
a look a look
your eyes, your face,
Fil.7
much more than words can ev-er say, the start of so ma- ny nights like this,
A 7sus4
pfl J J) J) J)I J J J iH
D-7
G7
I can bard- ly wait to hold you,
don't ev- er go.
I love you so,
please don't ev-er go,
F6
1- 1 J;ill J J)fJJ ~ I
and what my heart has heard, weJl it takes my breath a- way. let's take a lov - er's vow and seal it with a kiss.
You've got the
DON'T MISUNDERSTAND
,
I~ I
iJ
IAI JJ
f
FA7
B-7IS
r F:F
I
II
Don't mis- un- der- stand,-Don't mis-take my srnile,__ Don't mis-un- defo stand,-
A-7 IS
&A7
rl9
j
r I F' l
Gordon Parks 1955
D719
G7
r I J, ;il J n I
J I - E[ F
we are on - Iy stran - gers, it just means I'm lone - ly, you are no con- cern of mine,
on our way to somc>one else, to love me till this day is past and but in case you're free some>timeand you D7~9
Fil.7
IJ J JJJIl
II
some-place we for -
gOL__
Don't
mis-~
my
then for- get we
ume,__
G-7
•
I~I
e way.
C7alt
I-
In
some seo-ret
D.C. alCoaa
fd Oil
Don't mis- un - der
meL.-t_ _ We're just pass-ing
B-7~5
D-7/C
-
can't dis- guise. can't e - rase.
Bb7'1l
F/A
Ab7' 1l
I J J 3 J 31 J J J. 1>1 J J J J I place, _ __ a yield-ing song one day love the pain ato
. . A-7~5
£:~9
to
C9 C7~9 F Bb-6 Fil.7
G-7
I r r rrl1"r["pl,J r me some-time to hold my hand then I
will
I]
dill
II
d __ un - der- stan.u..
512
CALL ME
[8] Bb~7
Tony Hatch 1965
B!,..7
•I
~1~~~'I~el~~J~J~J~F§I~r'~p~i~i~J~~J~I~*~i~J~d~'~F~P§j~F"~p§,~j~J~I I If
When If
you're feel - ing sad and lone - ly;_ it seems your friends de - sen you,_ you call I'll be right with you,_
Ab~7
there's a ser- vice I there'ssome- bo - dy think you and I should be
can ren - der. - ing of you. to - getb - er,
Gb~7
A!,..7
I~ ~~ q J itil.J pdT' I.} f ] J I q H]l"J P' IT "J ~J J I oJ. Wl J Tell the one who loves I'm the one who'll nev Take this love I long
Gb~7
E!,..7
I can be so warm may-be that's be- cause I'll be at your side
you on - ly, - er hun you, to give you,
I
and ten - der. I love you. for - ev - er.
Gb~7
E!,..7
I I
Call me.-
~7
I~~!. I.J JJ~1J) J I d, ~J I d J J ~LfJ J I ~J, JJl.J IdJJ~l.nJII don't be a-!raid you can call me.-
may-be it's late but just . cal) me.--- tel) me and
I~jl. ~~ /'[+7. j~F+: J J :~~7 p ,FJ J J Ii·707I~~ g C
round.
. Now don't for-
FIne
C-7
F7
I~ ~" J q JJ I r- p J J JI' you.
You got-ta trust me, that's how it
1'1)
be a-
I J J J JI I F7 'I
get me, 'cause if you let me.--
I will ai-ways staywitb
C-7
C-7
r-
F7
n
must be,_
Bb6
I. U ; J JJ I"
I rD.";,·'
there's so much that I can do
I YELLQWDAYS I C7 F6 J I j J 13 3 J J.J J I P r t.a ~ I I Carillo/Bernstein 1965
G-7
ij Jf]lJ. •een re - mem-ber She would hold me, Ufe is emp - ty,
A-7~S
..,
.
the and a and the
G9
D7~9
I
sun - light had a spe - cial kind of bright- ness, smile would spread a - round us so com - plete - ly. sun - light seems so harsh in - stead of ten - dCr, 1.
C9
1
I2.C7
F6
t
days,
0
C-7
B!,..7
Fine
I~~ ) J, q JIr rr won-der,
DOW
,
... u
ye~low
days._ _
F7
I.. I J 'J J J I p r t J1] I ErE FEr Er I
yel - Jow days
B~
A -7~S D7~9
..
laugh - ter has a loy - er s lClno of light-ness, y~ow days, • yel-low . soft- ness of a kiss would lin- ger sweet- ly. laugh-ter's just an ec - ho I re- mem- ber from yel- low
I~ j J
F6
and the and the and the
But then came thUD - der
97
Ab
and I
heard ber say good- bye tbru tears of
D-7~S
G7~9
C7
D.C.al2ndEnd(Fine)
r r r r rI J t ye~low RJ I J n J J I OJ
I'm all ... Iooeand my heart wants to know,
days, where'd you go
t 111
Me is
II
-II
II II • ,~
;
513
DINDI
Jobtm/Gilbert 1965
• Sky,
so vast is the
C~7
1*~I'b
J J
ijr-
they
gio?
3
I
~J where
do
E~~7
sky,
i
h
with
J J J
} J J JI" clouds
a - way
far
wan - der - ing
just
D-9
I-r qJ J J
~J.
J
~J.
know,
don't
know;
I
Oh,
don't
G13
l' J J J I leaves,_
to the
stor - ies
tell - ing
I-r qJ
181
love:_ _
no - one
that
be
J J -
to
long
ijJ.
J
I ~J.
1* ~~"f r'
Din Din Din
Oh, Oh,
know
things that sing - ing can't find
J
-
if like I'd
I see, Din - di, the sea,
I
you
and
me. EJ,7~9
J.
I
~
lieves,
G13
Db~7
J
II
II
be -
D-9
A-9
of
~
r - - 3- - . ,
J J JI 1*~I'1. J. J speaks stor - ies
by,
A-7
r-- 3- - ,
Wind that
D~~7
,-3--,
r-- 3 ---,
E2J J. j>eiJ I
) I the be
on - ly had words I would say all the beau - ti - ful song of the wind in the trees, that's how my heart is run- Ding and sealC&ing for you like a ri - ver that
when you're with me, Din- di, hap - py that would be me, with-out
Oh my when you're you, my
Din - di. with me. Din - di.
E~-6
G-
Fme
G-
C7~9
:;) J J> I hi J) J
• .• F
\
I love you more each
do, .
day, _ _
I rd
let you go
a-
way_
if
you
yes
F-
D~6
,J
J bJ
take
r - - 3- - - ,
me
I
do;
F-7
~J I j with
you.
Don't
you D.S..Fine
I
514
CHEGA DE SAUDADE (NO MORE BLUES) Jobim/Hendricks/cavanaugh 1962
[8]
I~ ~ n{ I~~
D-
D-7/C
r J.
E7~9
E7/B
E-7~5
Ir' f I 1" r I
fit Fir
is
where-
a-long.
D-
D-
.
I pro-mise nomorc:toJ I'll r-'-'
,-3-,
the
the fun - ny
heart is.----
I~~ F '0 E! Foil J f P FIp F I.E right here all
1 1.
F: P Fg HI
no more blues.--no more fears.B~67
~
Home
r Ip [ r'
f
No more blues,- I'm goin' back home,_ no No more tears_ and no more sighs,_ and E-7~5 A 7~9 D- D-7/C B-7~5 E7 A-
roam.
A 7~9
B-7~5
part
is.--,_
my heart's been
r FIp F m r ~ I r FI •
I
say no more good- byes.--
D-7/C
if trav- el
- ons
beck A 7~9
E-7~5
me.---- I
D-
A7
I~ ~ ~ Fm FI P r'p pFPD PN,J· I P ~F p-p F if I'" I - ~ ~II rr:;fwear I'm gon-na re- fuse, I'm gon- na set
~
I~ '1
DA7
B 7/D'
r FI [
Ev -'ry
D o7
1*"
xe
*r
I am far a-way,_
while
D67
ward.
A 7SU54
_
my thoughts
rII r P I
p F 'PTPP
'I
E7
FI7
r r' P- IT goin' back home,_
GA7
was in my home,_-=---
G-7
A7
m
in search of hap
P P F. p- l-r U PE f I" I
hap - pi- ness I found--
~"
Tg H
E-7~5
E7
I
_
trav-elled'round the world
more blues
home- ward,
tum
F o7
F#-7
r
-
for-ev- er hOme>
pi - ness,
A 7~9
DA7
r
J I f J.
town.
No
B~7
B-7
but all my
DA7/CI
B-7
p- I r FI
more
blues.---- I'm
A -7
D7~9
Elf fA. pJ r' FI P F P F EI E C:l~P t ~~ no,
no more dues,_
FI-7
I'm
.B 7
thru with all
my wan_- drin', DOW
.
I'll set-
A 7SU54
E7
1*'11F VPr' l ~FdF'llr t; pA.llpt1n t PHO r FTlpp F n tle down and live my life and build a home and find a wife. When we set-tle down there'll be no more blues,
E-7
A7
r I ~r t]'*'P r DOth - iog but hap - pi - ness, when we
set - tle down there' 11
I
I p ~ r PH EppJ pj I E-7 I r p-r IrlU EI
tle down and there'll be no
IF I PC 'H tit aJ Pr I
day
I J.
E-7
-
I I I
be no
D
pP I ~9'
E-7~5
I~
more blues _ __
A 7~9
516
•.1
GOIN' OUT OF MY HEAD Randazzo 1964
IA1 JJ
C~
f ~J
Well I And I
J J J J J J 3~ IJo J ) I ~J J J J J J J 3d
r
00-
Ij
I F J
ver ver
00-
a A7
r ~r w I IzJ1
/1.
I but
r rrr
I~
head
C
ver
0-
F
I~ E 'PLJ head
I~
day
p
I
r
way
why
F
my
be- ing
my
r
F
3
F
r -
your
should
• keep
shy
~J -
wrong
J 3I
y - thing but that I e -
out
G7
r
F I
of
my
0-7/G
p
I
ro
you,
(JF of my
out
o7
3
Ir
is
us
a
I -
I
r
r
F
there's
no
rea
G 7sus4
G
I
J
I must think of a
or right,
a
3
to
each
'u ria!
f
heart,
U
you you
C
II
•~~
I J
1
night,
D7~9
A-7~5
an know
in'
ver
0-
P
r
r
F
to
-
rrr
CIE
I
of en
-
,-3----,
head,
C
night and day and
in
r-§
of
~l
Go
C·p
I '1 F p.
and night,
[-r
e:
I~ r
p
P-6
OIF#
GID
out
BJ1
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xist
(J F I ('
you,
C
IJ
CA7
ro
ev
want see
D-
9:
0-7/0
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don't
you
07
•
I
And
1m CA7
Iz)1 J JiI I can't think
~F
~. 2.
J
J
you
I I l
so bad - ly, walk past me,
you just
need you
IJ
you you
AbA7
J 0) P
CA7
If .
ver ver
aA7
I J. W I I,J J is I
IzJ
G-7
l
want me, Dlorn - ing,
Bb7
rIr
J
you, you,
G-7
think I'm go- in' out of my head can't ex- plain the tears that I shed
P-7
P6
I$J J
c~
think I'm gerin' out of my head.-- yes I think I'm go- in' out of my head, 'cause I
CA7
I~
c~
9:
G7
I_J
part
J -
son D.C. a!
J J and
II
I
vamp Out at End
1-
C-7
~J
~ •
CA7
J J J J J J_ I J. J J
think I'm go- in' out of my head
yes I
C-7
~J
J J 3 JJ J JI
thinkl'm go- in' out of
my head
CA7
- ~
517
RECADO BOSSA NOVA
DJalma Ferreira 1959
07
A7
1 l J )#U
J'J i§j
E-7~5
G-
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110
0-7
I~~ J JiJ pJJ N 1200 -
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·07
.
J I 3 J ,p J jkotJ sJ !;.t§ ,J hpj
LOOK TO THE SKY .
i. I. ~ li~ 1.(
~
I J q I d JPJ 3lt
IE
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IJ
}J
A7
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A 7~9
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J)
A~7
JSi,-7
jJ\i l LFj\i :rum I. ~J. )u J J 1 ,-3--,
e
Jobim 1967
518 fA)
so MANY STARS G7~9 G-7
FIG
I~ Il Jf J=J J 3 il The
wind.-. is filled with
FA7
Bb13
I~ J.
ji
dIeamsr- so ma- ny songs.-- so ma- ny
CIE
E-
~
Which
of all the
song-
A 7'9 ..--3--, 0-7
I~J J J
lsi
I~
r-JJ J
ob--
so ma- ny
F7' 1l
E-(1.7)
J. j
stars.-- so JDa-ny
E-9
-
G7~9
I~ L..D 3 JI heartsr- so ma-ny
E-9
E+7
a
A7sus4
:J ~
The
stars
A 7~9
g
that I have
A7~9
l!lI
I ~ JI I A-
0-9
J
searched,
so ma-ny eyes,
so IDa-ny
G7~9
FIG
Which one
...------, 3
know?-. Out of
'~
,J
J
to
0-9
choose? Which way G7~9
to
Ii§l ,A J J J j I J J J J I Je..,] J J JI J=JJ 3 JI tell?_ How can I
ev - 'ty star?_
song
I U J J JI LJ J J JI J=JJ J JI
smiles
A
dream for
£3 J I J JiJ J I LD 3JI I
days.-- the end-less nights
El3
mine? One must be mine?
C~I"'-1.""'7'A-=-7su--::s4;-:A~7T.';19--'~r:-2'C~6~F-A-7
JI resH J JI j
lone- the coUD~less
!
which one is which one is
J I J=JJ J il I LJJ 3 il I...
and there are
F#-9
songs,
dreamsr- when there's a songs.-
G 7~9
3
ij I I I E-7 E-7 J ,3 JI J TN n J3 I
dreams,
E-6
L!.J. J I L,D IJJ I
right for me_
Sergio Mendez! Bergman 1967
C7~9 I J=JJ J il I J=J J J il I J J
dawn..- is filled with
I I
oh~
so ma-ny
stars,
so ma-ny
go? C~
II
&
stars _ _
A MAN AND A WOMAN CA7
How can I
Lai!Keller 1966
B7
I~ JJ 'F Ilf rt FF F I rr FF FI'PF J Fr I! EEEF FlEE FF FI'PF J r r I BbA7
E-7
A7
.
OA7"
, !} J::9J I J! JB~7J II' J J J'F I J C~7 I J !7: J II" B~A~ J J 'r ~ I~.. E-7
I-r r' 'p I r- r I r ~r' 'I ~r' J IJ hJ J I.. A7
I~ J t LJ .. 0h.7
E-7
OA7
r )lI,A
0-7
J I J Ji;J
1_
0h.7
n IJ
G7
CA7
J I J J J. ) I
ObA7 CA7
a
La D.C.a1Coda
I ~ J J ~r I
Dbh.7 ~Dh.7
I~ - ~J I J J I JJr F 'cwr Ilcwr Ilr~r'l emF I EfffF IFT j If' t
17\
n
I
ESTATE
G-add9 G-7 C-7
r r r rI
j
F-7
you bathe me in the glow of your car - esses. You tum my tinrid's no's to eag-er Oh howyourgold-en sun-lightbendsthe willow, your blo~somssendtheirpef-fume to my And whenyousleepbe-neath a snow-y cover, I'll keep you in my heart just like a
Bb9
I~ " J JJ
JlI ;
You Oh, then
C#-7~5
i near me,
V
il
C-7
U-cJJ
~
2A-7
D7
Al- ways feel you
sighs. 1. me.
E7~9
B-7
lr r r F:t 'e err Fie r F
m
ev - 'ry
........
if
-
song the mom - ing breeze com -
F7~9 Bb7sus4
F 7sus4
Bb7~9
r-c:=9 Ab 13
9t.9
pos
....
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H
es.
A -7 D 7~6
-.
Ef u:r I J Jj ¥;I J J ~ E E [jJ I"
G-7
f .. "
F#7~9
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.J :J r pIe Ir r f I
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all the ten-der won - ders of the
I~ ~I,
A - 7 D719
Ab7
sweep a - way my sor-rowswithyour who could know you half as well as wait un - til you come a - gain to
Gb.7
A
l ' WJ r r E:J." 9-7
9t.7
't
yes's pil-Iow lov-er,
I~I~
F7~9
F7sus4
J J I J J) I £ J J J Estai, Estai, Estai,
519
Bruno Martino/Brighetti 1986
Ros - es
C-7
Z
z I
II
each
D7
II
II
time the set-ting sun smiles on the
G-7
Iz
Z
C-7
Z
Z
II
I II
I
D.C. a/Fine
sea.
F7
Z
II
Z
~
ONLY TRUST YOUR HEART Benny Carter/Sammy cahn 1964
Ft.7
E-7
B7· 9
J FF F Nev- er trust the
r-c r r
A-7
·1 J J F J
II
I.~~ D-7 . _ Ie
I J J J JI look for hid - den she knowa all the for your dream will
Nev- er trust the Nev- er trust your
signs be- fore you lines, and she knows quick - ly fall a-
D-7
start to sigh___ how to lie _ __
FIC
IJ J J
•
B-7IS
j
r
Just
wait\-_ _ _
for a
E+7
~r
V'
all
bare,
A-
AI.-7 G-7 C7
IJ F F I F you then if
&9
I
I II
paIt__
0
if you'resmart,
real-Iy smart__
on-Iy trust-- your
hearr---:
520
NEVER LET ME GO
LMngston/Evans 1956
FJ J I life would lose its touch, by my flam-ing heart, .
love me much 100 much, if you let me go, Nev - er let me go, at the ve - ry start, all my bridg-es burned world was ov- er - turned
GbA7 r--- 3 ----,
I
@7
l'oF7
I~ ~ 'I.~~ J J J J. op; J JJ ~
there's no place for me with- out you.
what would I be with - out you, you'd nev- er leave me,
-l;
I! ~ '1)~ I
A~7~9
D~-6
I'd be so lost if
you
Fr
Icnow._
You could-n't hurt me,
there's be a thou- sand
hours
Nev-er let me go,_
I~~\@
e
he
There's_ _ It
I~ ~bl.
D~~7
nev- er let me
F-9
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"" e
J1
-
I~ ~I!I! J
tJ
rn I J
G+7
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the use of waves that will use of my won - der- ful
~
""
or the peaks where if you nev er
Q.L.
-
J
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the come
F
D~9
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eve - ning?_ lead me?_ _
with with -
r-
J
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snows, what's what's the
B~7'9 r - 3 - - ,
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in po I jJ tJJ)
break in the cool of the dreams and why would they
eve- ning? need me,
J J JI What is the where would they
E7' 1l
~h
J. J.
out out
you _ _ you,
-
)) it's to
]
J.
I
r=---3----,
win - ter to me,
A~7sus4
J. J. J)
J J J
of a moon-light glow.you will nev er come,-
A~7 ~
3-----
tr Irs
use be
,-3-,
Jobim/GUbert 1966
:::0
-:::::
no may
go, _ __
C7~6
I)
J
would you?_ _
IF YOU NEVER COME TO ME DA7
in the day
J.
Be - cause of one ca - ress my
could you?_
E~A7
I I I I I I I
¥
went a- way,_ _
I
V
Nev- er let me go,
r with - out you
rFj
I II
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r r r r r I (""'( FJ r?
!f
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Ji I llJ l J lJ I ) J~) I [
!f
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7J
I J.
-
....::-=====:-.
nOth ing~:::=:::::''' no - where._ _ _ __
*
•
521
WHERE DO YOU START
Johnny MandellAlan Bergman 1988
IA1 I~ Ibb e F
r_:
r
1~~I'b e
j
F
Where do you Which books are Where do you
B~7
A~A~~
~
F
~~
r FI E r r r E r r rI F F r r I j
start? How do you sep - a - rate the pr&sent from the past? How do you yours? Which tapes and dreams be-long to you and which are mine? our livesare start? Do you al - low your-self a lit- tie time to cry or do you
rrr
he
f r
f I
r r r f I iF
I~ Ibb
C9
r r r
F
J J 3I with bits of rna - ny So And though I
last? that did - n't that in - ter - twine. try. I guess you
J J J J J J J J I'EP~ B~7~9
.. F9
r r r
j
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last, deal with all the things you thought would vine, a of branches like the tan - gled all it good - bye? close your eyes and kiss
G-7
A~-6
A~7
A~6
A~A7
EiM-7
FI
@9
1
........
look a- round and don't know where to start. yes- ter- days we'll have to take a -
mem- 'ries scat- tered here and there. I ba - bits that we'll have to break and don't know where and don't know when, I'll
(JI,A7 ~7
r Which books are
C-7
t
'I:~'" ~zll
C
F7alt
rrr
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iii
r I ETr 'pi part.
One daythcre'll
»A~~ (Ji,-7 B~7sus4
r r r I lr
catchme by SUl'-priseand you'll be
r
'D I (J
there &egain.
• r rFrrrr ric [[.
I~ II'b
F-7
B~13
fmd my- self in love a- gain, I
I~ Ibl.
F 7sus4
..
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B~o7
mo-ment in
A
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D.C.alCoda
p I (£J
r ¥ r r FI
G-9
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B~7sus4 B~7~fi
rr r r rr r r r
to
what might have been. Wberedo you
Cl3
FC
air a-gain
A~A~~
pro- mise there will aI- ways be a
tin- y part, deep in my heart, that
~
be a song or some-thing in the
lit-tie place no one will see, a
~
F
stays in love with
It.....-
you.
F-7~
-
,-E)S
l-i t i l
"
«,
II
~JI
522
SABORAMI
B~7
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A~A7
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DJ aJ In J
n I J J J J J J J J IJ
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n £19 1J.
f! fn~n I
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JEJ tJ B~7
'}fa J J J1 I
E)6
Jl
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LJ
J i).Je_ LUJON
I~
Heruy Mancini 1960
~1[FrJEFFFlpr
PC"
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8=:___
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II
BassUne
D-l
I?'fpf
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I
Composer
,..-------:---r----
~j~2.
t_e =
r I'E
1.
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== =
[§] 0-9 ~3_ I t:
Fine
bA~ ~r-7-'
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D.S. BlFine
II
Samba
535
BRAZIL
Barroso/Russell 1939 Verse
Ab6
aI
II
.-3---,
~ ~!'I!~ J
the Bra- zil that I
Gb7
n I JJ rr
F7
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knew,
Bb-7
where I
Eb7
wan- dered with you _ _
Bb-7
Eb7
I p - I' r p I r" n J.PI '1 r p r I f
I e
IT
n J.PI
Where the songs are pass- ion- ate, and the smile has flash in it,
lives in my im- a- gi - na - tion.
Bb-7
-3~• Ab6
r- 3-"
I .. IJaJlaJal .. I .. IAa Ala j al .. I ..
Bra- z i l , _ -
I
Db7
.-3---,
Bb-7
Eb7
I~ ~I!I!~ 'ED r I f nJ;ibr pEl
Ab
Bb-7 @7
Ab
Bb-7
@7
r" n Jptil Jr J I.. ] j J I J r J I .. ] J J I II
and a kiss hasart in it, for you put your heart in i t , -
and s o -
I
dream_ of
old_
Bra-
~~~ ~ ;:\r r 'p I i\ ~ Uri ~ \~ ~" ~p I ~ Ir J~ ar ~ IB~;r Ir" pI ir 1m 'r t
I
zil,
where hearts were en - ter-tain-ing June. _ _ _ _ _ __
~7
Bb-7
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I. jl,~~ 1,~ !~" ~ ~ I t'r 4t!'r ;b 11-"
1-'" I-F
I~ ~I'b~
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Ir J I We
"I~ ,hi,;
@7~9
Bb-
F7
rn rn rn
kissed
IF I ;r pp
tom- mor- row
Ab
and
~
r
I
clung
to
Gb7
F7.
I FF F
then. _ __
IFF F Me I ~r r Mp r D]
II
the mom- ing found me miles a- way
a
Bb-
r
r
p
p- I
e
IS
6
I~ ~bl,~
r
I-r J r r I
99
I
)1jI..
thrills of our love.
I~ ~I'I,~
Bb-7 Eb7
..
sky a- bove. _ _ _ __
dims the
Bb-7
pJ
II
r
I
F F I F P J pi" I r J I
Bb-7 Eb7
Ab
I'm
I
will_
to
old_
Bra -
cer- tain of. _ __
re
Uke Intrcrhyttwn
I j J I" Ir J I .. I J J II" I" I"
turn_
re- call- ing
Ab
there's one thing
Ab
I
mil-lion things to say. _ _ _ _ _ _ __
I-e F F r IF; J) J pIe P-7
'5
I-e- I-a
I-e-
Ab
when twi-light
"
I ..
geth - er
~9
Now,
~7
F7
II
hr I ~r
with. still
r
I IT -
was a - no- ther day,
F7
F p J Pj
G 7 Gb7 [§) F7
Ab7
r r
IJ J I
II
rIr
and soft-Iy mur-mured "some-day soon."
westoodbe - neath an am- ber moon.
Ab
rn rn
zil. _ __
-
-
- I -
-
~
-----------~=-
I 536
-
QUANDO, QUANDO, QUANDO Renis/Boone 1962
B o7
J J Ir F J
IA1 C-7 F7
Yo
J1f... I",
Yo
B o7
C-7 F7
I~ ~I, J * J J I r F J. i' I '"
Yo
I ...
Yo
I~ ~~ ".. .JT * J J I r F J. When will
Yo
you say yes
U * r r I r r F J I'" i
Yo
ev - 'ry
I~ ~I,
Yo
Yo I.
I
r
Ev - try
E~
I~ ~I, F * F Fir r r I"
~ F-7 B~7 mo - ments a
I
II
I,
Yo
day,
0-7 C7
I"
day seems a lifetime,
Yo
please don't make me wait a - gain_ oh my love please tell me when_ and then dar~ tell me more_
-Jl' F t F r Ir r F I
to
1
eo
B~
Yo
~'--2.-B"'-~- -
Bo7
I
tell me quan-do, quan-do, quan - d o _ tell me quan- do, quan- do, quan - do._ tell me quan-do,quan-do, quan - do_
We can share a love di - vine,,____ You mean hap- pi- ness for m e , - - - Say it's me that you a - dore.-,- - - -
l'·
B~6
IJ ~ F F IF F F Fie
Tell me when will you be mine,____ When will you say yes to me.--,_ _ _ I can't wait a mo-ment more,___
B~~7
B~
Yo
I r *F Fir F F I " let me show you the way
C-7 F7
Yo
F7
B~
B o7
I
D.Soall.
J IF F F I J J I r F J. JlIl F pare._ I__ I F * JI can't * to a joy be-yond comwait a mo - ment II
• • • •
II
SAMBA D'ORPHEU Lu1z Bonfa 1959
__
537
JAZZ SAMBA (So Danco Samba) B~7
r
DD
E~
r
pip
D
B~7
rip r
DD
Jobim/Gtmbal 1963
r pI Dr Dr'
J) I SO
A~7
G-7
J:-J J sam -
dan-ca
j) I }
ba.
so
C-7
C-7
sam - ba.
dan-ca B~-7
dan-ca
sam -
ba.
vai,
S,6
dan-ca
sam -
ba.
J) J No
Bos- sa
~: -
C-7
vail
);
it;
r IOU
Jet from
Ri
0
-
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-$-
D p J
came
F9
to
~
vail
J ~
and
and
I
town.
B~9
p- p J ~! I P rYork
-
I"
F-7
New
EJ,.7
A~6
;b I"
took the
SO
So
A~1>.7
r I r'
- . va
r·
vai, vai, vai,
-$-1" B~9
:>
99
I~ ~I'I' J)'J
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so
JI
j
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1m
F7
J }~J J I J ~l J~ J JlJ.
B~9
F-7
F9
>
straighto
F9
Jd
@
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B~9
So
Hall.
Car- ne- gie
F-7
D.C. a/Fine
S,6
I~~\- ~rlPF PDF plPF PDF" I~j 1)) ~IJ*so
danca
1* &1.
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[al-[ F-
-
so danca
sam - ba,
vai,vai, vai,
F7
-
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_
A-7~5
F7
D7~9
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r r r r I IT
IT I IT IT I r IT I IT
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F7
F7sus4
I*,b ~.I I ,
B~6
1- FaIr [ FaIr FFaIr [- I-
l·
I* ,I,
vai, vai I
.1h..Take Coda on 2nd X V F7 B~1>.7
C-7
1*~I,tti~t; EX- ~1 Bt~ i~6 Fr', •
vai,
I GO TO RIO
IAI
,
sam - ba,
II
'1-n1i
F7sus4
F7
I]K I i
7 "([
EI r [ [ EIr r r F I
*.,..
~2.G7sus4
r
[an
D.C aI Coda 2nd .
C7
C7sus4
r lUI[ em
D.C. Last X go
r en
@7
1-" Fr * - I - I .
C7fUs4
1.-
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toC-7
B~
t
f.\
I J F Jl:; II _e
538
TICO TICO
IAJ
A-
Abreu/Drake
E7/G#
E7/B
J I JI I
1943
A-
n ,a ) hJ I J
ain. Jl a J!!] IJJ I ;I1a ,l1] ,J J I D
1
J iJ
Oh, ~co - to-~tic, oh, ti-co - ti-co-tock, this ti - co - tko,he'sthe cu~koo in my clock, andwhenhe I've got a heavydate a tet-a - tet at eight, so speakoh tko, tell me is it get-ting late? If I'm on
A-IE
D-
I~ ) J P JJ
J]Il
says "cuck-oo'; he means it's time,"cockoo", but if I'm 1 2oE7
I, J
J.J
A-
11.B71F1
B7
E7
fa E !' : J J,) 13 EFEr I .J
J
time to woo, it's ti - co - timefor a11 the 10Y-ers in the late "woo woo" The one my
~
A-
C
J F E F; I J y J hJ I J ] jJ i jJ
heart has gone to may not want to
wait.
For just a
1
a I~ J~
block. I've got a
G7
PI J J ~ J
bird-ie, and a bird-ie that goes
no-where,
U
J I
J
~I •
he knows of
I~ JJJ J j J J JI J 'r r r I FEE J - Jfu J I
•
J DrJ3 1l,JO J J I ; I~ J J J J J JJ J I J 117 J i.J I J] JJ jJ JPI(Y J d Q I • ev- 'ry 10Y-er's lane and how to
go there. For in af - fairs of the hean,
my ti-co's
ter- Ii- bly smart,
he tells me
U
<4
gent-ly, sen- ti-ment-Iy at the
start."
I
Oh Oh
C
hear my lit-tie ti-co ti - co
CIE
F
call-ing,
be-cause the
Flo
I~ J JJ J j J J J I J J 1 r E 7I J ,) J J r r Er I tikme is right and shades of night are
D-7
I~ E E
I love that
fall-ing.
not so cuck-oo cock-oo in the.
G7
F r
J J
J ,3 J
'f
ti - co - ti - co - ti - co - ti - co -
tock!
C/O
r
clock, ti-co-
Jt J J.
II'"
~.
~
~I
.
_
Alo
B-7
B-7.E 7
E7
Fe lH r[j I [c FJL r rf I [011 r rJ I fc rrlr aI (((if Eg I •# .-11I~ I hEfCECt I [EGlUE[ I [crHEFf I [Ufferr I [e[J[EFf I I~'l#
B-7
I~II
"E-7 ~ B-7
.,.E7
A
_
moo I E!tEFPH I J]JJ_I utrmtflbiJJJI i*;J,JJII
# F#7
B-7
D
E!,o
AlE
F#7
B-7
E7
A
A
D.C.BlFme
~--~-~~~-
539
MASQUENADA Jorge Ben/Deane 1963
Yo
A-7 B-/A
f E..J r I nr Pow! Pow! Powf ---."
-t,J
when your
0000.---
tA-7 Ii
B-7~5
Ow! B-7~5
I@ J
eyes meet mine.,_ _ B-7~5
A-
E7~9
--
It's
n
a feel
E7~9
-
that be- gins to~
ing
A-
D-7
Oh, this is
B-7~S
A-
I~-PJ ;b ;b J J] I
d
Hold
B-7~S
I~ Jl t).)1 J. I
E7~9
}1
me,
hold
me,
A-
hea- yen
It's
E7
want you night and
day,
I
000
want you here
000
it's hea-ven when you
A-
D.C..,stendingfigln
to stay_ _ __
Morales 1941
C-7
,.-3--, ,.-3--,
1~~bfJ J r ~l)J Pr I J J r' ;lJd Pr' I ~ I~~b F J J. JlJ).
then
E7~9
.
F7
B~
mad-Iy
J. ;PI J J j I J O.;bJ ~~ I JL I) - I
B~
F7
B-7~S
I F" H F=d
BIMBAMBUM
B~
r prJ
I J)5J )J_} t} ;b I J J J J J J J J I
n
let the mus- ic start.
A-
(rF j B-7~S
A-
til I
D-7
If yourheart is beaHng
E7~9
;, I
Are your. lips
iJ a
that you feelin your heart?
E7~9
me
to
~~
L~' JI;'
<<
C6
.IL
me.
(break) ~
~
Pi] J J Jll
CIl7
I~ l )!.Jl r p t J J :l J J! J iiI I say - ing things
A~
what you do
G7
hold me,
grow and grow and grow in- side
J J J J-LJ. l' J J I J
feel like I'm gon - na ex - plode.
]J J~J'J
-
E7
r"1
A-
J ) J 1> I
I J_J; J;;I l J J j J J I j J J
Ii
~
E7~9
1.
• I
F-7
3
R~7
3
~ ,.-- --, ~ --,
~ Jl J JI,~
F7
"-3~
\
r r r r r I r F5J1J.
E~
r - 3- - ,
r J I J J JJ G-7
C7~9
"--3~ "--3~
IlPrr
F
IJ
-
..-
I
_I
540
MENINA FLOR.
.-
[8]
Eb
C+7
fr
I~ ~I!lzIl F P
F9
PF ;1 J J1 j '-I IloBb7
F-9
GA.?
tJ
-&
Eb
D
I~ ~bl! J. J) J MJ_l3 Jllu F-7
Louis Bonfa. Maria Toledo
I
:ttl
Eb
II;d iJlJl J
&
E-7
J
i
D7
A-7
I~ ~"I' J illJ. I l 3 Il,;I\; Jtj 1m iPJ. I \J ,3 ~J Iptr- \J I
f ~I'I, ~;J
I
lsi
F-9
I~ ~bl' f 'r oJ
..
I ~I'b
Db9
C7
3lJ p-I -
j
I YF
JJj
G-7
B~7
I
e
A -7~S
Jl J
JI 9:
Gb7
f :I- J.
1:
nJ I J20Bb7 Eb J J J l3 M-e e
I:'7
l l J
tl!:3 J. E~7
l l J
l35J.
-
I
2ndxate~
F-7
I d PPJ. IJ - I Eb/G
Ab-7
F-7
JJI
c-
G-7
I J.
DDJ.
IloB~7
I~ ~bl,
I~ ~bl,
t
l J )1 FlJ ;fJ,t)F P l:l3 p-I G~7 2
J J I!: l l J
l
Eb~9
J q~:
THEIR'S TEARS
Claire Fischer
C7· 9
IJ.
J Ab-7~S G7 C6
I~ ~hlz\n
~J
Gb7'1l~2oDb~7 l
Galt7 C7alt
F-
~Jr" P1~J pI r d. I
II
In
• .
551
BESAME MUCHO
Velazquez/Skylar 1941
[8]
D-
G-61A
D-
G-
r-- 3 - - ,
I*~ Il J J J_LU J J J Be - sa- me, Dear-est one,
F F FE
hE
FI
*~ J.
1
~ I pm J
IBI G-
I*~ J
n
G-
an
r-- 3 - - ,
D- G-/D
A7
g~~
say that you' U al - ways be make all my dreams come E~~
69
span- ish
D7
1*1
--0 J
1*1
I
_ Kaempfert/Singleton 1965
eyes,,___
tear- drops are faII- ing pret - ti - est eyes in
fn
J J. ~ I" I r" .
G
J J I J J J.
&11 ..
this is just a - di - os and not good- bye: _ _ please ~mile for me once more be- fore I go, _ _
IJ J J I .. tJ * I I'll re - turn, _ _
j)
J
J;
J J I qJ J J J I
bring-ing you all the
love your heart can
D7
G
IF E r I e:= I-F· F I P si,_ _
*I
from your span- ish eyes, _ _ all of Mex - i - CO'.--,_-
G7
Please__ say sit
D.C. a1 Ftne
e dore."
whis-p'ring ""It's you I a -
* I jJ J ); J J I J
J I _~"IJ ~ I
cIZII
fore,
D7
G
SOOD__
II
" A7
Please._ please don't cry, True,-- span - ish eyes,
1*' '"
*
D-
nev- er knew this thrill be -
• G
..JJ J J I
Fme
true_--
A7~
SPANISH EYES
Bluc-
I_J
(1
mine _ _ __
Dhold- ing you close to me,
0,-
0.-
D-
l;b J J J
my anus en- fold- ing you,
l 1
j much much -
J J JI J J J
who ev-er thought I'd be
I*
sa- me sa- me
be
fa I 69
FrJI J J J
This joy is some>-thing new,
Be-e_----'-:..._
B~7
D-
G-
r FI
vine., _ _ __ through,, _ __
hold me my dar-ling and love me for - ev - er and
n ~t=J J» I
each time I cling to your each lit- tie dream would take
II
D~
D-
J
IJ.
D- A -/C
kiss I hear mus - ic di wing and my life would be
E-7~5 A7~9
Q:1-
I J J
much - 0, _ __ leave m e , - - - -
if you should
G-/F A~,..-----:-3--, 7fE r-3-,
J t
1
be- sa - me
G-(A7)
say
r p
J J I J J J. .pI
you and your span- ish
eyes will wait for
C
..
Ir-
ho),u..d_ _
G Q;
La
me_ __
II
552 I~
BEGIN THE BEGUINE C
C6
Cb.7
Ilf fn ;. 11..~J;1
a
C6
C
it brings back the sound and down by the shore
En
07sus4
r- 11 F C
G7
C-
I~ J_lJ ~I... IJ. J I the Be guine._
Eb7
of mus-ic so ten- der.it an or-chl>stra's play-ing,_ _ and
live it
rI
I@J WJtJJ I " I r-
A-7~5
clutch-es my heart,- and
G
..-3-,
11.G7
C
it brings back a mem-- - o-ry ev-er gree.__ when they be- gin
n
F7
a-gain_
,-3--,
G
I
r F F r· pI IT
F F 'F I
Ab
C
C7
C6
Cb.7
3
What mo-ments di vine, what rap-ture
D-
3
07
F-
3
51>
,,--3---,
r- 3---,
G;sus\---,
I~ J J I J J J l I
know but
too
iJ_'
C6
I guine. play,
r
J ,I
let the till the
F
C6
DI
E-7
3
r-
D
r
A-7
~2.07
I@
El:
LW F F &j..
guine. _ _
C
Db yes
r
D-7~5 ,---3--,
;; what
IJ
j
C6
U I FH ~ I
p I F l LJ t ;fJ I let till
J l I D-7~5
1·07sus4
when they be- ginl-_ _ sud - den-ly know _ __
the Be-
when they be-gin_ _ __
the Be-
oS
G7
C
* I ]73 l I LJ>w guine _ _ _ _ __ __ El:
it ou
G7
hea - ven we're i n , _ _ _
D-7
wast- cd,
07
D;L.3--,
.
C
FE F P I r IJ I
re- main an em - ber, re - tum a - hove you,
sleep like the dead de - sire I on - ly re - mem - ber,-,_ _ whis- per to me once more "Darl- ing, I love you"_"_ and we
!
D-7~5
so don't let them be - gin the Be let them be-gin the Be> guine, make them
love that was once a fire stars that were there be - fore
D-
fill J ~ JI
r---3::::::;::J
idJ F F~ t t U
what they mean.-
r r r r-
.-3~
3
till clouds came a-long to dis-
~ ~3---, .-3---,
C
~3----,
FE I
C
And now when I hearpeo-ple curse the chance that was
G7
well_
;fP I r WI
and pro-mis-ing nev- er,
C6
rene,--=-
I~ ~r' J1 TfJ I J ill q I rB"J F Fit perse the joys we had tast- ed.__
JI
G
,-3===l
I~ d J~J JI a I j. 'Jill fA J I J Jin I ... I J J I nev - er to part
I'm
3
s==:rw
F' I T F F
therewe are_ swear- ing love for- ev- er,_
G7
Bb-
J~
is past all en deav-our.-- ex - cept when that tune
D7~9
I
Bb
3
iJ J T I ~r j I J J I
fjU ;.
To
Abb.7
..-3---,
F-7
G7
j
brings back a night- of trop-i-cal splen-der,_ ev - en the palms seem to be sway - ing_
!
D-7
En I r J J. JI f'D J. IE J. )1 OJ ~
D-7
1 2.
C,o
l J ~ J I TN ~ I f ~ HJ I J ill. ~~I
When they be- gin__ the Be> guine,_ with youonce more_ un-der the stars,_
I~
Cole Porter 1935
e
I
fA) GREEN EYES ~
I'~I'I,
Your green eyes with their Those cool and lim - pid
r
F; I r" D--="'r r
your eyes that pro- mise sweet nights..-,- a pool where- in my love lies,-,- -
11. F-7
E 07
Bb7
i J J1 I r Dr I r" p J J JJ I ..
1'~llq J1
bring to my soul a long - ing so deep that in my search- ing,
F~
I, ~1z11 f"
I r- ~ E
r-
soft lights, green eyes,
Eb
EJ,67
~6
~67
J ~ f" g
J il
!) j
I'
D
I E' ~
r
C7
F7
I, ~1z11 J. ti 1 U hearts too,.-,_ _
I
a thirst for love di - vine for hap- pi- ness I
B0
~-r
r r F; I r"
to fmd you and en - fold
hold you..-,- - -
r JJJ JJ I ~
to \J U I ...
with a thrill so sub - lime _ __
I seem to
In
I~r DE IT F ¥
you,.-,- - - -
our lips meet, and our
~2" F-
Bb7
I F" ThJ)ose cooj 1anjd lim"d il - pIJ '"
& leaI,-, __
Eb
p-r-
Dr r F 1 I F" that they will ev-er
-
P .r J JJ I
haunt
all tbru my life they'll
Bb7
r" ~~F Fir F r r F
want me,
butwilltheyev-er
me,.-,_ _ __
F7
green
eyes make my dreams come
E-7
A-7
A-7
I~I J.
07
j
I
II
you a - lone. more each day. you" be mine.
• A7
great- est love the sim - pIe words I is a e - ver
E-
world has try to long, long
I ..
I"
I
true _ _ __
E-7
07 Ii
known, say, time,
E-(b.7)
I J. J J I J IJ J J I this
I· but
is the love I'll give to on - ly live to love you far be - yond for - e - ver,
E-7
E-6
A-7"
arms long to
hold you so, my
life will be
heart is ver- y
sure, no one
~ J. ;JIJJ.j JIJ. i1IJ jjJIJ.FJI More than you'll
I
know
I
A-/D
e - ver know, my
nev- er lived be - fore, and my
07 D"c"NorepeatalC~" A-7
I~ F F J j I J j j J I J j j ,0 I in your keep- ing,
me,-,_ _
taunt
Ortolani/Newelll962
J J J I J J J F I J. F I More than the More than the Long - er than
t
£1,6
MORE G67
553
Menendz/Rivera 1929
wak- ing, sleep- ing,
laugh- ing, weep- ing.
07
G6
I J j j J I ~ 1-.. I else could love you
more _ __
554
AMOR
lAJ
C
1~1l p~ r AA-
I~
!f
0-7
a - mor,__ my love,_
D-
G7
dore you._lone - ly.__
PI J
!f
1 1'G7
I~
*
have placed be- fore you__
In
j
B7
my my
B7~9
Bo C6
F#-7~S
i) I"
a -' mor,
. I~ J 1 J J J I j JJ..J I
0-7
a - mor,
A - mor, A- mor,
J)I
J 'J UJI,J
love, love,
Y
J
!fJ
would you de - ny make life di- vine,
can't find an-oth-er word WIth
B7
J?J IS ¥ )1
j
mean-ing so clear,
E7
A-7
J J J JI J Jq;J J ~ j) I F U ECE;
I~ •
rn
D7
r 0
J ¥ j) I
F
r
F
this soft car - ess - lng word
~ IFF J ~
C6
G7
know
I~ J ,J JJ I F" pr I mine
But some- how or otb-er noth- ing sounds quite so dear G7 12. G7 Bo C6
D-7
and love me
A
A~7
on - ly_ __
n j J 'J
r *r I a -
C6
- mine,
A~7
my
D7
lips try to whis-per sweet-er things in your ear.
A-7
•
W,
this heart that say you'll be
F#-7~S
G
U) I
means I aand nights are
f J JI J
!f
1 F J?J EE E r I
E-
J
0-7
E-
1 41
If
that I re-peat, there is no day
G7
IJ
A-7
E-7
this word so sweet when you're a- way
0-(1.7)
r
l IJ , 'p I
j
C
J. '1:p1 :±JjJ !fJ
1>1
a - mor, a - mor,
mor, mor,
C+
C6
CA7
•
Ruiz/Skylar 1941
as
J J I j lJj - I
and love me
on - l y _
C
I r * ra - I" I" I" I" mor.,_ _ _ _ __ mor_ _
I
II
POINCIANA
Simon/Bernier 1936
C-6
G7
IJ. qJ I ~J Poin - ci Poin - ci Poin - ci -
I~' JjJJ
qJ J
an an an -
~J
a.- your branch - es speak to me of love,-,_ __ a.- some - how I feel the jun - gle heiU.at- - a.- tho skies may tuID from blue to. gray'-l§b
j
The pale moon with - in me my love
G::b ~7 p jj - I ~fqJ H ~F' )11
J JI
is cast - ing sha - dows from a there grows a rhyth- mic sav- age will live for- ev - er and a
07
I~ • r' ~p J J JJ I" I" mag-ic per-fume fills the air,__
bove.__ Fine Poin - ci beat. _ __ day. _ __
C-
I~nJ
Love is ev- 'ry-where, its
A-7
n ~r'~] r ~p j J J JI .,
D7 D.S. alFine '
I-r
to and fro you sway, my heart's in time,I've learned to care_
r pll
Poitrci-
• •
SPEAK LOW
m
l&
t
I ~ I'
J
t
Speak Speak We're
t
C9
l;j J J J I
II
low__ low,__ late,__
D7~9
way, too dark too ends, too
soon, too soon, too soon, too
soon. Speak soon. I soon. I
r rI r
0-7 • qL,-,
J. ~
B~7
j
JI
I J.
-$-
rm
Iti hr
•It~
d
J
W
and
love
so
A-7~5
D7
IJ
Ii
wait,
I
I'· F B~7
win
J
j
soon. Speak
low
speak
to
II
TIme is so old
Cl3
r rr
p
me, speak
I To Your And
Y011Ju.._ _ _
eyesi___ now___
.
07
and
love
[W
of my life,
in
pro- mise of love, your
back with a
iJ
II
soon
D-7
A-
j
G7
J. P
my heart cries out "Per - ti - di - a"..-._ __ are ech - 0 - ing per - ti - di - a , , - - - I know my love was not for you1.-._ __
)'1 J
I-a
It!"
Dominguez/Leeds 1939
C
G7
F6
pI
love to me
r- p r ferlRD
-$- Q.:L3
C7
J. J I J i II time a thief. we're
PERFIDIA D-7
ERr
I I
II
. and
G-7
r rrr
~ ~,
soon
I~ J
love is pure gold
FE I
our mo-ment is that to- mor- row is
D~7.n
GfSF r-
"
I r &:l
II
love,__ go,_
@A7
brief,
F you
I
E~7
07~9 J2. F
A-7
G7
j
B~-7
when you speak, wher- ev - er I dar-ling I
J J I J. Ji J J J I J J I J A~6
;j J J J I
E~7
swift, like ships a - drift, we're swept a - part too near, to- mor- row is here and al- ways too A~(A7)
HI
J
)l
r - 3---,
our sum-mer day with-ers alove is a spark lost in the the cur- tain de - scends, ev - 'ry-thing
I r' p
II
G- 7
r-3~
love,_low,__ late,--
low__ feel__ wait,--
Cf2-,-,
G-7
C9
II
when you speak, dar-ling speak dar-ling we're
A-7~5
I
G-7
,--3---,
C9
It~ J J I I
G-7
555
We1ll/Nash 1943
rr r
FI
for I found you, the for - get - ful of our and so I'n take it
~--------------r-----
E7
WI
j
some- bo- dy el- se's shar - ing an - oth- er';
arms.,_ _ __ charms _ _ __
sigh, per
D-
I~ J J J J J J J ,) I J. .Ji J sad la- ment, my dreams have fad - ed
like
a
J
E7
J J I la
brok - en mel -
D~
0 -
E7
-$-D-7
Iri
".
1 JOds of love look down andlaugh at what ro-man-tic fools we mor-tals
be.
while the
dy,,--------
And
G7
j
C
rl
II
I
tid - i-a'sone good- bye.
556
ALWAYS IN MY HEART B~
f1 r r r r I
't:
You are aI- ways in my
:&9
B~ID
ev-en tho' you're far a- way_ _
heart,-
D~o7
C-7
F7
I~~~ J) J J J I J J F J I ell of
Lecuona/Gannon 1942
C-7~5
C-7
n PE rr I
elF fJ FE
C-7
F7
B~
A7
I~~~ '.. l)niJJJI J)] J JI J J J J I u-.lJp I~ ~I'
~me~berthat
I
gray,_ B~
you care, and thenand F+7 B~
I) ;J
'k
I~ ~~ I,J
J J JI e
J r r I ,.
B~
B~ID.
r t gain
I don't know ex- act-Iy
D~o7
I _J ;1
and my dar-ling, till we
dear,
iJ
iJ f? E iF eJ I
I
but I'm sure we'll meet a-
F7
«.
UiJU 01
do,
you are aI- ways in my
e
hean
YOU BELONG TO MY HEART E~A7
,
I~~IIII
C1
F
J J
You be-long to my
I~~~~
F-7 P{
;z
II-
B~9 z::
I F
start, kiss,
I~~IIL
E o7
I J. J> F" P I
E!
heart.E~A7
r P -I
C7~9
E1 mil-lion
F
j
gui - tars played our
mil-lion gui - tars
W-
E!
go. mine.
are
still
r
I
J JI
e
of my bean said it too.
e r I
B~9
j....
B~7
I~
j.... I
We were Now we
;,
J E r F ~J J I
-
j
-
and our love had its And your eyes threw a
E~
rrr
F [J I
gath - cr- ing stars while a own all the stars and a
F-7
~
love song,_ _ play - ing, _ _
E~
beat
B~7sus4
F-7
J
r
Lara/Gilbert 1943
B~9
F-7
now and for- ev - er, do you re- member?_
this.-
not long a when they met
0-7
F
r
f
helps me for-
A~9
when dear,
C-7
r r rrI
FErrI!
Just be- fore I go to D-7~5
and thedream I ai-ways meet,
r ir r rII r
part._
F 7sus4
I J f1 i JJ 13 I d~J3 #3 J I :&-6
C-
get we're far a -
there, the sun breaks through.
keep,_
there's a . ren-dc>vous I
sleep,07~9
j
r rI
You are ai-ways in my heart.- and when skies a-bove are
the song of love 1 sang with you.
F7
1 can hear the mus-ic
EJ when I
I
12. B~7...
aI
£J J J
]
I-
said "I love you" ev - 'ry you are the song and you'll
dar - ling
c:r F J JJ J
F
4
B~7
EIr_
J J F eJl " I" I -
ways be- long to my heart._ _
•
557
SOFTLY, AS IN A MORNING SUNRISE
IAJ
E-7~5
0-
1£ ~ 06 r
oj
l
J2)
A7
Romber~/Hammerste1n
E-7~5
0-
I 1 d J J J j I rJ~ j 113 J
:1 ..
0-
JJ
j
A-7~5
E-7~5'
I+cr
A7~9
fp [ I
IPr
¥[
For the pass-ions thatthrilI-- love,---
oh.
are the pass-ions that
and let you fall to hell,
kill love..---
.. E-7a"TB~7 A7
J F L;
Ii
will take it all
0-
JJJJJ
1
II
1 e
a- way,_ _ _ _ __
STRANGERS IN THE NIGHT F
E7~9
11 F r F r U-l
ends each sto - ry.
so
seal-ing, glo - ry
B-7~5
and lift you high to hea - ven.-
A7
ste~ing
., * J J f J J ~> II'r J!J
07
r F U' I<~It)
I~ ~ 'r [
1
[§IF
''E-7~5 A7~9 _¥"
in - to a new-born day'.-,- - the vow that all be- tray'_ _ __
1928 A V
J. Jl~j
I
the light of love comes a bum- ing kiss is the light that gave you
sun-rise,sun- rise.-sun - set,-
as in a mom- ing with all the glow of as in a eve- ning
Soft - ly.-,_ Flam- ing,_ _ Soft - Iy.--,- -
A7
Campfert/Singleton
J 3 J J J 3 J J J ,J-1,J J J J J J
j
I
I
Stnmgers in the night.--- ex - chang- ing glaD- ces, wo... d'ring in the night.-- what are the chan- ces, ev - er sincethat night.--- we've beeil to- geth - er, lov - ers at first sight.- in love for- ev - er,
•
A10
G-7
J J J, J J I JJ J J J J I
I
e
throughl _ __
C7
C7
G-7
J JJ J J I J was so in- vi- ling,
j j F
F_
rl+~ EJJ
m
e night,...........:
0-7
was so ex-ci-ting,
s~- gelS
n
-
some- thing in my heart.-
E1 t 12C1?WO r -J r J I
m the night.---
G-7 said our firsthe~lo,
up to the mo-ment w en we
G-7
in your eyes-
F7
told me I must have you A-7~S 07~9
~ gers
So~thing
J J I JJ3JJJI 3 J J J ,J I
some-- thing in your smillc-e_
C7
*I
G-7
~I+b J J J j J J I .(' 1<" IrE
".,
r·
we'd be sbar-ing love--- be- fore the night was it rumed out so right-
I~~) .
C7
C 7sus4
D.C.s/Coda
JHI EJj) J JJ
j
I
love wasjust a glance a-way, a warmembracingdancea-way. And
..
G-7
lone-Iy peo- pIe, B~6
lit- tie did we know,
C 7sus4
I J3 J J J J I
F II
for stran- gers in the night.
I-I
558
YOURS
Roig/Gamse 1931
CIE ~o7 " ?, I I J - ~ ~ JlJ ~ I r' pF ~ I Yours till Yours in
stars lose gray of
the the
their
.l ~ J I
* I J.
IJ. sing, _ _ __
yours
G7
yours till
07sus4
D-7
07
glo - ry,
the
till
I~
0-7
* II
1?_ _
life's
~7 .~7
E~07
I've nev - er
Bb7
C
r
I*J J J I
on
or
A7
0-7
07
't
sweet
0-7
I love
C-7
C
round you,_
* r'
I ~I!
1 2'0-7
charm
BblD
I~ ~Iz;)
Ef I d r I r .. 11
•
~
from
F+7
seems to
j-r * r
you,
C-7
how 1
long
hear you
say
("" -
I---r
* Fr I
la.---
A - ma -
Bb
F7
to
A-rna
~-
F I J po
I) * J J )
rhap- so- dy, _ _
C-7
A - rna -
r I r * r r I r J fa J I r
po - l a . - -
Bb
a
beat
G7
It
Ob o7
my heart is wrapped a -
J J J I J J I J ,a I J J t
C-7
F I
F7
found you,
C-7
and loy - iog you, it
07
C-7
r IF')) J 3 J
;J
Since I
J ill J J I d J
you're like that ]ove-Iy flow'r so must cop- y its eo - dear - iog
F7 F7sus4
U*J JI
hea-ven-Iy,
J J> I.), l
how could
B~
F7
F7
you,
J aI
LaCalle/Gamse1924
po - la. my pret- ty lit- tie pop - py.po - l a . - - the pret- ty lit- tie pop - py,_
and
tant
------
, I~ ~I! J J f F ( I
-
y o u r s . - - - -_ _
Fsu~
11'B~1D 0~o7 C-7
dis
r' prJ I J ro In J I J
loved an - y - one the way
to
~r ~I
far
Al...
CIE
born to
B~
I~ ~~ F'
this pledge
J1J J lEt
AMAPOLA
A - rna A - ma -
to
0-7
07
I ~ J J J I ]i J be,-_ ~t _ I) ~ J I. when I was
birds fail
sto - r y , -
here
IJ- I J. 1M J I
shores,___
I
of
bring.
D-7
F-7
D-7
PF J I r' 'p
IJ.
I
A+7
'L
07
0-7
I~ J. J) J I J ~ J -
r'
end
0+7
you deal';::: -
the
De - cern - ber,_ _
FIE J "1
love--
Ir you, "_ __
TEA FOR TWO
1~ ~I!I!~ !If
Bb-7
Eb7
J. Jl J
Bb-7
Eb7
Aba7
BJ.7 j)
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1~ ~I'I!~
IF
F7
lJ \J
ct *
• " " "•
0.7
1~ ~I'b~ l"
phone..--
t
A 07
I~ ~1z1,~ E?.. :
Ii' .-
Eb07
F
-
Y:
near us to
G7
or: 3 1 F
Eb7
me for you and me to take for
C'= lit: T. I F~' ~~ F~' ~.~:I ~j. girl for me, oh
1
C-7~5
Q,7
F7
r'
D I C' P
r'
'::1 J'~'
raise
Bb-7
J)L I
can't you see how
J if·
E:5" IF F ate-Ie -
I
B 07
F
G7
we own
We will
Ab/C
or hear us, no
D-7
n
Ej" iF
see
Gb9
see us
won'thave It known dear, that
J -" •~ -
a
£1,7
1
DI
fam - i - ly,
a
Ab6
J1L::1~, D I
hap- py we would
I)
I
II
I)
be?_ _
CHERRY PINK AND APPLE BLOSSOM WlUTE
(AI
~ ~I!I" J jJ J J J 3
1
It's chef-ry pink and ap- pIe The sto- ry goes that once a And that is why the po- ets
t
Louiguy!David 1950
Bb7
F-7
~
;1
JJ J J 3JI ~ it's cher- ry pink and ap - pIe and there a boy once met his it's cher- ry pink and ap - pIe
l!f ( c C J J J 3 I
Eb e
when your true loy - er comes your way, be - side an ap - pie tree did grow, if there's a new moon bright a - bove,
f J r
Bb7
E)
J
F ~ J1e
tc r r
Fine
I
the po - ets say, long, long a - go. when you're in love
bIos - som white.--bride to be, b~- som white,
l~jl'I,Ir--l~-J-JJ-J--W-3-J-"~-2j-¥-r-r-rB~ The s~ry goes that once a
,J
blos-som white,--,_ cher- ry treec;,.,-al- wayswrite:.--._ _
F-7
"
Bb-7
two for tea. just sug- ar cake for
2'.~_7~51 ~7~9_
dear,
boy for you a
~y
D-7
weelE-end va - ca- tions, we
Blz7
Bb-
m ~
No-
;: 3 1IF U\J
B~7
B07
F:7
1
E-7
friends or re - la-tions on
C-7
tea for two and start to bake a
you for me a - lone _ __ all the boys to see _ __
Ca7
Db7
mJ. Ji 1 J. Ji J. m1 J.;il J )1
)1 J. iP J. Ji 1 J
Pic- ture you up - on my knee, just Day will break and you'll a- wake, and
565
Vmcent Youmans/Caesar 1924
!C CF1~ FF r
~E r F1
The boy looked in - to hereyes, it was a sight to en-thrall,the breeces And as they gent-Iy ca- ressed, the lov-ers lookedup to fmd, the branches 1.
J
1
Eb
J JJ 31 r
J
2,
£I,
rr , J
joined in their sighs, the bIos- soms start - ed to fall. And as they of the two trees were in - ter - twined,
17\ D.C. al Fine
J J J J J J JII
twined. And that is wby the t»ets
I
566
FRENESI Dom1ngeuz/Charles 19391
B!,-7 j
Sf Som~time
1:
* ~
~lzll~
p .-
B~-7
• •
a- gu-o_
A~
3 ~ :3~
F
I
~
I felt r<>-mance ev-'ry where,
~
A7
J j 3 \d I
While I was there,
0-7
~
j -
I 7J
JJ
G7
A7
and I could hear laugh- ing
0-7
G7
IJ I J 13 gJ J if
Ev- 'ry-one was gay.--
C
It was fi - es- ta down in A love- Iy se- no - ri - ta And now with- out a heart to
Mex - i - coocaught my eye..--call my own..--
this was the start of their
ho - Ii- day.
I
and so I stoppeda- while to see the show, I stood en-chan.. ed as she wan-dered by, a great- er hap- pi-ness I've nev - er known,
r
I~ ~'b~ ErE J J J J J I J '~l
I
I knew that Fre- ne- si meant "please love me". and nev - er know-ing that it came from me, be-cause her kiss- es are for me a - lone,
A love-Iy se-no- ri- ta
I~ ~I!hj
C
Break
I 'f J J ijJ ~J J J J I kissed.-her eyes were soft as can-
-
I~ ~I.,j
sist?_
>....: ...
E)7
B!,-7
I
Break
JJJ
l
Eb7
J J J F
]
D.S.a/Coda
~
E;.:t And now with-out a heart to
II
F-7
e
'f
Sf
,
I t
II
J
E)7
F F F
I I J J1 I I
B~7
J J
so how was
shine,
t
her lips just pl~ed to be
C
.B~-7
I
nI
A~
And I would say Fre- ne- si. I gent - Iy sighed Fre- ne - si.
She stopped and raised her eyes to mineo-
e
e
r II
A~" B!,-7
Eb7
I
B Ir! ~ r I I
I E r F}
r
J
£\,7
Eb7
F 'P
I
@ II
J j J \4 I flU 13] if
moon was shin - ing bright
0-7G7
voi-ces in the night
Mex - i-co.
A7
IJ - I
«i
B!,-7 Eb7 A~
J F BIJ)U}J Iii I tUlJ I
j
I wcurdered down in- to
Eb7
Ii ~ ~ ~
A~
Eb7
r cr I
to re-
I
A~ II
who would- n't say Fre-ne - si.
I
II
II
~
....
~
------------------~==~
567
NEVER ON SUNDAY
~
Hadjidakisrrowne 1960
B~7
1'~j,IzI:lfJl£JHt F fflr air 0ffer l Oh you can kiss me on a Or you can kiss me on a
tJ
Mon - day, a Mon- day, a Wednes-day, a Thurs-day, a
Or you can kiss me on a but nev- er, nev- er on a
Tues-day, a Tues-day, a Sun- day, a Sun- day, a
• • I*~~ • 3. o. [AI
3
~
B~7
P-7
r FI"
an- y day you Just name the
Most
an - y -
B~7
I r u FF
say.day,__
day,, _ _
Bb7/F
r
FIEF
you can be my
resL
J
C7
FA7
Pta. ,l' I J rJ_J
liold me clos~ If I dreamliere be - fore_
and of my
hold me now it's a part I could swear
hold me tight.new dc-lights._ ve - ry eyes.-
D7
J
j lin - ger so,__ feel this glow,__ mine I know,_..
A7
F6
,))1 J
0-7
thrills like this_ and while 1-this is all_
Hayman 1953
F~
FA7
guest,-
besL
DANSERO 0-7
t
I'.
but my day of that you like the
while my this of this is
09
p
l_J
head seems light.-night of nights.__ pa - ra - dise.--
C+7
F6
I J J J J d J I J- AW when I hear them play Dan - se _ ro_
FIIItI
let them play and play Dan - se - ro_ when I hear them play Dan - se - ro_
A+7
D71U
~1*~~~J~J~J~J~J~J~J~J~I§J~f]~~J~J~J~J~I~J~M~£~.gJ~~.~Je~I~~e~~ In my heart I know that if I've heard one tune,
07
•
0~o7
I F (J
I*~bq (F
•
good._ best....., _ _
e would._ rest. _ _
Tues-day, in fact I wish you Sun- day, 'cause that's my day of
E~/O
Or you can kiss me 'on a
B
e
E~
• •
B '• .
Mon-day is ve- ry, ve- ry Fri - day, and Sat- ur- day is
E~
I've heard a
G+7
thou - sand themes
C7' 1l
I*~ d J J J JJ J I J J (JJ J JI J but still and all I find there's
on - ly one
that thrills me
to
i =a
.
G-7
J I
ex-tremes,_-
'!
~
C7
fF r I and so it seems. D.C. aI F",.
568
,
J
MORNING
D~~7
A~7
£\,-7
~
I
I
I
.
. ".
12·B~7 £\,7 ~ 7
~
lB~-7
F7~9
C-7~5
I
I
I
@7
Clare Fischer - Cal 'ijader
A~7 I
~~7
-
r
,.
I
I
I
P 1-
CARAVAN
Swing
IBI
F7'
,~
Inst.
a1f.
Thi~
is so ex
~
, II
-.J
rest I
-
-
in8n I
I
* t:: F I
my anns,
are so
Fine
F-7~5
• yon
ting,
D.S.aJ
Duke EIlington/TIZ011937
F7~9
In
-
vi
ting,
" uO""
B~-7
I
~
ci
-
F7~9
that shines - pon our ca- ra - van . thismem'ry of our ca-ra- van _ _ _ _ _ _ __ with- in our de-sert ca- ra - van _ _ _ _ _ _----'_ C-7~5
~.
I
I
B~7
C-7~5
F P IF
lightl.-_ _ _ _ keep true
-
r
A~7 !j
,
I
F-7
ab7
97
G-7~~C
as
I
~l
L.::
to
the ma- gJ.c
..
chanm;.
-
,
,...
.
of
•
575
BLUE TANGO
Anderson/Parish 1962
I&~1z11
Bb7
Eb
~
au r E ~f r I ( E r j
:I
B
'I
~
Eb
J J J I )\
i
i
D
~ i
P
j
I
j: J J I Here I While the
• • •
danc- ing
!
to
the
Bb7
2 1 .
I·
tan- go we loved when
..
~
ftrst we met'--_ _
Eh
~
I@n J1 ~ l F" Jlll J l ~ J I ~UU rr 181
love was a tune that
t
J
t:!
d I; r ~[ d1U
r OJ~
kiss your cheek~ hold me tight-
I~ ~I'I!
Bb7 -)
.
FP
r-
11.
)l i
B~7
-J I ~
'r ~~ _ ] -J I.
J :-ill I .-=-.t -~
have to speak_ arms to- nigh~
Eh
ine
1-M j
ry of
the vi - 0 and this Blue
EJ,7
r Fr r Jj J JI LJJ J JI \U 't J J ~ Eh
-
I
So just
we used to
• Bb7
know
not long a - go.
.
love _ _
So just
Eb
I~ ~bl, J J J J J J I ..., Y~EJ JJ d J E@ JJ £j J] I ~ " thrill- ing mem- 0
J JI As
Eh
we don't in your
lins, like a choir, ex - press the dc>sire Yan- go will be our 12.
'r r Ileu 0
we could- n't soon for - get
Ab
I-~ ~I.I! - J-
While the
Jl Jl, Jl ,
Ij
!
II
576
KISS OF FIRE
I touchyour
lips and all at once the sparks go
C7
those dev- il
r
J
coo
I
And tho'
ly- ing.
Villoldo/Allen 1952
fly-ing,
I~ ~I'I,~ f a J. J J J I J J J ~J j J
lips that know so well the art of
~
I P
see the dan - ger, still the flame grows
~
F-
r· r !F j
I know
high - er,
F-
fJ_J 'J J J II i j J J must sur-ren-der to your kiss of
~
l
Bb- tum- ing. - mor-row.
And tho' it I know that
'1
ash - es, dooms me,
my whole world crash - es with- out your kiss of of fitho' it con - sumes me, your kiss
j
I can't re
- sist you,
ny- ing, you're all that I
de
what good
si- reo
FJ J J J J I J J !j
k<
C7 ;;a
V me,
if I'm
a
Ob7 ::::
r
is there
Since first I
Ob
F-
plete - ly,
I~ ibl,~
this road of no re the dev - il take to
Ftne
fire. reo
I~ il,l,~
f ]JI 1
1
I FC7 , J J • aI f J_J f a J I Ji ~J J; J J J JI I r I Eb7 Ab r F r yip r l J J J JI I J qJ JI P r I Ab C7 J J J JI I J) f J J qUI JJ_J , J J P F P I P on a - long night and let
bums me and it turns me in - to I must have your kiss al- though it
j
I
torch, you set the soul with- in me lips, the lips you on - ly let me
r r r JeFrllDr
rj I
(
I must go love me to -
burn - ing, bor- row,
F-
Just like a Give me your
F7
r· F
fi- reo
I I JJ I rI I I I -~
slave, then
in
try - ing,
~J J J J a !3 a slave
is there de-
kissed you, my heart was yours com-
.p
it's
what good
I want
C7 Ob7 > I V "E F be,
to
r r
don't
pi - ty
,.-
me.
FFI
don't pi- ty
C7
F
I,
D.S. alFIM
I-r
j
J J Give
me
J ~
your
•
577
C7
_
F-
C-
I*~I.I! fJ La JJ J I J j. I,. ED iH J I.. I Jd PEJ r 11d DEJ r I
* cry G7
•
I ~'I, ~
c1l J ijJll j) *
~
r * I EiU; ; r pI r J. I iJ JJ r·
* n JJ r· i' I a J. H J J. 111 J. J1 J I I* * J J. JlI J. 1l lOJ I * J J. IJ. Jl {H I* J J P IJ * r c-
F-
I ~bl! [IF rF ,. E p I r J. I
•
•
;I'll a J. I Jl
c-
jbb
G7
G7
J)
LA PALOMA
F-G7
c-
:>
I I I F+7 B~F7 B~ I I! ~I'I,~~ J J J J J J I J (1) Jl J 13 J 13I r ;p It I) oJ iJ d ~ I I E~lBb BbDblF F- Gi7~53-, 9--3--, FI! ~"Ih J. -Ji JJ) i J U I J J I ~ f r f J IJ I IJ~ l)1 r J I I I F7 B~B~
578
JALOUSIE
Jeal- ous - y , _
night
and
Gade/Bloom 1925
I some - times
tor - ture me,_
day you
won - der;--
,;':
r-- 3- - ,
'-'
if this spell that I'm
un - der_
one but me_ has won your
I! ~I'b~~ J J 3 I parts.
B~7
hearL.-
mo - ment they
E~-
play
that tor-tures
[§]
B~
its charm once
me
BblD D!,o
I!,~b. J
r
j I
dance to a fear that the
j
J
a-
is
C-7
J
I
go of mus - ic will
e
H
e
(;.=l3---,
Your
gain,
ec-sta-cy,
F7
B~
my peace de -
strain
and
J J IJ d 1 I I
C9
IJ
,a I J
y
pain _ _
mys-ter-y,
your and
we sur-
~~ ~
F9
*
I know no
IF JJI
this jeal- ous -
F
eyes gives the
I..
,!)
j sway. _ _ lend, _ _
starts.-
C-7~5
love, end,
tan -
dy. _ _ For
0 -
;===yg
r--- 3 - - ,
all_'
mel-
that Ian - gour - ous
I! ~I'b~~ J f J I J~a J J J I ren - der to
a
but, when the mus - ic
J J I J_A
j
From the
can on - ly be
F9
r r Ir rj
heart beats with the shat - ter
C-7
F7
.
of.-,_
mine spell
that
r
F7
j
JI
soft word your
F+7
Fa F JJIJAJ) cruel lips will nev - er
I! ~I,
E~
r
eyes
say.
E~
F
r
just de
I
f'
I
B~IF
r ~a
- ceive, and it's
Ij
to
make me be - Iieve, wheIfour
Bb
F7
•I
on - Jy
J IJ a the
tan
-
j
go you
I
e
love._·_-
I-
I
as we it may
C-7
I,Jd. J I
ans- wer I'm dream- ing
We
•
,
• • • • •
A CIULD IS BORN Bbl.7
Eb-lBb
I~ ii, ~ ~ J D~
I~ ~h
r" F7sus4
I~ il.
F"
Bbl.7
Eb-lBb
IJ J F IJ G~
IJ F 13
D~
D~
r IJ
Bbl.7
IJill
r IJ
IJ J G~
IJ J
Bbl.7
Eb-lBb
Bbl.7
J F IJ
Ij
A -7~5
Eb-lBb
r
J
IJ G-7
I
C9
I ~J
J r IJ
Ij
601
Thad Jones
r
J
F
Eb-lBb
IJ
J
r
IJ
G7
II D.C. aJ F"",
CHELSEA BRIDGE
Billy Strayhorn 1941
b-(~7)
Bb7
..
1.
C7 B7
r- 3' - '
2.
Db6
B7
602
LAMENT ~-7
F-
IfH!. * r ro ~ Ir n A-7~5
07~9
A~7
0~A7
G-7
C7
~er I..
I'd! I F" E-7~5
G-7
J.J.Johnson
A 7~9
F
IJ J B~7 A-7
0-7
F
0-7
I I
I '"
If~
urn I J. J I.. u i1 J Fir F r F I ~ If ~ r r I" I* r r r I Po ,. I* r r r I Pro •• l2.a- .:rI If~ r r L F I tpu r pI J r F I J J I" I .. 1"G7
7
E-7~5 A 7~9
0-7
B~7
E~7
3- ,
E~7
A~7
D~7'11 C7
FA7 0-7
ra
0~A7
G-7~5
C7~9;
F6
PASSION FLOWER
GA7
If' " I~
I
~7~9 U3 a
D.C.mFme
Horace Silver
C-7~5 F7.9 B~f.7
J J J I J. Fine
Miles Davts 1959
A7· 9
FIrA-7
,J I r'
D-7 D~7'1l C-7
~F I J
F7~9
IJ.
J I J F" 0-6
J I ro
B~f.7
Jl f1J DI ro
B~A7
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0-7
A 7tfi
A7
F I VO
Last X OnIy-RiIartf
J I J. 17\
;r
0-6
I
«I
JI
603
ROUND MIDNIGHT A -7~5
Intro
Williams/The1onius Monk 1944
G-7~5
Dalt7
Calt7 F=f"~
!i~I.";~,, Il ~ fJ!mtlfEIf! FWfd !~ t5 mIQj!]! Frl JO J F -7~5
Bb all7
Eb-9
!ij",h" ~ iJ J1 Fa £ a! c L J Ja\J !ZZ
-
II
.--II !
Ritan:t
~
Bb-71D
r-- 3- ,
!, ~I'II; ~ r"
[§] BA7/B~
I'~~b~ T
-i] I 1
1'~llr T
A~t.7
••
B~7~9
r-- 3- . ,
Ell Dbt.7
B71E~
A7/E br - 3 - ,
I~
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&-7
Ctf I
E7/Bb
•
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NAIMA
r-- 3- . ,
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J
r - 3- . ,
j J I J.
Gb7. n
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D~t.7
AbA7
DbA7 Ritan:t
r-- 3- . ,
fJJ
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F-7/B~
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0
Bb7~9
J j j I r-
BA7/Bb
Coltrane
A~t.7
AbA7
f
D.C. al Coda last X
II
604
YOU KNOW I CARE
[8]
Eb~7
[§]
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r,: r
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D/F#
an
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Bb7
.r I r" ~ : E
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r r FI "
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~ I Eb67
Ab7
C-7/F
A7
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[§]
F#-7~5
B 7~9
B-7~5
E7~9
A-7
I~H FFEJI FI'm B-7~5 E7~9
~
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7
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,
•
• • •
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ca I 'F 1
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= J 'is JI J j JJ ~ J I.. '
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•
D I r· pfJ JJ I J , tEf I
fJ J I J j JJIzJ ~F I r"
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Benny Golson
A 7/C# D-7 C-7 B!,-7 A!,-7 G-7
2'B-7~5 E7~9
A-7 D7 G-7C7 ..
1=; F PZ r; I rrr .
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D-7 Gal t7 C7 111F7 E-7~5 Eb7"
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• ••
£
D-7 G aJ t7 C7' 1l B67
C 7sus4 C7~9 A 7~9
A7
to •
A--:p.
C-7/F
I REMEMBER CLIFFORD
~IAIF"7
•
ij I •
iTE] IrE
lei E-7
rltIt I r
lEE
f,tL I
ft."
utr· p ijmo F 7sus4
.. D-7 G aJ t7 C7111F7 E-7~5
Intro
Bb7
cit I r
AIF Bb~7/F
F7 3
IUn
A7
f
I~ ;1. F
C-7/F
AlE E!'-7~5D7 C#-7 F#7 B-7E7
C-7/F
,.. - ,
Bb~7/F A!,-7 Db7 Gb~7
Z
A7
Ir
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Bb~7~
I~;I. F' Ct
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F r p IFF f" 9p I ~F F f" Ip 19F' Ip J In JJ OJ E -
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F7
~ Ir
C-7/F
I~;~
C-7/F
Duke Peaxson
LaotX D.C.
""'ro
I
605
TURN OUT THE STARS Bill Evans 1966
B-7~5 E7~9
A-7
A 7~9
0-7
I~ «'* J J J I e A-7
I~ r
A~-7
I~ ~r
Dl
G7
CA7
E-7
C#-7
F#7
BA7
q In I J F r f U F Pf F-7~5 Bb7~9
A7sus4 A7
G7sus4
G7~9
I~ Ie
E-7
r FIf
I
AbA7 C7~9
II
E7~9
0-7
~J I
I~ * J J J I ..
1*
G7
CA7/G C7
G#7~9
J J J
C-7
I* ~t J F I F r
C-7 Eb7sus4
G#7sus4
AbA7 G7alt
WI
B-7~5
I*~F'
Eb9
r
II
CA7
J J J J 1e
C#-7
(F#7)
1e Fme
QUINTESSENCE F/C
r
j!iF F I"
Ab7 111 G+7
J J ~F d I J d J.
A-7
OA7/A
~p I F' DFe Ff I r r F ., ~ I
I* r j ir I" 0-7~5 G7~9
Bb-7~5 Eb7~9
IHJ Fir I Ie r I'm" \~ I
G7sus4
r
C-7
a IJ Jd T I
C#-7
I nJ !iF ~e I 'F
CA7/G
A+7
F-9
I~ !iF I,J J. J! I J B-7~5
Bb7' 1l
G#-7
EbA7
BA7 Eb-7/Bb A 7sus4 A 7~9
Eb-7 Eb-7/Db
I~ * F r riff I FIr J. Pit Jd r I r B+7
I- I,J JJ
I Ie
I ~F iF ~r p I ,,8M,
OA7/A
B~7
F-7
I* J J J I..
GA7
Pr ~F ~r
A-7
Quincy Jones 1961
@7sus4 AbA7
E7/B AA7
-,#
Bb-6
, FF
r·
#p 1
F6
D-7~5
I r·
:J E+7
A7
07~9
C 7sus4
G9
6f D r C13
C 7sus4
DI r."I
F6
II
C7~9
D.C. aI Coda
lact'
'11
606
LUSH LIFE
D~6
* PJ * J JJ
I ~I'I,~~
[8]
Db~7
B9
B9
37fJ
J J J J J J JI
E!
Eb-7
I ~I'I,~~ J
G~-7
F-7
J
Ab-7
G-7~5 C7 F-
*
I ~bl,~~
1* ~'Ih Isl
cock-tails.
e
G- G~7
F-
r ~r I
Eb-7
clock tales.
Then
F-7
your poig - nant smile was
Db~7
1* ~bl,~~ 1.
Life
Db~7
D7' 1l
jJ is
Db~7
TI3~ 14. Jl
l~l;: -
I*,~I'I'~~ J Jl %'J11 4. jJ b1e
is
Ab~7
~ful
a - gain
Ab~7
Eb7. 9 in Par - is
D7 U1
will
D7' 11
a
D~~7
E o7
rTF r r I
tinged with the sad - ness
1~ J J £tl 1
wrong,
a-gain I was
Ii
Db6
Ab7
Ij -
C-7~5 B 7
E~7 D7' 11
J J 1d. sfre.
iw
F~7 A 7'11
Db7 C7
hearts could on - ly be
trough -
A 7 D~7
E-7
D-7
G7
C~7
a
1
=d
Rq 1 J f J J J §J I). fU10f 3-----'
II
wrong.
year ev- 'ry- thing seemed so
D7' 1l
JI
bore.
A
A-liL3---,
it,
fll D7 ~3--,
while yet
A7
tempt me to mad- ness,
e
J9jTI 1J fll ly~t
ease the bite of
3
from jazz and day, twelve 0'-
Eb-7
Db6
gain and on -
D~~7
D7 Ut
I was
Ah yes!
JI
F-
Eb-7 A 7tll
RZl r fJ j i l l ~ J J Ii) 1
.
J £ J ~J
Db~7
F-6
B 7'11 B~9
of a great love for me.
F-6
J J J J. j1
1
thought for a - while that
Ab7
F-7
you came a - long with your sir-en song to
)J
D.1
to get the feel of life by too rna - ny thru the
F-6
F-6
J J J ijJ.
Db~7
r-J §3 J 0I n
lax - es on the ax - is of the wheel of life, be there, you could see where they'd been washed a- way
Ob-6 D7t11
where one rethat used to
thosecomewhat may pla-ces, with dis - tin - gue ~ces,
D7
§J J I 10
J
J JI
JJ J
used to vis - it all the ve- ry gay pla- ces, The girls I knew had sad and suI-len gray fa - ces
Db~7
Billy Strayhorn 1949
F-7 brain.
you
Db~7
Ab7
G~7
Ro-
Bb7
F-7
mance is
f J I J J J J. :pI J. l' " J ;1 J J P~F' J) I mush sti- fling those who strive, and some small dive, I'll live a lush life in
Gb-7
B7
A7
Ab7
J. l J •r J J J J J. J) I there I'll be while I rot with the rest
E~7
1
of
Ese
D~6
D7Db6
D~7
G7
J J whose lives
qwI
I J ijJ
are
lone - Iy
Eb6
,] too.
II
• • • • • • • • • • • • • • • •
607
INFANT EYES
Wayne Shorter 1965
G-7
I~~blzlj
j j
A 7~9
Ef,b.7
F-7
I YJ~; J J J I J.
J I d_J JJJ I ro
Ef,-7
Bb7sus4
J I &J~J
JJ J I
Bb7
u _ _ _-
~D I
I)
D7~9
Aj,..7
J I ~J I~ ~IIII
G-7
J II A 7~9
e,b.7
F-7
t
J I
_J J J J I J.
J I J<:
_J J j
J I F" II
DJANGO ,
F-7
I~ ~~II~ l
j
r
{jb.7
14 ~.~~ l
,J
1-
F I r· F I~ B~-9
r
* r I r *
r
p
G7
...
9J)
r
r
J I i
r Bj,..6
I~ C+7
Mp
C7
9J1 r
C+7
r
J> J J t
r J I r· Mp r r
r I r· ...
Mr·
IJ A~b.7
e,9
Bj,..9
IT
F-
J J I
q}1
F I F". G-7~S
F-9
:1' !~lli l
J I J.
C7~9
Bj,..7
F7
14r.~ l
G-7~S
Bj,..7
John Lewis 1955
J
F-
C7
r
r C7
Ir
F-
J l
608
KIDS ARE PRETTY PEOPLE D-
A 7 ,3-,
if r -u11D-JJ JJ I~~ *TrEE1r-fij n J I~ ~
~
Il
FA.7/C
A7
2'D,3-,
I~~ Ci I~~
7
,d
F/C
~jl
;(J;;A7
C7
F
A 7. 9
fir
11[ [-4 i )llr G7
C-7
F7
PH
D-
BbA.7
~3--,
Bb7 r- 3-,
A 7,3-,
~3--,
,p. G-7
I
I I I
G7
fJ * -
!j I
A7
;OJ
1
A7
D-
.
E7
E~7fJ~C
F/C
D,3,
B-7~5
1*
D-
A7
I * EJ r·
IlJ * -
D-7/C
B-7~5
C-7 F7 B~7
D-
Thad Jones
EO ~ IEbA.7
r-- 3 - - , r - 3--,
~
__
~:7~l A-LiB I II D-
C-7 F7 Bb7
A7
•
lr J5 U] IlJ*- I*UT @I • Eb7 E-7~5 ,3, I..
I
A 7~9 D;:3, ,3-,
~~~~1j~PJ§i~P§I)~!J.~j~1~lz_~Dj~j~iJ~1~IJ~)F·~£i5~J~J3~Jl~o~~11 -
il
IF YOU COULD SEE ME NOW I
E~A7
I~~'l.f jJ JJ G-7
A~7
E~A7
Tadd Dameron
F#-7 B7 F-7 . Bb7
-$-1 10+7
C7
F-7
II
A~7
or [11 J\Jd J J I JJ JJ EF lJ I J§J~H J. Bb7
•I
II •
2A-7~5Ab-G- G~7F7 EA.?
611
DOLPHIN DANCE
Herbie Hancock
Ab7
}I J J
;j)J C-7
A-7
I~ -
D7
dJJ JlJ
C-7
GA7
j i J.
Ab-7
I~ J. ~n
F-7
I d· } hi J J&J;pu~
iN
C-7/Bb
Db7
A-7
GA7
D7
Fe
I-r ~U EraI'''
B-7
A-71B B-7
I~A9 1-9" 1-
1-
B-7
C#-7
E7 D-7
E1r ¥ JOr cJ IF
r r I•f .. E-7
F 7sus4
1- &l J hi J J IT
I
&J1
r ~r ' [ if' I
I-a 11-
JlJ ..
Iif el, :,
• • • • • •
~.. ~ J
p
I~ ~I,
Ab-7
-7~5 D7~9 , . ~ :r (J A
D~7
GbA7
BA7
G-7
if· B r 1j)1 Ir
1-
'a
I
C7
1"1
A7
G7
~f 1--LJ
Dave Brubeck
B~6
F7
(r r F Qf# I'F
~A7
C r?
C-7~5
I ~ J 'F Fp I A~7
C-7
'a
,leg r OfF ty-J m I E-7
I
F#7
IN YOUR OWN SWEET WAY·
IAI
A7
Bb7~9
A-71B Bb-7
9
F
II -
G7fF
I
G 7sus4
;1. rlflfl
DA7 II
D-7·
I~
G7 "f
CA7
ij:b i J J J I J.
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D.C. a/Fine
(; I
I
I 8 Bars I
II
1
612
WHISPER NOT
I
A
C-
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ti
.-
4
I
D-7
t> I
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t>
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r- 3 ""'j
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ti
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A-7~5
C-/B
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I
1\
I A7 9 1?-7 5 - I CS-r I
...
-
Gr
-"""
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G-/F
I:...J
~
I
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yW
4"
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1. E-7~5
A7~9
D-7
E-7
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G7~9
2. E-7~5
4
r-~
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¥
t
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1~~~7( rJ q
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P-7
, (
E~
I' IJ· p
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I'
rj 'F
D-
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D-7
E~07
DIP
r·
E-
I~
;p J.
D4
I' IJ·
i;7( rJ r p ,p7~J. .
F-
~
J
J
D-7/C
J jJ .qJ. I J g J. J jJ I F-
E-
I~ Il'b r R r r r Ft r1 r Ft r t r r r1r r t r t r Er1t FEr CIE
II
Oliver Nelson
r- -r
G~-
F-
"
r
¥
G - 7 / F ' C-7
I
··
•
D4
A 7~9
··
.
,
"-
.
F-7
STOLEN MOMENTS C4
I
i*. ,
W
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~
......., ~
D7~9
Benny Golson 1956
c-
G+7
1~II'b J J J jJ J J Jld nJ JJ JqJ J I r 1m3 lEe
Eb-
fJ JJJ
Solo on Minor Blues
)
613
SUGAR
Stanley Turrentine
DOXY
Sonny Rollins
f ~'! ;P ~ EF U F di I r rf Td JylJ 3Q mnJ - *! P) B~
A~7
G7
11'C7
B~
F7
I
g
I2.C7
If~' 1ft k
• • I
I - I
r h~F1r JJr 'I
&7
E o7
pI ~F IT J r I -
HAUNTED BALLROOM
,(8)
D7~9
Fb.7
G-7
A~7
C9
D7~9
If ~~ ,n ,. Dr- I ,n 1 JU I ,n 1 ~ A~-7
D~7'1l
F#-7
,.
r I ,n
C7. 1l
B9 G-7"
A~b.7
F-7
Db-7 C-7 F7~9 Bb-7 C-7
I - IF-7fB,
If;] D-7
D-7
1-
E-7
l G9
If; J H m-I f
J1
-71
D~b.7
G ''F' I r
n I;
Fb.7
0
lIt: J 1
G7~9
'I
C9 'f
~b-7 E~7~9
E-7
*' jlll
D.C.aJFtnfI
Victor Feldman 1977
G-7
If~ JO 1 rr I ifl_fiP 14 tol cJdTJ d. ~If;~..
• • •
wn
B~7
F7
@7 1U
kJ I j sP PF
C-7 'I
Bb-7
Jl
D~b.7 &7~9
dr I plJ 'r' A~b.7
E~/G
._
I
J ~J I J ~rLJ._ A 7~9
J. IJ_iS JOUA
'!
J
------------~-------------
I
614
-
Dave Brubeck 1965 Piano Rhythm
C-
C-
G~
BassUne
G~
I' ~'qf ' @' f' ~ f' I' r 'f' * f' _ J d A/
I
-i,l
[§] I
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L
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B .lA~
0-7~5
I
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r2.
C-7
G-7
r
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B~7
F-7
~
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1F - 7
11
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C-
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D.S. toA
KU,LERJOE
Benny Golson
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it
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J I t7
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WORK SONG Nat Adderly/Oscar Brown Jr. 1960
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break- in' rocks and crime of be - in' on the chain gang wan- na break this
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ANTHROPOLOGY
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A NIGHT IN TUNESIA
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SEVEN STEPS TO HEAVEN
Victor Feldman/Miles Davis 1963
Intro
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JOSHUA Victor Feldman 1963
Intro
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EPISTROPHY T.Monk
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CONFIRMATION E-7~5
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643
Charlie Parker
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SOLID
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BYRDLIKE A-7~S
D7~9
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Freddie Hubbard
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SPEEDBALL
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IT'S A RAGGY WALTZ
WEST COAST BLUES r-::3~
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Wes Montgomery 1960
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WALTZ FOR DEBBY
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ST. THOMAS
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Dizzy Gillispie/GU Fuller
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Clare Fischer
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PENSATIVA
Clare Fischer
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Charlie Parker
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